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12th & 13th February 2023. The Epic Apocalypse Tour in Madrid (Spain)

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The year 2020 was going to be so amazing that I actually would have had to choose the things I wanted to do and sacrifice others. It didn’t turn out that great in the end, with lots of rescheduling and cancellations. I was eventually able to budget time and money for one of those rescheduled events – the joint concert by the metal bands Epica and Apocalyptica in their Epic Apocalypse Tour. For a while, however, there was a bit of uncertainty with dates, as they bounced between Sunday 12th and Monday 13th of February, so I needed to juggle work dates in order to make sure I’d be free on Monday. In the end, I was all clear, all the concert-related activities were set for Sunday evening, and I decided to make a two-day trip out of it – I needed to take a hotel for Sunday anyway.

I arrived in Madrid around 9:30 in the morning. I had some time before my first appointment so I walked into one of the large parks of the city Parque del Buen Retiro, which is part of the Unesco World Heritage Site Paisaje de la Luz (Light Landscape), officially called Paseo del Prado y el Buen Retiro, paisaje de las artes y las ciencias, declared in 2021.

Parque del Buen Retiro was built in the 17th century for one of Felipe IV’s palaces, and it was opened in the late 18th century as public park. The park was almost destroyed during the war against Napoleon’s troops in the early 19th century, so most of it has been rebuilt. Aside from the obvious flora, it features sculptures, fountains, buildings… It is home to a lot of birds, and unfortunately a large number of invasive and fearless monk parakeets (Myiopsitta monachus), whose culling has been controversial in recent years. I got to see common blackbirds (Turdus merula), a European green woodpecker (Picus viridis) and a European robin (Erithacus rubecula).

One of the most important features of the park is the sculpture Monumento al Ángel Caído, which represents an angel falling from grace. It was originally designed by Ricardo Bellber, who made it in plaster in 1877. It was later cast in bronze and the original plaster destroyed, and eventually the sculpture was made into a part of a fountain in 1885. Around the area, there is also an ancient water mill, and to my surprise, the almond trees (Prunus amygdalus) had started blossoming.

Retiro Park collage: a pathway with trees and bushes on both sides, ducks, and a robin.

Retiro Park collage: a water mill, blossoming almond trees, and the fallen angel fountain

At 10:15 I had a guided visit to the Real Observatorio de Madrid (ROM), commissioned around 1785 by Carlos III, as an centre to develop and study astronomy, geodesy, geophysics and cartography. The main building is the astronomical observatory, built by Juan de Villanueva in what then was the outskirts of the city. Today, ROM belongs to the National Geographical Institute (IGN), and it is home to the National Astronomical Observatory, the Central Geophysics Observatory, and the data gathering division of the National Volcanic Service, though no measurements are taken there. The main astronomy measurements are carried out in the Centro Astronómico de Yebes, in a town around 80 km north-west of Madrid. The observatory is also part of the Unesco World Heritage Site.

The visit comprises three stops. The first one is the main building, called Edificio Villanueva, which has three rooms – the main rotunda with a Foucault pendulum, the library, with the spot where gravity was first measured in Spain, and the “Time room”, where the sun used to be traced to determine the hour.

ROM collage. A small Neoclassical building, an inner room with a pendulum and telescopes, a telescope and a 19th century library.

The second stop is the Great Telescope, a replica of one that William Herschel built in the 18th century – Hershchel was one of the greatest telescope makers of the time, and is credited with discovering the planet Uranus, two of its moons, and two moons of Saturn. The telescope was destroyed during the war against the French, but later rebuilt thanks to the number of laminates that had been preserved – the original had a focal distance of 7.6 m and a 61-cm diameter mirror (which is displayed in the main building), and Herschel himself considered it the best he ever built.

Herschel grand telescope: a wooden scaffolding structure keeping a huge black tube pointing at the stas

The final stop, the little museum of “Earth and Universe Sciences” has a small collection of ancient instruments used for astronomy, navigation, and geophysics. There are also a couple of seismographs – one of them new, which is up and running – and material retrieved from the volcanic eruptions of El Hierro in 2011 and La Palma in 2021.

Collage. Ancient telescope, old tide measuring device, an old globe, and lava bombs

I had planned for a typical sandwich at an iconic bar afterwards, but I ran into a political demonstration. Thus, I scratched that idea and took the underground westwards. When I was in Egypt, one of the places I visited was Lake Nasser, created by the Aswan High dam. The lake swallowed a lot of villages and monuments, but a few of them, such as Abu Simbel and the Temple of Philae were saved by Unesco. Between 1960 and 1980, a total of 24 monuments were saved, and five out of these were presented as “grants-in-return” to five countries which had offered exceptional technical and financial assistance to the campaign – Germany, Italy, Netherlands, the United States and Spain, the latter being impressive as Spain was in the middle of the dictatorship, and pretty shunned by the international community at the time.

The monument was a small and ruined temple in the now-flooded town of Debod, to which it owns its name Templo de Debod (Temple of Debod). Dedicated to the god Amun, it was built around the location of the First Cataract of the Nile, some 15 km south of Aswan, about 2200 years ago, though the core of the building may have been older. The monument was actually affected by the original dam at the beginning of the 20th century, and it was covered in water for most of the year, which destroyed its colours and damaged the reliefs.

During the Unesco salvage mission, it was dismantled, and eventually granted and taken to Spain, and “freely” reconstructed – a lot of information had been lost, and there were missing blocks. National stone was used to fill in the gaps, and the gates (remains of the pylons) were built in the wrong order, according to some old pictures. The restorers built an air-conditioning system, a wooden roof, and the main hall was closed off with a glass door and window panes. Today, the temple is open to the public at weekends, but unprotected from the Spanish weather – rather different from the Egyptian one – and pollution, it is rapidly deteriorating.

I went inside the temple once when I was a child, and I had a clear memory of it that kept surfacing when I was in Egypt – so I wanted to go back. The entry is free, but capacity is reduced, so I had to queue for almost an hour to enter. I finally matched my memory to reality. The interior of the sanctuary has a small chapel and some carved stones had been taken to a makeshift second floor to display them as a little museum.

A collage of a small Egyptian temple - it has two floating gates that lead up to the main building, which is small with four columns. One picture shows a tiny and dark inside room with an altar.

After the temple, I got lunch on the go, then walked towards the hotel to check in and change clothes. Around 16:15, I set off to La Riviera for the concert. I had a Meet and Greet ticket and had to be there before 17:00. Personnel from the venue were extremely nice, and there was no chaos at all, even if things had been a little disorganised and some fans were lacking M&G confirmation emails. Everything was well-handed and everyone who had paid for an upgrade got through. There were about 30 people to meet and greet Epica and we were ten for Apocalyptica.

Apocalyptica is a Finnish four-man band – Eicca Toppinen, Perttu Kivilaakso, Paavo Lötjönen and Mikko Sirén – founded in 1993. They are “semi-officially” a symphonic metal band, but they’ve ventured into everything from Metallica covers (which was their origin) to pure classical works. They have a very specific style heavily using classical cellos and combining them with modern drums. They currently collaborate with American – self-identified as Cuban in the concert – singer Franky Perez for vocals.

Meeting the four of them was really fun. I got autographs and took the most epic picture I’ve ever taken with a band or artist before. As we were only ten, after it was over, I had time to buy some merchandising and still be the second person to settle on first row – despite having decided that I was going to sit back and relax.

Apocalyptica white and black poster, signed by the four members

General admission started at 18:00, and the crowd was surprisingly tame throughout the whole thing. The venue filled up and the supporting band, Wheel, came up at 18:30. Wheel is a Finnish progressive metal band that consists of James Lascelles (Vocals/Guitar), Santeri Saksala (Drums), Aki ‘Conan’ Virta (Bass) and Jussi Turunen (Lead Guitar).

Wheel Setlist

  1. Hyperion
  2. Blood drinker
  3. Movement
  4. Vultures
  5. Wheel

Wheel playing, each member at his insturment: bass, guitar, singer and drummer

The second band was Epica, which I remember having listening to back when the world was young. They are a Dutch symphonic metal band currently composed by Simone Simons (lead vocals), Mark Jansen (rhythm guitar, vocals), Coen Janssen (keyboards, synthesizer), Ariën van Weesenbeek (drums), Isaac Delahaye (lead guitar) and Rob van der Loo (bass). Simone can go insanely high with her voice, and she has an amazing presence on stage, and the whole band has an immense amount of energy – she also reminded me of a comic character. The keyboardist had a lot of personality too, and he was extremely fun.

Epica Setlist

  1. Abyss of Time – Countdown to Singularity (recording)
  2. The essence of silence
  3. Victims of contingency
  4. Unleashed
  5. The final lullaby
  6. The obsessive devotion
  7. The skeleton key
  8. Rivers
  9. Code of life
  10. Cry for the moon
  11. Beyond the Matrix
  12. Consign to oblivion

Collage of Epica playing, showing different members at their choice of insturment - singer, bassist, guitarist, and keyboardist with a portable keyboard

Finally Apocalyptica came on stage, and it was extremely fun. The things those guys do to their classical cellos would make some classical musicians cry, but the sound is super-powerful. We had Franky Perez for vocals, and a very fun moment regarding “listen to our classical music album at home, because we still feel like death metal”. They interacted a lot with the public, and it felt somehow very friendly / warm – yes, I’m talking about metal here. It was really that fantastically weird.

Apocalyptica Setlist

  1. Ashes of the Modern World
  2. Grace
  3. I’m not Jesus
  4. Not strong enough
  5. Rise
  6. En route to mayhem
  7. Shadowmaker
  8. I don’t care
  9. Nothing else matters
  10. Inquisition Symphony
  11. Seek & Destroy
  12. Farewell
  13. In the Hall of the Mountain King

Apocalyptica playing with Franky Perez. Perez is in the foreground, dressed in black. The thee cello-playing members are in the frame, playing. The drums peek behind them, but you can't spot the drummer

Apocalyptica playing at La Riviera. They have classical cellos. Two of the members stand on the sides, playing their cellos. Another one is walking swinging his as if it weighed nothing, The final one is slamming drums in the background.

We finished off just short of 23:00, I bought off some fast food for dinner, and headed back to the hotel to have a shower and get some sleep. I was woken up early in the morning due to the cleaning crew and the garbage mini-vans noises, but I did not leave bed until 9:00, then set off at 9:30. I bought some cold coffee on the way and walked into the former royal palace gardens, now public park Jardines del Campo del Moro.

Though I’d seen the gardens a few times before, this was the first time I actually walked into them. Despite the frost covering everything, I got a nice view of the palace and different fountains and buildings sprinkled throughout the green – Chalet de Corcho, is a small hut with coloured windows; and Chalecito de la Reina a wooden house that is currently closed. I was insanely amused by a little grass-cutting robot.

Jardines del Campo del Moro. Collage. It's winter and most trees are grey and bare. At the end of the walkway stands the Neoclassical Royal Palace. Two smaller buildings - one of them is white with brown beams, reminscing of German architecture; another one is a small kiosk with colourful windows - red, green...

I wandered around for an hour or so, then headed off via underground to the National library of Spain Biblioteca Nacional de España for the absolutely worst guided visit of my life. Like… it’s true that it’s free, but tickets run out within hours of coming out – on the 20th of the month, for the following month. I’d actually been trying to do this since Covid lockdowns ended… It turns out, we did not see any real books, we could not even peer into the reading area, the book and reading museum is closed and the only information we got was… that the guide did not like the Library. We did not get to see anything interesting or that we could not see on our own, and we did not get to learn anything, so this was a huge blunder. Live and learn – but it was one of the few things that was open on a Monday. The library is a huge Neoclassical building with a fantastic marble staircase inside. The doors and gates are protected by intrincate ironwork fences.

Biblioteca Nacional de España. A Neoclassical building in white and grey tones. The exterior has columns and statues of writers. The interior showcases a pair of twin staircases with the statue of one of the most important library directors between both.

I met with family for a quick lunch and then we went for a walk. We had thought about going to one of the terraces to see the cityscape, but it was closed because it was a Monday. We ended up at the Parque del Retiro park again to make some time and walk. We sat in the sun for a while, then went to see the Palacio de Velázquez there. Currently, it’s part of the modern art museum Museo de Arte Reina Sofía, and I did not really care much about the exhibits, but I like the building. Architect Ricardo Velázquez Bosco built it in brick (with ceramic tiles by Daniel Zuloaga) for the Mining Exhibit in 1883, inspired by London’s Crystal Palace, now gone. The interior is pristine white with hints of iron architecture, but the building’s official style is “neorenaissance historicism” whatever that means.

Palacio de Velazquez: A brick building with large windows and tile decoration. The inside is all white with bits of iron architecture.

Velázquez Bosco and Zuloaga also came together when they designed another building I really like, the glass-and-iron greenhouse Palacio de Cristal, which was built to home tropical flora and fauna from the Philippines in an exhibit in 1887. In front of the palace, there’s a small pond home to some cheeky ducks and geese.

Palacio de cristal. A huge greenhouse with a dome, and two wings. A white duck wanders in the foreground. Between the greenhouse and the duck there's a small pond.

Then, we went to have a snack. Trying to find something on the map before the trip, I’d come across a place called La Mejor Tarta de Chocolate del Mundo, which translates to “The best chocolate cake in the world” and that had to be tried! It was really nice, even if the place was pretty small and felt a bit cramped.

A slice of chocolate cake in front of mugs and teapots

We finally took a stroll down towards the sunset, and I took the train back without much of a hitch, then drove home

24th July 2022: Up, up and down {Salamanca, July 2022}

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After a latte and the best croissant I’ve had in a long time, we went over to see the gothic palace Casa de las Conchas, which was built between 1493 and 1517. The façade is decorated with sandstone-carved shells (concha, in Spanish). The exterior sports ironwork-protected windows, and the interior a patio with artistic arches.

The gothic palace called House of Shells. There are hundreds of them carved on the façade. The inner patio is carved in golden stone, with very thin columns and lots of decoration

It was still early for our visit to Palacio de Monterrey, a 16th-century Renaissance palace inspired in the Italian style of the time, combined with Plateresque decoration, which was heavily imitated later on in the 19th century. The building currently belongs to the House of Alba, probably the most prominent Spanish noble family. The House opened the palace to the public, and the inner area cannot be photograph – it was weird anyway, with some antiques and art pieces, but all of it was… prepared and staged, though the carpets were rolled out of the way. In this case the only option to sneak out a picture was from the tower, as a member of the staff followed us all the time.

Monterrey palace, built in golden-like masonery. The roofs and towers are decorated, and there is a row of windows alongside the upper floor.

Next, just in front the palace, we visited the 17th-century church Iglesia de la Purísima, in Italian Baroque style. Its altarpiece is considered to have one of the best images of the Virgin Mary in her Immaculate Conception advocacy.

A Catholic altar showing the Inmaculate conception in the centre, she is dressed in blue, and standing in front of golden clouds, with angels around her. The back of the altar is built in white stone, and ornate.

Our next spot was the second university of Salamanca, the see of the Universidad Pontificia de Salamanca, a building called La Clerecía. As the original university went secular, the Jesuits built a clerical university. The building, built in Baroque style between the 17th and 18th centuries is composed of a church, a cloister, a patio and a magnificent staircase, forming the complex (read: guided tour) called Vita Ignatii.

Collage: On the left, a very baroque church from the outside, also showing the gold inner altar. On the right, some shots of the upper and lower cloister, the patio is ornate and reddish, the staircase is made completely out of stone.

Then there are two towers that give out really awesome views of the town, named Scala Coeli, the stairs to the Sky.

Views of Salamanca from the above: the dome of the church from the outside, the cathedral, the House of Shells, and the bells.

It was rather hot, so we had some unremarkable lunch and went to the hotel to wait out the blunt of it. It did not really work, and we eventually tried our luck with some more sightseeing. The first stop was the garden known as Huerto de Calixto y Melibea, based on a literature work Tragicomedia de Calisto y Melibea or La Celestina. It is considered the first Renaissance writing in Spanish, and it echoes with Romeo (Calisto or Calixto) and Juliet (Melibea), with an extra character, the old matchmaker Celestina, who is a horrible person trying to break the lovers up to marry Melibea to someone else. Though the writing does not have a firm setting, some say that it is probably Salamanca, where the author attended university. It was nicely shaded and had nice views.

Gate to the gardens, a bust of Celestina (the fictional character), from the cathedral, and some flowers: star-shaped and orange, bell-shaped and red.

Then, we wandered off to see the bridges over the river Río Tormes again: both Puente de Enrique Estevan and Puente Romano. Next to the Roman bridge there is a statue of a verraco (ancient Celtic sculpture) Verraco del Puente Romano, which is supposed to have been there since the 16th century. A bit to the side, there is yet another literary monument, which represents the book El Lazarillo de Tormes, Lazarillo being the word for “guide dog (for the blind)” in Spanish (such an eye-seeing dog). Also written in the 16th century, it is considered another of the peak writings in Spanish, telling the story of a young lad who learns to survive by gathering street-smarts and shedding off any morals he ever had, finally settling in Salamanca with his unfaithful wife: Monumento al Lazarillo de Tormes.

Collage. The historical bridges in Salamanca: the Roman one, made from stone with wide archs, and the iron-architecture one, in greyish-green. Sculptures: Lazarillo with his master, and a prehistoric bull or pig, with a flat head

Then we found a very air-conditioned and interesting place – the automobile museum Museo de la Historia de la Automoción (which reminded me a little of the Megaweb Toyota City Showcase and History Garage in Tokyo). It has a lot of classic cars, and some historical pieces such as vehicles that belonged to dictator Francisco Franco or the writer Camilo José Cela (and air-con).

A collage of some cars: A Rolls-Royce, a Ferrari, a Wolkswagen 600; and a Harley-Davidso

I had then booked myself an evening visit around sunset time, to go up the towers of the cathedral, an experience called Ieronimus, with the hope to see some cool sunset and night views. It makes sense, right? Wrong. I should have realised when it turned out to be a guided visit that most of it would be inside, listening to the guy fanboy his own city – then he started speaking about the Lisbon earthquake and its effects in Salamanca and gave out wrong information. I stopped listening to him at that point. There was a light/music show in the cathedral, and I did get some neat pictures, but honestly? The choir concert in the old cathedral would have been a much better choice, had we known about it.

Views of Salamanca at night, with the gothic architecture highlighted by the illumination. The city looks Romantic and mysterious.

Walking distance: 13017 steps / 8.00 km

18th & 19th May 2019: Madrid (Spain) for Jupiter (and fesFE[M]!)

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Believe this or not, we this weekend started at super-early on Saturday, when I took literally the first bus out to Madrid, and I think I was there around 7:30 or something to meet my friend. She had been having a rough time and she had asked me to “keep her head off things”. Up until a couple of days before, we did not even know whether she’d been able to come to the concert, so I had a whole plan up my sleeve. Unfortunately, a couple of steps backfired (^◇^；)

First we had breakfast at the coach station where we met, to catch up and to give shops and so on the time to open up. When it was a decent hour we took the underground to drop our luggage at the hotel (the lovely EXE Moncloa, even if I’ll be forever traumatised that the terrace was not open ｡ﾟ(ﾟ´Д｀ﾟ)ﾟ｡). Then we took the underground again towards the neighbourhood of Chueca, and I had looked up a bunch of Goth apparel shop that… did not open at 10:00 as expected, but at 12:00 (≧▽≦).

Fortunately, some make-up shops were already open and we were able to pass the time amicably before we ended up at the TeamLab exhibit – that I had already seen, yes, I know, but she had not ☆⌒(ゝ。∂)

Teamlab logo and digital art: Waves, butterflies in red and green, and a dripping circle as if it were painted with a brush. All of them are light or bright colours on black.

After playing out in the exhibit for a while, we moved onto the Callao Gourmet Experience for a snack. I wanted to introduce her to the Niji Mochi shop, and we also shared a chocolate ice-cream shake.

Mochi and coffee with whipped cream

Afterwards we were shopping for a little before we moved on to have lunch. I had a surprise for her. While I care little to nothing about Korean food, she is a fan of everything Korean, so we hit one of the best Korean restaurants in Madrid, called Seoul. I gave her free reign to order for both of us and we shared. In my not so humble opinion as blog owner, the best was the green tea at the end.

Lunch: fried dumplings, roasted meat, rice with vegetables, and green tea.

Once fed, we went on and found an underground station and we rode towards the Museo Arqueológico Nacional, National Archaeological Museum, although we had not realised that it was museum day so instead of a quiet exhibition we had to deal with a ton of families!

Exhibits at the archaeological museum: bones from a mastodon, boar statue, lady statue, Neanthertal skull, Roman mosaic of an octopus, Horus statue, Iberian stelae, primitive animal that looks like a boar or a bull carved out of stone, Grecian vase

After that, my friend was tired from spending all night in the bus, so we went to the hotel to finish our check in process. On the way we stopped and bought a few snacks for the following day because you always have to be ready for a post-concert low.

We found out that we had not one but three Japanese restaurants in the area where we were staying, and we happily went to have dinner in one of them, called Naniwa. We had some decent sushi and takoyaki, and ordered takoyaki seconds because we had a discount (≧▽≦).

Dinner: sushi, fried chicken, octopus balls, chicken skewers

The next morning we went to the venue door around 9:00 and upon seeing nobody queueing yet, we went to have breakfast, then walked around the Moncloa park area, mostly chatting, until we went back to the venue. And went back to the venue. And went back to the venue again, just to find there were still no people in the queue.

Coffee and bread breakfast

In the end we ran into the supporting bands went to have lunch in a second Japanese restaurant in the block, Morikaen. On our way there we walked past a family all clad in “Sunday clothes”, and their little girl wearing aaaall white who just stared at us – in rock-goth black – with pure envy in her eyes. Here’s to you, little one. You’ll get there too.

Lunch. Tuna tataki, rice and cicken, breaded pork, octopus dumplings

After lunch, I decided that I was too tired to go up and down the streets and we stayed back to wait for the venue to open before we got into the chaos that was the concert. Honestly, I think this has been the worst-organised concert I’ve ever attended. My friend C***** and I had Premium tickets (there were five of them on sale), which included a handshake with the band, a picture with a member, autographs from all, the opportunity to purchase a Polaroid with the whole band (well… and either a backstage or soundcheck pass that never happened).

Jupiter is a Japanese heavy metal band with a very distinctive visual-kei style, and honestly we only decided to go because it was… easy and convenient, well-communicated and an opportunity to spend a weekend decompressing somewhere. As the time drew near and we could access more stuff, the excitement built up – I also managed to find the album they were promoting and it sounded really well, actually.

There were two support bands, a German one called VII ARC, and a Japanese one. As we went in, I sent C***** to the first row to save my spot and I tried to find out whatever was going to happen with the VIP extras because communication seems not to be the promoter’s first language. It turns out, the experience was throughout the supporting band’s act. Good thing I had asked, else we would have missed it (as someone did! One of the Premium tickets did not show up, and most VIPs never got their chance to even buy the Polaroid).

I got to talk to the support bassist as we waited for the picture, because the had been kicked out from backstage for the pictures – poor guy. Then I had my picture taken with Teru, my favourite member (I swear that if I ever get to do this again, I’m choosing Hizaki cause he’s just amazing). The problem with placing the experience there was that… well, we lost our spot and missed half of the Japanese support band’s acts – fesFe[M], who in the half concert I watched blew my mind. I mean, absolutely blew my mind. They are also a V-kei band, and they’re currently running with a “doll” theme and they were just fantastic.

The Jupiter concert was as expected, very energetic and fun. Even if we had lost our spot, the venue has some lateral raised spots, and I found a good place at a low staircase that allowed me to lean back and not be in too much pain – basically we watched the concert next to the fesFe[M] bass (≧▽≦). Kuze, Jupiter’s vocal, was really good live, more than expected.

After the concert, we bought fesFe[M]’s autographs and got our pictures with them, when we headed back to the hotel and had some dinner, and the following day we parted ways, a bit sad but happy that we had had the chance to meet up and have a fantastic weekend!

Schedule fo the tour

Fesfem playing. They are dressed up as dolls, and the main singer as a bride

Jupiter playing.

4th May 2019: Museo Naval & TeamLab in Madrid (Spain)

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There were a couple of exhibitions in Madrid that I wanted to see, and my mother decided to tag along. We took a train and walked to the Museo Naval, the Navy museum, which was being renovated – so the permanent connection was not being shown. In the end, that turned out to be awesomely lucky because it allowed us to see the marble staircase and stained glass of the classical building, which is very rarely shown.

The exhibition that I wanted to see was related to the trips to Asia, mostly China, Japan and Philippines, and it was interesting for 3€. one of these days I would like to come back to see the whole museum when the renovations are over. It’s on the bucket list, I swear. One of these… I’m not sure, months, because I’d been saying I want to go to the Museo Naval for years.

After seeing the “Asia in the Naval Museum” exhibit and the ceiling, we walked towards the Telefónica Building. There, there was an Exhibition by TeamLab, the museum of virtual art from Tokyo! I really want to see it.

There were three exhibits:

  • Flutter of Butterflies, Born from Hands (2019), a magical wall where you can rest your hands for butterflies to come up.

  • Black Waves: Lost, Immersed and Reborn (2016), an amazing scenery of breaking waves.

  • Enso – Cold Light (2017), a self-tracing enso (perfect circle traced with one stroke in calligraphy).

I was very happy to see this, and then we walked around the “Evolution of phones” exhibition- however, I apparently have not taken pictures of that one. I think it was too nostalgic, because god did it make me feel old (≧▽≦).

Before we returned home, we had lunch at a De María restaurant – an Argentinean meat-grill where we got a glass of rose champagne to go. Another place I want to return! However, this time I did not take pictures because the atmosphere did not feel adequate to do so.

4th September 2018: また今度 with a red rose petal (HYDE LIVE 2018, Strike 3) {Japan, summer 2018}

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First thing in the morning I got packed (hoping that my suitcase did not get lost again) ｡ﾟ(ﾟ´Д｀ﾟ)ﾟ｡. Then I went to Odaiba [お台場] on my own as D****e was working and there was my last HYDE live for the season. There was wind and rain, but it was not bad especially considering that there was a super typhoon in Osaka that slammed a ship against a bridge and cut down communications to the airport (O_O)!. I mean, compared to that I won’t even complain that my hairdo went to hell because woah there.

I checked out the Venus Fort to check if there were any new goods, but as there were not, I moved on. I took some pictures of the Megaweb Toyota City Showcase [メガウェブ トヨタ シティ ショウケース].

A collage with some cool and futuristic-looking car. The logo reads MegaWeb Toyota City Showcase

And History Garage [ヒストリーガレージ].

History Garage classic cars.

It was at this time 12:55 so I hurried to the Gundam to check whether it moved at 13:00 and I was lucky. It changed its helmet and all (≧∇≦).

Gundan robot looking up to the sky. it is white and taller than the two-story shopping centre behind it.

After that I went to eat ramen. I could not read the super long name of the ramen to save my life, so I just said the number. The girl just turned to the kitchen and ordered ‘tamago’ (;¬_¬). seriously.

Ramen bowl with algae, chasuu (pork), spring onions and noodles

After lunch I went to see the waves.

A cargo harbour with unsettled sea

And I got a drink at Starbucks.

Starbucks plastic cup. It says thank you and it has a smiley face and a heart

Then I joined the people wait for HYDE to come in, waved at him, and thought that he did not look it awake. Once D****e made it we went inside.

Because I had not spent enough in this trip (sarcasm), something that I did before the concert, however, was get the Starset CD and M&G experience that included a handshake and an autograph. I felt that they had done an awesome job and deserved the credit and the cheering. So after the concert I went to meet with them, and they were were extremely nice.

One of the things I like about Odaiba concerts is that they keep the barriers up, so I can hold onto something and I don’t need to stay back to have something to hold on to, so I can get rather close even when I’m tired or sore. This time it paid off because I managed to find a petal from one of the roses HYDE threw as I was leaving.

Zepp Tokyo Venue from above

Starset CD with the band's autographs

A red rose petal

Finally we got home and D****e helped me so I got my trains sorted out to go to the airport the following day.

S night view of Tokyo, with Tokyo Tower lit up

2nd September 2018: HYDE LIVE 2018 @ Odaiba, Strike 2, and Pretty Lights, Strike 3 {Japan, summer 2018}

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In the morning D****e and I walked in the rain (finding our way and all that) to Shin-Okubo [新大久] (did I mention in the rain?). On the way we just walked under a bridge to wait the worst of the downpour out. By the time we arrived at our destination, though, it had cleared out. We were walking to Kaichū Inari Jinja [皆中稲荷神社], also called Minna Ataru no Inari.

Entrance to a Shinto sanctuary through a back alley, and main altar

The legend tells that after the introduction of firearms in the Edo Period a battalion was stationed in the area. The captain could not shoot well, no matter how much he trained. The deity Inari appeared to him in a dream and after he went to the shrine to say thank you, he became a great shooter. Not only him, all of the battalion went to the shrine and they became good shooters. Both “Minna Ataru” and “Kaichū” translate as “hit all the targets” and at the same time “everybody hits”. Nowadays Japan does not have firearms, but people still want to hit… for concerts! And thus Kaichū Inari has become the fan-shrine, where people go to pray to hit for lotteries for concerts and events!

I’m not even kidding.

An offering wall with tons of votive wooden tablets

Close up of the votive offerings with names of bands on then

After this we headed off to Odaiba [お台場] again, to meet with N***chan for lunch. We made a short visit to the Unicorn Gundam.

Gundam robot statue. It is white and taller than the two-story shopping centre behind it. People can walk under its legs

Then we went to have lunch at an “Osaka delicatessen” restaurant at the Venus Fort. Takoyaki (buried in katsuomi (≧∇≦)) and kani koroke. Yummy! (then other stuff that was not that yummy (≧∇≦) ).

Dish of octopus dumpligns that cannot be seen because there are a lot of bonito flakes on top

Afterwards we headed for HYDE‘s Live 2018 concert, second installment, again with Starset. Impressions were similar to the previous day – not bad but… could have been better. Maybe I’m just still a bit salty about the whole VAMPS break-up?

Hyde's tour truck reading his name

After the concert we had tickets to visit the (*takes a deep breath*) MORI Building DIGITAL ART MUSEUM EPSON teamLab ★ Borderless. Yeah, thought so too. We shall call it the Digital Art Museum for the time being. This is a pretty much interactive museum that relies on technology and light to create art – or at least pretty things for you to play with. D****e, N***chan and I were very lucky that it was open late and that we decided to go after the concert as there were few people there and we could be silly around it. Part of the museum was closed because the TV was there doing interviews though, even if it was worth the visit.

Most of what you see in the Digital Art Museum are light projections. You’re encouraged to interact with them, even create some of them that they will project for you. We saw a butterfly and flower area, pink elephants, kangaroo, waves…

I enjoyed a couple of the exhibits particularly – one of them was a light water fall, in a room that had kanji shadows on the walls. If you touched them, they turned into what they represented. I also liked the whales made of light and how peacefully they moved and floated. There were some other interactive exhibits that were very fun, like the… egg-balloons thingies which you could prance through or make float.

Collage of Mori interactive and light art - a walking elephant made of projected lights, it's pink with white flowers. Many rays of white light coming from everywhere in the dark. Waves. Giant purple-pink balloons. Flowers projected on the walls - sunflowers, daisies in different colours

Dancing whale with flowers, projected with light

Afterwards we had dinner and left for home.

12th August 2018: SSGW (Shinjuku Samurai Godzilla Walk) {Japan, summer 2018}

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This Saturday afternoon I headed off to Shinjuku [新宿] again. This time I went to the Samurai Museum in Kabuki-cho [歌舞伎町]. It is located roughly ten minutes away from the station’s Kabuki-cho exit, though I had to do some extra walking because I got a bit disoriented from my metro exit to the actual area. I get lost in Shinjuku station a lot, but I think I’m getting the hang of it.

The Samurai Museum has two floors. As you come in, you have the shop to one side and the counter to the other. I was strongly encouraged to take the English-speaking tour that started in 10 minutes, although I did see people on their own without taking the tour – my impression was that they prefer foreigners in tours, but I went with it.

The museum claims that all its pieces are original. It has two floors, the first one has a few armours, one of them with a bullet dent. The second floor, where you have to take yours shoes off, you have several rooms with memorabilia such as helmets, stirrups, saddles and so. There is also one room for sword exhibitions – which take place once an hour in the afternoons – and the chance for you to try on.

After the museum I grabbed something to eat from a conbini (because I am not known for keeping regular meal times in Japan anyway) and then took a stroll down Shinjuku and Kabuki-cho, ending up at the Peace Memorial.

Afterwards I went to the Toho cinema / Hotel Gracery Shinjuku [ホテルグレイスリー新宿] to see the Godzilla [ゴジラ] head. I have been there a few times, and I always try to go to the balcony to get close to the head. In theory, access is restricted to customers from the hotel or the bar, but I had heard that sometimes they open it in general. I am not sure if this was the case, but this time the terrace was open, there were people outside so I applied the old trick of ‘walking into it as if you belonged’. So I finally got up close with Godzilla! It was about time, too.

(Sidenote: The above Godzilla pic is a composite of two I took with different lightings. I’m quite proud of how it turned up.)

Then I met up with D****e at the Tokyo Metropolitan Government Building, Tōkyō Tochō [東京都庁], to watch sunset (ish. Again. Japan weather in summer).

Afterwards went off for a drink and towards Shibuya to snoop around the Tower Records and the Book Off, only to discover that the latter was gone ｡ﾟ(ﾟ´Д｀ﾟ)ﾟ｡. From Shibuya [渋谷], as the evening was nice, we walked down first to Harajuku and later to Yoyogi [代々木] to catch the underground. We saw the illuminated NTT Docomo Yoyogi Building [NTTドコモ代々木ビル] and I took about a gazillion pictures.

And at some point I guess we had dinner. Probably.

6th & 7th May 2017: Cuenca (Spain)

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If I ever go missing, especially with my car, don’t go around looking for me in Cuenca . I would have a nervous breakdown trying to drive through the streets and slopes. I’m not sure what time we arrived, maybe mid-morning. We had a reservation to have lunch at the Parador. However, to get there we had to drive up a horrible, horrible hill with a terrible paving and park too close to the cliff so #no.

Cuenca is considered a World Heritage City. It has a classical, mostly Medieval area, and a normal / standard area surrounding that. The inner cluster is virtually carless as the streets are narrow and steep. It is perched on the Huécar Gorge and as you can see, a vertical rock wall.

We had some time before we had to go for lunch, so the first thing we did was go have a look at the Casas Colgadas, the hanging houses that overlook the Huécar Gorge. Inside there is a contemporary art museum that I visited once already so there was no incentive to look again – you know, the kind of abstract art that showcases a plus-symbol and you’re supposed to interpret.

We had lunch at the Parador de Cuenca. A Parador is a high-end state-owned hotel usually with a good restaurant. More often than not, a Parador is located in a renovated historical building. This one is a former monastery, and the restaurant is located, if I remember correctly, where the original dining room would have been.

Main dishes were forgettable (and not photogenic) but the curd or “cuajada” for dessert was to die for – and it came with a lot of extra goodies.

In order to get to the town centre you have to cross the scary, scary bridge aka the Puente de San Pablo, St Paul’s Bridge, over the gorge, but I survived – without a freak-out (≧▽≦) and you might be aware that I am not a fan of heights.

We had lunch, then moved (over the scary scary bridge) on to see the Museo de las Ciencias de Castilla la Mancha, the Science Museum of Castilla La Mancha – unfortunately the dinosaur area was closed, so we “only” got to see the super steampunk clock and the energy wards, and the tornado simulator, along to some kind of reproduction of the International Space Station.

After the museum we walked a little around the town. We went to the cathedral, Catedral de Santa María y San Julián de Cuenca, but it was closed due to some religious service or another. I mean… that’s its main purpose I guess? (≧▽≦)

Then we found the Torre de Mangana, Mangana Tower, a clock tower dating from the Sixteenth Century. From underneath the tower there is quite an impressive sight of the area surrounding the city.

We went back to the car and we had a drive around the city. Cuenca is located in the middle of a karst area. Karst is a type of landscape formed by the dissolution of soluble rocks e.g. limestone or gypsum. You can see how the rock seems to be “molten” among all the pines.

We reached the Castillo and Murallas (castle and walls) on the other side of town but we had to drive back due to the streets being cut for the same religious event we had run into before.

Thus, on our way back, we drove at the bottom of the Huécar Gorge and headed back to the hotel.

This was about six or seven in the evening, and we did not go out again because we were way outside town. We had dinner in the hotel and called it a day eventually. I ordered the kids’ menu because everything else was too fancy and abundant.

The next morning we woke up early to visit the Ciudad Encantada / Enchanted City. This is another karst topography which has somehow become very famous. Some of the rocks have interesting forms, and have been given names. It is a sort of geological park formed by rain falling on the rocks and dissolving them for millions of years. The original rocks were a mix of of limestone and dolomite in different proportions, which ended up dissolving in different shapes.

After walking around for a couple of hours we went on our return trip.

24th – 27th March 2016: Easter in Barcelona (Spain)

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I think this has been the first time I’ve been to Barcelona without a concert. However, one of the first times I did take a long touristing tour, so this time round my friend and I took it rather chilly – in the literal sense. As we were there there was a drop in temperature and I had to run to get myself a long-sleeved T-shirt.

24th March: Gaudí afternoon

Through different means and from different origins, my friend and myself arrived in Barcelona at around the same time mid-afternoon. We met at the station and dropped our things off at the hotel, then we took the underground towards Monte del Carmelo, Carmel Hill, where Parc Güell, the Güell Park, stands. The park, which was supposed to be a urban area originally, was designed by Antonio Gaudí. It became a Unesco World Heritage Site in 1984.

Visiting some areas of the park is charged, but the whole park is accessible starting in the late evening. We decided to climb up first and then visit the paid-but-free area. Thus we got to the summit of Carmel Hill and saw the Turó de les tres creus, the Three-Cross hill, that offers a great view of the city, including the Tibidabo area with the Cathedral and the amusement park.

We went down and we walked into the architectural area. Although there is no artificial lighting in the area, as the sun went down we were treated to a bit of a magical area, also away from the tourist crowds.

We had dinner at Arenas de Barcelona, the old bullfighting ring now turned shopping and dining centre, then we went up to the roof for some night views.

25th March: Gaudí morning & Gaudí night

We woke up and had breakfast – coffee inception!!

Then we headed off to see the Casa Batlló, the Batlló house, one of Gaudí’s Modernist masterpieces. It is also called the “house of bones”, and it’s kind of wobbly and organic. The roof is designed to look like the back of a dragon. An interesting detail is that the building was not really erected on Gaudí’s orders – it was a renovation of a previously-existing building.

After the house, we went to the harbour area. We hung out for a while (with a stop to buy an extra T-shirt because it was cold), had lunch and eventually purchased tickets for the Museu Marítim, the Maritime Museum, located in the former Royal Shipyard.

The sun was setting when we came out, and we headed towards the Basílica de la Sagrada Família, the church of the Holy Family, also designed by Gaudí. Both of us had already seen it, so we were happy to see it from the outside. When they finish it, I would like to come back though.

26th March: No Gaudí!

We had a walk around the Gothic Neighbourhood of Barcelona, and we made a stop at the Iglesia de La Purísima Concepción, the church of the Conception to visit the cloister.

We saw the cathedral Cathedral of the Holy Cross and Saint Eulalia, Catedral de la Santa Creu i Santa Eulàlia.

We also walked under the Bisbe Bridge, Pont del Bisbe, in the street of the same name.

We had lunch in a Japanese restaurant, then walked around the Port area for a while.

As we had visited the Maritime Museum the previous day, we had a free pass to the sailboat Santa Eulàlia.

We ended the day in the L’Aquàrium Barcelona, the local aquarium.

After that, we backtracked to our hotel. The following morning, on the 27th, we met up with another friend who had a free while for breakfast and then everybody went home.

2nd April 2015 (Maundy Thursday): Here Be (rust) Dragons {France, Easter 2015}

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We spent the day in Toulouse for several reasons – I had been doing a lot of driving and I did not feel like moving, among them. However, we were not going to stay at home all day, so mid-morning we headed off to one of Toulouse parks, the Jardin Compans Caffarelli, which features some sculptures such as a dragon made out of metal scrapes.

And also, there is an area landscaped as a Japanese garden, the Jardin Japonais.

Then we took the tram and went to the The Aeroscopia museum because my friend was interested in planes, and we got to see a bunch of aircraft both modern and classical designs.

15th August 2014: And then there was shiny {Japan, summer 2014}

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I like Ueno Kōen [上野公園], the main park in Ueno [上野] just because I do, and off I went again, maybe for the fourth or sixth time. In Ueno station we had awesome ramen at a franchise called Ichiran where you buy a basic ramen card from a machine, and are then given a card (English version was available) to mark off what you’d like on it and how. It was delicious (The bits that are missing on the picture are pork slices and spiciness level). There are different styles of ramen, and this one is Hakata ramen from the Fukuoka Prefecture.

After that we took a stroll down Ueno and ended up at the Tōkyō Kokuritsu Hakubutsukan [東京国立博物館], Tokyo National Museum, which holds many important pieces of historic art:

Leaving Ueno, I headed towards the Minato [港] ward as there were a few things I wanted to do. One of them was visiting a special corner of Shiba Koen [芝公園], and then I wanted to go to Tokyo Tower [東京タワー].

Within Tokyo Tower I visited Tokyo Tower Suizokukan [東京タワー水族館], the little aquarium at the bottom. It did not host sharks, sadly, but quite a few interesting species, among them catfish, one of them seemed very intent on trying to eat me.

There was also this fun sclupture thingy of scaled Tokyo Tower and Godzilla.

I climbed up the main observatory (well, did not climb, took the elevator) to watch the sunset, grab a bite to eat and take lots of pictures. You should appreciate Mount Fuji Fuji-san [富士山] with its summer cap in one of them. Once the sun is down, Tokyo Tower is lit, inside, and out.

I love Tokyo Tower, and going up to the observatory always makes my Tokyo trips feel more complete! I got myself an omamori and a model I have to build, if I eventually find it in the luggage chaos!

28th June 2013: Odaiba {Japan, summer 2013}

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Odaiba [お台場] is big and quite empty actually, which can give off a bit of an eerie feeling after bee-hive-like Tokyo. It however has beach (as in duh, it is an island, albeit an artificial one) and some awesome sights, found after Google Maps trolled me sending me on a scenic route ¬.¬

Rainbow bridge over Tokyo bay. It is white, not rainbowy at all

After the Marine Science Museum seemed to be 90% closed, I headed off to the Miraikan [日本科学未来館] (National Museum of Emerging Science and Innovation), which was unfortunately a bit disappointing. Works well for the regular peer (and awesome for kids) but when you are a bit knowledgeable in science, it comes… short. Lots of English, though, so that was at least good.

A massive amount of screens bundled together in a sphere. They show the earth with clouds and atmospheric currents moving around it

This is what I liked the most about the exhibition, a little corner on abyssal ocean info, including a bit of a hydrothermal vent and some colourless abyssal crabs:

An irregular rock that happens to be a bit of hydrothermal vent

A white crab in the dark

I headed to the Diver City Mall for VAMPS 2013 Live concert which was to be held in the the Zepp Diver City later in the evening. I queued for about an hour to buy some goods, and when that was done, I walked around. The shopping centre has an 1:1 Gundam reproduction near its main entrance, which I did not know about:

Zepp Diver City logo

Gundam robot, almost as tall as the two-story building behind it. It's mostly white, with red, blue, and yellow chest

The concert was really fun, as VAMPS concerts tend to be. There were rocky-fast songs and some ballads, even some nostalgic ones from the time Hyde was working solo. I enjoyed second half best, but all in all it was a good, fun concert, even if a painful one, as my right hip did not approve of the day’s effort. After the concert we went off the long way home, which involved several train changes drenched in sweat. Ew XD.

17th July 2012: The Sword and the Vampire {Japan, summer 2012}

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After a failed shopping trip to Shibuya [渋谷] and Ikebukuro [池袋] looking for an adaptor for D****e’s WiMax who fell victim of the Sakaki clumsiness, on the 17th I visited the Japan Sword Museum / Tōken hakubutsukan [刀剣博物館], where they’ve got the tightest security ever. Pictures were not allowed and there was a security guy checking on you and a bunch of cameras following your every move. Impossible to sneak them ^^”

Notice with the name of the The Japanese Sword Museum

Afterwards I took a rest in preparation of what was to come in the evening. Since I was feeling kind of down I decided to head off to Shibuya’s Book Off for a self-spoiling or twenty before going to pick up D****e at her workplace with a change of clothes.

We took the Yurikamome Line to Odaiba [お台場] and the Zepp Tokyo where we were attending VAMPS live concert “Beast at the Beach”. It was a very cool thing to go over the Rainbow Bridge [レインボーブリッジ], another of CLAMP Tokyo landmarks.

Rainbow bridge, which is white, extending over Tokyo Bay

The inside of Rainbow Bridge from the front of the train that crosses it

VAMPS’ vocalist, Hyde, is one of my favourite Japanese singers, and I went to see him with his “main” band in London back in April. Thus, this was the second time for me seeing Hyde in half a year, which is fun because not long ago I thought I’d never manage to see him XD

Although VAMPS is Hyde’s second(ary) band, but that does not mean he is any less energetic or enthusiastic about it. The music is fast and catchy, and Hyde had a blast during the lives. That man was born to be on stage, I swear. However – he is too short! Really, people, give him a higher spotlight! We want to see him!

We really patted his ego last night, and there were some very funny moments when he messed up his emcee. He climbed up onto the second floor for a few minutes and slammed his guitar there, having one hell of a blast. I was surprised that K.A.Z., the other main, barely got any attention at all, which is strange considering that he is good at what he does and rather easy on the eyes. The light effects were awesome, starting by the clock projected on the curtains waiting to signal the kick off at 6:66 pm (19h 06mins) to which there was countdown, of course. Sound quality was much better than any of the European concerts I’ve attended. Hyde had a blast, I did too and all was good with the world. Oh, and we toasted to Frank’s happy birthday with… water XD Expensive water though!!

Entrance to the venue from above. Lots of people are waiting, a lot of them with pink shirts

It was all in all a very fun concert, with powerful songs balanced with well-placed ballads that made the mix work really well. The only downside was my aching feet, and a big-headed girl in front of me XD.

Vamps Tshirt and concert booklet showing their logo, an open mouth with pointy upper fangs

A bottle with a lanyard to hang it around your neck

Afterwards there was purikura and very sore feet and a couple of cramps, but it was so. Damn. Worth. It. And I didn’t feel nearly as sore as after the LARUKU con in London.

Now, where the hell is Hyde’s lamb, people?

4th July 2012: Multitasking Day {Japan, summer 2012}

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4th of July is the USA’s Independence Day, and Gackt’s brithday and Akanishi Jin’s birthday and Massu’s birthday, so I renamed it multitasking day.

The day started with getting on the public transport and into the Yamanote Line towards Ueno Kōen [上野公園], Ueno Park, obviously in the Ueno [上野] area. In case anyone has missed this, I am a big CLAMP fan, and the Tokyo Babylon / X arch has a very important plot device in Ueno Park – it is the place where the Sakurazukamori can be found.

The Sakurazukamori is a cursed sakura (cherry) tree which grows on the human blood the Sakurazuka mystic assassin clan feeds them, the blood of their victims. Unfortunately, I was unable to locate the Sakurazukamori, but I was creepily amused to notice how many crows there were in the area. However with that many people around, I think Seishirou would have trouble hiding his kills in there XD I was wandering around for about an hour and a half.

A path in the middle of a park. Bright green trees close over it

Thus started my torii obsesion, looking at the entrance of Hanazono Inari Jinja [花園稲荷神社]. Torii [鳥居] are symbolic gates that separate holy grounds in Shinto – they are made out of stone or wood, in this case they tend to be painted bright orange or vermillion. They usually have two columns and two horizontal boards on top, the upper one is a bit curved upwards, and there is a plaque showing the name of the shrine. They sometimes have some writing on the back of the columns.

The entrance of a shrine, with a row of torii heading down some stairs

There are a lot of Museums in Ueno Park, and I chose the Tōkyō Kokuritsu Hakubutsukan [東京国立博物館], Tokyo National Museum, for a visit when the heat became too much. Yesterday it was supposed to thunderstorm, so I decided to go walk the park first and go to the Museum if / when it rained. In the end I went into the Museum when it did not rain XD. It was a tadbit too hot to wander around…

The Tokyo National Museum of Art is focused on Japanese culture and art (there’s a Western Museum of Art not that far away, also in Ueno) and the Tokyo Metropolitan Museum of Art in the next corner.

The entrance of the National Museum of Art, a light grey building with a brick roof

I am not going to bluff and tell you how I appreciated the sliding doors art of the china art. I did, but let me be honest. The katana collections are the ones that made me flail:

A katana

After I was done with the Museum I needed to hunt down some food. I had two options, stay in Ueno and give a try to the Metropolitan or go somewhere else. In the end I decided to head off to the station, get food there and get into the Yamanote line [山手線] again until Hamamatsuchō [浜松町] where I sat on a park to eat my onigiri and get some rest. After that, I visited the San’en-zan Zōjō-ji [三縁山増上寺] Chief Temple of Jodo-Buddhist, which kind of was in my way.

A vermillion Buddhist temple which you need to access going up the stairs. A few people come and go

A wooden Buddhist temple building

Very, very pretty. But the actual reason I was in the area was the metallic structure you can guess to the right in the first picture. This is the area where Tokyo Tower [東京タワー]. Insert a huge fangirl squeal here. Aloud. just after coming out the station, when the tower was barely visible against the sky. Of course, however, I could not stay away XD.

As I mentioned before, there was supposed to be bad weather, so originally I did not have plans to climb it up yesterday but… I did anyway because there was good weather. I had decided to only go up to the main observatory (150 m high), but in the end I found myself asking for the special observatory combo ticket, which lets you go to the special observatory 250 m high (total height of tower is 333 m).

A view of Tokyo Tower from the ground. It is not a good picture, a bit burnt, but it shows the whole tower from afar

Tokyo Tower - a picture from the base upwards

Lots of CLAMP manga have important stuff happening in Tokyo Tower: in Tokyo Babylon, Subaru banishes a restless spirit, in X Kamui and Fuuma fight there as it is one of the Tokyo kekkai, in Clamp Gakuen Noboru wants to celebrate his birthday party there and in Magic Knight Rayearth, the three main characters meet there. Though let me tell you, I don’t know how three classrooms fit in here so they see each other when Emmeraude calls upon them:

A view of the observatory of Tokyo Tower

Yes, I took pictures inside the observatory, I took pictures from the view too, of course. Note Tokyo Bay and Rainbow Bridge, another of the kekkai.

Tokyo buildings from above, with a huge park in the foreground

Tokyo highrises

Tokyo Bay inlet and buildings around it

I even looked down

A glass floor shows the view of the streets below and Tokyo Tower structure underneath.

The day ended with a quick visit to Ebisu [ヱビス] Place (where MatsuJun gets stood up in Hana Yori Dango), a quick once-over Shibuya, katsukare for dinner and then falling kinda dead.

A square. A covered gallery is int he background

I made friends with a Shiba Inu who wanted petting and totally pwned jet lag. I also was misled into trying a horribly ocha (tea) drink that Tackey promoted on TV, which was… horrid. Lesson learnt. We don’t trust Tackey on drinks…

A bottle of tea soda