Tag Archives: Odaiba

4th September 2018: また今度 with a red rose petal (HYDE LIVE 2018, Strike 3) {Japan, summer 2018}

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First thing in the morning, after D****e left for work, I got packed (hoping that my suitcase did not get lost again). Later, I went to Odaiba [お台場] on my own as she was working. It was my last HYDE live for the season, and my last day in Japan, too. It was windy and it rained on and off, but it was not bad especially considering that there was a super typhoon in Osaka that had slammed a ship against a bridge and cut down communications to the airport… I mean, compared to that I won’t even complain that my hairdo went to hell because woah there. I just had to not worry about my own flight a few hours later.

I checked out the Venus Fort to check if there were any new goods, but as there were not, I moved on. There are two exhibit rooms about cars in the area. One deals with newer and racing cars – MegaWeb Toyota City Showcase [メガウェブ トヨタ シティ ショウケース].

A collage with some cool and futuristic-looking car. The logo reads MegaWeb Toyota City Showcase

The other one is quite the opposite, and focuses on classic and historical cars – History Garage [ヒストリーガレージ].

History Garage classic cars.

It was at this time 12:55, so I hurried to the giant Gundam that stands in front of the Diver City. I wanted to check whether it moved at 13:00 and I was lucky. It changed its helmet and all (≧∇≦).

Gundam robot looking up to the sky. it is white and taller than the two-story shopping centre behind it.

After that, I went to eat get some food. The food court in the shopping centre was not too busy as it was a weekday, so I decided to sit down and have some ramen. I really love the way they prepare eggs for ramen, so I wanted ramen with egg. Unfortunately, could not read the super long name of the ramen to save my life, so I just asked for it using the number. The girl just turned to the kitchen and ordered ‘tamago’ (egg), which was pretty frustrating.

Ramen bowl with algae, chasuu (pork), spring onions and noodles

Once I had eaten, I went to see the waves, because even if the typhoon was making its effect known, and I am still fascinated by hot storms. Odaiba is, in the end, an artificial island in the middle of the bay, so it makes strange patterns sometimes.

A cargo harbour with unsettled sea

And I got a drink at Starbucks.

Starbucks plastic cup. It says thank you and it has a smiley face and a heart

I joined the people wait for HYDE to come in, waved hi at him, and thought that he did not look too awake. Afterwards, I decided that I had not spent enough in this trip (sarcasm). Thus, I went to buy something else: since I liked HYDE’s opening act STARSET, I wanted to get their CD and M&G experience, which included a handshake and an autograph. I felt that they had done an awesome job and deserved the credit and the cheering.

Once D****e made it, we went inside. By now, I had figured out what I had found amiss on Saturday and Sunday regarding HYDE’s live 2018 and made peace with it. Or maybe it was just my last day, and I really wanted to enjoy myself. I found a good spot in Zepp Tokyo – one thing I really like about going to converts there is that they keep the barriers up to separate the areas of the floor. That allows me to lean onto something and I don’t need to stay back to have something to hold on to, so I can get rather close even when I’m tired or sore. This time it was even better – since I was closer than usually, I managed to find a petal from one of the roses HYDE threw as goodbye at the end.

STARSET’s setlist:
1. Frequency
2. Carnivore
3. Gravity Of You
4. Telescope
5. Monster feat. HYDE
6. Ricochet
7. Bringing It Down
8. My Demons

HYDE’s setlist:
1. Fake Divine
2. After light
4. Out
5. Set in Stone
6. Don’t hold back
7. Zipang
8. Who’s gonna save us
9. 監獄ロック [Kangoku Rock]
10. Rise or Die
11. Lion
12. Two Face
13. Devil’s side
14. Midnight Celebration II
(pause)
15. Kiss of Death
16. Ahead
17. Rise up
18. Ordinary World (Duran Duran cover)

After HYDE’s concert was over, I put my rose petal away, and I found my way towards the STARSET M&G. They were were extremely nice. We were around ten people, and they paid attention to each of us and they shook our hands (whoops, I forgot to take my wristband off). They were pretty patient and nice to everybody. Even after they left the venue, they were willing to sign items for people who had not purchased their merchandise (even though 3,500 ¥ for CD and signature is almost a gift).

Zepp Tokyo Venue from above

Starset CD with the band's autographs

A red rose petal

Finally we got home and D****e helped me so I got my trains sorted out to go to the airport the following day.

Night view of Tokyo, with Tokyo Tower lit up

2nd September 2018: HYDE LIVE 2018 @ Odaiba, Strike 2, and Pretty Lights, Strike 3 {Japan, summer 2018}

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It was raining that morning when D****e and I walked out and headed towards Shin-Okubo [新大久]. The weather actually turned so bad for a while that around halfway, we just walked under a bridge to wait the worst of the downpour out. By the time we arrived at our destination, though, it had cleared out. We were walking to Kaichū Inari Jinja [皆中稲荷神社], also called Minna Ataru no Inari.

Entrance to a Shinto sanctuary through a back alley, and main altar

The shrine is dedicated to the kami [神] Inari [大稲荷], one of the most important deities of the Shinto mythology, the kami of fertility, rice, tea, sake, agriculture, and worldly success. Inari is said to use foxes as messengers. Shrines dedicated to Inari often have a lot of torii gates, usually offered by business in search of that success, and stone fox guardians. The most famous Inari Shrine is Fushimi Inari Taisha in Kyoto.

The legend surrounding Kaichū Inari Jinja tells that after the introduction of firearms in Japan during the Edo Period, a battalion was stationed near the shrine. The captain could not shoot well, no matter how much he trained. The deity Inari appeared to him in a dream, and after he went to the shrine to say thank you, he became a great shooter. Not only him, all of the battalion went to the shrine and they became good shooters. Both “Minna Ataru” and “Kaichū” translate as “hit all the targets” and at the same time “everybody hits”. Kaichū Inari Jinja became “the Inari shrine of everybody hits the target”, Minna Ataru no Inari Jinja. The news spread, and eventually people from the whole country started visiting so their wishes came true. The shrine’s relation with firearms was constant until it was burnt down in WWII.

Nowadays, Japan does not have firearms, but people still want to hit… for concerts! And thus Kaichū Inari has become the fan-shrine, where people go to pray to hit for lotteries for concerts and events!

I’m not even kidding. Kaichū Inari Jinja is also known as “the fan shrine”. In Japan, you do not queue for concerts. Instead, your ticket has a number printed on it, and you enter when it is called. However, there are different series of numbers. The best tickets are offered within the artists’ fanclubs, and if there are more requests than tickets, these are assigned lottery-style. Fanclubs also have lotteries for other privileges such as attending trips and exclusive events, VIP meet&greets or special merchandise – when I belonged to Gackt’s fanclub I hit for fanclub tickets for the Last Visual Live and his birthday dinner. People want to “hit” for these tickets, and somehow Minna Ataru no Inari became the shrine to go to pray for that. Fans go to the shrine to offer a prayer, then they write what they want in volition tablets called ema [絵馬], which are then hung in the shrine premises. Much nicer “hits” that the ones which kill people.

An offering wall with tons of votive wooden tablets

Close up of the votive offerings with names of bands on then

After visiting the shrine, we headed off to Odaiba [お台場] again, to meet with N***chan for lunch. We made a short visit to the Unicorn Gundam beforehand, but it was not moving.

Gundam robot statue. It is white and taller than the two-story shopping centre behind it. People can walk under its legs

Then we went to have lunch at an “Osaka delicatessen” restaurant at the Venus Fort. I ordered Takoyaki (buried in katsuomi (≧∇≦)) and kani koroke (octopus dumplings with bonito flakes, and crab dumplings). Yummy! Apparently other people’s orders were not as great though…

Dish of octopus dumplings that cannot be seen because there are a lot of bonito flakes on top

Afterwards, we headed to Zepp Tokyo for the second concert of HYDE’s Live 2018 concert, again with STARSET. Impressions were similar to the previous day. I really enjoyed STARSET, who played the same songs, and I again had mixed feelings about HYDE’s – not bad but… could have been better. I had not figured out my problem with the disconnected act yet.

Setlist:
1. Fake Divine
2. After light
4. Out
5. Set in Stone
6. Don’t hold back
7. Zipang
8. Who’s gonna save us
9. 監獄ロック [Kangoku Rock]
10. Rise or Die
11. Another Moment
12. Two Face
13. Devil’s side
14. Midnight Celebration II
(pause)
15. Kiss of Death
16. Ahead
17. Rise up
18. Ordinary World (Duran Duran cover)

Hyde's tour truck reading his name

After the concert we had tickets to visit the MORI Building DIGITAL ART MUSEUM EPSON teamLab ★ Borderless. This is a pretty much interactive museum that relies on technology and light to create art – or at least pretty things for you to play with. D****e, N***chan and I were very lucky that it was open late, so we could go after the concert. There were few people there and we could be silly around it. Part of the museum was closed because some TV station was there doing interviews though, and even then it was worth the visit.

Most of what you see in the Digital Art Museum are light projections. You’re encouraged to interact with them, even create some of them that they will project for you. We saw a butterfly and flower area, pink elephants, kangaroo, waves…

I enjoyed a couple of the exhibits particularly – one of them was a light water fall, in a room that had kanji shadows on the walls. If you touched them, they turned into what they represented. I also liked the whales made of light and how peacefully they moved and floated. There were some other interactive exhibits that were very fun, like the… egg-balloons thingies which you could prance through or make float.

Collage of Mori interactive and light art – a walking elephant made of projected lights, it's pink with white flowers. Many rays of white light coming from everywhere in the dark. Waves. Giant purple-pink balloons. Flowers projected on the walls – sunflowers, daisies in different colours

Dancing whale with flowers, projected with light

Afterwards we had some dinner and left for home.

1st September 2018: HYDE LIVE 2018 @ Odaiba, Strike 1 {Japan, summer 2018}

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In the evening, the first concert of the HYDE LIVE 2018 tour took place in Odaiba [お台場]. Luckily, I was going to be able to attend three shows in a row. Since it was a Saturday, we decided to make “a day” out of the concert and headed towards the area. There was an offer going on, so buying ten Yurikamome tickets would be cheaper than going to the three concerts using the usual underground system, so we decided on those.

The concert was in Zepp Tokyo, next to Venus Fort. And what do you do before a concert? Queue. In Europe it is so you get in first, in Japan, since tickets are numbered, you do not do so. You queue to buy goods, because they sometimes run out – at least that’s how people justify it. Unfortunately, not all the announced goods were on sale yet, which was disappointing. At least we did not get a sunburn while waiting, as we were prepared for rain and thus carried an umbrella-turned-parasol against the merciless sun.

After we had bought our goods, D****e and I went to have lunch at the Venus Fort. We surveyed the places and ended up in a yakiniku place which was almost empty, and still had a long line of people waiting to get in. Things I’ll never understand. Food was good, though.

Yakiniku lunch – a dish of uncooked meat, the grill to cook it, rice, broth, and pickled vegetables

The concert was HYDE’s new solo project. After VAMPS disbanded a few months back, this was my first concert watching him. It was a strange situation, because the feelings were very bittersweet. It seems that HYDE has been trying hard to do damage control on the band break-up and has put a couple of singles out this summer, along a bit of a haphazardly-organised tour. He could probably not afford a show-less summer.

This time there was an opening act, progressive-rock band STARSET, who have a very distinctive style that I liked pretty much. The band itself is composed by four men: Dustin Bates (lead vocalist), Ron DeChant (bass), Brock Richards (lead guitar) and Adam Gilbert (drums). They were touring with two back-up members: Mariko M (cello) and Siobhán Cronin (violin). DeChant, Richards and Gilbert played their whole set wearing full-astronaut suits, and I have no idea how they did not die of heatstroke.

STARSET’s opening act took around 45 minutes. They were opening for HYDE as part of their promo in Japan – they actually collaborated with him for a re-recording of one of the band’s hits, Monster. At first, the audience had no clue about when and what to chorus, but it caught up quite quickly. When lead singer Bates managed to get the interaction he wanted, he visibly brightened up, which was cute.

Setlist:
1. Frequency
2. Carnivore
3. Gravity Of You
4. Telescope
5. Monster feat. HYDE
6. Ricochet
7. Bringing It Down
8. My Demons

After the STARSET show, there was a short intermission, and then not a countdown to zero but a “countup” to 666, which may have lasted about five minutes. In total, maybe about 20 minutes.

Setlist:
1. Fake Divine
2. After light
4. Out
5. Set in Stone
6. Don’t hold back
7. Zipang
8. Who’s gonna save us
9. 監獄ロック [Kangoku Rock]
10. Rise or Die
11. Lion
12. Two Face
13. Devil’s side
14. Midnight Celebration II
(pause)
15. Kiss of Death
16. Ahead
17. Rise up
18. Ordinary World (Duran Duran cover)

There was something weird in the show, something amiss that I was not able to put my finger on until later. It felt… incomplete. Disconnected. Zipang was like a power-ballad lacking power, there was something strange about Devil’s side, HYDE’s guitar was the most powerful one in Ahead. It took a while to put my thoughts in order to understand. On the one hand, it felt that HYDE had half an album ready, and filled the rest of the concert up with other songs that he owned the rights to. On the other hand, it felt that what was played was either not completely arranged or not rehearsed enough. It was not that the musicians were bad, they just felt… out of synch. Like… there was “noise” where there should be music, and each of them was playing a different tempo.

In contrast to the music, someone had put a lot of thought on the visuals. The stage was decorated with a cyberpunk background, with a lot of neon and LED lights. HYDE was also going with a mask theme. He used one when he came out to echo STARSET’s Monster, and he kept the mask on for the fist couple of his own songs, and all his supporting musicians wear them too, they don’t take them away. He also brought in a retractile throne that went to the centre of the stage and back, so he could appear from behind it, or sing sitting (or flopped) down. This show is about HYDE and HYDE alone – he wants to feel like “the only one” and have exchangeable musicians, it feels.

Among the new songs, my favourite was Out – the lyrics read something akin to “I’m not afraid of standing out. A hundred devils messing with my head again. I won’t pretend, I won’t back down, I’m not afraid of standing out”, and they resonated in a way usually only Yoshiki’s songs vibrate with me. I think I could have done without the VAMPS songs though, but I guess that without a whole ready album, HYDE sang whatever he owned rights to.

Also, I think I bought too many goods: a python necklace, gummies and gaccha.

Hyde's tour truck

After the concert, we just went home to get some rest.

31st December 2016 (and on): Seeing the year off with a dragon (gate) {Japan, winter 16/17}

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The first thing that I did in the morning was heading off to Shinagawa [品川] with D****e in order to see the third Dragon Gate (to complete the visit started on the 28th. This third dragon gate is the entrance to Shinagawa Jinja [品川神社], which was the biggest complex of all the three if you don’t count the Koen-ji gardens.

From one of the hills belonging to the shrine we could see a few of the nearby little shrines, so we went to check them out. And there was warm coffee on the way. Because I have not mentioned yet, but the same vending machines that expend my cold coffee in summer expend the same coffee in winter, but warm. Which makes you feel the sugar rush even harder warms your cold fingers.

After Shinagawa we went to Shinjuku [新宿] for a little bit of food and shopping, then Shibuya [渋谷] and Ikebukuro [池袋] just for shopping. Afterwards, we picked K***n up and headed off to Odaiba [お台場] to watch New Year’s Eve fireworks.

After the fireworks we had a snack in the DiverCity’s Calbee shop – crisps with chocolate, yes. It is a thing.

Then we set down to have a drink and kill a few hours in the food court until it was time to head back into Town as we were going to wait for the New Year at Hie Jinja [日枝神社]. And thus we waited…

28th December 2016: Find all the things （　･`ω･´)! {Japan, winter 16/17}

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One of the items in my calendar this time was visiting the three Dragon Gates of Tokyo. These are three torii gates that have been carved in stone and have an ascending and a descending dragon on each one of the pillars. The legend says that touching the dragons will bring you good luck.

Two torii are located in Suginami [杉並]. The first torii I went off to visit was in the grounds of Shukuhōzan Kōenji [宿鳳山高円寺]. The gate is a bit to the side, in a small adjoined shrine to the left of the main building.

The second gate I visited is in Mabashi Inari Jinja [馬橋稲荷神社], about 15 minutes walking from the previous one (which I chose to hit first because it is closer to the station). As this is indeed a shrine, the torii is pointedly displayed, as it is the second one on the main entrance.

Although I would have wanted to hit the three gates on one day, going back and forth between the first two and the third was not a good idea. Thus, I headed off to Shinjuku [新宿] to check out the Tōkyō Tochō [東京都庁], the Tokyo Metropolitan Government Building, as the day was very clear. And bingo, it worked, and I managed to see Mount Fuji Fuji-san [富士山] in the background. Being a little bit of a geek, and since both observatories were open, I decided to climb both this time (just in case the stamp was different, of course!). Then (also of course) I was doing some shopping around…

And since I was in the area, I decided to go back to Isetan, having devised a plan to get some images of the kimono. Which succeeded. Then I saw other people taking pictures, so I shielded myself with them and took some, too.

After that I met with D****e and we went off to find some of Gackt’s Gakucchi and Hyde’s Chupacabra crane games and UFO Catchers. For this we headed off to Odaiba [お台場], where we had a chance to look at the Winter Illumination, especially the Rainbow Bridge [レインボーブリッジ] looking… well, rainbow-coloured.

Then we went to say bye-bye to the Gundam in front the DiverCity and had some food inside. Somehow I feel like I’m talking about food all the time (*´∀｀*)ノ… This was very yummy and the writing on the algae cracked me up.

As we did not find the Gakucchi nor Chupacabra in Odaiba’s Venus Front, where we had read they would be, we backtracked to Shinjuku [新宿] to search for them. We did not manage to get the stuff out of the crane games but we got the bags that you got with putting 500 ¥ into the UFO Catchers…

31st August 2015: Up and down, Trains and fandom (reloaded) {Japan, summer 2015}

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We took the Yurikamome line to Odaiba [お台場] once more.

Kushikatsu tries were more successful this time around, and D****e managed to get a few more Chupacabra out of the machine later. Afterwards we headed off to the Trio2 shop, located in Nakano Broadway [中野ブロードウェイ] for some more fandom shopping. We saw the X JAPAN Tour billboards.

Later, we had dinner at Swallowtail, the Butler café – the first time I’ve not been too pleased with the food. The tea set was just too sweet all around, but all in all quite an enjoyable experience, as always.

To end the evening, we had a look at the UFO catchers, where we got Chupacabra uchiwa, and I raided the local Book Off.

30th August 2015: Up and down, Trains and fandom {Japan, summer 2015}

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After laundry – which was kind of urgently needed, we headed off to Odaiba [お台場] to try to get some kushikatsu. Unfortunately by the time we made it there, there was no space any more, so we ended up in a Korean place. I’m not particularly fond of Korean food, except when it’s grilled meat, but it was late and food was needed, and I found something cheese and vegetables. Oh, well.

After that we headed off for some UFO hunting again (Chupacabra, you guessed it), and later to Shinjuku [新宿] to check out two fandom / goods second-hand shops: Pure Sound and Closet Child, where I found a few interesting things, and others that I filed away for future reference.

Then there was karaoke before heading home, and we tried the McDonald’s avocado burgers on our way back. That… was a rather underwhelming experience I guess. Not bad, but not particularly good XD.

19th August 2014: Change of plans {Japan, summer 2014}

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My day in Kansai was yet another carefully laid out plan, only darkened by a 90% chance of rain in Nara, where I was going to head out in the afternoon. Morning in Fushimi Inari Taisha, afternoon in Nara, maybe heading to Osaka in the evening to eat takoyaki in Namba. However, just before heading off I checked my emails only to find one by D****e telling me about an even which was going to happen in Tokyo that evening – a VAMPS’ secret live.

Hyde had been mentioning a ‘secret’ with a number code which turned out to be the event that was being organised, timing up with the release of VAMPS’ latest single. Having discarded trying for their interviews in Osaka on the 21st. It was a tough decision, because it meant losing one hotel night – coming back to Kyoto would be a rough 5 hours the day before, and that night would be impossible.

In the end, knowing that whatever I chose I would be missing out on something I really wanted to do, I decided to go with what could not be repeated – the VAMPS concert.

That still left me morning and eawrly afternoon in Kyoto [京都], so I dashed towards Fushimi Inari Taisha [伏見稲荷大社]. I was rather amused to find that some torii were under repair. I spent two hours in the Inari Forest and Mountain, but once again I did not make it to the top – it was just too hot. I did walk along some forgotten paths and was alone for a good 40 minutes or so, which was amazing. One day I have to try this either at dawn or in winter.

The Senbontorii - a row of hundreds of torii one after the other creating a sort of tunnel. Also, the main building of Fushimi Inari behind the giant vermillion torii

Before heading back to Tokyo I wanted to do something else, so I headed up to Kiyomizudera [清水寺], the Temple of Pure water, which was sadly being renovated. Never the less, I could come in and see most of the gardens and Pagoda and stand on the balcony. There were dozens of wind-bells and despite the rumble of people it was magical.

The main entrance to the temple, and a view of the main building from the side, where you can see that it hangs from the mountain.

After that I went back to the hotel, showered, changed and headed off to Odaiba [お台場] to the VAMPS Mezamashi Secret live, an event that the band had organised to introduce two new songs. It turned out to be a seven-song mini concert, and the first time I ever listened to what became one of my favourite VAMPS’ songs, The Jolly Roger.

The Mezamashi secret live stage. It shows the band's promo picture and the time, 19:40. The stage is lit in red, and there are flags with the band's logo, a Jolly Roger.

17th August 2014: Meiji, more Odaiba, Rainbow Bridge {Japan, summer 2014}

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I started the day heading off towards Yoyogi Kōen [代々木公園], the park where Meiji Jingu [明治神宮] stands. I got my fortune in the shrine, and apparently, it shall be excellent from now on (and wouldn’t that be awesome). I got an English fortune and it came with a tiny Manekineko (lucky cat) and told me that my life was going to get better. I am going to cling to the thought. (Plus: I did not get dengue fever from my visit to Yoyogi Park).

After that I took a stroll down to Shiba Kōen [芝公園] and Zojo-ji [増上寺] in Minato [港], just because I could, but I had to move on before long. I did have the time to say hi to the mizuko, though, before I had to leave.

I met my friends for ComiKet [コミケット] in the convention centre Tokyo Big Sight, in Odaiba [お台場]. Comiket is reportedly the largest amateur comic convention in the world.

ComiKet was disappointing, mostly because it was insanely crowded, and we decided to make up for it walking back to the main Tokyo area crossing the Rainbow Bridge [レインボーブリッジ], which was an amazing experience. Not only the views, but the whole walking on it… well, within it might be more appropriate… was great, and I am very glad I got to do it.

The day ended in Ikebukuro [池袋] eating okonomiyaki and monjayaki (with some sides because huuuuungry), which was quite yummy, although I have decided that I prefer okonomiyaki.

10th August 2014: Typhoon & Odaiba {Japan, summer 2014}

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One of the things I noticed when landing was the solid thousand-metre column of clouds. The reason for it was Japan’s almost-trademark hot humidity, but aside from that, there was a typhoon in the making. Now, a typhoon is basically he same thing as a hurricane, only that it happens in the Pacific Ocean. Temperature difference between seawater and the air above it create upwards convection currents that rotate around an axis due to the Coriolis force. This causes rain, strong winds and the famous “spiral structure” that we see on weather reports.

Well, on Sunday we were scheduled to have a typhoon passing by Tokyo/Saitama. Our plans for the day were picking up a friend in Odaiba after performing the tea ceremony. However, when we were close to the place where tea ceremony was to be held, it was raining quite strongly, so we decided to go directly to Odaiba [お台場]. The reason for choosing that meeting point was seeing the hanabi (fireworks) in Tokyo Bay, but those were cancelled in the end due to the weather.

Far from being deterred, we decided it make the most of it, rain or no rain. The first stop was at Tower Records, where I got myself a magazine, just because I could. Then we headed off for a kushikatsu restaurant.

Kushikatsu is a typical Kansai food, anything you can imagine covered in mayonnaise, breaded, skewered and deep-fried. This restaurant allowed you to choose your uncooked skewers and fry them at the table. It was an all-you-can-eat for 80 minutes. In Japan it is very typical to have a time-constricted meal deal, during which you can order or eat as much as you want. However, when it ends you get kicked out a bit unceremoniously.

As rain seemed to have stopped somehow and the girls humoured my wanting to go to the Fuji TV shop to search for a Galileo phone strap that I had regretted not buying the previous year. On our way we walked into a “Hero” (drama by Kimura Takuya which is getting a new season) mini event. It had a mini museum with items from the series and shootings, and a small background for you to take pictures in.

After that we headed out to Shibuya [渋谷] and cavorted Tsutaya and once againお台場 (another branch, though).

(Zoom on the Tackey & Tsubasa billboard up there because… unexpected for JE)

3rd July 2013: Tsutaya, Manatsu and Odaiba (yes, again) {Japan, summer 2013}

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Being the fanby I am, I wanted GACKT’s Best of the Best CD set, the special pack, and I headed for Shibuya [渋谷] first thing in the morning for it. After a successful buying, I headed off for TOHO Cinemas to watch the Galileo movie, Manatsu no Houteishiki. Fortunately enough, it was not Suspect X, so not depressing at all (don’t get me wrong, Suspect X was awesome, but it still left me heart-wrenched XDDD)

galileo-manatsu_poster

After that there was an Odaiba trip, changing into the yukata and attending the VAMPS Tanabata festival. The idea of the Tanabata Event was to make a sort of “summer festival” and you had to attend in yukata – I bought one I did not feel comfortable in, and I got quite a few stares and felt the most unwelcome I’ve ever felt in anything related to J-rock. It was most a talk show than anything else and after the event was over I did get to meet very nice fans… so it was a bit on the strange side, all things considered.

After that there was purikura and exhaustion XD. Very, very fanbying day, right? XD At first I felt a bit bad that there was nothing “cultural” to be done that day, but after all everything I did could only be done in Japan so I figured out that it was all right ^^

2nd July 2013: Yet more Odaiba, and Ueno Zoo {Japan, summer 2013}

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Once more I headed out to Odaiba [お台場], this time to try and get tickets to the VAMPS Tabata Event and buy the single. The whole idea was that if you bought a CD you got entered into a lottery for a ticket to attend the Tanabata Event the following day. If you bought the three versions of the CD, you also got a poster. They were expecting a huge crowd, but it turned out that crowds of fans on a weekday morning… It was all a bit chaotic because… there were two few people. One can expect staff to get overwhelmed, but this was totally… underwhelming for them, and they did not know what to do about it.

I finally managed to get tickets to ensure my and my friend D****e after the third or fourth round. Once that was successfully taken care of, I went to Fuji TV to get myself some Galileo merch, just because I could, and rode back downtown Tokyo to do one of those things I would ever like to do if I had some time to spare – Ueno Zoo, Ueno Dobutsu Koen [上野動物園].

The iconic image of Ueno Zoo is any of their Giant Pandas. Here’s one getting stuffed:

Panda play-eating bamboo

A secretary bird, which made me remember an old movie and greatly amused me:

Secretary bird, a bird similar to a stork with crazy feathers - like a Native American hairdress - on its head

And a friendly and bored Hokkaido bear which came to say hello at the glass:

A Hokkaido bear prowling its enclosure. It could use with some enrichment.

Aside from the animals (I’ll spare you more pics, though I have an amazing close-up of the polar bear), Ueno zoo holds the pagoda of the former Kan-eiji Temple:

Five-story pagoda in reddish-brown wood

After the zoo was closed, I headed for Shibuya [渋谷] where we had scheduled a meeting at the Hachiko Memorial Statue (one of those things you should do in Tokyo at least once), the Chūkenhachikō-zō [忠犬ハチ公像].

Statue of a sitting akita dog

Meeting successfully achieved, dinner was acquired in a goats cafe, Sakuragaoka Cafe. Then the goats got dinner too.

Two goats, one white and one tan, behind a fence, being fed straw by a person with a cup in their hands

30th June 2013: Odaiba (revisited) {Japan, summer 2013}

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Once again heading to Odaiba [お台場] we lined for a couple of hours to get access to VAMPARK same-day tickets. I was honestly expecting something a bit more impressive than a 20-minute movie, crane games, and pictures, but the company made it fun. There was cute Chupacabra merch to be bought, too.

Chupacabra was designed by Hyde and looks like this. It is just too cute:

After that there was okonomiyaki and we headed off to Madame Tussauds Tokyo. Let me be honest here, the main goal of the event was finding Yoshiki in there, and of course there were pics. Quite a few (≧▽≦)

Then we went for a stroll on the beach to see the original reason why the island was built in the first place. Odaiba is an artificial island that was built to protect Tokyo from Admiral Perry’s ships as a daiba [台場], a battery of cannons. There were several fortifications around Tokyo bay, the Tokyo-wan yosai [東京湾要塞]. The battery we saw in Odaiba is the third one that built – although there was little left.

On our way back, as the sun set, we had some amazing views of Rainbow Bridge [レインボーブリッジ].

28th June 2013: Odaiba {Japan, summer 2013}

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Odaiba [お台場] is big and quite empty actually, which can give off a bit of an eerie feeling after bee-hive-like Tokyo. It however has beach (as in duh, it is an island, albeit an artificial one) and some awesome sights, found after Google Maps trolled me sending me on a scenic route ¬.¬

Rainbow bridge over Tokyo bay. It is white, not rainbowy at all

After the Marine Science Museum seemed to be 90% closed, I headed off to the Miraikan [日本科学未来館] (National Museum of Emerging Science and Innovation), which was unfortunately a bit disappointing. Works well for the regular peer (and awesome for kids) but when you are a bit knowledgeable in science, it comes… short. Lots of English, though, so that was at least good.

A massive amount of screens bundled together in a sphere. They show the earth with clouds and atmospheric currents moving around it

This is what I liked the most about the exhibition, a little corner on abyssal ocean info, including a bit of a hydrothermal vent and some colourless abyssal crabs:

An irregular rock that happens to be a bit of hydrothermal vent

A white crab in the dark

I headed to the Diver City Mall for VAMPS 2013 Live concert which was to be held in the the Zepp Diver City later in the evening. I queued for about an hour to buy some goods, and when that was done, I walked around. The shopping centre has an 1:1 Gundam reproduction near its main entrance, which I did not know about:

Zepp Diver City logo

Gundam robot, almost as tall as the two-story building behind it. It's mostly white, with red, blue, and yellow chest

The concert was really fun, as VAMPS concerts tend to be. There were rocky-fast songs and some ballads, even some nostalgic ones from the time Hyde was working solo. I enjoyed second half best, but all in all it was a good, fun concert, even if a painful one, as my right hip did not approve of the day’s effort. After the concert we went off the long way home, which involved several train changes drenched in sweat. Ew XD.

17th July 2012: The Sword and the Vampire {Japan, summer 2012}

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After a failed shopping trip to Shibuya [渋谷] and Ikebukuro [池袋] looking for an adaptor for D****e’s WiMax who fell victim of the Sakaki clumsiness, on the 17th I visited the Japan Sword Museum / Tōken hakubutsukan [刀剣博物館], where they’ve got the tightest security ever. Pictures were not allowed and there was a security guy checking on you and a bunch of cameras following your every move. Impossible to sneak them ^^”

Notice with the name of the The Japanese Sword Museum

Afterwards I took a rest in preparation of what was to come in the evening. Since I was feeling kind of down I decided to head off to Shibuya’s Book Off for a self-spoiling or twenty before going to pick up D****e at her workplace with a change of clothes.

We took the Yurikamome Line to Odaiba [お台場] and the Zepp Tokyo where we were attending VAMPS live concert “Beast at the Beach”. It was a very cool thing to go over the Rainbow Bridge [レインボーブリッジ], another of CLAMP Tokyo landmarks.

Rainbow bridge, which is white, extending over Tokyo Bay

The inside of Rainbow Bridge from the front of the train that crosses it

VAMPS’ vocalist, Hyde, is one of my favourite Japanese singers, and I went to see him with his “main” band in London back in April. Thus, this was the second time for me seeing Hyde in half a year, which is fun because not long ago I thought I’d never manage to see him XD

Although VAMPS is Hyde’s second(ary) band, but that does not mean he is any less energetic or enthusiastic about it. The music is fast and catchy, and Hyde had a blast during the lives. That man was born to be on stage, I swear. However – he is too short! Really, people, give him a higher spotlight! We want to see him!

We really patted his ego last night, and there were some very funny moments when he messed up his emcee. He climbed up onto the second floor for a few minutes and slammed his guitar there, having one hell of a blast. I was surprised that K.A.Z., the other main, barely got any attention at all, which is strange considering that he is good at what he does and rather easy on the eyes. The light effects were awesome, starting by the clock projected on the curtains waiting to signal the kick off at 6:66 pm (19h 06mins) to which there was countdown, of course. Sound quality was much better than any of the European concerts I’ve attended. Hyde had a blast, I did too and all was good with the world. Oh, and we toasted to Frank’s happy birthday with… water XD Expensive water though!!

Entrance to the venue from above. Lots of people are waiting, a lot of them with pink shirts

It was all in all a very fun concert, with powerful songs balanced with well-placed ballads that made the mix work really well. The only downside was my aching feet, and a big-headed girl in front of me XD.

Vamps Tshirt and concert booklet showing their logo, an open mouth with pointy upper fangs

A bottle with a lanyard to hang it around your neck

Afterwards there was purikura and very sore feet and a couple of cramps, but it was so. Damn. Worth. It. And I didn’t feel nearly as sore as after the LARUKU con in London.

Now, where the hell is Hyde’s lamb, people?