11th March 2023: Rocks from the land and fish from the sea (Madrid, Spain)

Back in 2018, when going to Madrid’s Geomineral Museum (Museo Geominero), I stumbled upon an event in the Mining Engineering University – something called Expominerales. At the time, I did not have time to explore it, and only later did I realise what I had missed – an international fair for the trade of minerals, rocks and fossils. I made a mental note to check the event out the following year, but something came up and I completely forgot about the whole thing. In 2020 the pandemic struck, and finally in 2023, almost five years to the day, I went back to this event held in Madrid.

Expominerales is held yearly at the working engineering school Escuela Técnica Superior de Ingenieros de Minas y Energía (ETSIME), which offers the bachelor’s degree in Mining Engineering, and the one in Energy Engineering (whatever this last one is). The first weekend of every month, the school organises a “mineral-world flea market”, and the second weekend of March, it hosts an international mineral, gem and fossil fair, with shopping stands and different workshops and activities. After a few cancellations due to Covid, it returned in 2022 and it’s back to its former glory in 2023 – Expominerales XLII, the 42th edition of the fair.

The ETSIME in Madrid. Pink-and-white building from the 19th century, accessible through stairs, with flags hanging over the door

Mining Engineering became a formal education path in Spain in 1777, originally in the town of Almadén, a mercury hub. The school was moved to Madrid in 1835 and a two-building campus was ordered. The historical building in the ETSIME (M1) was designed by architect Ricardo Velázquez Bosco, and decorated by ceramist Daniel Zuloaga between 1884 and 1893. The second building (M2) was damaged during the Civil War, and has suffered several modifications to accommodate classrooms and laboratories. The premises also include a reproduction of a mine, Mina Museo Marcelo Jorissen, however this one is closed for renovation – a lot of that seems to be going on around the university, since part of the decorations of the buildings are also covered.

The M1 historical building has a central cloister with an ironwork colonnade. The building is rectangular, and on the short sides there are two symmetrical wards. One holds the historical mining museum, the other one the historical library. The central cloister is the main area where Expominerales is held, on the ground and first floor. On Saturday, the exhibit opened at 10:00, and we were there a bit later in order to sign up for the first guided visit at 11:00 (3€) – we wanted to take it so we had access to several rooms that would otherwise be closed to us. The idea was being there before families with kids started arriving and the activities became overcrowded – it turned out in the end that most the activities were indeed organised for children, so it did not really make a difference. Furthermore, the visit we feared full only had 6 attendees.

We had one hour before the guided visit that we spent looking at the stands on the ground floor on the M1 building. The guide was a student who might have been partying the previous night, because he sounded a little out of it – forgetting info and words, even things related to his own degree.

First, we went to see the mineral collection, the origin of the historical museum in the M1 building, Museo Histórico-Minero Don Felipe de Borbón y Grecia. The mineral collection was started in 1831, and throughout the years it was increased with new minerals donated by different institutions. It was later expanded to cover palaeontology and historical artefacts related to mining and other earth sciences. Though a lot of the displays are scattered throughout he building, the original museum dates from the 19th century, and it has four sections: the mineral collection, the fossil collection, the cave bear collection and the mining archaeology section, totalling over 10,000 items.

The historical mining museum at ETSIME Madrid. It is a large ward with cedar wood shelves from floor to ceiling, filled with rocks and fossils. The picture also shows some close-ups of rocks, two cave bear skulls, and a cluster of fossilised snail-like animals

Today, the museum is named after King Felipe VI, who visited the museum in the late 1980s after the university reached out to him to propose the name. The then prince came to visit then, and the name “the king’s stairs” was given to the set of side stairs he used – Escaleras del Rey.

We also visited the small hall where candidates read their theses, a little hall with spectacular ceramic tiles by Zuloaga, and finally the historical library, with obsolete but cool volumes. The library also dates back from the 19th century, with the walls covered in wooden shelves, with a small metal staircase to access the upper balcony. Unfortunately both this one and the one in the museum were cordoned off.

Library in ETSIME. It is a large room with cedar wood shelves from floor to ceiling, and a spiral staircase.

The visit ended at the lecture hall on building M2, one of the few remaining areas of the original design. It is a marble room with wooden benches and decorated windows that represent the original subjects taught to Mining Engineers. After we were left off, we sat down at the cafeteria for a drink.

Lecture hall in ETSIME (Madrid). It's a marble room, rather dark, with smoked windows representing different subjects of the Mining Engineering Degree

We recharged batteries, and then we had a look at the stands on the first floor of the M1 building, alongside the collection of apparatus that they had. Afterwards, we decided to separate in order to do shopping. Expominerales hosted over 30 stands, national and international.

Expominerales. A view of the ETSIME cloister from the second floor, showing different stands and lots of people peering curiously

I, being the nerd that I am, got myself a tiny slice of iron meteorite (from Geoterra Minerals), a mosasaur fossilised tooth (from Carlos Hammann, who also had amazing megalodon teeth that I will never be able to afford), a decent-sized of recrystallised bismuth (from Rossell Minerals), and a small piece of black tourmaline (from The MineralShop) – all for 51€.

Collage: a fossilised tooth, a bit of mineral in metallic colours, a slice of meteorite with silver orthogonal markings, and a bit of shiny black rock

When we met again, it was a bit past 13:30. There were too many people by then – families had started arriving, so we decided to leave. We had booked at a nearby restaurant for lunch, and they did not mind accommodating us a little earlier. The restaurant, called DeAtún Ponzano specialises in tuna dishes – particularly Atlantic bluefin tuna (Thunnus thynnus), sustainably caught in the Straight of Gibraltar.

Before overfishing was even a thing, Phoenicians settled in the south-west of Spain somewhere between the 9th and 7th centuries BCE – the city of Cádiz, credited as being the longest-standing city in Europe, may have been the first port. The Phoenicians observed that the bluefin tuna migrated from the Atlantic to the Mediterranean every year around the same dates, and later they came back to the ocean. These guys came up with a very simple technique – that was later developed further by the Romans and perfected in the Islamic period: the almadraba.

An almadraba is a portable but complex net which is lowered for the migration period. The bigger fish are funnelled into a box-like construction, and the smaller ones swim right through it. Once the almadraba is full, a number of fishing boats lift it in a process called levantada (raising). Expert fishermen walk onto the nets, discard any small specimen that might have been trapped, and choose the tuna that will be sold, generally individuals heavier than 200 kg.

Since the fish are selected on a case by case basis, the amount of both the catch and by-catch is small in comparison to other fishing methods. Both the seasonality and craftsmanship of the whole process make it much more sustainable than others – of course, this also causes fewer pieces in the market, which in turn increases the price. Furthermore, all the fish are wild, hand-picked, and only bled out when they are loaded onto the ship. Thus, the quality is extremely high. Another factor that makes almadraba-caught tuna more expensive is the fact that walking onto the levantada is dangerous. Fishermen have been seriously hurt by struggling tuna, as some of the fish might weigh up to 500 kg.

Working almost exclusively high-quality tuna means that DeAtún is not a restaurant on the cheap side of things. I’ve actually traced down their tuna provider and the prices are rather cost-adjusted for almadraba-caught tuna. There’s another thing to consider, too, which is that the Spanish law forces restaurants to freeze fish that is going to be served either raw or quasi-raw, at least for 24 hours at a temperature under -20 ºC – this is done to destroy a fish parasite called Anisakis, which can cause stomach distress and serious allergic reactions. Apparently, the perfect temperature to keep the tuna properties is -60 ºC. So yay Anisakis-safe almadraba-caught tuna all year round (though it’s true that the freezing law makes it impossible to eat fresh tuna raw).

We got a welcome tapa of boiled potatoes with olive oil and herbs (“papas aliñás”), a favourite from southwestern of Spain, the same area where the almadraba tuna are caught. We shared some European anchovies (Engraulis encrasicolus) “anchoas del Cantábrico” with tomato and toasted bread. These anchovies are salted for at least six months, cleaned, and stored in olive oil. They have a strong flavour, and are not everyone’s cup of tea, but I adore them. We also shared a portion of “ortiguillas” (Mediterranean snakelocks sea anemone Anemonia sulcata, battered and fried), also typical of the south-west – I’ve never been much of a fan though.

Lunch at DeAtún. Collage with a potato salad, anchovies and battered seafood balls

Finally, as my tuna preference is raw, I was wondering whether I wanted sashimi or tartar. In the end, I decided to try a combo (“trio DeAtún”): tuna sashimi (slices), tuna tartar (dice) and tuna tataki (heat-sealed slices), with a side taste of different sauce emulsions – wasabi, kimchi and curry. The tuna cuts used for these preparations (descargamento and tarantelo) would be the otoro or toro Japanese cuts, which are appropriate for raw preparations – technically the best ones, fatty or very fatty meat. I don’t love tataki, thus my original reticence to try this combo, but it was good. My favourite bit was the sashimi though, the tartar was missing a bit of spice.

I was offered chopsticks to eat the dish, and I accepted – easier to handle the fish. That apparently made the maître think that I had been the one choosing the restaurant, because in his words I “seemed to be an expert, chopsticks and all”. That was hilarious – I mean, why offer chopsticks if you don’t expect them to be accepted? For the record, although I booked the table, I did not choose the restaurant – it would have been a little on the “too fancy” side for me. The truth is, there were a bunch of very-elaborated dishes that we decided to give a miss, and we went for the raw tuna.

Lunch at DeAtún. A plate with three tuna cuts. The centre is round, and rose-like, and the sides are extended on a line. The fish is uncooked and it looks dark red. There's a similar dish in the background, with more cuts

Desserts were okay, but not the reason we had chosen this place. The point was eating tuna – raw tuna in my case – and the restaurant delivered. I was however amused by tables around us refusing the raw options even when the chef himself came out to greet them and recommend the dishes (someone over there must have been an acquittance, I don’t really know). Finally, we set back home to compare treasures and plot going back to Expominerales in its 2024 edition – at a time where we can snatch some discounted rocks.

25th February 2023: Feria de las Mercaderías de San Matías 2023 (Tendilla, Spain)

In 2022, some relatives who spend the weekends there talked me into visiting the Medieval fair in TendillaFeria de las Mercaderías de San Matías. It recovers the tradition of the cattle fair around St. Matthew’s day, and today it is one of the yearly highlights of the village. The historical roots of the municipality as an important villa in Medieval times can be traced to the Second Count of Tendilla, Don Íñigo López de Mendoza (1442 – 1515). He accompanied the Catholic Monarchs in their conquest of Andalusia and was later named “governor” (of sorts) of Granada once it was won for the Kingdom of Castile.

I once more arranged to attend the fair in 2023, and I drove off early in order to secure a decent parking spot as the core of the village gets closed off to traffic. Tendilla is laid out along a former main road, which used to work as a separating axis. Today, traffic has been diverted and circumvents the whole village, and the axis has been renamed as two streets: Calle del General Muñoz y Muñoz from the beginning of the village to the town hall square, Plaza de la Constitución, and Calle del Alférez Agudo to the end of the village and the “former fair square”, today the square Plaza de Vicente Mariño. Along this axis, rows of stands on both sides of the street, selling crafts, trinkets, traditional products and foods, and so on. Tendilla is known for its torreznos, processed pork lard snacks, so there are many of them on offer.

The typical food at the fair is migas, a dish made out of toasted breadcrumbs and several toppings. Traditionally, migas were made from stale bread by semi-nomadic shepherds back when it was common to move livestocks from one area of Spain to the other according to the season (transhumance). The town hall organises a collective cook-out of a simplified version for the attendants, just the fried breadcrumbs with paprika and garlic, topped with the famous torreznos. Though there are endless variations of the dish, the local tradition calls for breadcrumbs, paprika, garlic, and minced pork, topped with a fried egg, and sometimes some fruit.

We were going to prepare our own complete version of the migas, so the first goal was securing some minced chorizo, called picadillo from the butcher’s. We also bought some torreznos for later. Then, we started wandering the village – literally up and down from one square to the other – to see the stands and catch all the events. Although it was rather cold, it was sunny and not windy, quite pleasant once you were wearing enough layers – I had actually brought some extra ones that I did not end up needing.

At 11:00 the “farm” opened at Plaza de Vicente Mariño – this is the closest activity related to the origin of the fair, a cattle trade event. There were horses, ponies, donkeys, cows, goats, sheep, piglets, and fowls… I might have remembered a little too late that hay causes an allergic reaction these days. Across the street from the farm stood a huge BBQ grill and some watering holes – I guess that to place the roasting pork just in front of the living piglets is part of the village’s twisted sense of humour. Desensitising kids, or what? One of the funniest things around this area is hearing people squealing at the animals, especially at the piglets – there are a lot of “urban people” in the fairs wanting to “experience country life”, who have never really seen a farm animal in their life and are thoroughly impressed – and end up saying hilarious things.

Farm animals - pony, rabbits, white-and-brown cow, small piglets, sheep, a cheeky goat

At 11:10, we caught the Opening Parade took place, described as musicians, jugglers and knights walking along the streets. It featured a dancer, a small group of musicians, and the members of the horse riding school Caballeros del Alarde.

Collage showing a female dancer followed by three Medieval musicians; two horse riders, one in full armour and the other one dressed as a nobleman from the Middle ages.

After the parade ended at Plaza de Vicente Mariño, we went to check on the communal migas, and say hi to the guys preparing them. They had prepared a bonfire and a huge pot to toast the breadcrumbs, and fought off the cold with beer and wine.

A huge pot with orange breadcrumbs being cooked

There was a second parade at 12:10, this time the official inauguration one. Aside from the musicians, dancers and horse riders, walkers included the authorities, ladies in Medieval clothing, and giants. They walked from the town hall square Plaza de la Constitución to the migas cook-out. With this, the festival officially kicked off.

Parade. Three musicians playing Medieval instruments. Three giant puppet-like giant costumes; men and women dressed as Medieval nobles. A moorish-like kight on a white horse.

I followed the horse riders Caballeros del Alarde back to Plaza de la Constitución where they started practising for their later show. They are part of a horse riding school which carries out several activities, Medieval riding is one of them, along with horse training, archery, and shows in Medieval fairs and markets. For this event in particular, there were six riders – five men and one woman – with two bay and two white horses. One of the bay horses was not in the mood to cooperate though, and got easily spooked.

The show happened from 13:30 to 14:30. It was an exhibition of Medieval horse-riding – while horses galloped through, different different tests carried out – spearing a bale of hay, hitting a metal shield, catching a metal loop with the sword, then cutting off a carrot… There was also a bit of a staged scuffle, swashbuckler-style. The emcee made it sound like the whole show was an exhibit to train for an upcoming jousting contest (in the evening) and the riders would later compete for a pouch full of gold maravedis – Medieval Spanish coins. The show itself was pretty fun and impressive to be honest – the riders had to control the horse in a crowded and small area, full of bystanders and noise, and do the activities with a very high level of success.

Shots from the horse riding exhibit - one of the riders galloping, another spearing the bale of hay, two riders sword-fighting; The female rider, wearing bright blue, with a long spear.

After the horse show, we went home to prepare the traditional version of migas – we fried some minced chorizo, garlic and paprika, then worked the bread on the stove. Finally, we fried the eggs (sunny side up) and the food was ready! Not that we stayed down for long, soon after finishing our late lunch we went out again to find a good spot to watch the jousting at Plaza de la Constitución.

Preparing the migas - frying mincedmeat, then the garlic, then the paprika. Breadcrumbs just poured, still white, then cooked and looking bright orange. Finally, a dish with a sunny-side-up egg on top of the migas.

We walked around the square and realised that there was not really a good spot though because the square was too small and set in a way that anything the riders did, their right hand would be towards the inner area of the square. So whatever they did, the view would be obstructed by flags and décor. And the best viewpoint was actually taken by the sound equipment – which ended up malfunctioning anyway…

Before the tournament started, a sword was brought in as a present to the village. Because the sound was so horrible, I did not completely get the significance of it – it was supposed to have been donated by Queen Isabel of Castile to the village. The program said that there was going to be a forged sword at some point, so I thought it was that one.

A woman parading a Medieval sword, and a group of horsement behind her

This time there were only five riders, apparently one of them had been hurt at a previous exhibition and was not ready for the whole competition. The show itself was all right though – the emcee presented the best rider as a bit (or a lot) of a cheater, and he hyped a lot of “girl power” vibe around the female rider. The riders competed on tests in pairs, again spearing, loop catching and carrot-cutting. The “cheater” won in the end and the maravedis were distributed among attending children, as apparently the coins were not legal Medieval currency but plain old chocolate. They tried to do an archery exhibition too, but the square was too small.

Scenes from the jousting, showing horses and riders as they take the different tests with swords, spears and the to-be-cut carrot.

There were much fewer people for this exhibition since it was later in the evening (17:00) and because the evil-looking storm cloud just above our heads. Thus, this time, when the riders offered if someone wanted to take a picture on one of the horses, I got myself up a white Pure Spanish Breed warhorse, which was really cool. Then, the group asked if someone would take a picture of them, and I offered to do so.

All the horse-riding school performers, in character, both on horses and on foot, pose for the picture. They are all dressed in Medieval clothes and smiling.

We went to see the campsite afterwards, with different things that could have existed in Medieval times. One of the most interesting things was the forge, with the blacksmith at the ready. I hung out around the smithy for a while and as night fell, the sword started to take shape. I realised later that this was the sword that was going to be forged for the village, and not the one I had seen before the jousting.

A blacksmith hammering down metal to forge a sword and a guard.

I don’t know whatever happened to it, because I eventually moved away to find the final parade, in which a group of villagers dressed up as Moors from Granada, either friends or foes of the Count. The parade was lit with torches, and ended at main square Plaza de la Constitución again. There were also jugglers, fire-dancers, and some more swashbuckling. They also made a queimada, a distilled spirit with “magical powers” flavoured with herbs, cinnamon, sugar, herbs and coffee beans. A spell is usually requires an extra spell as it is prepared. While I would have wanted to try it, I did not dare do so before driving…

Collage of the final parade. A group of people wearing flashy red and gold clothes carrying torches. A woman dancing with fire torches in her hands. A man and a woman fighting with swords on fire. Two men dressed in Medieval attire on war horses.

A bit after 21:00, after roughly 12 hours of “fairing”, I got back on the car to drive home with a basketful of food and good memories to drive home before the temperature went below zero again. Only when I was home I realised I had not even taken my scarf off, and that it still had straw on it from the farm – which quite probably did not help with the allergies.

12th & 13th February 2023. The Epic Apocalypse Tour in Madrid (Spain)

The year 2020 was going to be so amazing that I actually would have had to choose the things I wanted to do and sacrifice others. It didn’t turn out that great in the end, with lots of rescheduling and cancellations. I was eventually able to budget time and money for one of those rescheduled events – the joint concert by the metal bands Epica and Apocalyptica in their Epic Apocalypse Tour. For a while, however, there was a bit of uncertainty with dates, as they bounced between Sunday 12th and Monday 13th of February, so I needed to juggle work dates in order to make sure I’d be free on Monday. In the end, I was all clear, all the concert-related activities were set for Sunday evening, and I decided to make a two-day trip out of it – I needed to take a hotel for Sunday anyway.

I arrived in Madrid around 9:30 in the morning. I had some time before my first appointment so I walked into one of the large parks of the city Parque del Buen Retiro, which is part of the Unesco World Heritage Site Paisaje de la Luz (Light Landscape), officially called Paseo del Prado y el Buen Retiro, paisaje de las artes y las ciencias, declared in 2021.

Parque del Buen Retiro was built in the 17th century for one of Felipe IV’s palaces, and it was opened in the late 18th century as public park. The park was almost destroyed during the war against Napoleon’s troops in the early 19th century, so most of it has been rebuilt. Aside from the obvious flora, it features sculptures, fountains, buildings… It is home to a lot of birds, and unfortunately a large number of invasive and fearless monk parakeets (Myiopsitta monachus), whose culling has been controversial in recent years. I got to see common blackbirds (Turdus merula), a European green woodpecker (Picus viridis) and a European robin (Erithacus rubecula).

One of the most important features of the park is the sculpture Monumento al Ángel Caído, which represents an angel falling from grace. It was originally designed by Ricardo Bellber, who made it in plaster in 1877. It was later cast in bronze and the original plaster destroyed, and eventually the sculpture was made into a part of a fountain in 1885. Around the area, there is also an ancient water mill, and to my surprise, the almond trees (Prunus amygdalus) had started blossoming.

Retiro Park collage: a pathway with trees and bushes on both sides, ducks, and a robin.

Retiro Park collage: a water mill, blossoming almond trees, and the fallen angel fountain

At 10:15 I had a guided visit to the Real Observatorio de Madrid (ROM), commissioned around 1785 by Carlos III, as an centre to develop and study astronomy, geodesy, geophysics and cartography. The main building is the astronomical observatory, built by Juan de Villanueva in what then was the outskirts of the city. Today, ROM belongs to the National Geographical Institute (IGN), and it is home to the National Astronomical Observatory, the Central Geophysics Observatory, and the data gathering division of the National Volcanic Service, though no measurements are taken there. The main astronomy measurements are carried out in the Centro Astronómico de Yebes, in a town around 80 km north-west of Madrid. The observatory is also part of the Unesco World Heritage Site.

The visit comprises three stops. The first one is the main building, called Edificio Villanueva, which has three rooms – the main rotunda with a Foucault pendulum, the library, with the spot where gravity was first measured in Spain, and the “Time room”, where the sun used to be traced to determine the hour.

ROM collage. A small Neoclassical building, an inner room with a pendulum and telescopes, a telescope and a 19th century library.

The second stop is the Great Telescope, a replica of one that William Herschel built in the 18th century – Hershchel was one of the greatest telescope makers of the time, and is credited with discovering the planet Uranus, two of its moons, and two moons of Saturn. The telescope was destroyed during the war against the French, but later rebuilt thanks to the number of laminates that had been preserved – the original had a focal distance of 7.6 m and a 61-cm diameter mirror (which is displayed in the main building), and Herschel himself considered it the best he ever built.

Herschel grand telescope: a wooden scaffolding structure keeping a huge black tube pointing at the stas

The final stop, the little museum of “Earth and Universe Sciences” has a small collection of ancient instruments used for astronomy, navigation, and geophysics. There are also a couple of seismographs – one of them new, which is up and running – and material retrieved from the volcanic eruptions of El Hierro in 2011 and La Palma in 2021.

Collage. Ancient telescope, old tide measuring device, an old globe, and lava bombs

I had planned for a typical sandwich at an iconic bar afterwards, but I ran into a political demonstration. Thus, I scratched that idea and took the underground westwards. When I was in Egypt, one of the places I visited was Lake Nasser, created by the Aswan High dam. The lake swallowed a lot of villages and monuments, but a few of them, such as Abu Simbel and the Temple of Philae were saved by Unesco. Between 1960 and 1980, a total of 24 monuments were saved, and five out of these were presented as “grants-in-return” to five countries which had offered exceptional technical and financial assistance to the campaign – Germany, Italy, Netherlands, the United States and Spain, the latter being impressive as Spain was in the middle of the dictatorship, and pretty shunned by the international community at the time.

The monument was a small and ruined temple in the now-flooded town of Debod, to which it owns its name Templo de Debod (Temple of Debod). Dedicated to the god Amun, it was built around the location of the First Cataract of the Nile, some 15 km south of Aswan, about 2200 years ago, though the core of the building may have been older. The monument was actually affected by the original dam at the beginning of the 20th century, and it was covered in water for most of the year, which destroyed its colours and damaged the reliefs.

During the Unesco salvage mission, it was dismantled, and eventually granted and taken to Spain, and “freely” reconstructed – a lot of information had been lost, and there were missing blocks. National stone was used to fill in the gaps, and the gates (remains of the pylons) were built in the wrong order, according to some old pictures. The restorers built an air-conditioning system, a wooden roof, and the main hall was closed off with a glass door and window panes. Today, the temple is open to the public at weekends, but unprotected from the Spanish weather – rather different from the Egyptian one – and pollution, it is rapidly deteriorating.

I went inside the temple once when I was a child, and I had a clear memory of it that kept surfacing when I was in Egypt – so I wanted to go back. The entry is free, but capacity is reduced, so I had to queue for almost an hour to enter. I finally matched my memory to reality. The interior of the sanctuary has a small chapel and some carved stones had been taken to a makeshift second floor to display them as a little museum.

A collage of a small Egyptian temple - it has two floating gates that lead up to the main building, which is small with four columns. One picture shows a tiny and dark inside room with an altar.

After the temple, I got lunch on the go, then walked towards the hotel to check in and change clothes. Around 16:15, I set off to La Riviera for the concert. I had a Meet and Greet ticket and had to be there before 17:00. Personnel from the venue were extremely nice, and there was no chaos at all, even if things had been a little disorganised and some fans were lacking M&G confirmation emails. Everything was well-handed and everyone who had paid for an upgrade got through. There were about 30 people to meet and greet Epica and we were ten for Apocalyptica.

Apocalyptica is a Finnish four-man band – Eicca Toppinen, Perttu Kivilaakso, Paavo Lötjönen and Mikko Sirén – founded in 1993. They are “semi-officially” a symphonic metal band, but they’ve ventured into everything from Metallica covers (which was their origin) to pure classical works. They have a very specific style heavily using classical cellos and combining them with modern drums. They currently collaborate with American – self-identified as Cuban in the concert – singer Franky Perez for vocals.

Meeting the four of them was really fun. I got autographs and took the most epic picture I’ve ever taken with a band or artist before. As we were only ten, after it was over, I had time to buy some merchandising and still be the second person to settle on first row – despite having decided that I was going to sit back and relax.

Apocalyptica white and black poster, signed by the four members

General admission started at 18:00, and the crowd was surprisingly tame throughout the whole thing. The venue filled up and the supporting band, Wheel, came up at 18:30. Wheel is a Finnish progressive metal band that consists of James Lascelles (Vocals/Guitar), Santeri Saksala (Drums), Aki ‘Conan’ Virta (Bass) and Jussi Turunen (Lead Guitar).

Wheel Setlist

  1. Hyperion
  2. Blood drinker
  3. Movement
  4. Vultures
  5. Wheel

Wheel playing, each member at his insturment: bass, guitar, singer and drummer

The second band was Epica, which I remember having listening to back when the world was young. They are a Dutch symphonic metal band currently composed by Simone Simons (lead vocals), Mark Jansen (rhythm guitar, vocals), Coen Janssen (keyboards, synthesizer), Ariën van Weesenbeek (drums), Isaac Delahaye (lead guitar) and Rob van der Loo (bass). Simone can go insanely high with her voice, and she has an amazing presence on stage, and the whole band has an immense amount of energy – she also reminded me of a comic character. The keyboardist had a lot of personality too, and he was extremely fun.

Epica Setlist

  1. Abyss of Time – Countdown to Singularity (recording)
  2. The essence of silence
  3. Victims of contingency
  4. Unleashed
  5. The final lullaby
  6. The obsessive devotion
  7. The skeleton key
  8. Rivers
  9. Code of life
  10. Cry for the moon
  11. Beyond the Matrix
  12. Consign to oblivion

Collage of Epica playing, showing different members at their choice of insturment - singer, bassist, guitarist, and keyboardist with a portable keyboard

Finally Apocalyptica came on stage, and it was extremely fun. The things those guys do to their classical cellos would make some classical musicians cry, but the sound is super-powerful. We had Franky Perez for vocals, and a very fun moment regarding “listen to our classical music album at home, because we still feel like death metal”. They interacted a lot with the public, and it felt somehow very friendly / warm – yes, I’m talking about metal here. It was really that fantastically weird.

Apocalyptica Setlist

  1. Ashes of the Modern World
  2. Grace
  3. I’m not Jesus
  4. Not strong enough
  5. Rise
  6. En route to mayhem
  7. Shadowmaker
  8. I don’t care
  9. Nothing else matters
  10. Inquisition Symphony
  11. Seek & Destroy
  12. Farewell
  13. In the Hall of the Mountain King

Apocalyptica playing with Franky Perez. Perez is in the foreground, dressed in black. The thee cello-playing members are in the frame, playing. The drums peek behind them, but you can't spot the drummer

Apocalyptica playing at La Riviera. They have classical cellos. Two of the members stand on the sides, playing their cellos. Another one is walking swinging his as if it weighed nothing, The final one is slamming drums in the background.

We finished off just short of 23:00, I bought off some fast food for dinner, and headed back to the hotel to have a shower and get some sleep. I was woken up early in the morning due to the cleaning crew and the garbage mini-vans noises, but I did not leave bed until 9:00, then set off at 9:30. I bought some cold coffee on the way and walked into the former royal palace gardens, now public park Jardines del Campo del Moro.

Though I’d seen the gardens a few times before, this was the first time I actually walked into them. Despite the frost covering everything, I got a nice view of the palace and different fountains and buildings sprinkled throughout the green – Chalet de Corcho, is a small hut with coloured windows; and Chalecito de la Reina a wooden house that is currently closed. I was insanely amused by a little grass-cutting robot.

Jardines del Campo del Moro. Collage. It's winter and most trees are grey and bare. At the end of the walkway stands the Neoclassical Royal Palace. Two smaller buildings - one of them is white with brown beams, reminscing of German architecture; another one is a small kiosk with colourful windows - red, green...

I wandered around for an hour or so, then headed off via underground to the National library of Spain Biblioteca Nacional de España for the absolutely worst guided visit of my life. Like… it’s true that it’s free, but tickets run out within hours of coming out – on the 20th of the month, for the following month. I’d actually been trying to do this since Covid lockdowns ended… It turns out, we did not see any real books, we could not even peer into the reading area, the book and reading museum is closed and the only information we got was… that the guide did not like the Library. We did not get to see anything interesting or that we could not see on our own, and we did not get to learn anything, so this was a huge blunder. Live and learn – but it was one of the few things that was open on a Monday. The library is a huge Neoclassical building with a fantastic marble staircase inside. The doors and gates are protected by intrincate ironwork fences.

Biblioteca Nacional de España. A Neoclassical building in white and grey tones. The exterior has columns and statues of writers. The interior showcases a pair of twin staircases with the statue of one of the most important library directors between both.

I met with family for a quick lunch and then we went for a walk. We had thought about going to one of the terraces to see the cityscape, but it was closed because it was a Monday. We ended up at the Parque del Retiro park again to make some time and walk. We sat in the sun for a while, then went to see the Palacio de Velázquez there. Currently, it’s part of the modern art museum Museo de Arte Reina Sofía, and I did not really care much about the exhibits, but I like the building. Architect Ricardo Velázquez Bosco built it in brick (with ceramic tiles by Daniel Zuloaga) for the Mining Exhibit in 1883, inspired by London’s Crystal Palace, now gone. The interior is pristine white with hints of iron architecture, but the building’s official style is “neorenaissance historicism” whatever that means.

Palacio de Velazquez: A brick building with large windows and tile decoration. The inside is all white with bits of iron architecture.

Velázquez Bosco and Zuloaga also came together when they designed another building I really like, the glass-and-iron greenhouse Palacio de Cristal, which was built to home tropical flora and fauna from the Philippines in an exhibit in 1887. In front of the palace, there’s a small pond home to some cheeky ducks and geese.

Palacio de cristal. A huge greenhouse with a dome, and two wings. A white duck wanders in the foreground. Between the greenhouse and the duck there's a small pond.

Then, we went to have a snack. Trying to find something on the map before the trip, I’d come across a place called La Mejor Tarta de Chocolate del Mundo, which translates to “The best chocolate cake in the world” and that had to be tried! It was really nice, even if the place was pretty small and felt a bit cramped.

A slice of chocolate cake in front of mugs and teapots

We finally took a stroll down towards the sunset, and I took the train back without much of a hitch, then drove home

3rd & 4th February 2023: Final Fantasy Distant Worlds 35th Anniversary – Coral – in Barcelona (Spain)

3rd February 2023: Mummies, fish, and music

Though I would not have minded to become a gamer back in the day, my joint issues discouraged this. Thus, my relation with the Final Fantasy saga is tangential. However, my sibling is a big fan of one of the instalments, and last year I accompanied them to Final Fantasy VII Remake Orchestra World Tour in Barcelona in 2021. Having had more time to prepare for this one, we got VIP tickets, and I planned a two-day outing.

Our arrival in Barcelona happened right on schedule, and we walked from the station to Caixa Forum Barcelona to see the exhibit Momias de Egipto. Redescubriendo seis vidasEgyptian mummies; Rediscovering six lives, in collaboration with the British Museum. I am not sure whether the items are part of the actual collection over there or are in the archives, because I don’t really remember seeing any of the mummies. The Barcelona exhibits focus around six mummies and how they lives could have been before their deaths. Aside from the actual mummies and their sarcophagi or coffins, there are objects that they may have used in life, and images of what the bodies look like inside the wrappings.

It was at the very same time interesting and creepy, everything we can get to know through technology about these poor souls who passed away millennia ago. There was information about their age, illnesses, and objects they had been buried with – god statuettes, jewellery, funerary miniatures… One of the mummies in display was that of a small child with his face painted on the wrapping, that was more than a bit creepy, to be honest.

A collage showing a a mummy and a turquoise wrapping; a sarcophagus; four canope jars; three statuettes: Horus, an ibis, Thoth; close-up of a sarcophagus, with bright colours; a mummy and a plain wooden casket.

We took the underground towards the waterfront to visit L’Aquàrium de Barcelona, located in the harbour. With more than 11,000 animals and 450 species, it is the largest aquarium dedicated to the Mediterranean Sea. It was inaugurated in 1995 and it holds 35 aquariums, including an oceanarium with capacity for almost four million litres of water (36 metres diameter, five metres high) with two tunnels at the bottom. Species-wise, the aquarium does not have anything out of the ordinary, but the size of the tiger sand sharks is impressive. There are a few sharks, some tropical fish, axolotls, frogs… and a very fun sperm-whale room to keep the jellyfish in darkness.

A collage of the aquarium. Seahorse; swimming sharks; anaemone; baby dogfish shark; tiny crustacean similar to a prawn; sand tiger shark; octopus trying to eat the viewers; penguin showing off; fabulous tiny jellyfish

We grabbed an expensive-but-convenient bite to eat at the aquarium itself during some of the feeding events to make sure the cafeteria was empty. AFter we had finished viewing all the exhibits, we went on towards the hotel, which was well-placed between the auditorium and the shopping centre. Since check in had been so bad when we went to the previous Final Fantasy concert, this time we had booked different accommodation, and it was a total 180 – everyone in the hotel was super friendly, and we had zero issues. We procured some sandwiches for dinner, then got ready for the concert.

The Final Fantasy Distant Worlds 35th Anniversary – Coral – directed by Arnie Roth is a compilation of the background pieces from all the Final Fantasy games, from the first (1987) to the latest to date not counting the remakes (Final Fantasy XV, 2016). The concert was held at the CCIB – Centre de Convencions Internacional de Barcelona. We had no idea what time doors would open, but I calculated that an hour should be good for queuing for merch and then get to our seats.

By the time we got to the queue, the concert booklet had already been sold out. When we reached the front, my favourite plush toys were also gone. I decided to get the previous year’s CD in order to get it signed later at the meet & greet event that was included in the ticket we had bought. Looking back, maybe I should have asked for the autographs on the tote bag we got for the spending.

The concert had two halves and an encore, and was… strangely not very coral, for something called so. The choir was placed over to one side, and only did three or four songs – they actually did not show up for the whole first half. The set list was accompanied by projected images on the screen and it was super-impessive to see the first 8-bit games at first compared to what the technology of the latest Advent Children (movie from Final Fantasy VII) managed to create.

    First half

  1. Final Fantasy I~III: Medley 2002
  2. Final Fantasy III: Eternal Wind
  3. Final Fantasy IV: The Red Wings ~ Kingdom of Baron
  4. Final Fantasy IV: Main Theme of Final Fantasy IV
  5. Final Fantasy V: Home, Sweet Home ~ Music Box
  6. Final Fantasy V: A New World
  7. Final Fantasy VI: Phantom Forest ~ Phantom Train ~ The Veldt
  8. Final Fantasy VI: Kids Run Through the City
  9. Final Fantasy I~VI: Battle Medley 2022

    Second half

  10. Final Fantasy VIII: Liberi Fatali
  11. Final Fantasy XI: Ragnarok
  12. Final Fantasy XII: Flash of Steel
  13. Final Fantasy VII: Aerith’s Theme
  14. Final Fantasy XIV: Torn from the Heavens
  15. Final Fantasy XV: Apocalypsis Noctis
  16. Final Fantasy IX: Not Alone
  17. Final Fantasy X: 素敵だね [Suteki da ne] (Isn’t it wonderful?)
  18. Final Fantasy Main Theme with Choir ~ The Definitive Orchestral Arrangement ~

    Encore

  19. Final Fantasy X: Zanarkand
  20. Final Fantasy VII: One-Winged Angel

The concert was all right. I did not feel the general chill I had through the previous one. I really liked Liberi Fatali and One-Winged Angel, but I guess I don’t have enough of an emotional connection with most of the games. Aside from the conductor Arnie Roth, we had composer Yoko Shimomura present, and vocalist RIKKI, who is the original singer of 素敵だね in Japanese, and did the live version.

Collage. Three pictures show a classical orchestra with different things projected on the screen behind them - the logo of Distant worlds, several 8-bit screenshots of games, a very realistic depiction of a blond man with a very unrealistic sword. The last picture shows singer RIKKI, composer Yoko Shimomura and conductor Arnie Roth

The M&G was fun, and I got to tell Roth that when I grow up I want to have as much fun as he does at work. They signed autographs and took pictures with people – it was much less stiff than the usual, too. We headed off afterwards for a sandwich, a shower and a good night’s sleep. In general though, not much value for money considering how much more expensive the VIP tickets were, even though the seats were good. Also, the fact that most merchandising sold out showed poor planning.

Collage. The ticket reading the name of the concert, the autographs of the three main artists, and a plush of a Final Fantasy imaginary being, it looks like a white teddy bear with a huge pink nose, a red ball on top of it and cute wings

4th February 2023: Ramen with Friends

We had bed and breakfast at the hotel, and the latter was fantastic. The buffet had both a juice bar and a milk bar – both of which I sampled, of course. I overdid it with the fried egg, I fear, but they were just cooked and it looked just too appetizing not to fall for one. After breakfast, we packed up, vacated the room, and asked the hotel to keep our bags for a couple of hours. We went to the science museum Museu de Ciències Naturals NAT, where we spent a couple of hours. This is the only place where they refused to speak Spanish to us.

The museum is divided in several areas. The first one is “history of the Earth”, where you can see a few interactive exhibits, fossils and reproductions. The second one is the collection of living animals, most of the stuffed, some of them just skeletons. There was another one about fungi – with the edible ones exhibited in tins. Then there was one on plants, and finally rocks and minerals. Not a bad place to spend a couple of hours, but it is just one of those places that takes itself much more seriously than it should, to the point that it felt pretentious. Some items were exhibited over and over again, as if they just wanted to use up the room – I counted at least eight elbaite specimens in different locations, and there were a bunch of reproductions taking up important spaces, you would believe they were originals if not paying lots of attention to the writing, and the blue light made for horrid photographs.

Collage. Four pictures show prehistoric animals in blue light, stuffed animals, a tin of mushrooms along real specimens, a red algae and some shiny rocks.

We transited to Sants train station to drop off my sibling’s bag at the cloakroom there and went on to meet my Barcelona friends E**** and P***o who had offered to take us to eat really-real Japanese ramen. Since I had a feeling that the restaurant would be on the small-ish side, and my sibling’s luggage was a bit oversized since they had cosplayed for the concert, I decided on the Sants detour for convenience.

The restaurant is called KOBUTA ramen i més (Kobuta Ramen and More) and I was amused when all of us made the same choice – tonkotsu miso ramen with an extra of half an egg, and water; then we shared some gyoza (dumplings) and karaage (fried chicken). The restaurant is not cheap, but the food makes up for that, it is very authentic Japanese food.

Collage. A dish of breaded fried chicken, some dumplings, and a bowl of ramen, with the ingredients floating - algae, half an egg, noodles, pork meat and spring onion

Though P***o had to leave early, the rest of us headed off towards the bullfighting-ring-turned shopping centre Arenas de Barcelona. There, we climbed up the terrace for views, then sat down for drinks and a long chat. We also popped into the local comic store, since it was convenient, and eventually we headed off to the station.

Collage. Shopping centre las Arenas, a round building that used to be a bullfighting ring, there are two pictures, one by daylight and another one at night, lit up. There's a picture of the views- two clock towers leading to a palace; finally three glasses together showing brightly coloured drinks - yellow, orange and dark pink

The train ride home was surreal. People playing music on their phones, yelling, talking loudly and making the footrests squeak – apparently there had been some kind of sporting event for kids and a lot of families were coming back home. All in all, not a bad couple of days, lots of laughs, I got to see dear friends and eat nice food, and listen to cool music – in the CCIB, not on the train.

4th January 2023: It’s a trap! (Tendilla, Spain)

It was not really a trap, but a hike. A very unexpected hike, as my family decided that hiking was the best thing to do to get rid of camel-riding soreness. Tendilla is a small village in Spain, dating back from Medieval times. It holds a yearly traditional fair, there are some ruins and historical buildings… It also has a pine forest that was planted in order to control the soil that used to landslide onto the village, and back in the day, a sort of ‘emergency gorge’ was built, in order to channel water in case of a flash flood.

With the years, the pine forest grew. In the 1980s, it was really well-kept, but politics change, and the forest stopped being cleaned and taken care for. These days, the artificial gorge is overgrown with plants and only some dams are seen. Recently, people from the village have tried to create a few hiking routes throughout it, using the fountains and streams that spring as landmarks, called the “Fountain Route” Ruta de las Fuentes. These fountains are old watering holes that were refurbished and some of them re-decorated recently.

The ground was covered with fallen leaves, the sky was bright blue, and the moss was growing – moss takes a long time to grow, so it’s protected. For a while, it was endangered in the area, but now it seems to be doing much better. Unfortunately, both leaves and moss were humid and frosty (literally) – and my shoes were definitely not waterproof.

Collage - a mossy fountain on a leaf-covered ground; a pine forest in dull winter colours; an excavated gorge from the container dam, the gorge is overgrown with green-grey plants

I was very happy when we walked out of the forest and into the trail where the sun was shine. We hiked up to see the brand-new weather vane Veleta, from where we could see the whole village and actually watch sunset, as these days the sun sets early. Then we walked back to the village, not before catching some fallow deer hoof prints, and getting hung on hunting for gypsum crystals, something I used to love when I was a child.

Collage - a pine tree foreest, in golden colours as the setting sun is hitting them, the sky is cleawr blue; a weather pointing southeast

Collage - a fallow's deer hoof print next to a fifty-cent coin for reference- the coin is about half the size of the hoof print; a few gypsum crystals on reddish sandstone

Sunset picture. The sun is sinking behind a low mountain. The mountain gives way to a valley where the village is peeking. On the foreground, there is a capricious-looking grey rock. The sun is a big gold ball flaring on everything

Afterwards, we just sat down to chat and eat leftover Christmas food until it was time to go back home. Not the most exciting thing, one might think, but I had a lot of fun.

2nd January 2023: Lies or oblivion? {Egypt, Winter 2022-2023}

I was awake at 6:40, but no phone call ever came. I was distressed because this gave way to two options. Either the tour guide had lied to me, or someone had forgotten that I existed. Neither was a happy thought. I tried to cheer myself up with a cup of Espresso from the room complimentary bar, and around 8:30 I went to have a quick breakfast. I was not hungry and to be honest quite upset. I had insisted five times about this beforehand.

A bit after 9:00 I tried to call the ground agency, Galaxia Tours, and I texted them through the website. But around 9:20 I said screw it. The hotel had a mini travel agency – I had noticed this because we had made an attempt to go see the light and sound show at Giza on the 30th, which the tour guide had walked around. Instead of telling us “you won’t have the time” he had deflected every question we asked about it.

Had I had more time to organise things, I would have hired the mini-agency to take me back to the Egyptian Museum, the Museum of Egyptian Civilisation, or even the Valley of the Whales. However, since the tour guide had mislead me, I was out of time. Then again, the hotel was not in actual Cairo, but in Giza [الجيزة], and a nominal 20 minutes away from the Giza Plateau and thus the pyramids, so I hired a tour over there. And, believe it or not, I ended up… on a “camel” – actually a dromedary – for a few hours.

I had been resisting doing a dromedary ride of any kind out of concern for animal welfare, especially after seeing how they were treated at the Petra site in Jordan. However, this time it looked like it was the best option to spend my three hours around the pyramids, introducing Moses the dromedary (Camelus dromedarius).

Moses the dromedary kneels looking at the camera over his shoulder. He exudes personality

I checked out at the hotel, left my luggage at reception, and was driven towards the The Pyramids of Giza Archaeological Site [مجمع أهرامات الجيزة]. My driver was a bit creepy, so I tried to keep it light. We arrived at a backstreet next to the Great Sphinx [أبو الهول] entrance, from where I had a great view. This entrance was a bit different from the one we had used on the 31st next to the tourist bus parking lot. Most people using this entrance were Egyptians, and they were thoroughly patted down. Upon entry though, the view was astonishing – the Sphinx, and Pyramid of Khafre standing right behind it, the Pyramid of Khafre [هرم خفرع], the Pyramid of Menkaure, with the Pyramids of the Queens peeking to the side.

A front view of the sphinx, with three pyramids behind it. The pyramids decrease in size from right to left

Riding the dromedary was easier than I thought. The trickiest part was managing his kneeling down and standing back up – I did get a cramp on the very first standing up – but it was mostly a matter of leaning forward and backwards. Through this new walk around the Giza Plateau I got to see the modern cemetery on the left, then we moved onto the archaeological site itself. From this side, I saw the path that joins the Great Sphinx with the Funerary Temple of Khafre and the Pyramid of Khafre. I also got to see the Tomb of Queen Khentkawes I [مقبرة الملکه خنتکاوس] and the Central Field of Mastabas and rock-cut tombs. It was weird, having such a vantage point of view! I got used to the rocking very quickly, so I got a few good pictures.

Two views of the archaeological area of Giza, with pyramids in the background and low, excavated tombs in the foreground.

My guide – and Moses – took me to a a different Panoramic Point of the Pyramids, the picture perfect one, a few metres south of where we had been the previous day – this spot is not reachable from the bus, but I honestly cannot calculate if I would have had the time to get there and back the previous time – it’s hard to estimate distances in the desert, and the pyramids are too big to gauge good references.

A general view of the area of Giza. All the big three pyramids and the small six are visible.

We rode around the Pyramid of Menkaure, and actually passed between two of the Pyramids of the Queens.

A collage showing the approach to the Pyramid of Menkaure. The smaller pyramids of the Queens are in the foreground, and the camera seems to go through them until it focuses on the bigger pyramid.

Then we moved on towards the Pyramid of Khafre. Coming closer was really cool, as I could see the granite blocks that would have made the pyramid smooth back in the day, along with the rest of some columns. Also, two sides of the pyramid are actually somewhat sunk in the ground, with a vertical wall of rock-cut tombs. I know I was paying for it, but being able to walk around the pyramid felt special, and allowed me to feel awed at the size and technology again, considering these were built about 4500 years ago.

The pyramid of Khafre. The top is still smooth as granite blocks have not fallen. At its foot, you can see the granite blocks that have fallen, some aligned next to the pyramid so you can guess how it would be smoothed. Another picture shows the moat like structure around the pyramid - it is the back-wall of some tombs

The Pyramid of Khufu stood to the left, and we continued our ride towards the Central Field of Mastabas and rock-cut tombs and the Tomb of Queen Khentkawes I.

A view of the Great Pyramid from behind.

A number of basement-like structures excavated in the desert. They are the tombs of the nobles and the pyramid builders.

I dismounted again and walked into the Valley Temple of Khafre [معبد الوادي لخفرع]. This time, not running and with fewer people, I got to see the megalithic structures for real. I also could go to see the rump area of the Great Sphinx of Giza.

Collage showing the sphinx with the pyramid of Khafre behind it; the megalithic temple through which you access it; then a lateral view of the sphinx and a view from the rump.

Afterwards, there was an “essence shop” experience, but as I told the lady I would not be buying anything, she dispatched me really fast. My driver got only creepier in the way back, so I tipped him and ran off to the reception of the hotel, where I sat down to wonder whether someone would pick me up from the hotel, or they would forget me like they had for the dray trip. Fortunately, I spotted some people I had seen during the New Year’s Eve party, and it turns out that they had the same pick up. That was good, because handling the transfer for Cairo Airport – and the airport itself – would have been more stress than I was willing to deal with. I actually think I was forgotten indeed, but this family was not – I did approach the representative they pointed out, and made him aware of my existence. Firmly.

At 14:05, we were off on the mini bus towards the airport, and it took a bit over an hour. Meanwhile, they gave me a questionnaire to fill in – I tried not to get personal, nor attack anyone, but I was very sincere about the things that had gone wrong. Being forgotten is not a nice feeling.

We reached the airport past 15:00. There were two security controls for luggage, and one pat down. In the second control, the guards got money to let a group go before me, and the guard actually gestured that money would make things go faster. However, waiting had an interesting consequence… I met the people who went on the day trip, to Saqqara again, and they entered other pyramids there. So there had been another day trip – and again, lied to, or forgotten about?

But I had had my own fun, so I did not let that rile me up. I checked in, dropped my luggage, got my exit visa and settled down to wait – I was now just destined to have to listen to We wish you a Merry Christmas on loop for as long as it took to board. I got myself a cheese sandwich for lunch – this was past 16:00 by now, I was a bit hungry after only a fast breakfast. Cairo Airport is anything but traveller-friendly. Half the shops were closed, but without signs, so they just yelled at you if you walked in. There are no sitting areas next to the gates, just the shops, and I did not want to sit on another floor and rely on their English to know when boarding was ready, so I just walked up and down “a few” times. I was lucky enough to be next to the gate when boarding started – with yet another X-ray control, getting separated by sex, and being frisked. And yet, you have to take off your shoes, but you are allowed water bottles on the plane… Weird.

We finally took off around 19:30 for very uneventful five-hour flight. We got dinner on the way, which was unexpectedly nice, and I had a window seat, extra water, and got to see Cairo goodbye.

An aereal view of a city at night. The streets are lit, and light pollution diffuminates in the background. There is a black line in the middle, north to south - the Nile.

Overall balance: things were left unseen, and maybe one day I’d go back to see the rest of the Valley of the Kings, the Valley of the Queens, and the new Grand Egyptian Museum. Possibly the Valley of the Whales. But I don’t really feel I must come back any time soon. It was the adventure of a lifetime, and I am very grateful I got to live it. I do admit, however, that I dropped by my travel agent’s to make it known that someone had either forgotten me, or lied to me, and that I was not happy – similarly to what I had done with the questionnaire. I don’t know if I’ll ever get a reply, but I have to say the experience has left me not feeling up to trusting anyone with my travelling for a little while. Though I had to admit, my first solo experience with a group was all right… nice people all around, so I’ve been lucky in that department.

1st January 2023: The Lotus Flower {Egypt, Winter 2022-2023}

I read somewhere once that you should start the year doing what you love, that is why I decided to go out on the 1st January 2022. I could have never imagined 2023 would start as it did, in Cairo [القاهرة] of all places. As a settlement, Cairo can be traced to the Babylon Fortress, built around the 1st century BCE, but its real foundations were laid in the second half of the 7th century by the Fatimid dynasty. The city survived the Caliphate and kept spreading. Today, it is the largest metropolitan area in Africa, and the 12th in the world with 22 million people.

After waking up around 7:00, I was the first in my group to go down to have breakfast, and when I did, I saw that the breakfast buffet had added a ‘hangover’ buffet – Ibuprofen, Strepsils, painkillers in general… I thought it was hysterical. To be honest, I was tired and sore from the pyramid climbs, and probably a bit hungry since dinner had been… strange. One out of three was dealt with after some coffee and a very… British breakfast somehow – scrambled eggs, potato wedges, roasted tomato, a sausage… this gave me energy for the day, which we were to spend in the Unesco World Heritage Site Historic Cairo.

Departure was scheduled for 9:00 – too late, in my opinion. First, we got caught up in the horrible traffic. Then, when we arrived at our first destination, we had to turn around because the bus parking lot was full. On the way we caught a glimpse of the City of the Dead (Cairo Necropolis, or Qarafa [القرافة]). In this area, tombs, mausoleums and houses cramp together, up and down. Some people have made their houses out of the mausoleums due to Cairo’s crazy urbanisation. The City of the Dead was created almost at the same time as the city of the living.

Cairo, City of the Dead from the moving bus. A bunch of low constructions with flat celings or domes, with some trees sprinkled inbetween.

We also saw the ending of the Cairo Citadel Aqueduct [سور مجرى العيون]. Though originally designed during the Ayyubid period between the 12th and 13th century, it was later reworked by several Mamluk sultans (13th – 16th century) to expand water provision to the city. Today, it does not carry water, and it is under ‘redevelopment’ in order to display it as a heritage monument.

Aqueduct. Built in dark grey bricks, it has been buried by the sands of time so only the upper part shows.

Finally, after way too many scares with the bus, we reached the area called Coptic Cairo. It is located in what used to be the fortress of Bayblon, and in order to access it you have to go down a flight of stairs that feels way too long due to the pyramid climb. I do know a thing or two about soreness, and as I was hopping down the stairs as fast as I could, someone complained that it was unfair that I was ‘fresh like a lotus flowers’ while they were sore. That made me laugh – I guess I’m more used to being in pain than others.

The Coptic Catholic Church is the main branch of Christianity in Egypt. The Coptic Church seceded from Catholicism in the 5th century due to disagreements about the “nature of Christ”. Coptic Catholics believe the same general things as other Christian faiths, and fast a lot – 40 days before Christmas (7th of January), and 55 before Easter. They have a different Pope and rules for priests. Copts are a minority in mostly Muslim Egypt.

Our first stop there was the Church of Saints Sergius and Bacchus [ϯⲉⲕⲕⲗⲏⲥⲓⲁ ⲛ̀ⲧⲉ ⲛⲓ⳥ ⲥⲉⲣⲅⲓⲟⲥ ⲛⲉⲙ ⲃⲁⲭⲟⲥ ϧⲉⲛ ⲡⲓⲥⲡⲉⲗⲉⲱⲛ]. Christian traditions tell that the Holy Family fled the Massacre of the Innocents. In the nativity narrative, Herod, King of Judea, ordered the killing of all male children under two years near Bethlehem, in order to get rid of the “King of the Jews”. Having been alerted by an angel, Joseph took Mary and infant Jesus to Egypt. According to the tradition, they rested in the cave underneath the church, now turned into a crypt. The church is dedicated to the two martyrs, who died for their faith in Syria in the 3rd century CE. The building, erected in the 4th century, has a central nave and two side aisles, with 12 columns, probably quarried from Ancient Egyptian monuments and temples.

Collage. The upper part shows the Coptic chruch. The walls are made out of red brick, and the altar is hidden by a wooden structure. The lower picture shows a crypt with a small wooden altar, brick ceilings, and white columns

We then made a small stop at a Roman Tower, one of the Roman emperor Trajan’s addition to the original Fortress of Babylon (not that Babylon, the name was probably corrupted from the Pharaonic name). Trajan also created a quay back to the Nile, which has now dried out.

Ruins of a rounded tower built in white and red bricks. The colours alternate to create horizontal patterns.

We had a small stop at a bazaar shop, then we went into the so-called Hanging Church [الكنيسة المعلقة or ϯⲉⲕⲕⲗⲏⲥⲓⲁ ⲉⲥⲓϣⲓ], officially Saint Virgin Mary’s Coptic Orthodox Church [ϯⲉⲕⲕⲗⲏⲥⲓⲁ ⲛ̀ⲧⲉⲑⲉⲟⲇⲟⲕⲟⲥ ϯⲁⲅⲓⲁ ⲙⲁⲣⲓⲁ ϧⲉⲛ ⲃⲁⲃⲩⲗⲟⲛ ⲛ̀ⲭⲏⲙⲓ]. It is called the Hanging Church because it would have been suspended over the water gate of the Roman Babylon fortress – though today the ground is higher and the view is less impressive. It was built somewhere between the 7th and 9th centuries, and holds over a hundred icons. It is built in a basilica style, with 13 pillars representing the apostles and either Christ or Judas – depending on where you read. The rich decoration, with mosaics and reliefs, especially on the outside, mixes Arabic and Coptic motifs.

Collage of the Hanging church. The façade is sandstone, carved with Coptic and Arabic designs. Then there is a courtyard with a staircase that yields to a white building with two bell towers and a wooden porch. The lower picture shoes the interior, with the altar behind a wooden structure, very decorated ceilings and bare stone columns

That was all for Coptic Cairo, as we moved on towards what should have been our first stop – the Citadel of Saladin | Qalaʿat Salāḥ ad-Dīn [قلعة صلاح الدين الأيوبي]. There was going to be a high price to pay for all that time in the bus that morning, we just didn’t know yet. The Citadel was built by Saladin in the 12th century CE. Saladin was the founder of the Ayyubid dynasty. He became Sultan of Egypt in 1171, fought the Christian Crusaders, and conquered Syria. He was considered smart and noble, even by his enemies.

A sand-coloured wall with two minarets peering from the background

In the Citadel, we visited the Mosque of Muhammad Ali [مسجد محمد علي] in the Southern Enclosure, also called the Alabaster Mosque. It was built in the first half of the 19th century in the Ottoman style, and had to be completely restored in the 1930s due to cracking. It has two minarets, and a metal clock tower – the Cairo Citadel Clock, which apparently was a gift in return for the Luxor Obelisk that currently sits in Paris. The mosque has a courtyard for ablutions, and although the interior is usually carpeted, the carpets were out for cleaning, which created an interesting effect. It was my first time in a mosque, and I was pretty impressed by the huge glass lamps. Most of the courtyard and the interior are covered by alabaster – the upper part of the interior is only wood – and the mausoleum of Muhammad Ali is built in Carrara marble.

Muhammad Ali Mosque collage: from the outside, it has two domes and two minarets. It is built in stone, brick and slate. The inside courtyard is built in white-grey alabaster, with an ablution fountain in the middle and a metal clock tower that feels out of place. The interior of the mosque is also built in alabaster, and the lights reflect on the floor, creating a dizzying effect. Everything inside is carved and decorated with tiny motifs

Before leaving, the Citadel, we went towards the wall to catch a view of what is modern Cairo, in what we were told is called the Wall of Saladin, which is basically the limit of the Citadel. Looking very carefully, one could spot the pyramids in the background, among the high rises.

A ruined medieval wall, with a view of Historic and modern Cairo in the background. A floating image superimposed shows a high-contrast close-up of the skyline, making the pyramids visible through the haze

Afterwards, we went back to the bus to find the restaurant we were supposed to have lunch at – a “luxury boat” on the Nile that tried to short-change two of us – a travel-mate for 20 EGP and me for almost 60 EGP. We had nothing of it, though I had to be a bit more forceful than he did. We finally got into the most interesting part of the day at 15:17 – The Egyptian Museum in Cairo [المتحف المصري]. Considering that the museum closed at 17:00, this was outrageous. We had to run through the museum, with the tour guide complaining that we were not fast enough – he actually grunted that I was not there when I was. Considering how many people there were, we spent time trotting behind the guy, trying not to lose him.

We saw – thankfully – the Tutankhamun Galleries, with his sarcophagus and mask. I say thankfully because at this time, the treasures were scheduled to move onto the Grand Egyptian Museum next to the pyramids within the same month – and the tour guide could not even tell us where exactly the treasure was. We also saw most of the masterpieces:

  • Galleries of Yuya and Tuya (18th Dynasty), containing most everything regarding this couple, including the Book of the Dead
  • Statuette of Khufu (Cheops) in ivory, a tiny representation of the pharaoh, the only sculpture of his in existence
  • Scribe statue CG 36 (Fifth Dynasty)
  • Menkaure triads, in alabaster (Fourth Dynasty). Statues of deified Menkaure.
  • Narmer Palette, a cosmetic palette considered the “first historical document in the world”, documenting the union of Lower and Upper Egypt by Narmer (Dynasty 0, 3000 BCE) with the first hieroglyphs
  • Bust of Akhenaten, Amonhotep IV
  • Sphinx statue of Queen Hatshepsut
  • Small wood sculpture compositions from different tombs
  • Sarcophagi from several pharaohs and noblemen
  • Rahotep and Nofret (26th century BCE)
  • Statue of Seneb and his Family (25th century BCE)
  • Face of Queen Hatshepsut

Cairo Museum Collage: a view of the building, striking pink; the first gallery showing the top of a few pyramids and some colossal statues; sarcophagi.

Cairo Museum Collage: Close up of a black basalt sarcophagus, showing colourful hieroglyphs; canopi jars; a sitting scribe; a spynx.

Cairo Museum Collage: Face and Sphynx of Queen Hatshepsut; bust of Akhenaten; mummy

By the time he actually cut us loose, it was almost closing time, 16:40. I managed to wander a little on my own, and at least catch a glimpse of some colossal statues and the exhibited pyramidia (tops of the pyramids). I am not going to lie, I was miffed. We should have gone out of the hotel earlier, and if the bus could not enter the Citadel, we could have walked for ten minutes rather than waste an extra hour driving around Cairo. The best, though, was still to come. My travel-mates had come later than me, but they left earlier than me – almost 12 hours earlier. Back in Aswan I had tried to organise a day trip for myself for the second, and throughout the bus rides, I insisted thrice about organising something, but was just told that my pick-up was 14:00.

We were driven around Cairo for a little while after the museum until we reached the area known as Islamic Cairo | Al-Mu’izz’s Cairo [قاهرة المعز], the heart of the Unesco Heritage Site – it is also known as Historic Cairo or Medieval Cairo, and it existed before the current city expansion, built throughout the Middle Ages around the Citadel. It is surrounded by a wall, that can be crossed through a number of monumental gates. We had a walk down Al-Muizz li-Din Allah al-Fatimi Street [شارع المعز لدين الله الفاطمي], the most important artery of the historical city, with a number of historical buildings, such as the Qalawun complex [مجمع قلاون] and the Mosque-Madrasa of Sultan Barquq [مسجد ومدرسة وخانقاه الظاهر برقوق]. At the end, there is a tourist market that we were told was Khan al-Khalili, but I was not able to find the historical part of this famous souk, and to be honest, I did not feel too comfortable hanging out alone – we were given an hour of time to ‘do shopping’ here. Though the street itself was quite neat, and the buildings were nicely lit, again, I was not in too much agreement with the timing, and the shopping area was not welcoming at all – at one point I was sent a child to beg me for a pound, and she kept crying around me. One should never give money to beggar children, as it encourages the practice, but it was hard to force myself to ignore her.

A collage of Medieval Arabic buildings at night, lit in pink and green lights. The decoration is rich and ellaborate. The street is full of people.

When we came back to the bus, we got on route towards Al-Azhar Park [حديقة الأزهر], and a supposedly famous restaurant with views. Though it has very neat views from the terrace, the set menu was weird. The barbecued meat was okay, but it came after way too much rice and fries. I’m not sure how much the restaurant got from the extra trip price (60€ per person) though.

A collage. The biggest picture shows the Mosque of Muhammad Ali in the background, lit in purple for the night, with a darkened garden leading up to it. Two other pictures show the entrance to the restaurant, and a small Arabic fountain. The other two picrures show Cairo skyline, and the food we were served: Egyptian bread, hummus, and a barbecue of chicken and lamb meat

Most of the group was exhausted and they had to leave at 3:00, so we just bailed out on the rest of whatever was planned. I insisted on the following day and I was told I’d receive a call to my room the following morning. We said goodbyes to the tour guide, and I said my goodbyes to the rest of the group.

I went to bed wondering what time I would get that call. I set my alarm clock for 7:00 just in case.

31st December 2022: So high! {Egypt, Winter 2022-2023}

The breakfast buffet at the Cairo hotel was definitely better-stocked than the one on the motorboat, but we did not have time to linger. I was more than a bit giddy because today was the great day. The traffic was horrible, but as we were stuck there, we caught our first sight at the pyramids! The haze and smoke over Cairo [القاهرة] are thick in the morning, so instead of heading directly to Giza, we turned our back from it and drove off towards Saqqara [سقارة]. Both Saqqara and Giza are part of the Unesco World Heritage site Memphis and its Necropolis – the Pyramid Fields from Giza to Dahshur.

Two pyramids in the background through the window of a moving bus. The quality is not that great as the glass is somewhat tinted and the weather is hazy

Memphis was the capital of Ancient Egypt during the Old Kingdom, for eight dynasties. It flourished during the Sixth Dynasty (24th – 22nd centuries BCE), but started a decline at the beginning of the Eighteenth Dynasty (16th – 13th centuries BCE), first in favour of Alexandria, then of Thebes (Luxor). If Memphis was the city of the living, Saqqara was its city of the dead, the cemetery.

The Necropolis of Saqqara [أهرامات سقارة] starts off right at the end of the area where the fertile land from the Nile ends, so you cross from a date palm forest to a scorching dry desert. The burials there predate the Old Kingdom, and the oldest tombs belong to the Second Dynasty, and here the first pyramid was built. The timeline for burials was Abydos (which we did not get to see) → Saqqara → Giza (both of which we would see that day) → Valley of the Kings.

A garden or forest of palm trees from the bus. There's a low stone fence in the foreground.

Our first stop was the Necropolis of Teti. Teti was the first king of the Sixth Dynasty (24th century BCE) in the Old Kingdom, back in the time when the Egyptians had started working on elaborate burial sites. Thus, he had a pyramid complex for himself, his queens and officials.

Teti’s vizier (and probably son-in-law) Kagemni was buried in the necropolis. The type of funerary monument built for him was a mastaba. A mastaba [مصطبة] is type of burial, maybe a precursor of the pyramids – it is a rectangular structure with inward sloping walls built using mud bricks. They remained common among non-royals for over a thousand years after Kings were buried in pyramids.

Thus, we went into the Mastaba of Kagemni, vizier to King Teti of the Old Kingdom. The inner walls of the mastaba are decorated with coloured carvings of every day’s life, and mourning scenes for the deceased. There are lots of fishing scenes, featuring hippopotamuses, crocodiles, catfish… and cattle rearing work.

Mastaba of Kagenmi. Collage showing the narrow entrance, flanked by two carved warriors. A view of the walls of a reddish building. Carving on walls, some of them coloured, showing fish, a cow being milked, and Ancient Egyptian people carrying offerings

After the vizier’s tomb, we went into our first pyramid, the Pyramid of Teti [هرم تتي] himself. The pyramid today looks just like a hill from the outside – under all the rubble there is a big pyramid, along with three smaller ones, and a funerary temple. The pyramid was opened in 1882, and despite the poor condition of the above-ground area, the corridors and chambers inside very are well-preserved. This pyramid is one of the first ones with carved funerary texts – a number of rituals and spells called the Pyramid Texts. The entrance to the structure is downwards. A ramp leads into a narrow and low corridor which ends in a vestibule that in turns opens into three small chambers to the left, and the mortuary chamber to the right. The King’s sarcophagus remains at the pyramid, with carvings inside – the first carved sarcophagus ever found.

A rubble-like pyramid and shots of the inside. A very narrow and low passgeway, a sarcophagus in a pentagon-shaped room, and the decoration inside the sarcophagus.

I am not sure I can describe the high that I felt when I went inside the pyramid. It was like breathing history. Unfortunately, we had to move on too quickly. Fortunately, there were more things to discover! We got out of the bus to see the line of three pyramids – Pyramid of Unas, the Step Pyramid of Djoser, and the Pyramid of Userkaf.

A view of three pyramids. The one in the foreground right is little more than rubble. The one in the middle is not smooth, but it has five steps. The one in the background left is mostly hidden and only a flat tip can be seen.

Djoser was either first or second king of the Third Dynasty of the Old Kingdom, sometime around the early 27th century BCE. His architect Imhotep is credited with the design of what possibly was the first ever pyramid. Djoser Mortuary Complex comprises the enclosure wall with a colonnaded entrance, a number of Heb Sed chapels, where dedicated priests honoured the different gods of Ancient Egypt. The roofed chapel area opens into a large patio, which used to be surrounded by a mud brick wall – today only the entrance stands, having been recently restored. In the middle of the open court, stands the Step Pyramid of Djoser [الهرم المدرج للملك زوسر].

Complex of Djoser, collage. The first picture shows the reconstructed wall, made of mudbrick, and the pyramid. Two other pictures show the inner columns of the hall, and the final picture shoes the pyramid again, it has five steps and it is not symmetrical.

The Pyramid of Userkaf [هرم أوسركاف] was built for the founding pharaoh of the Fifth Dynasty (25th century BCE, Old Kingdom). The pyramid and all the surrounding funerary structures were pillaged in antiquity, and time has taken its toll – the structure is a core of rubble that looks like a huge anthill.

The pyramid of Userkaf, mostly collapsed, with a ruined stone path leading to it

The Pyramid of Unas [هرم أوناس] is even more decayed. Unas was the last king of the Fifth Dynasty (24th century, Old Kingdom), and his is the smallest pyramid of the Old Kingdom, but the first ever in which funerary texts were inscribed. Some of the outer casing is still visible, and there are also some remains of the mortuary temple in front of the pyramid, but most of the complex it is unstable rubble. Nevertheless, I’m a bit sad we did not get to go in and see the texts.

Pyramid of Ulnas. The upper part is mostly sand and debris, and the bottom shows blocks of stones collapsed

We overlooked the New Kingdom Tombs and the Persian Shafts, tombs of the high officials in Persian Egypt between the 6th and 5th centuries BCE. The tombs are connected together underground, but again, we only saw them from the outside.

Several funerary structures made out og mudbrick, and a deep square pit

We went back to the coach and were shown to a carpet / tapestry “school” which was a bit unsettling as it felt like a cover for children’s work. Then we drove off back towards Cairo and Giza [الجيزة], where we ran into a ten-lane traffic jam. However, we eventually made it to The Pyramids of Giza Archaeological Site [مجمع أهرامات الجيزة].

The tour guide had been trying to talk us out of stepping into any Giza pyramid claiming that “all of them are the same”, and we had already been inside one in Saqqara. This time, however, we did not buy into his “recommendation”. Part of the group wanted to go in, and of course I was among them – I might have been a bit worried about claustrophobia, but I did not want to miss the experience. All of us chose to enter the Great Pyramid of Giza [الهرم الأكبر], attributed to the pharaoh Khufu, aka Cheops, the second pharaoh of the Fourth Dynasty (26th century BCE, Old Kingdom). The pyramid stands 137 m high, nine lower than when it was built, due to 46 centuries’ worth of wind erosion. At the time of construction, it was the highest man-made structure, and it remained so for almost 4,000 years, until in 1647, it had eroded to 139 m, slightly lower than the Strasbourg Cathedral in France (142 m, built in 1439). Ancient Egyptians used 2.3 million large blocks that total to 6 million tonnes in weight.

The Great Pyramid of Giza from afar and from its very foot, a wall upwards.

We were lucky enough to start queuing for entry during “lunch break” so we did all our little climb without sharing the space with anyone climbing down in the opposite direction. First, we went up the outside of the pyramid towards the entrance, then we went inside. There was a narrow, tear-shaped corridor, then you start the actual climb through a 1 m x 1.3 m passageway that ascends 40 m to the Great Gallery, which is also narrow, an extra 47 m upwards and 8.5 m high. And finally, we reached the King’s Chamber with the sarcophagus, dead in the middle of the pyramid. For a few minutes, we had the chamber for our little group, which was even better. When we were ready to leave we went our way down and did not cross many people either. The emotions I felt being there, inside the Great Pyramid, were amazing. I know it is not reasonable, but the feeling was exhilarating. It was being inside history, 46 centuries of it. It was just awesome, in the literal sense of the word.

Inside the Great pyramid: a very long narrow and low passage that feels claustrophobic, two shots of the Great Gallery, A-shaped; a picture of the mortuary chamber, with the naked pharaoh's sarcophagus inside.

Afterwards, we went back to the coach, which drove us around the complex so we had a view of the pyramids from one of the Panoramic View of the Pyramids points. There, we got to hang out for about 20 minutes as part of the group took a dromedary trip. From the view point we could see the Great Pyramid, the Pyramid of Khafre [هرم خفرع], the Pyramid of Menkaure [هرم منقرع], and the Pyramids of the Queens [أهرامات الملكات]. The Pyramid of Khafre (aka Chefren, Khufu’s son; Fourth Dynasty, 26th century BCE) measures 136 m, and it still has part of the original limestone casing at the tip. The Pyramid of Menkaure (aka Mycerinus; possibly Khafre’s son; Fourth Dynasty, 26th century BCE) is the smallest one, “merely” 62 m high, and rather unfinished because the pharaoh died prematurely. In the background, stood the modern city of Cairo.

The three main pyramids of Giza stand in the middle of the desert. Three small in comparison pyramids stand on the right. There are tiny modern buildings in the background. The image is repeated, with the names of the pyramids written on the second one: Khufu on the left, Khafre in the middle, and Menkaure on the right, next to the small Pyramids of the Queens

And just like that, it was over, except it was not, because we still had a little while to see the Great Sphinx of Giza [أبو الهول], which is a reclining lion with a human head, made out of limestone. It measures 73 m long and is 20 m high. It is part of the mortuary temple of Khafre, so it is probably his face the Sphinx bears, dating from the 26th century BCE. The Sphinx is currently missing its nose and beard. To access the Sphinx, first we went by the dried up Nile dock and we crossed the Valley Temple of Khafre [معبد الوادي لخفرع]. The temple was built out of megalithic rocks of red granite. The Sphinx was… pretty in a weird way, he had a very pleasant head, despite all the pidgeons.

A view of the sphinx with two pyramids in the background. The dried Nile dock, and a megalyth-temple.

The sphinx, looking right.  There are lots of pidgeons on his head.

Then, we were driven back into the Cairo chaos to a restaurant for lunch. By this time it was around 15:00, and the menu was fixed. I was highly amused by the fact that the tour guide had tried to up-sell this place as a high-scale seafood restaurant. We were served rice with squid in different ways – breaded and in tomato sauce – three prawns, and fish. The best thing, honestly, was the Egyptian flatbread Aish Baladi [عش بالدي], and the view – after all the name of the restaurant was “Chestro Restaurant Pyramid View” for a reason.

A view of two pyramids with the sun setting to their right. The picture is surrounded by smaller pictures of Egyptian food - pickled vegetables, Egyptian bread, calamari with tomato sauce, rice with calamari, a roasted seabass

After our very late lunch, we headed off to the last visit of the day – yet another shop. Finally something I was interested in, a place where they had papyruses. Papyruses are made out of the papyrus plant (Nile grass, Cyperus papyrus), a type of flowering sedge. Here, someone explained the process of making the papyrus paper. I found something I liked, a reproduction of Tutankhamun’s jewellery box with a guarding Anubis (currently at the Egyptian Museum in Cairo).

A painting on a papyrus. It shows Anubis in jackal form sitting on a box. The lower part shows a man holding a papyrus plant, next to it different utensils to make the papyrus paper. On the left, the real box showing the jackal on top.

It was around 19:00 when we got back to the hotel, where the tour guide informed us that (the now free) dinner gala would be held from 20:00 to 00:00. We had a bit of a laugh about being so not ready – since nobody had brought any kind of formal clothes as most of us had not booked the dinner – and we arranged to meet at 21:15, since we had finished lunch late. I had a shower, then went downstairs. We met at the agreed time, and spent some time taking pictures, and in the end… we were almost late for dinner! By the time we sat down it was 21:30… and the buffet only ran till 21:45…

Food was not so great, and even less worth 190 €. The singer was terrible, the exotic dancer… was more like a stripper, and I ended up defending all our grapes to the death. To be fair, it was a nice detail that the tour company got us twelve grapes each to celebrate the New Year’s. Despite the time and quality hiccups, we had a lot of fun. We counted-down to the New Year with the Egyptian time, and one hour later connected to the Spanish TV in order to listen to the bell tolls for midnight and eat our grapes. I had another shower and went to bed, though I could not sleep till the other hotel party finished at 2:30.

Shots of the New Year's Eve party at the hotel: two Christmas trees, a napkin folded like a tuxedo, some food, table decoration and a screen reading Happy 2023

It didn’t matter too much though, as the buzz and the high from the pyramid experience kept me content until there was enough silence to zonk out.

30th December 2022: Philae and the Aswan – Cairo jump {Egypt, Winter 2022-2023}

Belonging to the city of Aswan [أسوان], the Philae Temple [فيلة] complex is currently part of the Unesco World Heritage Site Nubian Monuments from Abu Simbel to Philae. When the first Aswan Dam was built in 1902, the monument became semi-submerged, and it would have completely disappeared after the completion of the High Dam. Between 1972 and 1980, through the International Campaign to Save the Monuments of Nubia, it was dismantled and reconstructed over at Agilika Island, 20 m higher.

The main feature in Philae is the Temple of Isis. Isis was the major goddess from the Old Kingdom to the Roman period. Isis was the spouse of Osiris, and is considered a mother and protector goddess, divine mother to the pharaoh, and mourner of her husband. In the Osiris myth, after he was killed and dismembered by Seth, Isis looked up and down Egypt to gather all the pieces. After she did, she breathed upon him to resurrect him, they conceived Horus (there are more or less gory versions of this), and Osiris went back to the Underworld, where he became lord of the Afterlife. Isis was the longest-revered goddess of the Ancient Egyptian religion – her cult survived in Philae until 550 CE, when Christians took over, defacing the gods and carving the Coptic cross all around.

I left for breakfast having vacated the room, suitcase ready at the open door, and hoped for the best. I settled my drink tab, which rounded up to 235 EGP; however, with the same smirk I had been given the previous day, I reminded the person at reception that they owed me ten pounds. The debt was honoured and I left with a giggle – yes, it was not that much money and I could have let it slip, but nope. Not this time. After that, our luggage was loaded onto the bus (luckily) and we drove off to a tourist dock to board the boat to Agilika island, which we reached after a few minutes. We landed and climbed up towards the archaeological site.

The Temple of Isis holds the general structure of an Ancient Egyptian Temple, with a pylon, a court, a hall and finally the inner sanctuary of Isis. An obelisk stands before the pylon, in the outer court that has been preserved.

Collage. View of the outer wall of Philae, with the colonnade and the pylon; entrance to the sanctuary, richly engraved with deities and hyerogyphs; a cat sitting in front of the columns.

When looking carefully at the pylon, it shows the different water marks from the time the temple was submerged – at two different levels, depending on whether it was flood season or dry season. During the rescue, a cofferdam was built around the original constructions to dry the area out. Then, between 1977 and 1980, the whole complex was dismantled into 40,000 blocks, moved and rebuilt. The old position can still be spotted 500 m away, marked by the remains of the metal anchors for the cranes.

Close up of the pylon showing carvings of Hathor and Horus. Two water lines can be appreciated above and below them

Another structure in the island is the unfinished Kiosk of Trajan. I even managed to be alone in there for a heartbeat.

A cube-like structure built from columns, with the river behind them.

The final building is the Temple of Hathor, Horus’ wife.

Collage. A ruined building with derelict walls and a few standing columns - from land and from the river.

Next in the plan was shopping (joy -.-“) and we went to an essence shop. The lady claimed that Egyptian essences were the base of many brand-famous perfumes. I have no idea, but I was irked by the rigid sex separation of scents, and I developed a rash from one of the testers… While some people in the group shopped, someone else found the adjacent papyrus shop, and a small number of us went to snoop there.

After being spared a second shop – this one for spices – we were shuttled to the airport to take our charter to Cairo. It was a surreal experience through which I was patted down twice. The airport segregated by sex because you got the pat down even if you cleared the metal detector, which was weird. Also, it turned out that we had an extra suitcase in the bus! Creepy!

Our tour guide did not fly with us. When we landed in Cairo [أسوان], we were taken to the hotel by another representative, who assigned rooms and called our names in the bus, before we even arrived, but did not hand the cards until we were there and had handed in our passports for check-in. It was of course too late to try and go to the Pyramids light show – seriously, everything would have been so much easier with a “sorry, no time”, especially considering the crazy Cairo traffic. At this point we were already planning to try it on our own – I had found out that the hotel had a mini travel’s agent that we could use.

A traffic jam heading to the Cairo airport traffic control. The green neon on top reads Welcome to Cairo

We met up for planning – and paying for the Night Cairo Walk, which was to take place the following day – and I sat down to catch up on everything that had happened in the days when I had been internet-less (have I mentioned that it was not such a bad experience?).

The whole trip was a New Year’s special and came with an optional 190 € dinner that I had not booked because… no. I had packed some cereal and chocolate bars just in case, and it turned out that only one couple out of our eighteen-people group had reserved it. There had been a tiny riff-raff when I asked my travel agent about dinner that day, and she received an email about the “Gala Dinner” being compulsory (demanding the extra money), and I asked her to reply that nope, I would not be attending.

Well, that night we were told that the local agency was treating us to the dinner – my theory? The restaurant they had agreed for the Night Walk would not take us for New Year’s Eve, the walk would be impossible due to people celebrating. Thus, they found themselves in a tough spot – so they used the spare from the overpriced optional trips to pay for it. Then, the night walk was bumped to the first of January. Looking back, I believe that they had completely overlooked the NYE factor.

Also, the hotel not only had free Wi-Fi, it also had complimentary water in the rooms, and free mineral water during dinner. And a bed that did not vibrate. It was a good night’s sleep. But before that I took a shower so long and so hotm, that I almost glowed in the dark afterwards.

29th December 2022: Abu Simbel and Nubia {Egypt, Winter 2022-2023}

Modern eras have brought lots of different needs and technologies, and both become one when we think about harnessing nature. The Aswan dam is one of such examples. There are actually two of them. The Old Aswan Dam was built in the wake of the 20th century (1899 – 1902), and the newer, Aswan High Dam was completed in 1970, creating Lake Nasser. The rationale was securing fresh water for Egypt and stopping the dependence on the Nile floodings; however there have been associated problems – not only environmental such as the habitat of the Nile crocodile and the loss of fertility in the delta; thousands of people were displaced from the to-be-flooded area, and houses and whole villages were swallowed by water. A lot of these villages had their own cultural heritage, which was to disappear forever. Thus started Unesco’s International Campaign to Save the Monuments of Nubia between 1960 and 1980. This effort relocated as many as 24 monuments (one of them, the Temple of Debod, ended up in Madrid, Spain) to safer grounds. The temples of Abu Simbel are probably the star of the rescue efforts.

The Abu Simbel [أبو سمبل] Complex is part of the Unesco World Heritage Site Nubian Monuments from Abu Simbel to Philae. It comprises two buildings – the Great Temple of Ramesses II and the Small Temple of Hathor and Nefertari. Both of them were carved out and into a sandstone cliff on the West Bank of the Nile during the reign of Ramesses II or Ramesses the Great (14th-13th Century BCE, Nineteenth Dynasty of the New Kingdom), considered one of the most powerful Pharaohs in the New Kingdom, who reigned for many years. It was lost to time, and only rediscovered in 1813 and excavated in 1817. The Complex was relocated to higher ground between 1964 and 1968 to prevent its sinking in Lake Nasser. In order to do so, the mountain and the temples were cut into huge blocks and built 65 m higher and 200 m back from the river. The relocation managed to keep the relative position to the sun, but shifted it by one day – the temple was designed so the first ray of sun hit Ramesses’ face in the sanctuary on the 21st of October and February, and now that happens on the 22nd.

At some point one has to wonder what was more impressive – building the complex, or relocating it so you can’t really tell. The mountain itself is hollow in order to reduce the stress on the temple after the move, but wow. Just, wow.

As far as I understand, buses are not supposed to stay longer than a couple of hours in the complex. Our disembark time was 2:30, and even if I went to bed ridiculously early, I did not get much sleep because my cabin was above the motorboat rotors, and my cabin vibrated like hell. Before we left, we had a choice of coffee or tea, and we were given a “picnic” consisting on some sweet bread with… buffet leftovers, a piece of fruit and a small juice – that was traded often.

The trip each way was 3.5 hours, so we wanted more than the 30 minutes the tour guide wanted to give us, and we were there between 6:30 (though we did not enter the site until a bit later) and 9:00. Fine, I own up – I was late coming back and only made it to the bus at 9:08. The tour guide was so not amused by that.

Arriving at the Abu Simbel site, you approach from behind the mountain, and as you surround it, you’re greeted by Lake Nasser [بحيرة ناصر], the reservoir created by the dam. The sun was climbing up slowly when we arrived, still with sunrise colour.

Sunrise over a lake. There is a lonely palm tree on the left

You keep turning and you are greeted by the four colossi that flank the entrance to the Great Temple of Ramesses II. The colossi represent deified Ramesses II, to whom the temple was dedicated along the gods Amun, Ra (in his Ra-Horakhty advocation) and Ptah (creator of the world and patron of craftsmen). The inside features a hypostyle hall with columns carved in the shape of Ramesses colossi, a colonnade hall and the inner sanctuary, where the venerated gods were revered.

Panorama of both Abu Simbel temples: Ramesses II to the left, Nefertari and Hathor to the right. The sky is blue, the monuments are orange-gold, and a lot of people gather at the entrances.

Collage of the Great Temple of Ramesses II: façade with four sitting colossi; inner hall, with colossi against the columns; an carving of Ramesses in a war position; inner sanctuary with the gods and Ramesses sitting, the light hitting their faces.

To the right stands the Temple of Hathor and Nefertari. Here, Queen Nefertari is represented as big as Ramesses and shown with the horns of the goddess Hathor, both signs of her importance (consorts were usually represented knee-high of their kings). The inner area has a hall with rectangular columns carved and painted, and the sanctuary features Hathor as a cow emerging from the mountain rock.

Small Temple of Abu Simbel colllage: Entryway with the colossi; inner hall with the face of Hathor carved into the columns; carving of Nefertari with the goddess' crown; inner sanctuary with the image of a woman with a cow head coming out from the wall, the light hitting her face

Despite really, really not wanting to leave, I made my way back and ran into two other people from the group. We had to leave through the tourist bazaar and were just slightly late. On the way back, slightly more awake than when we had left, we did not get to see any mirages, but we crossed the old Aswan Low Dam [خزان أسوان]. We had a view of the power plant on one side, and on the other side the First Cataract of the Nile, a series of rapids that have been slowed down by the building of the dam. In ancient times, it was believed that the Nile sprouted here and flowed both north and south. The main part of the cataract is now under the dam, and the remaining rapids have been turned into a nature reserve. There are Ancient Egypt remains and engravings in some ruins on the islands.

Views from the low Aswan Dam: southern side calm waters and power plant; northern side rapids

We were back on board the motorboat at 12:35 for lunch, and met again around 16:15 for a felucca sail on the Nile [نهر النيل] around the Aswan [أسوان] area. Before leaving, I decided to exchange 20 € into Egyptian pounds in order to have some change for the couple of meals we had outside, just in case I needed pounds to buy drinks. For convenience I chose the reception of the motorboat. They short-changed me, twice. First, they used a 23 EGP / 1 € exchange rate, while the official rate is 25 EGP / 1 €. Then, the guy at reception calculated 460 EGP and gave me 450, smirking “I owe you 10 pounds.” Stay tuned for the conclusion of the story.

The felucca sailing had been rescheduled from the following day so it could be tied to the trip through the Nature reserve and the Nubian village (and possibly to accomodate the charter flight times). A felucca [فلوكة ] is a traditional sailing boat, usually with one sail. Feluccas are still used for transportation through and across the Nile, and from ours, we caught some interesting views.

A sailboat docked with a precariously narrow plank to board it

A view of a sailboat on the Nile from another sailboat. The knots and ropes of the boarded felucca are visible in the foreground.

We got to see the Tombs of the Nobles | Qubbet el-Hawa [قبة الهوا] (Dome of the Wind), which I wish we could have visited. The tombs date back from the Old and Middle Kingdom with dignitaries and governors from the Fourth Dynasty to the Roman period buried here. The site is still being excavated, and also part of the Unesco World Heritage Site Nubian Monuments from Abu Simbel to Philae, even if it is neither Nubian nor between them.

A ruined structure perched on a bare mountain or dune. On the left there is a building, and on the right some open façades in stone.

We also sailed by the Mausoleum of Aga Khan [قبر اغاخان] and the family house beneath it. Sultan Muhammad Shah, Aga Khan III, was a religious leader among the Nizari Isma’ilism, a branch of Islam, and he was buried in Aswan after his death in 1957.

A building perched on the top of a mountain. It has a dome and several towers. A similar building stands at its feet, painted white, in the middle of a garden

Apparently I missed some dancing as I was taking pictures of the site. Then, the people from the felucca sold us some trinkets, and finally we transferred to a different kind of engine boat, from where we sailed off towards Salouga and Ghazal Nature Reserve [محمية سالوجا وغزال الطبيعية] (the rapids formed by the First Cataract), around Seheyl Island [جزيرة سهيل], and a great sand dune. The Aswan area is famous among birdwatchers for its diversity. We got to see some glossy ibises (Plegadis falcinellus), little egrets (Egretta garzetta), reed cormorant (Microcarbo africanus), maybe an osprey or two (Pandion haliaetus), some corvids and stilts… Up the dune we made port at, we also caught sight of a couple of Egyptian beetles (Scarabaeus sacer).

Collage: a rocky island surrounded by rapidly-running water, and several birds wadding and mid-flight

Collage. Two views of a huge sand dune: the buildings look tiny against it. A picture of a scarab walking on sand and leaving its print. It is a bit biger than a 5cent coin

The Nubian village, Gharb Seheyl [غرب سهيل], which is little more than a big bazaar. We were invited to the house of a man who claimed to have been a dancer for the Spanish Teatro Real. We hung out there for an hour or so, and eventually were let off to walk around the village, a succession of shops selling the same trinkets as everywhere else, plus women trying to sell “Nubian dolls”. The house we were at kept live Nile crocodiles (Crocodylus niloticus), and at a lot of places we saw some mounted ones, I guess for tourist’s entertainment, but that did not feel quite right.

Collage of the Nubian village: a view from a rooftop, showing the houses painted in sand and blue colours; a shop with colourful trinkets, flowers, and statuetes; a Nile crocodile staring up; a dromedary passing by a souvenir shop.

After sunset, we sailed off back to the motorboat, without stopping anywhere, even if the whole city was lit. The boats were also shiny with neons and bright colours.

Collage: boats at night, docking and navigating the Nile. Two views of Aswan: lit ruins of the tombs of the Nobles, a mosque and a hotel

At the motorboat, we just had dinner and I went to bed early to catch some sleep. When I arrived at the cabin, I discovered that the staff had taken one of my beds away. I guess they got tired of making both of them as I used both bed covers? I was amused, just like I had been by all the figures they made out of towels (I got swans, a crocodile, and a monkey) though I wish the cleaning had been a bit more… thorough.

28th December 2022: A winning change {Egypt, Winter 2022-2023}

When the Aswan Dams were built, the natural flow of the Nile was altered, and a number of floodgates were built. In order to travel south towards Aswan, we had to cross one of those floodgates, the Floodgate at Esna. I was up watching sunrise when we started moving – as we were in line for a very long time in order to do so, our itinerary had to be altered – as we only crossed the dam at 7:40 instead, and would not have made it to our second stop before it closed. So instead of seeing the Temple of Kom Ombo, dedicated to Sobek and Haroeris / Horus, we would stop at Esna. This was truly off-schedule, as we actually witnessed the guide purchasing the tickets on spot, while he usually had them ready beforehand. I do think, however, this was a good change.

Collage: Sun rising behind the floodgate at Esna. The motorboat entering the floodfate: a mass of white iron coming close to a cement wall on water

Animation of the porthole just above water, showing how the ship moves up and forward at the same time

We made port at Esna [إسنا], at a quay within walking distance of the Temple of Khnum [معبد إسنا], the ram-headed god who created life. This temple was started by Ptolemy VI Philometor (2nd century BCE, Ptolemaic or Graeco-Roman period). Today, only the first hall has been excavated, as most of the temple is buried under the sand – and the houses! In order to access the vestibule, you have to climb down stairs into a nine-metre pitch. As the temple was buried in sand for centuries, it has kept its polychromy, and the columns are richly decorated. It was a beautiful temple, but it seems that unearthing the rest is going to be hard, if not impossible (though they managed to relocate everyone who lived on top of the Avenue of Sphinxes in Luxor, so who knows?)

Collage. A temple stands in a deep pit of sand. It is rectangular in shape, and the façade shows six columns to each side of the gate, all complete and opening in a compound capital. The other two images show the columns inside: they are decorated with reliefs and painted in bright colours (golds, greens, blues...)

We went back on board and continued off until Edfu [إدفو ], where we visited the most completely preserved Egyptian temple ever – the Temple of Horus [معبد إدفو] (3rd century BCE, Ptolemaic or Graeco-Roman period). It was one of the most impressive sights I’d ever seen (and there were more to come anyway). Horus, the god with the falcon head, was the son of Isis (primordial goddess of Magic and protecting mother) and Osiris (God of Death, fertility and resurrection). Osiris was betrayed by his brother Seth (god of chaos and confusion), killed and dismembered, with his body parts spread throughout Egypt. Horus avenged him and became the ruling god, with the Pharaoh being his representative on earth, giving Pharaohs a direct connection as figurative “children of the gods”.

The temple was also buried by sand, and that is how it has survived relatively intact, with all the outer walls surrounding the main temple structure. The pylon gates are flanked by falcon statues, and the columns still keep their colouring. We got to see a reproduction of the wooden boat that was used to bring the god out in procession, the original is in Paris’ Louvre museum these days. Here I found a “secret passage” to the side which was really cool to explore (albeit not really secret, just empty of other tourists (≧▽≦).)

The temple of Edfu, collage: The pylon; the main hall from the outside with six columns and a huge entrygate flanked by falcon statues; the inside columns, blackened by smoke; and a boat-like structure with a falcon statuette from the inner sanctuary.

After we were back on board, we were summoned to the sun deck to ‘discuss’ the following day/s, and offered some extra outings. We tried to negotiate an outing to see the light show at Giza, but the tour guide refused to organise it (turns out, we would not have the time, but he did not want to tell us that for some weird reason); I also tried to arrange a morning trip for myself on the 2nd, unsuccessfully (more on that later). Instead, he sold us a trip to a Nubian village, sailing through the Nile nature reserve, and a night walk through Cairo with dinner. Oh, and informed us that wake-up call for Abu-Simbel the following day was… 2:00.

27th December 2022: Early start and late delays {Egypt, Winter 2022-2023}

Not that 5:00 is a nice hour for anything, but it’s definitely a nicer hour to get up than to take a plane. Leaving was scheduled for 6:00 (with sail-off at 14:00), and I would not have minded had it been earlier to be honest. However, given that most of my group had arrived at midnight, there might have been a riot…

Breakfast was not too well stocked, but there was coffee and eggs for energy through the morning as we were going to be out from 6:00 to 14:00 – a full eight hours. We started late because the tour guide was late… not a good sign. The group had 18 people plus him, and he really did not sound either enthusiastic nor particularly knowledgeable to be blunt. We had a coach booked for us and we set off to visit the main elements in the city of Luxor [الأقصر] and its surroundings, the Unesco World Heritage Site Ancient Thebes with its Necropolis. We started towards the West Bank of the Nile, the bank of the dead, where the ruins of the Necropolis are.

Our first stop was Medinet Habu [مدينة هابو] a Pharaonic complex, whose most important building is the Mortuary Temple of Ramesses III. It was the last monument built in the area, during the pharaoh’s reign (12th century BCE, Twentieth Dynasty of the New Kingdom). The basic structure of an Ancient Egyptian or Pharaonic temple is the pylon – court – hall. The pylon is a massive wall separated in two parts in which a narrow passage acts as gate. The court is a colonnade, and the hall is the area where the sacred spots can be found, covered and darker.

In the case of the Mortuary Temple of Ramesses III, the complex is surrounded by a mud brick wall with an extra pylon. The temple is decorated with carvings that depict the pharaoh as a great warrior smiting all his enemies. The structure used to be connected to the Nile to the point that there was a so-called Nilometre. In Ancient Egypt, taxation was determined by how high the Nile floods were – or were not.

Collage of the Mortuary temple of Ramesses III: The pylon, the columns, a bare gate and one decorated with rows of hieroglyphs

After the temple, we continued off to the Valley of the Kings | Wādī al-Mulūk [وادي الملوك]. Between the 16th and 11th centuries BCE, after the pyramids had been proven easy to find and pillage, the pharaohs from the Eighteenth to the Twentieth dynasties were laid to rest here. The tombs are excavated into the rock and here was where Howard Carter found Tutankhamun’s grave in 1922. The ticket grants admission to three “standard” tombs, and the most emblematic ones require a separate fee. Our guide pressed us not to buy a ticket for Tutankhamun, and did not even mention other tickets – at this point I decided that I had to read beforehand about what we were going to do the following days in order to be prepared for his attitude.

A scorching valley opening to both sides with grey-white hills going up. Everything looks sandy and dusty,

The first grave we visited was the Tomb of Ramesses IV (KV2) (12th century BCE, Twentieth Dynasty of the New Kingdom). It consists of a long and richly-decorated corridor that ends in a mortuary chamber where the sarcophagus still stands. It has been open to visits from antiquity.

Tomb: a long corridor with painted and carved hieroglyphs. In the background stands a bare sarcophagus in pink granite

The second tomb was the Tomb of Ramesses IX (KV6) (12th century BCE, Twentieth Dynasty of the New Kingdom), which was unfinished at the time of his death. The entrance corridor is wide, with the walls covered with glass. In this case, the burial chamber was unreachable.

Tomb collage: a long corridor decorated with hieroglyphs and a close up of a painted boat taking the deceased to the underworld. The corridor ends in stairs that go down towards the mortuary chamber

Our final grave was the Tomb of Ramesses III (KV11), whose temple we had seen before. The interesting thing about this tomb was that it ran into another one as it was being built, so the corridor actually has corners before reaching the empty burial chamber.

Tomb collage. Details of the different engravings and hieroglyphs. The burial chamber has thick columns and it has a downwards slope. The columns are decorated with further hieroglyphs and images of the gods

After the Valley of the Kings, we headed back to the Eastern Bank and made a stop at the Colossi of Memnon [تمثالا ممنون]. Each of the four statues was carved from one huge block of rock, and they signal the entrance to the funerary temple of Amenhotep III (14th century BCE, Eighteenth Dynasty of the New Kingdom). The temple is currently being excavated, and it would have been the largest in the West Bank.

The four colossi. There are two in the foreground, sitting down. They don't have faces. Two others can be guessed in the background, though one is just a block of rock

Afterwards, we got stuck for a stupid amount of time at an “artisan stonework” shop – a tourist trap to buy souvenirs. Boy, was I miffed, especially when this took out time from temples in Luxor. The first stop in the Eastern bank the was Karnak Temples Complex [الكرنك]. Karnak is a succession of temples, pylons and chapels that started around 2000 BCE, during the reign of Senusret I (20th century BCE, Twelfth Dynasty of the Middle Kingdom) and continued for 2000 further years, with more Pharaohs adding their own structures. The most impressive area in Karnak is the Hypostyle Hall, open to the sky now with a number of columns ending on an open papyrus capital. Other features are the obelisks of Hatshepsut, one standing, the other fallen.

The complex was dedicated to the Theban triad: the god Amun, the goddess Mut (the “mother” goddess with the head of a vulture) and their son Khonsu (god of the moon). Amun was the creator of the universe, and later his cult was merged with that of Ra, the god of sun and light, thus the appearance of the god Amun-Ra, to whom the main temple was dedicated. The huge complex expands right and left, but unfortunately we had little time to explore due to time constraints.

Karnak complex: the entrance pylon, the columns in the hall, decorated with scenes from Ancient Egypt's daily life, and an Obelisk

We moved on to Luxor Temple and the Avenue of Sphinxes, also called Rams Road [طريق الكباش]. The Avenue joined Karnak and Luxor, and was flanked by ram-faced sphinxes all along its three kilometres – though the four best preserved ones were taken to Cairo to create a monument in one of the squares. The avenue has actually been walkable since 2021, and you can go from one temple to the other on foot.

A long line of sphinxes with human faces and lion paws

Luxor Temple [معبد الأقصر ] was dedicated to the rejuvenation of the monarchy, and many pharaohs were crowned there. It was founded around 1400 BCE, and throughout the centuries has come to host a mosque. In front of it, stands an obelisk, whose twin is in Paris. Behind the obelisk stands the pylon, the court, the colonnade, and a final court before the sanctuary chamber.

Luxor temple: The pylon with an obelisk in front, two sitting colossi and two parallel rows of columns from the hall

We were back on the boat just a few minutes after 14:00 for lunch, and then I found my way to the sun deck to see the sail off… which did not happen till 16:00! All that running through the temples for… nothing. I was not pleased, but I refused to get angry. Instead, I read up on what was to come, did some bird watching – I caught a flock of ibises – and watched the sunset.

A flock of birds flying against a bright blue sky. The curved-down beak suggests that they're ibises

Sunset over the nile. The sky is orange, the suni s almost white, and there is a trail of light on the water

In the late evening we reached the floodgate at Esna, which we should have crossed around dinnertime. We got stuck waiting for our turn behind a large LNG ship and a lot of other motorboats. In the middle of nowhere, I was able to see the stars very clearly, and that was pretty.

26th December 2022: Timing, timing {Egypt, Winter 2022-2023}

Since Madrid is a horribly busy airport, apparently 5:00 is the right time to schedule a charter – and take off late anyway. The paperwork insisted on arriving at the airport with a three hour’s margin, and I did precisely that, reaching Terminal one at 2:06. I was slightly worried that the charter would not be shown on the screen, but it was there, literally the first flight. A number of tour operators had come together to charter around 200 people to Luxor, and as it was not a regular flight, there was no way to obtain boarding passes online.

I had to queue for about an hour in order to get my pass, and just as I was leaving the check-in counter, I heard that 90 people had been checked in, and the line was about even longer than when I had joined. There were three check-in counters and the process was really slow – there were problems with the conveyor belt for starters, then people would not have their passports ready or had weight issues with their luggage. I… handed over my passport, put my suitcase up, received my pass, and was out in less than two minutes… So I have no idea what all the issues were…

Security was also pretty fast even if I got stuck behind a family who didn’t take their electronics out, tried to get big liquids in, and couldn’t get their boarding passes sorted out to go through passport control. I found my gate and I sat down to snooze. We were the only plane leaving from the airport, and we were late by 20 minutes…

I slept for a couple of hours until we got breakfast, then slept again until we landed in Luxor | Al-ʾuqṣur [الأقصر ]. As my visa had a already been processed, I got a sticker and filled in the immigration card. Then I went through immigration, picked up my bag, and we were waived through customs. It was a bit of a chaos as different guys yelled up the names of different operators until we found our groups. A guide told me I’d be riding the bus with him as I was the only one heading for the motorboat “M/S Opera”, I’d be getting off first in 15-20 minutes.

Egypt Visa Stamp on a passport. It marks Luxor as point of entry and Cairo as point of exit

Luxor is located on the east bank of the Nile, covering part of the ancient site of Thebes, which comprised an area for the living (eastern bank of the river) and another for the dead (western bank, the current necropolis). Thebes was the capital of Egypt during the Middle Kingdom and the New Kingdom, and today the site of Ancient Thebes with its Necropolis is recognised as Unesco World Heritage Site. The bus drove off and we got to see Karnak [الكرنك], the Avenue of Sphinxes and the Temple of Luxor [معبد الأقصر]. The guide laid out the plans for his group to have lunch and then go off to visit both the temples of Karnak and Luxor to make the most of the time in the city. I thought this was a fantastic idea (I’d be sorely disappointed later when I realised I was not part of those plans).

Temple of Luxor from the bus

About 40 minutes later, way out of the city, the guide informed me that the bus driver had been unable to find my boat, but that he would drive me there now. They were leaving because they had reached their pier. Thus, I was driven back to Luxor, alone in the bus, to a shady alley that eventually got to my motorboat. I was worried that I was keeping the rest of my group back… It turned out that the 17 other people from my group arrived at night! I was not alone on the motorboat, of course, but my tour guide said I should “just relax”.

I entertained the idea of going out to explore, but I’d heard a few horror stories about travelling Egypt alone, and the dock was in a bit of (read: very) shady place; besides, I was pretty much out. It was colder than I expected (apparently, I managed to arrive through a cold wave in Egypt, go figure), so I divided my time between the sun deck and the cabin, reading and dozing off from time to time. Though my cabin didn’t have views, the sun deck had some nice ones of the West Bank of the Nile, where the tombs of the most powerful pharaohs are. The motorboat looked right out of a Mummy film if not for the fact that it was in colour. However it looked charmingly garish – though the cabin was a bit chilly, and the heating wouldn’t work. Since I had two beds, I planned to use both covers to stay warm.

A collage of the motorboat: From the outside, it looks like two train carriages welded together. The inside is full of carpets and decorated wood. The sun deck has a swimming pool and some hammocks.

At some point during the evening I looked up and saw that the light had shifted, so I climbed up to the sun deck and caught some amazing sunset views over River Nile [نهر النيل].

Sun setting over water

To be honest, by 20:00 I just wished dinner time would come and I could grab a bite to eat, a bottle of water, and then take a shower and go sleep for real. I tried to buy Wi-Fi access, the receptionist understood me, but decided to play dumb, so I decided to forgo that altogether. Furthermore, I was growing antsy because I wanted to know the plan for the following day – for waking up purposes – and where I could exchange some money for tips and so on.

I caught the tour guide at dinner and at least managed to secure a time to leave the following day, which was the most important thing. I was not too keen on him by this point – I think he was just miffed he had to start working 12 hours earlier just for one person, and not bothering to hide it, so communicating with him was hard, since he did not seem to have straight answers to my questions – well, at least I knew what time to get going. After dinner, I went to the sun deck again. I was not going to get to see Karnak lit up for the evening, but at least I saw the West Bank.

26th December 2022 – 2nd January 2023: Egypt | Miṣr [مصر]

Egypt 26th December 2022 – 2nd January 2023 written with a pyramid and the sphynx as background


 
I suppose I am not really qualified to talk about “once-in-a-lifetime trips” considering how I came back from Japan 2012 craving for more, and before Covid hit, I managed to go back several times. For a long time, Egypt has been a destination in the back of my mind, one that I thought was too unattainable on my own, both financially and because I’m weird and single and all.

The stars aligned, in a very weird way I guess, and I made the – maybe self-caring, maybe selfish decision – to seize the moment and take the chance. And thus, with the help of Father Christmas, I went to the cradle of civilisation. The trip was booked through Viajes El Corte Inglés and its tour operator Tourmundial in Spain, and implemented through Galaxia Tours in Egypt. From the beginning to the end, the trip was good, really good, in spite all the issues that could have clouded its development. However, and even if I did not see everything I wanted to, there is no crazy urge to come back.

In a way, I felt a bit like a cashcow, in another like someone a bit on the immoral side. The good thing about the local agency is that at least some of the money we paid stayed in the country. I know that at a couple of times I let myself be “scammed” and paid more than I had to, and other times I put my foot down. All in all, I feel it was a good trip, I scratched a lot from my bucket list, and I geeked out, climbed the inside of a pyramid, and saw Abu Simbel. The level of “achievement unlocked” feeling is unbelievable.

The package consisted of several parts: an arrival day (26th December), three days on a motorboat on the Nile (27th – 29th December) with daytrips and excursions to visit different sights, a transition day (30th December) with a visit and the flight to Cairo, two days in Cairo and its surrounding area (31st December and 1st January), and a final return day (2nd January).

20th November 2022: Naturaleza Encendida – Origen (Real Jardín Botánico, Madrid, Spain)

It seems that the Madrid exhibits in the month of December are not being the most successful ones – this time, the weather did not help. After ten day’s worth of rain, it cleared out, but then, on Tuesday, the skies opened yet again. It was raining like there was no tomorrow by the time my train got to Madrid. Boo.

Just after sunset, my sibling and I went to the botanical garden Real Jardín Botánico to see the light show Naturaleza Encendida: Origen (Lit-up Nature: Origins). There had been some issues about the promoter cancelling the activity due to rain with little advance notice, so they decided not to close it. They instead resorted to close parts of the exhibit at random, and herding all the visitors in the same corridors, despite the puddles forming on the uneven ground. After two weeks of rain, something should have been done about it. Moreover, a few of the exhibits were turned off – not sure if just off or high wired. I wish I had some good boots, because I ended up pretty soaked, despite the raincoat and the umbrella. At least I did not ended up in a random puddle.

In 2021, the topic was sea life, and in 2022 the topic is… mushrooms. So there were spores, moulds and… mushrooms. Big mushrooms with lights, or made with small lights, or… just blown with hot air. Lots of mushrooms. The music was a bit creepy though, even if the mushrooms lit up and down with the beat. There is also an exhibit about moulds, with huge screens showing pictures of spores and microorganisms under the microscope.

Most people were antsy and cranky in the rain, and everybody wanted you to move out of the way – in different directions at the same time. A really good thing about it was the cup of hot chocolate that we had booked with the ticket. It was really nice to get in the middle of the cold and rain because it was warm and sweet. We drank it on our way out to the train, and just as we stepped out of the botanical garden… it just stopped raining.

Light display collage: on the upper left, giant red spores; on the lower left a wavy line of lights. On the right, a giant bunch mushrooms illuminated in green from inside the umbrella

Collage of lights display. A mushroom made of little yellow and white lights; a bunch of name mushrooms in red; a hanging mould-like string of lights between two dark trees

All in all, I was not too impressed. I really think that the organisers should have figured out something about the cancellations and the pathways, since they obviously could not do anything about the weather. My favourite display were the “Baymax mushrooms”, even if most of them had lost their illumination, which was actually kind of the point…

A blow-up mushroom made from plastic, looking like it's floating. The  lights inside make it glow green and pink. In the background there is a building gate in red, and a pond between the two.

6th December 2022: Tim Burton’s Labyrinth (Madrid, Spain)

Despite having decided that immersive exhibits were not for me and the fact that I’m not a Tim Burton fan, here I found myself in Madrid to see this one: Tim Burton’s Labyrinth El Laberinto de Tim Burton. Truth be told, I was only there because my sibling asked me to accompany them. I did not find premium tickets for any of the dates either of us was available, but the 6th of December is a national holiday in Spain, and I calculated that if we were there at opening times it might not be too busy, and we would not come across too many kids.

Tim Burton is an American film-maker born in 1958. His first “hit” may have been Stalk of the Celery Monster, which he wrote, directed and animated when he was a student in the California Institute of Arts, in 1979. It presumably earned him a good grade, but more importantly, an animator’s apprenticeship at Disney Animation Studios. With time, he developed a shrill eerie style, with lots of colours and creepy designs that have increased as years have passed, sometimes defined as “gothic fantasy” – I would refer to it as strident and macabre at times, to be honest. His greatest or most famous works include Beetlejuice, Charlie and the Chocolate Factory, Edward Scissorhands, The Nightmare before Christmas, and the first two Batman films.

The exhibition is hosted in a weird place in Madrid, Espacio Ibercaja Delicias, which might look less… abandoned… when it hasn’t been raining for days, I guess. The space consists on a big tent – where we were not going, it might be designed for circuses or so, some kind of bar / cafeteria, and the monster-like building that hosts the exhibit. It is called a labyrinth because out of the thirty-ish wards, you have to go around choosing doors to see different rooms of the exhibit, insomuch that you would need four rounds to see the complete thing. In the end, you choose 15 rooms to see, out of which some are common, and you reach them from whichever previous place you were in. Others are “less common” and you can reach them through several doors, but not all. You enter the labyrinth through a toothy monster’s mouth, then there’s a big button that “decides” on the first room for you.

Collage: exterior of the Labyrinth, which looks like a one-eyed tentacle monster, and the inner entrance monster whose mouth is the curtain you have to cross to enter the different rooms.

In the rooms there are sculptures that represent the characters, some of them with the original clothes that were designed for them (if the film is a live-action), the plain clothes, and on the walls sketches and animations, some original, some “inspired”, and some made specifically for the exhibit. Some rooms are small and rather empty, others are decorated like the movie sets. There are tricks with lights, and some mirrors, but nothing “immersive” about it, and way too many people around considering the size of some rooms.

The idea of a labyrinth is interesting, but I don’t think the price warrants just seeing half of the exhibit, especially considering the big “misses” of not seeing all the The Nightmare before Christmas. We took about 40 – 45 minutes to go through the 15 rooms.

What I am aware we saw included:

  • Beetlejuice
  • Edward Scissorhands
  • Batman and Batman returns
  • Mars attacks!
  • Charlie and the Chocolate Factory
  • Alice in Wonderland or Alice Through the Looking Glass
  • Corpse Bride
  • Frankenweenie
  • Jack from The Nightmare before Christmas

Collage of Tim Burton's characters: Batman's Pengun, Edward Scissorhands, Emily from Corpse Bride

Collage of Tim Burton's characters: Alien from Mars Attack; the clothing from the Chocolatier (I think) in Charlie and the Chocolate factory, surrounded by twirling candy canes; Beetlejuice

Collage of Tim Burton's characters: Jack from The Nightmare before Christmas; The Mad Hatter from Alice in Wonderland, with some giant mushrooms behind; the boy and the dog of Frankenweenie

I think this is an exhibit for die-hard fans that are willing to pay for the premium ticket and see the whole thing twice. What it’s not, and that’s for sure, is for kids.

On both ways, we had some train trouble – delays and technical problems, but nothing too dramatic, and I was home before sunset – but after buying a stack of Christmas candy canes! And my sibling enjoyed, which was the goal anyway.

2nd December 2022: “Tutankhamun Immersive Exhibition” in Madrid (Spain)

In 1922, an archaeologist named Howard Carter discovered the tomb of Pharaoh Tutankhamun in the Valley of the Kings, Egypt. Tutankhamun belonged to the Eighteenth Dynasty. He reigned over Egypt around 1330 BCE, and restored the Ancient Egyptian religion. When he died, he was buried in a smaller-than-expected tomb, probably because his death was sudden and unexpected – for a while, it was hypothesised that he had been murdered, but it seems that he died from a combination of an infection and several previous pathologies (nothing to do with the fact that his parents were brother and sister, I’m sure).

The tomb was robbed and restored twice within a few years of Tutankhamun’s death, but it was eventually buried by alluvium brought by flash floods, and the debris from other tombs being built nearby. Thus, when Carter found it in 1922, it was mostly untouched and unspoilt. The death of Carter’s sponsor George Helbert, five months after visiting the tomb, sparked the rumour about a Curse of the Pharaohs, which has inspired countless works of fiction.

In 2022, Spain is living through a fad of “immersive exhibitions”, heavily based on technology, virtual reality and computer games. I was curious about what it would be about, exactly, so I decided to celebrate the end of work season by hitting the exhibit. I was early as the day before there had been a bit of public transport trouble and you usually have more chances of getting in if you’re early rather than late. Thus, I reached Centro Cultural Matadero in Madrid about half an hour earlier than my ticket read, and I was let in without any issue.

The “immersive exhibit” Tutankamón: La Exposición Inmersiva was devised by MAD, Madrid Artes Digitales, which specialises in digital creation and immersive experiences such a this. The exhibit has been designed in cooperation with the History Channel.

The first bit was a number of panels, explaining the “Egyptmania” that swept the world after the discovery of the mummy, the process of mummification, or life in ancient Egypt. The second held a replica of the inner and outer sarcophagus, along with the mummy, then replicas a few artefacts that had been found in the tomb, including the famous golden mask the pharaoh was buried with.

Three part collage: The upper picture shows the mummy of Tutankhamun suspended from the floor, imitating an open sarcophagus with the lid open on top of that. Bottom left: reproduction of the mortuary mask, in gold and blue, it has the typical Egyptian hair and beard. Lower right: reproductions of small objects found in the grave: estelae and human-like small sculptures.

Afterwards, you go into a huge ward with a projection on all four walls plus the floor, which is very spectacular but does not tell you much about the real history of either Tutankhamun or the tomb, it was just a cool video of flashy images with a narration in first person, showing the interior of the tomb, yes, but mostly vaguely-related imaginary, including some of the Egyptian gods. What it did have, and that was neat, was an original newsreel about the opening of the tomb, including Howard’s voice.

Collage of a 3D projection. Left, from top to bottom, views of Tutankhamun's grave: the outer area, in sandstone with sculptures, and two views of the inner painting an decoration, showing figures and hyeroglyphs. On the right, a projection of lotus flowers blooming and turning into gold, representing the soul of the pharaoh.

A large ward with a projection of a starry sky on the walls. At the front, a view of Tutankhamun's mortuary mask, eyes glowing.

A projection of Tutankhamun's mortuary mask, eyes glowing. Around it, golden writing symbols, maybe hyeroglyphs.

The following area had an augmented reality game, which I won (didn’t get anything though), a photo booth that I skipped and some “I bet you didn’t know” facts – about one third of them were common knowledge, and another third was information from previous panels though.

Finally, there was a room with virtual reality glasses and headphones, but my headphones wouldn’t work – I later realised they were not plugged into anything. This represented – I think – the trip to the Egyptian underworld, as I “started” at Tutankhamun’s tomb, then there were volcanoes, and I ended up in front of Anubis, who weighed a heart against a plume – the Judgement of the Dead.

The VR experience there was the last spot in the exhibition – because I skipped the photo booth – before one went into the shop. In the end, I was there for about an hour and a half, but it almost took me two hours to arrive and an hour and half to come back.

Though I don’t regret the mental break, I have decided that immersive experiences are not for me.

12th & 13th November 2022: Santiago de Compostela (Spain)

Here’s a little secret – people don’t like flying on the 13th, even less when it’s a Tuesday. Thus, I came across a bunch of awesome offers for the 13th of December, which unfortunately I could not take up due to work uncertainties. What I could muster was a mini getaway on the weekend of the 12th/13th of November, to the northern Spanish town of Santiago de Compostela. There were a few reasons for this choice – one, cheap flights; two, I’ve recently started considering a route through the so-called Camino de Santiago (St. James’ Way); and three, pandemic shuffled ‘Holy Years’ round so there was a special gate to the cathedral open that I wanted to see. I flew out around noon on Saturday and came back on Sunday night. It was a perfect plan for a decompressing getaway.

Santiago de Compostela is known as one of the most important pilgrimage cities in the world. According to the Christian tradition, the tomb of Apostle James was found in the area in Middle Ages (different sources vary throughout the 9th and 11th century), and the pilgrimage to visit the remains became one of the most important in the Christian faith, alongside Rome and Jerusalem, to the point that the pavement proudly states that “Europe was built on the pilgrimage to Santiago”. While I’m not religious, I have a thing for religious architecture, and as mentioned above I’ve been thinking about the Camino for a while, and visiting the goal felt a good way to start organising how I wanted to look at things.

However, let’s say it wasn’t the most perfect getaway ever. Though the flight was on time, and pretty short, there was turbulence – not something too out of the ordinary, but here’s something you might not know about me. Back in the mid-nineties, I sort of crash-landed in the Santiago airport, so let’s say I was not so invested in a bumpy flight.

As the flight had been very cheap (about 30€), I had decided to splurge a little in the hotel – and I found a not-so-bad offer of half-board at the Parador de Santiago – Hostal Reyes Católicos, downright at the centre of the city. It is located in the old pilgrim hospital, and it is a magnificent building, aside from a five-star hotel. I arrived around 14:00, and the room was not ready – fair enough. I wanted to get there early in order to drop off my luggage, and make sure I could arrange my dinner reservations for a convenient time. One of the reasons I decided to book half-board in the Parador was to guarantee myself a meal late in the evening, as I had booked a walking tour at 20:00, and the main restaurant served dinner till 22:45.

Wide shot of the Parador. It shows a severe building with an ornate gate. The sky is bright blue.

Unfortunately, the check-in staff “had booked me” at 20:30, and they asked if that was okay. I replied it wasn’t, and explained the reason stated above – the staff then said that they could accommodate me at 22:00 at the secondary restaurant, but not at the main one. I answered that then I’d have dinner at 22:00 at the secondary restaurant then, but the staff asked me to check the menu. I stated that it did not matter. I needed my dinner to be at 22:00, and if the main restaurant wasn’t available, it would have to be at the secondary one. The staff asked me to check the menus, and I explained again that I had a tour from 20:00 to 21:30 – I needed dinner at 22:00. I thought that was resolved, and as it was too early to get a room, I picked up my camera, left my backpack in the locker room, and went on my merry way to explore the outdoor “monumental route” within the historical city Ruta Monumental de Intramuros. The old city of Santiago is part of the Unesco Heritage Site Routes of Santiago de Compostela: Camino Francés and Routes of Northern Spain Caminos de Santiago de Compostela: Camino francés y Caminos del Norte de España.

As I had tickets for different activities in the cathedral booked for the previous morning, and the Sunday forecast was rain, I decided to do most of the walking on my first afternoon. I started off in front of the cathedral façade in the square Praza do Obradoiro (the Artisans Square), which hosts the town hall in the former Neoclassical palace Pazo de Raxoi, the Parador itself, and the main – but closed, will get into that later – entrance to the cathedral Santa Apostólica y Metropolitana Iglesia Catedral de Santiago de Compostela, with its Baroque façade called Fachada del Obradoiro.

Baroque façade: two towers and twin set of stairs, fenced away.

I walked around the cathedral, and stopped at all the other squares: Praza da Acibecharía (the Black Amber Workers Square), Praza da Quintana de Vivos (Living Villa of the Living Square) and Praza das Praterías (the Silversmiths Square).

A collage of views of the cathedral of Santiago.

I walked down Rua do Villar, which is the closest to a main street the historical town has. I strolled around the historical centre – there are many interesting buildings and churches, alongside the market. At some point I entered a bakery, but I kinda ran away when I heard the prices they were charging.

Santiago Route.  An archade, a fountain, an ornate corner with a coat of arms carved into it.

After an hour and a half or so, I found the convent-turned-museum Igrexa e Convento de San Domingos de Bonaval that has become the ethnological museum of the Galician people Museo do Pobo Galego. The museum itself was not too spectacular, but the building itself was fantastic. One of the most amazing things was the triple-helix staircase that joins the different floors on one side, and the remains of the gothic church (where I got to climb the pulpit). To the side there’s the pantheon for illustrious Galicians, including one of the few female historical figures in Spain – poet Rosalía de Castro.

Monastery and museum. The pieces include a humanoid stone idol, some Christian figures in polychromated wood, and two pipes

View of the triple staircase, from above, from below and through the door from one of the sides.

A view of a gothic chapel, showing an empty altar.

This was around 16:30, and even if I was not even a bit hungry, my legs shook a little. Thus, I decided that I needed to find a supermarket to buy a snack – I only had coffee before I left for the airport at 9:00. Before getting to the supermarket though, I walked around the former orchard and graveyard of the convent, now a picnic-friendly park Parque de San Domingos de Bonaval, full of ruins and fountains.

The previous church, from outside, on the right. There's a winter tree in front, and some old niches on the left wall.

I grabbed my snack and went back to the monumental route until I was back at the Praza do Obradoiro. I walked around to see the sunset, and caught a glimpse of the light playing on the façade of the church Igrexa de San Frutuoso, and some nice views from the adjacent park (which turned out to have been another graveyard) Xardín do Cemiterio de San Frutuoso.

Santiago sunset. Upper picture shows the church of Saint Fructuoso, and the lower one a view of the nearby park with the sun setting in the background

It was around 18:00 at that time, so I could finally check in – which I did, only to find out that the staff I had talked to had decided not to book my dinner in the end, which lead to me needing to explain about my tour again to a new staff who told me they couldn’t book me at 22:00 on the secondary restaurant! It had to be at 21:45, but they could notify the restaurant that I would arrive a bit later. I was really not impressed by the whole thing, even less when I apparently needed a bellboy to guide me to my room and carry my backpack– and of course get tipped.

I had my snack and then went on to explore the building. As I did, the sun completely set, so the different lights were cool. The Hostal Reyes Católicos used to be the pilgrims’ hospital. It is a huge rectangle with four interior cloisters named after the four Christian Evangelists, the inner areas having been refurbished into the rooms.

The four gothic cloisters of the Parador. Two have some greenery on them, the other two are just grey and built.

A few minutes before 20:00, I left for my tour. Although I’m not a big fan of tours and group activities, I had had my curiosity piqued by a “theatrical visit” of the historical centre of the town called Meigas Fóra. In the area of Galicia, a meiga is a type of traditional witch, good or bad, depending on what side the person speaking about them is – in this case, the guide being a supposed-meiga, of course they were all neat and nice. The tour was supposed to tell about the different legends and interesting supernatural trivia of the town, but just ended up being a bit watered-down walk around those graveyards-turned-parks I had walked before. The coolest thing was finding the pilgrim’s shadow Sombra del Peregrino, a fun game of light-and-shadows in one of the squares around the cathedral.

A view of the cathedral of Santiago at night, illuminated, on top. On the bottom, a column casts a shadow onto the wall behind it - it seems to be that of a man with a walking cane and a travel hat.

Hilariously though, as we were walking, someone approached me to ask in wonder if on top of taking the tour alone, I was in Santiago all by myself, in total awe of someone travelling on their own. She said that she would never be able to do so – while she took selfies of herself because the people she was “touring” with could not be any less interested…

After the tour I went to have dinner – guess what? At 22:00 h! Let’s say that it was not the greatest experience. The restaurant staff had their hands full with a table of around 20 drunk “pilgrims” who had come all the way from South America and were rightfully celebrating – albeit loudly and a bit obnoxiously (all that pilgrim wine, no doubt) – that they had reached the end of the Way. The rest of the patrons were, including myself, four one-person tables, which made me wonder if they just don’t book one-person tables in the main restaurant after the first shift. The floor staff – basically one working waiter, and one wandering waiter – was overwhelmed by the table, and it took me over an hour to finish my dinner – which was some local octopus (pulpo a feira), a roasted great scallop (Pecten maximus, not only a delicious shellfish, also the symbol of the town and the related pilgrimage, called vieira in Spanish) and a piece of the typical almond pie (tarta de Santiago).

Dinner: pulpo, a scallop and a piece of cake.

Then I went to my room for a nice hot shower and to get some sleep. I was surprised then to find no extra blanket in the wardrobe, though there was an extra pillow. This was around midnight already so I decided not to hit reception for the extra blanket and just cranked up the air-con on and off to stay warm. I slept on and off, too, but it was not too much of a long night.

The next morning I had breakfast and set out for my day at the cathedral, Santa Apostólica y Metropolitana Iglesia Catedral de Santiago de Compostela. Santiago was built around the 7th century legend that the apostle James the Great, Santiago el Mayor, was buried in the area of Galicia, after having reached Spain to convert it into Christianity. In the 9th century, a tomb was discovered among some abandoned Roman ruins, and the local bishop had “the certainty” that it was the Apostle’s tomb. The bishop informed the King, who was the reported first pilgrim, and later ordered that a church should be built to commemorate the finding.

As the number of pilgrims grew, the church became too small, so subsequent temples were erected. The current interior was built between the 11th and the 13th century in a very pure Romanesque style, but the exterior was covered in the 18th century, in a very adorned Baroque style, which is also the style of the altar.

The most important piece of the cathedral is the Portico of Glory Pórtico de la Gloria, the Romanesque entrance to the 12th-century cathedral, with 200 sculptures carved in stone in the three-archway portal. The entrance now is locked away, you have to pay to see it, and photographs are not allowed.

For starters, I climbed up to the roof of the cathedral and the bell tower – not really the bell tower but the “rattle tower”, as the bells chime on the eastern tower, and the rattle is played on the darker, western tower. The roof was restored as recently as 2021, and from there there are some nice views of the town.

The towers of the cathedral from the room, and some aereal shots - one shows the Parador cloisters from above.

Between visits, I went inside the cathedral, where the pilgrims’ mass was about to start. I might have stayed out of curiosity had I been in town for a longer period. Then I visited the portico – since pictures were not allowed, I’ve rescued some 1995 ones from when I were in town as a teen.

Three shots of the  very baroque altar in Santiago - it is heavily decorated and painted gold. On the bottom right, a silver urn, also very ornated, supposedly where the remains of St. James are.

A collage showing several sculpures of the Portico of Glory - Romanesque statues richly coloured and decorated, they look placid

After wandering the cathedral for a bit longer, I made the most out of the last hour of sunshine to head to the park Parque da Alameda to find the spot Miradoiro da Catedral next to a huge centennial eucalyptus tree (Eucalyptus globulus labill) Eucalipto centenario, a 120-year-old specimen, considered one of the oldest eucalyptus trees that was planted in Europe after captain Cook “discovered” Australia and the species was introduced by Fray Rosendo Salvado.

A panoramic view of Santiago, showing the cathedral.

My next stop was the museum of pilgrimages and Santiago Museo de las Peregrinaciones y de Santiago, which was free due to the Covid recovery plan. It features a collection of items related to Saint James Way, and other important pilgrimages of the world, including the Japanese Kumano Kodo [熊野古道], and the Muslim Mecca Pilgrimage Ḥajj [حَجّ]. The upper floors are dedicated to the hagiography of Santiago / James through the Way and in the city.

Museum of Pilgrimages. A collage that shows a wooden statue of Santiago on a white horse, sword raised; other depictions of Santiago as pilgrim; some paper scallops decorated by kids; and a Japanese sacred gate.

Later, even though I should have gone to eat a bite, I headed to the monastery and museum Mosteiro de San Martiño Pinario, religious complex built between the 16th and 17th centuries, though the inner areas and chapels date from the 18th century. Today it’s a cultural centre, and alongside the church, it features a museum with block prints, fossils, an ancient pharmacy… The church has the most baroque Baroque altarpiece I’ve ever seen, and two choirs – one behind the altar, and the other one up on the second floor.

Exterior of the monastery, including the double downward staircase, and a picture of the interior, showing a very Baroque altar painted in gold.

Finally, I stepped into the museum of the cathedral Museo de la Catedral de Santiago de Compostela, which features the entrance to the cloister, library, and the upper galleries, aside from artistic and religious treasures such as the original stone choir, wooden carvings, and tapestries. I was also able to access the upper galleries and look at the rain in the Praza do Obradoiro, and later the crypt.

A collage showing the cloister of the cathedral of Santiago while it rains outside, and the former Romanesque choir, carved in stone.

Romanesque arches and columns built in stone, and a cast ceiling.

After one last visit to the cathedral and its shop, I got myself a last souvenir – a silver and black amber bracelet I had seen upon arrival, and took a taxi back to the airport in order to fly back. All in all, I was not too impressed by the city nor its inhabitant, and I was pretty disappointed in the Parador. I think it has put me off the idea of doing the Camino as much as I thought I wanted to, but not every trip is perfect, I guess, and I hope my memories warm up with time.

A silver and black amber bracelet. The silver is very fine, and the gem is bright black.

Walking distance: around 11.68 km (18659 steps) on Saturday and 10.58 km (16931 steps) on Sunday, not counting airport transits

15th October 2022: The castle in Olite and the cathedral in Tarazona {Aragón & Navarra Oct. 2022}

Today, Olite is not much of an impressive town – but it has a dream castle Palacio Nuevo de Olite. The original fortress is reported to be a first-century Roman building where the Old Palace stands now. The first mention that we have of the old castle dates from the 13th century. In 1388, as Carlos III of Navarra (whose grave we had seen the previous day in Pamplona ) starts the process of clearing the area surrounding it, buying houses and so. The official ampliation of the palace started in 1399, and the actual construction of the new castle in 1402. First, the keep was erected, then the surrounding towers, without much planning, giving was a capricious space with staircases, yards, and even a hanging garden. Construction ended in 1420.

When Navarra was annexed to Castille, the decline of the castle started. Later, during one of the several Spain-France wars, soldiers’ distraction caused the first fire in 1794. later, in 1813, the castle was intentionally burnt down in 1813 to avoid that the French made a stronghold out of it. The wood-decorated room were completely destroyed and only the stone walls remained, although barely. The castle was used as makeshift quarry from then on, until in 1902 the modern regional government bought it. In 1925, after considering three proposals, it was decided too restore the castle using Jose Yárnoz Larrosa, who became the main architect. He chose a restoration style known for aiming to make things “as they should have been” – so rather idealistic. And one has to admit that the castle does look pretty cool, even though apparently it does not preserve the original structure too much. Throughout this time, a mulberry tree might have thriven for about 500 years.

The point of this is that the castle is cool. Pretty much fake, but cool.

After having breakfast, I set off for a few pictures. It was not too early in the morning, even, but at least the square was empty and clean, unlike the evening before. I stopped to examine the entrance of the church Iglesia de Santa María la Real. The church dates back from the 13th century, and is famous because of the decoration of its main façade and the sculpture around the portal, though personally, I was more taken by the atrium just in front of the church. While it does obstruct the view of the façade, the architectural ensemble ends up looking super cool – except for the little porch built in the 2015 restoration that… well… might be necessary but does not allow for the best view.

Church Santa María la Real: Gothic façade with an arched atrium in front of it. The portal is decorated with religious figures

I went around the complex formed by the two Medieval castles Palacio Viejo and Palacio Nuevo de Olite, the walls and the old egg-shaped building that used to work as a snow-powered fridge of sorts.

Collage with different sights of the new Olite palace. The walls, archs and merlons are shown, brown-gold colour. Some of the pinnacles have grey slate pinnacles.

We went in. The restoration of the palace is “in style” so you cannot tell what is new from what it is not. The inner area includes access to the towers, the keeps, the so-called King’s gallery, the hanging garden, and the centennial mulberry tree. I climbed about half of the towers and the keep itself, and I have to say it was pretty fun.

Palace of Olite - Gothic archways, one bare, one full of vegetation, and views from the towers, showing the merlons, pinnacles, and the rest of the towers

Palace of Olite - looking from the interior, the structures show vegetation and the pinnacles. The last part of the collage shows the mulberry tree

Unfortunately, when we left the castle, we were not allowed into the church Iglesia de Santa María la Real as there was going to be a wedding – despite being no notice outside but the normal opening times, within which we were. Sometimes I feel tempted to take pictures even when I know it’s not completely okay, in order not to miss opportunities later. Before we left town, we found a nice viewpoint to try to catch site of the whole castle.

Palace of Olite from afar. It looks like a fairytale castle with pinnacles, walls, merlons and flags.

Afterwards, we drove southwards towards Tarazona, back in the region of Aragón. It is not a big town, with but an interesting point to get to know – the cathedral Seo de Nuestra Señora de la Huerta de Tarazona. Built throughout the evolution of Gothic art, between the 13th and the 15th century, it was later enriched in the 16th century with Renaissance decoration and interior, and sprinkled with Mudejar details. The cathedral is in the middle of restoration, and the organ is fenced off. The cloister shows lots of panels on the works being done, too.

Tarazona cathedral - outside. The façade looks weirdly grey, and the belltower is on the right, darker. A close-up of the dome shows its Mudejar influences

Interior of the Cathedal of Tarazona, showing Gothic columns and the Baroque altarpiece. The cloister is modified Gothic with arcs and spikes. A close-up of the Mudejar-style bell tower.

We had lunch after visiting the cathedral, but we did not feel like staying around until the archaeological gardens. Thus, we just took the car back home, even though we might have been better off checking out some more places in town. Lesson learnt then, more planning is required in this kind of escapades…

14th October 2022: Pamplona, the city of the bulls, and Olite {Aragón & Navarra Oct. 2022}

In order to avoid crossing Zaragoza, we tried to go around it. Unfortunately, trying to save up 30 minutes, we ended up wasting an hour at the entrance of the highway, and we reached the city of Pamplona or Iruña. Today, it is the capital of the region of Navarra, which is roughly the size and shape of the old Kingdom of Navarra, which existed roughly between 1162 and 1512, when it was conquered by the Catholic King Fernando.

There had been a slight misunderstanding on who was going to plan the day – I was convinced my father had not wanted me to do it, but when we arrived he turned to me and I was supposed to know. In summer, I had drafted a small itinerary, but as he was supposed to have taken charge, I had not gone further. It turns out, I should have. Fortunately, I still had the map on my phone and the opening schedules on my travel notebook. Unfortunately, I had not really delved into all that the city has to offer and we missed a few interesting thing

Thus, I tried to take charge, but not too much because it’s hard to balance that with my parents. Even if we have travelled together before, I tend to let them do the planning and only insist on some stuff I want to do or see, and that’s how they end up at dinosaur parks (≧▽≦).

We left the car in a parking lot underneath the congress centre and walked towards St. Nicholas Church Iglesia de San Nicolás de Bari Eliza. The first building dates from the 1100s, and it was built along the now-disappeared walls, as a defensive construction at the same time as a religious one. It was demolished and rebuilt location makes the building awkward, and to add insult to injury, we arrived almost at the same time as mass started, so we just took a quick look.

Iglesia de San Nicolás de Bari Eliza - exterior with pointed arcs, and inside, showin the altar

We walked to the next church dedicated to St. Lawrence Iglesia de San Lorenzo, actually associated to the Unesco World Heritage Site Routes of Santiago de Compostela: Camino Francés and Routes of Northern Spain Caminos de Santiago de Compostela: Camino francés y Caminos del Norte de España. The current building is Neoclassic, and the façade was rebuilt at the beginning of the 20th century when the original was damaged during war. On the right of the main nave, a side chapel holds the famous sculpture of St. Fermin, the patron saint of the town. The chapel was built between 1696 and 1717, when the sculpture was placed there. Every 7th of July, the sculpture is taken out in the religious procession. From the 6th of July and for a week, Pamplona celebrates its local festivals, famous around the world for the encierros, or running of the bulls. While there are similar runnings all throughout Spain, the encierro in Pamplona was popularised by Ernest Hemingway, the American novelist, in his work “The Sun also Rises” (1926).

Church of Saint Lawrece - Neoclassical façade and interior, with the sculpture to Saint Fermin, the patron saint, in a red cape and a mithra, surrounded by red and precious metals.

We continued onto main street Calle Mayor, which ends at the main square Casa Consistorial de Pamplona, which opens to the main square Plaza Consistorial. The building was erected between 1951 and 1953, though the project kept the 18th century façade, halfway between late Baroque and Neoclassic.

Pamplona town hall / council hall, with flags hanging from the balcony.

We continued onto the cathedral dedicated to the Virgin Mary Catedral de Santa María la Real de Pamplona. The building is Gothic (French Gothic, actually), with a Neoclassical façade designed by Ventura Rodríguez (who also worked on the Basílica del Pilar in Zaragoza). One of the most interesting things in the cathedral are the paintings on the walls and columns themselves, just non-religious decorative motifs. In front of the altar lie the tombs of King Carlos III of the Kingdom of Navarra, and his wife Leonor of Trastámara (or Castille).

Cathedral of Pamplona, including a close-up of the bright polychromy in red and blue, and the altar, from far away and a close-up. The most distinctive feature are the pointed arched and the very clean masonery.

In the inner area, there is a beautiful cloister, and you can climb into the false ceiling, see the kitchen of the former convent. And, let’s not forget – they have a stamp, because it is one of the “official” starting points of St. James Way, Camino de Santiago, and also part of the Unesco World Herirage Site related to it.

Collage: Cloister in Pamplona cathedral. The gothic ars are pointed and ornate, standing on bright green grass. One of the corners shows a fountain, the other the iner walkways

We stopped for lunch, then we walked by one of the “iconic” points of the bull-running, the corner at one of the streets of the route – Esquina de la Estafeta, and continued on until we reached the bullfighting ring Plaza de Toros de Pamplona, but since we are not big into the culture, we did not enter.

We did stop by the sculpture to the bulls and runners Monumento al Encierro, a huge bronze composition with a number of real-life pieces: nine bulls (six fighting bulls and three guiding bulls) and ten runners.

This bronze sculpture represents several life-sized bulls and runners. The runners are in front of the bulls, and one of them has been trampled.

Finally, we went to have a stroll alongside the walls of the former citadel Ciudadela de Pamplona. Although now it is a park, and only the foundations are left, the Citadel was one of the most important defensive constructions in the Spanish Renaissance, in the shape of a five-pointed star.

Several angles of the Ciudadela of Pamplona park. Not much is seen except for the building foundations, though they stand two or three metres high.

After that, we took the car and drove towards the town of Olite also known as Erriberri , where we were going to sleep. The town was home to the Monarchs of Navarra, and today there are two distinctive buildings – the old palace Palacio Viejo de Olite, where the Parador de Olite stands, and the new palace Palacio Nuevo de Olite. Originally the most extravagant Gothic castle in Europe, it burnt down during the war against the Napoleonic troupes, and was rebuilt in 1937 using the philosophy of bigger, cooler more teeth. We checked in at the Parador and I collected my stamp. From our room, we could see the main structure of the old palace, as we had a very long balcony.

Old palace of Olite. There is a tower on the right and an old Medieval house to the left. The building is made of irregular masonery and the windows are perfectly rectangular.

We went for a walk, and were surprised at how many people there were in the area. We sneaked into the church Iglesia de Santa María la Real, but did not take any pictures as (once again!) mass started. We planned to come back the following morning as it was barely a 30 seconds away from the door of the Parador.

On the left, a modern red-brick house stands on older arcs. The façade sports a protection made of intricate white ironwork.
On the left, a Romanesque church, blocked by construction and a tractor.

We walked around for a little and were not too impressive by the Medieval city centre, but we did find the typical balconies and the Romanesque church of St. Joseph Iglesia de San José.

We were beat, to be honest, it had been a stressful day after a short night’s sleep, so we turned in early after dinner. I did not even think to wander round to see if I could get any cool pictures of the area, because the area was packed and I was exhausted.