13th August 2019: Steamy steamy Tokyo {Japan, summer 2019}

Following recommendations from some Japanese acquaintances, I headed off to the Shinagawa [品川区] area to visit Hebikubo Jinja / Kamishinmeitenso Jinja [蛇窪神社 / 上神明天祖神社], a pretty shrine where I got a pretty shuuin (aaaand discovered another stamp rally).

Among rain, sun and drizzle it was exhaustingly hot. I continued on to find Kimyozan Yogyokuin Nyorai [帰命山養玉院如来寺], a temple with amazing guardians.

And then I found an obviously very dangerous and aggressive tiny pond, I mean, look at those meshes (yes, I know that it’s probably for children safety, but I shall still make jokes about it). It was the Hara no Suijin-ike [原の水神池].

Checking how to come back I came across Ōmori Shell Mound Ruins Garden, Ōmori Kaidzuka Iseki Teien [大森貝塚遺跡庭園] and the Statue of Ōmori Shell Mound, Ōmori Kaikyo no Ishibumi [大森貝墟の碑]. The Ōmori Shell Mound was apparently the first archaeological excavation in Japan. They dig out a seaside village from the Jomon period (14,000 to 300 BC).

Opposite I found Naritasan Ennoji [成田山圓能寺].

And before I left I noticed the ground decoration on the pavement – life evolution and… telephone greetings. Because Japan, I guess…

Then I looked at Tokyo Tower [東京タワー] from Roppongi [六本木], as I checked the Don Quijote for Tokyo Coke bottles, without success.

I also came across tiny Asahi Jinja [朝日神社].

Then dinner was supermarket sushi, which was very, very yummy.

Walked distance: 14009 steps / 10.0 km

21st July 2019: More Kawagoe. 戦国時代-The age of civil wars-: アコースティックライブ&CDサイン会 {Japan, summer 2019}

Sengoku Jidai -The age of civil wars- [戦国時代-The age of civil wars-] is a visual kei [ヴィジュアル系] bandthat has been active since 2017. It is formed by four members – Kz, the leader on guitar and back-up vocals, Nao-A on main vocals, S.N.D on drums and Date on bass. “Sengoku Jidai” refers to a time between the 15th and 16th century, when samurai clans fought almost continuously for dominance. In a wink to that, the members don samurai-like clothings and sometimes masks. Thing is, we’ve come across two of these people before – S.N.D is Junji, and Date is Ju-ken, both of whom we’ve seen with GACKT and VAMPS. I’d been trying to avoid the band quite actively because I know that I would like them a lot and I have to start controlling the number of artists I support.

I’d been following bassist Ju-ken on social media since I got one of his picks at the Barcelona VAMPS concert, and that was how I found out about this whole thing. Not long before my trip, Sengoku Jidai released a new song, Yotogi no Hana [夜伽の華]. It sounded nice, so I went down the YouTube rabbit hole first, and then ended up on the webpage. Over there, I found out that there was a free event in Kawagoe [川越] as part of the new single promotion. And that is why I decided to head over there and try to attend. The event consisted of a “midsummer summer acoustic live”, called Sengoku Jidai – The age of civil wars –: Manatsu no Accoustic LIVE [戦国時代-The age of civil wars-: 真夏のアコースティックLIVE] and a CD sain kai [CDサイン会], which is basically a “meet and get an autograph”. From 11:00, fans had access to a booth to buy a number of CDs of the last two singles: Yotogi no Hana [夜伽の華] and Sengoku Enka [戦国演歌], my favourite. You could get as many signatures as CDs you bought. The band would hold a small concert at 14:00, after which you could shake their hands and get your CDs signed, one single at a time. When you bought the CDs, you also got one number to access the “restricted” area for the concert, though anyone around could watch, even from the upper floors of the mall, and you were guaranteed a seat.

The event took place on the lower floor at the Kawagoe Pepe shopping centre. The mall opened at 10:00, and I got there around 10:15. To be honest, I was a bit uncomfortable queueing alone in a completely unknown fandom, having to deal with everything in Japanese. But I told myself it was a rare chance to get to do something like this, for free on top. So after hiding in the bathroom for a few minutes to gather my courage, I went to the queue, where a few people were already waiting. I got a couple of weird looks but mostly I kept to myself and no one bothered me.

The staff arrived not much later. They they built the booth and put up the notices of what was going on. They also brought the CDs and the flyers in. After they opened at 11:00, I got a CD of each of the singles, and I was out of the queue by 11:15, with the CDs and my numbered ticket, sporting #18. The staff must have given around 200 numbers or so before the live started.

Admittance to the concert (one, printed in yellow with number 18 on it) and the Meet and Greet (two, printed in black)

In between the two parts of the event, I made a little escapade to Kawagoe [川越大師]’s Seiya-san Muryōshuji Kita-in [星野山無量寿寺喜多院], which is a Buddhist temple dating back from the 830 AD. It is noted for its hall and its pagoda. It also has a small graveyard with “the five hundred disciples of Buddha”. I was not sure whether last time I had actually been there or not, because I arrived by my almost-trademarked method of getting lost, so I wanted to make sure, and I had a bit over an hour to kill – it was the same place indeed.

After walking around the temple for a while I went back to Pepe for the second part of the Sengoku Jidai event, the live / sain kai. The area of the shopping centre got closed off with tape and “doors” opened at 13:30. The staff had even prepared three lines of chairs, and at the appointed time they started calling the numbers out. Since the instruments were already on the small stage, we knew who would be sitting where. I choose a seat on Ju-ken’s side – the instruments were already on the stage, so it was easy to decide where to sit. As we came in, we were given a little sheet of paper to write what we wanted the band to talk about. The restricted area filled up quickly with all the fans who had bought CDs,and so the live started early, around 13:45. The acoustic was very interesting – I had never been to one, except for a couple of songs at the VAMPS’s Beast Party. This one was also an unplugged.

The live had two songs, a talk session, and two other songs. It lasted for about an hour. The band picked up topics from what the fans had written to talk about and answer question, and there was a lot of teasing among them. They talked about the summer, what they liked doing, what they have been up to, including solo activities and summer festival. They were quite chatty, except for Ju-ken, who plays a persona called “Date” and never speaks – he is very strict and serious – so he just explained, via gestures, that he went fishing. The whole persona thing will be important later. There were quite a few people watching “from the sidelines”, – looking over the balconies from the upper floors, and they received a lot of attention, as prospective fans. The actual live was free, you only had to pay if you wanted an autograph, and the price of the CDs was the standard 1500 ¥, so it was a good promotion strategy. The selling booth remained open for the whole live, and even the later signing session, and it actually worked because some curious did decide to get an autograph.

The songs played were Yotogi no Hana [夜伽の華], Sengoku Enka [戦国演歌], Sengoku Ondo [戦国音頭], which is their “introductory song”, I think Tennyo monogatari [天女物語]. During Sengoku Ondo, Nao-A asked us to stand up and dance / do the furutsuke with him – and then he messed up! I was so confused!

There was a bit of chaos when it was the turn for autographs. I almost lost my nerve again, but I had made it this far. I let the most dedicated fans go into the queue first, and I made my way slowly, rehearsing what I wanted to say – in Japanese. The first one to see me was drummer S.N.D / Junji, whose eyes went wide – he has no poker face at all and completely went (O_O)!, wondering what a white person was even doing at their event, I guess. He asked if I was okay with Japanese and I answered that I was okay with simple language. Then, I informed him that I was the foreign factor representation. Then I got Ju-ken / Date – I told him about having his pick from Barcelona. His eyes went even wider than Junji’s. He broke character completely, grabbed my hand and shook it vigorously, as he repeated “sank you, sank you, sank you” (some Japanese people just can’t do the TH sound and substitute it with an S). Kz was equally surprised to see me around and he asked where I was from. Finally, Nao-A hid his surprise better, and he acted quite cute and friendly. I actually… chatted a bit with all four of them. I felt proud of a) my Japanese and b) not freezing out.

I walked out the area and climbed upstairs to snap a couple of pictures. Then, I went back to the queue. I had bought two CDs so I could go through the process twice, and the band remembered me. Kz asked if I was studying or working in Japan, and I said I had travelled there for my summer holidays. Probably, if there had been more CDs, I would have bought all to get them signed.

After all the fans had got their signature, the artists waved at everybody and disappeared into… the adjacent supermarket. All in all, it was a very fun event – it went unexpectedly well, with no problems nor awkward moments. I did not get to make any new friends, but I think the band’s reaction was something priceless that I’ll treasure for a long time.

The band shaking hands and signing autographs

Signed CDs

After the event was finished, I went back to Tokyo [東京]. I kinda got lost so I wasted about an extra hour and a half, and thus I was not at the next hotel, in Shinagawa, until late. Though it was a business hotel – or maybe because of that – it had a huge TV, almost as wide as the 135cm-wide bed I had!

The TV at the foot of the bed is almost as wide as the bed itself, and the bed would fit two people

I bought dinner on the way and enjoyed it in the room. And after a long day, I decided that I was okay with some extra protein – so I tried the conbini boiled eggs. It was an excuse just like any other…

Soft-boiled egg box

Walked distance: 19468 steps / 13.9 km. However this includes the little furutsuke that Nao-A made us do, and that was recorded as pacing, and getting lost and walking for an hour coming out of the wrong exit of a station.

31st December 2016 (and on): Seeing the year off with a dragon (gate) {Japan, winter 16/17}

The first thing that I did in the morning was heading off to Shinagawa [品川] with D****e in order to see the third Dragon Gate (to complete the visit started on the 28th. This third dragon gate is the entrance to Shinagawa Jinja [品川神社], which was the biggest complex of all the three if you don’t count the Koen-ji gardens.

From one of the hills belonging to the shrine we could see a few of the nearby little shrines, so we went to check them out. And there was warm coffee on the way. Because I have not mentioned yet, but the same vending machines that expend my cold coffee in summer expend the same coffee in winter, but warm. Which makes you feel the sugar rush even harder warms your cold fingers.

After Shinagawa we went to Shinjuku [新宿] for a little bit of food and shopping, then Shibuya [渋谷] and Ikebukuro [池袋] just for shopping. Afterwards, we picked K***n up and headed off to Odaiba [お台場] to watch New Year’s Eve fireworks.

After the fireworks we had a snack in the DiverCity’s Calbee shop – crisps with chocolate, yes. It is a thing.

Then we set down to have a drink and kill a few hours in the food court until it was time to head back into Town as we were going to wait for the New Year at Hie Jinja [日枝神社]. And thus we waited…

20th August 2014: Shinagawaaaaaaark! {Japan, summer 2014}

I followed D****e to Nippori [日暮里] to visit the famous “Nippori Textile Town” Nipporisen Igai [日暮里繊維街], and that was interesting. I saw a number of shiiiiny stuff, but I was strong and did not buy anything because I still have an awesome dragon fabric around that needs a use. Later we had lunch, gyuutan, and snooped around the largest Buddhist Graveyard in Tokyo, Yanaka Reien [谷中霊園].

This was also the day when Google Maps hated me, but I don’t want to write about that, because this is a journal for good memories. And good memories were created by going to Shinagawa [品川] and the aquarium, Shinagawa Suizokukan [しながわ水族館], which was lots of fun!

13th August 2014: Samurai vs. Kaiju {Japan, summer 2014}

We started the day in Asakusa [浅草], which would be one of my favourite places in Tokyo if it was not so crowded all the time. This time not only I wanted to visit the main Sensōji [浅草寺].

The Sensoji temple in Asakusa, whose most prominent feature is the huge red paper lanterns

I also wanted to check out the smaller protective Shinto Shrines on the side, like Asakusa Jinja [浅草神社].

Small shrine with two stone torii, two stone lanterns and two fox statues flanking them

The second temple of the day was Sengakuji [泉岳寺], close to Shinagawa [品川]. The name does not really ring a bell by itself, but Senkakuji is also known as the Temple of the Forty-Seven Rōnin, as here is where all of them are buried. The Buddhist temple itself is nothing special. It has the graveyard where the samurai are buried, and a small museum attached where you can see a replica of the drum used in the attack, along with pieces of armour and one copy of the declarative letter that they wrote. Another part of the museum holds wooden statues for all of them.

A Buddhist temple, and a row of gravestones with the names of some of the 47 Ronin

After having lunch in Shinagawa (in a… Mexican… kind of place called “El Caliente”) we headed off to Roppongi [六本木] to see Godzilla. Not the movie, but the sculpture that has been planted in Tokyo Midtown [東京ミッドタウン]. As a matter of fact, it was a very Godzilla [ゴジラ] summer in Tokyo. The Godzilla visit was done in two parts, one before sunset and one after it had gotten dark.

Godzilla coming from the ground, roaring

The two visits to Godzilla were separated by horrible horrible American food (I shall never willingly set a foot on a “Wendy’s” again) and going to the cinema to watch “Rurouni Kenshin – Kyoto Inferno”, the second instalment of a movie trilogy based on the manga of the same name.

Poster of the movie. It shows a man dressed in red traditional clothes, with an X-shaped scar on his cheek. Behind him, minor characters and the antagonist, covered in bandages.

Oh, and before we got back to Godzilla, we saw a gazillion and a half of Doraemon [ドラえもん] underneath Roppongi Hills [六本木ヒルズ], and pictures were taken with them.

A lot of people-sized Doaemon in different poses. Doraemon is a cartoonish ear-less blue and white cat

And here Godzilla tries to eat stuff (there are many good restaurants underneath Tokyo Midtown anyway):

A close-up of the Godzilla statue at night, lit purple and blue, and looming on a skyscraper