30th May 2025: Retiro Park, Alice’s sushi & Jurassic World (Madrid, Spain)

I had been on the waiting list to buy tickets for Jurassic World: The Exhibition in Madrid since it accepted sign-ups, so I was able to be amongst the first to buy tickets – albeit a few days later than originally scheduled due to the blackout. Thus, I got tickets for the first session on opening day, at 17:00 on the 30th of May. Exciting! And – almost as important – it guaranteed a spoiler-free experience…

I decided to fill the morning beforehand, and I arranged to meet some relatives at Retiro Park Parque del Retiro north-east corner. There stands one of the Romantic constructions of the park – the artificial mountain known as Montaña de los Gatos. It is a space that can be used as an exhibition venue erected during the 19th century, when follies where all the rage. A folly is a decorative building placed in a garden, usually extravagant or out of context, without a real use save from looking cute for the owner’s amusement.

The artificial mountain is literally a hollow mound covered in flowers, with a waterfall that was turned off, a sad-looking pond with a duck family, and a glass ceiling to illuminate the inside. It was closed so I could not snoop the “archaeological remains” that were found during the recent restoration.

Montaña de Los Gatos in Retiro Park, artificial mound covered in flower

Next to the mountain there is another folly, La Casita del Pescador (Fisherman’s little house). Besides that stand the remains of an old church Ruinas de San Pelayo y San Isidoro. This tiny hermit church was originally erected in Ávila during the mid 1200s. Built in the Romanesque style, it was first dedicated to Pelagius of Córdoba, and then this was changed to Isidore of Seville. During the Spanish confiscation of the Catholic church properties, it was dismantled and eventually rebuilt in Madrid as Romantic decoration in a project directed by Ricardo Velázquez Bosco. It looks weirdly out of place, but rather pretty.

Ruins of the Romanesque church Ruinas de San Pelayo y San Isidoro, in brick

The yearly book fair Feria del Libro de Madrid had started, but as my relatives were late, we could only have a quick walk before we headed off to Wonderland – The Kaiten Lab – , a running sushi restaurant with hot-dish orders on the side, with decoration inspired by Alice in Wonderland, with a twist. According to the restaurant “you step into Alice’s mind, though Alice was a psychiatric patient”. I am not sure how I feel about the mental hospital thing – I think they were just trying to cash on the entrance that was already there when they bought the venue. However, I can state that it’s a pretty mediocre sushi restaurant. With a menu price about 10 € over a Runni sushi, I was expecting something at least as good, not worse. It sells the decoration, and that is the only thing that makes it special.

Wonderland – The Kaiten Lab –. A funky restaurant themed around Alcie in Wonderland which serves sushi

We went somewhere else for dessert, and I had a smoothie. Afterwards we said goodbye and I headed off towards Espacio Ibercaja Delicias for the opening session of Jurassic World: The Exhibition, which was full of parents with children and a bunch of actual fans, some of them being parents too. I was actually the first in line to enter, but they pulled me to the side to wait for a card called “credit photopass”, which was a free perk from having been on the list. Unfortunately, the fact that they did not have that ready put a bunch of families with kids in front of me. I got my photo taken against a green screen and they added digital dinosaurs later.

As we were waiting, the whole “dinosaurs are for kids” thing popped up again. I knew things were not going to be as awesome as expected when one of the “park guides” said that her favourite dinosaur was Mosasaur. Despite what Jurassic World: Rebirth claims, Mosasaurs are not dinosaurs, but marine reptiles, which lived in the Cretaceous period (94 – 66 million years ago).

Like the previous show, the experience starts on the ferry to the island, which then opens to the main gates with a Brachiosaurus peering from overhead. The whole exhibition runs on the story that you’re a VIP visitor to the Jurassic World complex, getting a special tour. A couple of guys and myself stayed a bit behind to take pictures without kids and families, and the “ranger” scolded us because “we were going to miss the explanations” in front of a pachycephalosaurus. At that point I felt that they were herding us like cattle…

The second room is the laboratory, with Mr DNA included. There are reproductions of eggs, amber, and baby parasaurolophus, one of them a puppet brought out for kids to take pictures with. The staff did not seem to keen on catering to anyone older than eight, again…

The following two rooms were the Jurassic World movie velociraptors (Deinonychus, in real fossils): Charlie, Delta and Echo were in their confinements and there was a bit of a “training show” with Blue and Owen Grady.

Then there was a bit of a “reprieve” room with fossil replicas and a make-believe excavation, where they brought out a puppet of Bumpy, the baby ankylosaur from Camp Cretaceous. Afterwards came the hybrid Indominus rex jungle, which had a hilarious moment when a kiddo shouted “Hello Indominus, I love you” while the thing was supposedly mangling its food. This was probably the best-made animatronic, it looked a lot like the beast they invented for the movie.

The next room held the Gyrospheres from the Jurassic World film, and a baby velociraptor puppet. This one I could take a picture with after all the kids had had their turn.

Jurassic World The Exhibition. Gate with a Brachiosaurus peering above: Collage showing the velociraptors, a carnivorous dinosaurs skull, the Indominus rex and a Gyrosphere

Jurassic World The Exhibition Baby Bumpy the ankylosaurus

Finally, the last room was Rexy the Tyrannosaur – scars from the first movie and all. In universe, she almost broke containment and almost escaped. There were noises and sparks and roaring, honouring the exhibition’s motto: the closest you’ll ever be to real dinosaurs.

Jurassic World The Exhibition Rexy the T-rex. We know she's the one from the first movie because she has scars down her cheek and neck.

All in all, the dinosaur animatronics were amazing, but the staff had instructions to get everyone in-and-out in one hour, so it felt rushed and, as I said before, herded. And honestly, I am not going to listen to “park rangers” who don’t know their dinosaurs from their reptiles… Which would later be one of my beefs with the upcoming Jurassic World: Rebirth movie anyway…

However, there were dinosaurs, and they felt pretty real, especially the Indominus and Rexy. I missed the mosasaur, though (even if there was a super-cute plush toy in the souvenir shop). All in all, the exhibition was really fun. The animatronics were very lifelike and Bumpy looked exactly like she does in the animation. All in all, it was a good day with ruins, sushi, dinosaurs and geeking out. There’s not much more anyone can ask for…

26th May 2025: Sliema & the return {Malta, May 2025}

It was my last day in Malta. My return plane was mid-afternoon, so I had to head towards the airport at noon the latest. For that morning, I had planned a leisure stroll along the beaches towards the east of Saint Julian’s | San Ġiljan and Sliema. I had breakfast, grabbed my backpack, and set out along Ballutta Bay, Exiles Bay and St Julian’s Bay.

Balluta bay - a tiny sand beach with buildings on both sides

Limestone beach with waves breaking against it

There is a watch tower at the edge between both towns Saint Julian’s Tower | Torri ta’ San Ġiljan, built to protect the bay in 1658, though today it is a restaurant. After looking at the waves for a while, I walked along the coastline until I found the Roman Baths, which to my disappointment, are not Roman but Victorian artificial pools, from the time Malta was a British colony – they were upfront about this though, unlike the Birżebbuġa ones.

Sliema Roman baths - rectangular pools carved into the limestone

I can look at waves for hours, and that’s exactly what I did. I passed by Sliema Point Battery (now also a restaurant; I would have liked to try it to be honest, just because it looked cool) and eventually reached the Sliema Promenade. There, the scenic ferries leave to take tourists around the bay, and the actual ferries sail off to Valletta, which can be seen across the water from the Panoramic View Of Valletta point. There is a cute little building, the Sea water distilling monument, the remains of Malta’s oldest water distillation plant, used after its construction in 1881 to provide drinking water to the population. Fresh water was obtained by boiling sea water to separate the actual water from the salt.

Views of Valletta across the bay

I still had a little bit of time, but I was next to the correct bus stop, and it was almost time for it to pass. Thus, I decided to take it, get to the airport, grab a coffee, and visit the Observation deck.

As I stopped by the airport’s Costa Coffee I got talking to a couple who had just landed and were figuring their way out after a change of plans. When they heard I was going home, they immediately asked where my next adventure was. I found it both endearing and hilarious – do I look that travel-minded? I should have told them that I planned to go dig dinosaur eggs or something…

I drank my vanilla latte at the Observation deck, then I went through Security and checked the book shops for a copy of The Little Prince in Maltese for my parent. I found a quiet place to sit – and damn it was freezing, so I ended up wearing all my layers until I boarded the plane.

In the end, I carried my bathing suit for nothing, but I have to admit that despite the inconveniences on Saturday, I had a blast in Malta. While it had never been on my radar as a potential destination beforehand, I am really glad I chose it. I did not miss having a car, because the public transport was convenient enough, and the weather was superb. Gozo was not as spectacular as I expected, but I wouldn’t mind coming back to the country to explore the rest of the temples – especially the Ħal Saflieni Hypogeum – and the one main city I did not visit – Mdina. Next time around though, I don’t think I’ll book any tours and organise everything myself. Given some time, I think I can make a great itinerary for a second visit. Oh, and I will try to find a hotel in a non-party area or destination.

25th May 2025: Gozo Tour {Malta, May 2025}

I had booked a second tour, in order to get to know the Island of Gozo. This time around though I had a very clear pick-up point, which I hoped would work out, unlike the previous day. Fortunately, the instructions from Gozo Tours were extremely clear and I knew exactly where the pick up point was, without any non-working links. There were other people from my same hotel, so we got nervous together. The driver was not too late though. We were driven in a mini-van towards the passenger terminal in the north of the island, Cirkewwa. There, we waited for pick-ups from other parts of the island. We had a charter high-speed boat that crossed the Gozo Channel and dropped us off at the Mgarr Harbour terminal in the second-biggest island of Malta (country).

Gozo | Għawdex is less urban than the Island of Malta, so I had decided that maybe the Full Day Jeep Safari Of Gozo could be a good way to get a feeling of the island, without having to plan much and depend on public transport. In hindsight, it was probably unnecessary but it eliminated the need to plan. All in all, the tour was convenient, but not something I would choose again – the landscapes were beautiful and dramatic, but not as crazy as I had expected.

I became really amused at how many people (read: most everyone) were unaware of the speed a speedboat reaches. I was glad that the boat was so fast; it glided over the wind-waves, and there was no swaying. That was good, because said wind would have made the trip miserable at a slower speed. However, there was a group of Italian girls who were absolutely petrified.

We reached Mgarr Harbour in Gozo and separated into small groups for the different jeeps. I was placed with four Londoners and an English guide, which suited me just fine. I don’t remember whether I actively chose the English-speaking tour, or I got assigned to one because I used the English webpage. There must have been tours in other languages. Apparently, all the jeeps go to the same spots at different times of the day so they don’t run into each other, so we followed a bit of a zigzagging route, with specific spots in different cities and towns. The information said there would be a “swim stop” during summer, I was just not sure whether the 25th of May would count as summer. I carried my swimsuit and towel anyway.

The first stop was barely five minutes in: Qala Belvedere, a panoramic spot in the town of Qala, which allowed us to catch sight of Comino, the third-biggest island in the archipelago. Afterwards, we got back on the jeep and headed off towards Ramla Bay in Xaghra. As he was describing the landscape, the guide at some point mentioned volcanic rock, which threw me off, as I believed that the islands were sedimentary. I thought maybe he meant there was some tuff. However, everything I have read about the geology of the islands agrees – the whole of them is sedimentary rock, in five main strata. From oldest, at the bottom, to newer, these are coralline limestone (Żonqor), globigerina limestone (Franka), blue clay mudstone (Tafal), greensand sandstone (Ġebla s-Safra) and coralline limestone again (Qawwi ta’ Fuq).

The Upper Coralline limestone formation (the most recent) is pale and grey, and it is embedded with biological structures. The most important rock is the globigerina limestone, which is golden and between 23 and 14 million years old. It is called so because it contains a lot of globigerina – a type of plankton – fossils (I did see a lot of shells in the rocks, but I was not carrying anything to dig the fossils out). This is the majority of building material in the country, even in a lot of the prehistoric temples. It has been designated a Global Heritage Stone Resource, something I did not even know existed until now. The blue clay is also key in Gozo as it is the one that allows for the creation of freshwater aquifers through the filtration of rainwater. The thing with limestone is that it erodes very dramatically, creating very capricious forms which are the base of the striking landscapes in the island.

The shore of Ramla Bay is one of the few sand beaches in the country. It is called Ramla il-Ħamra (Red Sands) because of its reddish colour due to the presence of iron clay in the area. The beach is locked by two rocky formations / cliffs that protect it from the waves – unfortunately, not from real estate developers.

Ramla Bay - a small reddish sand beach inbetween rocky cliffs

We continued towards Xwejni Bay in Żebbuġ. It has a small beach of pebbles, with a promontory to one of the sides, and a dramatic walk along the other side which leads to the salt pans. Unlike the ones from Birżebbuġa, these pans are commercially exploited. Between May and September, each pool is filled, individually and manually, with sea water which proceeds to evaporate and leave behind the dry salt crystals. With good weather, salt can be harvested once a week, and it is sold as flakes without further processing – rather nice, I’d say. We also were shown to a small shop that had tastings in hopes you bought stuff, and I did try the salt and the oil.

Xwejni - a beach made by the erosion of limestone, with salt pans excavated into it

We drove by Basilica of the Blessed Virgin Of Ta’ Pinu | Santwarju Bażilika tal-Madonna ta’ Pinu, though we did not stop. The current building is Neo-Romanesque – construction started in the 1920s – and it looks like something from a fantasy cartoon. However, it is a serious Catholic temple, dating back from the 16th century at least, even if it kind of stands in the middle of nowhere.

We crossed the town of Għarb and made a short stop at the SG 8 globigerina limestone quarry. It made me sad that the SG did not stand for “Stargate” but what can you do? The quarries through the island extract the rock which is used as construction material in many buildings through the country.

Limestone quarry

Instead of going to the other side of the galaxy, we headed off to San Lawrenz to see the Inland Sea | Qawra, a lagoon connected to the sea through a cave fault in the cliffs. When the weather is nice, there are boats giving you a ride past the archway and out to the sea, but not this time around – there were some pretty decent waves coming in, so it was too dangerous to sail the crossing.

Small lagoon connected to the ocean by a cave

We drove through Għarb again, where I could catch a glimpse of the Basilica and Collegiate Parish church of the Visitation of Our Lady, and continued towards Xewkija where we were to have a “three-course course light lunch”. This consisted on a Ricotta Pastizz (pastry stuffed with ricotta cheese), Maltese Bragioli | Beef Olive (stuffed beef roll), and vanilla ice-cream, along with wine that I did not have, I went for water instead. Food was all right, I was not hungry so it was fine. Afterwards, the guide offered to take us to a gelateria to have “the best ice-cream ever”.

Pastizzi (pastry filled with cheese), and a meatball with potato wedges

Before that, we crossed the scorching square to see the Rotunda St. John Baptist Church | Basilika St. Johannes der Täufer, which had recently been struck by lightning. This is a Baroque church established in 1678, though the building was erected in limestone in the mid-20th century. The new building actually encased the original church, which now is a small chapel to the left side of the main altar. St John is the Spiritual Seat of the Knights Hospitaller.

Neoclassical church with a dome

The next stop was Xlendi Bay and the beach town of Xlendi. There stands Xlendi Tower, built by the Knights in 1650, restored in 2010. The natural landscape was stunning, but the town itself was just a touristy beach town. The promised ice-cream parlour was a chain called Gelateria Granola, where I decided to try the cookie ice-cream, because it was something I had never come across before, and I had next to no time to choose, it felt – I have no idea how I ended at the front of the crowd.

Xlendi: cliffs and breaking waves

Ice-cream happily consumed, we drove off. We stopped in Fontana where there is a natural water spout called the Knight’s Wash House, halfway between a historical landmark and a local fountain. As a curiosity it was all right. We continued to Victoria, whose historical seed is called The Cittadella | Iċ-Ċittadella, the Citadel. The area comprising the Cittadella was first inhabited during the Bronze Age, and it probably went on to become the Roman acropolis and eventually a castle in the Middle Ages. The castle defences were reconstructed in the 17th century, but they were not considered the best – the Cittadella actually surrendered in the 1798 French invasion and counterstrike, without much resistance either time.

Our allotted time there felt too long for just a walk and too short to the whole thing, unfortunately, so I could not snoop around the museums. Furthermore, the Cathedral of the Assumption – The Matrix, Parish Church, Sanctuary, Collegiate and Cathedral of the Assumption of the Blessed Virgin Mary into Heaven | Parrocca Matrici, Arcipretali, Santwarju, Kollegjata Insinji u Katidral ta’ Santa Marija Assunta was closed. The whole area looked like it would be awesome to be able to sleep over there – especially because walking uphill to visit it would be hard in the sun.

Fortification made in limestone with a baroque cathedral

The hour approached to head back to the quay. We started making our retreat with two short stops on the way, in the town of Għajnsielem. The first one was for the guide to take our pictures with the Monument to the bench in the village square, a metal bench showcasing a pair of grandparents, a young woman with a smartphone and a cat begging for attention. The bench is located in front of the Għajnsielem Parish Church. The second stop was a panoramic view of Gozo Straight and the Church of the Madonna of Lourdes | Knisja tal-Madonna ta’ Lourdes. There was no swim stop in the end, so late May is not summer yet. All in all, we started off around 10:00 and were done by 16:00, and it cost 80 €.

We made it back to Mgarr Harbour, where we took the speedboat back, first to drop off some passengers in Comino, which gave us a peek into the Blue Lagoon there. Again, I was glad for the speed, because the waves would have made a leisure trip miserable. Afterwards, we were driven back our points of origin. Back in my hotel, I snacked on some salt-and-vinegar crisps from my favourite British brand that I had found in the supermarket.

The turquoise water of the blue lagoon in front of the island of Comino

Around sunset, I went out to explore Saint Julian’s | San Ġiljan a little further. I had considered some of the typical restaurants there, but since I ate the crisps I was not hungry. What I did was walk around Spinola Bay, along Spinola Slipway and Saint Julian’s Promenade, and past the Fisherman Monument – with yet another cat begging. I tried to reach the marina, but it was all uphill and taken over by the luxury hotels.

A sculpture of a fisherman cleaning the nets while a cat looks eagerly at him, and a view of an urban bay front

Instead of dinner, I had another snack, and then headed off back for a shower, some sleep and… yes, another 5:00 wake up call. Talk about jet lag without changing your time zones!

24th May 2025: Megalithic (self-guided) Tour {Malta, May 2025}

The group of drunk people was back again, at 5:00 once more. Joy. However, this time I could not get an early start because I had booked a Megalithic Tour with a company called Visit Malta, as at first it had felt more convenient than navigating the buses. They confirmed and sent me a ticket saying that pick up was at my hotel, and a Google Maps link that did not work. Thus, I assumed that they would pick me up at the hotel. I tried to contact them via email previously, but I had no reply, so I told myself not to be paranoid, and trust them.

Twenty minutes after the pick up time, I called them. They yelled at me that I was in the wrong place. I informed them that my ticket read “pick up at the hotel”. They told me there was nothing they could do for me. So I was upset for about 3 minutes – that was 50 € down the drain. However, it was only 9:30 in the morning, so I had time to take matters in my own hands and go see the temples on my own. And I could even squeeze an extra one! I felt… I don’t know… gleefully spiteful. I was going to see the temples out of revenge! I know it sounds strange, but it took me back to what happened in Cappadoccia, when there was nothing I could do to fix the issue. This time around, I had lost some money, but I would not miss on the experience.

Of course, this would have been much more efficient if I had organised the visits originally on my own, since the Ħaġar Qim and Mnajdra Archaeological Park | Il-Park Arkeoloġiku Ta’ Ħaġar Qim u L-Imnajdra is in Qrendi | Il-Qrendi, quite close to the Blue Grotto. Conversely, that also made it easy for me to get there, since I knew the bus route already. But I decided not to dwell on the inconvenience and just “save back” the lost 50 € back not buying whims or mementos.

The Megalithic Temples of Malta are a World Heritage site, and it still blows my mind that they are older than either Stonehenge or the Giza Pyramids. The Ħaġar Qim and Mnajdra Archaeological Park | Il-Park Arkeoloġiku Ta’ Ħaġar Qim u L-Imnajdra might be the most well-known complex, or at least it was the one with most tourists.

The temples Ħaġar Qim and Mnajdra are located very close to one another, and they share an entrance with a small museum, thus forming one archaeological park. Both were first officially described by officer J.G. Vance of the Royal Engineers (British Army) in the 1840s. Unlike Ħal Tarxien on Thursday evening, these two were packed with visitors – more than a few of them happily touching the stones out of curiosity or for support as they walked. I got there in bus 201 and reached the entrance just before a big tour bus entered. The guide lady tried to go past me, but my face must have told her that I was not in the mood to be messed up with, and my turn was respected. The museum mostly had information about the environment, and pieces of pottery that had been recovered from the sites – similar to what the Archaeological Museum in Valletta.

Ħaġar Qim was erected using the ever-present globigerina limestone, a soft sedimentary rock, golden in colour, formed around 23 – 14 million years ago. As this and other temples have weathered out, they have taken a more reddish or brown colour. To protect the remains from deterioration, many have been covered with protective tents.

The temple has several inner chambers within a retaining wall that can be crossed through a trilithon. The whole site has a keyhole shape, and it has been associated with fertility rituals. The main temple was built between 3600 and 3200 BCE, with remains of older ruins. As construction went on, the shape became distorted. It holds the largest stone in any of the Maltese temples, and an altar probably for animal sacrifices. It was hard to get into the magnificence of the temples with so many people swarming them after the Ħal Tarxien experience. However, the structure is quite impressive in itself.

Hagar Quim Neolithic temple: a roundish construction surrounded by a wall made out of limestone. Inside there are chambers and open holes working as doors, along a thriliton as main gate.

Mnajdra | L-Imnajdra is made from coralline limestone, a harder kind of stone, so as a construction material, it can be used in smaller blocks. Mnajdra might be the most representative temple in the archipelago, as its altar is depicted in Malta’s 1, 2 and 5-cent coins – though it is not the one which kickstarted the Unesco protection. Mnajdra consists on three temples arranged in a clover-leaf disposition. The structures are joined but not connected. They were erected between 3600 and 2500 BCE – so they could be over 5,600 years old. Even with the sheer amount of people around, there was something special about the complex. The temple plays light tricks on the equinoxes and solstices, and the decoration of one of the stones could be interpreted as a lunar calendar (with a lot of imagination, if you ask me). Probably, out of all the temples I visited, this one was the one I found more impressive – even if the first one I saw will forever remain my emotional-favourite.

Mnajdra Neolithic temple: a reddish limestonestructure with trilitons and low walls made out of brick-like structures

I was done before schedule, so I went back towards the bus stop. I returned to the airport and then took another bus (119) to Birżebbuġa. There I could see the Għar Dalam Cave and its museum. The Cave is home to some of the oldest evidence of human presence in Malta, around 7,400 years ago (the oldest comes from Mellieħa Cave, dated as 8,500 years old). Għar Dalam Cave is about 144 metres in length, and it also contains remains of animals that have been long extinct in the island, found in distinct layers of sediment at the bottom of the cave.

There is a base layer of clay, older than 167,000 years. Over that lies the “Hippopotamus layer”, showing remains of two extinct species of hippopotamus, deer, dwarf elephants… One of the hippos, Hippopotamus melitensis, was a “dwarf” hippo (only 900 kg) endemic to the island. The remains are very mineralised (almost fossils) and worn down. This is also called the “Breccia layer”. Breccia is a rock composed large angular fragments of minerals cemented by a fine-grained matrix, only in this case the fragments are ancient hippo bone.

Covering the “Hippopotamus Layer”, there is a band of pebbles, without any remains. Over that one lies the “Carnivora Layer”, with remains of several of the previous animals along with foxes, wolves, bears, and smaller creatures such as voles, shrews, bats, turtles… These range from around 167,3000 to 151,200 years ago, and are less mineralised and worn down, just like the following band: the “Deer Layer”. Here there are remains of three different species of deer, some bovines, equines, and small animals. The two upper layers, starting 7,200 years ago, hold remains of small wild animals, domestic animals – sheep, goats, pigs, cows and cats – pottery and other human artefacts, and human remains.

Għar Dalam was first investigated in 1865 by palaeontologist Arturo Issel. Subsequent researchers expanded the excavation and knowledge, identified an all-new species of dwarf hippopotamus, and systematised the museum adjacent to the Cave. Said museum, called the George Zammit Maempel Hall presents hundreds (thousands, maybe) of the remains dug up from the cave. However, the most important ones, amongst them the skull of a Neolithic child, were stolen in 1980. The Cave itself is creepy and damp, and the excavation shows the different layers for the spectator to see. One wonders what lies beneath the end of the visitable area… I would believe the cave be haunted much easily than the Grand Master’s Palace.

Ghar Dalam museum: samples of rock with bones, and cleaned bones and hundreds of small bones in display cabinets.

Ghar Dalam cave - deep cave with excavated ground where you can guess the layers of bones and remains.

Across the valley from the Cave, you can see the remains of a ruined Roman villa Ta’ Kaċċatura, but it cannot be reached, and it’s hard to distinguish rocks from the actual ruins.

By now, I had seen all the temples included in the original tour, so I had a bit of a victory moment. And yet, I had more to do. I loaded up on sun lotion, then headed towards the nearby Borġ In-Nadur, barely ten minutes away on foot – plus some extra to cross the street so you are on something similar to a pavement to walk on. Borġ In-Nadur is another small megalithic structure, with a cemetery, and the remains of a Bronze Age village, with remains ranging from the years 3000 to 700 BCE. Entrance to the Megalithic site was included with the visit of Għar Dalam. The temple was first excavated in the 1920s by archaeologist Margaret Murray. It is the most dilapidated site I visited, but I was again alone – except for a couple of chickens from an adjacent farm. You are allowed to go into the niche or stone circle, and unlike the other temples, it is not covered (yet?).

Borg in Nadur, a roundish collection of megaliths vaguely disposed in a circle

 
Near the temple, at the limestone beach of St George’s Bay | Il-Bajja ta’ San Ġorġ, I found silos and cart ruts, also thought to date from the Bronze Age, and Roman Baths directly carved into the limestone. They are not really Roman baths, as in dating from Ancient Rome, these are artificial pools were excavated into the rock during Victorian times. And yet modern people think they’ve invented something

Different constructions near the sea shore: cart ruts, round silos and square artificial pools

Not far from there, I found the bathing beaches, the commercial harbour and the salt pans, a traditional way to produce salt letting sea water evaporate from shallow pools in order to harvest the salt crystals. They did not seem in use though as they were either full of litter or used as sunbathing spots.

Rows of rectangular salt pans - shallow tidal pools - near the ocean

I still had some time and energy, and decided to invest them on getting to Birgu. This Medieval city is located across the Grand Harbour from Valletta, and it was the first place where the Knights Hospitaller settled. It has a bunch of historical palaces and museums. I would not get there before closing times, but at least I could see the town layout and some buildings from the outside. These included the Gate of Provence, the Inquisitor Palace, the Birgu Waterfront and Maritime Museum, and finally Fort Saint Angelo, a key fortress during the Siege of Malta. Today, use of the fort has been granted to the modern version of the Knights. There was a sign reading “Jurassic World: Dominion” was filmed here, but I did not recognise the backdrop.

Walled entrance to Birgu

Ruins of the Birgu Waterfront overlooking the ocean and Valletta

I found a convenient bus to head back to Saint Julian’s | San Ġiljan. I freshened up and headed for dinner. At first, I tried to get a table at a restaurant right at the entrance of the hotel. Since they decided to ignore me and give the table to someone else, I moved along. I found Salt & Pepper, a nice grill with an ocean view and an outdoor sitting area. There, I was able to try Stuffat tal-Fenek (fried rabbit in garlic), a typical Maltese recipe (considered the national dish, actually) – pan fried rabbit, simmered in wine, tomato paste, garlic, peas and olive oil, served with roasted potatoes. I wanted to try it, but at the same time I was a bit reluctant, as I am not a big fan of neither garlic nor wine. In the end, I have to say I enjoyed it more than I thought (as long as I kept my mind away from it being actually… rabbit).

Rabbit cooked in tomato sauce with peas and herbs, and wedged potatoes on the side.

Afterwards, I walked around Spinola Bay for some nice views before I turned in for a shower and some sleep… only to be woken up at 5:00. Again. But hey, this time it was a group of girls.

23rd May 2025: Valletta {Malta, May 2025}

Around 5:00, I was woken up by a group of guys singing, and I thought they were outside, drunk and going back to their hotel. It turns out that Saint Julian’s | San Ġiljan is a party area. I had absolutely no idea – I would like to chalk that up to the improvisation again, but to be honest the concept of a “party town” is one that had not even crossed my mind till then. I did not sleep much afterwards, so a bit after 7:30, when breakfast opened, I headed there, then I took the bus towards the capital, Valletta.

My first stop was a compulsory one – the City Gate | Bieb il-Belt which I had to cross to walk into the city. The capital of Malta was declared a Unesco World Heritage in 1980 under the name City of Valletta because with 320 monuments in 55 hectares, it is one of the most concentrated historic areas in the world. The city was erected by the Knights Hospitaller around a watch tower that was demolished to create a large defensive fort. After said fort fell during the Great Siege of 1565, the Grand Master of the Knights Hospitaller Jean de Valette decided to build a grand fortified city with plans by Francesco Laparelli. Neither Valette nor Laparelli saw the city complete, which happened in the 1570s, when it became the capital. The Gate is the entrance to the fortification itself, separating Valletta from the city of Floriana. Protected by its the walls, Valletta thrived and though 17th the century it became filled with manors and palaces, some of which have now been repurposed as hotels or museums.

One of such buildings is the National Museum of Archaeology, which hosts artefacts from the Neolithic (around 5900 BCE) to the Phoenician period (circa the 6th century CE). On the ground floor they have all the items that have been removed from the Neolithic temples for protection, including some of the carvings from Ħal Tarxien Prehistoric Complex. A tiny clay figuring called The Sleeping Lady captured my attention. It was a lovely detailed little representation from the so called Temple Period of Maltese history (4000 – 2500 BCE), which was recovered from the Ħal Saflieni Hypogeum. There are also headless bodies and bodiless heads found at other temples.

Archaeological Museum Valletta: pieces taken from the Temples in order to protect them: carved rocks, statues (most of them of bodies without heads), trilithons...

Archaeological Museum Valletta: Sleeping lady. A small figurine of a woman sleeping made in clay

I proceeded upstairs, where there is a small exhibit on “cart ruts”, a network of tracks in the rock. The analysis seems to show that they were made by carts with wooden wheels eroding the limestone. However, there are no… traces of whatever pulled on them – no tracks, no trails, nothing but the wheels. There is another room displaying Phoenician civilisation, and one showing some amphorae from a shipwreck off Xlendi Bay in the island of Gozo, at a depth of 110 m. The ship sank in 700 BC, it was discovered in 2007 and it was finally excavated between 2018 and 2021.

The final room I saw hosts a few skulls from the Ħal Saflieni Hypogeum. I might have to return to Malta just to finish exploring all the prehistoric sites – aside from that, there is sea, the food is delicious and when you open the tap, the water is warm. I felt right at home, really. Anyway, some of these skulls are described as “elongated” and for a while there was even a conspiracy theory about them being alien… They are not. The elongation was not artificially created, like in some Mesoamerican cultures. They belonged to a few individuals who had… long heads. Which is a bit anticlimactic, but only a few remains have been recovered from the calculated thousands, so there is very little that can be inferred from whomever was interred in the burial chamber.

Archaeological Museum Valletta: Phoenician pottery, skulls from the Hypogeum, anforae from the shipwreck

There was actually a last-last area, a ball room from the Baroque palace, but that was under construction and I could barely have a bit of a look. Afterwards, I walked towards the St. John’s Co-Cathedral | Kon-Katidral ta’ San Ġwan. The Catholic co-cathedral shares responsibilities with the one in Mdina, and was built between 1573 and 1578 in a Mannerist style. The interior was redecorated in the 17th century in a very Baroque style and lots – and I mean lots – of gold and golden decoration. Downstairs, there is a crypt where some Grand Masters of the Knights Hospitaller are buried. On the main floor, the nave is surrounded by nine chapels, eight of which are dedicated to the different chapters of the Order and their patron Saint, and the last one is dedicated to and one to the Virgin Mary. .

Though you can get tickets online, there is no chance to buy same-day tickets but on site. I queued for a while, maybe 20 minutes or so, before I was scanned for… guns and explosives… then I was allowed in. There were small restoration works being carried out. Not a Baroque person in general, but I have to admit it was impressive. I declined climbing to the dome because the fun views are from across the harbour, not from inside the city itself.

The co-cathedral holds two pieces of art by Caravaggio – The Beheading of Saint John the Baptist and Saint Jerome Writing, both in the chiaroscuro style – with high contrasts of light and dark. Michelangelo Merisi da Caravaggio (1571 – 1610) was one of the maximum representatives of chiaroscuro, with usually violent and gruesome topics, usually disguised as hagiography.

Baroque interior of the cathedral, with dark walls decorated with frescoes and golden wood

After I exited the cathedral, I headed down a small alley opposite for something that is not a monument but… made me happy anyway. Malta has Costa Coffee – something which, unlike the plugs, I had thought of checking beforehand. I actually had a shop near my hotel. Had I known that, I might have skipped booking breakfast. What I did worked really well though, so no big deal. I managed to balance breakfast and dinner, which made my moving around more convenient, not needing to find a place for lunch. Of course, a medium vanilla latte from Costa does not count…

My next stop was the Grand Master’s Palace | Il-Palazz tal-Granmastru. It was the first building erected by the Knights Hospitaller around 1574, and it is considered the seed of both Valletta and the country of Malta itself. The building was first the residence of the eponymous Grand Master of the Knights of Malta until the 18th century, then the residence of British Governors, the Seat of the Parliament, and it currently houses the Office of the President of Malta. That explains why the security is tight enough you’re not even allowed a bottle of water in.

The building was designed by Gerolamo Cassar. The exterior is Mannerist, severe and simple, but the interior is richly decorated with paintings and frescoes. Some of the rooms have coffered ceilings and tapestries on the walls. There is a huge armoury, organised chronologically, and a throne room, which felt a bit out of place for a republic. The building has two courtyards – the so-called Prince Alfred’s Courtyard has a clock tower which is claimed to date from the 1530s. Oh, and apparently, it’s haunted? I did not feel anything out of the ordinary, not even a temperature drop. That would have been handy.

Grand Master's Palace - clock tower, throne room and corridors decorated with frescoes

After the Palace, I walked down Valletta’s narrow streets and until I reached St Paul’s Pro-Cathedral | Il-Pro-Katridral ta’ San Pawl, the Anglican “temporary” cathedral, established in 1839 – and still in use. It is a Neoclassical building with a very characteristic steeple and an organ imported from England.

Interior of the cathedral, with corinth columns and a small altar.

I then took a walk towards what is called Lower Valletta, at sea level. I walked around Elmo Bay and reached Fort Saint Elmo | Forti Sant’Iermu. The origin of the star-shaped fort was defence against the Ottoman Empire (which would eventually yield to Türkiye), and it is a large structure in limestone. It was key in the 1565 Great Siege of Malta and the Maltese victory. However, the interior is a War Museum, and I did not quite feel like that. Instead, I walked around and went down to the beach to enjoy the waves and the views of Fort Ricasoli | Forti Rikażli across the bay.

Fort St Elmo - a sea-side fortification made in golden limestone

Later, I found the Lower Barrakka Gardens | Il-Barrakka t’Isfel, a green terraced with trees, monuments and fountains, along with a nice view. I was heading upwards again, towards Upper Valletta.

Lower Barrrakka Park: Mediterranean plants, a temple-like building and a pond.

I thought I ought to get some food as I passed by the Valletta Food Market | Is-Suq Tal-Belt, but I did not find anything I fancied. I bought a soda in a small market in the basement, where I was charged 10 cents for the “reusable cap” (fair) and 10 extra cents for buying a chilled drink (LOL). The soda gave me calories and hydration enough to continue on, so I found the Upper Barrakka Gardens | Il-Barrakka ta’ Fuq. Aside from a nice mixture of architecture and nature, the gardens are linked to the Saluting Battery | Batterija tas-Salut, which stands under the terraced area of the gardens as part of the St. Peter & Paul Bastion. It was constructed in the 16th century for ceremonial gun salutes. Today it hosts cannon replicas that are fired at 12:00 and 16:00. I was there for the Evening Salute, with the firm plan to watch from above.

Then a nice gentleman in a nifty uniform said something akin to “for just 3 € be the closest to a firing cannon you can be in Europe” and there went all my restraint. I mean it was only 3 € and being the closest to a firing cannon you can be in Europe. Yes, I’m easily distracted. Yes, I paid the 3 €.

Entry included a brief explanation, including what a “smooth-bore breech loading 32-pounder gun” is: basically, a cannon designed in the 1880s with a smooth barrel, which can be loaded from the breech end of the barrel and… can fire shells weighing 55 pounds (24.95 kg). They were made modifying guns that could only shoot 32-pound shells though. The soldier-actor explained about cannons, how to load them, what the process was and the security protocols. Oh, and that the weapons were anything but accurate in real life. That was cooler than I thought it would be, so I was happy I had decided to get the ticket.

Saluting Battery: cannons and still of the shooting

 
When the demonstration was over, I left the gardens. I walked past the Tower Port and The Lascaris War Rooms, another war museum, on my way to the Herbert Ganado Gardens and the Kalkara Steps. Doing this, I temporarily left Valletta and stepped into Floriana, then walked back into Valletta until I found The Valletta Waterfront, a group harbour warehouses from the 1700s which have been converted into restaurants, bars and souvenir shops. Since it was that silly time when the restaurants have closed after lunch time and are not yet open for dinner, it was almost empty, so it was nice to see all the buildings.

Valletta Waterfront: a line of neoclassical warehouses and buildings turned into shops and eateries

I had two options then – one was walking back towards the city centre to see two churches that I had missed, or head back to Saint Julian’s | San Ġiljan. Since I was quite closer to the bus station than to any of the churches (Shrine of Our Lady of Mount Carmel | Bażilika Santwarju tal-Madonna tal-Karmnu and The Collegiate Matrix Parish church of Saint Paul | Il-Knisja Kolleġġjata Arċipretali u Matriċi ta’ San Pawl), I decided to return.

Once in Saint Julian’s | San Ġiljan, I had the largest pizza I’ve ever had the pleasure or disgrace to be served. I mean, good thing that I ordered a plain Margherita (in all honesty, it was the house special with extra cheese) because I would not have been able to eat anything with toppings, even after having basically skipped lunch. I somehow made space for ice-cream afterwards…

Huge Margheritta pizza

22nd May 2025: Blue Grotto, Tarxien & Saint Julian’s / Sliema {Malta, May 2025}

My flight departed at 9:55 from Madrid-Barajas, which is actually a very bad time for a flight, as you have to drive to the airport through the daily rush-hour traffic jam. However, for a change, I was given a lift there instead of driving myself – my car failed a few days before and I was not feeling too trusting. The inbound plane was delayed, and we ended up landing at Malta International Airport around an hour late.

It turns out that Malta has done a smart thing – the airport is also a coach hub, and there was a bus which went directly where I wanted to go first 20 minutes afterwards – that was lucky because the bus only comes every hour. It did not take long to reach the Blue Grotto | Taħt il-Ħnejja in the village of Qrendi | Il-Qrendi.

I got off in an aptly-named bus stopped called Grotto, next to which stands Xutu Tower | Torri Xutu. The history of Malta cannot really be understood without mentioning the Order of Knights of the Hospital of Saint John of Jerusalem, the Knights Hospitaller, today also known as the Sovereign Order of Malta. This Catholic military order was founded during the Crusades in the 12th century and the knights were established in Malta between 1530 and 1798, acquiring the name. They fortified the island and created the city and defences of Valletta, so-named after Grand Master La Valette. The knights built hospitals – along with medicine schools – and turned Valletta into a centre of art and culture with a university, a school of navigation, and a school of mathematics. Through the centuries, the order transitioned from a warring and defensive army to an organisation centred in humanitarian, medial and social assistance.

Xutu Tower | Torri Xutu was one of the towers built during the operation to fortify the coastline of Malta, probably around 1650. It is a two-story tower with a square ground plan and vaulted ceilings inside, setting the example of the towers that would be built afterwards. As many buildings in the island, the tower was erected using limestone, and restored in 2014 using the same type of material. It also yields to impressive sights – even without climbing it – of the ocean and the islet of Filfla, uninhabited and turned a bird sanctuary.

Qrendi cliffs, made if whiteish - grey rock, over a calm dark-blue ocean

I bought a ten-euro ticket to sail to the Blue Grotto | Taħt il-Ħnejja from the Blue Grotto Boat Service. This is just a way to amalgamate all the captains and boats who do trips to the caves, I think, and not a bad one. It is a quick trip that does not even take half an hour and charters you to snoop the different caves, created by the erosion of sea water and waves against the cliffs. Each has its name: Blue Window Cave, Circle Cave, Calscave, Honeymoon Cave, Cat’s Cave, Reflection Cave and the main archway which gives the name to the whole area, the Blue Grotto. The water is very clear and since the sun was out, there were extremely beautiful reflections. I stuck my hand in the ocean a few times when I was not taking pictures.

Blue Grotto: Sea level caves with bright blue water

Afterwards, I decided to stop for food. I was not really hungry, but I wanted to tackle the walk to the viewpoint, which was 15 minutes. I thought it would be more efficient to have a late lunch first. There were a couple of restaurants and I chose Step in Malta. It had a terrace, was less than half full, and most importantly: offered calamari fritti. When I researched Maltese food, I read about this dish – fried squid with garlic and parsley mayonnaise , and I really wanted to try them.. I think I broke the poor waiter’s brain when I told him I did not need the menu and ordered directly. They were delicious.

Calamari fritti: a plate of breaded and fried squid

I then did the short walk to the Blue Grotto Viewpoint – and though I won’t be mentioning it much, just assume I just used a lot of sun lotion all the time. It did not take as long as I expected, even if the shortcut was closed down. It yield to pretty views, but not as impressive as expected.

Blue Grotto viewpoint, showing the cliffs from above

I was about to go back towards the original spot to wait for the 201 bus again, when a Valletta-bound bus stopped by. I hopped onto that one to use the Wi-Fi and replan the rest of my evening. An idea had been to head towards Valletta indeed, but instead I decided to try my luck to reach my first Megalithic temple in Tarxien | Ħal Tarxien. The Blue Grotto is actually quite near another archaeological complex, but that one was covered by the tour I had booked on Saturday.

The trip to Tarxien turned out to be a great idea. When I arrived, I was surprised by the sheer amount of Christian images that were in the streets. That weekend the Catholics celebrated the Feast of the Annunciation. Malta is officially a Catholic country with over 80% of the population adhering to the religion, so while it was slightly surprising to see so much decoration, it is not shocking. I wanted to get to the Ħal Tarxien Prehistoric Complex | Il-kumpless Preistoriku ta’ Ħal Tarxien because it had a closing time.

A street crossing in Tarxien, with a movable Catholic altar brought out. The houses on the corners have flags with religious motives, and the altar is guarded by angels carved in wood

The Megalithic Temples of Malta are considered amongst the oldest free-standing structures in the world. They were erected between 4100 and 2500 BCE (making them older than Stonehenge, whose rocks were placed between 2600 and 2400 BCE), though the remaining structures probably date from the 3600 – 2200 BCE. In 1980, the UNESCO created the Heritage protection for one of the temples, and in 1992, the Site expanded to six temples / structures in total.

The Ħal Tarxien Prehistoric Complex | Il-kumpless Preistoriku ta’ Ħal Tarxien has been dated between 3000 – 2500 BCE, and it is considered the greatest example of the Temple Period (4100 – 2500 BCE). It was first excavated by Maltese archaeologist Themistocles Zammit around 1913 following complaints of a local farmer that he kept hitting stone while ploughing. The main excavation and restoration took place between 1915 and 1920, and some of the most delicate structures were moved to the Malta Museum of Archaeology to protect them from weathering. The site is covered by a protective tent that makes it look a bit alien, and being alone made it even more magical.

The temple is built in limestone, showcasing three constructions which are independent but attached to one another. The rooms are round, and there is evidence that they had a roofing. There are several chambers, and in some of them there are spiral decorations and domestic animals carved into the rock. There is even a small hearth where fire could be lit. I spent about an hour there, nearing closing time, which meant I was almost alone. I was extremely happy to be there.

Hal Tarxien temples - ruins of Neolithic temples with round rooms and trilithon entrances, from outside

Hal Tarxien temples - ruins of Neolithic temples with round rooms and trilithon entrances, from inside, showing spiral decorations and areas that have been restored, such as a hearth

Relief of a bull on a limestone wall

I could not visit the related Hypogeum of Ħal-Saflieni because tickets are released – and sold – months in advance, and this whole trip was planned in a couple of weeks. But I could explore around.

Due to the festivities, some of the bus stops were out of order, so I followed the bust route until I found one that was in use. At some point there I crossed my first “invisible frontier” between the village of Tarxien and Paola. Still in Tarxien, I stopped to look at the Catholic sculptures, and in Paola, I came across the Minor Basilica of Christ the King | Il-Bażilika ta’ Kristu Re. The church was erected at the beginning of the 20th century and, compared to the buildings around it, it feels huge – over 80 metres long, 40 metres wide and 60 metres high. It was full, which I found strange for a weekday at 18:00, but then I thought it might be part of the Feast of the Annunciation programme.

Minor Basilica of Christ the King: a Neoclassical basilica with two towers on the outside, and a sober interior design

I took a bus again and after a few changes I reached my hotel in the town of Saint Julian’s | San Ġiljan. Though I was driven through a few towns, it felt like a huge stride of buildings one after the other, with no real break. It was weird, that the whole area is just one big urban sprawl. I found changing buses easier than I expected, even not knowing the layout of the area. I got to my stop, Ballutta and checked into my hotel.

Aaand at that point I realised that there was a consequence of “British colonisation” that had not even crossed my mind – Malta has Type G plugs. So on my supermarket run I had to add an adaptor (despite having a few at home) to my bottled water and sandwich shopping list. I dropped the groceries at the room and then I went off to explore the coastline. That way, I inadvertently crossed to Sliema. I walked along Ballutta Bay and Exiles Bay, two of the three lobes that make up the larger St Julian’s Bay. I was a bit surprised when all the beaches were made of rock and limestone, which made them great to walk on. I had a lovely walk – except at one point, when I slipped and realised that my totally-sensible-for-airport shoes were not the best choice for limestone beaches. Eventually, I went back to the hotel to eat my supermarket-bought dinner.

Balluta Bay at dusk. The ocean is calm, and the buildings at the other side of the water have started turning on their lights

22nd – 26th May 2025: A taste of Malta {Malta, May 2025}

Last-minute trips are weird. You start looking at an Ireland itinerary, but for some reason hotels are 200€ a night. You check for alternatives and end up booking at a place you had never considered before. In my case, it was the tiny country of Malta, an archipelago with eight islands: Malta, Gozo | Għawdex, Comino | Kemmuna, Manoel Island | Il-Gżira Manoel, Cominotto | Kemmunett, Saint Paul’s Island | Il-Gżejjer ta’ San Pawl, Filfla and Filfoletta. It turns out that Malta is both the country and the main island. Only Malta, Gozo and Comino, that is inhabited – and there are just two people living in the latter.

Malta is located in the Mediterranean Sea, a handful of kilometres south of Sicily. It is one of the smallest, and most densely-populated countries in the world – actually, in the island of Malta you literally cannot tell where one city ends and the next begins. The inhabitants speak English and Maltese (I will use this order for bilingual references, English | Maltese, as I did above with the island names). Malta as an independent country was established in 1964, when it gained independence from the United Kingdom.

Humans first reached Malta during the Mesolithic, around the year 6500 BCE. Due to the island’s geostrategic location in the middle of the Mediterranean, it has been lusted after by many powers and alliances – from the Phoenicians, Greeks and Romans to the British Empire and everyone involved in WWII. The successive populations have heavily influenced the islands and its architecture.

My original plan was to stay in Valletta, a fortified city mostly from the 16th century and the capital of the country. However, I only found apartments in basements for a decent price. I finally found a hotel in Saint Julian’s | San Ġiljan. Once that was booked, I focused on what to do and see in Valletta, but the more I read about the island, the more intrigued I grew.

In the end, I decided to balance some landscape watching (22nd and 26th) with historical Valletta (23rd), prehistoric ruins (24th) and a guided tour through the smaller island of Gozo (25th). There were a few things that did not work out as intended, but all in all it was a good trip with lots of new experiences, but a tad of necessary improvisation made it less efficient than it could’ve been. Fortunately, everything that went wrong could be fixed.

13th May 2025: Three free niche exhibitions (Madrid, Spain)

I planned a little escapade to Madrid. There was nothing really special going on, it was just going to be a sunny day with no rain forecast and I could go to a museum and have lunch. When I say nothing special was going on, I mean there were a couple of exhibits I wanted to see, but it would have been just as easy to visit them the previous or following day. I just timed it for the best weather forecast of the week.

I had a small work-related thing early in the morning so I ended up leaving the house half an hour later than I would have liked. The trains were around 10 minutes late and the underground was packed, but none of that is news. I reached my first stop, the Museum for the Blind Museo Tiflológico de la ONCE, around 11:30. This museum hosts models or miniatures of famous monuments in Spain and around the world, designed to be seen with one’s hands. That way, people with low or no vision can get an idea of how they are. It is part of the ONCE inclusion program for the blind, and I think it is a brilliant idea.

ONCE stands for Spanish National Organisation of the Blind in the local language, Organización Nacional de Ciegos Españoles. Its history and works are a bit convoluted, but keeping it short, the Organisation was established in 1938 with the goal of providing equal opportunities for the blind and people with visual impairments. One of its main income sources is the lottery known as El Cupón de la ONCE.

While the museum itself is free to enter and very relaxed, when you arrive at the building you have to fill out a questionnaire, for statistical purposes, I guess. I did find it a bit off putting that I was outright asked why I wanted to see the exhibition. Because I’m curious, all right?

The museum has three distinct sections – one with the reproductions of the monuments, one with works by low vision, blind, or artists with other disabilities, and a historical area. In turn, the monuments are divided in national (Spanish) and international landmarks. The models are faithful to their smallest detail, and just like the Eiffel Tower is made out of metal, the Taj Mahal is made out of marble! Some of the monuments were reproduced in different scales, such as the Alhambra in Granada or the Aqueduct in Segovia. This should give an idea of both scale and detail. However, I don’t think I would ever be able to imagine something like that without being able to see it.

There were lots of sculptures by artists with disabilities, with a disturbing amount of naked ladies, but whatever. I also saw paintings and a homage to Braille that was sort of abstract but was really cool. The historical section hosted a number of items to learn and write Braille through the years, general studying tools such a 3D map of Spain, and a few historical runs of the lottery ran by ONCE. In general, it was a fascinating visit.

Museum for the Blind - national monuments

Museum for the Blind - international monuments

I did some shopping afterwards, and while the sales lady was really nice, she worked rather leisurely- That, and all the pedestrian lights being red on the fifteen-minute walk, put me seven minutes behind for my lunch reservation – and I swear, they phoned me. I was reaching the door of Comic Planet at 13:07 and they were already calling to check I was coming. People wonder why I’m paranoid about reservation times with them… They decided to change my table to “a more private one” to keep me away from a family with toddlers, and I had no problem.

I got to try the last item that I wanted to try from their menu – the Aquaman Burger, which had caused me some morbid fascination when I first read about it– Beef and king prawns? Garlic and pickles mayonnaise? It could be… either really good or really bad, I thought, and I really wanted to check it out. It was all right, I guess. There was much less of a flavour contrast than I expected, so it was most of a normal burger with a bit of an edge. And the edge was that the buns were blue. I also ordered a Vanilla Coke just because I could, and the waiter was nice enough to offer me tap water when I asked for some too. Cool.

Comic Planet Aquaman Burger

After lunch, I took the underground towards Fundación Telefónica which is running an exhibition called “Echoes of the ocean”, Ecos del Océano. I liked the idea better when I did not know that half of it was done using AI. It was – or tried to be – an exhibit centred around cetacean vocalisations. The first room was a mindfulness thingy in which a lady told you to become one with the ocean and then called you fat – “your body enlarges. You’re huge. You’re a humpback whale”. It made me laugh as it broke all the concentration thing. I also cackled when the voice told me that I went “deeeeep” as a sperm whale and met leopard seals there.

Then there were several huge screens with computer-generated graphs that imitated a sea prairie, dolphins and whales. That was the part that was made using AI, and it could have been a CGI or an actual video just as easily. The important part was that the images on the screen moved along the sounds of actual cetacean vocalisations. A room at the end hosted two actual underwater microphones, and headphones to listen to recordings of different creatures – sperm whales, seals, humpback whales – and ice sliding (this is important because for a long time, the sound of ice on the ocean was unidentified and it yielded to a lot of wild explanations / conspirancy theories).

Echoes of the Ocean screens

On the way out, there was a sculpture with glass reproductions of different microorganisms that love in the ocean: diatoms, anabaena, coccolithophores, dinoflagellates… Yes, this was totally me geeking out and identifying all the tiny little critters. The final room had to do with some photograph and schematics of a particular blue whale that had been tracked by the organisers.

Echoes of the Ocean plankton

I left the building and headed towards Palacio de Cibeles, which this time, was running an exhibit on its own architect Antonio Palacios. The exhibition is aptly named “An architect’s dream: Madrid as a metropolis” Madrid metrópoli. El sueño de Antonio Palacios. It uses photographs, designs, and models to present the works Palacios projected for Madrid – the ones that were built, the ones that were not, and the ones that have disappeared. It was an interesting collection, and the visit was free! Of course, I wandered the building a little before heading to the train station.

Antonio Palacios exhibit - models of buildings

Antonio Palacios exhibit - framed façade designs

Antonio Palacios exhibit - façade design and photograph of the actual Palacio de Comunicaciones building

On the way, there was a classic book fair Feria del Libro Antiguo y de Ocasión, but everything was way too expensive for me. I guess that in general it was a very budget-friendly day – three free exhibitions – if you do not count tiny shopping spree in-between, and it was around 20 €.

11th May 2025: Ruta SPG-24: Bosque de Valdenazar in Spring (Yebes, Spain)

After the rainiest spring in ages, I had a couple of hours in a free morning – or actually, I just needed to do something for a little bit before I could become productive again. And the Internet helped supplying the information of this little route that could be done in under a couple of hours.

The route inches into the oak forest Bosque de Valdenazar, mainly composed of Portuguese oaks (Quercus faginea) and holly oak (Quercus ilex). The track was designed and is maintained by the municipality of Yebes. It delves into the forest and runs parallel to a small stream with bulrushes (Scirpus holoschoenus), rubuses and black poplars (Populus nigra). The area is home to roe deer, small raptors, and foxes, but none of them were around to be found – probably due to screaming kids. I did see some deer tracks.

It felt a bit silly to drive somewhere for a walk, but it was the only way to get there. Google maps was missing three roundabouts, but my Sat-Nav got me there without a hiccup – and considering that I’ve needed to MacGyver a stand for it because the wire keeps coming loose, I think that’s a feat. I parked at the entrance and set onto the hike.

The first stage was a small picnic area, after which came a bit of a steep slope with makeshift stairs. The route is mostly circular and I thought following the arrows was the way to go. At first I was alone, but then I started running into other walkers. The problem was that of course, they were chatting – and the families being a bit loud – and that made any possible fauna sighting impossible.

Valdenazar forest pathway

Valdenazar forest, start of the route

I had a look at what they call the carboneras, a bunch of oak trees that were repeatedly cut and slow-burnt to create carbon. That caused the living trees so they had strange-looking trunks, with several thick branches growing from the stumps. I found the viewpoint to look at the whole valley for a bit, before I walked into the actual forest. There is a wide track that feels a bit like the forest near The Shire in The Lord of The Rings, with the light sweeping through the leaves and the light breeze.

Valdenazar forest trail

Valdenazar forest

Valdenazar forest trail

I reached the stream and deviated to a sub-track known as Senda de la Fuente (Fountain Trail), parallel to the water flow. I expected an actual fountain at some point, but there was just a small waterspout. After that, it was just a bit of an uphill walk to get to the picnic area again.

Valdenazar forest trail

All in all, I was there for about an hour and a half. It was pretty but not the spectacular walk I had read about. I’ve read that it is incredible in autumn, so I might have to check it out again by then, but the truth is that the weather has been crazy in 2025, so I’m not sure we will even have an actual autumn… But all in all, the hike was nice and it cleared my head, which was exactly what I needed at that point.

28th April 2025: The day everything went dark

I never thought that I would be writing any more meta posts after the Covid and vaccination posts, but here we are, another unexpected and surreal event. With one of my parents away for a week, I was staying with the other one to keep them company. Since I was between projects, we had thought about trying a small trip somewhere, and Murcia by train had been an option. We discarded that, and thought do a Madrid day trip instead. Then I received a notification for a bureaucratic thing I urgently had to take care of on Monday the 28th. The letter scared the bettlejuice out of me, but it turned out to be something easy to deal with – and I was not at any fault – so afterwards we went to have a hot chocolate. It was a small celebratory second-breakfast thing.

We were back home when at 12:33, while I was halfway through my daily kanji review, the power went off. It is not uncommon around my parents’ place lately due to construction nearby. However, it was not the house. Nor the neighbourhood. Nor the town.

There had been a countrywide power outage. It was international too, as Portugal was knocked offline too. Part of France lost power too before they cut off the connection to stop the domino effect, and so did Morocco.

Have you ever considered the effects of a national blackout besides something you’d see in an apocalyptic film? All the traffic lights went off, creating circulation chaos. Hundreds of people were trapped in lifts, thousands on surface and underground trains. The suburban and commuting trains were easily evacuated, but some long distance ones just stopped in the middle of nowhere – and safety procedures sanction that passengers may not leave a stranded train unless there is an emergency inside. They had to wait for external rescue – the military, mostly. Had we taken the train to Murcia, we would have been amongst them.

A smaller number of people – window cleaners – got stuck outside buildings, and the police had to give rides to technicians to open stuck lifts all over. However, most lifts don’t have alarms any more, you have to call their rescue number. Within twenty minutes of the outage, phone lines, fibre, 3G, 4G and 5G became progressively knocked off. Before an hour had passed, there was no way to contact 112 in case of emergency. The only thing transmitting was the radio and they had no real information – though they kept patting themselves on the back that they were still on air.

My parent and I were home, we had a battery-powered radio, and a warm room to be in. We also had running water, but no line of communication with my sibling, who was at work, nor my other parent abroad. Big cities became mousetraps for anyone trying to reach the suburbs or adjacent towns – either to arrive home or to collect children from school.

Some shops and supermarkets could operate cash-only, and we heard the Mayor of Madrid say that people who had an emergency should walk to a police station or a hospital. Healthcare centres do not have power generators, but hospitals do. Around 14:00, the radio relied that restoring the power would take around nine hours, but they did not specify whether that would be from the blackout or the reset, which had to be done gradually in order not to overload the system and knock everything off again. Around 15:00, people who needed oxygen machines at home were directed to head to the nearest hospital.

My parent and I had a cold lunch, readied the torches and candles, and put the phones on plane mode so they did not waste battery trying to find the network. I regularly checked whether I could get any signal or send a text message to my sibling.

Hours passed. I built a 3D wooden puzzle I had around. Around 18:00, the Prime Minister was on the radio saying that the nobody had any idea why the outage had happened, that citizens were behaving spectacularly well, and to only trust official information, which was zero from the highest spheres, and incomplete from more local officers. Some regions asked for a special alarm level which means that they relinquish control to the State level. This is done because otherwise the army cannot be mobilised.

Thousands of people who had been due to take long-distance trains back home, and some who had been rescued from stranded trains were accommodated with a blanket and a sandwich in large train stations for the night. Hotels were only accepting cash payments upfront, so the so-called convenient cashless convenience collapsed – and some of them duplicated or tripled their rates. People who had their luggage in places like the one I used in Barcelona, which are opened with pin pads, could not retrieve their things.

We were fine.

The airports managed surprisingly well, with few cancellations, but passengers coming and going could not reach or leave. People walked along roads with signs stating where they were going in hopes a car gave them a lift. Petrol stations either had to close down or ran out of fuel. Restaurants and bars tried to serve anything that could be eaten cold or raw, and hoped that their freezers and fridges held, and power came back before the legal limit that would force them to throw away all their produce.

People were trapped in endless traffic jams or could not get their cars out of the garage, since the gates only worked automatically, or nobody knew how to open them manually. I wondered whether we should get our car out, but we decided we did not have to go anywhere.

High-schoolers walked home. Younger kids stayed behind until a parent could pick them up, with teachers staying with them, and in some cases even walking them home. News started coming on the radio that power had been restored in some areas of the north (thanks, France), the south (thanks, Morocco) and the east (thanks, Aldeadávila hydropower plant, which practises this exact scenario every three years, despite the government saying that it is impossible to lose all power. It was impossible until it happened.).

Late in the evening, the neighbours decided to light up a barbecue in the garden, and in the process they smoked up the whole neighbourhood. I really hoped for no fire because we were 25 minutes away from the closest firefighter station.

Evening, then dusk, then night. We had a sandwich for supper, illuminated by candlelight.

No more official news. Radio presenters gloated about how beautiful it was that families and strangers sat around transistors. Power crept back through the country, and when it came back people cheered and applauded. No idea what had happened. Sabotage and cyberattack seemed discarded – having someone to blame would have made for a juicy press conference, so it was pretty obvious that they had not happened from the lack of information.

Around 19:30, I managed to get a text message out to my sibling, but there was still no phone line. People were still stuck in trains and stations. We were following the radio, but it was completely dark outside. For a while I had been following which spots and municipalities got their power back, but around 23:30, it was just out of compulsion, it felt. We turned off the radio and went to bed.

It was around 1:30 when a beeping woke me up. The freezer in my parents’ kitchen was alerting that its temperature was higher than -18 ºC. It took me a second to realise what that meant. We had power, 13 hours after it had gone out. I found the button to press and spent the next hour or so catching up with / and checking on everyone I could. It was around this time when the last passengers were evacuated from trains.

I eventually turned in, and at 7:15 we got news from my sibling, who called to say they were all right and had made it home after a coworker dropped them off.

To be honest, I’ve never felt so… unsafe in my whole life. I still do. I was fine, and everyone I know was all right – maybe took hours to go back home, but a family died of carbon monoxide poisoning trying to get warm. There was literally no way to contact the emergency service. With the lights out, I kept running in my head how to get to the hospital, the fire station, the healthcare centre… without driving into a mousetrap if there was an emergency.

And what makes me feel unsafe still now is that… I have no answers. The official sources that I am supposed to trust just… try to find a scapegoat. They’re shutting down the nuclear power plants without a reliable alternative to keep the country running… after we have seen how it cannot run. Just because I had the luxury of being all right does not mean everything was fine.

Everything was most definitely not fine. The next day chaos continued. People were stranded in train stations as service got restored. People could not get to work because their underground stops were bolted down.

And the official position is we don’t have an official position. Yes, I’m quoting Independence Day. Spain is the country the aliens would blow up without resistance.

But hey, I got a stress-built wooden pagoda out of it…

Wooden pagoda model

15th April 2025: Kinetic art and Egyptian replicas (Guadalajara, Spain)

Rain and school holidays having thwarted my hiking plans yet again, I decided to make the most of half a non rainy morning when I was going to be around Guadalajara to check out a free exhibition and the museum of a local artist.

Francisco Sobrino (1932 – 2014) was a conceptual artist whose sculpture can be framed into the kinetic art and constructivism styles. The museum Museo Francisco Sobrino hosts some of his smaller works, mostly in colourful vinyls and experiments with materials, textures and light. Pretty colours and shapes, but I guess you need more knowledge of art than I have to appreciate the works and see… something different from pretty colours and shapes. But the museum is free and it is hosted in a historical building, the former slaughterhouse, built in traditional brick and stone. Though I’ve been around a few times, I’d never visited it before…

Francisco Sobrino Museum Guadalajara

The exhibition on Ancient Egypt and King Tutankhamen’s tomb Tutankamón Secretos Revelados: La Exposición (Tutankhamen Secrets Revealed: The Exhibition) was endearing but lacking. It was located in another historical building, the traditional market Mercado de Abastos. It used to be a very successful local market, but the vendors lost most their clientele when it was closed for a few years to turn the place into a culture and bar hub. It was not successful at all, and now it’s a sad-looking place. The top floor hosted the exhibition, with a few posters with information and pictures, one of them being a very buff Anubis from the video-game franchise Assassin’s Creed. There were a few display cases with reproductions of Egyptian antiquated from private collections and books on Egypt. The largest part of the exhibition was a reproduction of several items found in Tutankhamen’s tomb: the wall paintings, a golden chair and the gold-plated sarcophagus. There were also a reproduction of the funerary mask, a brass tray and anything golden the curators seemed to have at hand, including a scarf. And the bust of Nefertiti for some reason.

Tutankhamun Exhibit Guadalajara

Tutankhamun Exhibit Guadalajara

I’m not going to say I was disappointed or that I expected more, it was a cute little exhibition that tried to do its best. Unfortunately, some of the information was inaccurate or outdated – they were showing a video from the 1980s, and archaeology has evolved a little since then.

However, I am still cackling at the low-resolution buff Anubis…

11th April 2025: Extant, extinct and extrastormy (Madrid, Spain)

Since March was extremely rainy, I hoped that April would not be so. No such luck. However, there was a dinosaur exhibit in Madrid that I was keen on seeing, and I wanted to do it before Easter, because it would be packed during the holidays and I could not get there in May due to personal stuff. And since getting to the Casa de Campo area takes so long by train, I looked at combining it with something else around (it’s a four-hour roundtrip from where I am). What other thing was close? Somewhere else I never go because it’s far away by public transport and a nightmare to park around – the local zoo Zoo Aquarium de Madrid. There was after all only a 10% chance of rain…

Spoiler alert: while I was getting drenched (I’m being dramatic, of course. I had an umbrella) in the zoo, and later in the exhibit, the weather app said “partly cloudy” and there was no mention of storms nor rain. But the skies opened. Ask the peafowl…

I took the train and changed to the underground until I got to the Casa de Campo stop. There were not many people around since it was a weekday. There’s a bus that takes you to the zoo, but I found it more efficient to walk, since there is a pedestrian way alongside the road. I reached the zoo a bit after it opened at 11:00, and just as my ticket was getting scanned the first few raindrops fell. At first, it seemed like a small drizzle, but soon it started to rain in earnest. By that time, I had managed to get to the pandas, about 40 metres into the zoo.

I’d been to the Zoo Aquarium de Madrid twice in my life before. The first one I was very small. I have no memory of it, but there is a home video of three-year-old me chasing a peacock and a voice warning “come back, it’s going to bite you!”. The second time I was in third grade, and had my first camera. I remember that I was devastated because the pandas were very far away and I could only take a picture of a distant, tiny, black-and-white blur. That was decades ago, and I had never been back, though I had a recurring dream for years that involved one of the pools there.

The zoo opened in 1972 as an alternative to the “Beast House” or Casa de Fieras that used to be hosted in the Retiro Park, a few sad and crammed-looking cages that must have been horrible for the animals. As every animal park, Zoo Aquarium de Madrid is not free of controversy, especially related to the ethics of keeping great apes and cetaceans in captivity. They used to have dolphins, but those were surrendered and sent away earlier in 2025. Conversely, the zoo participates in over 60 conservation and breeding programs for endangered animals – they have breeding couples of owls, whose chicks are routinely released into the wild, and have succeeded in breeding pandas (they claim to be the most successful institution at breeding panda outside China) and white rhinos. They have non-breeding animals as ambassadors, such as a family of Iberian lynx.

The zoo is vaguely organised per continent – Europe, Australia, Asia, Africa and the Americas, and the home of actual wild animals such as storks and rabbits.

As I went into the zoo, the first thing I spotted was a small lake with flamingoes, pelicans and (squatting) storks. The storks are free to come and go, but they like to be in the zoo because they get free food, I guess. My idea had been to walk a spiral and try to see everything, but I got distracted by “Panda Land”, signalled by a big red gate – after all, they are the main attraction. I thought the pandas might be visible, and they were – much closer than I remembered indeed. I did get to see both the male and the female, who live apart within the same installation. I had time to take a few pictures before it started to rain in earnest. And no, they were not distant, tiny black-and-white blobs this time, and not only because I had borrowed a really good lens for the day. I had to put the camera away when the rain became too heavy.

Zoo Madrid - stork, flamingoes, panda

It rained for a couple of hours, and that impacted me a little. I ended up sharing shelter with a band of peafowl, and had to go from covered exhibit to covered exhibit at first. I found the orang-utan territory very sad, and I did not catch a glimpse of any gorilla. In the aquarium, I got stuck with all the school visits, but there were quite a few sharks and big fish in the ocean tank.

Zoo Madrid: peacocks and peahens sheltering from the rain

Zoo Madrid: Sea lion, small blue jellyfish, sharks

I ambled around the Australian area, where most of the animals were unfazed – especially the cassowary, which by the way is apparently the most dangerous bird in existence, even if I’m way more crept out (and fascinated) by emus. I did not see the koalas, and I walked past a tree which seemed fenced off just because. As rain cleared out, some of the animals started playing around, such as the binturong (Arctictis binturong), a distant relative of civets. At around 13:20, I had reached Africa, and I was in front of the hippos when it stopped raining. Awesome!

Zoo Madrid: Cassowari, binturong, Patagonian mara, and hippo yawning

Since I had borrowed a camera lens which is better – but heavier – than mine, I really wanted to try it out. Carrying it around without being able to use the camera due to the rain, at all, would have been a bummer. After the rain stopped, I was able to take quite a few good pictures though. Those included the Siberian tiger (Panthera tigris tigris), and its relative the domestic cat (Felis catus), whom I’m not sure is a resident or a squatter in the “farm” section of the zoo alongside the sheep, goats, and a very large pig.

Zoo Madrid: Jiraffes, zebra, black bear and Siberian tiger

Since I’d been to Emociones al Vuelo a few days earlier, I did not mind the lack of Raptor Flight exhibit due to rain. I did miss the Exotic Birds one, but I caught the Sea Lion exercise (hello, swimming pool from years of recurring dreams). Around 14:30, it had stopped raining, the animals had eaten, and I caught many of them. Unfortunately, most – especially the carnivores – were napping. I did however saw a very active red panda (Ailurus fulgens) around the tree that I previously thought was fenced off for no reason.

Zoo Madrid: Red panda, common rabbit, grey wolves, brown bear

By the time I left, the workers had also dropped off a few Easter Eggs throughout the zoo as the holidays were about to start. At 17:00 I had to be at Escenario Puerta de Ángel to see Saurios, a dinosaur exhibit, which turned out to be a bit of a disappointment. Most of the animatronics I had already seen as “Dino Expo XXL” – I recognised it because of the broken neck on one of the brachiosaurus. The exhibit had a first part with a few skeleton replicas – the coolest thing, as I had never managed to see a complete cast of a Spinosaurus before. Then there was an open area with some life-sized replicas and photo-ops, but it was completely made for kids. There were actors and activities for them, which I guess were extremely fun if you’re younger than five. Yet another “dinosaurs are for kids” activity.
Saurios Madrid - skeleton replicas

Saurios Madrid - models

And then it started storming again. A black cloud, a clap of thunder, and the skies opened. Thus, we all had to hurry to the last section, which was most of what I’d seen in “Dino Expo XXL”. I was really not impressed by the whole thing – remember folks, “for all the family” means “designed for kids”. I guess I would be more gracious had the weather been nice, but… having seen most of the exhibit before for half the price, I was not impressed. Fortunately or unfortunately, there is a Jurassic World Exhibition coming up soon…

Saurios Madrid - models

6th April 2025: Birds of Prey experience with Emociones Al Vuelo (Aranzueque, Spain)

The 2025 Medieval fair in Tendilla had fewer animals than usual, as the farm was not there on Sunday. However, there was a stand by a birds-of-prey rescue. I was sad I had missed the demonstration on Saturday till I got talking to the lady there. It turned out the rescue had visits. And activities. And activities you could book and pay for. This is important because animal interactions tend to favour kids, which is good for environmental education and all, but makes me jealous…

Emociones Al Vuelo is an education centre and birds-of-prey rescue / charity established in the small village of Aranzueque. It was set up in 2016 to fill a gap and take care of birds which could not be recovered nor released into nature due different circumstances – for example, a kestrel born in the wild, but taken as a chick to be sold in the black market. Or what’s even more shocking to me, hybrids! There are weirdos out there JurassicWorld’ing birds of prey (Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should. Creepy). These animals often bounce from home to home as hunters acquire and then get rid of them, until the rescue intercedes. The rescue also takes care of animals that used to belong to negligent owners, with broken limbs, or out of breeders’ hands.

The organisation seems to be doing a good job. The birds looked relaxed and were allowed to… basically ignore their “jobs” until they were properly bribed with food, and if they did not want to “work”, they were properly excused. All the birds are tagged and have their names – all of them kind of nerdy: Star Wars, Game of Thrones… They seem to be quite comfortable with the handlers and with the strangers most of the time.

There are three ticket tiers: “basic”, “fly an eagle” and “emotion pass”, which allows you to hold – or be a perch for – five of the tamest birds, and fly the eagles on top of that. I decided that since the tickets were to support the rescue, I would make the sacrifice and get the highest tier… And we all know I’m lying, I totally got the highest tier because I was dying to play with the residents.

Birds of prey, sometimes called “raptors”, are a group of bird species who actively hunt and eat other vertebrates. These strict carnivores are fast flyers, have acute vision, and sharp talons and beaks to help them hunt. Some of them are also scavengers or piscivores. In general they’re characterised as active predators. Though the term “bird of prey” is not really “scientific”, it is very visual and easy to understand. They range from the smallest pygmy falcon, with a wingspan of around 40 cm to the largest Andean condor, whose wingspan can reach 3.3 m. In general, male and female of the same species are different in colours, and at the very least in size, with females usually bigger and stronger, even if usually raptors are lighter than their feathers make them look – on top of feathers having next to no weight, birds have hollow bones to help them fly. Fun fact: nocturnal raptors tend to have dark eyes, diurnal ones light-coloured eyes, and those which are active during dawn and dusk have reddish or golden eyes.

Birds of prey have been used for hunting – falconry – for over 4,000 years, with the earliest references coming from Mesopotamia and Mongolia. Writings from the 7th century CE describe it as widespread in Asia, but as it seems that nothing ever existed before the Europeans found out about it, one has to wait until Frederick II, Holy Roman Emperor (1194 – 1250) wrote his treatise On the Art of Hunting with Birds for it to become commonplace. During the Middle Ages, falconry became a symbol of power and status, especially for recreational hunting, until the raptors were substituted by firearms. Falconry became popular again in the 20th century, and in 2010, it was added to the UNESCO List of Intangible Cultural Heritage of Humanity.

While the birds in Emociones Al Vuelo are somewhat trained to at least tolerate human presence, what the rescue does cannot be considered falconry. The birds fly from protective glove to protective glove in search of treats, but they are not really trained for tricks. One of the things that we visitors were told is that the birds “fly off” the gloves, not made to take off, as you see in films.

I arrived in Aranzueque around 9:35 for the 10:00 show, with gates at 9:45. It was a crispy morning, but it had been raining all March, and finally there was sun and a decent forecast. I was wearing layer upon layer anyway, and was happy to shed them off as the day warmed up. To be honest, when I booked the place, I did ask if there would be a rescheduling should the weather be miserable, but aside from some mud on my boots, I had nothing to worry about.

Once gates opened, visitors parked inside – people from the rescue have maximising parking space down to an art – and checked in. I had paid when I booked, and I received a lanyard pass and a paper bracelet.

The base activity lasts about three hours. The guests sit on benches arranged in a circle under a tree – I found a spot and made sure my back was to the sun for pictures. There was a brief introduction of very logical rules for the animals’ wellbeing. The activity – I feel reluctant to call it a show – brought out 14 birds of nine species and I got to interact with five different species, and a total of six – seven animals.

The first bird to come out was Sansa, the (Western) barn owl (Tyto alba). Barn owls are mostly nocturnal birds, white to reflect the moonlight, and with brown specks on their back for camouflage on the ground. They are not the biggest raptors, though they can reach a wingspan of almost one metre. They’re mostly recognisable because they have a heart-shape face, and black eyes. At first, Sansa did not seem to want to make friends, and she flew high up the tree, but after some bribing she agreed to come say hi. She was the first bird we interacted with, she flew from glove to glove to snack.

Sansa, the (Western) barn owl

Sansa, the (Western) barn owl

The second raptor was a tiny one – a little owl (Athene noctua) called Xena. In Ancient Greece, little owls were considered the companions to Athena, Goddess of War and Wisdom. They’re small birds with yellow eyes and brown-and-white plumage which mimics the bark of trees. Xena was happy to be walked around and set on shoulders and heads for her interaction turns. She did not approve much of my glasses for some reason.

Xena the little owl

Afterwards, Nymeria was brought out. Nymeria is a rescue hybrid, born from combining a lanner falcon (Falco biarmicus) and a peregrine falcon (Falco peregrinus). She has never really flown and it was hard for the rescue to take care of her, since she had several congenital and behavioural issues when she was taken in. She’s still getting used to seeing people, but she is apparently getting better.

Nymeria the raptor hybrid

Another rescue was Ripley, a common kestrel (Falco tinnunculus). Kestrels can reach a wingspan of 80 cm, and though males and females look different, they tend to be chestnut brown with darker spots on the back, and lighter spots on the underside. They also have a black or darker mark around the cheek (malar stripe). Though they are not considered endangered, their nesting areas are protected in places like Plasencia. Ripley was chicknapped and ended up in a legal limbo – when she was found, she could not be kept, could not be released, until she found her home in the rescue. She was very happy to flop from glove to glove and snack on the fresh meat she was given as an incentive.

Ripley the common kestrel

The Eurasian eagle-owl (Bubo bubo) is a bird of prey that has always fascinated me, since I was really small and I heard that a) there was one in our attic and b) they could hunt and eat little children. Somehow, looking back, I doubt either of those statements were true. And despite it all, I was literally never allowed in that attic for the nine years we lived in the house… Eurasian eagle-owls are amongst the largest owls, with almost two metres of wingspan. They are easily recognised by their orange eyes and their facial feathers pointing upwards looking like “ears” or “eyebrows”. They always look like they disapprove of you. They camouflage really well against tree bark, being different shades of brown in spotted patches. The rescue has two of them – Dracarys, the male I got to hold, and Storm, a less tame female.

Dracarys the Eurasian eagle-owl

We then met Vader the common raven (Corvus corax). Ravens are not birds of prey, but are closely associated to them. In nature, when an animal dies, ravens are among the first scavengers to arrive. Their black-blue iridescent plumage is easily spotted by flying raptors, who come join the feast. Don’t get fooled, ravens are bigger than they look – they might reach a wingspan of 150 cm – but most importantly they’re smart – they analyse, problem solve, imitate, recognise individuals, and hold grudges. Vader has mastered the opening of lids in order to access snacks…

Emociones Al Vuelo Raven

Next came the oldie-but-goldie Blue, a female Eurasian goshawk (Astur gentilis), who was taken in from a breeder after 12 years of laying eggs for them. Goshawks are medium-large raptors (up to 130 cm) with a distinctive striped pattern across the underside, and a greyish back. They have piercing reddish eyes and one hell of an attitude. They are extremely territorial, and usually live in breeding pairs, though females are known for being able to kill the male if he does not bring food to the courtship.

Blue the female Eurasian goshawk

Later came Valyria the Red-tailed hawk (Buteo jamaicensis). She seemed that she would be happier chomping on fingers than perching on gloves. Red-tailed hawks are endemic to North America, and they are diurnal hunters of up to 141 cm wingspan, with females being much larger than males. They do not fly around for prey, but hunt from a perch, and their brown and dark plumage helps them camouflage against the bark of trees, their tail is predictably reddish when seen in flight.

Valyria the Red-tailed hawk (Buteo jamaicensis)

The final species we got to see was the Harris’s hawk (Parabuteo unicinctus), which I’d also seen in the Medieval fair in Alcalá de Henares. They can reach 120 cm of wingspan and are also quite intelligent. They originate from the woodlands and semi-deserts in the Americas, thus they tend to be brown and black, with a little spotted white. They live and hunt in stable groups with a dominant female and her mate. They have developed pack-hunting strategies, with half of the group scouting and half of the group doing the killing. They currently are the most popular raptor in Western falconry, often used to control smaller birds’ population. They are apparently easy to train and they are quite social. There were three of these animals we got to interact with – Tyrion, Winter and Arya.

We could go out to the “flying field” and “play” with them. Tyrion did not seem to want to play a lot, and had to be benched. He actually did only two or three flights – the first one was towards me, and I got to hold him for a while longer since he did not want to fly away. Something that surprised me was how light all of the birds were – I had been worried I would be unable to hold them, but as I mentioned before, feathers and hollow bones make them absolutely… unheavy.

We had a few flights, which yielded to cool pictures, and then some “games” which involve trying to get the hawk to fly between two rows of people, or underneath someone else’s legs. There were some more explanations about behaviour in the wild and the dynamics of the birds and their human caretakers. We actually got to hear a lot about how the different birds interact with each other and their humans throughout the three hours the activity lasted.

Harris's Hawks mid-flight, wings open

Harris's Hawks coming to the falconry glove

At the end, everyone – even those who had not got the interaction pass – could take a picture with one of the Harris’s hawks. I ended up signing up to another activity – a wildlife photography course – but that one was eventually cancelled due to lack of sign-ups. I drove back home, happy the weather had been almost perfect, and hoping I had not get sunburnt. I also managed to make it through the day without cracking a Jurassic Park joke, but obviously not a whole post – so I shall just remind you here that birds are direct descendants from dinosaurs… Or why do you think they chose “Blue” along all the Game of Thrones references?

31st March 2025: More Modernisme and the way back {FFVII Barcelona 2025}

For our final day in Barcelona, I had planned some more architectural visits. I had adjusted my planning considering the underground issues the previous day, but it turned out, it had been a Sunday-only thing. We had breakfast and on check-out, the manager asked how the stay had been. To his merit, when we told him about the issue with the air-conditioning, he apologised and offered us free breakfast in compensation. After we declined – timed entry visit – he advised us to write a complaint letter for a discount next time. I didn’t think it was necessary.

Since the station we had to change at was open, there was no issue with the underground, so we were half an hour early. I had booked a locker for the luggage in the centre of town, as the hotel is very convenient for attending a concert at CCIB, but quite far from… everything else, really. The locker system was convenient: you book online and get a code which opens both the place and your assigned locker. I found it more trustworthy than leaving the bags in a random shop which “looks after luggage”. However, about a month later, there was a complete outage in Spain, which made me second-guess the convenience of these things, as I heard about a lady who could not go home because her luggage was inside one of those lockers. We’ll see whether I dare use them again.

We were to continue on my Modernisme route, visiting one of the works of Antoni Gaudí (1852 – 1926), considered the peak representative of the style – to the point that some of his works have been declared Unesco Heritage by themselves as Works of Antoni Gaudí. Gaudí originally found inspiration in orientalism and Neo-Gothic, but as he became more and more established, he turned to nature forms – seeds, branches, bones, catenary shapes… The UNESCO work we wanted to see was Casa Milà, a building commissioned to Gaudí by lawyer Pere Milà in 1906. The building itself was erected between 1906 and 1910, and it was nicknamed “The Quarry” La Pedrera. It is an eight-floor apartment building with a self-supporting façade, electricity, running and hot water. The building was designed around a central patio, and it has a very particular roof-terrace. Some people claim that Casa Milà does not even fit into the Modernisme category, but it should be classified as “organic naturalism”, or even “expressionism” all by itself.

La Pedrera, exterior

I found the building… underwhelming. We had a combined ticket for Sant Pau and Casa Milà at 39 €, but the normal ticket price for the building is 40 €, and this is only for one of the floors with a “recreated apartment”, the attic, and the terrace. At least you get to see the patio as you have to walk past it so you reach the tiny lift in which they cram you to take you to the 7th floor. The experience felt… like… not enough. I was for sure expecting something more.

La Pedrera, Interior

Do not get me wrong, the house is extremely cool, but you get to see really little in comparison to how big the place is. So even if it is pretty, it feels crowded and small, with way too many gift shops crammed in. The terrace is fun, with chimneys that look like ancient warriors – some people say they represent chess pieces, others that they hide religious undertones – Gaudí was very spiritual. Reportedly, they also inspired the stormtroopers’ helmets in Star Wars.

La Pedrera, terrace

Afterwards, we walked to the music hall Palau de la Música Catalana part of the Unesco Heritage Site Palau de la Música Catalana and Hospital de Sant Pau, Barcelona. The so-called Palace of Music was designed by Lluís Domènech i Montaner a couple of years after projecting the hospital.

Palau de la Música Catalana

Everything that Casa Milá came short, the Palace passed with full marks. The building has an original entrance designed by Domènech, in dark brick with extensive decoration. The interior is laced with tiles and glass, and tinted-glass windows. The concert hall is amazing. At first, we could not access it, because there was an educative concert for children going on, but we were later allowed to sit at the paradise. There is a huge skylight / lamp in coloured glass, pegasus statues. The concert was incredible too, with four to six musicians playing classical music and… running around the stage too. Lady trotting up the stairs while playing the cello, you have my admiration. I loved everything about the palace, to be honest, except the creaky chairs.

Palau Música Catalana

Once we were done in the Palau, we walked to the market Mercat de Sant Josep (St. Joseph’s market), known as La Boquería (The Butcher’s). It used to be a regular marketplace, but now it has turned a touristic attraction. The main entrance is also part of the Modernisme route, designed by architect Antoni de Falguera, who also created the inner metal cover. Though I had half a mind about eating there, the prices were ridiculous, so we ended up at an Asian place a couple of streets down. On the way, I had been excited about the “Barcelona Aqueduct”, but it turns out it’s a modern construction with old ashlars, nothing historical in it at all.

Market La Boquería

After lunch, we had about an hour to kill, and we decided to try our luck in the hobby-shops area. The Norma Comics shop was open, and we spent a while looking at the books there. Then, we headed back to pick up our luggage and commute to the station.

We had to change trains, and there was an announcement that any passengers with a connection shorter than 30 minutes would be escorted to their train. Of course, that’s only PA, and you’re on your own – I asked a worker, who tried to divert us to the suburban trains, not our connection. From that conversation, I think that we were supposed to go out of the system and get our tickets scanned again, but we found our train before that. There was no one else to consult with, so I decided that we would get on it. My sibling was mortified, but we were not doing anything wrong. If anyone checked on us, we had a valid ticket. They had not lived up to their part of the agreement anyway – and I would have told them exactly that, had anyone even thought of scolding us.

But we made it, as I predicted nobody gave us any grief, and the drive from the train station was uneventful. All in all, it was an intense weekend – though I feel I could have squeezed in a monument or two more had we skipped the sit-down meals, but my sibling can’t handle that. All in all, I think everything worked out rather well.

30th March 2025: Sant Pau, Verne & a chocobo {FFVII Barcelona 2025}

The Barcelona hotel charged 20 € per day and person or breakfast, and I was not willing to pay for that, and so I told my sibling. They had no option but to accept since they had decided to delegate all planning and credit-card’ing on me. Instead of booking with breakfast, I brought cold latte bottles and snacks – good for taking headache medicine, which I did. After a quick breakfast, we set off. As we left, I asked at reception if they could do something about the air conditioning.

We headed towards the underground. It should have been an easy twenty-five-minute commute, but one of the stations was half-closed. We had to go outside and walk towards the other entrance to change lines, which was strange and consumed a ridiculous amount of time. We had to be at the ticket booth of our booked visit ten minutes before the allotted time, and we barely made it – though they did not seem to care. When I was looking at tickets, I found a combined ticket that saved us 10 € for two iconic buildings in town that I had not visited before. That however implied exchanging vouchers for tickets, thus the extra time.

We reached the former hospital of Saint Paul Sant Pau Recinte Modernista ten minutes after I had anticipated, right at the time we had to be there. Sant Pau is a huge hospital complex erected between 1901 and 1930 by architect Lluís Domènech i Montaner (1849 – 1923). Domènech favoured Modernisme, and is considered one of the most influential architects in shaping it. He designed buildings which balanced functionality and decoration, with lots of mosaics and polychrome. Though the precinct had been a hospital since the Middle Ages, it was completely redeveloped for the early 20th century project. Today, it is half of the Unesco Heritage Site Palau de la Música Catalana and Hospital de Sant Pau, Barcelona.

Hospital San Pau from the street

The hospital is considered one of the most important, and largest, complexes in the local Modernisme style. The complex was designed with 26 buildings, 12 of them pavilions for patients, separated by sexes and kind of disease. The pavilions were connected by underground tunnels, leaving space for gardens and open spaces between structures. It was originally conceived to be self-sufficient, closed off to protect the rest of the city.

Hospital San Pau, outside

The buildings are erected in brick, and decorated with ceramics both inside and outside, some of them forming complex mosaics on the roofs and ceilings. After a new hospital was built next to the original one in 2009, the complex was recovered as a museum in 2014. We could visit the pavilions, the tunnels, and the administrative building. The whole enclosure is magnificent, and incredibly large. It took over two hours to see everything we were allowed to visit and I loved every second of it. Well, except the pavilion with political propaganda.

Hospital San Pau, interior

Afterwards, we headed out towards a fun restaurant I had found online – Verne Barcelona, decorated simulating Captain Nemo’s Nautilus from the novel Twenty Thousand Leagues Under the Sea by French writer Jules Verne. We shared a cone of tempura vegetables and I ordered a “Submarine” – a sandwich made from toasted brioche bread – called Turtle, with battered squid, sauce and salsa (I just don’t understand how they are supposed to resemble a submarine…).

Verne Barcelona

We headed back towards the hotel, stopping at a Starbucks for a coffee – a matcha in my case – because I helped my sibling dress up for the concert. We had been carrying the cosplay after all, of course they were going to wear it!

We were in Barcelona to attend the Final Fantasy VII Rebirth Orchestra World Tour, to be held in the CCIB – Centre de Convencions Internacional de Barcelona. Final Fantasy is an expanded video game anthology which set off in 1987. Since then, it has spawned 16 main games and countless spin-offs, media, plushies, and remakes. One of the most famous games is the seventh instalment, Final Fantasy VII, released in 1997. The game is set in a cyberpunk dystopia where energy is obtained by draining the Planet’s life-force. Gameplay follows the adventures of a party which opposes the system, embodied by the electric company Shinra, while at the same time trying to stop the main antagonist – mad soldier Sephiroth – from destroying the Planet itself.

Since 2015, Final Fantasy VII has been under redevelopment into a trilogy using modern graphics. The first game was Final Fantasy VII Remake, released in 2020, whose music had its very own World Tour in 2021. The second instalment, Final Fantasy VII Rebirth came out in 2024, and its music event – Final Fantasy VII Rebirth Orchestra World Tour – began almost immediately, ending precisely with our concert.

We were at the queue already when doors opened, but not early enough, so we needed to line again for the merchandise booth, almost an hour. It was in that queue where something amazing happened. When we attended the previous concert Final Fantasy Distant Worlds 35th Anniversary – Coral –, we were stuck at the merchandise queue for about an hour too and by the time we reached the front, they had ran out of most of the items. That included what I wanted the most – the chocobo plushies. Chocobo are a recurring species in the Final Fantasy franchise, large birds that can be ridden in-game, and in real life be sewn into cutesy toys.

It turned out that in 2023 the last chocobo plush had been bought by the guy who was sitting behind me. I might have made some jokes about stealing it and running away, and he promised to get me one for the next concert. I of course filed that under “one encounter silliness” and forgot all about it.

Well, he did not.

In that queue, two years later, he found me, and he gave me a chocobo plush. He actually found my sibling, who was easier to identify due to the cosplay. I was absolutely flabbergasted. Gobsmacked. Never in a million years would I have expected something like that to happen. Just… figure that everything that went on afterwards was coloured by a feeling of puzzlement and amazement at this stranger’s kindness over a silly plush I wasn’t able to buy two years before.

Chocobo!

We got to the front of the line over an hour later, almost at the time of start. I only wanted a programme, and we were seated around 20:50. I am good at choosing seats, by the way. We were dead centre at a great distance from the stage.

Setlist:
  First part:
  1. The Unknown Journey Continues
  2. FFVII Rebirth Opening
  3. Main Theme of FFVII – Battle Edit
  4. A New Journey Begins: Grasslands / Junon / Mt. Corel
  5. Crossing the Planet: Corel Desert / Gongaga / Nibel
  6. Queen’s Blood
  7. Stamp – Rebirth Medley
  8. Rufus’s Welcoming Ceremony – A New Leader
  9. Costa del Sol – Fun in the Sun
  10. Custom Valkyrie
  11. End of the World Medley
  12. Cosmo Canyon – Sanctum of Planetology
  13. Bare Your Soul
  14. Welcome to the Gold Saucer
  Second part:
  15. Loveless Symphonic Suite – Gift of the Goddess
  16. No Promises to Keep – Loveless Ver.
  17. Galian Beast
  18. J-E-N-O-V-A Lifeclinger
  19. Sephiroth Reborn Symphony
  Encore:
  20. One-Winged Angel – Rebirth Medley
  21. Aerith’s Theme – Return to the Planet Medley

Final Fantasy VII Rebirth orchestra playing

The orchestra was directed by Eric Roth. It was all right, I enjoyed it. However, I don’t think it was as powerful as the first one I saw, but that one was the first post-Covid event so it was emotional in other ways. Then again, I am not a gamer. I just watch gameplays on the Internet… I was a bit disappointed by the arrangement of One-Winged Angel, it felt… too elegant. What I love about the song is the pure chaos it represents, after all.

In attendance was composer Masashi Hamauzu [浜渦 正志 | Hamauzu Masashi]. He started working for Square Enix in 1996 under Nobuo Umematsu, the main composer of Final Fantasy VII music. Hamauzu’s first direct work related to the saga was the Chocobo’s Mysterious Dungeon soundtrack in 1997. He was in charge music for the Final Fantasy VII spin-off Dirge of Cerberus and alongside Mitsuto Suzuki, he has worked in both Final Fantasy VII Remake and Final Fantasy VII Rebirth.

After the concert, we joined the VIP queue for pictures and autographs. Though I had brought the CD from the time before – when I did not get the pamphlet – I was equipped this time. And I even managed the Spanish – English – Japanese cacophony without messing up either of them. That’s a first for me, I think. I got my programme autographed on the setlist page, and then my sibling and myself headed back to the hotel. For 179 €, I keep thinking the VIPs should at least get their own merch queue, or an item to get signed. I guess there are lots of people to get paid…

Eric Roth and Masashi Hamauzu signing autographs

Something that surprises me a lot about this area of Barcelona is that not even the McDonald’s at the shopping centre is open after 23:00, so I always make sure we buy something to snack after the concerts. The room was at least not freezing, though not particularly welcoming either. I had a hot shower, and that finally got rid of my headache, just in time for bed…

29th March 2025: Tibidabo & Friends {FFVII Barcelona 2025}

It sometimes feels like the alarm clock going off at 6:00 is actually worse than it going off at 3.00… Fortunately, after a hefty dose of coffee, I was able to get on my way, and we got to the station on time to do some reorganising of luggage. The situation with the trains was chaotic due to some projected works on the tracks. They announced that the train would be 12 minutes late, but it actually arrived and left a minute early. The train ride was uneventful, despite a large crowd of loud teenagers from a rugby team who had no idea where the were going, and really dirty toilets in the cars. The train reached Barcelona ten minutes before schedule. However, it did not go into the station until 15 minutes later for some reason – I really don’t understand what was going on with the whole railway system, or how construction in Madrid affected the time to enter Barcelona, but at least we were there.

The first step was dropping off the suitcase. Fortunately, Barcelona Sants has a luggage storage. I decided that for 10 € I could ditch my backpack and not haul it through the underground. Barcelona Sants station was under construction in 2021 and it’s still under renovation, so it took a bit to get to the correct place with the suitcase. Once we could drop the luggage off, we headed off to the underground.

There, we had to queue up to get our transportation cards from a machine – which apparently could not be used in any language except Catalonian. I had a code to input, and with that code the machine spat the tickets. They were convenient to use, and they worked on the underground and the buses without problem. The online discount made them better value for money: a single ticket is 2.65 €, and the 72-hour card Hola Barcelona is 26.30 €, which is reduced to 23.67 € if you order online (a 10% discount which is almost the price of one trip).

I had waited to book activities till the very same week because I wanted a relatively good prediction on the weather. It was not as nice as I had hoped due to the wind that morning, but oh well. Unfortunately though, the eclipse caught us in the underground. I had hoped we would be outside already, but we were over half an hour behind schedule due to the train and the construction in Sants.

I had bought tickets for the amusement park Parc d’Atraccions Tibidabo. A long time ago, from Park Güell, I was trying the zoom of my then-new camera and I was intrigued by its silhouette. I was curious and honestly, I thought it was an interesting place to see. Tibidabo is considered the oldest – or at least longest-running – amusement park in Spain. The first rides opened in 1905 under private initiative, though the park is now owned by the Barcelona city council.

I found a ticket which allowed to see the panoramic area and ride the “classical attractions”. It included the shuttle bus and the funicular Cuca de Llum, opened in 2021, which is not the original from the turn of the 20th century, but a recently renovated one. There’s no way I am getting on a funicular which older than 100 years old. To get there, we took the underground, and walked to the so-called Tibidabo Store, where we exchanged our tickets for bracelets so we could ride the bus to the funicular. The place is a bit out of town indeed.

We reached Parc d’Atraccions Tibidabo around 12:45, a good couple of hours after leaving Sants. Upon entering, it was colder than I had imagined, because it was windy, especially at the top of the mountain. There was no ticket control except for the attractions, so we were able to come and go as we pleased, and i found that was a regular mini-bus that went there. I felt a bit cheated, but I guess the funicular itself was an experience! Good thing that I am not too keen on rides and I decided to only get the basic ticket. It did not feel cheap either (21.50 €). The ticket Pase atracciones emblemáticas allowed us to wander around and ride the ‘emblematic’ rides – i.e. the classic one – and see the museum.

Barcelona from above

We first had a look at the city of Barcelona underneath. The view was not particularly different from the one in Parc Güell, except I’m more familiar with the layout by now. We then turned to snoop around the Temple of the Sacred Heart of Jesus Temple Expiatori del Sagrat Cor, a Christian church designed by Enric Sagnier i Vilavecchia (1858-1931) in a mix of Neo-styles, halfway between a Disney Castle and a classic cathedral. Construction was carried in two phases: 1903 – 1911, and 1915 – 1951. The upper towers were built later on, and work continued until 1961. The outer lower area is Neo-Romanesque, and the upper one Neo-Gothic; the inside is Neo-Byzantine, with mosaic walls. It has stairs a the sides to move from one level to another, and a lift inside. All in all, the whole building is… weird.

Sacred Heart Basilica

We ambled around for a while, and finally decided to have an early lunch, so we could avoid the family rush. My sibling wanted a proper sit-down, and we found the only option offering actual tables. The service was terrible – we never got glasses nor cutlery. We had to ask for napkins twice I think. Thrice for the bill after ordering two bottles of water and two burgers Hamburguesa de mejilla ibérica con pepinillo (Pulled pork and pickles burger). The service was so bad that the waiter decided to give us a complementary 15% discount on their own volition.

After lunch, we queued to ride the carousel and the Ferris wheel, and we saw the Automatons Museum, which was really interesting. The oldest piece dates back from 1880, and the newest from 2005. There used to be automatons sprinkled through the park for almost a century, but they were housed in their current home in 1982 to protect them from the weather.

Tibidabo Panorama

Automaton Museum

Around 15:00, we came down from Tibidabo. We had to share one ticket to get into the funicular, and the doors closed on me. I had to go to customer service to wait for someone to give me a replacement one. We undid all the way back to Sants to pick up our luggage, then we went back to the underground to meet with my friends E**** and P***o near their house to celebrate an important event in their family. We stayed with them for a few hours, then dropped by the supermarket to buy dinner for the next day, and took a bus towards our hotel.

We checked in, dropped our stuff in the room, cranked up the heating, and went to have dinner. We ended up at a Japanese franchise because the website said they had okonomiyaki, which they didn’t. At least they had dorayaki to compensate.

When we came back the room was at 19 ºC, and the air conditioning was blowing out cold air. I turned the thing off and went down to reception, where they told me they would call with a solution – either maintenance or a change of room. An hour later, without having heard from them, I went down again and a different receptionist told me the only thing that could be done was giving us extra blankets. I asked for three blankets and only got two. But I was too tired to fight – there was an extra towel I could use for added warmth. I defrosted in the shower and went to bed.

29th – 31st March 2025: Final Fantasy VII Rebirth Orchestra World Tour in Barcelona (Spain) {FFVII Barcelona 2025}

My sibling is an avid Final Fantasy fan, or at least of the concerts, and they usually ask me to prepare a trip when there is one in Spain. They tend to be in Barcelona, which has a love-to-hate relationships with tourism. Short-term letting apartments to tourists is more profitable than renting to residents, which is (allegedly) one of the causes of the current housing crisis. Finally, it has one of the highest criminality rates in Spain, and the epicentre of the secessionist movement. Thus, I’ve not planned much the last couple of times we were there, just enough to fill the days. It does not help that my sibling is a cosplayer and we have to haul a suitcase with the outfit.

This time, however, the Final Fantasy Rebirth Orchestra World Tour concert was on a Sunday. I have no faith in the public transport system any more, and Monday had to be requested off anyway, so we ended up looking at Saturday-morning to Monday-evening trip. Thus, I decided to fit in a bunch of Modernisme and other stuff that had been on my list for a while. Also, friends! Because friends are extremely important, especially when big changes are on the way!

I bought tickets for the concert in June 2024, when they went on sale. I booked the hotel in November, but I refused to pay for breakfast, because it was 20 € per person and day, and I was not going to pay 40 bucks for weak coffee and stuff I don’t even eat… And then I did not do much planning until February. However, I knew that at some point I needed to get things organised, else we would spend the weekend queueing to enter places. I’ve seen it happen before…

The train tickets only came out 90 days in advance, and I got them in early February. They were expensive – I had hoped to catch one of the new low-cost trains, but paying for the cosplay suitcase would push it to normal ticket prices. I found an outbound direct train, bit the return one that I wanted was not running, so we had to take a connection – which meant going to Madrid, then backwards on our way back. Oh, well. And on top of that, construction on the tracks triggered delay warnings – which did not come true in the end, good thing I insisted on being at the stations for the earlier time, whether it was the old or new one.

I put together a tentative itinerary waiting for the weather forecast, and the week of the trip itself, I booked tickets, including the transportation card – which was a nightmare. I really don’t understand how or why cities have decided to get rid of regular transport tickets. The ten-trip ticket has disappeared, and buying a one-way was prohibitive. Considering how many trips we would get, it made sense to get a 72-hour tourist ticket, since it was impossible to register to get a normal card… I also organised where to leave the luggage, since the hotel is next to the venue, and that is more than a bit out…

Spoiler alert though: we did not get pick-pocketed nor robbed, unless you count the insane tourist tax at the hotel, and we did not take forever to do the check-in.

27th March 2025: The Raven Age at ReviLive (Madrid, Spain)

Sometimes one has to wonder what guides music promoters to make certain decisions. It would be interesting to be aware of factors like costs of renting a venue, fuel, ticketing and so on. Because on occasion, it feels like tour schedules are suboptimal from all angles – acknowledging the lack of information. In the case of The Forsaken Tour by The Raven Age featuring Disconnected, I think that the most important factor that was considered was minimising bus-tour kilometres. Unfortunately, that placed their Madrid show on a Thursday, in a venue which… I’m pretty sure was inconvenient for everyone but myself.

The Raven Age is an English heavy metal band formed in 2009 by guitarists George Harris and Dan Wright – though Wright has since left the band. Current members are Harris and Tommy Gentry on guitars, Matt Cox on bass and backing vocals, Jai Patel on drums, and Matt James (MJ) on lead vocals. They have released three studio albums, and supported Iron Maiden, Anthrax and Apocalyptica during the Apocalyptica Plays Metallica Vol 2 Tour 2024. Though I saw Artics supporting that tour, my friend A****d saw The Raven Age and highly recommended them – actually she was the one who informed me of the upcoming tour and the Madrid date and place.

The Raven Age Tour Schedule

The concert was held in ReviLive, a concert and party venue associated with the musical studio ReviRock, which provides recording equipment, sets, rehearsal spaces… It is located near the Vicálvaro train station and Puerta de Arganda underground stop in Madrid. Unfortunately, it’s pretty far out from most commuting hubs. I had first thought about driving there, but my Sat-Nav has been failing lately. Furthermore, I did not feel comfortable parking and walking around the area – not the best – without knowing my way.

Since Vicálvaro was close and the way was rather straightforward, I decided to drive to a nearby station, then take a high-frequency train. But in the end, that day I had a headache, so I wanted to drive as little as possible. That meant risking it with the trains. I had previously checked finishing times and with doors at 19:00, I should be out at 22:30 latest. I had no intention to queue, so I took a train that arrived at the station around 18:50. That got me to the venue at 19:05. I was all right with staying back, but the crowd was so small that I found a spot at the barrier… And I was not wearing barrier shoes, at all. The good thing of a small side-lined venue is that security is nicer – and you are allowed to do outrageous things like bringing in your water bottle.

Supporting act throughout the tour was the French artists Disconnected, an independent French progressive metal band. Formed in 2016, it features Ivan Pavlakovic on vocals, Adrian Martinot and Florian Merindol on guitars, Romain Laure on Bass and Amaury Pastorelli on drums.

Doors ended up being at 19:30, not at 19:00, which was mean to the poor fans that had been there since early, particularly the meet & greet ones. I have to admit I did check for M&G tickets, but found no way to get them, else I would have. Maybe they were fanclub-only, I don’t know. I was hoping the venue would fill up more – similarly to La Riviera, where the crowd (that I’ve seen) skips the supporting act and drips in without queuing.

At 19:50, Disconnected started their act, and it was quite all right. What was unfortunately not so good was the sound. For such an empty venue, it was a pity, because it was not as if there was a roar from the attendees. The vocalist had great energy, and he was fun – though painfully aware of how few people there were. They sang in English and French, but the ratty sound made it a bit difficult to follow.

Disconnected’s setlist:
  1. Living incomplete
  2. I Fall Again
  3. The Wish
  4. La Puissance
  5. Unstoppable
  6. A World of Futile Pains
  7. Life Will Always Find Its Way
  8. We Carry On

The Raven Age Madrid Concert: Disconnected

The Raven Age Madrid Concert: Disconnected

Unfortunately, the venue had not filled up when it was time for the main act, and that was a bit sad. Despite the ongoing sound problems and the small crowd, The Raven Age had a great presence. The music did not sound as powerful as what I had been listening online though, and I am sure that they did not have any tea in their thermos bottles…

The Raven Age’s setlist:
  1. The Guillotine
  2. Promised Land
  3. Forgive & Forget
  4. Nostradamus
  5. Surrogate
  6. The Face That Launched A Thousand Ships
  7. Scimitar
  8. The Day The Earth Stood Still
  9. Essence of Time
  10. The Journey
  11. Seventh Heaven
  12. Angel in Disgrace
  13. Serpent’s Tongue
  14. Grave of the Fireflies
  15. Fleur de Lis

The Raven Age Madrid Concert: The Raven Age

It was extremely amusing to hear a heavy metal singer with such a strong British accent, talking in a natural way and dropping swearwords without sweating them. The members seemed to be quite happy taking over all the stage, and there was a lot of interaction, which is always good and fun. Unfortunately, considering that promoter was giving tickets away, I don’t think I’ll ever have the chance to see them close to home again.

The act was not long. They started at 20:50 and finished at 22:10, so it was a relatively short show, but it went by really fast. There was no real encore, because MJ said “this is the time when we go backstage, you guys yell for more, we come back and sing some more, so we’re going to skip all that and go on.” I approve of that.

The Raven Age Madrid Concert: The Raven Age

The Raven Age Madrid Concert: The Raven Age

The Raven Age Madrid Concert: The Raven Age

The Raven Age Madrid Concert: The Raven Age

The whole event had a weird atmosphere from start to end – the lack of a queue, the… chairs outside so we could wait… The… “hey, hold my spot, I’m going to change into this merch shirt I just got” and “Sure, but then hold mine while I go to the toilet” conversations… And especially, the lack of people. I really hoped that there would be more concertgoers after 20:00, and at least some more enthusiasm. When I saw Kamijo in Barcelona there was a small crowd, but it was loud. Here, it was lukewarm. I felt a bit heartbroken for the bands, because they both did a great job.

The train I was supposed to take back did not pass, so I had to wait almost 45 minutes at the Vicálvaro station. That was not fun because the only seats were in the open platform and my lower back hurt – bad choice of shoes. It was extremely cold, too, so I just huddled on a bench, and it felt good when the train finally came. I got to my car just before midnight, and home soon after. I was so tired I almost hit the kerb on my last curve, so it is good that I did not drive back and forth on the speedway, actually.

All in all, I enjoyed the day, the supporting act, and the concert. Would I travel abroad for The Raven Age? Probably not. Will I buy their CDs when I have money to spare? Probably yes. Although I keep getting sidetracked by activities and places to see and burning through my fun budget… Just you wait until there is a concert somewhere I want to visit, and I’ll be taking this whole “not travelling for The Raven Age” back.

22nd March 2025: The Historical Flow of River Henares (Guadalajara, Spain)

The presence of the anticyclone over Great Britain created an unusual rainy March in the centre of Spain, with four storms hitting almost back to back. An average March in Guadalajara sees 4.9 days of rain. Between the 1st and 25th of March 2025, it rained for 21 days. Storms Jana, Konrad, Laurence and Martinho delivered rainfall not seen in the area for 30 years or so.

Rain is measured using gauges and in a unit of “millimetres” – one millimetre of rain is equivalent to one litre of water per square metre. The average rainfall in the Guadalajara area is around 46 litres per square metre for the whole month of March. This four-storm period left over 150 litres per square metre. That’s a lot of rain on rain – dark clouds, soaked soil, wind blowing off the cherry plum blossoms (Prunus cerasifera).

Prune flowers in the storm

Guadalajara was built on the river Río Henares a tributary of a tributary of river Tagus. The Henares sprouts out of the mountain range Sierra Minsitra and runs about 160 km with a variable average flow between 10 and 40 cubic metres per second. The flow of the river and its tributaries is heavily regulated by the presence of a network of reservoirs in the area, designed to fight the cyclical droughts in central Spain, an arid plateau known as La Meseta (The Plateau). There are sixteen reservoirs in the province of Guadalajara, ten of them actively monitored. In March 2025, it rained so much that six of them (Alcorlo, Atance, Beleña, El Vado, La Tajera and Pálmaces) reached critical capacity and their floodgates had to be open, which dumped more water into the already “fattened” river. Furthermore, it was already thawing season, and the little snow that was on the peaks had started melting…

The result? The flow was up to over 300 cubic metres per second. That… is a lot. Official sources say that the water level increased by 40 cm, which of course caused the river to jump its usual banks. Along Guadalajara, this was mostly seen around the 10th century bridge Puente Califal (though other rivers were scary to cross). The structure was originally an Arab bridge, probably dating to the times of Abd al-Rahman III (Abd al-Rahmán ibn Muhámmad [عبد الرحمن بن محمد‎], 891 – 961 CE), though it was repeatedly damaged and repaired later on, particularly during the reign of Carlos III in the 18th century.

The bridge was built in ashlar masonry using a common technique from Al-Andalus architecture, stretcher and header soga y tizón, which means laying a layer of ashlar so the long side is outwards, then a layer so the short side is outwards, with the widest area always horizontal. The structure is almost 120 metres long, with five arches and four pillars, so thick that one of them allows for a spillway. Normally, only three of these arches are above water, allowing for most of the arch to be seen. This is a 2021 photograph which shows the usual situation underneath the bridge.

The normal state of the bridge - the low areas are dry, and only three arches have water running underneath

The humble bridge became the city’s most important tourist attraction during the storms period, as the river swelled and the water rose. Since I was in the area for work, I decided that I had to take a look. It was impressive. The water roared, and it had jumped the banks around the “park” area that has been built, along the footpaths.

Stone structure alongside the bridge, with water covering everything

Puente Califal Guadalajara during the March 2025 floods

River Henares underneath the Arab bridge

River Henares underneath the Arab bridge

Wideview of the Bridge, banks burst

15th & 16th March 2025: Canterbury (England, UK) for “The Shark Is Broken”

I’ve travelled for – or with the excuse of – concerts (take your pick) and documentaries (at least thrice, even twice for the same one), but this was my first time travelling for a theatre play. Don’t get me wrong, I like theatre – I’ve even squeezed Wicked into a London trip a couple of times – but it had never been a main driving force. Until I stumbled upon the information that The Shark is Broken was heading towards the UK and Ireland. There were no shows in London, and my connection to everywhere else – including Dublin – was not good, especially due to work schedules. However, there was one date which was, if not convenient, at least doableCanterbury, in the county of Kent. Unfortunately, neither the Gods of Trains nor the Gods of Buses were as willing to smile upon me as the Gods of Air Travel.

Once I secured a ticket for the play (£55.00, dead centre of the stalls), a hotel in Canterbury, and the plane ride, I checked out what to see in town. This was back in December 2024. I also booked my parking spot at the airport, and since it was so long out, I could reserve Terminal Parking for just a couple of quids more than long-distance parking. That’s an extra 20 minute snooze! However, as I’d been hearing about train disruptions in England, I decided to wait a little before buying the Stansted-London and London-Canterbury trains. And sure enough, when a couple of weeks before the trip I went to check on the trains, the Stansted Express was indeed not running. There were ticket sales, at normal prices, but the trip would be by bus – taking as long as a bus usually takes. Thus, I decided to buy a coach trip at coach prices instead. That added a couple of hours of travel / waiting to the whole journey. Then, I went on to the South Western Rail website, which claimed that purchasing tickets would be easy. My definition of easy is… different, but, I was able to secure tickets. I was supposed to download the app to use them – but the app cannot be downloaded outside the UK. Fortunately, I was able to download a copy of the tickets from the confirmation email and use those.

When the day came, I left home a bit after 3:00 for my 5:45 flight. It was extremely cold, but at least it was not raining. I had some time at the airport before take-off, but of course everything was closed. It felt a bit weird, knowing it was the last time I could fly to the UK “for free”, considering that all countries are implementing the stupid Visa fees everywhere. We landed in London’s Stansted Airport on time, so I made it to the 08:10 coach I had booked – despite the utter chaos that Stansted coach station has become. The nice 40 minutes by train to London Liverpool turned into an over-two-hour coach obstacle course through London’s construction work.

Since I had been forced to buy a bus ticket, I got a direct one to King’s Cross – St Pancras International, where my train to Canterbury was due to depart. I had calculated for a safe train at 10:40, and I reached the stop around 10:05, which gave me enough time to find the nearest Costa Coffee before I went to Platform 13 to board my train. I chose the carriage poorly, as I ended up in the midst of a boisterous hiking group, but the trip was less than an hour, and I reached Canterbury West at 11:34. This was a bit over an hour later than what I had originally hoped for, due to the train-bus adjustment. Looking back, maybe it had not been necessary to buy that ticket in advance.

The city of Canterbury is a Unesco World Heritage Site in the county of Kent, in the south-east of England. The area has been inhabited since the Lower Palaeolithic, through the Iron Age, and Roman times on. The town saw the first Christian conversions in the British Isles, and the foundations of the cathedral were set in 596. Canterbury survived the Viking raids around the year 1000, but it fell into William the Conqueror’s hands in 1066.

In 1170, Archbishop Thomas Becket was murdered in the cathedral, an event which triggered massive pilgrimages from all the Christian countries. Between 1387 and 1400, author Geoffrey Chaucer wrote The Canterbury Tales, one of the key works in English literature, a fictional compendium of stories told by pilgrims towards the cathedral. During the early Middle Ages, Canterbury became one of the most populated towns in England, until the Black Death decimated its people. In the 16th century, there was an influx of French protestants (Huguenots) who fled mainland Europe to resettle, revitalising the economy and introducing the silk-weaving industry that flourished for over a century.

After the 17th century, things changed. Canterbury became an agricultural hub spot, so the Industrial Revolution only affected it with the construction of railways. The historical centre was damaged during WWII bombings, after which the historical area was pedestrianised and a ring road built around it. Today, Canterbury lives off tourism, retail, and higher education, with a large floating population of university students.

And it was cold that weekend. A climate topsy-turvy seemed to have exchanged the Spanish winter anticyclone and the British rains, so it was storming in Spain and crispy in Britain those days. But at least, it was not raining, which allowed for freedom and seeing a lot of things. Upon leaving the station, my first contact with Medieval Canterbury were the Westgate Towers Museum & Viewpoint, the largest Medieval gateway surviving in the UK. It was erected around 1380 to substitute the Roman ones. Even before that, there were other hits like “the oldest brewer in Britain.”

Westgate tower, former gate to the Medieval city

I reached the pedestrian St. Peter Street, which merges into High Street, the town’s spine. My first real stop was the Cathedral and Metropolitical Church of Christ, Canterbury (Canterbury Cathedral for short). The cathedral is the seat of the Archbishop of Canterbury, the symbolic leader of the Anglican church, and the spiritual leader of the Church of England – whose official residence is actually in London though, for some reason. I wanted to get to the cathedral first just in case it closed at any time for a service, and so I did not pay much attention to the main street for the time being.

The cathedral precinct is accessed by the Christchurch Gate, completed around 1520 in the Tudor Gothic style. It features restored colours on the decoration, restored between 2018 and 2022. In the square in front of it stands the Canterbury War Memorial, to honour the victims of WWI, which was damaged during WWII, along with most the historic area, due to bombings.

The cathedral was established in the year 597 after the arrival of St Augustine to Kent. During its first period of existence, it was a Roman Catholic place of worship. The building burnt down and was completely re-erected towards the end of the 11th century, and a lot of construction and reconstruction went on until the end of the 16th century – around the time of the English Reformation, when the Catholic monasteries were disbanded and the cathedral turned Anglican. Most of it has remained in the 12th-century Gothic style, except the crypt, which is Romanesque. The west front – under conservation work – hosts statues of people who are considered influential in the life of the cathedral and the church of England, from Augustine of Canterbury to Kings and Queens including Elisabeth II. During the Roman Catholic period there was a Benedictine Abby attached to the cathedral. Today, only the cloister and the ruins of the infirmary remain from that time.

I bought my ticket and headed to the entrance of the cathedral. There was a trail, and I decided to follow it. That led me to see the West façade, with the statue of the Saints, Kings and Queens, and then down a corridor towards the cloister, which might have been the most beautiful one I’ve ever seen, with gothic arches and family crests painted on them. After the cloister, I found the herb garden and the water tower, and I got to see the ruins of the infirmary.

I went down to the crypt, and then up to the cathedral. The building already looks big from the outside, but the inside feels huge, with columns and pointed arches soaring up to the ceiling, and paned glass windows letting the light in. I first toured the quire (choir), where the Shrine to Thomas Becket used to be. Thomas Becket (Saint Thomas of Canterbury) was King Henry II’s friend and chancellor when he was appointed Archbishop of Canterbury in 1162. He clashed with the King regarding the rights of the crown and the church, and even if the Pope tried to mediate, in the end Becket was murdered in the atrium of the cathedral in December 1170, which propelled him to martyrdom first and sainthood a couple of years later. His body was hidden for decades until he was buried in a shrine under the quire in 1220. The shrine became a pilgrimage destination in the Middle Ages known as The Pilgrims’ Way, from either Winchester or Southwark Cathedral in London. During the Reformation, in 1538, King Henry VIII ordered the destruction of the shrine and Becket’s remains. Today, there is a candle burning where that shrine stood, and the Pilgrimage is still encouraged by the cathedral.

Canterbury cathedral - exterior

Canterbury cathedral - interior

I saw the place of the murder, called the martyrdom, on the way to the main nave, where a concert was being rehearsed. It sounded beautiful, but I could not stay forever, because there were many more things to see in town. Outside the cathedral itself there is a memorial garden and the six-metre sculpture War Horse (named Joey), in honour of all the animals that have died in war.

I had to move on, as it was windy and cold out in the open, and I still had more places to visit. I went on towards the Canterbury Roman Museum. The British are always extremely proud of their Roman ruins, though sometimes these are just a few objects. This time, however, the museum lives up to its hype. Even if the artefacts are not that impressive, it hosts the only in-situ Roman pavement mosaic in the UK. Unfortunately, nobody thought about building an overpass viewing platform…

Roman mosaic on the ground

I then headed back towards the main artery of the historical area, High Street and the local museum, The Beaney House of Art & Knowledge, which also doubles as Tourist Information Centre. I broke the worker’s brain when I asked for advice considering that I’d already seen the cathedral and the Roman Museum. What I actually wanted was an estimate of how long the trail around town would take, and confirmation of opening times. I was not too successful as they gave me some schedules which were not accurate. Anyway, I snooped around the place.

The Beaney House of Art & Knowledge was designed by A.H. Campbell in 1897 in the Tudor Revival style. It is named after James George Beaney, a Canterbury-born medical doctor who left money to the city to create a cultural hub. Today, the house hosts the Tourist Information Centre, an art gallery, an auction gallery, the local library, and a museum with collections about different aspects of the town’s history, including a lot of worldwide items that seemed brought by aristocrat’s Grand Tour.

The Beaney House of Art & Knowledge

I decided to do the walking trail around the town then. Now that I was not bee-lining any more, I could take in the statues, houses and buildings in High Street. The statues include Aphra Behn and Geoffrey Chaucer. Behn was a 17th century writer, one of the first English women to earn her living from her art, and possibly even a spy in the colonies and Antwerp. Along the street, I located my hotel, the Great Stour Canal, the theatre and the restaurant where I wanted to have lunch. I exited the centre through the Westgate Towers again, and ended up in the Westgate Gardens. I had started exploring, but then I got dizzy, and my legs shook a little. I had been on the go for almost 12 hours, on four hours of sleep, so it was time for a break. Thus, I backtracked to the Old Weavers Restaurant. I have to admit that I almost got sidetracked to have an authentic afternoon tea, but I had come across this place during my planning, and I was glad I went.

It is true that British food has a horrible reputation around the world. But honestly, it is not that bad – it’s just not such an important social event as it could be for example in Italy or Greece. Furthermore, there is a theory that most “traditional” recipes diluted away with industrialisation, when people worked too much to bother with cooking – the Industrial Revolution was something so new, nobody really knew how to deal with so many changes. Then, WWII food rationing and post war pre-made foods prevented a whole generation from learning how to cook. And thus, Chicken Tika Masala became the staple of English cuisine. In reality, however, this is not accurate. The British gave us scones, bangers n’ mash, roasts and pies, all of which are delicious.

Pies were what grabbed my attention from the Old Weavers Restaurant menu. The eatery is located next to the canal, in a house which dates from the 1500s, with foundations from the 1200s, and the original interior structure. The building was originally a weaving centre in the 16th century by the Huguenot refugees, which then became a weaving school – hence the name. When the school closed, the restaurant was established. moreover, almost all the “nice” restaurants in the area were offering a 15% discount with theatre tickets too.

The place was warm and a hot meal was a nice break to have. I was seated at a small table on the ground floor and ordered a Chicken, ham & leek pie in a hot skilled with a puff pastry lid, and a side of chips. I like British pies. Conversely, the first recipe of British pie on record was also written by Chaucer in 1381.

Pie and chips

Since I was quite literally outside my hotel, I decided to check in so I could drop my backpack and relieve the weight on my shoulders. I was not carrying much at all, but the hours were getting heavier, I guess. The hotel turned out to be an old refurbished house, with narrow stairs, and my room was on the upper floor. It turned out to be tiny, and weirdly distributed – I had to open the bathroom door in order to take off my coat. But it had a working bathroom, a radiator, and it was warm, so I was all right with it. The price was cheaper than anything I would have found in London and it would save me a lot of stress when I left the theatre. While taking the train back to London was doable, it’s not like I felt like one hour on the train, and then a commute in the Tube in the middle of the night.

I left again, and tried to pick up where I had stopped before lunch – this was my mistake. I should have done my walk clockwise, but I thought I had a bit of time. I had not counted on admission ending up an hour beforehand – but it was all right, and my plan ended at a local supermarket to buy snacks, dinner, and something I wanted to bring back with me. Thus, I went to the Westgate Gardens again, and I took a bit of time with the buildings and the ruins there.

Canterbury - Marlow theatre and Medieval buildings

Canterbury is located on the River Stour, usually known as Great Stour to distinguish it from its tributaries. There are at least three main waterways through town, and even businesses that give boat rides to tourists. The Westgate Gardens are built along the Stour. They host The Guildhall (town hall) and Tower House, a narrow Victorian house built around a bastion of the city walls. I strolled along the riverside, mindful of the mallards and the seagulls who owned the place, until I crossed the Rheims Way Underpass – Canterbury really likes its underpasses, and they’re all right when you get used to them – full of graffiti and contemporary art (graffiti). I eventually veered back towards town, towards an area called Tannery Field and I came across the Canterbury Bull Sculpture, by local artist Steven Portchmouth, an artwork which honours the agricultural and industrial history of the area.

Canterbury Great Stout & Westgate park

I found St. Mildred’s church, an 11th-century stone church with a small graveyard, and totally missed Canterbury Castle for a minute there. I knew it was closed, but it turned out it was completely covered in scaffolding. The castle dates back to 1066, when Canterbury surrendered go William the Conqueror, who proceeded to commission a motte-and-bailey structure, with the motte being what remains today, though underneath the protective scaffolding.

A few minutes away, I got distracted by something which had not been in my plans – Dane John Gardens. Dane John was not a person as I originally thought – the name comes from the corruption of the Norman word for “fortified mound”, donjon, and there is actually a theory that the mound that still stands in the middle of the park is a former defensive motte, though during the Roman times it might have also been a burial mound, on top of which stands the Simmons Memorial – Simmons was the local alderman who built the gardens between 1970 and 1803. The park ends at the reconstructed Roman wall, with rebuilt defensive towers, and it hosts small attractions like fountains, a giant sundial, a Band Stand…

I went along the Canterbury City Walls until I reached ground level again – and then I went underground to cross the wide roads. When I emerged, I finally made my way to St. Augustine’s Abbey. The abbey was originally dedicated to other saints, but it was repurposed after St. Augustine, who had established the cathedral, died. It was a Benedictine monastery from the year 598 on, until the English Reformation forced its dissolution in 1538. Afterwards, it became a royal residence, which was then rented out to noble families. Most of it was eventually dismantled to build new houses, until it was bought in 1844 by a religious Member of Parliament who established a missionary college. During the 20th century, the abbey ruins and the college were separated for classrooms and boarding houses. The British Government took charge of the ruins in 1940, and the abbey is part of the Unesco Heritage Site.

Dane John Gardens and Medieval walls of Canterbury

It was a little past 16:00, and I assume the ticket booth had just closed, though opening times were listed until 17:00 and there were people – a dogs – inside. I first saw the Fyndon Gate, the original gate to the abbey, built in the early 1300s, with two octagonal towers on the side, and a chamber above the entrance arch, which has an overlooking arcade. Though I could not enter the abbey, I was able see to the main ruins through a convenient lookout to the side of the locked-down area.

St Augustine Abbey Canterbury

I saw a signpost regarding the pilgrims’ route that lead me to both Rome and St. Martin’s church. Rome was a little far away to be back on time for the theatre, so I decided to settle for the church, which had been the plan all along anyway, as it was the third key point in the Unesco Heritage Site. The church recognised as the “oldest parish church in use” in the English-speaking world. It was used by Queen Bertha of Kent as her private chapel even before St. Augustine arrived from Rome in 597. Though her husband, Æthelberht of Kent, was originally a Pagan, he allowed her to continue practising her Christian Faith and he himself eventually converted. The building was erected reusing a lot of Roman bricks and tiles, along later stone. It has a small graveyard where many notable families have been laid to rest. The sun was setting, and the wind had calmed down, so it was nice. I did have a moment of slight worry when I glimpsed someone and I heard a bang – I thought maybe they had closed the gate and I would have to jump over the wall. Luckily, it was not.

Canterbury St Martin chuch

I headed back towards the centre. In front of the abbey’s Fyndon Gate I found the statues of King Æthelberht and Queen Bertha of Kent. King Æthelberht was eventually considered a saint for his role spreading Christianity among Anglo-Saxons, but his main contributions were more earthly. He created the earliest written Law code in any Germanic Language, and minted the first coins which circulated in Kent.

Still heading downtown, I walked by St. Paul’s church without the Walls, which could’ve been built in Roman times as a cemetery chapel. A bit further along, there was the St. Thomas of Canterbury Roman Catholic Church, the only Catholic church in town, built in the late 1800s in the Gothic Revival Style. Adjacent to the church stands the tower Tower of St. Mary Magdalene, which belonged to Medieval parish that was demolished to build St. Thomas. There is a memorial inside the tower, protected by glass.

Back in the High Street, most shops were closed or closing down, and I did not come across any bookshops, where I would have purchased a copy of Chaucer’s The Canterbury Tales just to have a copy from the town. What I did find was a Sainsbury’s Local supermarket. There, I bought a sandwich for a late supper after the theatre, some Cadbury Eggs, and a can of Bisto Gravy granules. Cadbury Eggs are a confection made of chocolate with a yellow-and-white sugary filling. Gravy is a cooking sauce I can’t recreate to save my life so I enjoy having the ready-to-make at hand, it’s just small granules that you dissolve in boiling water to create the sauce. Neither – I reasoned – should be a problem at the airport.

I went back to the hotel to have an hour or so of rest before I headed out to the theatre. Marlowe Theatre was obviously named after one of the most famous Canterbury locals: Christopher Marlowe, the 16th century playwright, poet, translator, alleged spy and reportedly atheist, whose work is reported to have influenced Shakespeare himself. His plays were extremely successful, and they include The Tragedy of Dido, Queen of Carthage, The Tragedy of Jew of Malta, and the first dramatised version of the Faust legend, The Tragical History of the Life and Death of Doctor Faustus. The Marlowe Memorial, depicting The Muse of Poetry (either Calliope or Erato, one guesses).

There have been at least three “Marlowe Theatres” in Canterbury. The current one was rebuilt from a previous one between 2009 and 2011, as a stainless steel and aluminium building with a colonnade, and at night it glows electric blue, pink and purple. It is not a pretty building on the outside, but the inside is all right. It seats 1,200 spectators, it has a bar and a tiny merchandise stall.

Canterbury cathedral and Marlowe Theatre at night

Before I went into the theatre, where I bought the programme, I headed towards the cathedral to take a few pictures the building at night. On the way back, I must have taken a wrong turn somewhere, because I was disoriented for a minute before I found the bluish glow of the theatre. Back in December, when I booked the tickets, I also got “ticket protection” (insurance, basically), but I was ecstatic that I did not need a refund. I had managed to get there, and I could finally enter the theatre. I did not feel even a bit tired, even if I had been on the go for over 16 hours.

The Shark is Broken is a ninety-five-minute play written by Ian Shaw and Joseph Nixon, based on actor’s Robert Shaw’s diary of filming the 1975 film Jaws, directed by a young Steven Spielberg in 1975. It follows three very different men who try to hunt down (fish down?) a great white shark which has found the perfect feeding ground off Amity Island, a small beach community in Long Island. Jaws is often credited as the first summertime blockbuster, and it went on to win three Academy Awards – Best Original Score for John William’s music, Best Film Editing and Best Sound.

Canterbury Marlowe Theatre - The Shark is Broken

It is a commonplace piece of trivia that working on Jaws was a nightmare for everyone involved, as the mechanical sharks used for filming kept breaking down, which caused delays and going over budget again and again and again. Main actors Roy Scheider (Chief Brody), Robert Shaw (Quint) and Richard Dreyfuss (Hooper) were stuck on the little ship set for days on end while the film crew worked on “Bruce”, the shark. On top of authoring the script, Shaw plays his father. Dan Fredenburgh plays Roy Scheider, and Ashley Margolis plays Richard Dreyfuss. The stage play was originally directed by Guy Masterson in its Broadway run, and Martha Geelan is acting touring director.

The play is a number of connected, sequential scenes depicting different conversations over several days, showing the rising tensions amongst the actors. There are plenty of rather uncensored references to Robert Shaw’s rampant alcoholism, which his son, Ian Shaw, has not tried to hide or dilute. The set is just the ship, and only the three actors are on stage, you only ‘hear’ about the shark off-scene.

Was it a comedy? No. Was it funny at points? Extremely. Did I enjoy it? Immensely. I’ve read reviews saying that it is not worth it unless you are a huge Jaws, which I am. It includes known trivia, obscure facts and several hilarious meta references, including “It’s a thriller, do you think people will be talking about it in 50 years?”, which delivered on the 50th anniversary of the film is hilarious. Another one, referring to how Spielberg bailed on the last day of filming fearing the crowd would dunk him in revenge for all the inconveniences, and his upcoming career, is “Sharks? Aliens? What’s next, dinosaurs?” The scenes were chronological towards the end of filming, until the last one. Another known piece of trivia is that Robert Shaw was extremely drunk trying to do one of his scenes, the so-called “Indianapolis Speech” – and he screwed it up every time until he sobered up and delivered it in one go. The speech is referred to a few times throughout the play, and the very last scene is its re-enactment. It was glorious.

The Marlow Theatre was just a minute away from my hotel, and I could use the back door to get back in. I climbed up to the room and took a shower to warm up. Unfortunately, the bathroom had one of those fixed nozzles and the shower screen was… way too short for it. I might have caused a teeny-tiny flooding – good thing that I had extra towels to contain it. Afterwards, I had my sandwich, and a Cadbury Egg, even if it should have been too late for chocolate. Predator was running on TV, so I watched that while I charged the phone. Finally, I set my alarm and went to sleep, thinking that maybe being able to be on the go for twenty-something hours straight is my superpower.

My train back to London was at 7:24 – I had to miss my breakfast at the hotel, which started at 7:30, but that’s life. Fortunately, there was a kettle with some instant coffee and creamers in the room, along with biscuits. I woke up around 6:15, got ready, and hurried to Canterbury West station not because I was late, but because it was extremely cold. The train was on time and I was back in London St Pancras International just before 8:20. The train ride was uneventful, and once there I crossed over to Kings’ Cross Station to get breakfast from Costa Coffee. Since I was there, I peered over at Harry Potter’s Platform 9⅓, and I discovered that they actually take out the cart when the “attraction” is closed. I knew they charged for pictures, but I did not know that the cart was detachable. Which… I guess makes sense… considering that people would take free pictures with it if it was there. I just thought there would be a screen or something…

Anyway, not my thing. I headed out to explore St Pancras International Station. The original station was constructed in the Gothic Revival style (or Victorian gothic) in the 19th century, opening in 1868. The exterior was made out of dark red bricks, while the interior displays a complex roof in wrought iron and glass. The overall station layout was commissioned to engineers William Henry Barlow and Rowland Mason Ordish, and the adjacent hotel was designed by architect George Gilbert Scott. It is a magnificent building only slightly defiled by the contemporary expansion tracks. St Pancras was all but abandoned around 1960 until the 1990s, with extensive reconstruction, renovation and restoration in the 2000s. In 2007, it became the “international” station as it became terminus for the Eurostar train which covers the route between London and Paris in 2h 16 mins.

St Pancras international train station

I had to sit down for a few minutes because I made a wrong movement and my back cramped, but it passed soon. I was able to do a little bit of shopping in the station. A lifetime ago, I bought an umbrella in a franchise called Boots, and they had the same style and brand in the shop at the station. Considering that said umbrella served me well between 2012 and 2024, I had decided to buy another one if I ever saw it. I also got a book, because books in the UK are comparatively very cheap.

I found the coach stop, where I had to be at 15 minutes in advance. It was cold and windy, and it felt long. Apparently, the bus before had not come either, so there were a lot of people waiting. However, my ticket and seat were guaranteed. The only problem was, again, that the traffic was horrible due to construction. We took 43 minutes to cover something that should have been done in 10. Despite it all, the coach arrived at London Stansted Airport on time and without issues.

I went straight to security. Stansted is implementing new security protocols, which is great if you don’t get stopped. I got through two times ago, but last time my keyring created a problem – I have since changed that. This time around, the security lady was opening playing-card boxes to check for chemicals (not even kidding) and had to swipe my gravy granules for drugs, or explosives or who-knows-what. When I said “I didn’t even realise that could be a problem” her – rather sheepish – answer was “it isn’t.” Then… why did it get flagged? I’ll never understand airport security.

After 20 minutes waiting at security, I had some sushi at the airport, and bought a Playmobil Royal Guard, because they have always drawn my attention, and I thought that today was the day. Then, it was just waiting. My plane back was at 14:10, landing before 18:00, because I needed to get to a hard week of work on Monday. Part of me wishes I could have stayed until a later flight, but I needed to be reasonable. I did not get emergency exit seats either flight, so there was no issue with the cabin crew. However, when I tried to get my car out of the parking lot, the plate-recognition system would not work, so I had go down all the way back to find a person to talk to – good thing, then, that my plane had not arrived at 23:00.

The truth is, everything would have been more efficient had the Stansted Express been running, but at least I waited to book tickets so I could make the most out of the commuting issues. I did not pay train prices for coach transit, and I did not have to wait much between transportation choices. Furthermore, I could fill the time I had with things to do – and stuff to buy. And the most important thing, I saw The Shark is Broken, along with getting to know a new city.