23rd & 24th September 2017: San Sebastián Film Festival (Spain)

23rd September 2017: Let’s go!

Overnight, I headed off to San Sebastián as a Weekend Escapade to the Festival de Cine de San Sebastián International Film Festival that is held over there because they were projecting a Japanese film and the main actor and the director were coming over to present it. The film was “Sandome no Satsujin” [三度目の殺人], the director is Hirozaku Kore-eda and the actor in question was Fukuyama Masaharu, of whom I am a big fan.

I started off at 22:00 on Friday as I had to take a bus to go to Intercambiador de Avenida de América, which is one of the bus hubs in Madrid. My bus to San Sebastián left at 00:30, so in the end I had to wait for almost two hours until I could board. I was dozing for most of the trip so it did not feel too long. I arrived in San Sebastián bus station at around 6:50 in the morning and I had decided that I would go to the so-called Shell Beach, Playa de la Concha, to watch sunrise. I had been told that cafeterias would be open at that time, but not even the one in the bus station was ready.

A beach at night. The sea is calm and it reflects the city lights

My plan of watching a sea sunrise was trumped by the fact that the sea is towards the west, but I still could take a couple of nice pictures.

The sun rising, tinting the sky and the sea blue and orange

Among them were the beach itself, the “skyline” and the Catedral del Buen Pastor (Good Shepherd Cathedral).

A gothic or neogothic church clock tower, spiky with pointy arches

I wandered around, found the theatre where the film was going to be projected and as the sun started warming up, I started feeling less like a homeless dog.

The sun rising along a promenade

I found the local Starbucks at around 9:00 to get some rest, a coffee, and a cookie before I went to the Aquarium, which opened at 10:00. The Aquarium de San Sebastián is a bit more of a museum than anything else. The first part (second floor) is dedicated to the history of ocean commerce, with different types of ships, and rooms focused on the local harbour, companies, traditional boat racing and whaling. This includes an actual right whale skeleton and several sperm whale teeth and some baleens. The second part (first floor) is dedicated to general fishing and the local oceanography society, including machinery and live specimens.

Finally, after all this, you get to the actual aquarium (yay). There are several small tanks and then a big tank with a walk-through tunnels. The inhabitants are pretty standard, with lots of small fish and several magnifying-glass tanks to make the animals look bigger than they are. The third floor hosts the tropical fish including the piranha and the clown fish. All in all it is a nice place, however, it was under construction and some tanks were covered by dark plastic. After that I left the aquarium and I decided to go up Mount Urquil, which hosts a castle and quite nice views of the city and the ocean.

A small building entrance which yields to the aquarium. Collage showing different exhibits inside: a whale skeleton, a seven-grilled shark in alcohol, a trilobites fossil, a shark jaw, a starfish, a shark swimming above through an aquarium tunnel, a lionfish, sarks swimming in the aquarium

I walked by John Malkovich while heading there, but he did not look like he was in the mood (or the clothes) to be recognised, so I did not bug him. Then I started my climb up the mount towards the the local castle, Castillo de La Mota, along the batteries of cannons. The castle has a small history museum, and a look-out balcony, and the top has been transformed into a church, with a giant Christ overlooking. The truth is I was mostly improvising on my visits as the week was hell between work and the death of a family member.

Views from and of the ruins of the castle - the sea, the wall, and the old cannons

After that I had lunch and headed off to the theatre to check out the coming out of people. At this point I planned to wait for the actor and the director to come into the theatre, but for some reason I checked out the schedule, and the name of the actor had been taken out of the presentation! That made me sad for a little while, but I decided that I was okay with it, that it would not be a drama. I had taken my chance, and at least I had gotten some air after all the pain and drama throughout the week. I guess that helped relativise the sadness. I went to a park near the beach to get some sun and enjoy the last days of summer.

A 19th century building with large windows. A banner on the façade reads Festival de San Sebastián 65

A banner for the cinema festival, showing posters for different films. The third murder is on the bottom left

Around 15:00 I returned to the theatre, Teatro Victoria Eugenia to start lining as I wanted a seat close enough to see the subtitles- and I found a place on sixth row which was pretty good. As this was a special people’s vote session, we got a ballot to give our opinions. Then I settled to wait, and eventually at 16:00 the presenter came in, and to my surprise, she announced Kore-eda and Fukuyama. That made me so happy I could have died right there and then, and the best was still to come. Kore-eda told us about the film. Apparently several people consider that he has changed genre, but he told us that he disagrees and that he still tried to make a human drama. However, he thought that we should judge. Then Fukuyama told us that he enjoyed San Sebastián and that they had been having pinchos and that he was happy to have returned. I was shaking so hard I could barely hold the phone as I recorded.

The stage inside the theatre

Director Kore-eda and actor Fukuyama Masaharu on stage

Promo of the film The Third Murder from the Festival Webpage

All this would have made me very happy already, but there is more. “Sandome no Satsujin”, or “The third murder” tells the story of a lawyer whose job is to defend a man accused of murder. As this would be the defendant’s third murder, if found guilty he will be handed the death penalty. The film is a complex story, completely unpredictable – or I was too enthralled to see the ending coming – but when everything fell into place I felt like gawking.

Furthermore, there was more to come – at the end of the film both Kore-eda and Fukuyama had stayed behind. as I was coming out I looked up and told them “otsukaresama deshita”, and both of them bowed and replied “arigatou”. Then we waited for them to come down from the second floor, from where they had taken the ovation. I dropped my vote and rushed through the red carpet. As other people talked to the director I made a beedive towards Fukuyama. It was then or never, and it turned out to be then.

Director Kore-eda and actor Fukuyama Masaharu waving for a picture on the street after the film

I was shaking inside but I managed to tell them that I had been a fan of his since Galileo times and I asked for his autograph. He told me thank you (at some point the interpreter tried to help, but I was busy dying and trying to get my meaning across). He signed my Galileo booklet and I asked him to take a picture with me, to which he also agreed. And thus I fulfilled my wildest dreams (and look horrible in the picture). After Fukuyama had continued on the red carpet I managed to sit down on a curb and I was on the phone with my friend C*****, who prevented me from going completely hysterical in fanby bliss.

After I told her everything, I was pretty dead so I headed off to he hotel (pension) that I had booked for the night, and pretty much giggled and crashed, and uncrashed and giggled some more. At 23:00 I was completely zonked out, not without realising that I had headed to get some rest without grabbing my freebies and some merchandising I wanted from the festival.

Fukuyama Masaharu's autograph on a DVD booklet

24th September 2017: And back

I left the hotel early, around 8:30 to head towards the cinema area and buy the short Festival guide (not the big one for 22€ but the little one for 1.5€) and get the free newspaper. I bought a coffee to go and headed back to the bus station, when my bus was at 10:00. I could not sleep and the Wi-Fi was not working, but I could watch Youtube videos on the seat screen. I managed to get home around 17:00 after a couple of buses, and I was pretty much dead. However, it was totally worth it. I think this is why I was hyper enough to decide to go to Vienna next month…

13th August 2014: Samurai vs. Kaiju {Japan, summer 2014}

We started the day in Asakusa [浅草], which would be one of my favourite places in Tokyo if it was not so crowded all the time. This time not only I wanted to visit the main Sensōji [浅草寺].

The Sensoji temple in Asakusa, whose most prominent feature is the huge red paper lanterns

I also wanted to check out the smaller protective Shinto Shrines on the side, like Asakusa Jinja [浅草神社].

Small shrine with two stone torii, two stone lanterns and two fox statues flanking them

The second temple of the day was Sengakuji [泉岳寺], close to Shinagawa [品川]. The name does not really ring a bell by itself, but Senkakuji is also known as the Temple of the Forty-Seven Rōnin, as here is where all of them are buried. The Buddhist temple itself is nothing special. It has the graveyard where the samurai are buried, and a small museum attached where you can see a replica of the drum used in the attack, along with pieces of armour and one copy of the declarative letter that they wrote. Another part of the museum holds wooden statues for all of them.

A Buddhist temple, and a row of gravestones with the names of some of the 47 Ronin

After having lunch in Shinagawa (in a… Mexican… kind of place called “El Caliente”) we headed off to Roppongi [六本木] to see Godzilla. Not the movie, but the sculpture that has been planted in Tokyo Midtown [東京ミッドタウン]. As a matter of fact, it was a very Godzilla [ゴジラ] summer in Tokyo. The Godzilla visit was done in two parts, one before sunset and one after it had gotten dark.

Godzilla coming from the ground, roaring

The two visits to Godzilla were separated by horrible horrible American food (I shall never willingly set a foot on a “Wendy’s” again) and going to the cinema to watch “Rurouni Kenshin – Kyoto Inferno”, the second instalment of a movie trilogy based on the manga of the same name.

Poster of the movie. It shows a man dressed in red traditional clothes, with an X-shaped scar on his cheek. Behind him, minor characters and the antagonist, covered in bandages.

Oh, and before we got back to Godzilla, we saw a gazillion and a half of Doraemon [ドラえもん] underneath Roppongi Hills [六本木ヒルズ], and pictures were taken with them.

A lot of people-sized Doaemon in different poses. Doraemon is a cartoonish ear-less blue and white cat

And here Godzilla tries to eat stuff (there are many good restaurants underneath Tokyo Midtown anyway):

A close-up of the Godzilla statue at night, lit purple and blue, and looming on a skyscraper

3rd July 2013: Tsutaya, Manatsu and Odaiba (yes, again) {Japan, summer 2013}

Being the fanby I am, I wanted GACKT’s Best of the Best CD set, the special pack, and I headed for Shibuya [渋谷] first thing in the morning for it. After a successful buying, I headed off for TOHO Cinemas to watch the Galileo movie, Manatsu no Houteishiki. Fortunately enough, it was not Suspect X, so not depressing at all (don’t get me wrong, Suspect X was awesome, but it still left me heart-wrenched XDDD)

galileo-manatsu_poster

After that there was an Odaiba trip, changing into the yukata and attending the VAMPS Tanabata festival. The idea of the Tanabata Event was to make a sort of “summer festival” and you had to attend in yukata – I bought one I did not feel comfortable in, and I got quite a few stares and felt the most unwelcome I’ve ever felt in anything related to J-rock. It was most a talk show than anything else and after the event was over I did get to meet very nice fans… so it was a bit on the strange side, all things considered.

After that there was purikura and exhaustion XD. Very, very fanbying day, right? XD At first I felt a bit bad that there was nothing “cultural” to be done that day, but after all everything I did could only be done in Japan so I figured out that it was all right ^^