22nd November 2025: Expogema & Wicked: For Good (Madrid, Spain)

Wicked: For Good was released on Friday the 21st of November, and this time around I decided not to hit the cinema on opening day as I did for the first part, but to head out on Saturday. That way I could make a day out of it, combining the film with a mineralogy and gemology event. I had to work on Friday morning anyway, so there was no way I could make it to the first session even if I tried. Unfortunately, the weekend coincided with planned railway maintenance – which meant no trains whatsoever.

Getting to Madrid with the train system out (albeit scheduled) was not an odyssey, but close to it. I got to the coach station with 20 minutes to spare, and I had to queue up in a long line. Fortunately, I made it to the bus – good, because I had a timed ticket I had bought online. I learnt later that you can buy a ticket “for the next bus” on site and it’s actually cheaper… There were extra coaches running at the same time to make up for the lack of trains, which makes sense. The train company had arranged coaches of its own, but it charged “train money” for “bus service”. Well over a hundred people had decided, just like me, to take a bus at bus price.

The trip was uneventful with few stops, and I reached the terminus Avenida de América before I had to take the underground to get to Ríos Rosas. That placed me at the ETSIME Escuela Técnica Superior de Ingenieros de Minas y Energía around noon, total peak time. The place was packed with people who had heard about the Expogema event but had no idea what they were getting into – and were therefore “upset” that the event only had “rocks”, and that they were expensive (“lady, I cannot sell you a 400-euro tourmaline for 60 quid” was one of the sentences that echoed in the chambers). I had to take three walks around the fair in order to just see what was on display. I could not afford most of what was being exhibited anyway and for a change, I left without buying anything. I would make up for that on the 2026 Expominerales in the end…

Expogema is the fair dedicated to exhibiting and selling gems and gem-adjacent items such as jewellery. It is organised yearly by the Spanish gemological Institute, Instituto Gemológico Español IGE is a non-profit organisation, created in 1967, as a jewellers’ association. Today it independently certifies and appraises gemstones and jewels, especially diamonds. It works with individual owners, insurance companies, and anyone who is interested in a particular piece. It emits super-complete certificates which describe any gem to boot. Unfortunately, since their analyses are purely physicochemical, the one thing that cannot be certified is the ethical origin of the rocks.

The ETSIME hosts two big fairs a year, Expominerales and Expogema. I missed Expogema last year, because while it’s usually held in late-November or early-December, it happened in September. This year, I wanted to have a look, and I could combine it with other events happening that weekend. Besides, I like the ETSIME, with its little classic museum of mining and geology (Museo Histórico-Minero Don Felipe de Borbón y Grecia) and its eclectic architecture by Ricardo Velázquez Bosco. The building seems to be in perpetual renovation though, but it has a beautiful cloister, which this time around was packed with curious onlookers.

Interior of the ETSIME - two floors of arcades and a glass and iron ceiling.

I left the school and walked out towards a former water cistern, now turned into an exhibition hall Sala Canal de Isabel II. The public company Canal de Isabel II manages the water supply in Madrid, which includes the structures around the River Lozoya. In 1858, the first water deposit was inaugurated in Madrid, designed by engineer Juan de Ribera Piferrer. Three more deposits were constructed, even though an accident during the works on the third one caused 30 fatalities and 60 wounded.

This last deposit was not built underground. It was designed by engineer Diego Martín Montalvo and materialised by Luis Moya Idígoras in 1907. It was a tower made out of mostly brick, and with a height of 36 metres. At the top there was a metal sphere which could hold up to 1500 cubic meters of water. It was used until 1952 to store water, then abandoned, and eventually turned into an exhibition hall in 1986.

In the year 2000, maybe as an operation to improve the reputation of the entity, the foundation Fundación Canal was established, to divulge culture, art, environmental knowledge and the importance of water. Legally, a Spanish foundation must serve “general interest” purposes and must be a non-profit. It might have served as a cover-up or money laundry point, considering that during the 2010s, Canal de Isabel II was involved in several monetary scandals and corruption cases.

The former deposit was hosting photography exhibition, a sample of the archives they have, called 14 millones de ojos. Colección, fotografía, público (14 million eyes. Collection, photography, public). It was a great excuse to explore both the building and the adjacent park, though most of the area was closed off as it was the weekend. The exhibition was a bit strange, with images all over the place, but some of them were very cool. It is apparently… a collection of pictures that people have taken of items that have been exhibited in the venue before? I am not completely sure… There was a disturbing amount of portraits of people pretending to be naked though…

Water deposit turned into exhibition venue - high brick tower with a spherical top.

After a walk around the park, I took the underground and headed towards the central district of Madrid. Since I had started a Christmas ornament collection, buying one in Paris and one in Monaco, I decided to try my luck at finding one for Madrid too. The quest was… surprisingly difficult, but I found a bauble in the seventh souvenir shop I checked.

Afterwards, I found a spot at Kawaii Café for a light lunch. Though they were extremely busy, they had a spot for me and given the choice, I actually like their food. Plus, they’ve got discount cards now. I had a smoothie and a salmon bagel which was more than worth its price. Once I was done, I had the time to check out a couple of shops before I headed to Yelmo Cines Ideal to watch Wicked: For Good, the second part of the Wicked film duology, starring Cynthia Erivo and Ariana Grande. I like Ideal because most of the individual cinemas have enough of a slope that I manage to see above the head of the person in the row in front of me.

Bagel and smoothie from Kawaii Café.

I ended up with conflicting feelings about Wicked: For good. On the one hand, the film felt about 45 minutes to an hour too long. There were reprises of scenes and extra focus on interactions – especially the love triangle – that I could have done without. Also, random spotlight on characters that I know, but don’t even remember if they were even featured in the first part, such as Elphaba’s nanny. On the other hand, there was no way the “ham” could have fit into just one film, considering how long the first part was already. Nevertheless, I do have the feeling they wanted to delve a little further into the authoritarian dystopia of Oz, and the character of the Wizard. After all, if you have Jeff Goldblum around, you want to feature him as heavily as you can. Either that, or the film-makers tried to show the power of propaganda in some modern societies. And not-so-subtly aim for an Oscar or two – the first instalment competed on ten categories and took home two statuettes, but the second one was not even nominated once.

Wicked: For good focuses on the second act of the Wicked musical, based on The Wonderful Wizard of Oz. If the first half tells the story of how Elphaba “becomes” the Wicked Witch of the West, the second focuses on how that affects her. It surprises me though how come people were not anticipating the hit the Wicked film was going to be. When I went in for the first movie, it was just a regular release. This time around, we had a photocall and staff wearing witch hats and handling magic wands.

Wicked photo-op cardboard with all the main characters.

Cynthia Erivo does a good job on Elphaba, but in the end, it’s not that hard to portray her as a sympathetic character, since the watcher is the one privy to all her struggles and goals. However, Ariana Grande delivers a fantastic performance – I had watched the musical thrice at this point (four times now), and it is the first time that the character of Glinda has actually touched me. Grande’s approach gives a depth to the “good witch” that it’s often overlooked. The spotlight on her did not feel as a filler to me, and her voice breaking during I couldn’t be happier is a fantastic touch.

There is something I have realised though – if they decide to turn this into a franchise, I don’t think I’ll follow it. I would not have developed such a big emotional connection with Wicked if my first contact with it had been the films – they are way too long. The musical is just the bare minimum to tug at your heart, no fillers. How I wish I had seen the original New York production though…

The film has a few strokes of genius, mostly homages to the 1939 movie The Wizard of Oz, especially how the character of Dorothy, who is only insinuated, is a carbon copy of Judy Garland’s rendition, down to the dress and hairstyle. Furthermore, the wink to Margaret Hamilton’s cackling laughter and Glinda’s reaction – akin to what new generations would have, being absolutely flabbergasted by it – is hilarious.

Speaking of new and generations. On my right, a group of university students who spent most of the film bawling. On my left, a couple – one of them was a fan, the other one had no idea what was happening, and guessing along the way. Further on that side, a little girl loudly wondering what was going on half of the time. The joys of going to the movies at the weekend.

Upon leaving the cinema, I would have usually walked to the train station, but I had no trains. Thus, I had to go to Puerta del Sol to catch the underground. It was packed. I had not realised that they were turning on the Christmas lights that evening! When I had to change, the crowds in the corridors actually felt dangerous, and I was relieved when I could get to the platform in the opposite direction. That was stressful for a few minutes. I was lucky, though, that the first station was not closed and I could get in.

Once in the Avenida de América hub, I bought a coach ticket to get home – thus learning about the “next bus” tickets. Afterwards, I boarded the first scheduled service, which was on time, direct and ran into no traffic jams. I had been fortunate enough to park near the coach station, so I was home within a little over an hour after boarding. All in all, despite the lack of trains, transportation worked smoothly. I saw everything I wanted to, and I had time to spare, the weather was nice and I saw the film spoiler-free. A rather successful day, I’d say.

9th March 2024: Minerals, fossils & trains (Madrid, Spain)

I might not be the most people-person ever, but if there is something that makes conventions extra fun, it is seeing attendees unapologetically geek out about what they love – in the case of Expominerales, that would be… rocks. Of course, this is an over-simplification. Expominerales is held yearly in the mine and energy engineering school Escuela Técnica Superior de Ingenieros de Minas y Energía (ETSIME) in Madrid. The year 2024 marks the 43rd edition of the event, which is considered one of the most important fairs in Spain in the topic of Earth Sciences – minerals, fossils, gems, and meteorites are widely available to the public. Aside from the small historical museum Museo Histórico-Minero Don Felipe de Borbón y Grecia, there were dozens of exhibitors with all kinds of items for sale, ranging from a few euro to several thousands. These year there were a few lectures, too, and coincidentally, the two of them I was most interested in happened on Saturday, one after the other.

I arrived at the ETSIME around 11:00, and I walked around the stands a couple of times. I have to say that I wanted everything, but I set a budget and I was able to stay around it, after shopping and lunch. At noon, I settled to listen to the lectures – one about the rehabilitation of an ancient gypsum mine in a hamlet called Hornillos de Cerrato, in the area of León. The other one versed about the uses of an already-rehabilitated one in the south of Spain, home to a huge geode. Both of them were pretty interesting, though the conference room was freezing. Someone had forgotten to turn on the heater there, it seemed…

Expominerales 2024 at ETSIME

After the two conferences, I had a last round to buy a last thing, so in the end I bought an iron-meteorite pendant, a fossilised shark tooth pendant, a plesiosaur tooth, and a soil sample of the K–T boundary. A plesiosaur was a marine reptile with flippers, a short tail and a long neck. The K–T boundary (now named the Cretaceous–Palaeogene (K–Pg) boundary) is the theoretical layer of iridium-rich black sand that was formed by the meteorite that caused the extinction of non-avian dinosaurs – and basically most life at the time, in one of the great world-wide extinctions in the history of Earth.

Shopping from Expominerales

At 14:30, I had a reservation for lunch at a Japanese franchise called Ramen Shifu. While I had originally been looking forward to trying the ramen (and I got my hopes pumped up when I read that they were Hakata ramen style), the noodles were rather disappointing. Fortunately, the okonomiyaki – Japanese pizza of sorts, made with a base of cabbage and topped with sauce and bonito flakes, was all right. On top of everything, paying was stupidly difficult because they did not have change.

Shifu Ramen ponzano - okonomiyaki and ramen

When I came out of the restaurant though, it was raining like crazy. I pulled out my umbrella and hopped towards the closest underground station, as my next destination was inside the metro system – one of the Underground’s museum network Museos de Metro de Madrid the collection of classic trains Estación de Chamartín: Exposición trenes históricos, inside the Chamartín stop. The exhibition displays four historical trains, restored from among the first ones that ran under the city, and some memorabilia. It was a bit underwhelming – more like false advertisement. I hoped I would be able to snoop inside the trains, since that was the photograph that opened the webpage, but unfortunately they were cordoned off. There was however a map with the works by Antonio Palacios in Madrid, which will become handy eventually.

Classical Train Exhibition Madrid

Afterwards, I just headed off towards the train station and got back home.

16th December 2023: A day out of ExpoGema (Madrid, Spain)

Since the mineral expo ExpoMinerales back in February was all cool and fun, I decided to attend its shinier (and unbeknownst to me, way more unaffordable) sibling, the gem expo ExpoGema, and make a day out of it. Thus, I headed out for Madrid on the 9:00 train with temperatures below zero – I was not made for winter. It was not much better when I arrived, but for once the train ride was uneventful, I actually made my connection, and it seems that after a chaotic year, the underground train tunnels are finally open. Everything going smoothly gave me some unexpected 45 minutes to wander around as the square Puerta del Sol slowly became fuller and fuller with people.

I had booked a guided visit through the company Madrid en Ruta, who has the exclusive concession to show the business centre Casa Comercial Palazuelo. Located in downtown Madrid, it was designed by architect Antonio Palacios. The promoter, Demetrio Palazuelo, bought the lot left behind by a fire, and commissioned the building with the goal of renting it out to shops and professionals – it was thus the first office building in Spain conceived as such, and not repurposed from a manor or an apartment building. Palacios drew inspiration from the Chicago School commercial architecture and used iron to stabilise the building, which allowed him for bright interiors using lots of glass. The office building was erected between 1919 and 1921, and the offices are still rented out today, with the only caveat that the beautiful interior translucent-glass doors have been painted white – to either protect privacy or hide the fact that today the house seems to be almost empty – at least according to the building’s own directory.

The exterior façade could be considered eclectic – the main frame tends to neoclassicism with huge glass windows framed in black iron. The interior tends towards Art Deco and modernism. The offices are distributed around a central indoor patio, with curved balconies that overlook it and lots of lights mainly due to the skylight. There are two classical lifts which are the original ones, in peartree wood. When we went up, I took the stairs, which have white treads, and the riser is made out dark green ceramics. I have seen these in other works by Antonio Palacios.. The interior, with the iron balustrades and its curvy design, was really cool, but I think it is really a pity they painted over the glass.

Interior of Casa Palazuelo

The visit started at 11:00. We spent the first fifteen minutes outside getting context, roughly half an hour inside, and the last twenty minutes on the roof of the building, waiting for the clock of the Puerta del Sol to strike 12:00, then we were ushered out. I really wish we could have wandered the house a little bit, even if we could not go into the offices. The ten euro we paid surely did not feel like we were paying customers, but more like we were sneaking around like unwanted guests – which we probably were anyway.

Puerta del Sol from the roof of Casa Palazuelo

I grabbed a quick snack then and headed off towards the engineering school Escuela Técnica Superior de Ingenieros de Minas y Energía (ETSIME) for the sixth edition of the gem fair ExpoGema. The fair itself was neat, but most everything was way above my budget range. I was there at the typical Spanish lunchtime, there were few people, and most were at the stands. Thus, I had the museum Museo Histórico-Minero Don Felipe de Borbón y Grecia almost completely to myself. I really like old-style museums, and this one has a huge amount of specimens, most of them are minerals, but there are also fossils and a collection of cave bear skulls and bones. I had decided not to book any guided visit or activity as none happened within the couple of hours of lunch downtime.

Geology Museum at Etsime

I bought an ammonite pendant, a small pyrite with almost perfect right angles, and another pendant made with a small meteorite from Campo del Cielo, along with a tiny extra piece. Campo del Cielo is an area in Argentina where four or five thousand years ago an iron meteorite fell. The meteorite shattered upon entering the atmosphere and, when it impacted the surface, the different created up to 26 craters. About 100 short tonnes of a fragmented iron meteorite have been recovered to date, and I now own around four grammes of it – yay me. I did not buy any precious stone though since the pretty shiny rocks were way out of my budget.

Expogema 2023

I left the ETSIME and I walked towards the square Plaza Pablo Ruiz Picasso, where there is a temporary art installation called El Regalo (The present) by Amigo&Amigo, a studio specialising in art installations. The artwork comprises a few arches that end in pads that can be stepped on – when they are, music sounds. The day was still bright, so the artwork was not shining, but a bunch of kids jumped on the pads to keep the music playing.

El Regalo artwork

Afterwards, I took a train and headed off towards central Madrid again. I had a reservation for an afternoon tea at NuBel, an “avant-garde gastronomy space” in the modern art museum Museo Reina Sofía. I had been drawn to the place due to the “freshly-baked scones” they advertised.

The experience was beyond disappointing. First, I had to wait to get seated, but then the person who checked me in forgot to notify that I was there – this is what I assume happened, I was literally told that “the kitchen had forgotten about me”. The set menu took 40 minutes to come out, and the scone was cold anyway, so not even freshly-made. I had got a decaf latte that was also cold when the food came.

The menu, 16€ as I don’t drink alcohol, consisted of: two mini-sandwiches – the two of them had been made from the same bread slice, so you can imagine the size, with some kind of mayonnaise filling which was not bad but rather unidentifiable; one shot-sized glass of (pre-made) gazpacho; one scone; a piece of red velvet cake; a piece of carrot cake; one chocolate brownie; a side of cheese cream, butter and jam; and in my case the already-stone cold decaf latte.

Nubel afternoon Tea

The scone was cold – so much for freshly-made, the only thing that had kept me waiting. Furthermore, the cheese cream, albeit nice, did not fit it like at all, so I had to use butter on it. I laughed to myself thinking about “the horror!” while I clutched my metaphorical pearls. The red velvet was probably the best, but in general the cakes were too sweet – good thing the menu included free tap water. Afterwards, I was comped another free decaf as an “apology for the delay”. However, when I tried to pay, more drama ensued. First the card-reading machine was not working, then they could not take cash because they were balancing the register, then they could bring the machine to the table. All in all, I spent almost hour and a half there – about five minutes waiting to be seated, forty minutes waiting for the tea set, and twenty minutes trying to pay. I’m sorry to say I did not tip, nor do I plan to ever come back.

I missed my train due to the paying delay, and I had to wait almost half an hour for another one. I hung out the Christmas market for a bit, and looked at the lights around Puerta de Atocha station. As it was cold, I walked in and went to check out the original train station, now turned botanical garden. I had never stopped to look at the iron ceiling, just at the plants – and the tortoises people used to dump there – but there had been an old photograph during the Casa Palazuelo visit that made me want to look at the building itself, and I recognised that old station in today’s building, with its wrung iron columns. Funny, how you can look at the same old things and recognise them.

11th March 2023: Rocks from the land and fish from the sea (Madrid, Spain)

Back in 2018, when going to Madrid’s Geomineral Museum (Museo Geominero), I stumbled upon an event in the Mining Engineering University – something called Expominerales. At the time, I did not have time to explore it, and only later did I realise what I had missed – an international fair for the trade of minerals, rocks and fossils. I made a mental note to check the event out the following year, but something came up and I completely forgot about the whole thing. In 2020 the pandemic struck, and finally in 2023, almost five years to the day, I went back to this event held in Madrid.

Expominerales is held yearly at the working engineering school Escuela Técnica Superior de Ingenieros de Minas y Energía (ETSIME), which offers the bachelor’s degree in Mining Engineering, and the one in Energy Engineering (whatever this last one is). The first weekend of every month, the school organises a “mineral-world flea market”, and the second weekend of March, it hosts an international mineral, gem and fossil fair, with shopping stands and different workshops and activities. After a few cancellations due to Covid, it returned in 2022 and it’s back to its former glory in 2023 – Expominerales XLII, the 42th edition of the fair.

The ETSIME in Madrid. Pink-and-white building from the 19th century, accessible through stairs, with flags hanging over the door

Mining Engineering became a formal education path in Spain in 1777, originally in the town of Almadén, a mercury hub. The school was moved to Madrid in 1835 and a two-building campus was ordered. The historical building in the ETSIME (M1) was designed by architect Ricardo Velázquez Bosco, and decorated by ceramist Daniel Zuloaga between 1884 and 1893. The second building (M2) was damaged during the Civil War, and has suffered several modifications to accommodate classrooms and laboratories. The premises also include a reproduction of a mine, Mina Museo Marcelo Jorissen, however this one is closed for renovation – a lot of that seems to be going on around the university, since part of the decorations of the buildings are also covered.

The M1 historical building has a central cloister with an ironwork colonnade. The building is rectangular, and on the short sides there are two symmetrical wards. One holds the historical mining museum, the other one the historical library. The central cloister is the main area where Expominerales is held, on the ground and first floor. On Saturday, the exhibit opened at 10:00, and we were there a bit later in order to sign up for the first guided visit at 11:00 (3€) – we wanted to take it so we had access to several rooms that would otherwise be closed to us. The idea was being there before families with kids started arriving and the activities became overcrowded – it turned out in the end that most the activities were indeed organised for children, so it did not really make a difference. Furthermore, the visit we feared full only had 6 attendees.

We had one hour before the guided visit that we spent looking at the stands on the ground floor on the M1 building. The guide was a student who might have been partying the previous night, because he sounded a little out of it – forgetting info and words, even things related to his own degree.

First, we went to see the mineral collection, the origin of the historical museum in the M1 building, Museo Histórico-Minero Don Felipe de Borbón y Grecia. The mineral collection was started in 1831, and throughout the years it was increased with new minerals donated by different institutions. It was later expanded to cover palaeontology and historical artefacts related to mining and other earth sciences. Though a lot of the displays are scattered throughout he building, the original museum dates from the 19th century, and it has four sections: the mineral collection, the fossil collection, the cave bear collection and the mining archaeology section, totalling over 10,000 items.

The historical mining museum at ETSIME Madrid. It is a large ward with cedar wood shelves from floor to ceiling, filled with rocks and fossils. The picture also shows some close-ups of rocks, two cave bear skulls, and a cluster of fossilised snail-like animals

Today, the museum is named after King Felipe VI, who visited the museum in the late 1980s after the university reached out to him to propose the name. The then prince came to visit then, and the name “the king’s stairs” was given to the set of side stairs he used – Escaleras del Rey.

We also visited the small hall where candidates read their theses, a little hall with spectacular ceramic tiles by Zuloaga, and finally the historical library, with obsolete but cool volumes. The library also dates back from the 19th century, with the walls covered in wooden shelves, with a small metal staircase to access the upper balcony. Unfortunately both this one and the one in the museum were cordoned off.

Library in ETSIME. It is a large room with cedar wood shelves from floor to ceiling, and a spiral staircase.

The visit ended at the lecture hall on building M2, one of the few remaining areas of the original design. It is a marble room with wooden benches and decorated windows that represent the original subjects taught to Mining Engineers. After we were left off, we sat down at the cafeteria for a drink.

Lecture hall in ETSIME (Madrid). It's a marble room, rather dark, with smoked windows representing different subjects of the Mining Engineering Degree

We recharged batteries, and then we had a look at the stands on the first floor of the M1 building, alongside the collection of apparatus that they had. Afterwards, we decided to separate in order to do shopping. Expominerales hosted over 30 stands, national and international.

Expominerales. A view of the ETSIME cloister from the second floor, showing different stands and lots of people peering curiously

I, being the nerd that I am, got myself a tiny slice of iron meteorite (from Geoterra Minerals), a mosasaur fossilised tooth (from Carlos Hammann, who also had amazing megalodon teeth that I will never be able to afford), a decent-sized of recrystallised bismuth (from Rossell Minerals), and a small piece of black tourmaline (from The MineralShop) – all for 51€.

Collage: a fossilised tooth, a bit of mineral in metallic colours, a slice of meteorite with silver orthogonal markings, and a bit of shiny black rock

When we met again, it was a bit past 13:30. There were too many people by then – families had started arriving, so we decided to leave. We had booked at a nearby restaurant for lunch, and they did not mind accommodating us a little earlier. The restaurant, called DeAtún Ponzano specialises in tuna dishes – particularly Atlantic bluefin tuna (Thunnus thynnus), sustainably caught in the Straight of Gibraltar.

Before overfishing was even a thing, Phoenicians settled in the south-west of Spain somewhere between the 9th and 7th centuries BCE – the city of Cádiz, credited as being the longest-standing city in Europe, may have been the first port. The Phoenicians observed that the bluefin tuna migrated from the Atlantic to the Mediterranean every year around the same dates, and later they came back to the ocean. These guys came up with a very simple technique – that was later developed further by the Romans and perfected in the Islamic period: the almadraba.

An almadraba is a portable but complex net which is lowered for the migration period. The bigger fish are funnelled into a box-like construction, and the smaller ones swim right through it. Once the almadraba is full, a number of fishing boats lift it in a process called levantada (raising). Expert fishermen walk onto the nets, discard any small specimen that might have been trapped, and choose the tuna that will be sold, generally individuals heavier than 200 kg.

Since the fish are selected on a case by case basis, the amount of both the catch and by-catch is small in comparison to other fishing methods. Both the seasonality and craftsmanship of the whole process make it much more sustainable than others – of course, this also causes fewer pieces in the market, which in turn increases the price. Furthermore, all the fish are wild, hand-picked, and only bled out when they are loaded onto the ship. Thus, the quality is extremely high. Another factor that makes almadraba-caught tuna more expensive is the fact that walking onto the levantada is dangerous. Fishermen have been seriously hurt by struggling tuna, as some of the fish might weigh up to 500 kg.

Working almost exclusively high-quality tuna means that DeAtún is not a restaurant on the cheap side of things. I’ve actually traced down their tuna provider and the prices are rather cost-adjusted for almadraba-caught tuna. There’s another thing to consider, too, which is that the Spanish law forces restaurants to freeze fish that is going to be served either raw or quasi-raw, at least for 24 hours at a temperature under -20 ºC – this is done to destroy a fish parasite called Anisakis, which can cause stomach distress and serious allergic reactions. Apparently, the perfect temperature to keep the tuna properties is -60 ºC. So yay Anisakis-safe almadraba-caught tuna all year round (though it’s true that the freezing law makes it impossible to eat fresh tuna raw).

We got a welcome tapa of boiled potatoes with olive oil and herbs (“papas aliñás”), a favourite from southwestern of Spain, the same area where the almadraba tuna are caught. We shared some European anchovies (Engraulis encrasicolus) “anchoas del Cantábrico” with tomato and toasted bread. These anchovies are salted for at least six months, cleaned, and stored in olive oil. They have a strong flavour, and are not everyone’s cup of tea, but I adore them. We also shared a portion of “ortiguillas” (Mediterranean snakelocks sea anemone Anemonia sulcata, battered and fried), also typical of the south-west – I’ve never been much of a fan though.

Lunch at DeAtún. Collage with a potato salad, anchovies and battered seafood balls

Finally, as my tuna preference is raw, I was wondering whether I wanted sashimi or tartar. In the end, I decided to try a combo (“trio DeAtún”): tuna sashimi (slices), tuna tartar (dice) and tuna tataki (heat-sealed slices), with a side taste of different sauce emulsions – wasabi, kimchi and curry. The tuna cuts used for these preparations (descargamento and tarantelo) would be the otoro or toro Japanese cuts, which are appropriate for raw preparations – technically the best ones, fatty or very fatty meat. I don’t love tataki, thus my original reticence to try this combo, but it was good. My favourite bit was the sashimi though, the tartar was missing a bit of spice.

I was offered chopsticks to eat the dish, and I accepted – easier to handle the fish. That apparently made the maître think that I had been the one choosing the restaurant, because in his words I “seemed to be an expert, chopsticks and all”. That was hilarious – I mean, why offer chopsticks if you don’t expect them to be accepted? For the record, although I booked the table, I did not choose the restaurant – it would have been a little on the “too fancy” side for me. The truth is, there were a bunch of very-elaborated dishes that we decided to give a miss, and we went for the raw tuna.

Lunch at DeAtún. A plate with three tuna cuts. The centre is round, and rose-like, and the sides are extended on a line. The fish is uncooked and it looks dark red. There's a similar dish in the background, with more cuts

Desserts were okay, but not the reason we had chosen this place. The point was eating tuna – raw tuna in my case – and the restaurant delivered. I was however amused by tables around us refusing the raw options even when the chef himself came out to greet them and recommend the dishes (someone over there must have been an acquittance, I don’t really know). Finally, we set back home to compare treasures and plot going back to Expominerales in its 2024 edition – at a time where we can snatch some discounted rocks.