I took early trains to have a lot of time to get to the airport from Ueno [上野], because I did not know how much the wind could have affected transport. Not much, aside from the Ueno lift. I should have known that Takadanobaba lift was not going to work either. And then there was Narita, security, customs, boarding and going home using a slightly different route, but that was it. It was all over again ヾ(TωT ).
First thing in the morning, after D****e left for work, I got packed (hoping that my suitcase did not get lost again). Later, I went to Odaiba [お台場] on my own as she was working. It was my last HYDE live for the season, and my last day in Japan, too. It was windy and it rained on and off, but it was not bad especially considering that there was a super typhoon in Osaka that had slammed a ship against a bridge and cut down communications to the airport… I mean, compared to that I won’t even complain that my hairdo went to hell because woah there. I just had to not worry about my own flight a few hours later.
I checked out the Venus Fort to check if there were any new goods, but as there were not, I moved on. There are two exhibit rooms about cars in the area. One deals with newer and racing cars – MegaWeb Toyota City Showcase [メガウェブ トヨタ シティ ショウケース].
The other one is quite the opposite, and focuses on classic and historical cars – History Garage [ヒストリーガレージ].
It was at this time 12:55, so I hurried to the giant Gundam that stands in front of the Diver City. I wanted to check whether it moved at 13:00 and I was lucky. It changed its helmet and all (≧∇≦).
After that, I went to eat get some food. The food court in the shopping centre was not too busy as it was a weekday, so I decided to sit down and have some ramen. I really love the way they prepare eggs for ramen, so I wanted ramen with egg. Unfortunately, could not read the super long name of the ramen to save my life, so I just asked for it using the number. The girl just turned to the kitchen and ordered ‘tamago’ (egg), which was pretty frustrating.
Once I had eaten, I went to see the waves, because even if the typhoon was making its effect known, and I am still fascinated by hot storms. Odaiba is, in the end, an artificial island in the middle of the bay, so it makes strange patterns sometimes.
And I got a drink at Starbucks.
I joined the people wait for HYDE to come in, waved hi at him, and thought that he did not look too awake. Afterwards, I decided that I had not spent enough in this trip (sarcasm). Thus, I went to buy something else: since I liked HYDE’s opening act STARSET, I wanted to get their CD and M&G experience, which included a handshake and an autograph. I felt that they had done an awesome job and deserved the credit and the cheering.
Once D****e made it, we went inside. By now, I had figured out what I had found amiss on Saturday and Sunday regarding HYDE’s live 2018 and made peace with it. Or maybe it was just my last day, and I really wanted to enjoy myself. I found a good spot in Zepp Tokyo – one thing I really like about going to converts there is that they keep the barriers up to separate the areas of the floor. That allows me to lean onto something and I don’t need to stay back to have something to hold on to, so I can get rather close even when I’m tired or sore. This time it was even better – since I was closer than usually, I managed to find a petal from one of the roses HYDE threw as goodbye at the end.
STARSET’s setlist:
1. Frequency
2. Carnivore
3. Gravity Of You
4. Telescope
5. Monster feat. HYDE
6. Ricochet
7. Bringing It Down
8. My Demons
HYDE’s setlist:
1. Fake Divine
2. After light
4. Out
5. Set in Stone
6. Don’t hold back
7. Zipang
8. Who’s gonna save us
9. 監獄ロック [Kangoku Rock]
10. Rise or Die
11. Lion
12. Two Face
13. Devil’s side
14. Midnight Celebration II
(pause)
15. Kiss of Death
16. Ahead
17. Rise up
18. Ordinary World (Duran Duran cover)
After HYDE’s concert was over, I put my rose petal away, and I found my way towards the STARSET M&G. They were were extremely nice. We were around ten people, and they paid attention to each of us and they shook our hands (whoops, I forgot to take my wristband off). They were pretty patient and nice to everybody. Even after they left the venue, they were willing to sign items for people who had not purchased their merchandise (even though 3,500 ¥ for CD and signature is almost a gift).
Finally we got home and D****e helped me so I got my trains sorted out to go to the airport the following day.
I walked towards Nakano [中野] again – realising that Nakano Broadway [中野ブロードウェイ] is in walking distance has been a problem – and the Aoyama Daiso where I got some stupid things, basically fake nails, stickers to put them on and blue mascara.
On my way I reaffirmed the existence of Tōkō-ji [東光寺]:
Then I came across Araiyakushi Baishōin [新井薬師梅照院]:
Once in the Nakano Broadway [中野ブロードウェイ] building I checked out the shops and jumped on the train to meet B**** for sushi (not killed in front of us, thankfully), and drinks and talking. This time we were not at Starbucks spending my voucher, but at Tully’s spending hers. Afterwards we were having a look at the make up shops in Shibuya 109 and Super-Donki. It ended up with me buying some red eyeliner.
Four our last dinner B****, D****e and I got shabu-shabu. In all honesty, I wanted curry but it has not sat well on my stomach the last few times, so now I’m afraid to try ｡ﾟ(ﾟ´Д｀ﾟ)ﾟ｡ ← most of the tears are because I had to say goodbye to B**** anyway.
It was raining that morning when D****e and I walked out and headed towards Shin-Okubo [新大久]. The weather actually turned so bad for a while that around halfway, we just walked under a bridge to wait the worst of the downpour out. By the time we arrived at our destination, though, it had cleared out. We were walking to Kaichū Inari Jinja [皆中稲荷神社], also called Minna Ataru no Inari.
The shrine is dedicated to the kami [神] Inari [大稲荷], one of the most important deities of the Shinto mythology, the kami of fertility, rice, tea, sake, agriculture, and worldly success. Inari is said to use foxes as messengers. Shrines dedicated to Inari often have a lot of torii gates, usually offered by business in search of that success, and stone fox guardians. The most famous Inari Shrine is Fushimi Inari Taisha in Kyoto.
The legend surrounding Kaichū Inari Jinja tells that after the introduction of firearms in Japan during the Edo Period, a battalion was stationed near the shrine. The captain could not shoot well, no matter how much he trained. The deity Inari appeared to him in a dream, and after he went to the shrine to say thank you, he became a great shooter. Not only him, all of the battalion went to the shrine and they became good shooters. Both “Minna Ataru” and “Kaichū” translate as “hit all the targets” and at the same time “everybody hits”. Kaichū Inari Jinja became “the Inari shrine of everybody hits the target”, Minna Ataru no Inari Jinja. The news spread, and eventually people from the whole country started visiting so their wishes came true. The shrine’s relation with firearms was constant until it was burnt down in WWII.
Nowadays, Japan does not have firearms, but people still want to hit… for concerts! And thus Kaichū Inari has become the fan-shrine, where people go to pray to hit for lotteries for concerts and events!
I’m not even kidding. Kaichū Inari Jinja is also known as “the fan shrine”. In Japan, you do not queue for concerts. Instead, your ticket has a number printed on it, and you enter when it is called. However, there are different series of numbers. The best tickets are offered within the artists’ fanclubs, and if there are more requests than tickets, these are assigned lottery-style. Fanclubs also have lotteries for other privileges such as attending trips and exclusive events, VIP meet&greets or special merchandise – when I belonged to Gackt’s fanclub I hit for fanclub tickets for the Last Visual Live and his birthday dinner. People want to “hit” for these tickets, and somehow Minna Ataru no Inari became the shrine to go to pray for that. Fans go to the shrine to offer a prayer, then they write what they want in volition tablets called ema [絵馬], which are then hung in the shrine premises. Much nicer “hits” that the ones which kill people.
After visiting the shrine, we headed off to Odaiba [お台場] again, to meet with N***chan for lunch. We made a short visit to the Unicorn Gundam beforehand, but it was not moving.
Then we went to have lunch at an “Osaka delicatessen” restaurant at the Venus Fort. I ordered Takoyaki (buried in katsuomi (≧∇≦)) and kani koroke (octopus dumplings with bonito flakes, and crab dumplings). Yummy! Apparently other people’s orders were not as great though…
Afterwards, we headed to Zepp Tokyo for the second concert of HYDE’s Live 2018 concert, again with STARSET. Impressions were similar to the previous day. I really enjoyed STARSET, who played the same songs, and I again had mixed feelings about HYDE’s – not bad but… could have been better. I had not figured out my problem with the disconnected act yet.
Setlist:
1. Fake Divine
2. After light
4. Out
5. Set in Stone
6. Don’t hold back
7. Zipang
8. Who’s gonna save us
9. 監獄ロック [Kangoku Rock]
10. Rise or Die
11. Another Moment
12. Two Face
13. Devil’s side
14. Midnight Celebration II
(pause)
15. Kiss of Death
16. Ahead
17. Rise up
18. Ordinary World (Duran Duran cover)
After the concert we had tickets to visit the MORI Building DIGITAL ART MUSEUM EPSON teamLab ★ Borderless. This is a pretty much interactive museum that relies on technology and light to create art – or at least pretty things for you to play with. D****e, N***chan and I were very lucky that it was open late, so we could go after the concert. There were few people there and we could be silly around it. Part of the museum was closed because some TV station was there doing interviews though, and even then it was worth the visit.
Most of what you see in the Digital Art Museum are light projections. You’re encouraged to interact with them, even create some of them that they will project for you. We saw a butterfly and flower area, pink elephants, kangaroo, waves…
I enjoyed a couple of the exhibits particularly – one of them was a light water fall, in a room that had kanji shadows on the walls. If you touched them, they turned into what they represented. I also liked the whales made of light and how peacefully they moved and floated. There were some other interactive exhibits that were very fun, like the… egg-balloons thingies which you could prance through or make float.
Afterwards we had some dinner and left for home.
In the evening, the first concert of the HYDE LIVE 2018 tour took place in Odaiba [お台場]. Luckily, I was going to be able to attend three shows in a row. Since it was a Saturday, we decided to make “a day” out of the concert and headed towards the area. There was an offer going on, so buying ten Yurikamome tickets would be cheaper than going to the three concerts using the usual underground system, so we decided on those.
The concert was in Zepp Tokyo, next to Venus Fort. And what do you do before a concert? Queue. In Europe it is so you get in first, in Japan, since tickets are numbered, you do not do so. You queue to buy goods, because they sometimes run out – at least that’s how people justify it. Unfortunately, not all the announced goods were on sale yet, which was disappointing. At least we did not get a sunburn while waiting, as we were prepared for rain and thus carried an umbrella-turned-parasol against the merciless sun.
After we had bought our goods, D****e and I went to have lunch at the Venus Fort. We surveyed the places and ended up in a yakiniku place which was almost empty, and still had a long line of people waiting to get in. Things I’ll never understand. Food was good, though.
The concert was HYDE’s new solo project. After VAMPS disbanded a few months back, this was my first concert watching him. It was a strange situation, because the feelings were very bittersweet. It seems that HYDE has been trying hard to do damage control on the band break-up and has put a couple of singles out this summer, along a bit of a haphazardly-organised tour. He could probably not afford a show-less summer.
This time there was an opening act, progressive-rock band STARSET, who have a very distinctive style that I liked pretty much. The band itself is composed by four men: Dustin Bates (lead vocalist), Ron DeChant (bass), Brock Richards (lead guitar) and Adam Gilbert (drums). They were touring with two back-up members: Mariko M (cello) and Siobhán Cronin (violin). DeChant, Richards and Gilbert played their whole set wearing full-astronaut suits, and I have no idea how they did not die of heatstroke.
STARSET’s opening act took around 45 minutes. They were opening for HYDE as part of their promo in Japan – they actually collaborated with him for a re-recording of one of the band’s hits, Monster. At first, the audience had no clue about when and what to chorus, but it caught up quite quickly. When lead singer Bates managed to get the interaction he wanted, he visibly brightened up, which was cute.
Setlist:
1. Frequency
2. Carnivore
3. Gravity Of You
4. Telescope
5. Monster feat. HYDE
6. Ricochet
7. Bringing It Down
8. My Demons
After the STARSET show, there was a short intermission, and then not a countdown to zero but a “countup” to 666, which may have lasted about five minutes. In total, maybe about 20 minutes.
Setlist:
1. Fake Divine
2. After light
4. Out
5. Set in Stone
6. Don’t hold back
7. Zipang
8. Who’s gonna save us
9. 監獄ロック [Kangoku Rock]
10. Rise or Die
11. Lion
12. Two Face
13. Devil’s side
14. Midnight Celebration II
(pause)
15. Kiss of Death
16. Ahead
17. Rise up
18. Ordinary World (Duran Duran cover)
There was something weird in the show, something amiss that I was not able to put my finger on until later. It felt… incomplete. Disconnected. Zipang was like a power-ballad lacking power, there was something strange about Devil’s side, HYDE’s guitar was the most powerful one in Ahead. It took a while to put my thoughts in order to understand. On the one hand, it felt that HYDE had half an album ready, and filled the rest of the concert up with other songs that he owned the rights to. On the other hand, it felt that what was played was either not completely arranged or not rehearsed enough. It was not that the musicians were bad, they just felt… out of synch. Like… there was “noise” where there should be music, and each of them was playing a different tempo.
In contrast to the music, someone had put a lot of thought on the visuals. The stage was decorated with a cyberpunk background, with a lot of neon and LED lights. HYDE was also going with a mask theme. He used one when he came out to echo STARSET’s Monster, and he kept the mask on for the fist couple of his own songs, and all his supporting musicians wear them too, they don’t take them away. He also brought in a retractile throne that went to the centre of the stage and back, so he could appear from behind it, or sing sitting (or flopped) down. This show is about HYDE and HYDE alone – he wants to feel like “the only one” and have exchangeable musicians, it feels.
Among the new songs, my favourite was Out – the lyrics read something akin to “I’m not afraid of standing out. A hundred devils messing with my head again. I won’t pretend, I won’t back down, I’m not afraid of standing out”, and they resonated in a way usually only Yoshiki’s songs vibrate with me. I think I could have done without the VAMPS songs though, but I guess that without a whole ready album, HYDE sang whatever he owned rights to.
Also, I think I bought too many goods: a python necklace, gummies and gaccha.
After the concert, we just went home to get some rest.
I went to Minato [港] because Tokyo Tower [東京タワー ] is there, and I love Tokyo Tower. My first stop, however, was Shiba Koen [芝公園], to visit a certain tree. However, the park was under construction! Who the hell closes a park for construction?! (O_O)!
They have reopened the upper observatory in Tokyo Tower so of course I had to come back. It was imperative for my mental health. When I arrived I found out that they were running a “haunted house” on the basement and I decided to give it a go.
The story was of a cursed samurai who has killed 332 people and you’re supposed to be number 333. I had been wanting to try one of those for a while but in the end I did not enjoy it that much – the not seeing down the corridors was too stressful. Maybe with someone else it would have been more fun.
Afterwards I got my ticket for Tokyo Tower [東京タワー ] and the “VIP = Very impressive panorama” from the second observatory. I don’t understand why Tokyo Tower makes me so happy, but it does so more power to it. Oh oh oh and I had awesome(ly expensive) ice cream on the tower!
Afterwards I walked towards Roppongi [六本木], making a stop at the Don Quijote, a macro store that has nothing useful but lots of fun little stuff, with half a mind to buy a traditional red eyeliner or coloured contact lenses. But in the end I was strong and did not waste money (yet (≧∇≦) ).
I continued to the gardens Mori Teien [毛利庭園], and I was a tiny bit disappointed that the pond had been emptied!
And I saw that the TV Asahi [テレビ朝日] building was open for visitors, so I went to snoop into that, because of course I did.
Later I met with D****e and M*****san for a shabu-shabu dinner which was out of this world.
I took the train to Shinjuku [新宿] and I walked from there to Shibuya [渋谷] to have a thought or two at life. In my walk I crossed Yoyogi Kōen [代々木公園] and visited Meiji Jingu [明治神宮].
Then I strolled down Harajuku [原宿] – I had recently found out that the station is going to be torn down, so I had to say goodbye before heading over to the shops.
I finally made it to Shibuya [渋谷]. I had some Starbucks chocolate drink with around ten million kilocalories (≧∇≦). I went into Tower Records, Mandarake, and then Tsutaya.
Ironically, I finally took a train back to Shinjuku [新宿] to meet D****e for dinner (guess what?! In the Shinjuku MyLord!), and we saw the lights on the Tōkyō Tochō [東京都庁] (Tokyo Metropolitan Government Building).
I went to visit E**chan in her little town in Chiba. She and her whole family were super-kind to my clumsy Japanese and forms. We had lunch at her place and then she drove me to the station after a sushi dinner. It was my first time in a Japanese private car too!
Having felt so lousy the previous day I decided to take an easy day with friends. I took another Nakano Broadway [中野ブロードウェイ] trip, although I did not find anything interesting – actually I did but I decided to leave buying for later and the next time I came it would be gone. Not the item, the whole shop (≧∇≦).
I met B**** for Chinese food in Shibuya [渋谷], drinks (because we had free Starbucks!) and then I got a haircut! Not that my hair was long but it had started losing shape and it did not look neat. My hair saloon was called Number 76 and it was in Omotesando [表参道].
This was a bit of a weird experience – I got my hair dry-cut, then washed, then styled, and then I got a massage – and B**** treated me to it because she’s awesome and generous ♥
Afterwards we met with D****e and had dinner at a very weird meat place in Shinjuku [新宿] (once again in MyLord because we decided it is very convenient and it has nice places). I mean, this is a salad…
I went to the Yanaka [谷中] area in Nippori [日暮里] because I was not feeling too well and I thought it would be urban enough but empty enough. Unfortunately it did not quite cut it.
Just after coming from the station, I went to Hongyo-ji [本行寺]:
And then to Daikokuten Kyōo-ji [経王寺], whose gate is important cultural property and keeps bullet holes from the Battle of Ueno (1868).
I arrived to Yanaka Ginza [谷中銀座], a traditional shopping street. I saw Fukuyama Masaharu posters there and I found a shop that sold humoristic hanko for foreigners. I really, really fancied the idea of one with 榊 [Sakaki] on it (with a platypus drawing) but alas, extravagancy budget had already been topped by the Oiran photoshoot.
Then I walked throughout Yanaka Reien [谷中霊園], one of Tokyo’s urban graveyards, where you can see some special see-through bamboo barriers:
I also saw the Tokugawa family graveyard within, alhtough it is technically “only” the Grave of Tokugawa Yoshinobu, Tokugawa Yoshinobu Kōbosho [徳川慶喜公墓所].
And Tenno-ji [天王寺] next to the cemetery.
The truth was that I wanted to explore a few more temples in the area. However, I decided to do a Book Off, Tsutaya, etc tour because it was my last day on the JR Pass and I wanted to check out some CDs – and because my stomach was being stupid and I needed to be close to toilets. Truth be told I don’t have that much of a good memory from this day (≧∇≦), because I was totally unable to get anything to eat till dinner – boy was I hungry by then.
As there was not much to see in Niigata [新潟], we took a scenic train to the east – Niigata is famous for being ‘countryside’, and growing rice. We saw lots of rice fields.
Our destination was Aizu-Wakamatsu [会津若松], a ‘samurai town’ famous for Tsuruga castle and the story of the Byakkotai [白虎隊], a troop of young soldiers who fought during the Boshin war. Back then the ‘Aizu warrior spirit’ was a very important thing, and 19 youths committed ritual suicide when they thought the castle had fallen. This is called the Tragedy of the Byakkotai.
On the other hand, the town’s mascot is a cartoonish phantom red cow Akabeko [赤べこ]. Because why not?
We headed out to the castle first and foremost. Tsuruga-jo [鶴ヶ城] or Aizu-Wakamatsu-jo [会津若松城]. If you google it, you might think it’s pink. So did we. We were a bit on the amusedly disappointed side (≧∇≦).
But we made-do with some awesome (and ice-cold) Aizu Coke-bottles.
Within the castle grounds we found Tsuruga-jo Inari Jinja [鶴ヶ城稲荷神社].
And Kasama Inari Jinja [笠間稲荷神社].
After the castle it was lunch time so we went to have lunch in the ‘old samurai town’ which to be honest does not feel too old. On the way we stopped by Shinmei Jinja [神明神社], which was rather on the empty side, but still nice.
We ate lunch in a place called Mitsuta-ya [満田屋] to eat miso dengaku [味噌田楽]. We had a course of skewers consisting on two konjac (one with salty and one with sweet miso), fried tofu, mochi (rice cake), sweet potato, shingorou (some kind of rice croquette) and smoked herring. All these were grilled just in front of us, which was on the one hand really cool to see, and on the other, bloody hot because hey, there was a fire burning in front of us. We were told that this was typical samurai food, because it could be prepared and eaten ‘on the go’. Who knows whether it is true, but it was fun and yummy.
Once we had eaten we had to make a run to the station so we could catch the train – as the following one was two hours later – and we made it with three whole minutes to spare despite google maps saying we were too far away. And thus we were off to Koriyama [郡山], which… we had not really heard of before this whole thing? (≧∇≦). There we took the Tourist Office by surprise when we asked what we could see even if it was already ‘late’. Map in hand, we headed off to see Asakakunitsuko Jinja [安積国造神社], which was a little on the creepy side.
Then we saw Nyoho-ji [如宝寺].
And continued to the park Hayama Koen [麓山公園], where we saw the Asaka Canal Hayama Waterfall Asaka Sosui Hayama no Hibaku [安積疏水麓山の飛瀑].
And the so-called Of the 21seikiki nenkouen Hayama no Mori [２１世紀記念公園 麓山の杜], the 21st Century Memorial Park Hayama Forest.
Finally we headed back to the station area, where we checked out the Observatory in the Big-i [ビッグアイ] building.
And finally caught a shinkansen back to Tokyo, we had dinner on the go and crashed in bed when we got home.
D****e and I went to Niigata [新潟] to attend Otohige, a summer music festival.
I took in a few things:
This was not such a great experience for me as going into the pit turned out to be a good decision, causing a flare. I’ve decided to avoid festivals from now on.
In the morning, I went to the Shōbō hakubutsukan [消防博物館] or Fire Museum, in Yotsuya [四谷]. I blame my last binge on Chicago Fire for the curiosity bug to bite on that one. It was strangely interesting, but the helicopter was closed due to wind and rain – also the problem with kid friendly museums is… kids overrunning you and parents cheering for them…
Then I met B**** in Shibuya [渋谷] for sushi, and that was awesome, until we were done. Then we saw the shrimp and fish being beheaded alive in front of us. That was a shock (O_O)! After that we went for ice cream, window shopping, karaoke and dinner in Shinjuku [新宿], in MyLord building next to the station, which was really convenient and surprisingly good (and well-timed on our part). Okonomiyaki! This was my masterpiece!
(Added a lot of katsuomi to it afterwards (≧∇≦) )
After nine days on the go, mostly with the backpack on, today I took it easy as my body kind of hurt. I went for a stroll down Ikebukuro [池袋], popped into the music shops in the neighbourhood, and looked at yukata. A yukata [浴衣] is the simplified version of a kimono [着物], usually worn in summer. It is less elaborated as it has fewer layers, and it is usually sewn from printed fabric rather than embroidered one. As so, it is rather more affordable than the real kimono – most people in Japan will own at least one yukata.
I went into the ALTA Ikebukuro super shopping centre. There, I found a super beautiful, super expensive high-class yukata. I absolutely fell in love with it, but it was completely out of my budget – it was embroidered with actual silver threads. After that, it was really hard to find something else I liked.
After a few more shops, I did find a yukata in Shinjuku [新宿]’s Tokyo 135º. Ironically, I found this shop in Shinjuku ALTA, right in front of Shinjuku Station Kabuki-cho exit (this is the building that used to have the huge Kimura Takuya billboard). It seemed that the sales ladies were quite used to tourists. The assistant did not press me, and she actually offered to take a picture of me before I actually told her I would buy the yukata.
My choice was exactly what I was looking and aiming for – it has a dark background and a bit of a “goth” design, with roses in different shades, from dark red to pink.
Coming back, I got lost in Shinjuku Station. Like, very lost. Then I realised that to get to the “South Exit” you have to actually come out of the building and find it outside. Live and learn. The great thing about getting lost in Shinjuku Station was that I found all the TOKIO panels for their new video game commercial. Including one low enough to be able to “take a selfie” with Nagase.
Then I picked up D****e in Roppongi [六本木], we had dinner, and called it a day.
From Nagoya [名古屋], I got myself to Inuyama [犬山], Aichi Prefecture, to see yet another castle. This is also one of the twelve original castles and a National Treasure of Japan. Inuyama is located about 40 minutes away from Nagoya in a line I had not even heard about, so I had a bit of a hiccup finding the station. But it was no more than a tiny stumble and I was on my way at the expected time. Inuyama is a nice little town with a traditional street leading up to the castle, called “Castle Town street”.
Before getting to the castle I came across two shrines – one was Haritsuna Jinja [針綱神社].
The other one was Sankoinari Jinja [三光稲荷神社 ], which either got you a partner or protected your pets. Inclusive for people who want a partner or not, I guess (≧∇≦).
Then I hiked up to Inuyama-jō [犬山城], the castle.
I diverted from the way to get to Inuyama Jinja [犬山神社].
And I was puzzled by something called Oibokenizu Jizoudou [老い呆け来地ず蔵堂]. But it’s okay. Apparently most people are. It seems to be some kind of love temple.
Finally I met a very relaxed kitty in Akiba Jinja [秋葉神社].
With this, I left Inuyama and headed back to Nagoya, from where I took a Tokyo-bound Shinkansen. I made a stopover at Hamamatsu [浜松] because I wanted to see… yet another castle! I found my way to Hamamatsu-jō [浜松城, Hamamatsu-jō].
Next to it there is the sculpture of Tokugawa Ieyasu Wakaki hi no Tokugawa Ieyasukō-zō [若き日の徳川家康公像]. Ieyasu build the Castle and resided in Hamamatsu and was the first shogun of Edo shogunate. The castle is a reconstruction.
Finally, there is the Ieyasu Armour Hang Pine Tree Ieyasu yoroi-kake-matsu [家康公鎧掛松] which (supposedly) is where the man hung his armour when he was home (aka the original castle).
And with that I headed off back to Tokyo [東京] and D****e’s place to get some rest.
As I had made it to Nagoya a bit on the early side the previous day, I had some time to plan today carefully. The tentative plan was visiting Gifu and Inuyama, both castle towns. However, a third castle, Kiyosu, was also on the list, and it turned out that to get to Gifu, you go via Kiyosu. So there was a slight readjustment in Castle-visting schedule.
Thus I got myself on the train and 20 minutes later I stopped at Kiyosu [清洲]. I had seen the castle from the Shinkansen before, but I had never found the name until I was doing some pre-planning for this trip. Thus, it was a win/win situation. Everything seemed to be helping towards me seeing that castle this time.
Bonus points for Kiyosu: signs. Awesome, easy to follow signals reading “清洲城” in every crossing . Not in every second crossing. In every actual crossing so you can actually get to the place without even a map!
Anyway, the highlight of Kiyosu is the castle, Kiyosu-jō [清洲城]. It is not original by any means, but it is one of the prettiest ones I’ve seen. I like all the colourful stuff.
Then I snooped around Kiyosu Koen [清洲公園], the park where Oda Nobunaga Nōhime-zō [織田信長・濃姫像] stand, they are the bronze statues of Oda Nobunaga and his wife Nouhime.
Afterwards I returned to the station and continued onto Gifu [岐阜], where I took a while to figure out the bus system, but in the end I managed to get to the feet of the mountain where Gifu Castle is.
Before going into the park, I decided I would not go into the insect museum, and walked off to Shōhōji [正法寺], home of the Great Buddha Gifu Daibutsu [岐阜大仏].
I took the Gifu Safu Kinkazan Ropeway [ぎふ金華山ロープウェー] (Gifu Mt. Kinka Ropeway). As much as it seems that I am getting comfortable with the whole Ropeway thing, I’m not. For the record.
But there I went, up to Gifu-jō [岐阜城], the castle up the muontain.
Later I was wandering around the park for a while and of course I needed to go and see the Gifu Kōen Sanjūnotō [岐阜公園三重塔], the Three-Story Pagoda that stands on the slope of the park.
I was sort of tired, and it was very hot, so I took the bus back to the station, and the train back to Nagoya [名古屋]. When I got there I had rested a little, and I felt up to walking a bit in Nagoya – besides it just felt too early to go to the hotel. I walked by a cute little shrine, Yuzu Akiba Jinja [洲嵜秋葉神社].
I finally made it to Ōsu Kannon [大須観音],
and the adjacent shopping streets,
where I found Hakuryu [白龍], the white dragon.
I did some shopping in Mandarake and Book Off and I walked back to the hotel.
Ise [伊勢] in the Mie Prefecture, is a coastal town home to the Ise Grand Shrine Ise Jingū [伊勢神宮] dedicated to Amaterasu, Sun Goddess, and said by many to represent the soul of Japan. It is also, according to the legend, the resting place of one of the three Imperial Regalia, the mirror Yata no Kagami [八咫鏡]. The Grand Shrine is actually a compound, but there are two main shrines, the Inner Shrine Naikū and the Outer Shrine Gekū
I left the hotel just in time to make it to the local station and get to Ise stfation, where I checked with the Tourism office and bought a bus pass. As much as I dislike buses in Japan, sometimes it’s the only way to get around. My first stop was the Outer Shrine: Gekū [外宮].
Then I took the bus to the Inner Shrine, which was packed with people and school trips. I crossed another Uji Bridge, Uji-bashi[宇治橋].
Then walked into the Inner Shrine: Naikū [内宮].
My general impression of the Ise Grand Shrine: it felt really severe and not too welcoming, which is different from what I usually feel in Shinto Shrines. It was full of people praying at the different shrines and sub-shrines, and families with grandparents, parents and kids. There were also a lot of children in trips. In the Great Shrine, people usually pray at what is called the third level. When I was there, a woman was shown to the second level for her to pray there, which caused some outrage around the parishioners. That amused me.
After I had seen the Grand Shrine I took the bus again to head off to the coast. On the way we passed by Azuchi-Momoyama Bunkamura, and I filed it for future reference, as it had a castle. But for the time being I was heading off to see the Meoto Iwa.
I got off the bus and first I was distracted by the ocean.
Then I walked through Ryugusha [龍宮社], a dragon Shinto shrine.
I walked around the cliff and got to Futamiokitama Jinja [二見興玉神社].
Which is home to the Married Rocks Meoto Iwa [夫婦岩], two rocks in the ocean that are joined by a sacred rope and represent a married couple.
I had now some time to do something else. I considered the Aquarium, and the Azuchi-Momoyama Bunkamura [伊勢安土桃山文化村]. I decided to give myself some more time to think by taking the bus backtracking towards the Naikū, and I had almost decided on the theme park – featuring samurai, geisha and the castle.
But then I saw the price. It was over 4,000 ¥ and I had spent 10,500 ¥ at the Oiran Experience than expected, so I was a bit off-budget. Thus I decided to just head back to the shopping and restaurant area and grab a bite to eat. (Full disclosure: I might have to go back to Ise just to check this out anyway (≧∇≦).)
I had heard about ‘Ise lobster’ Ise ebi [イセエビ] (Japanese spiny lobster, Panulirus japonicus), but in the end it turned out that I only bought a koroke. It was yummy though.
After this, being already late afternoon, I decided to head back to the station, stopping by Seki Jinja [世木神社] before I left towards Nagoya [名古屋], which would be my operational base for the next couple of days.
Uji [宇治] is Kyoto’s li’l brother that nobody has ever heard about and which has a bit of a disproportionate ego. Today I set off to visit this small town, where I had not slept because it was crazy expensive. Armed with an online itinerary I got there and asked for a map at the tourist office – my surprise? One of the main attractions, the Genji Monogatari museum was closed. Because reasons I guess. Hindsight: I should have slept in Kyoto again and left luggage at Kyoto station as I would have to travel through it again.
My general impression of Uji is that it wants to climb the tourist ladder but at the same time, it does not want to carter to the actual tourists. Attractions were in general expensive and a tiny bit unwelcoming, while at the same time the people were nice in a bit of a condescending way. The demeanour of the tourist lady “what are you here to see?” was strange, and the fact that the Genji Monogatari museum, which is the reason why the town is even in the map, being closed, even more so.
My first stop in Uji was Byodo-in [平等院], a beautiful temple complex built around a small lake. Coming into the actual building to watch the paintings had an extra charge so I did not do that. Instead I snooped around the whole complex, museum, and sub-temples.
I continued my walking route skipping the tea house, because even if Uji is known for tea, it was too hot for hot tea. I got to the river, Ujigawa [宇治川], and crossed one of the bridges, the Kisen Kisenbashi [喜撰橋] to get to a small river island called Tachibanajima [橘島].
Another thing that is apparently typical in Uji is ukai [鵜飼] or cormorant fishing, which means fishermen use trained cormorants to fish. It was apparently too early in the morning for the cormorant to be out working.
I crossed then another of the rivers, the Asagiribashi [朝霧橋] to get back to main land, where I stopped by Uji Jinja [宇治神社].
Then Ujigami Jinja [宇治上神社], which is basically another building of Uji Jinja but it got separated because the Haiden is a historical monument.
I finished my walk around Uji at yet another bridge, Uji-bashi [宇治橋], famously mentioned in Genji Monogatari. Do you see a pattern here and why I’m so weirded out about closed museum?
After Uji the plan was getting to Ise mid-afternoon, but my Shinkansen was late, which lead to a two-hour layover in Nagoya [名古屋].
That meant that I arrived in Ise [伊勢] in the Mie Prefecture, around 6 pm. I had two options there – walk 45 minutes to the hotel, or wait 45 minutes for a train that would take ten minutes to get at the hotel station, and then walk for 15 minutes. I chose to walk.
Thus I came across Tsukiyominomiya [月夜見宮] just as the sun started to set. I started to notice here the ‘naked’ torii, which are typical of Ise – it means that they are not painted or made of stone, they are plain wood, usually sakaki, a sacred tree in Shinto.
And Suhara Taisha [須原大社] a bit later (though the two look… creepily similar, don’t they?)
By the time I got to the hotel I was exhausted and hungry, and maybe a bit eeried out because I had had to cross a mostly deserted area over the river as it got dark. Sheesh, was I happy when I started seeing neon again. Bonus point, the hotel had an onsen, which was great for my back (and it was near a combini, so food was also had). The hotel was such a huge complex that they needed to hand out maps so you found your way between the different areas – onsen, reception, restaurant, room!
On this day I was supposed to hike up a mountain – mount Takao to be precise. But you know what? When I woke up that morning I just did not feel up to it, so I decided to change my plans. In the end when you’re on the JR Pass you can get from Kyoto to Osaka for free. For a change, I actually got to Osaka instead of Shin-Osaka which was convenient. Then I grabbed the underground to get to Osaka Aquarium Kaiyukan [海遊館], which is actually the largest aquarium in the world.
I had been there before, but the previous time I did not get to see the whale sharks as they were ‘quarantined’. How can anyone block a tank which is in the middle of the whole damn thing, I have no idea, but they did. This time I broke even and had a blast. Unfortunately the Aquarium was packed because this was a Saturday morning, and for some reason my back was hurting a lot. I had dropped my luggage off at a coin locker because I thought it would be better. However at some points I could not really walk straight. The weight of the camera bag was too much and I had to sit down. Found a nice place to watch the sharks from, though.
After the Aquarium I went to Kuchu Teien [空中庭園], observatory in the Umeda Sky Building [梅田スカイビル] to have a look at the skyline and to get the stamp for the Japan Towers rally. I got the greatest omg-gaijin face of the trip here (and truth be told, had I known that the stamp was actually held at the reception desk and not the actual observatory, I might have skipped this). In this case the building is an attraction itself. It consists on two towers joined by some passageways and a circular platform at the top, with see-through escalators.
Next the plan was going to Dotombori, stroll down there, and eat some takoyaki before heading off to Nara where I had my hotel for the night. When I got to the station and jumped on the Osaka Loop line, it turned out that I actually was in the train that continues on to Nara… and it was air conditioned and I had a seat…
I found it a sign and decided to just go with the flow and get to Nara [奈良] on that train. Upon arriving there I checked into the hotel and I decided to go to Nara koen [奈良公園], the main Nara park, and see if I could feed a sacred shika [鹿] deer or two. This was close to 5 pm by now so all the temples would be closing anyway. I did feed the deer some shika senbei [鹿煎餅] (deer crackers), and one of the does bit me. Not even the hand that was feeding her, she actually tried to snack on my tummy. Sheesh.
As I was coming back down I had a pretty sunset over Kōfuku-ji [興福寺].
Last year I decided to take a maiko photoshoot and it was fun, so when this year I found something similar, I decided to take the plunge. In this case, it was not a maiko, but an oiran [花魁], high-ranking courtesans with flashier clothes and more expensive kimono and accessories. I timed this to be the day after the Gozan no Okuribi, and my appointment was at 1 pm, although the website advised you to be around half an hour earlier.
I woke up feeling much better than the previous day, and after leaving the hotel the first thing I did was visit Mikane Jinja [御金神社], a small temple that had at some point come under my radar because it has a golden torii. This was, again by luck, very close to my hotel.
After that I took the underground to go to the Higashiyama / Keage area, where my photo studio was. There are also a few things to see around there, so I got off at Keage Station and the first thing I saw was Nejirimanpo [ねじりまんぽ], a Spiral Brick Tunnel, also called “Twisted tunnel”. I walked across, of course.
Afterwards I found myself at the complex formed by Tosho-gu [東照宮] and Konchi-in [金地院]. Tosho-gu is dedicated to Shogun Tokugawa Ieyasu.
I continued into the temple complex and saw Nanzen-ji [南禅寺], a grand temple.
And then I stumbled onto Suirokaku [水路閣], which is, of all things, an aqueduct! Furthermore, it is still in use.
My next stop was Saisho-in [最勝院].
Then it was almost time for my appointment, so I headed towards Studio Esperanto Oiran Taiken [studio-esperanto 花魁體驗], which was pretty much amazing.
While considerably more expensive than the maiko photo shoot, but the truth is, it seems less standardised and way more professional in a way, relaxed in the other… maybe it is the fact that you get to choose more is what makes it unique to you – also I am happy to report that I could do it with my contacts in, so that was way more enjoyable. The whole thing was like a dream – it reminded me a little of the experience you get when you go to Swallowtails, a lot of people are trying their best to make you feel welcome. In this case you choose a kimono and two different covers, called uchikake, which are super heavy because they are embroidered with metal thread.
The first thing I did was to take off my clothes and put on a white “underwear” robe. I could choose a lot of things – make up style, colours, wig, nails, hairstyle to a point, eyelashes… it is very participative. After make-up, you choose the kimono and the obi – which is the real thing, a long one that they tie around you. For the photo shoot itself, you feel like a rock star for real. They put the uchikake on you, they help you with the poses, and they take a lot of pictures for you to choose which ones you want printed into a book -For the plan I bought, 25,000 ¥ you get five printed pictures in a book and can buy the rest of them on a CD (which was 10,000 extra, but in my case, way worth it, as I got 50 pictures) – one day I would love to do the VIP experience, that’d be cool, but I guess I’ll just settle for entertaining repeating a similar plan with the blue background.
While I was waiting for the pictures to be done, I decided to have a walk around the area. I saw the Biwako Sosui Kinenkan [琵琶湖疏水記念館 ], the Lake Biwa Canal Museum, from the outside.
I thought I might check out the zoo, but the price made me decide against it, and after turning a corner I found myself, surprisingly, at Heian Jingu [平安神宮 ].
I remembered there was a conbini next to the daitorii, so I went there to have some lunch, and then walked back to the Keage area, to have another look at the temple complex and Jishi-in [慈氏院] (probably. There was some construction going on and this might have been a smaller temple).
After I had my pictures (and still not quite believing it), I decided to walk down to Gion, as the path would take me down the river.
I ended up at Yasaka Jinja [八坂神社].
Then I walked into the actual Gion [祇園] area. It was more than crowded, which killed the exploring drive.
And here is when I totally forgot that I wanted to go see Fushimi Inari Taisha by night and went back to the hotel ｡ﾟ(ﾟ´Д｀ﾟ)ﾟ｡. I guess I was a bit more tired than I had previously thought, because I did not remember that until I was getting on a train the following there.
JBinnacle – A Travel Logbook 