Category Archives: 2020

12th September 2020: Sigüenza (Spain)

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We took a drive to Sigüenza, in Spain. This medieval town? big village? had a big relevance through the Middle Ages, and the historical centre reflects that. The most prominent point is the castle on top of a hill. The Castillo de los Obispos is a fortress that can be traced to Roman times. However, the actual castle was a Moorish alcazaba. After the Christians took it over in the 12th century, it was remodelled and enlarged. Due to its vantage point, the castle was a key element in different wars and strife, including the Napoleonic invasion and the Civil War, thus resulting pretty damaged. In the late 20th century it was decided to restore it turn it into a Parador with around 50 rooms.

During our planning stage we called and tried to book a restaurant for lunch, and we were told they were not taking them, we had to call on the same day. Of course, when we got there, it was impossible to book – there was a course and the celebration of a communion (seriously, people, learn to say no so others can get organised). Unfortunately, you could not see the interior or even the yard if you had no reservations, so I can only share a picture from the parking lot, where we left the car.

We walked down the main street Calle Mayor, a clobbered slope that ends (well, technically begins) at the town’s main square.

Main Square or Plaza Mayor is home to the Town Hall or Ayuntamiento de Sigüenza, an old palace with a typical Castillian inner yard or patio.

Opposite the town hall stands the cathedral Catedral de Santa María La Mayor de Sigüenza. The Gothic building was built upon a previous Romanesque one and it had some Neoclassical and Baroque additions. Thus, the façade sports Romanesque doors and rose window, and the main body is Gothic. The altar and the choir are awfully Baroque too, and some of the chapels sport Cisneros, Plateresque and Renaissance decorations. All in all, an interesting pout-pourri of architectural and decoration styles.

The most important piece of art of the cathedral, however, is a funerary piece to the right of the altar. It is the sepulchre of Martín Vázquez de Arce “El Doncel” (“The Young Man”). The chapel holds him, his parents and grandparents, but the sculpture on his sepulchre is the most impressive one. The Vázquez de Arce family were vassals of the Mendoza family, the most important family in the area during the Middle Ages. During the war to conquer Al-Andalus, the Vázquez de Arce males followed the Mendoza to the war in Granada, where Martín died in a trap set by the Arabs, which consisted on damming the River Genil to a creek, and then releasing the dam so the water took over the enemies crossing (which… kinda sounds like something out of the Lord of the Rings, doesn’t it? At least, it makes me think of Arwen and Treebeard). The sepulchre, commissioned by Martín’s brother, presents him taking a break during training and reading a book. He even has pupils, so if you could climb up, you’d see what he’s reading!

The cloister is also Gothic, as the previous Romanesque one was torn down. It holds a central garden and a number of side rooms where there is a collection of mythology-themed tapestries. In one of the chapels, there is also a painting by El Greco, a Greek painter rooted in Spain who was one of the key artists during the Spanish Renaissance.

The cathedral ticket also allows a visit to the Diocesan Museum Museo Diocesano, which holds many pieces of religious art, along with a few models of the cathedral in its different construction stages. These days I’m trying to learn some hagiography, which means how to identify religious figures by how they’re presented. Getting there, three out of ten times or so, because half the time they cheat.

After the cathedral we climbed up towards the castle, and we stopped at the former church Iglesia de Santiago, now transformed into a mini-introduction centre for all the “hidden” or “unknown” Romanesque in the area. The church itself had some beautiful paintings, but it was destroyed during the Civil War.

Continuing our way up, we turned a little to see the house where the Vázquez de Arce family used to live, now turned in a museum, Museo Casa del Doncel. There is a little paintings exhibition and a guitar museum, along with some ancient artefacts such as vases or looms. The most interesting part are the Moorish “Mozárabe” decoration. Here is a bit of historic trolling: when the Christian “conquerors” hired Arab craftsmen to do decoration, one of the things the Arabs did was decorate using Quran verses.

Then we saw the outside of the church Iglesia de San Vicente Mártir, Romanesque to boot.

Afterwards, we ended up at the square Plazuela de la Cárcel, where the old gaol jail stood.

Finally, we headed over to the restaurant where we had booked a lunch table, a traditional grill called La Taberna Seguntina where I chose to have a “summer menu” with salmorejo (a thick soup or purée made with tomato, oil, and bread and sprinkled with boiled egg and cured ham) and roasted cochinillo (suckling pig, roasted whole) with potatoes and herbs. For dessert I had a pudding!

And that was it, really – Medieval Sigüenza has nothing else to see. As the façade of the castle was being restored, we did not even take pictures of it as we drove away.

4th September 2020: Alcalá de Henares (Spain)

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After looking for a place to park the car for 12 minutes, I left the car and I went off on foot towards the centre with a relative who is living in Alcalá de Henares. The town centre has been a Unesco World Heritage Site since 1998.

Our first stop, at 10:30 almost sharp was the Palacete Laredo, a small palace built in the Neo-Mudéjar style, a type of Moorish Revival architecture. It was designed and built between 1880 and 1884 by the Spanish artist Manuel José de Laredo y Ordoño. After a century in private hands, it passed to the town hall, which allows the university to use it as a museum, showing a collection of ancient documents.

The palace is built in brick, it has two floors and a minaret-like tower. The inside is decorated with coloured-glass window, tiles and paintings. The visible ceilings on the first floor are wooden artesonado (decorative beams joined together). There is also a garden, but it was closed.

Afterwards, we headed off towards the centre. We walked by the church Parroquia de Santa María la Mayor and is inhabitant the stork on photo duty.

We had tickets to see the Corral de Comedias, a theatre built in the site of an ancient “theatrical courtyard”. These were open-air theatres that were common during the late middle ages and exploded in popularity in the 16th century. The Corral in Alcalá de Henares was built in 1601 by Francisco Sánchez, member of the Carpenters Guild. It suffered several changes – the ceiling was built in the 18th century, then it became a cinema, and eventually was “lost” in the 1970s. In the 1980s, it was rediscovered, restored, and finally opened as working theatre in 2003.

Alas, we were too late for the 12:00 visit to the university, so we wandered around the town’s main square Plaza de Cervantes – Alcalá de Henares was Cervantes’ birthplace. Miguel de Cervantes was a 16th century Spanish writer, most renown for his novel “The Ingenious Gentleman Don Quixote of La Mancha”, which many authors consider “the first modern novel” and “the best literary work ever written” (though… I disagree). The square features a bandstand, the statue of Cervantes, and is surrounded by several buildings of importance – the ruins of the church Iglesia de Santa María, the Town Hall and the Círculo de Contribuyentes, former casino, and the Corral de Comedias.

Then we walked down Main Street Calle Mayor, until we got down to the Obispado de Alcalá de Henares, the bishopric, with two towers from the former wall at their sides. That reminds me – we did not visit the cathedral or any religious buildings because they were all closed to tourism.

At 13:00 we took the guided visit to one of the university buildings, the Colegio Mayor de San Ildefonso. The university was established in 1499 by Cardinal Cisneros, an influential Spanish religious and statesman in the time of the Catholic Monarchs. A colegio mayor is basically a dignified “classic” dormitory. The façade was built between 1537 and 1559 in the Plateresque style, an architectural style that developed in Spain between the late Gothic and the early Renaissance. The architect was Rodrigo Gil de Hontañón.

Inside, we saw the cloisters and yards, the gate of honour (from where the successful students left the university), the classroom where the students defended their final thesis, and the chapel, with the tomb of the founding Cardinal (but not his body, which is in the cathedral).

We had a reservation to have lunch at the Parador de Alcalá de Henares, which is a rather modern building and not a historical one, but a stamp was needed (≧▽≦). Lunch was a looong affair because our waiter might not have been the… most efficient. We tried the combos with a little bit of everything to share (entrées and desserts), and some bull tail. Oh and coffee. Yay coffee. (Also, kudos to me for cutting that nut in half.)

After lunch, we walked down the Calle Mayor again and we made a stop at what is supposed to be the house where Cervantes was born, or at least a reconstruction, with a bunch of ancient objects thrown in – the Museo Casa Natal de Cervantes. There was also a photography exhibition. To be honest, it had a great quality-price relation. It was free, and the quality was… lacking. Or maybe I’m old and I have seen most of the stuff they showed in action, and used a few.

We continued on to the regional archaeological museum Museo Arqueológico Regional, located in the old Archiepiscopal palace. That was unexpectedly good, with the fossil record and the old Roman mosaics.

Pending for a future visit to Alcalá de Henares: Roman and Medieval areas, and the religious buildings, as the day finished up doing some necessary and work-related shopping before I drove back home.

Driven distance: Around an hour? I dumped the car as soon as I could and we walked the hell out of the town (≧▽≦)
Walked distance: 14.61 km

9th August 2020: The Cross-Roads {Spain, summer 2020}

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When driving around Madrid, a great cross can be seen from several kilometres on the road. It belongs to the monument to the fallen during the Spanish Civil War, the so-called Valle de los Caídos (later, in 2022, the name would be officially changed to Valle de Cuelgamuros). It was built during the dictatorship times, and the regime forced political prisoners to do so.

During the last couple of decades, the site has been the centre of a lot of polemics, and in 2019 Franco, buried there, was exhumed and taken somewhere else. There is no doubt that it is a symbol of… something. Of course it is. More and more voices, however, claim it should be torn down and in case they ever succeeded I thought that I should, at least, have visited it once. It is after all a piece of history.

And it was literally a ten-minute detour away on our way back. After we left Astorga, there was nothing else on the route plan, so it was a good stop for a quick visit. The monument stands in San Lorenzo del Escorial, in the valley of Cuelgamuros and it is comprised of a basilica, a monastery, and a 150-metre-high monumental cross

The valley is mainly accessible by road. You drive into the valley through a barrier-gate where you buy your tickets (at the moment, only through credit card), then you go up some curves and you can turn left for the monastery and right for the abbey. There used to be restaurants and cafés but at the moment only the toilets are in working order. The monastery has a hostel but I’m not sure whether that works.

As of 2020 the access to the cross, both on foot and by cableway are closed. The basilica, built into the rock, is where the main core is. Entering the basilica there is X-ray security and there are no pictures allowed. We visited between masses so there were lots of people.

The project in itself is… megalithic. I was asked if it was what I had imagined and I said no. The basilica is bare and huge and after walking through a damp-feeling tunnel with some chapels to the sides, you go up some stairs and reach the pews and altar, with two chapels to the sides.

The outside esplanade is made of white granite, and it was scorching hot, but at least I can bring you some pictures of it, along with the cross.

After that, we just took the car and drove back home.

Driving distance: 405 km
Walking distance: 4.37 km

All in all… no, this was not the greatest trip ever, but we were lucky to be able to take it. Of course, there was the stress about the virus. We tried to be careful, overused hand sanitizer (my poor nails), never let go of face masks except when strictly eating, and there were extra stress factors involved that made it hard to enjoy. But although I would very much have preferred taking my trip to Greece, I am grateful that we were able to at least take a bit of a breather this summer. And got myself some stamps.

8th August 2020: Astorga {Spain, summer 2020}

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We left Pontevedra in the morning and we drove off towards Astorga, in León. It should have been an all-motorway trip, except half the motorway was under construction so it took us a while longer than we thought to arrive.

The hotel was… shabby – and I’ve been in “bad” hotels before, but I’d never before been to one where there was food from the previous (?) guests in the mini-fridge, nor one with such… untrained staff.

After checking in, we went to see the cathedral Catedral de Santa María de Astorga and its religious artefacts museum, including some neat codices.

Then we had lunch – and did not die out of trying the local cachopo (huge stuffed and breaded fillet that we shared (≧▽≦).)

After lunch, we went to visit the palace that a bishop had commissioned Gaudí with, the Episcopal Palace of Astorga, or Palacio Episcopal de Astorga, also called Palacio de Gaudí, built within between 1889 and 1913, and obviously Modernist. I’d been wanting to visit this for a while now, so finally!

Later, we went out to buy “souvenirs” – namely local beef jerky cecina and chocolate! Although the chocolate museum was briefly on the plan, we forsook it because it was not significantly different from the one in Villajoyosa. and in the end the final product is what is important (≧▽≦).

Driving distance: 301 km
Walking distance: 5.89 km

7th August 2020: Seafood {Spain, summer 2020}

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We headed out for a guided visit around Pontevedra (personally, not a fan, but the downsides of travelling in a group…). These are some of the monuments / places we visited:

Alameda de Pontevedra and Monumento a los Héroes de Puente Sampayo.

Casa Consistorial (Town Hall) and Fiel Constraste sculpture by Ramón Conde.

Casa de Campás (palace house where a local pirate used to live).

Theatre and Liceo.

Plaza del Hospital (square).

Monument to the Parrot Loro Ravachol

Santuario de la Virgen Peregrina, church and fountain.

Plaza de la Herrería (Blacksmiths’ square), along with the convent Convento San Francisco and Wall Gate; Jardines de Casto San Pedro (gardens), with another fountain, and the other squares around: Ourense, Estrella, Casto San Pedro.

Casa de las Caras (House of the Faces).

Plaza de la Leña (Firewood Square), a cruceiro (stone cross) and García Flórez Building.

Iglesia San Bartolomé (St. Bartholomew’s church).

Plaza Verduras (Greengrocers’ Square).

Statue to Valle Inclán, who was an important Spanish writer born in 1866.

Plaza de Teucro (Teucro Square) along with the powerful family shields (Montenegro Family) on the buildings.

Casa Valle Inclán, where the writer used to live, and cruceiro.

Basílica de Santa María la Mayor (basilica).

Ruinas del Monasterio de Santo Domingo (ruined monastery).

After the visit, we headed off to a restaurant called Casa Román for some seafood, which is typical of the area. We had Goose barnacles (Pollicipes pollicipes), which are supposed to be an amazing delicacy of the area – I had never tried them before, not the real thing. Then we ordered velvet crab (Necora puber) and a fried lobster (Homarus gammarus) on a potato bed.

Can you say food coma? Yeah. Me too, because we did nothing else that day except going out for a salad dinner, that turned out to be this:

To be honest we did some walking around beforehand, and came across a couple of bridges over the river Lerez: the modern Puente de las Corrientes and the Medieval Puente del Burgo.

Then we went back to the Ruins of the convent Ruinas de Santo Domingo to see them at night.

Walking distance: 7.20 km

6th August 2020: Monforte → Ourense → Pontevedra {Spain, summer 2020}

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We left behind Monforte de Lemos and drove off to Ourense, one of Spain’s thermal cities. Unfortunately most of the thermal water stuff is closed due to Covid and it was 40ºC anyway (≧▽≦). Upon arriving we left the car, and walked to the cathedral Catedral de San Martín de Ourense, an amazing piece of Romanesque / Gothic art with an amazing 13th-century chromatic Portico of Paradise [Pórtico del Paraíso] and a horrible Baroque Chapel of Christ [Capilla del Santo Cristo].

Ourense: Romanesque portico with wooden figures painted in bright colours (by JBinnacle)

We walked past Plaza Mayor or main square.

And we reached the area called As Burgas, where the old Roman baths and fountains of thermal water stand.

Then we took a stroll upwards and found an interesting church – the Iglesia de Santa Eufemia, very, very Baroque and climbed about five hundred stairs.

After arriving at the cloister of Francis, Claustro de San Francisco, we took a walk around and then went back to the car to drive off to Pontevedra.

On our way out we could spot the Roman bridge, Ponte Romana, but could not take any nice pictures due to the railing of the actual bridge we were on.

It did not take long to Pontevedra, where we had lunch, rested for a while, and then took a stroll around the town centre. Oh, and I got stamp number four as we stayed at the Parador de Pontevedra, which is an old city palace. Pontevedra is the town of a thousand squares, or so it feels. The truth is that the following morning we had booked a guided visit, so just a few highlights here.

Santuario de la Virgen Peregrina, a shell-shaped church in the centre of the town:

Plaza de la Herrería (and a few others surrounding it), with a friendly mask-concerned dinosaur (don’t judge, their hands might not be too good for the knot-tying).

We had dinner a splendid dinner: scallops (both zamburiñas and vieiras, or king scallops (Pecten maximus), empanada(pie) and lacón (pork. Not quite ham, but yummy anyway).

Driving distance: 168 km
Walking distance: 6.28 km

5th August 2020: Monforte de Lemos {Spain, summer 2020}

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After so many curves, we deserved a calm day, which included some art in Monforte de Lemos . We started off at the river Cabe, crossing the bridge Ponte Vella and the newer iron one.

We had booked to visit the Christian Art Museum in the Clares’ convent Museo de Arte Sacro / Convento de las Clarisas, which features some interesting pieces of art, among them a dead Christ by Gregorio Fernández, and hundreds of reliquaries with supposed remains of Saints.

Then we moved to the Piarists School, the church, and their painting collection Colegiata de Nuestra Señora de la Antigua / Pinacoteca de los Escolapios . The school is built in a Renaissance Herrerian style and the guide constantly tried to one-up San Lorenzo del Escorial.

Then we found a good meat restaurant, Mesón JM for some local beef T-bone that we could prepare ourselves, although I get the nagging feeling they actually short-served us as they never showed us the meat piece. Please excuse the reddish tint of the pictures. It was the parasol and at the time I did not notice (≧▽≦).

After lunch and a break, we took a climb into the old castle keep Torre del Homenaje, and walked around for a little.

We ended the day at the tapas bar La Fábrica for some seafood.

And finished the day with some in-accomodation exploration at the Parador de Monforte de Lemos.

Walked distance: 9.03 km

4th August 2020: Meanders and Curves {Spain, summer 2020}

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The area we were visiting that day, called Ribeira Sacra, is sprinkled with Christian monasteries [mosteiros] and churches [Igrexas] in the Romanesque and Gothic styles. These religious sites became commonplace during the Medieval times, along the way that leads up to Santiago de Compostela, an important Christian pilgrimage site. The route is called Camino de Santiago (St. James’ Way).

We started off with a fierce battle against the car’s sat-nav as it refused to take us to our first stop, the church of St. Michael in a tiny hamlet. I managed to trick the navigator and we arrived at the Iglesia de San Miguel de Eiré only a little later than expected. The church is small and it was built in the Romanesque style, which is common the Ribeira Sacra. The church was built in the second half of the 12th century, and has a remarkable archway. Back in the day, it belonged to a monastery.

Afterwards we backtracked to what is probably its successor – another monastery, the Monasterio Cisterciense del Divino Salvador in Ferreira, which was built in three styles – the church is Romanesque (12th century), the main building and the walls are Baroque (18th century) and the inner cloister is Renaissance (16th century). There are also two Romanesque wooden sculptures.

Then we set off towards a salad of curves the heart of the Ribeira Sacra, the area of the River Sil where the water has excavated a deep canyon – well, ish. There was a lot of tectonic activity going on in the area a long time ago that helped the development of the river canyon, the Canón do Sil. It is dammed at the moment, which has made the river depth increase.

We had booked a “cruise” in a “catamaran” that turned out to be a plain-old boat and way too packed for my peace of mind. Fortunately everybody wore masks, we had the N-95 that protect both ways ones, and used a lot of hand sanitiser – my nails are really, really off due to the use and abuse of hand sanitiser. We sailed off the wharf Embarcadoiro do Santo Estevo and the views were pretty nice. Both the narrator and narration not so much, though the bit about the “special” vineyards perched on the canyon walls was interesting.

After a ninety-minute sail, we disembarked and took the car again to drive to the Parador de Santo Estevo to have lunch (cue stamp number three), where I tried the local beef with foie, while the rest went for the octopus.

Then we took a stroll down the Parador, which is an old monastery that has not one but three cloisters, as the Monasterio de Santo Estevo de Ribas de Sil has existed since the tenth century and buildings have been added. Two of the cloisters are Renaissance and the third is Baroque / Gothic.

Finally we stopped over at the church, whose interior is late Romanesque but with a later façade (and a very Baroque altar).

And then we went back to the curves. Lots and lots of curves. The road ran along the canyon, so we stopped over at a couple of viewpoints to observe the canyons – Miradoiro de Cabezoás:

Miradoiro Balcones de Madrid:

Then we continued onto the ruins of another Romanesque Monastery, Mosteiro de Santa Cristina de Ribas de Sil, with some very nice paintings and a very pretty cloister.

Afterwards we drove back up the road and we found another viewpoint Miradoriro Xariñas de Castro (a.k.a. Miradorio A Mirada Maxica) for more views of the canyon.

We continued to the monastery Mosteiro de Santa María de Montederramo, where we had booked at 19:00 but could join the 18:00 visit instead. Shifty, I know, but we were there at 18:04 and… yeah. Not really worth the wait, even though the Gothic church and cloister were neat, even if a bit unkempt.

And as we were finally driving back towards Monforte de Lemos, we came across the castle Castelo de Castro Caldelas, which was actually on the planning for the next day but we thought we would… how to put this… avoid some curve-driving if we took the stop.

All in all: 135 km driving; 6.96 km walking; around 20 km sailing; hundreds of curves.

3rd August 2020: On the road again {Spain, summer 2020}

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After having to cancel London and Greece, we decided to try to at least take a few-day’s worth road trip within Spain as some sort of consolation prize. We were, of course, very careful, using a lot of hand-sanitizer and never taking off our face masks except within the car, hotel rooms or when we were eating – strictly so.

We started off just in time so we surrounded Madrid right after rush hour so we did not get caught in any traffic jams. We drove northwards towards Medina del Campo, a town which played an important role in Spanish history, specially around the time of the Catholic Monarchs and their direct descendants. We were there at 11:00 sharp, right at the time when the castle Castillo de La Mota opened to visitors. Mota is the Spanish word for motte, which is a raised area of ground where a castle keep, and a walled courtyard or bailey, are built. They are protected by a ditch and a palisade. These castles are thus called motte-and-bailey castle. In particular, the castle of La Mota is made of red brick, typical to the area, but it is heavily restored today. The visit included the outer building, the yard and the chapel of St. Louise.

We stopped for a quick lunch at the Parador de Puebla de Sanabria. Paradores is a Spanish brand of state-owned hotels and restaurants which have a good reputation all around the country. In our lunch stop, I got my stamp passport because I can find stamp rallies wherever they are (≧▽≦), and Paradores has launched one.

Then, as we were a couple of hours ahead our very informal schedule, we decided to take a small detour and check out the Parque Natural del Lago de Sanabria y alrededores, the natural park that surrounds the biggest natural lake in Spain, Lago de Sanabria. It is also one of the few, if not the only glacier-origin lake in Spain. It was full of people swimming and sunbathing, but the landscape was still beautiful.

After lounging for a while we continued on our way towards Galicia and our destination, Monforte de Lemos. We stayed at the Parador de Monforte de Lemos, situated in the Monastery Monasterio de San Vicente do Pino at the top of a hill. It is part of a monumental compound, along with the former castle Keep and the palace of the former Count’s family, Palacio de los Condes de Lemos . Due to some kind of fluke, my room was doubled as “supreme” and the door came out to the actual cloister of the monastery, which was super-cool! (Also: Stamp number two)

We took a short stroll down the village, and we passed by the small sanctuary to the Virgin Mary’s image Santuario de la Virgen de Monserrat.

Then we saw the walls and the old gates.

Finally, we went back to the hotel to have dinner over there. Our choices included trying a species of scallop I had not tried before, the zamburiña, variegated scallop (Chlamys varia). We also tried the local pie, empanada. For dessert, they had a ‘variety of chocolates’.

The day finished watching the sunset before turning in for the night.

Driving distance: Aprox. 600 km
Walking distance: 5.02 km

30th July 2020: Vampires in Madrid (Spain)

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The world is pretty much topsy-turvy these days, isn’t it? I’ve been literally staring at the computer screen for about an hour, wondering how to start, how to explain. I’ve erased the opening paragraph about four times too (≧▽≦). Thus, I will just spare you the introduction, explanations, justifications, and so. It took me a while to decide in favour of my little trip to Madrid.

Vampires, the Evolution of the Myth, or Vampiros, la Evolución del Mito (#VampirosCaixaForum) was scheduled before the whole COVID-19 debacle. Once things started opening up in Spain, the exhibition was rescheduled to run in Madrid for a couple of months through summer. And for a while I pondered whether it was… I’m not sure how to put it… worth the risk? For months we had been told to avoid public transport, which is my main mean of moving around, so in the end I decided what the fuck, if I was doing this, I was going to drive into the centre of Madrid – for the very first time in my life. For the record I don’t particularly enjoy driving, I much prefer being driven, and my sense of directions when driving is… not the best, so I borrowed a GPS, picked up my sister, and drove off.

After only getting the wrong exit once, we left the car in an underground parking lot and walked ten short minutes and we were in front of the Caixa Forum Madrid. Caixa Forum is a cultural space owned by a savings bank in search of tax deductions that organises shows and exhibitions. We had a compound ticket for 12:00, which included both exhibitions in the building, and a theme lunch. And so we went.

Vampiros: La Evolución del Mito, “Vampires, the Evolution of the Myth” is an exhibition originally organised by La Cinémathèque française, which is a French French non-profit film organisation that holds one of the collection of cinema-related objects and documents in the world. As they are specialised in films, the vampire exhibition focuses on the figure of the preternatural being throughout cinema.

The first room is focused on the book Dracula, and the Romantic interpretation of the myth – Romantic as the literary period, not the lovey-dovey stuff. Highlights include a facsimile of the first scene of the manuscript of Bram Stoker’s version of Dracula for theatre, aside from early editions of the novel and other vampire books such as John William Polidori’s The Vampyre and Joseph Sheridan Le Fanu’s Carmilla. There were also some surprising items – some of Francisco de Goya’s wood-prints. Goya was one of the most influential painters in Spain, also grounded in the Romantic movement. Good stuff.

The second room was dedicated to Nosferatu, one of the key films in the vampire genre, with some promotional material and film props – this was the ward with best and most important number of items.

The following room was dedicated to the romantic, erotic and sexual vampires. It had two main focuses – one was the Dracula portrayed by Bela Lugosi as the epitome of the elegant, seductive vampire, first in Broadway, then in the 1931 film by Universal Studios. The centrepiece of the room featured two pieces of the wardrobe in Coppola’s Bram Stoker’s Dracula worn by Gary Oldman and Winona Ryder, along with several designs for the wardrobe (which could not be photographed, but you can peek at in some of the pics). Finally, we got to see the suit worn Tom Cruise as Lestat and Kirsten Dunst as Claudia in the 1994 film Interview with the Vampire. I missed some more Christopher Lee, as there were barely some photographies of his performance in Dracula (1958) and its sequels.

On one side there was a small area dedicated to the vampire as a political metaphor. The final area was dedicated to the pop vampire, including magazines, comics and graphic novels, some Japanese manga, and so on – even Count Dracula from Sesame Street! Then again, he was on a screen. I would have killed to see the real puppet.

All in all I got the impression that the exhibit lacked ‘the real thing’ and abused the film montages. I was expecting a few more props and less bits of films which… after all I’ve seen most (≧▽≦). The truth is that the myth of the vampire starts much earlier than the “Medieval” vampire featured in the Romantic fantasies, and can be traced to early succubi or the Lamia myths in Ancient Greece if you think about Western Culture alone. The Romantic and Victorian writers just made the myth cool as it was once more popular due to a sort of “vampire hysteria” that crossed the Balkans the previous century – that’s probably the main reason why Bram Stoker chose the figure of a Transylvanian warlord to create his character. But in the end it was a good way to break the activity fast.

Then we moved on to the next exhibition, Cámara y ciudad. La vida urbana en la fotografía y el cine, “Camera and the city: urban life in photography and the cinema” which… was okay, I guess. I guess I’m not a photography / video kind of person (≧▽≦).

After perusing the shop for a while, we moved to the cafeteria, where a “theme menu” had been designed. Let me detail that for you:

  • El frenesí vampírico / Vampire frenzy: virgin – I think – Bloody Mary
  • Estacas de la muerte / Death stakes: aubergine tempura with sweet and sour sauce
  • Reencarnación / Reincarnation: Goat cheese, sweet beet and raspberries salad
  • Inmortalidad / Immortality: Macerated sea bass with lime, orange, coriander, salt and pepper, with a side of mango and tortilla chips
  • Embalsamamiento / Embalmment: Duck magret with a red wine sauce and mushrooms
  • Drácula / Dracula: Crème anglaise, jelly and raspberry mousse.

Let me tell you, this was amazing – and fortunately the portions were small so the final amount was more than adequate.

It was a little later than 15:15 when we left the CaixaForum centre and headed off the Museo Nacional Thyssen-Bornemisza, the Thyssen-Bornemisza National Museum, a museum built from a noble family’s art collection which also hosts temporary exhibitions. The permanent exhibition is chronologically organised, and here are some of the pieces by famous artists: Rubens, Rembrandt, Van Gogh, Degas, El Greco, Tiziano… and hm… many very modern painters I… can’t understand.

Finally we decided to call it a day before people started coming out of work and leaving town so that we did not get into a traffic jam, and I am very proud of myself for taking the drive – which was my wee white whale for a while. I’ll see myself out now (≧▽≦)

Distance: Approx. 120 km driving; 6.08 km walking

Also, as an afterthought, I ordered the Vampire exhibition book online. I did not at first because I did not feel like carrying it around as it is thick. But they home-delivered and I actually saved 2.5 bucks?

PS: New logo! What do you think?

18th June 2020: The Comet Neowise fail

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My parent heard that I had been trying to catch a glimpse of Comet Neowise, and decided that their roof was the best place to set a telescope to watch. Thing is that their telescope is not an astronomy one, but a shooting one. I’m actually pretty sure that the comet was just behind the opposite roof as it should be just underneath Ursa Major, but we had a few laughs and took a picture that after a lot of postprocessing looks semi-decent.

Ursa Major

After everything Covid, being able to do something silly like this feels at the same time bizarre and great. What a crazy ride of a year…

Not travelling in the times of Covid-19

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As the Covid-19 pandemic rages through the world, I’ve started thinking about the trips and getaways that are not taking place. This is a historical situation, probably not unprecedented but unseen in the modern world is a general catastrophe translated into the high mortality rate first, the impact on the economy later. After being on lockdown basically since the 13th of March 2020, I’ve thought that recording information about the trips that I haven’t carried out might also be interesting for future reference.

As I write these lines on the 29th of March 2020, there are 681,706 confirmed cases, but we know that the number is much, much higher as many people have not been tested. The number of people who have got over the illness is 145,625, and the deaths are 31,734, which leaves 504,347 active cases, according to the Johns Hopkins Coronavirus Resource Center. By the time I finish this post there will be more.

15th March 2020: Drive to Presa de Manzanares el Real (Spain) [Scrapped]

This was a low-impact cancellation as the only thing I lost was the time invested in reading up how to get there.

21st March 2020: Barcelona (Spain) daytrip [Completely cancelled]

I was planning to go to Barcelona and back on this Saturday. I had booked train tickets and upon the lockdown order Renfe gave me my money back without even having to do anything myself. The lockdown order became effective on a Saturday, I received the email on a Monday and the refund was really fast.

7th – 10th April 2020: Berlin (Germany) for MUCC [Completely cancelled]

This trip had been in planning since December, but got caught up in this whole thing.

Even before the border closing was ordered in Europe, on the 17th of March, booking.com had already contacted me to ‘re-organise’ my trips. I had free cancellation on my hotel anyway, so I just went ahead with that.

On the 20th of March, the airline informed me that my flights and that I could apply for a refund. It was acknowledged on the 24th of March.

On the 19th March 2020, both Ganshin and Nine Lives Entertainment announced the cancellation of the whole tour. We immediately went on to ask for the ticket refund on the webpage, which was accepted.

On the 26th of March we had another email that told us the refund would come within four weeks.

✈ Edit 10th April 2020: The airline sent me an automated e-mail telling me that the refund was being processed.

✈ Edit 20th April 2020: Turned out that the refund was a voucher. I tried not to accept the voucher and use the automatic service for a cash refund, but it was impossible.

✈ Edit 2nd March 2020: Managed to get in touch with customer service and they told me they set the actual cash refund process in motion. A few hours later I received an email that I was in the “refund queue”.

✈ Edit 10th June 2020: The Madrid → Paris airline sent an email that the refund had been issued.

✈ Edit 20th July 2020: I had to start a complaint with the bank because the airline refunds have not been processed!

✈ Edit 29th July 2020: After giving the bank a few days to process the claim, in the morning I got in touch with the airline to get the transaction numbers and comfirm the data of the refund so I could pressure the bank a little further. I don’t know if it was triggering or pure chance, but in the late afternoon I received a message from my bank to check my account – and the refunds had shown up!

18th & 19th April 2020: Paris (France) for Saint Seiya Symphonic Adventure [Concert rescheduled / trip cancelled]

I have to admit that this was a bit of a crazy one. I found out about it way late in the year (three months after sales had started) and thus I had no option for a VIP or anything. I tried to talk myself out of it but in the end I decided to get me a ticket as a Christmas present. And when I did, I found out that the “Christmas plan” was so that I could get tickets for both sessions for the price of a one session in normal pricing. Well, to be honest, for 5€ more. So I decided to do it because what the hell could go wrong. Then I arranged transportation, but as I had work on Friday evening, I had to take a red-eye flight and directly go from the airport to the venue, then come back with a different airline on Sunday to make it affordable and doable time-wise. It mostly worked until this whole thing went down.

As of now, the concert has been rescheduled to October 2020, for the second time to May 202 third time to October 20211 fourth time to May 2022, and the companies I was flying with (I had two completely different flights for getting there and return) have both offered me “free rescheduling”. I’ve not taken up their offer yet, because I’m waiting for the evolution of things. I’ll probably have to do it next week, but as of now I’m waiting to see how things are the second week of April and whether it makes sense to reschedule. I’ll try to arrange a less-crazy schedule for October if I can travel at all…

Again, booking.com offered mediation with the Paris hotel, but this one was non-refundable and the hotel is not making an exception. I did request a change of dates for the new concert date, still not an answer on that.

✈ Edit 30th March 2020: The Madrid → Paris airline sent me text / e-mail regarding the cancellation of the 18th of April flight. I claimed the refund

✈ Edit 4th April 2020: The Paris → Madrid Airline sent me an automated e-mail (in English) telling me that they would get back to me “regarding my options”: change, voucher or refund.

✈ Edit 10th April 2020: The Madrid → Paris Airline sent me an automated e-mail telling me that the refund was being processed.

✈ Edit 14th April 2020, Paris → Madrid airline: Second automatic email, in local language, telling me about my options: change or voucher. I got in contact with the airline pointing out that on the 4th of April there had been a refund option.

✈ Edit 20th April 2020, Madrid → Paris Airline: Turned out that the refund was a voucher. I tried not to accept the voucher and use the automatic service for a cash refund, but it was impossible.

✈ Edit 28th April 2020, Paris → Madrid Airline: I received an email regarding the start of the refund process.

✈ Edit 1st May 2020, the ticket vendor contacted me with a “refund form” and I am considering taking it… but on the other hand I want to keep a little hope.

✈ Edit 2nd May 2020, Madrid → Paris Airline: I managed to get in touch with customer service and they told me they set the actual cash refund process in motion. A few hours later I received an email that I was in the “refund queue”.

✈ Edit 20th May 2020, Paris → Madrid Airline. To make everything worse, the idiots got their database hacked and my name and email leaked. I never save my card on these websites, so I’m relative calm about my financial information but really? FML.

✈ Edit 18th June 2020: The Paris → Madrid airline sent an email that the refund had been issued.

✈ Edit 30th June 2020: The Madrid → Paris airline sent an email that the refund had been issued.

✈ Edit 17th June 2020: The refunds for the ticket arrived in the bank account though the credit card and the date of the concert.

✈ Edit 20th July 2020: I had to start a complaint with the bank because the airline refunds have not been processed!

✈ Edit 29th July 2020: After giving the bank a few days to process the claim, in the morning I got in touch with both airlines (remember that I had different flights for Madrid → Paris and Paris → Madrid) to get the transaction numbers and comfirm the data of the refund so I could pressure the bank a little further. I don’t know if it was triggering or pure chance, but in the late afternoon I received a message from my bank to check my account – and the refunds had shown up!

✈ Edit October 2020: I gambled a refundable high-class hotel and a super-cheap but non-refundable flight for the 16th – 18th October just in case the concert happened on the 17th, but as France was hit harder and Paris started enforced restrictions again, the concert was postponed again. Obviously, in the end I did not travel, so I lost the money from the flight, but the hotel had no expenses. To be honest, the airline’s publicity was misleading regarding changes – you could only access those if you booked the super-expensive tariff. But well, it was a gamble, and when you gamble you sometimes lose. So at this time, this is the only open front with active tickets.

✈ Edit March 2021: Concert rescheduled again for October 2021.

✈ Edit October 2021: Concert rescheduled again for May 2022.

✈ Edit March 2022: Correspondence with the promoter regarding the VIP tickets made me feel hopeful…

✈ Edit May 2022: It finally happened!

1st May 2020: Aranjuez (Spain) [Scrapped]

This would have been just a drive away too, and we were still negotiating whether to stay overnight or not, so we had not booked anything. In the end, there was no definite plan.

23rd May 2020: Crazy London escapade (Great Britain) [Scrapped]

This was only a silly thought, but plane tickets to London for a round trip on the same day were ridiculously doable, and I could hit the Victoria & Albert Museum to watch the Kimono exhibition, along with Yoshikimono, for less than 100 quid. I never materialised anything – I was going to the weekend lockdown came. Still, as the date came and went, it hit me quite hard.

23rd June 2020: Madrid (Spain) for Babymetal [Completely cancelled]

The hotel has free cancellation and the trip itself has not been booked. Waiting for word on whether the concert (which btw is sold-out) gets cancelled or not, but I think all events are officially cancelled till September, so it’s only a matter of time.

🚗 Edit 23rd April 2020: Tweet from the organiser, Resurrection Fest, about “rescheduling to a later date”, and that there is more information to come (the tweet was actually pretty confusing due to very weird use of adverbs).

🚗 Edit 4th May 2020: The official notification of the tour cancellation came through. Resurrection Fest said that they had tried to reschedule, but that had not worked. The refund process would be automatic. I proceeded to cancel the hotel booking and cited Covid-19 restrictions as a reason.

🚗 Edit 3th July 2020: Refund notification for the tickets arrived. Back in the day I paid for them with a credit card that is no longer valid, so the actual refund did not come through until the 17th July. And thus this trip is completely cancelled now.

4th – 9th July 2020: London (Great Britain) [Completely cancelled]

The airline has offered rescheduling credit, and the hotel has free cancellation. I did not make this reservation so I’m waiting for the decision by the person who did, aka my father. I’m not hopeful for this for two reasons – one, the UK is having a less than stellar moment managing the virus due to Johnson’s idea of “building herd immunity”, and two, my mother has already made up her mind that it’s too dangerous, and this trip had been organised because she wanted to see London one more time before they left the EU.

✈ Edit 17th May 2020: In the end, the airline is only offering refunds up until June, so we have probably lost those tickets, but hotel was cancelled for free.

✈ Edit 29th May 2020: Airline offered a voucher (not sure if it is general or just because I’m in the rewards program). I will write to them about the possibility of a refund, but we will take the voucher in case there is no refund offer.

✈ Edit 12th June 2020: After being originally told that we did not qualify for the refund, in the end the flight was cancelled. Once that happened, we could initiate the refund process.

✈ Edit November 2020: When the refund was not there yet after almost half a year, we called the airline again, and the refunds were in the credit card account by the end of the month.

4th – 7th August 2020: Athens (Greece) [Completely cancelled]

All bets are off on this one. I’m trying to convince myself that it is not going to happen, but I am waiting for further information and how things are developing. I guess I’m still hoping that things get better by June.

✈ Edit 2nd May 2020: I’ve given up on this by now. I’m going to reach out to the airline and check my options.

✈ Edit 17th May 2020: Airline is only offering refunds up until June. The hotel is free-cancellation until the day before so I’ve left it for now.

✈ Edit 7th June 2020: The airline changed flight times and they offered a voucher, which I took, and I cancelled the hotel. I was very sad to do this, because I’ve been trying to get my butt back to Greece for a few years now.

7th – 10th February 2020: Paris (France) for DIR EN GREY & BABYMETAL

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I organised a weekend in Paris because two concerts conveniently aligned on Saturday and Sunday, and I had Friday free, as well as Monday morning. It was a great mental break that I needed badly. ETA: There were rumours about a flu from China, and some of the airport workers were wearing masks. We had no idea what was about to hit us…

7th February 2020: Through the Strikes

I had found quite a convenient flight that left at 9:00 on Friday for 35 €, which was a great deal. At first, I did not understand why it was so cheap. It turned out, the plane came from South America and it was on a Madrid stopover – so it was pretty much full already. It was a huge aircraft with on-board entertainment. That came in handy when the pilot informed us that we were going to have to wait something between one and two hours to be able to take off due to the air controllers’ strikes in France. But at least we were flying and I had films to watch.

We took off at about 10:00 and our big plane made the jump in just one hour, as opposed to the 2h10 minutes of estimated travel, which meant we were almost on time! Of course, this did not sit well with the strikers, who had us wait first for the parking spot, and then for the stairs to deplane. I finally managed to leave the airport and get onto the train so I reached downtown Paris around 13:00. I wanted to inspect the damage caused to the cathedral Cathédrale Notre-Dame de Paris by the 2019 fire. My first impression, looking at the main façade and towers, was optimistic, but as I walked round the building, I could see the real damage and reconstruction efforts. Furthermore, it still reeked of burnt wood, probably because they were still pulling out debris. My optimism did not linger long, I’m afraid.

Collage of Notre Dame showing the cranes and scaffoldings in the repairs

As it was sunny, I decided to walk to the Sainte-Chapelle (Holy Chapel) and see its windows in good weather. The Sainte-Chapelle is a small two-level chapel inside the Justice Palace Palais de Justice de Paris in the Île de la Cité, smack in the middle of Paris and not far from Notre Dame – actually, both of them belong to the same Unesco World Heritage Site, Paris, Banks of the Seine. The chapel has a lower early Gothic level, and an upper level with impressive stained-glass windows which I love. As the sun was shining outside, the views were stunning.

Collage. Sainte-Chapelle: outside showing the spire, inside with some colourful windows and pointed arches

Collage of the upper floor of the Sainte-Chapelle. It shows different angles of the long gothic windows, covered in colourful glass

The weather was great – especially considering February in Paris, which is always more to the north than I mentally place it. Unfortunately, the forecast for the following day was quite miserable, and thus I decided to just walk along from the Île de la Cité towards the Arc de Triomphe (some 5 km away). On my way, I walked by the Louvre, Les Tulleries, the Grand Palais, the Petit Palais, the Alexander III Bridge, and into the Avenue des Champs-Élysées – the Banks of the Seine that the Unesco declared World Heritage.

Collage with different landmarks of Paris - the river, neoclassic palaces, Luxor obelisk, Champs-Élysées.

Finally I reached the Arc de Triomphe, which honours the fallen in the French Revolutionary and Napoleonic Wars. It was commissioned by Emperor Napoleon in 1806, and completed in 1836, and you can actually climb it, which I might do some day. From there, I took a train towards Montmartre, where I had booked my hotel. I dropped off my luggage and walked up Square Louise Michel, a sort of urban park which leads up to the church Basilique du Sacré-Cœur (222 steps). There was a pretty carousel Carrousel de Saint-Pierre, and from the square, I could watch the Eiffel Tower Tour Eiffel against the sunset from the lookout Vue de Paris.

A view of the Sacre Coeur with a classical carousel in front of it

A profile of the Eiffel Tower in a blurry sunset in orange tones

I went back to the hotel for a while during twilight. On the way, I bought a snack in a nearby supermarket for dinner as I waited for the evening to get dark and the lights to come up. When it did, I took my last adventure for the day, and walked off to see the Moulin Rouge while I listened to KAMIJO’s song of the same name. It was a few minutes’ walk away from my hotel, and Moulin Rouge [ムーランルージュ] is one of my favourite songs of his. Since the man is obsessed with France, he has a few songs that fit my weekend. Truth be told, I did consider dinner and a show there, it is after all the most famous cabaret in the world. However, it was a bit expensive and I had read quite a few reviews about bad seats if you are alone. I did not want to waste money, and I did not know how tired I would be that evening in the end – and to be brutally honest,I really had not felt like packing fancy clothes for the evening.

The Moulin Rouge cabaret, all lit up in bright red for the night

8th February 2020: Louvre and DIR EN GREY

The weather forecast was accurate, and despite the lovely weather on Friday, Saturday dawned stormy and dark. I decided to go to the Louvre Museum Musée du Louvre, even if I had been there before. It is after all one of the greatest museums in the world.

The Louvre holds so many pieces (over 600,000) that it would be impossible to describe them all, but for me, its core is the Winged Victory of Samothrace, a Greek sculpture from the Hellenistic period, around the 2nd century BCE, and my favourite piece of art. The Louvre is a national art museum, which opened in the post-revolutionary France in 1793. It exhibits around 35,000 items – Egyptian antiquities, Sumer and Assyrian pieces, Greek, Etruscan and Roman items, Islamic art, neoclassical and Baroque sculptures, a collection of objets d’art (Decorative arts), paintings, prints, drawings… It is located in the former French Royal Palace of the same name.

A collage with several Louvre pieces of art - Winged Victory, sitting scribe, the three graces, Diane washing her hair, Hermaphroditus sleeping, Psyche and Eros kissing, Liberty guiding the people, Venus de Milo

I wandered there for a few hours and I might have lost my way in the galleries a few times. In the end, I managed to (re)visit all the artefacts and artworks that I wanted. Because there are hundreds of thousands of items, but I must always see the Sitting Scribe, the Borghese Hermaphroditus, Canovas’ Eros and Psyche, and the remains of the Gates of Istar. I had a bit of a headache, so I eventually went back to the hotel to get some rest and prepare for the DIR EN GREY concert and VIP experience in the Élysée Montmartre live house. DIR EN GREY or “Diru” is a Japanese heavy metal band known for its dark themes and scenography that I thought I needed to check at least once (the final verdict was that I don’t need to repeat the experience, but it made for a nice mental break). The band has remained stable since its formation in 1997, and it is composed by Kyo [京] (lead vocals), Kaoru [薫] (rhythm guitar, backing vocals), Die (lead guitar, backing vocals), Shinya (drums) and Toshiya (bass, backing vocals).

A dark stage with a drum set. Letters projected on the screen behind the stage read Dir en Grey Tour 20 This Way to Self-Destruction

Setlist:

    1. 絶縁体 [Zetsuentai]
    2. 人間を被る [Ningen wo Kaburu]
    3. Rubbish Heap
    4. Devote My Life
    5. 軽蔑と始まり [Keibetsu to Hajimari]
    6. Celebrate Empty Howls
    7. 赫 [Aka]
    8. Merciless Cult
    9. Downfall
    10. Values of Madness
    11. 谿壑の欲 [Keigaku no Yoku]
    12. Ranunculus
    13. The World of Mercy
First encore:
    14. Followers
    15. THE DEEPER VILENESS
    16. 詩踏み [Utafumi]
Second encore:
    17. Sustain the untruth

Listing of all the concerts in the Dir en Grey 2020 tour

The concert was the final of DIRU’s 2020 European Tour TOUR20: This way to Self-Destruction. When I walked by the venue on Friday evening, around 18:00, there was a small number of people queueing already. I did not care enough to queue all day, and I had a VIP ticket with early entry, so I just headed to the line about 15:00. When the queues were separated and organised, around 16:30, I was VIP number 42. The weather was miserable, and I could have totally skipped the downpour while waiting, but I was lucky enough to be against the live house and not in the middle of the boulevard, where the General Admittance queue was. Doors opened at 19:30 for GA, and the VIP experience was held beforehand. The VIP queue started getting in around 17:30. As present we got a VIP pass and an “exclusive VIP only merchandise item” which turned out to be a scarf – very appropriate with the weather. The experience itself was a group photo with the band. There were five cushioned chairs for the fans, and the band stood behind. They did not say a word, nor interacted with fans in any way, not even acknowledging a hello or a thank you.

Afterwards, I headed for the hall, and I found an almost-barrier spot in the left area, on the second row. The people in front of me let me grab the barrier between them so I had something to hold on while I waited. The special guest was a DJ, who was more focused on getting recorded by his buddy on the phone than mixing music. The main show started a little after 20:30.

DIR EN GREY’s music is quite powerful, with a heavy focus on strings and drums. They also have a huge flare for theatricality and they enjoy the shock factor as part of the aesthetics. The singer, Kyo, donned a Joker-like make-up appearance, with a fake-suicidal attitude on stage, using the microphone to mimic stabbing his chest, or the wires to hang himself. It became a bit disturbing because it was repeated more than once. The act also felt rather distanced, there was very little interaction with the fans. At some point, a pick flew in my direction and the person behind me actually felt me up to try and find it in the folds of the coat I had tied around my waist. That was probably even creepier than the act.

The guitars and bass were tremendously powerful, and the drumming was amazing. The crowd was extremely loud, and the singer, Kyo, later confessed that he had been pretty exhausted and burnt out from the tour, which maybe explained why the concert felt so distanced. The encores were the probably best part of the concert, the part that felt more real and relaxed. After the concert was over, I headed off to the hotel to catch some sleep. Since I remembered that the area had felt a bit rough when I was there in 2014, this time over I wanted close accommodation so I could get back quickly without needing to use the underground.

9th February 2020: Destroy the Bastille!

Sunday morning was around 2 ºC, and it was windy. I lingered in bed for a while to recover from the previous evening, and then I headed out – I should have brought the merchandise-scarf with me! I saw the Place de la Bastille, where the revolutionary prison used to stand. In the middle of the square stands the “July column” Colonne de Juillet, which commemorates the Revolution of 1830 (which is not the “famous” French Revolution, which happened between 1789 and 1799). A few minutes away, in the Square Henri-Galli, I came across the base of the tower Tour de la Liberté (Freedom Tower), which was unearthed while building the first metro line. There are only a few stones remaining from the foundations, but I’ll take my fun wherever I can – so I stopped and used my music player to find another KAMIJO song, Bastille, just because I could.

Monument to the French Revolution

A few brick stones forming a circle, considered the last remains of the Bastille

It was too cold to wander, but I had a great plan. I headed off to the science museum Galerie de Paléontologie et d’Anatomie comparée (Palaeontology and Comparative Anatomy Gallery), which was a short walk away. I had read about it and was curious. To be honest, I’m still trying to decide whether it was amazing, or the materials nightmares are made of.

The museum was founded in the 19th century, and it keeps the atmosphere – and the charm – of the old exhibitions. There are stands and wooden cases, and the smell of dust and old paper. The first floor holds a “Cavalcade of Skeletons” – the whole floor is occupied by preserved skeletons of mammals and birds. In the glass cases along the walls, there are taxidermy specimens, preserved animals and dissected specimens. In the far corner, there is “gallery of monsters” with natural oddities. It was enchanting, but at the same time deeply disturbing – especially the male human figure displaying muscles and blood vessels, with a vine leaf on his groin.

The second floor hosts the dinosaurs and other fossils, including a very cool toothed whale, giant crocodiles, a Bernissart iguanodon, a diplodocus, shark teeth… Most of the fossils are either casts or reconstructions – I swear I’ve seen that Irish elk at least three times before. Also, the T-Rex skull was adorably flawed, as it was imagined to be in the 19th century.

The third floor is… ammonite-land. There were cases upon cases of ammonites in different shapes, colours, rocks and materials.

Shots of the museum. Skeletons of animals - fish, oxen, crocodiles, elephants, whale. Fossils: Dinosaurs, fish, toothed whale, shark teeth, snails

After I was done with the museum, I decided it was too cold to wander the neighbouring Botanical Garden. Instead, I headed off to yet another one, the Musée national des arts asiatiques Guimet – the National Museum of Eastern Arts or Museum Guimet, which holds pieces of art from Cambodia, India, China, Japan, Korea and so on. There was a gorgeous dancing Shiva sculpture, collections of religious artefacts, calligraphy, samurai armours, even modern art and clothes inspired by the Far East. It was a really cool museum I had recently found about and was happy to visit.

Different pieces in the museum: Dancing Shiva, sitting Buddha, Calligraphy in the shape of a dragon, elaborate kimono, samurai armour, Indian goddess

After leaving the museum, I walked towards Trocadero to take the underground. I made a small detour to have a look at the Eiffel Tower Tour Eiffel, and saw a bunch of peddlers playing shell games with tourists. Someone lost about 400 €, I really hope they were in on the game.

The Eiffel Tower in front of a cloudy sky

Since it was too cold to continue walking around to find something to eat, I decided to get take-out, and I headed back to the hotel to get ready for the BABYMETAL concert. I had never listened to them before, but they are a sensation, the basic ticket was not expensive, and two concerts in as many days seemed convenient. They actually played in the same venue as DIR EN GREY on Saturday, so I found out by sheer coincidence on the live house’s website. At that time, I thought “why the hell not?”. Afterwards, they added Madrid to their Europe tour, so if I had known that beforehand, I might have acted differently. BABYMETAL is one of those insanely-profitable Japanese marketing stunts involving cute girls that had never really been in my radar more than in passing.

Notice with the date of Babymetal's concert

BABYMETAL is a product of the “Japanese idol factory”. It was created artificially to fill a market gap. Three girls were chosen to form an act that would mix the idealised cute idea of girl idols with the heavy metal genre. When they debuted in 2010, the term “Kawaii Metal” was coined. One of the girls left in 2018, so there are two main members and and support dancer on rotation. The members are Nakamoto Suzuka, “Su-metal”, the main vocalist, and Kikuchi Moa aka “Moametal” on back-up vocals and screams. The supporting musicians are called the “Kami Band”.

BABYMETAL’s long-awaited European tour is officially called Metal Galaxy World Tour. The VIP tickets sold for around 170€, and did not even entail a M&G, so even if I had had the chance, I would have not even considered them. Despite that, they sold out, along with the show itself.

When I left the hotel at 9:00, the queue had started organising, and the tour buses were already there. I had no intention to queue or try for a barrier. I had decided to sit back and relax, so I reached the venue around 18:45 for the 19:30 concert. There were tons of people waiting to buy merchandise, but I was good. Thus, I just headed to the floor, and found a spot in the back. Since the venue has sort a bit of an arena and some upper stands, there was a wall I could lean against and it was not the end of the room.

The crowd was quite different from DIRU’s, ranging from good ol’ metalheads to families with little girls between five and ten years old with a bizarre range of in-between: people with fox masks, goth and loli dresses, explicit heavy-metal t-shirts (a bunch of those T-shirts were much less kid-friendly than the show… everything you could imagine. I… don’t think most parents knew what they were getting into, and a few of the kids ended up crying.

At 19:30 sharp, the support act started – a German band called SKYND. Their sound was really good, but their lyrics are based on true crime, which makes them a bit on the disturbing side (and very much not kid-friendly). The name of the songs are all serial killers or similar criminals.

Setlist:

    1. Richard Ramirez
    2. Elisa Lam
    3. Katherine Knight
    4. Jim Jones
    5. Tyler Hadley
    6. Gary Heidnik

At 20:30, the BABYMETAL show kicked off with the projection of the Future Metal video as an introduction of sorts. The musical act relied heavily on the Kami Band, and Su-metal carried the weight of the vocals. She spent the whole one-hour concert jumping and dancing while singing, and her voice did not break even once. If she is not lip-synching, she has the most impressive lungs ever. Both she and Moametal encouraged the crowd, making a lot of eye-contact. Su-metal addressed the audience a lot, even – I think – trying French. The concert was non-stop, and it ended up feeling a bit short, but much better than I had expected. The one annoying thing were the daddies putting their babes up on their shoulders in the middle of the floor, when the kids gave clear signs of not caring or were distressed. But it was fun. Not sure I would repeat unless I made it a thing with friends or something, but I enjoyed the act, and had a good time.

Setlist:

    1. DA DA DANCE
    2. Gimme Chocolate!!
    3. Shanti Shanti Shanti
    4. BxMxC
    5. Kagerou
    6. Oh! MAJINAI
    7. メギツネ [Megitsune]
    8. PA PA YA!!
    9. Distortion
    10. KARATE
    11. Headbangeeeeerrrrr!!!!!
    12. Road of Resistance

A group of girls dressed in black dancing in front of a logo that reads Babymetal

I was back at the hotel before 22:00. Thus, I got a good night’s sleep before I left, once again happy that I had taken nearby accommodation.

10th February 2020: No bells of Notre Dame

My plane boarded at 10:00 so I had to leave early for the airport. The weather was rainy again, so I took the underground to Gare du Nord, and then the train to Orly. As I was riding the train, I had a nice view of the Paris at dawn, but the bells of Notre Dame were not tolling, and my inner child was sad about that. Despite issues with the airport security staff, the stupidly-expensive food, and the general unpleasantness of early-morning public transportation, I made it to my plane without actual problems. As it was a big plane again, I settled down to watch Jurassic World during the flight, because I’m a nerd. Going straight into work from the airport was not fun, but it a small price to pay

I only had three days, but this trip was a very welcome getaway, and even if the weather did not help, I got to do a lot of stuff. I had to discard a few plans and improvise due to the weather. However, there is that film quote, “We’ll always have Paris”. After all, I’ll be coming back for the Saint Seiya Symphonic Adventure. ETA: Or so I thought, at the time of writing the article…

26th January 2020: Royal Palace and Norwegian salmon (Madrid, Spain)

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A friend was over visiting for the weekend and we headed off to Madrid. It had been raining and the weather the previous evening had been rather miserable. Actually, when we left home it was rather foggy and dark, but upon stepping out the Avenida de América bus station, it had become sunny and not cold at all.

My friend wanted to see the Palacio Real de Madrid, the Royal Palace – we had been playing Madrid Cluedo the day before and she had mentioned that she had never been there. At first, we only wanted to see building. As it was Chinese New Year, the blunt of tourists was somewhere else watching the Parade, and we had a short queue to go inside, so she decided to wait as it was not expensive, either.

You can’t take pictures in most of the palace, but the yard looked really nice and you could see the cathedral from there. We also heard all the bells tolling at noon, which was fun. When you go into the palace you see several rooms, including the throne room and the old sleeping quarters. One of my favourite rooms is the one with the Stradivarius violins and other instruments.

While there aren’t that many pictures taken inside, here is a shot of the cathedral, Catedral de la Almudena .

After visiting the Palacio Real, we went to have lunch. She wanted ham, and I wanted a poke bowl I had seen announced in El Corte Inglés cafeteria, so it was a win-win situation. I had a “Poke bowl de salmón noruego”, Norwegian salmon poke bowl that was amazing – a sushi rice base with avocado, spring onion, purple onion, wakame, a soft-boiled egg and Norgweian salmon marinated with soy sauce, rice vinegar and kimchi.

She declared that she was happy after this, so we called it a day.