12th August 2019: The Surviving Fuji thing? Think twice {Japan, summer 2019}

We didn’t sleep in, because why would we? We had only climbed a mountain – a volcano – the day before. We went to Shinjuku [新宿] for an avocado burger at Kua’aina, and then we did a sweep over Tower Records and Tokyu Hands.

Then we went to see the Amano’s Fantasy Art Collection [ファンタジーアート展] exhibition / sale at Shinjuku I-Land Tower [新宿アイランドタワー].

Later we sang some karaoke and then had a bit of a Hokkaido dinner – kanimiso yummy!

Walked distance: 16580 steps / 11.8 km. And every damn step – especially on stairs – hurt. Throughout the whole day, legs were on fire. But my back withstood, which was good. We whined a lot about being sore though, because we could (≧▽≦)

10th & 11th August 2019: Once in a lifetime – The Great Fuji-san Adventure {Japan, summer 2019}

Mount Fuji aka Fuji-san [富士山] is a special mountain in Japan, both geologically and culturally. Japanese and tourists enjoy Fuji-san in different ways – contemplating it, visiting it, climbing it, going around it… Well… Guess who got into their thick head that they wanted to climb it? raises hand Exactly! Yours truly. I was already toying with the idea back in 2018, but I chickened out. However, as I mentioned before, this one time I wanted to scratch as many things off the bucket list as possible, so… There I went – kinda pushed by a feeling that if I did not do it, by the time I were back in Japan it might be too late as my health is not.… complying lately. But I had not hiked up a mountain before in my life…

Mount Fuji is the most famous mountain in Japan. Its iconic image is everywhere – enamel pins, t-shirts, postcards, classical art… Located around 100 kilometres south-west of Tokyo, it is 3,776.24 metres high, which makes it the highest peak in the country. It was declared a UNESCO World Heritage Site in 2013.

Technically, Fuji-san is neither a mount nor a mountain, but a type of volcano known as a stratovolcano. Its current morphology was shaped by consecutive layers (“strata”) of lava hardening. It is mainly composed by a rock called basalt, and it is one of the few large basalt volcanos in the world. Basaltic lava is rather thick and slow-moving, so there are many lava tunnels and tree moulds created by the eruptions.

Fuji-san, as we know it today, was formed from a previous volcano (Komitake), and became active around 5,000 years ago. Around 2,300 years ago, there was a mud landslide (Gotemba mud flow [御殿場泥流, Gotemba deiryū]) that can still be identified. There have been several historical eruptions, twelve of them between the years 800 and 1083. There was a ten-day eruption of ashes and cinder in the year 864 (Jōgan 6 in the Japanese calendar, based on the different Emperor’s reign; 2019 is Reiwa 1, as current Emperor Naruhito just ascended the throne). In the year 1707 (Hōei 4 in the Japanese calendar), a few weeks after a big earthquake, the last known eruption took place. In the current Japanese Volcanic Alert Level, Mount Fuji is categorised as “Level 1: Potential for increased activity”, which is the lowest level.

Mount Fuji has frequently been depicted in Japanese art, most famously in Katsushika Hokusai’s [葛飾 北斎] Thirty-six Views of Mount Fuji [富嶽三十六景, Fugaku Sanjūrokkei] by, a series of ukiyo-e block prints (which are actually 46). Probably the best known among these is The Great Wave off Kanagawa, one copy of which is displayed at British Museum in London (actually, in 2017 they ran a whole exhibit around it and Hokusai).

Fuji-san is also an important element in the collective spirituality of Japan. In Shinto mythology, the goddess of Mount Fuji is Konohanasakuya-hime [木花咲耶姫]. She is enshrined in Fujinomiya town Fujisan Hongū Sengen Taisha [富士山本宮浅間大社]. Technically, this shrine has owned Mount Fuji since 1609, though there are no current records of ownership. The volcano stands at the boundary between the prefectures of Shizuoka and Yamanashi, and in order to manage the natural area, the Fuji-Hakone-Izu National Park [富士箱根伊豆国立公園, Fuji-Hakone-Izu Kokuritsu Kōen] was established.

Depending on the actual weather, Fuji-climbing season extends from late June or early July to early September. It is not allowed to climb Fuji “off-season” without a permit. However, people do not usually climb the whole mountain, but start quite closer to the summit. There are roads leading up Mount Fuji up to around 3,200 metres, to an area called the Fifth Stations However, no private cars are allowed on those roads.

From the Fifth-Stations there are four trails or paths to the summit, colour-coded to help people find their way, especially on the way down:

  • Yoshida Trail [吉田ルート] (yellow). It starts at the Fuji-Subaru Line 5th Station [富士スバルライン五合目] (Yamanashi Prefecture). This is the trail recommended to “beginners” and thus the most crowded.
  • Subashiri Trail [須走ルート] (red) Head. It starts at the Subashiri Trail 5th Station [須走口五合目] (Shizuoka Prefecture).
  • Gotemba Trail [御殿場ルート] (green). It starts at the Gotemba Trail New 5th Station [御殿場口新五合目] (Shizuoka Prefecture).
  • Fujinomiya Trail [富士宮ルート] (blue). It starts at the Fujinomiya Trail 5th Station [富士宮口五合目] (Shizuoka Prefecture).

When I told D****e that I was planning to try to organise the climb, she did not believe me at first. As she realised I was being serious, she decided that she was crazy enough to want to come with me as “she could not let me do such a thing alone” and actually took over most of the planning, since she had done it before. I would have just found an agency, but I think she was better.

So off we went. As she was working, we organised our hike on a Saturday-Sunday trip weekend trip – and we did not realise until afterwards that we would be climbing during Mountain Day – Yama no Hi [山の日]. We packed snacks, water, and everything we thought we might need – in my case, also gloves which I eventually lost, and a ridiculous amount of layers. D****e was chill, but I was a little worried about all the equipment the Official webpage for Mt. Fuji Climbing said that was needed, including oxygen and helmets. There were also warnings in place, such as your mobile phone battery dying super-fast, or the need for an evacuation plan in case altitude sickness got too much. I was also worried about weather (especially rain) and temperature changes – thus all the layers. She insisted we would be fine.

After a big lunch, we took the Shinjuku Expressway Bus around 16:00 on Saturday the 10th, and arrived at the Fuji Subaru Line Gogōme [富士スバルライン五合目] / Fuji Subaru Line 5th Station at 2,300 m around 17:30. We (she) had booked a mountain hut at the Seventh station so we “only” had to climb two stations, right? Right. Read: wrong.

Approaching Mount Fuji: the mountain looms half-hidden by the clouds.

Right about the time of taking this picture it had sunk on me how much of a bad idea this had been (≧▽≦). I really wondered if it was too late to turn back and go home.

A date banner at Mount Fuji 5th Station, reading 2019 08 10

My first step was buying a staff – that we nicknamed the “Fuji-climbing stick”. The idea is that you use it to feel your way around and make sure that you step on solid ground, and especially when you hike down. However, (you’d never guess), you can get stamps burnt into the wooden stick as you hike up – usually for 300 ¥. Climbing Fuji can get expensive… D****e had chosen the Yoshida Trail [吉田ルート] for our ascending side (noborigawa [登り側]). And so… off we went.

From the Fifth Station, looking up at the summit.

From the Fifth Station, looking down at the car park and a sea of clouds underneath

We started off climbing at around 18:00. Between the Fifth (2,300 m) and the Sixth Stations (2,390 m), you walk along some dirt paths in the forest, and there isn’t really that much “ascension”. As there was also light, the first hour was easy enough. This area is crowded due to all the “visitors” going for a “walk” from one of the Fifth Stations to another. We actually saw someone using up their oxygen at this point. That was weird.

From the Sixth Station there was a first zig-zag upwards, with paths held up by some dams. This is one of the parts I found the hardest, as it is the same inclination all the time and I was not warmed up yet. Then, sunset came, and while it was pretty, it brought darkness upon us (yeah I’m being literary on this). Not that I had a problem with actual darkness, but other people’s torches and headlights kept blinding me, which made the most difficult parts hard to climb – because some people are idiots who point their lights forward and not downwards, where the ground is. Sheesh. There were parts that were just a gentle incline up, while others were stuck rocks or lava flows that you had to climb with your hand and feet.

At the Seventh Station (2,700 m), the path changed and we started. Though there were some slopes, there were also stuck rocks and lava flows that I had to climb with my hands and feet. Fortunately, I could make use of the short stops we made to stamp my staff. Workers of the Mountain Huts use hot irons to burn the stamp into the wood. I think I got all the ones I could on my way up (no stamps on the way down).

The sea of clouds at the foot of Mount Fuji

Distant lights in the night, down

Mountain huts [富士山の山小屋, Fujisan no yamagoya] are tiny establishments where you can get some food or spend the night for around 10,000 ¥. They often require reservations, usually in Japanese, that is why D****e took charge of that part. Some of them have a bin for rubbish – because you can’t dispose of trash on the slopes, you have to take back what you brought in. They have toilets too, and require a tip. Most of them follow an “honour system” with a small coin box, but some have a guardian to collect the money.

We continued upwards until we made it to our Mountain Hut, Shichigōme Torii sō [七合目 鳥居荘], the Seventh Station’s Torii-so at around 21:00. We had been told it was the one with the red torii, and it was a sight for sore eyes. It stands at 2,900 metres high, closer to the Eight Station than the Seventh – we had expected to find it sooner due to the name.

A torii gate lit up in the dark

D****e had booked a bed and a meal. As we came into the hut, our staffs and backpacks were hung over the door, and we were given bags for our shoes and personal effects. We had a small riff-raff with the owners, because they claimed that we had arrived too late for food. However, D****e argued that the webpage said nothing about a time limit. Thus, we got some curry and rice as the dinner we had booked.

A dish of curry and rice.

Around 22:00, we used the toilet, and then we were shown to the common dormitory – the bed bunks are basically a line of futons put together so you share a blanket with the person next to you. The idiot I had to share with decided to lie on the blanket instead of under it, so she had me uncovered half the time until she left.

Thankfully, at around 23:00 there was a call for people who wanted to set off in time to see sunset from the summit, and she got going. Between getting uncovered, and lying down too soon after food, I started feeling queasy. I freaked out a little. I started turning in my head that I was going to get sick and not get to the summit and have to be evacuated. D****e helped me calm down and I managed to get a few hours of sleep.

But just a few. We were woken up by the noise around us around 4:15. I felt strangely not tired, and D****e indulged me. Thus, we got up and went outside to see sunrise. Sunrise from Mount Fuji!!! I mean… I can’t even. Unfortunately (and ironically) we left too early to get the stamp from our own hut! We continued our way and had breakfast at the next big rock where we could sit down.

Sunrise from the slopes of Mount Fuji.

After coffee (yes, I’m addicted enough to carry coffee to Mount Fuji), we went on hiking. To be honest this second day was not as bad as I had imagined – as in I was rather convinced that I was not going to be able to make it, especially during the night freak-out. My painkillers kicked in and I only felt a small buzz in my ears as pressure changed.

It did not take too long to arrive at the New Eighth Station (3,100 m). Once again the trail became irregular, which on one hand was tiresome, but at the same time, it was not tedious, so it did not feel as hard. Gloves were useful for this part of the hike, as I could hold on to things. We continued up to the Original 8th Station (3,400 m).

After the Original Eighth Station the trail became path-like again, with torii and stairs and fewer rocks you had to climb over, but a bunch of smaller ones that you had to step up on. Here I learnt to appreciate the actual usefulness of my staff. Vegetation disappeared gradually until the ground was barren.

I think I lost my gloves at the Ninth Station. We saw a group of people evacuating an injured / ill climber – we mentally awarded them like a million karma points, and after getting the injured person to help, they happily went back up again. One of them told us their group does it every year. I remember hugging some torii on the way, and a thousand thoughts twirling in my head.

Area closer to the summit of Mount Fuji. There is no vegetation and the ground looks reddish and more like gravel than actual rock.

Looking down from the barren area, there are clouds and a river at the foothill

And then we made it. Around 11:00 we reached the rim of crater. I could not believe my own eyes when I stepped in front of the shrine Asama Taisha Okumiya Kusushi Jinja [淺間大社 奧宮 久須志神社] and Fuji-san Chōjō Yamaguchi-ya Honten [富士山頂上 山口屋 本店] aka Top of Mt. Fuji Yamaguchi Shop. I had made it. I had beaten my own limits, and reached the crater.

Entrance to the Temple on the Summit of Mount Fuji

Online certificate that you can download using a QR from the Top. It has the date as August 11 2019

Of course I needed to get all the stamps and the shuuin and the exclusive Coca-Cola bottle. We decided not to go around the crater to the highest point, just a handful of metres higher, because it would add some 90 minutes to our trek, and we preferred to just hang around where we were for that long. Because I was at the freaking crater of Mount Fuji! I was the Kami of the Mountain.

Brim of the crater of Mount Fuji

Crater of Mount Fuji

Stone marker at the summit

Cheers with two Mount Fuji exclusive Coca-Cola bottles

Walking around the crater would have been great, but we would be hard-pressed for time for our bus if we took too long. D****e asked me what I wanted to do, and I was happy staying around the crater taking pictures and enjoying the feeling. After an hour or so, we set on our way back down – the trail was a bulldozered zig-zag of gravel, boulders and volcanic sand, and it was even more exhausting than the way up.

It was tricky not to slide and fall. It took us about three hours until we were back to the forest area and the Sixth Station. We reached our Fifth Station around 15:30. I did not fall even once – thank you, Fuji-climbing boots from the Decathlon Children Section for not letting me down, literally!! I also acknowledge that we were super-lucky with the weather, we only had a few clouds just under the crater, and it was not too cold even for me – and no rain, which would have made the experience miserable.

The path down, bulldozered into a straight line.

We actually made it with some time to catch our bus, so we looked at the souvenir shops and Fujisankomitake Jinja [冨士山小御嶽神社].

A colourful and crowded shrine. A lot of the tourists in front of it are wearing shoes that were definitely not made for climbing.

My made-for-climbing shoes, and lower jeans, which were originally blue, looking orange due to the volcanic dust.

As we left, we could see Mount Fuji in all its glory, and I could not believe that I had actually been up there! The total experience had taken a bit over 27 hours, and it was exhausting but exhilarating.

View of Mount Fuji from the bus

However, the downfall had to come, and it came in the bus, about 20 minutes into the ride home – once I stopped moving, my body completely shut down in pain. My back cramped, headache hit, left knee got stuck, and the road trip was horrible. I did not want to have any dinner even if I knew I needed it, but a hot pot in the conbini managed to draw me and it was exactly what I needed!

Hot pot with vegetables, mushrooms and pork

Walked distance: 10th: 9988 steps / 7.14 km; 11th: 21107 steps / 15.1 km. However! The damn watch does not take into account that I CLIMBED A VOLCANO!! I mean, come on! Some of those steps had a 70 cm difference in height! I managed to do it, and I feel damn proud of myself for it, and I will forever proudly display my Fuji-climbing stick as proof of the feat. Also, just so you know 11th of August is Yama no Hi [山の日] (Mountain Day) so this was ironically well-timed, even if by pure chance!

The walking cane I used, covered in hot-iron stamps.

I know that hundreds of people climb Fuji-san every year, but for me those almost 3,776 metres represent something special. It was my very own challenge, something I never thought I would be able to do, and yet I managed. I was extremely proud of myself. I think it helped me become more adventurous, as I found out that I could really push my limits. There was a price to pay afterwards, yes. But I had made it and I don’t regret it (I did regret it a bit the following day going down the stairs though. But not much). I was the Kami of the Mountain.

9th August 2019: Pretty lights, 2019 Edition {Japan, summer 2019}

That morning I headed off to Ikebukuro [池袋], on my way to find one of the most important Tokyo [東京] graveyard – Zoshigaya Reien [雑司ケ谷霊園]. I wandered the graveyard for a while – it was damn hot.

However, there was one particular grave I was interested in, the restplace of Lafcadio Hearn / Koizumi Yakumo [小泉 八雲], the 19th Century collector of ghost and mythology stories.

I decided to walk out the opposite direction from which I had come in because I wanted to see a park. I did not find it, but pretty much walked into Otori Jinja [大鳥神社] (and discovered a new stamp rally I should attempt at some point).

I continued on my way towards the station and sort of accidentally walked past Honnōji [本納寺].

And then this little guy drew my attention and I entered Zoshigaya Mimizuku Park [豊島区立雑司が谷みみずく公園].

The park holds Takeyoshi Inari Jinja [武芳稲荷].

And Kishimojin [鬼子母神堂] (which I saw before / later in Gokusen 2005 and I right about died laughing).

Afterwards I headed to Roppongi [六本木] to meet with M***chan and D****e for Chinese at Tokyo Midtown [東京ミッドタウン], and later we walked through the Midtown Loves Summer light festival.

Walked distance: 18686 steps / 13.3 km.

8th August 2019: Tokyo Tower & Nakano Broadway {Japan, summer 2019}

When I was in Kawagoe I found the Saitama special Coke bottle, and I decided I would be on the look-out for them. Afterwards, I saw the three-bottle Kansai pack in Osaka. Thinking about where I could get some of the Tokyo ones (I have an Ueno one that I bought in Narita Airport at some point), I thought about Tokyo Tower as a place to find them. I was not successful, but I did say hi to Tokyo Tower [東京タワー] (Shiba Koen [芝公園]is still under construction though (ó_ò).)

Afterwards I had a shopping sweep in Nakano Broadway [中野ブロードウェイ] – where I bought my new obi and haori – and later I met D****e for dinner.

Walked distance: Unknown, as the connection phone / wristband malfunctioned. I estimate around 6 to 7 km. As you can see, I was feeling the tiredness indeed, so these few days were more relaxed. For now…

7th August 2019: Dragons & kappa {Japan, summer 2019}

It is by now a tradition to go Ueno [上野] and the National Museum of Nature and Science, Kokuritsu Kagaku Hakubutsukan [国立科学博物館] to see the summer exhibition this time it was about kyouryuu [恐竜博], “fear dragons” aka dinosaurs – this year the exhibition was called 恐竜博 2019 THE DINOSAUR EXPO 2019. So it was a must-go for me (^o^)/

And then of course I wandered a little around the evolutionary wards of the museum, because of course I did.

I came out and I turned right instead of left, so I walked right into Kaisan-do (Ryo-daishi) [開山堂 (両大師)] (which on google maps appears as Rinnoji. Note to self: explore the area beyond next time over.

Then I crossed above all the railways leading in and out Ueno station.

I continued on until I got to Sogenji [曹源寺] also known as the temple of the kappa, Kappa-dera [かっぱ寺]. There is a legend related to a raincoat maker who was helped by a kappa when he wanted to build a drainage system in the area. There are a lot of kappa in the temple.

They also populate the nearby area, Kappabashihon [かっぱ橋本].

After that, I backtracked back to Ueno and from there I took a train to Ikebukuro [池袋] to do some window shopping. Then I looked at Tokyo Tower [東京タワー] from Roppongi [六本木] before D****e and I had dinner and called it a day.

Walked distance: 13384 steps / 9.57 km

6th August 2019: Tokyo & Yokohama Book Off Rally {Japan, summer 2019}

To be honest, this was a weird day because my mind was full with some personal stuff, so I just wanted to keep busy. I did a Book Off marathon and I found a lot of interesting things, both in Tokyo and Yokohama [横浜市]. I wanted to visit the Tower there, but it was closed for renovation!

At 6pm I met up with Sr-san for way beyond amazing sushi! Lots of new things to try too!

In the end what I was worried about was solved ε-(´・`) フ and I went back without any problems (on the way out the regular train line was down).

Walked distance: 17438 steps / 12.4 km.

5th August 2019: Vampire Rockstar… I mean Vampire Café {Japan, summer 2019}

After doing laundry (sweaty clothes and lingering smells of smoking rooms demanded those), I met up with B**** around Nakano [中野] station for lunch. Since I arrived earlier than her, I wandered around the shopping centre, and I saw yet another long jacket that I loved at a great price, so all in all, jacket success.

We did some karaoke and then she was kind enough to indulge me and accompany me to the Vampire Café in Ginza [銀座]. Themed cafés are rather popular in Japan. They are establishments that combine food, drinks, or both, with some kind of attraction or theme that makes them unique and / or special. A lot of them are are “animal cafés”, which have living animals as mascots. Back in 2013, B****, D****e and myself visited the Sakuragaoka Cafe, where you can feed the goats. Other cafés choose a topic or particular atmosphere, such as the butler café Swallowtails.

The problem with themes cafés is that one usually needs better Japanese than I have got in order to get by, so I have not visited as many of them as I would have liked. There quite a few reviews on the internet that complain about small portions and high prices for the cafés. It is true that they tend to be a bit more expensive than a regular shop, but you are paying for the experience on top of your food. I don’t think they are overpriced. Regarding the portions, I’ve always found them reasonable. So they are not like the hugely posh European restaurants that you get tiny amount of food at an exorbitant price.

We got off the train at Ginza station and found the La Paix Building or LapeBiru [ラペビル]. We spotted the café logo on the outside, and later in the directory next to the lifts. As it was a Monday, the place was not crazy full. I think they would have turned us down otherwise as we did not have a reservation. There was a direct lift to the entrance of the café, already decorated in style, with dim lights, cobwebs, lots of red velvet, even a skeleton.

We were given a note that informed us that each customer needed to order at least “a food and a drink” and that the time limit was two hours. While in general the experience was fun, I think that this café needs to be visited in groups so you’re in the main area and not the tiny booths to the sides. The main room had a coffin to the side, and there is a table for the groups. The walls were black, and the booths closed with heavy red drapes. There were candles (real candles, not lookalike lamps) for light, and a soft “music box” chamber music in the background in order not to disturb conversations.

Our waiter was clad in a long burgundy gown and she had bat wings on her hair. We’re not sure whether she was in character, or just unamused, but she looked very serious and a little unfriendly – she was probably just not in the mood to deal with the poor-Japanese-skills customers. Since we were only two, we were taken to one of the little booths with red sofas, a small black table, and black walls. As she drew the curtains closed – maybe for a casket-y feeling – we found ourselves giggling.

The food was not bad at all. We decided on a set for two, called Mankitsu Course [満喫ココース], literally “Enjoyment course”, and a couple of cocktails – a non-alcoholic ブルッドオレンジジュース “blood orange juice” for me, and a ブルッドオレンジサワー “blood orange sour” for B****. What was really on-spot was the presentation though – very in synch with the place, and rather cute, with roses made out of salmon, scythes and skulls sprinkled on the places and ice-cream spiders… and even those were cute.

Collage. The two-people booth is surrounded by red curtains, and the food is gothic-looking. The cold sausages have been stylised to look like roses, as has the salmon in the salad. The pasta has a black cross and a grim reaper drawing along the word Death. Ice cream scoops have little cookie legs so they look like spiders. A general shot of the room shows a coffin-looking table with a chandelier on top

Food consisted on:

  • Hamu moriawase [ハム 盛リ合わせ]: Ham assortment, more like sausage assortment with biscuits.
  • Shiisaa Sarada [シーザー サラダ]: Caesar Salad, really nice but not “Caesar”, it had a salmon rose.
  • Garikku Toosuto [ガリック トースト]: Garlic toast, in the shape of coffins, really adorable.
  • Ika sumi pasuta [イカスミ パスタ]: Squid pasta, surprisingly good and with an adorable Grim Reaper presentation.
  • Haabu & supiisu chikin [ハーブ & スパイス - チキン]: Herb & Spice Chicken, flambéd at the table.
  • Nishiki Aisu [2色アイス]: Two-colour ice-cream, strawberry and vanilla in an edible cookie mini-bowl with little spider legs and glazed-cherry eyes.

Our waiter tried to make us chant once, but we did not manage to understand what she wanted us to do until we heard it echoed in a nearby booth. The truth is that we did not get to communicate with her too well. The booth was cute and all, but it was a bit disappointing to be “enclosed” behind the velvet all the time and miss on part of the experience – “Dracula” skipped our booth, apparently because we did not have enough Japanese for him?

The place felt rather quiet. As the velvet curtains muffled the sounds from other customers, only the creepy music-box ambience could be heard, albeit very faintly. When the two-hour limit was nearly over, we got our bill. The meal, including drinks, was actually cheaper than I expected. They did not add the cover charge despite saying they would, so the total came up to 7,776 ¥ (6,000 ¥ for the set menu, 550 ¥ for the non-alcoholic drink, 650 for the alcoholic cocktail plus taxes), so it did not even reach 4,000 ¥ per person.

Reading the bill slowly later, we thought that what the waiter wanted us to chant was a Dracula invocation: koyoi wa sonata [コヨイハソナタ] “tonight is a sonata”, and chi wo itadaku [血ヲイタダク] “(I) receive the blood”. I might want to come back to this place if my Japanese ever improves enough to enjoy the whole experience. But I got it out of the bucket list, and that was great. After all, I might have been on a bit of a vampire high due to both KAMIJO’s concert.

Walked distance: 15168 steps / 10.8 km, again somehow.

4th August 2019: Gastronomy Day {Japan, summer 2019}

I took an early shinkansen back from Nagoya to Tokyo [東京] because I was out early the day before and thus up at an insane hour. I was on the train before 9AM for sure (≧▽≦). I have witnesses!

And in Tokyo… basically I had lunch with D****e, curry soup, in Nakano [中野]:

We said hi to the Doraemon [ドラえもん] in Roppongi [六本木].

Then we went for lamb shabu-shabu for dinner…

And that was it. There went my diet.

Walked distance: 17978 steps / 12.8 km… somehow. From the hotel to Nagoya station, and then from Nakano Station to D****e’s house (oh, wait, I got lost on the way, that explains a lot). Then back to Nakano Station area for lunch, and once more to D****e’s house, and then to the station? Yes? Okay (≧▽≦).)

3rd August 2019: Higashiyama Sky Tower and ELL {Japan, summer 2019}

In the morning I headed out of the Nagoya centre and to Higashiyama Sky Tower [東山スカイタワー]. This was a bit far out and I had slept in – did I mention tiredness catching up? I also considered the zoo/aquarium but in the end I decided against it.

A collage of the Higashiyama Sky tower, a rectangular building with a cylindrical core, mostly built in glass and metal. The smaller pictures show the view of the park, and the earthquake damper

I had an amazing lunch set in the shopping mall underneath / connected to Nagoya Station on my way back.

Lunch set: cold soba, white rice, breaded prawns, pickles, and green tea

Then I headed out for Electric Lady Land. To increase my chances of actually seeing KAMIJO this summer, I balloted for two concerts of the 2019 Japan Tour Persona Grata through the fanclub Rose-Croix international. I was lucky enough to hit for both. When I arrived at the venue, I queued to buy goods – I only wanted the collectible badge, but ended up getting way too many. I waited around, and this time, the Japanese members of the fanclub were let in before the international ones. We did not get a physical ticket, either, just the passport and the reference ticket were enough.

Notice reading ell. Fits all. Japan Tour 19 Persona Grata. Kamijo. Open 18:30, Start 19:00

ELL is a small venue and we were not many people there for the concert – it was strange that there were so much people in Tokyo to fill up the Blitz, but not enough in Nagoya to fill ELL. It was a more humble concert, with a smaller screen for the projections, but it was fun none the less. I was able to stand close to the stage, but I chose the wrong side – I stood left while KAMIJO donned right. I shall learn from that. The set list was the same as the opening concert, which gave me the chance to appreciate the new songs even better. Even if the hall was smaller (tiny, actually) and thus held fewer people, it felt more energetic as attendees were jumping and yelling further – it seemed like the Blitz opening had felt more formal. Glad I got to attend both concerts, never mind how different and similar at the same time they were.

Kamijo Persona Grata poster

Walked distance: 16231 steps / 11.6 km. We don’t trust this measure either as it counts the furutsuke as walking (≧▽≦).

2nd August 2019: Ise Bunkamura {Japan, summer 2019}

When I was in Ise [伊勢市] in 2018 I could not budget (neither time nor money) to visiting the… you know what, I’m confused as hell as what the actual official name is. In English it is Ninja Samurai Kingdom – Ise, but in Japanese it is Azuchi Momoyama Jōkamachi (Ise Azuchi Momoyama Castle Town) [伊勢安土桃山城下街]. Anyway. I went there.

It is a sort of theme park where you can cosplay and walk around in costume, watch shows and play games. In theory, you can also visit the castle, but the bus there was not running that day, and a few of the areas were closed. Not that I regret going, but looking back it would have been skippable – now I know. But I had to go to know and get it out of my checklist ☆⌒(ゝ。∂) .

I think I actually spent more time travelling there and back than doing actual things. I had to wait an hour and a half between the shows that I had thought I’d use on seeing the castle… but nope.

Once back in Nagoya [名古屋], I went to the Book Off to check if there was anything interesting, as after Nagoya I would be heading back to Tokyo, and I could now go on a shopping spree.

Walked distance: 16136 steps / 11.5 km.

1st August 2019: Takehara’s Little Kyoto in Aki {Japan, summer 2019}

Takehara [竹原市], in Hiroshima Prefecture, claimed to have its own Gion-like district, and they are trying really hard to promote it. I decided to check out whether it was true / worth it. And after half an hour what I kept wondering was “are you sure you’d want this to become as crowded as Kyoto?”

The historical area consists on a few streets, temples and shrines dating back to the Edo period. Let’s see whether I can retell the route accurately. My first stop was Izumo Jinja [出雲神社]

After I had taken the wrong turn a couple of times because the map was cute but not that accurate, I found the “Takehara Historical District”, actually Takehara Townscape Conservation Area Takehara Machinami Hozon Chiku [たけはら町並み保存地区]. The main tourist route runs along Honmachi [本町] Street, and during my whole walk I ran across maybe ten other tourists.

My first diversion was Choseiji [長生寺].

After this I had a better idea of where I was, so things rolled more easily. I continued along the houses and turned right to climb up Saihoji Fumeikaku [西方寺普明閣].

Afterwards I visited Okakae Jizo [おかかえ地蔵], who will grant you wishes if you pick him up

Then Ebisu Jinja or Kodo [胡堂].

Afterwards, Shōrenji [照蓮寺].

Historical alley, holding Shumpukan [春風館] and Fukkokan [復古館].

I diverted then to Sumiyoshi Taisha [住吉神社].

And Kusunoki Jinja [楠神社].

Isonomiya Hachimangu [磯宮八幡] was under construction, so I did not bother the workers.

After this I wandered a little around the river, considering whether going to the harbour or not, but in the end I decided against it and headed off back to the station, where I took a train towards Mihara [三原], where I visited the site of Mihara Castle Remains, Mihara jōato [三原城跡].

I also found… Rakkii Jinja [らっきー神社], which I think it’s actually “Lucky Jinja”… in Mihara Station… I don’t ask anymore… but apparently Mihara is the “Octopus Town” and this is their mascot?

Then I went on back towards Nagoya via Kobe. This took around three and a half hours, so I was in Nagoya [名古屋] around late afternoon. Once there, I continued on my search for long jackets and I was finally successful in acquiring two of them in the Midland Square Mall, where I actually went to check out on a LemonEd pop-up shop… which I almost didn’t find because it was way too discrete.

Walked distance: 17438 steps / 12.4 km.

31st July 2019: Journey to the East (2): To the bunnies! {Japan, summer 2019}

I caught the train early in the morning to get to Fukuyama [福山] (Hiroshima Prefecture), barely 15 minutes away from Okayama by train. I wanted to see the local castle, Fukuyama-jo [福山城], which I had not been able to see the last time I had been around because I was a bubblehead and missed the train that gave me leeway to stop (and it was a Monday and closed). Thus, this time I factored it in.

After visiting the castle I found the complex found by Abe Jinja [阿部神社] and Bingo Gokoku Jinja [備後護国神社].

And then Sanzoinari Jinja [三蔵稲荷神社].

These three shrines were located within the same park as the Castle, but my map also pointed out that Fukuyama Hachimangu [福山八幡宮] was not that far away, so I went to find it too.

On my way back I diverted because a building had drawn my attention and I wanted to find out what it was – it turned out to be, and I quote the “Holy Zion’s Park St. Valentine” [ホーリーザイオンズパークセントヴァレンタイン]. It was a wedding venue. Live and learn.

As I had some time before the train I wanted to take, I also checked the Fukujyukaikan [福寿会館], which turned out to be a ‘traditional house with a teahouse’, so I did not come in.

After that, I took another train to Mihara where I took the Kure line towards Takehara. However, I stopped halfway, in a small station called Tadanoumi [忠海]. What is there in Tadanoumi? The ferry to Okunoshima.

And what the hell is there in Okunoshima? Bunnies. Hundreds of tame rabbits which you can feed and which will climb on you to demand your food, or climb into your backpack of bag or whatever you’re carrying.

So yes, I went to Okunoshima [大久野島]. I could lie to you and tell you that I was there because of the island (horrific) history, and places like the Poison Gas Museum Ōkunoshima Dokugasu Shiryōkan [大久野島 毒ガス資料館].

Or the magically decaying Okunishima Jinja [大久野島神社].

Or the beautiful scenery.

But bluntly put I was there for the rabbits and bunnies and bunbuns and the fluff and the floppy ears and the straight ears too. Okunoshima is also known as Rabbit Island. After it was abandoned after WWII, apparently a bunch of students released some domestic rabbits and they have colonised the whole island. Now you can go and feed them, although you are encouraged not to grab them or ‘put your fingers near their mouths’. For three hours I pranced around finding bunnies and feeding bunnies.

Then I took the ferry back to Tadanaoumi as the sun started to set.

I continued on the Kure Line to Takehara [竹原市], the city / town Tadanoumi actually belongs to (and I was super lucky because there were disturbances and delays for hours starting the following train). Honestly it was just the nearest hotel I had found – I mean, when I went out the only thing I found to grab a bite to eat was a McDonald’s… and they made my fries to order. I also found out about the town’s unofficial mascot, a character called Momonekosama [ももねこ様], from an anime that is set in Takehara

I had saved up the following day as “buffer day”. I did not know whether to try and get to Kure, or directly back to Nagoya, I thought it would just depend on how tired I was… But the hotel had a little map about how Takehara’s historical district was “Little Kyoto”… I thought maybe that was worth checking out.

Walked distance: 19058 steps, 13.6 km

30th July 2019: Journey to the East (1): Sakaiminato → Okayama {Japan, summer 2019}

For the second part of my Sakaiminato adventure, I got breakfast on the go, and around 9:00, I set off to the Yumeminato Tower in the park of the same name. I had a plan of things to watch and walk around that unfortunately fell through due to, again, a perceived temperature of over 42 ºC and bright sun. But the Yumeminato Tower [夢みなとタワー] could not be skipped as it is part of my still ongoing All Japan Tower Stamp Rally. Aside from the customary observatory, the Tower featured an anthropology exhibition about the cultures of “countries historically related to Sakaiminato in matters of trading” such as Korea or China.

Yumeminato Tower and views from it. There is also a betobetosan (a… white ball with teeth).

At the feet of the tower is the Sakaiminato Fish Center [境港さかなセンター], a fresh fish market – remember that Sakaiminato is “The City of Kitarō and Fish”. Here is where the homage to fish starts. Sakaiminato is both a trading and fishing key point in western Japan, so this spot is quite important for local business. They have even built a small shrine to give thanks to the ocean for providing the catch.

Sakaiminato fish market, outside and inside, including a small shrine.

Both the tower and the market buildings are encased in Yumeminato Koen [夢みなと公園], a huge – and shadowless – park. It was quite hot, to be honest, and looking back I should have probably just taken the tourist shuttle, but the schedule was inconvenient.

Park with sculptures that depict silhouettes of fish.

When I arrived at the Takematsucho station, my train had just left, so I snooped around Takematsu Jinja [高松神社], a small shrine next to it.

The torii of a small shrine, next to a sacred tree

Having to wait forty minutes further, as there is only a train per hour, I decided to walk over to the following station, where I visited Amariko Jinja [餘子神社].

A shrine. The entrance torii frames the main building.

Then, I just sat down to wait and have a drink till the train came. Once back in the centre of Sakaiminato, I realised that even if it was a Tuesday, the Museum of Sea and Life was closed. That did not stop me from hanging around Osakana Road [おさかなロード], the Fish Road, which follows the same ideas as Mizuki Shigeru Road – it has little sculptures here and there. Only these are not yōkai, but fish.

Life-like fish, squids, crabs and sharks from Osakana Road, along a cartoonish mix of them all.

Oh, and I found a… photo-op / trash can shark on the way ʅ(・ω・。)ʃ?? I have no idea, but I could have fit inside. Unfortunately, I would not have been able to climb out.

Head of a white shark

And speaking of fish, I had a great fish-fry snack in Mizuki Shigeru Road as I did an extra sweep to make sure I was not missing any yōkai. I chose this place because the owners seemed nice, and they were. They tried to make some conversation and they were very friendly.

Fish fry with a slice of lemon.

After that, I claimed my certificate at the Tourist Information Centre next to the station Sakaiminato-eki [境港駅]. Although I had done it the previous day, by the time I finished, the office was closed. Of course, nobody had any issue with that – they happily gave me my certificate, dated July 30th and not July 29th (≧▽≦).

Certificate of having finished the Yokai Stamp Rally, dated 30 July 2019.

I finally said goodbye to Sakaiminato, and I took the train back to Yonago, and from there to Okayama, the capital of the Prefecture of the same name. This took around three hours, and I was in Okayama [岡山] around 18:00 or 19:00. I dropped my things off at the hotel and headed off for dinner. I ended up ordering a salmon set in a semi-traditional restaurant in a Takashiyama shopping centre, and although the staff was not the nicest, the food was delicious!

Japanese dinner with fried fish, salad, miso soup and a bowl of raw fish on rice.

Right after dinner, I walked to the castle, Okayama-jo [岡山城], hoping it would be lit, and it was. They were also rehearsing some summer light show, with music and stuff.

Okayama Castle at night

Afterwards, I went back to the hotel – unfortunately I had a smoking room (yuck), so I had to spray everything with freshener so I could breathe. But I left the window open as I showered, and I slept rather well afterwards. I had started to feel the tiredness.

Walked distance: 22899 steps / 16.3 km. Most under the sun (soooo sunburnt!)

29th July 2019: Journey to the West: Osaka → Sakaiminato {Japan, summer 2019}

I was determined to cross as many things on my bucket list as I could in this trip as I could, and that involved some crazy travelling – in this case, two hundred eighty-something kilometres, four trains, and a bit over five hours. In order to make it work, I needed to leave Osaka around 7:00. From the hotel I took the Midosuji underground line from Doubutsuen-Mae Station to Shin-Osaka station, where I took the Tokaido-Sanyo Shinkansen to Okayama – the first 2.5 hours. There, I took the Yakumo Limited express to Yonago [米子市] (a bit over an hour). There, I had to change to, the JR Sakai Line which would finally take me to Sakaiminato [境港市] in Tottori prefecture – it took 45 minutes to travel the last 18 km.

Sakaiminato is “The City of Kitarō and Fish” – Fish is quite self-explanatory. Kitarō is the main character in the manga Ge Ge Ge no Kitarō [ゲゲゲの鬼太郎], often quoted as the reason why yōkai and other elements of Japanese folklore and mythology became popular in the 20th century. Yōkai [妖怪], literally “strange apparition”, are mythological creatures unique to the Japanese islands. They tend to represent nature or societal phenomena, some of them have animal features or are part-human part-animal, or anthropomorphised animals. Many others are rooted on the Japanese idea that inanimate objects have or can develop a spirit. Some yōkai are benevolent, others are evil.

The creator of the manga was Mizuki Shigeru [水木 しげる] (1922 – 2015). He was born in Osaka, but his family moved to Sakaiminato when he was young, and he grew up there. After being drafted to fight in World War II, he became interested in travelling and mythology. Back in Japan, he started the manga in the 1960s. Aside from writing and drawing Ge Ge Ge no Kitarō [ゲゲゲの鬼太郎] (Ge Ge Ge being an onomatopoeia of creepy grave yard noises), he was also a great connoisseur of Japanese folklore, especially monsters, ghosts, and yōkai.

Ge Ge Ge no Kitarō went through a few names and formats to its final form – and there have been anime adaptations as recent as 2018. Kitarō, the main character, is a young yōkai boy who lives between the worlds of humans and yōkai. His usual adventures involve protecting people from both evil yōkai and monsters of western origin. Other characters appear through the story, such as Medama-Oyaji, the “ghost” of Kitarō’s father, incarnated in his eyeball, the Rat-Man (Nezumi Otoko) or the Cat Girl (Neko-Musume).

Most of Kitarō’s adventures happen in or around Sakaiminato, and the town has decided to honour Mizuki’s yōkai legacy – or turn it into a tourist attraction. The inhabitants embraced its yōkai fictional legacy with glee… and stamps. Sakaiminato is all and everything about yōkai.

The magic started when I reached Yonago [米子市] Station: there, the platform is decorated with sculptures and statues, a prelude of what one finds when arriving in Sakaiminato. The train in the JR Sakai line [境港線] was also decorated with some of the characters of the manga. Furthermore, a lot of stops of the Sakai Line, aside from their actual name, are nicknamed after a yōkai.

Sign of Yonago station, featuring the character Nezumi Otoko from Ge Ge Ge no Kitaro.

Train to Sakaiminato, featuring the character Medama-Oyaji from Ge Ge Ge no Kitarō, taking a bath.

I finally reached the Sakaiminato station, Sakaiminato-eki [境港駅]. Upon exiting the train, the first thing I saw was a mural with all the recurrent characters in the manga. The second, that the street lights were shaped like Medama-Oyaji, Kitarō’s eyeball-shaped father.

Mural of Ge Ge Ge no Kitarō characters. The street lights in front of it are shaped like eyeballs, and the irises have different colours.

As I came out of the station, I was greeted by a bronze statue of Mizuki Shigeru writing among his characters, and a themed postbox. At the end of the block there was a mall-like building (actually, a cultural centre) which holds the Tourist Information Office. There, I got a copy of the yōkai booklet to carry out the Yōkai Stamp Rally [妖怪スタンプラリー]. The booklet was 120 ¥, of course I could not let it go – there are 35 stamps to collect, and if you get all the stamps of the main rally, you get a small certificate. There are extra stamps for day trips, too. I wish I had known beforehand, I would have planned two days out there to try and complete it.

In order to complete the stamp rally, you have to go down the main street and stop at the many shops which have a small stand out front with a stamp and an ink pad. It was stupidly fun to do, even if there were a few parents who thought nobody but their kids should get stamps and a certificate. Some of the stamps were “hidden” away from the main street and the documentation is in Japanese, so some effort is required – or just use the convenient interactive map.

Stamp Rally booklet

Booklet acquired, I could go forth and explore (and stamp). I backtracked towards the bronze statue of Mizuki Shigeru writing among his characters Mizuki Shigeru-sensei Shippitsu-chū no Zō [水木しげる先生執筆中の像], and the Kitaro postbox [鬼太郎ポスト].

Statue of a character writing with his mouth open. Two manga characters are looking at him, hearing his stories.

Kitaro sitting on top of a post box

And as you follow the road and turn the corner you directly go into Mizuki Shigeru Road. However, when have you read me going into something directly without getting distracted? First I had to see the Yōkai World Summit, Sekai Yōkai Kaigi [世界妖怪会議].

The bronze statues that comprise the Yokai World Summit.

Finally I got down to Mizuki Shigeru Road [水木しげるロード], which features dozens of small and not-so-small bronze statues representing yōkai as they appear in the manga, alongside the characters designed for the story itself. The Tourist Information claims that there are 177 statues in total. I honestly did not count. Shops line to the sides, and a bunch of them have the stamps that you ink on your booklet – and it was hard to get to them, it was so crowded!

I walked the right side to the end, then I decided to come back to check into the hotel, which was close to the station, and drop the luggage. Why didn’t I do that from the beginning? Either it was too early for check-in, or I was eager to get started with the stamps, or maybe both. I reached my hotel and it was gorgeous! It was actually the most expensive hotel in the whole trip, but it was amazing! Outside, it was just a brick building. Inside, it was full of wood and tatami, and so was the room. There was an onsen (artificial hot spring) on the uppermost floor, which I decided I would visit later.

I actually felt a bit bummed that I only had a night there, because I would have really stayed in that room for hours just lounging around – and there were more stamps to collect… But as soon as I thought about the stamps I realised I just had to go out again to continue my adventure. There were lots of things to see and do! Thus, I headed out again, and realised I needed to find myself some food as it was close to 15:00 and I had only had a coffee and a cracker at around 8:00. Then, I set off to walk the left side of the Mizuki Shigeru Road. Of course, every time I went up and down the street I took photographs…

Collage showing Japanese mythological characters as depicted in the Ge Ge Ge no Kitaro manga. They include a Medama-Oyaji, Betobetosan, a dragon, a nurikabe, a giant skeleton…

Of course, I also had to visit Yōkai Jinja [妖怪神社] on the way (the amount of time and times I had to wait till I was able to take a picture of this without anybody in it was ridiculous (≧▽≦)).

Japanese shrine entrance, depicting the torii as something ghostly. There is a sacred tree just behind the torii.

At the end of the road, I had seen the Mizuki Shigeru Museum, Mizuki Shigeru Kinen-kan [水木しげる記念館] and I knew that it was open (on a Monday!) until late (in Japan!). I actually had put Sakaiminato on the schedule like this so I could make the most out of the Monday. I decided to enter before I had finished the stamp rally, because I keep getting distracted by shiny new things. The Museum features some of the original manga strips, a replica of Mizuki’s office, some items of his mythology-artefact collection and personal library. You can peek at haunted house and see a lot of “domestic” yōkai that that may lurk in a traditional home. There are also replicas of different yōkai – big, moving, and trying to be creepy but only managing to be awfully cute: Nurikabe, Shirouneri, Otoroshi, Azukihakari, Betobetosan, Suiko, Akaname, Miagenyudou. There are also photo spots to compensate that more than a few items cannot be photographed. The museum also had a nice garden for the “wild” yōkai.

The Shigeru Mizuki Museum and garden

I still had a few stamps to go, so after I left the museum, I diverted towards the harbour to find them. That is how I ended up at Ominato Jinja [大港神社], a much more traditional shrine, not for tourist but actual practising.

Japanese Shrine. Pretty standard in comparison to Yokai Jinja.

It was time to look for the “hidden” stamp spots. The very last one I found was at the Sakaiminato Ekimae Police Box, Sakaiminato Ekimae Kōban [境港駅前交番]. I had completed the booklet in one afternoon! However, it was just around 18:00, so the tourist office was already closed. I saw something called “Kitarō Haunted House”, but I did not enter – it seemed to be for kids, and I did not want to brave too many hyper-protective fathers.

Open Yokai stamp booklet showing the stamped characters.

Instead, I went to the harbour to have a look at the setting sun. This was my first time in the west of Japan, so I thought I could see the sun going under the maritime horizon. I had not counted on the bay, but it was overall pretty.

Sunset at the harbour. It looks pastel.

As it was “after hours”, I went to look at the fountain Kappa no Izumi [河童の泉]. That day, the city employees had been cleaning it, and I did not want to take pictures with the workers in them, or disturb their work and power-washing. The fountain was still not running, but the city officials had left.

Dry fountain with Ge Ge Ge no Kitarō characters.

Afterwards, I tried to grab a bite to eat, but most places had either shut down or were not taking customers any more by 18:00. Thus, I found myself some conbini food, and headed back to the hotel. I had a nice traditional bedroom and a fantastic shower, but honestly, I ignored it in favour of the onsen. I went there to enjoy a long soak. As night falls and the shops close down, it looks like this small Japanese town would go quiet. Nothing further from reality! The Mizuki Shigeru Road displays a creepy illumination complete with sound effects. This is probably an incentive for people to stay overnight. I had read about it on the brochure, so of course I walked out again to see the town at night.

The whole Mizuki Shigeru Road had been completely overtaken by the wannabe creepy atmosphere – at least. There was music, and some of the shop windows had shadows. The Medama-Oyaji street lights flickered. Suddenly, as I was walking down the road, there was a thunderclap sound and all the lights went out at the same time. I jumped! They got me good! Well, me and everyone who was just experiencing it for the first time. Part of the fun became identifying when the lights would go out and watching out for people getting as startled as you had been. I plead guilty of doing it.

Mizuki Shigeru Road, with creepy lighting.

I went back to the hotel around 21:00. However, as part of the stay-in-town incentive, my hotel also offered a free bowl of ramen between 22:00 and 23:00. I wondered if it would be greedy to go and have it, but I decided to take full advantage of the offer. Thus, to finish the day, I got free ramen at the hotel for dinner! Indeed, I could have stayed in that hotel for days on end!

Bowl of free ramen with algae and bamboo sprouts.

I went to bed soon after. But remember, Sakaiminato is “The City of Kitarō and Fish”. I had done the Kitarō part. The following day, I needed to focus on the fish.

Walked distance: 13641 steps, 9.76 km in one afternoon/evening. It was bloody amazing and I had a blast!

28th July 2019: Wakayama {Japan, summer 2019}

Going to Wakayama [和歌山] was a spur-of-the-moment decision, so I did not prepare for it in advance – I should have. On the one hand, it was super hot, on the other hand, most of the stuff was not covered by my JR Pass and I had not budgeted 3,000 ¥ extra on trains for it. But when I came out of the train on the 27th saw that my platform was the Wakayama platform and thought “why not?” After all, they made HYDE their Tourist Ambassador this year…

First I found my way to the castle, Wakayama-jo [和歌山城] and the adjacent park.

On one of the corners of the park I found Wakayama-ken Gogoku Jinja [和歌山県護国神社].

And then I visited the Wakayama Rekishi-kan [わかやま歴史館], Wakayma History Museum, since the ticket was included in the Castle visit.

Then I missed the train to Kimiidera [紀三井寺], so I had to wait an extra half-hour… that I would later be thankful for because… stairs. Lots of them.

There were a couple of other shrines that I wanted to visit, but it felt like 45ºC and it was just too hot to walk to them – besides the stairs left me exhausted. So I headed back to the station. I did not manage to make a seat reservation, so I had to stand the 90 minutes back to Osaka [大阪]. That was not fun. Once I was in Osaka I took a stroll in Tennoji shopping centre because I wanted a long summer-jacket, preferably in black lace. I was not lucky.

I had dinner and a shower at the hotel, and then I walked past Shinsekai [新世界] and Tsūtenkaku [通天閣] to see Shitennoji [四天王寺] at night. I was closely observed by some cats which roamed the altars and were very offended I was not bringing them any food.

Walked distance: 22995 steps, 16.4 km

27th July 2019: Osaka by drizzle and twilight {Japan, summer 2019}

After the KAMIJO concert, I set off again, this time over to Osaka (where I was a train-challenged idiot and this time I can’t even blame it on the chaotic Osaka transport) and my first stop was Namba Yasaka Jinja [難波八阪神社], one of whose buildings is shaped as a lion-dog head. It was a very nice and fun shrine.

On the way to the station I walked through Namba Koen [浪速公園].

Then I rode to the hotel to drop off my things – and of course gotout the wrong station at Shin-Imamiya station (I also held a little prayer so I did not end up at a love hotel again – I had chosen wisely!). I had a bit of a rest and then I headed back towards Dōtonbori [道頓堀] and after once again checking the map before getting my butt there, I was able to find all the spots I wanted too – count me out of the Donki ferris wheel though.

The plan was waiting until sunset to see all the lights, but I miscalculated again and I did see the lights, but only against the twilight. Oh. But I made some time eating takoyaki [たこ焼き].

I got some rest on the way, so I was rested enough to have a stroll down Shinsekai [新世界] at night – including Tsūtenkaku [通天閣] and Billy Ken.

Afterwards, before going to sleep, I watched a NHK TV special on one of the bands I like – but have never seen live – LunaSea. I was in my hotel in Osaka, but I watched “with” my friend E**chan, as we both kept messaging each other about what we were listening to at the moment.

Walked distance: 19319 steps / 13.8 km.

26th July 2019: KAMIJO’s Persona Grata {Japan, summer 2019}

I woke up, and had some coffee from the convenience shop on my way to the station. I took a train to Tokyo [東京] – the great thing about the JR Pass is that you can ride back and forth as much as you want. The itinerary I have for this time over might not the most efficient in terms of optimising time, but it does maximise the number of concerts I can attend. This was the day of KAMIJO’s the opening concert of his 2019 Japan Tour Persona Grata.

When I arrived in Tokyo, I headed off towards Roppongi Hills. There, I met up with D****e and we had some some delicious yakiniku together for lunch.

Lunch set. Salad, white rice and some raw meat for the grill, along with the sauces to dip

I first saw KAMIJO in Barcelona in 2018. He is a visual-kei rocker from the old school – with the costumes, the backstory and lots of theatricality. He is basically pretending to be Lestat de Lioncourt during the stint he becomes a rock star. I mean, we are the same age. We must have read the book around the same time, so I know where he is coming from.

Since, aside from vampires, KAMIJO is also obsessed with France, a while back he opened a European fanclub. Unlike most Japanese artists’ international fanclubs, Rose-Croix international allows for very real benefits. Since the European chapter is actually located in France, everything was much easier in terms of payments and so on. I was able to ballot for tickets for the Japan tour, and I actually hit for Premium tickets for Persona Grata’s opening night at Mainabi Blitz Akasaka. The tickets included “seating in front of the stage” and special presents. To prevent tickets getting lost in the post, you have a reference number and need to drop by the ticket booth to receive your physical ticket on the day of the concerts you hit for. I was lucky enough to buy the tickets for the two concerts I wanted.

Kamijo Persona Grata poster

After lunch, I went to D****e’s to drop off my backpack and changed, then I set back out. I arrived at the venue around 16:30, and the shop to buy merchandise was already open, but the ticket booth was still closed. I could not claim my Premium goods without the physical tickets, but I looked at the merchandise. I decided that I needed the small lamb plush with vampire fangs Hitsuji Vampire [羊ヴァンパイア], along with some other items, the more important being the booklet.

Around 17:30 I was able to retrieve my ticket – I only had to show my passport to get it. The premium seat guaranteed a “front seat”, which was second row – better than expected. Afterwards, I went to collect my premium “goodies” – a jewellery pouch (I really thought it was a wallet at first), an autographed board, and a mug, all inside a limited-print plastic bag that was given out for purchases over 3,000¥. I think that between second row and the presents, the ticket price was fair in comparison to the regular one.

Kamijo Persona Grata Premium gifts
The tour doubled as an introduction to the new songs for the upcoming singles. Aside from the new compositions, I discovered a few songs I really liked (a lot of my Book Off shopping this year had to do with trying to build KAMIJO’s entire discography)., The concert felt quite special. I enjoyed every second, and having a chair really helped to get some rest when he was off stage and we had the “film” instalments. Unfortunately, the fandom is not too open so I did not get to make any new friends.

There was a large screen on stage where the conducting story was projected. This is another thing that some v-kei artists do, have “plots” for their concerts, and big stories for tours / releases. This is usually done in the form of short films shown throughout concerts, and snippets written on the CDs or DVDs (it’s the original transmedia strategy, I guess – and reading the booklet helped figure things out). It also works to give the musicians a break during high-energy concerts. The story of Persona Grata takes the viewer back to the times of Louis XVII of France. The Count of Saint Germain – whom is never seen, but is voiced by famous voice-actor Tomokazu Seki [関 智一] – is a vampire masquerading as alchemist. He created the Émigré, a system to obtain energy from the blood of resurrected corpses. These corpses are a sort of sentient human “battery” who are allowed to meet their beloved ones once more before their final, eternal death. Émigré created an “ideal world” with infinite energy. Time passes and in the present day, the Émigré is working in Japan and being exported to America. The film opens with the Secretary of Energy in the USA killed, delves into the investigation, and culminates with a meeting between the President and the Count, after which the Count’s car is blown up.

After the first instalment of the film, KAMIJO came on stage along with the musicians – Meku (guitar), Yuki (drums) and Masashi (bass).

Setlist:

Intro: Sang-epilogue- (recorded)
    1. [New song]
    2. [New song]
    3. Nosferatu
    4. Emblem (recorded)
    5. Émigré
    6. Vampire Rock Star
    7. Ecstasy
    8. 闇夜のライオン [Yamiyo no lion]
    9. Delta -Interlude-
    10. Castrato
    11. [New song]
    12.The Star-Spangled banner (recorded)
    13. [New song]
    14. Eye of Providence
Encore
    15. BASTILLE
    16. 第四楽章 – Dying Table – [Dai shi gakushou – Dying Table –]
    17. Moulin Rouge
    18. 追憶のモナムール [Itsuoku no mon amour]
    19. Louis ~艶血のラヴィアンローズ~ [Louis, Enketsu no La Vie en Rose]
Ending + Eye of Providence (recorded)

I like KAMIJO because he is fun. He tries really hard to stay in character all the time, but he does not manage, and keeps slipping into being a goof ball. However, he is a great singer. Furthermore, I also like vampires, I’m not going to lie, and he makes for a very pretty one. One of the things I find hysterical is that he uses a goblet to drink at concerts, a member of the staff keeps it full of water all the time.

The Blitz show was pretty powerful and really good. There was something special about it, something magical. Artistically, KAMIJO showed everything he can do. He did not miss any cue, his voice never wavered, he never hesitated. Every line and twirl and drop were timed perfectly. He hit all his crazy highs and the husky lows, and did not have any issues with songs with completely different tempos back to back. He jumped, made the audience jump, made the musicians jump and fake-bit all the guitarists’ necks. During the emcee, he announced the final October tour, a “trilogy of singles” that would complete the Émigré story arc.

The audience struck me as pretty rather quiet, in comparison with the HYDE concerts I had just attended, where the crowd is a bit… overenthusiastic. In this case, everybody just clapped, but did not scream or speak.

Out of the new songs, I really liked Ecstasy, for which KAMIJO had practised his English a lot. Lyric-wise, I think Eye of Providence hit hard. Of the not-so-new songs, I absolutely adored Bastille. He sadly did not sing Mystery, but it probably did not fit the ongoing theme. Neither did Moulin Rouge, I think, but it is a staple of his. At the end of the nine-minute concert, he said that we all were a family, and coached us to hold hands and jump together with him and the musicians.

Night view of the venue, reading Mainabi Blitz Kamijo

After the concert finished, I headed back towards D****e’s place, and I had some dinner on the way. I must have. I don’t really remember…

Walked distance: 13515 steps / 9.66 km. I don’t believe this for a second, the watch is totally messing up between moving arms doing furutsuke, and walking.

25th July 2019: Sekigahara {Japan, summer 2019}

I was staying in Nagoya for another of the HYDE concerts, but I had a free morning, so I decided to take a train to Sekigahara [関ヶ原], which is a nearby little town, which is really only in the books because in October of 1600 a huge battle in the mountains over there decided the establishment of the Tokugawa shogunate, which shaped the history of Japan for centuries. It is known as the Battle of Sekigahara, Sekigahara no Tatakai [関ヶ原の戦い]. Basically there were a bunch of samurai clans warring with each other and Tokugawa managed to convince, bribe and slaughter every one in his way until he was the de facto ruler of Japan.

A vermillion gate with trees in the background

I found a map with a route to follow and thus my first stop was the Higashikubidzuka [東首塚] Mound, where a bunch of samurai were beheaded – this was off to a bloody start. Within the same area there were several monuments signalling different events and encampments – which was to mark how most of Sekigahara is laid out.

Collage of the park, showing a marker, some flags and a torii

Then I continued on to Jinbano Koen [陣場野公園], where I could see the Site of the Battle Camp of Tanaka Yoshimasa [田中吉政陣跡], the Site of Tokugawa Ieasu’s Final Encampment [徳川家康最後陣跡], Kibune Jinja [貴船神社], Mitama Jinja [御霊神社].

Collage of the park, showing a marker, some flags, fences with spikes, and a torii. There are trees and overgrown bushes in the background.

It was hot as could be, so I was not going to do the 17-km route, but I did go to the main area, the Site of Sekigahara Battleground – Sekigahara Kosenjō [関ケ原古戦場], along with the Site of the Battle Camp of Shima Sakon (Sasaoyama) – Shimasako-jin ato [島左近陣跡].

The logo of the city of Sekigahara. It can look like the moon coming up from behind a mountain, or a samurai helmet

After that, I backtracked to the Sekigahara Town History and Folklore Museum Sekigahara-chō Rekishi Minzoku Shiryōkan [関ケ原町歴史民俗資料館], which I had missed at first because there was construction in the area. There I could see some weapons and armours and get the whole collection of samurai clan stamps and enjoy the air conditioning.

Samurai armours and pennants

I would have liked to go to the Site of Tokugawa Ieyasu’s First Encampment [徳川家康最初陣跡], but it was too far away to walk, so I had to take picture from the train.

A clear in the forest with some white flags

As an interesting anecdote, I found a Thai coin in the battle site, something I would have never expected.

A Thai coin

Once in Nagoya [名古屋], it was time for HYDE concert’s HYDE Live 2019 at the Zepp Nagoya again. As the previous day, it was a fun concert – I stayed at the end of the venue because my entry numbers were so high I had zero chance to find anything mid-venue, but it was all right, it’s not like I’m ever going to do first row in a HYDE concert in Japan. I have accepted that. I had fun anyway, and that is the most important thing.

My impressions were similar to the previous day. The concert made the 2018 tour feel like a rehearsal for this one, or maybe just a way not to “give up” summer touring on HYDE’s part since he has a pretty devout following.

Setlist:
    1. Who’s gonna save us
    2. After light
    3. Inside of me
    4. Underworld
    5. Fake Divine
    6. Two face
    7. Set in Stone
    8. Zipang (Japanese version)
    9. Out
    10. Mad Qualia
    11. Sick
    12. Don’t hold back
    13. Lion
    14. Another moment
    15. Midnight Celebration II
– break –
    16. Duality (Slipknot cover)
    17. Countdown
    18. Ahead
    19. Ordinary World (Duran Duran cover)

After the concert, Sr-san had skipped back to Tokyo, so I just headed off to my hotel to have a shower and relax. I had another concert coming the next day, making it three concerts in a row, so I needed to rest up a little.

Walked distance: 14683 steps / 10.5 km.

24th July 2019: Morning in Kyoto, afternoon in Nagoya {Japan, summer 2019}

After waking up early again (what can be done? Early night → early morning) I walked out the hotel and took another stroll in Maruyama Kouen. Only this time, instead of heading towards Yasaka Jinja and Gion, I continued straight and I found Daiunin [大雲院].

The roof of a pagoda, in oxidized green colour

I continued on to Nene no Michi [ねねの道], which has temples left and right. These temples have little statues that you have to touch for luck, wealth and so on. As I have been feeling so lousy this last year, I decided to find the health one.

Statuettes of the Buddha and local gods

On my way I climbed up the Daidokoro-zaka [台所坂], a bunch of gentle stairs that lead up to Kōdaiji [高台寺], a fun temple with a lot of yokai folklore. It also held some healing sutras, so I took the liberty to make them spin.

Temple with funny-looking lanterns decorated with yokai and ghost faces

From there, I went to Kongoji (Yasaka Kōshindō) [金剛寺(八坂庚申堂)], which is a temple with… colourful balls where people write their wishes. They are supposed to entertain the ‘good faith monkeys’ (Hear no evil, speak no evil, see no evil) that guard the temple, I guess.

Buddhist temple with a decoration of thousands of brightly coloured pompoms

After that, I walked towards the Hōkanji (Yasaka no Tou) [法観寺 (八坂の塔)], a five-story pagoda.

Five story pagoda

A bit farther, I also found Rokuharamitsuji [六波羅蜜寺].

Buddhist temple exterior

I went down towards the river Kamogawa [鴨川], where I saw some more wildlife – ducks, cormorants, herons (cranes? Have I told you I can’t tell cranes and herons apart?).

Black cormorant standing in the river

Finally – for my Kyoto trip – I walked down the Pontocho [先斗町] Alley before I headed for the station. It is renown for its restaurants, but everything was too expensive for my budget.

Narrow alley with restaurant lanterns and signs

Then I took a Shinkansen to Nagoya [名古屋] as I was going to attend HYDE’s 2019 tour that afternoon. As I arrived too early for 15:00 check in, I headed off to Zepp Nagoya to see whether the goods were out. They were. A girl passed out at the queue a bit behind me due to heatstroke, and that was a bit creepy, but the staff took good cafe of her.

After buying goods, I went to leave my stuff and have a shower at the hotel, then I met up with several friends and even new friends. I enjoyed HYDE Live 2019 much better than the 2018 shows, which felt… somewhat disappointing at the time, almost clumsy and disarranged. Since then, HYDE put out the album Anti in May 2019, so he has found his grounds again. Last year he seemed to be rehearsing / perfecting a few of the songs, and combining them with the echoes of L’Arc~en~Ciel and VAMPS, which only emphasised what we did not have any more – I am still not too happy with the covers of VAMPS songs, especially Ahead, where I miss KAZ’s guitar. And honestly? Not a fan of Duran Duran’s Ordinary World.

Setlist:
    1. Who’s gonna save us
    2. After light
    3. Inside of me
    4. Underworld
    5. Fake Divine
    6. Two face
    7. Set in Stone
    8. Zipang (Japanese version)
    9. Out
    10. Mad Qualia
    11. Sick
    12. Don’t hold back
    13. Lion
    14. Another moment
    15. Midnight Celebration II
– break –
    16. Duality (Slipknot cover)
    17. Devil Side
    18. Ahead
    19. Ordinary World (Duran Duran cover)

As his solo goals, HYDE has set his heart in in the US. Thus, his new music is heavily influenced by American producers and musicians, and completely in English. Though he is mainly a vocalist, HYDE started off as a guitarist, so there is a heavy reliance on powerful strings. To emphasise the fact that he is solo now, he has given his support musicians masks to cover their faces. Or maybe he’s just decided he likes masks as he himself wears a half-mask for the first few songs. He was very active and engaging with the audience, which always makes lives more fun. In general, I enjoyed the act, it was powerful and engaging.

Zepp Nagoya logo

When the concert was over I met up with Sr-san for dinner. We had misokatsu [味噌カツ] in a famous shop, and had a long conversation about the concert and HYDE’s new songs.

Dinner: breaded pork on rice and shredded cabbage

Walked distance: 23305 steps / 16.6 km.

23rd July 2019: Arashiyama honours its name {Japan, summer 2019}

I started off the day at Yasui-Konpira-gu [安井金比羅宮], a shrine with a huge ema-like “mound” called Kushi-zuka [久志塚] with a hole in the middle. It is thought that if you write your wish on a paper, glue it on the mound and then crawl through the hole and back, your wish comes true. In case you’re wondering, no, I didn’t go through.

Then I walked all past Gion again to return to Gion Shirakawa [祇園白川] and Tatsumi Bashi [祇園 巽橋] to see the area by light. I saw Tatsumidaimyojin [辰巳大明神], the Kanikakuni monument, Kanikakuni Ishibumi (Koma-satsu) [かにかくに碑(駒札)], and a very cool heron (or crane?) who totally owned the place.

After this little stroll, it was still early so I headed off to the reconstructed castle Fushimi-Momoyama-jo [伏見桃山城]. It was a very cool castle, but it was not open to the public (this trip was not castle-lucky, now that I think about it).

Underneath the castle, I found the Mausoleum of Emperor Kanmu Kanmu Ten’nō Kashiharanomisasagi [桓武天皇 柏原陵].

And then I walked off to the opposite part of the hill. On my way I found some of the original rocks that had conformed the Ninomaru [二ノ丸跡] of Momoyama-Jo.

I kept ascending until I reached Meiji Ten’nō Fushimi Momoyama no Misasagi [明治天皇 伏見桃山陵], Emperor Meiji’s Tomb at Fushimi Momoyama, which was… somehow very sober and somewhat humble for such an important figure in Japanese history (then again I’ve recently visited the Spanish Royal Family Pantheon so… hm… yeah. Anything is more sober than that.)

After that I was tired and hot, so I needed a break – and the best way to have a break is a train ride. I rode back to Kyoto Station and from there I headed off towards the Arashiyama area. I wandered around the Bamboo Grove Arashiyama Chikurin no Shōkei [嵐山 竹林の小径] for a while. It was packed so I kept diverting towards other areas.

I walked into Rakushisha [落柿舎], a poet’s house, where I got a shuuin.

Then I went up the road to Nison-in [二尊院].

On my way back I stopped to admire the lotus flowers, which were in full bloom.

I considered going into the Museum of Korean arts, but as it was closed, my decision was irrelevant, so I decided to head back towards the Arashiyama Koen Nakanoshima Chiku [嵐山公園 中之島地区], the Nakanoshima area of Arashiyama Park. I saw the Kadono Ooi [葛野大堰], the small damn in the river, and crossed the Togetsu-kyō Bashi [渡月橋] bridge.

There I climbed up to Ichitani-Munakata-Jinja [櫟谷宗像神社].

I decided against climbing to the Monkey Park, and I was halfway back through the bridge, when the skies opened and a huge thunderstorm hit – so indeed, Arashiyama became the mountain of storms! I waited half of it under the canopy of a shop, and after twenty minutes I braved running across the street to the Lawson to get myself a sandwich and ate it as the rain dwindled enough for the streets to be walkable again.

Once that happened, I walked to the station and took a train back to Kyoto and then to Fushimi Inari Taisha [伏見稲荷大社]. I did two sweeps – one with light and once when the sun was setting. Of course I did not climb the whole mountain, I just stayed to see the main buildings and the Senbontorii [千本鳥居] (the loooong torii line) lit.

And finally I headed off back to have some food and rest.

Walked distance: 27897 steps, 19.9 km (so glad I took my cane today!)