23rd May 2025: Valletta {Malta, May 2025}

Around 5:00, I was woken up by a group of guys singing, and I thought they were outside, drunk and going back to their hotel. It turns out that Saint Julian’s | San Ġiljan is a party area. I had absolutely no idea – I would like to chalk that up to the improvisation again, but to be honest the concept of a “party town” is one that had not even crossed my mind till then. I did not sleep much afterwards, so a bit after 7:30, when breakfast opened, I headed there, then I took the bus towards the capital, Valletta.

My first stop was a compulsory one – the City Gate | Bieb il-Belt which I had to cross to walk into the city. The capital of Malta was declared a Unesco World Heritage in 1980 under the name City of Valletta because with 320 monuments in 55 hectares, it is one of the most concentrated historic areas in the world. The city was erected by the Knights Hospitaller around a watch tower that was demolished to create a large defensive fort. After said fort fell during the Great Siege of 1565, the Grand Master of the Knights Hospitaller Jean de Valette decided to build a grand fortified city with plans by Francesco Laparelli. Neither Valette nor Laparelli saw the city complete, which happened in the 1570s, when it became the capital. The Gate is the entrance to the fortification itself, separating Valletta from the city of Floriana. Protected by its the walls, Valletta thrived and though 17th the century it became filled with manors and palaces, some of which have now been repurposed as hotels or museums.

One of such buildings is the National Museum of Archaeology, which hosts artefacts from the Neolithic (around 5900 BCE) to the Phoenician period (circa the 6th century CE). On the ground floor they have all the items that have been removed from the Neolithic temples for protection, including some of the carvings from Ħal Tarxien Prehistoric Complex. A tiny clay figuring called The Sleeping Lady captured my attention. It was a lovely detailed little representation from the so called Temple Period of Maltese history (4000 – 2500 BCE), which was recovered from the Ħal Saflieni Hypogeum. There are also headless bodies and bodiless heads found at other temples.

Archaeological Museum Valletta: pieces taken from the Temples in order to protect them: carved rocks, statues (most of them of bodies without heads), trilithons...

Archaeological Museum Valletta: Sleeping lady. A small figurine of a woman sleeping made in clay

I proceeded upstairs, where there is a small exhibit on “cart ruts”, a network of tracks in the rock. The analysis seems to show that they were made by carts with wooden wheels eroding the limestone. However, there are no… traces of whatever pulled on them – no tracks, no trails, nothing but the wheels. There is another room displaying Phoenician civilisation, and one showing some amphorae from a shipwreck off Xlendi Bay in the island of Gozo, at a depth of 110 m. The ship sank in 700 BC, it was discovered in 2007 and it was finally excavated between 2018 and 2021.

The final room I saw hosts a few skulls from the Ħal Saflieni Hypogeum. I might have to return to Malta just to finish exploring all the prehistoric sites – aside from that, there is sea, the food is delicious and when you open the tap, the water is warm. I felt right at home, really. Anyway, some of these skulls are described as “elongated” and for a while there was even a conspiracy theory about them being alien… They are not. The elongation was not artificially created, like in some Mesoamerican cultures. They belonged to a few individuals who had… long heads. Which is a bit anticlimactic, but only a few remains have been recovered from the calculated thousands, so there is very little that can be inferred from whomever was interred in the burial chamber.

Archaeological Museum Valletta: Phoenician pottery, skulls from the Hypogeum, anforae from the shipwreck

There was actually a last-last area, a ball room from the Baroque palace, but that was under construction and I could barely have a bit of a look. Afterwards, I walked towards the St. John’s Co-Cathedral | Kon-Katidral ta’ San Ġwan. The Catholic co-cathedral shares responsibilities with the one in Mdina, and was built between 1573 and 1578 in a Mannerist style. The interior was redecorated in the 17th century in a very Baroque style and lots – and I mean lots – of gold and golden decoration. Downstairs, there is a crypt where some Grand Masters of the Knights Hospitaller are buried. On the main floor, the nave is surrounded by nine chapels, eight of which are dedicated to the different chapters of the Order and their patron Saint, and the last one is dedicated to and one to the Virgin Mary. .

Though you can get tickets online, there is no chance to buy same-day tickets but on site. I queued for a while, maybe 20 minutes or so, before I was scanned for… guns and explosives… then I was allowed in. There were small restoration works being carried out. Not a Baroque person in general, but I have to admit it was impressive. I declined climbing to the dome because the fun views are from across the harbour, not from inside the city itself.

The co-cathedral holds two pieces of art by Caravaggio – The Beheading of Saint John the Baptist and Saint Jerome Writing, both in the chiaroscuro style – with high contrasts of light and dark. Michelangelo Merisi da Caravaggio (1571 – 1610) was one of the maximum representatives of chiaroscuro, with usually violent and gruesome topics, usually disguised as hagiography.

Baroque interior of the cathedral, with dark walls decorated with frescoes and golden wood

After I exited the cathedral, I headed down a small alley opposite for something that is not a monument but… made me happy anyway. Malta has Costa Coffee – something which, unlike the plugs, I had thought of checking beforehand. I actually had a shop near my hotel. Had I known that, I might have skipped booking breakfast. What I did worked really well though, so no big deal. I managed to balance breakfast and dinner, which made my moving around more convenient, not needing to find a place for lunch. Of course, a medium vanilla latte from Costa does not count…

My next stop was the Grand Master’s Palace | Il-Palazz tal-Granmastru. It was the first building erected by the Knights Hospitaller around 1574, and it is considered the seed of both Valletta and the country of Malta itself. The building was first the residence of the eponymous Grand Master of the Knights of Malta until the 18th century, then the residence of British Governors, the Seat of the Parliament, and it currently houses the Office of the President of Malta. That explains why the security is tight enough you’re not even allowed a bottle of water in.

The building was designed by Gerolamo Cassar. The exterior is Mannerist, severe and simple, but the interior is richly decorated with paintings and frescoes. Some of the rooms have coffered ceilings and tapestries on the walls. There is a huge armoury, organised chronologically, and a throne room, which felt a bit out of place for a republic. The building has two courtyards – the so-called Prince Alfred’s Courtyard has a clock tower which is claimed to date from the 1530s. Oh, and apparently, it’s haunted? I did not feel anything out of the ordinary, not even a temperature drop. That would have been handy.

Grand Master's Palace - clock tower, throne room and corridors decorated with frescoes

After the Palace, I walked down Valletta’s narrow streets and until I reached St Paul’s Pro-Cathedral | Il-Pro-Katridral ta’ San Pawl, the Anglican “temporary” cathedral, established in 1839 – and still in use. It is a Neoclassical building with a very characteristic steeple and an organ imported from England.

Interior of the cathedral, with corinth columns and a small altar.

I then took a walk towards what is called Lower Valletta, at sea level. I walked around Elmo Bay and reached Fort Saint Elmo | Forti Sant’Iermu. The origin of the star-shaped fort was defence against the Ottoman Empire (which would eventually yield to Türkiye), and it is a large structure in limestone. It was key in the 1565 Great Siege of Malta and the Maltese victory. However, the interior is a War Museum, and I did not quite feel like that. Instead, I walked around and went down to the beach to enjoy the waves and the views of Fort Ricasoli | Forti Rikażli across the bay.

Fort St Elmo - a sea-side fortification made in golden limestone

Later, I found the Lower Barrakka Gardens | Il-Barrakka t’Isfel, a green terraced with trees, monuments and fountains, along with a nice view. I was heading upwards again, towards Upper Valletta.

Lower Barrrakka Park: Mediterranean plants, a temple-like building and a pond.

I thought I ought to get some food as I passed by the Valletta Food Market | Is-Suq Tal-Belt, but I did not find anything I fancied. I bought a soda in a small market in the basement, where I was charged 10 cents for the “reusable cap” (fair) and 10 extra cents for buying a chilled drink (LOL). The soda gave me calories and hydration enough to continue on, so I found the Upper Barrakka Gardens | Il-Barrakka ta’ Fuq. Aside from a nice mixture of architecture and nature, the gardens are linked to the Saluting Battery | Batterija tas-Salut, which stands under the terraced area of the gardens as part of the St. Peter & Paul Bastion. It was constructed in the 16th century for ceremonial gun salutes. Today it hosts cannon replicas that are fired at 12:00 and 16:00. I was there for the Evening Salute, with the firm plan to watch from above.

Then a nice gentleman in a nifty uniform said something akin to “for just 3 € be the closest to a firing cannon you can be in Europe” and there went all my restraint. I mean it was only 3 € and being the closest to a firing cannon you can be in Europe. Yes, I’m easily distracted. Yes, I paid the 3 €.

Entry included a brief explanation, including what a “smooth-bore breech loading 32-pounder gun” is: basically, a cannon designed in the 1880s with a smooth barrel, which can be loaded from the breech end of the barrel and… can fire shells weighing 55 pounds (24.95 kg). They were made modifying guns that could only shoot 32-pound shells though. The soldier-actor explained about cannons, how to load them, what the process was and the security protocols. Oh, and that the weapons were anything but accurate in real life. That was cooler than I thought it would be, so I was happy I had decided to get the ticket.

Saluting Battery: cannons and still of the shooting

 
When the demonstration was over, I left the gardens. I walked past the Tower Port and The Lascaris War Rooms, another war museum, on my way to the Herbert Ganado Gardens and the Kalkara Steps. Doing this, I temporarily left Valletta and stepped into Floriana, then walked back into Valletta until I found The Valletta Waterfront, a group harbour warehouses from the 1700s which have been converted into restaurants, bars and souvenir shops. Since it was that silly time when the restaurants have closed after lunch time and are not yet open for dinner, it was almost empty, so it was nice to see all the buildings.

Valletta Waterfront: a line of neoclassical warehouses and buildings turned into shops and eateries

I had two options then – one was walking back towards the city centre to see two churches that I had missed, or head back to Saint Julian’s | San Ġiljan. Since I was quite closer to the bus station than to any of the churches (Shrine of Our Lady of Mount Carmel | Bażilika Santwarju tal-Madonna tal-Karmnu and The Collegiate Matrix Parish church of Saint Paul | Il-Knisja Kolleġġjata Arċipretali u Matriċi ta’ San Pawl), I decided to return.

Once in Saint Julian’s | San Ġiljan, I had the largest pizza I’ve ever had the pleasure or disgrace to be served. I mean, good thing that I ordered a plain Margherita (in all honesty, it was the house special with extra cheese) because I would not have been able to eat anything with toppings, even after having basically skipped lunch. I somehow made space for ice-cream afterwards…

Huge Margheritta pizza

22nd May 2025: Blue Grotto, Tarxien & Saint Julian’s / Sliema {Malta, May 2025}

My flight departed at 9:55 from Madrid-Barajas, which is actually a very bad time for a flight, as you have to drive to the airport through the daily rush-hour traffic jam. However, for a change, I was given a lift there instead of driving myself – my car failed a few days before and I was not feeling too trusting. The inbound plane was delayed, and we ended up landing at Malta International Airport around an hour late.

It turns out that Malta has done a smart thing – the airport is also a coach hub, and there was a bus which went directly where I wanted to go first 20 minutes afterwards – that was lucky because the bus only comes every hour. It did not take long to reach the Blue Grotto | Taħt il-Ħnejja in the village of Qrendi | Il-Qrendi.

I got off in an aptly-named bus stopped called Grotto, next to which stands Xutu Tower | Torri Xutu. The history of Malta cannot really be understood without mentioning the Order of Knights of the Hospital of Saint John of Jerusalem, the Knights Hospitaller, today also known as the Sovereign Order of Malta. This Catholic military order was founded during the Crusades in the 12th century and the knights were established in Malta between 1530 and 1798, acquiring the name. They fortified the island and created the city and defences of Valletta, so-named after Grand Master La Valette. The knights built hospitals – along with medicine schools – and turned Valletta into a centre of art and culture with a university, a school of navigation, and a school of mathematics. Through the centuries, the order transitioned from a warring and defensive army to an organisation centred in humanitarian, medial and social assistance.

Xutu Tower | Torri Xutu was one of the towers built during the operation to fortify the coastline of Malta, probably around 1650. It is a two-story tower with a square ground plan and vaulted ceilings inside, setting the example of the towers that would be built afterwards. As many buildings in the island, the tower was erected using limestone, and restored in 2014 using the same type of material. It also yields to impressive sights – even without climbing it – of the ocean and the islet of Filfla, uninhabited and turned a bird sanctuary.

Qrendi cliffs, made if whiteish - grey rock, over a calm dark-blue ocean

I bought a ten-euro ticket to sail to the Blue Grotto | Taħt il-Ħnejja from the Blue Grotto Boat Service. This is just a way to amalgamate all the captains and boats who do trips to the caves, I think, and not a bad one. It is a quick trip that does not even take half an hour and charters you to snoop the different caves, created by the erosion of sea water and waves against the cliffs. Each has its name: Blue Window Cave, Circle Cave, Calscave, Honeymoon Cave, Cat’s Cave, Reflection Cave and the main archway which gives the name to the whole area, the Blue Grotto. The water is very clear and since the sun was out, there were extremely beautiful reflections. I stuck my hand in the ocean a few times when I was not taking pictures.

Blue Grotto: Sea level caves with bright blue water

Afterwards, I decided to stop for food. I was not really hungry, but I wanted to tackle the walk to the viewpoint, which was 15 minutes. I thought it would be more efficient to have a late lunch first. There were a couple of restaurants and I chose Step in Malta. It had a terrace, was less than half full, and most importantly: offered calamari fritti. When I researched Maltese food, I read about this dish – fried squid with garlic and parsley mayonnaise , and I really wanted to try them.. I think I broke the poor waiter’s brain when I told him I did not need the menu and ordered directly. They were delicious.

Calamari fritti: a plate of breaded and fried squid

I then did the short walk to the Blue Grotto Viewpoint – and though I won’t be mentioning it much, just assume I just used a lot of sun lotion all the time. It did not take as long as I expected, even if the shortcut was closed down. It yield to pretty views, but not as impressive as expected.

Blue Grotto viewpoint, showing the cliffs from above

I was about to go back towards the original spot to wait for the 201 bus again, when a Valletta-bound bus stopped by. I hopped onto that one to use the Wi-Fi and replan the rest of my evening. An idea had been to head towards Valletta indeed, but instead I decided to try my luck to reach my first Megalithic temple in Tarxien | Ħal Tarxien. The Blue Grotto is actually quite near another archaeological complex, but that one was covered by the tour I had booked on Saturday.

The trip to Tarxien turned out to be a great idea. When I arrived, I was surprised by the sheer amount of Christian images that were in the streets. That weekend the Catholics celebrated the Feast of the Annunciation. Malta is officially a Catholic country with over 80% of the population adhering to the religion, so while it was slightly surprising to see so much decoration, it is not shocking. I wanted to get to the Ħal Tarxien Prehistoric Complex | Il-kumpless Preistoriku ta’ Ħal Tarxien because it had a closing time.

A street crossing in Tarxien, with a movable Catholic altar brought out. The houses on the corners have flags with religious motives, and the altar is guarded by angels carved in wood

The Megalithic Temples of Malta are considered amongst the oldest free-standing structures in the world. They were erected between 4100 and 2500 BCE (making them older than Stonehenge, whose rocks were placed between 2600 and 2400 BCE), though the remaining structures probably date from the 3600 – 2200 BCE. In 1980, the UNESCO created the Heritage protection for one of the temples, and in 1992, the Site expanded to six temples / structures in total.

The Ħal Tarxien Prehistoric Complex | Il-kumpless Preistoriku ta’ Ħal Tarxien has been dated between 3000 – 2500 BCE, and it is considered the greatest example of the Temple Period (4100 – 2500 BCE). It was first excavated by Maltese archaeologist Themistocles Zammit around 1913 following complaints of a local farmer that he kept hitting stone while ploughing. The main excavation and restoration took place between 1915 and 1920, and some of the most delicate structures were moved to the Malta Museum of Archaeology to protect them from weathering. The site is covered by a protective tent that makes it look a bit alien, and being alone made it even more magical.

The temple is built in limestone, showcasing three constructions which are independent but attached to one another. The rooms are round, and there is evidence that they had a roofing. There are several chambers, and in some of them there are spiral decorations and domestic animals carved into the rock. There is even a small hearth where fire could be lit. I spent about an hour there, nearing closing time, which meant I was almost alone. I was extremely happy to be there.

Hal Tarxien temples - ruins of Neolithic temples with round rooms and trilithon entrances, from outside

Hal Tarxien temples - ruins of Neolithic temples with round rooms and trilithon entrances, from inside, showing spiral decorations and areas that have been restored, such as a hearth

Relief of a bull on a limestone wall

I could not visit the related Hypogeum of Ħal-Saflieni because tickets are released – and sold – months in advance, and this whole trip was planned in a couple of weeks. But I could explore around.

Due to the festivities, some of the bus stops were out of order, so I followed the bust route until I found one that was in use. At some point there I crossed my first “invisible frontier” between the village of Tarxien and Paola. Still in Tarxien, I stopped to look at the Catholic sculptures, and in Paola, I came across the Minor Basilica of Christ the King | Il-Bażilika ta’ Kristu Re. The church was erected at the beginning of the 20th century and, compared to the buildings around it, it feels huge – over 80 metres long, 40 metres wide and 60 metres high. It was full, which I found strange for a weekday at 18:00, but then I thought it might be part of the Feast of the Annunciation programme.

Minor Basilica of Christ the King: a Neoclassical basilica with two towers on the outside, and a sober interior design

I took a bus again and after a few changes I reached my hotel in the town of Saint Julian’s | San Ġiljan. Though I was driven through a few towns, it felt like a huge stride of buildings one after the other, with no real break. It was weird, that the whole area is just one big urban sprawl. I found changing buses easier than I expected, even not knowing the layout of the area. I got to my stop, Ballutta and checked into my hotel.

Aaand at that point I realised that there was a consequence of “British colonisation” that had not even crossed my mind – Malta has Type G plugs. So on my supermarket run I had to add an adaptor (despite having a few at home) to my bottled water and sandwich shopping list. I dropped the groceries at the room and then I went off to explore the coastline. That way, I inadvertently crossed to Sliema. I walked along Ballutta Bay and Exiles Bay, two of the three lobes that make up the larger St Julian’s Bay. I was a bit surprised when all the beaches were made of rock and limestone, which made them great to walk on. I had a lovely walk – except at one point, when I slipped and realised that my totally-sensible-for-airport shoes were not the best choice for limestone beaches. Eventually, I went back to the hotel to eat my supermarket-bought dinner.

Balluta Bay at dusk. The ocean is calm, and the buildings at the other side of the water have started turning on their lights

22nd – 26th May 2025: A taste of Malta {Malta, May 2025}

Last-minute trips are weird. You start looking at an Ireland itinerary, but for some reason hotels are 200€ a night. You check for alternatives and end up booking at a place you had never considered before. In my case, it was the tiny country of Malta, an archipelago with eight islands: Malta, Gozo | Għawdex, Comino | Kemmuna, Manoel Island | Il-Gżira Manoel, Cominotto | Kemmunett, Saint Paul’s Island | Il-Gżejjer ta’ San Pawl, Filfla and Filfoletta. It turns out that Malta is both the country and the main island. Only Malta, Gozo and Comino, that is inhabited – and there are just two people living in the latter.

Malta is located in the Mediterranean Sea, a handful of kilometres south of Sicily. It is one of the smallest, and most densely-populated countries in the world – actually, in the island of Malta you literally cannot tell where one city ends and the next begins. The inhabitants speak English and Maltese (I will use this order for bilingual references, English | Maltese, as I did above with the island names). Malta as an independent country was established in 1964, when it gained independence from the United Kingdom.

Humans first reached Malta during the Mesolithic, around the year 6500 BCE. Due to the island’s geostrategic location in the middle of the Mediterranean, it has been lusted after by many powers and alliances – from the Phoenicians, Greeks and Romans to the British Empire and everyone involved in WWII. The successive populations have heavily influenced the islands and its architecture.

My original plan was to stay in Valletta, a fortified city mostly from the 16th century and the capital of the country. However, I only found apartments in basements for a decent price. I finally found a hotel in Saint Julian’s | San Ġiljan. Once that was booked, I focused on what to do and see in Valletta, but the more I read about the island, the more intrigued I grew.

In the end, I decided to balance some landscape watching (22nd and 26th) with historical Valletta (23rd), prehistoric ruins (24th) and a guided tour through the smaller island of Gozo (25th). There were a few things that did not work out as intended, but all in all it was a good trip with lots of new experiences, but a tad of necessary improvisation made it less efficient than it could’ve been. Fortunately, everything that went wrong could be fixed.

13th May 2025: Three free niche exhibitions (Madrid, Spain)

I planned a little escapade to Madrid. There was nothing really special going on, it was just going to be a sunny day with no rain forecast and I could go to a museum and have lunch. When I say nothing special was going on, I mean there were a couple of exhibits I wanted to see, but it would have been just as easy to visit them the previous or following day. I just timed it for the best weather forecast of the week.

I had a small work-related thing early in the morning so I ended up leaving the house half an hour later than I would have liked. The trains were around 10 minutes late and the underground was packed, but none of that is news. I reached my first stop, the Museum for the Blind Museo Tiflológico de la ONCE, around 11:30. This museum hosts models or miniatures of famous monuments in Spain and around the world, designed to be seen with one’s hands. That way, people with low or no vision can get an idea of how they are. It is part of the ONCE inclusion program for the blind, and I think it is a brilliant idea.

ONCE stands for Spanish National Organisation of the Blind in the local language, Organización Nacional de Ciegos Españoles. Its history and works are a bit convoluted, but keeping it short, the Organisation was established in 1938 with the goal of providing equal opportunities for the blind and people with visual impairments. One of its main income sources is the lottery known as El Cupón de la ONCE.

While the museum itself is free to enter and very relaxed, when you arrive at the building you have to fill out a questionnaire, for statistical purposes, I guess. I did find it a bit off putting that I was outright asked why I wanted to see the exhibition. Because I’m curious, all right?

The museum has three distinct sections – one with the reproductions of the monuments, one with works by low vision, blind, or artists with other disabilities, and a historical area. In turn, the monuments are divided in national (Spanish) and international landmarks. The models are faithful to their smallest detail, and just like the Eiffel Tower is made out of metal, the Taj Mahal is made out of marble! Some of the monuments were reproduced in different scales, such as the Alhambra in Granada or the Aqueduct in Segovia. This should give an idea of both scale and detail. However, I don’t think I would ever be able to imagine something like that without being able to see it.

There were lots of sculptures by artists with disabilities, with a disturbing amount of naked ladies, but whatever. I also saw paintings and a homage to Braille that was sort of abstract but was really cool. The historical section hosted a number of items to learn and write Braille through the years, general studying tools such a 3D map of Spain, and a few historical runs of the lottery ran by ONCE. In general, it was a fascinating visit.

Museum for the Blind - national monuments

Museum for the Blind - international monuments

I did some shopping afterwards, and while the sales lady was really nice, she worked rather leisurely- That, and all the pedestrian lights being red on the fifteen-minute walk, put me seven minutes behind for my lunch reservation – and I swear, they phoned me. I was reaching the door of Comic Planet at 13:07 and they were already calling to check I was coming. People wonder why I’m paranoid about reservation times with them… They decided to change my table to “a more private one” to keep me away from a family with toddlers, and I had no problem.

I got to try the last item that I wanted to try from their menu – the Aquaman Burger, which had caused me some morbid fascination when I first read about it– Beef and king prawns? Garlic and pickles mayonnaise? It could be… either really good or really bad, I thought, and I really wanted to check it out. It was all right, I guess. There was much less of a flavour contrast than I expected, so it was most of a normal burger with a bit of an edge. And the edge was that the buns were blue. I also ordered a Vanilla Coke just because I could, and the waiter was nice enough to offer me tap water when I asked for some too. Cool.

Comic Planet Aquaman Burger

After lunch, I took the underground towards Fundación Telefónica which is running an exhibition called “Echoes of the ocean”, Ecos del Océano. I liked the idea better when I did not know that half of it was done using AI. It was – or tried to be – an exhibit centred around cetacean vocalisations. The first room was a mindfulness thingy in which a lady told you to become one with the ocean and then called you fat – “your body enlarges. You’re huge. You’re a humpback whale”. It made me laugh as it broke all the concentration thing. I also cackled when the voice told me that I went “deeeeep” as a sperm whale and met leopard seals there.

Then there were several huge screens with computer-generated graphs that imitated a sea prairie, dolphins and whales. That was the part that was made using AI, and it could have been a CGI or an actual video just as easily. The important part was that the images on the screen moved along the sounds of actual cetacean vocalisations. A room at the end hosted two actual underwater microphones, and headphones to listen to recordings of different creatures – sperm whales, seals, humpback whales – and ice sliding (this is important because for a long time, the sound of ice on the ocean was unidentified and it yielded to a lot of wild explanations / conspirancy theories).

Echoes of the Ocean screens

On the way out, there was a sculpture with glass reproductions of different microorganisms that love in the ocean: diatoms, anabaena, coccolithophores, dinoflagellates… Yes, this was totally me geeking out and identifying all the tiny little critters. The final room had to do with some photograph and schematics of a particular blue whale that had been tracked by the organisers.

Echoes of the Ocean plankton

I left the building and headed towards Palacio de Cibeles, which this time, was running an exhibit on its own architect Antonio Palacios. The exhibition is aptly named “An architect’s dream: Madrid as a metropolis” Madrid metrópoli. El sueño de Antonio Palacios. It uses photographs, designs, and models to present the works Palacios projected for Madrid – the ones that were built, the ones that were not, and the ones that have disappeared. It was an interesting collection, and the visit was free! Of course, I wandered the building a little before heading to the train station.

Antonio Palacios exhibit - models of buildings

Antonio Palacios exhibit - framed façade designs

Antonio Palacios exhibit - façade design and photograph of the actual Palacio de Comunicaciones building

On the way, there was a classic book fair Feria del Libro Antiguo y de Ocasión, but everything was way too expensive for me. I guess that in general it was a very budget-friendly day – three free exhibitions – if you do not count tiny shopping spree in-between, and it was around 20 €.

11th May 2025: Ruta SPG-24: Bosque de Valdenazar in Spring (Yebes, Spain)

After the rainiest spring in ages, I had a couple of hours in a free morning – or actually, I just needed to do something for a little bit before I could become productive again. And the Internet helped supplying the information of this little route that could be done in under a couple of hours.

The route inches into the oak forest Bosque de Valdenazar, mainly composed of Portuguese oaks (Quercus faginea) and holly oak (Quercus ilex). The track was designed and is maintained by the municipality of Yebes. It delves into the forest and runs parallel to a small stream with bulrushes (Scirpus holoschoenus), rubuses and black poplars (Populus nigra). The area is home to roe deer, small raptors, and foxes, but none of them were around to be found – probably due to screaming kids. I did see some deer tracks.

It felt a bit silly to drive somewhere for a walk, but it was the only way to get there. Google maps was missing three roundabouts, but my Sat-Nav got me there without a hiccup – and considering that I’ve needed to MacGyver a stand for it because the wire keeps coming loose, I think that’s a feat. I parked at the entrance and set onto the hike.

The first stage was a small picnic area, after which came a bit of a steep slope with makeshift stairs. The route is mostly circular and I thought following the arrows was the way to go. At first I was alone, but then I started running into other walkers. The problem was that of course, they were chatting – and the families being a bit loud – and that made any possible fauna sighting impossible.

Valdenazar forest pathway

Valdenazar forest, start of the route

I had a look at what they call the carboneras, a bunch of oak trees that were repeatedly cut and slow-burnt to create carbon. That caused the living trees so they had strange-looking trunks, with several thick branches growing from the stumps. I found the viewpoint to look at the whole valley for a bit, before I walked into the actual forest. There is a wide track that feels a bit like the forest near The Shire in The Lord of The Rings, with the light sweeping through the leaves and the light breeze.

Valdenazar forest trail

Valdenazar forest

Valdenazar forest trail

I reached the stream and deviated to a sub-track known as Senda de la Fuente (Fountain Trail), parallel to the water flow. I expected an actual fountain at some point, but there was just a small waterspout. After that, it was just a bit of an uphill walk to get to the picnic area again.

Valdenazar forest trail

All in all, I was there for about an hour and a half. It was pretty but not the spectacular walk I had read about. I’ve read that it is incredible in autumn, so I might have to check it out again by then, but the truth is that the weather has been crazy in 2025, so I’m not sure we will even have an actual autumn… But all in all, the hike was nice and it cleared my head, which was exactly what I needed at that point.

15th April 2025: Kinetic art and Egyptian replicas (Guadalajara, Spain)

Rain and school holidays having thwarted my hiking plans yet again, I decided to make the most of half a non rainy morning when I was going to be around Guadalajara to check out a free exhibition and the museum of a local artist.

Francisco Sobrino (1932 – 2014) was a conceptual artist whose sculpture can be framed into the kinetic art and constructivism styles. The museum Museo Francisco Sobrino hosts some of his smaller works, mostly in colourful vinyls and experiments with materials, textures and light. Pretty colours and shapes, but I guess you need more knowledge of art than I have to appreciate the works and see… something different from pretty colours and shapes. But the museum is free and it is hosted in a historical building, the former slaughterhouse, built in traditional brick and stone. Though I’ve been around a few times, I’d never visited it before…

Francisco Sobrino Museum Guadalajara

The exhibition on Ancient Egypt and King Tutankhamen’s tomb Tutankamón Secretos Revelados: La Exposición (Tutankhamen Secrets Revealed: The Exhibition) was endearing but lacking. It was located in another historical building, the traditional market Mercado de Abastos. It used to be a very successful local market, but the vendors lost most their clientele when it was closed for a few years to turn the place into a culture and bar hub. It was not successful at all, and now it’s a sad-looking place. The top floor hosted the exhibition, with a few posters with information and pictures, one of them being a very buff Anubis from the video-game franchise Assassin’s Creed. There were a few display cases with reproductions of Egyptian antiquated from private collections and books on Egypt. The largest part of the exhibition was a reproduction of several items found in Tutankhamen’s tomb: the wall paintings, a golden chair and the gold-plated sarcophagus. There were also a reproduction of the funerary mask, a brass tray and anything golden the curators seemed to have at hand, including a scarf. And the bust of Nefertiti for some reason.

Tutankhamun Exhibit Guadalajara

Tutankhamun Exhibit Guadalajara

I’m not going to say I was disappointed or that I expected more, it was a cute little exhibition that tried to do its best. Unfortunately, some of the information was inaccurate or outdated – they were showing a video from the 1980s, and archaeology has evolved a little since then.

However, I am still cackling at the low-resolution buff Anubis…

11th April 2025: Extant, extinct and extrastormy (Madrid, Spain)

Since March was extremely rainy, I hoped that April would not be so. No such luck. However, there was a dinosaur exhibit in Madrid that I was keen on seeing, and I wanted to do it before Easter, because it would be packed during the holidays and I could not get there in May due to personal stuff. And since getting to the Casa de Campo area takes so long by train, I looked at combining it with something else around (it’s a four-hour roundtrip from where I am). What other thing was close? Somewhere else I never go because it’s far away by public transport and a nightmare to park around – the local zoo Zoo Aquarium de Madrid. There was after all only a 10% chance of rain…

Spoiler alert: while I was getting drenched (I’m being dramatic, of course. I had an umbrella) in the zoo, and later in the exhibit, the weather app said “partly cloudy” and there was no mention of storms nor rain. But the skies opened. Ask the peafowl…

I took the train and changed to the underground until I got to the Casa de Campo stop. There were not many people around since it was a weekday. There’s a bus that takes you to the zoo, but I found it more efficient to walk, since there is a pedestrian way alongside the road. I reached the zoo a bit after it opened at 11:00, and just as my ticket was getting scanned the first few raindrops fell. At first, it seemed like a small drizzle, but soon it started to rain in earnest. By that time, I had managed to get to the pandas, about 40 metres into the zoo.

I’d been to the Zoo Aquarium de Madrid twice in my life before. The first one I was very small. I have no memory of it, but there is a home video of three-year-old me chasing a peacock and a voice warning “come back, it’s going to bite you!”. The second time I was in third grade, and had my first camera. I remember that I was devastated because the pandas were very far away and I could only take a picture of a distant, tiny, black-and-white blur. That was decades ago, and I had never been back, though I had a recurring dream for years that involved one of the pools there.

The zoo opened in 1972 as an alternative to the “Beast House” or Casa de Fieras that used to be hosted in the Retiro Park, a few sad and crammed-looking cages that must have been horrible for the animals. As every animal park, Zoo Aquarium de Madrid is not free of controversy, especially related to the ethics of keeping great apes and cetaceans in captivity. They used to have dolphins, but those were surrendered and sent away earlier in 2025. Conversely, the zoo participates in over 60 conservation and breeding programs for endangered animals – they have breeding couples of owls, whose chicks are routinely released into the wild, and have succeeded in breeding pandas (they claim to be the most successful institution at breeding panda outside China) and white rhinos. They have non-breeding animals as ambassadors, such as a family of Iberian lynx.

The zoo is vaguely organised per continent – Europe, Australia, Asia, Africa and the Americas, and the home of actual wild animals such as storks and rabbits.

As I went into the zoo, the first thing I spotted was a small lake with flamingoes, pelicans and (squatting) storks. The storks are free to come and go, but they like to be in the zoo because they get free food, I guess. My idea had been to walk a spiral and try to see everything, but I got distracted by “Panda Land”, signalled by a big red gate – after all, they are the main attraction. I thought the pandas might be visible, and they were – much closer than I remembered indeed. I did get to see both the male and the female, who live apart within the same installation. I had time to take a few pictures before it started to rain in earnest. And no, they were not distant, tiny black-and-white blobs this time, and not only because I had borrowed a really good lens for the day. I had to put the camera away when the rain became too heavy.

Zoo Madrid - stork, flamingoes, panda

It rained for a couple of hours, and that impacted me a little. I ended up sharing shelter with a band of peafowl, and had to go from covered exhibit to covered exhibit at first. I found the orang-utan territory very sad, and I did not catch a glimpse of any gorilla. In the aquarium, I got stuck with all the school visits, but there were quite a few sharks and big fish in the ocean tank.

Zoo Madrid: peacocks and peahens sheltering from the rain

Zoo Madrid: Sea lion, small blue jellyfish, sharks

I ambled around the Australian area, where most of the animals were unfazed – especially the cassowary, which by the way is apparently the most dangerous bird in existence, even if I’m way more crept out (and fascinated) by emus. I did not see the koalas, and I walked past a tree which seemed fenced off just because. As rain cleared out, some of the animals started playing around, such as the binturong (Arctictis binturong), a distant relative of civets. At around 13:20, I had reached Africa, and I was in front of the hippos when it stopped raining. Awesome!

Zoo Madrid: Cassowari, binturong, Patagonian mara, and hippo yawning

Since I had borrowed a camera lens which is better – but heavier – than mine, I really wanted to try it out. Carrying it around without being able to use the camera due to the rain, at all, would have been a bummer. After the rain stopped, I was able to take quite a few good pictures though. Those included the Siberian tiger (Panthera tigris tigris), and its relative the domestic cat (Felis catus), whom I’m not sure is a resident or a squatter in the “farm” section of the zoo alongside the sheep, goats, and a very large pig.

Zoo Madrid: Jiraffes, zebra, black bear and Siberian tiger

Since I’d been to Emociones al Vuelo a few days earlier, I did not mind the lack of Raptor Flight exhibit due to rain. I did miss the Exotic Birds one, but I caught the Sea Lion exercise (hello, swimming pool from years of recurring dreams). Around 14:30, it had stopped raining, the animals had eaten, and I caught many of them. Unfortunately, most – especially the carnivores – were napping. I did however saw a very active red panda (Ailurus fulgens) around the tree that I previously thought was fenced off for no reason.

Zoo Madrid: Red panda, common rabbit, grey wolves, brown bear

By the time I left, the workers had also dropped off a few Easter Eggs throughout the zoo as the holidays were about to start. At 17:00 I had to be at Escenario Puerta de Ángel to see Saurios, a dinosaur exhibit, which turned out to be a bit of a disappointment. Most of the animatronics I had already seen as “Dino Expo XXL” – I recognised it because of the broken neck on one of the brachiosaurus. The exhibit had a first part with a few skeleton replicas – the coolest thing, as I had never managed to see a complete cast of a Spinosaurus before. Then there was an open area with some life-sized replicas and photo-ops, but it was completely made for kids. There were actors and activities for them, which I guess were extremely fun if you’re younger than five. Yet another “dinosaurs are for kids” activity.
Saurios Madrid - skeleton replicas

Saurios Madrid - models

And then it started storming again. A black cloud, a clap of thunder, and the skies opened. Thus, we all had to hurry to the last section, which was most of what I’d seen in “Dino Expo XXL”. I was really not impressed by the whole thing – remember folks, “for all the family” means “designed for kids”. I guess I would be more gracious had the weather been nice, but… having seen most of the exhibit before for half the price, I was not impressed. Fortunately or unfortunately, there is a Jurassic World Exhibition coming up soon…

Saurios Madrid - models

30th March 2025: Sant Pau, Verne & a chocobo {FFVII Barcelona 2025}

The Barcelona hotel charged 20 € per day and person or breakfast, and I was not willing to pay for that, and so I told my sibling. They had no option but to accept since they had decided to delegate all planning and credit-card’ing on me. Instead of booking with breakfast, I brought cold latte bottles and snacks – good for taking headache medicine, which I did. After a quick breakfast, we set off. As we left, I asked at reception if they could do something about the air conditioning.

We headed towards the underground. It should have been an easy twenty-five-minute commute, but one of the stations was half-closed. We had to go outside and walk towards the other entrance to change lines, which was strange and consumed a ridiculous amount of time. We had to be at the ticket booth of our booked visit ten minutes before the allotted time, and we barely made it – though they did not seem to care. When I was looking at tickets, I found a combined ticket that saved us 10 € for two iconic buildings in town that I had not visited before. That however implied exchanging vouchers for tickets, thus the extra time.

We reached the former hospital of Saint Paul Sant Pau Recinte Modernista ten minutes after I had anticipated, right at the time we had to be there. Sant Pau is a huge hospital complex erected between 1901 and 1930 by architect Lluís Domènech i Montaner (1849 – 1923). Domènech favoured Modernisme, and is considered one of the most influential architects in shaping it. He designed buildings which balanced functionality and decoration, with lots of mosaics and polychrome. Though the precinct had been a hospital since the Middle Ages, it was completely redeveloped for the early 20th century project. Today, it is half of the Unesco Heritage Site Palau de la Música Catalana and Hospital de Sant Pau, Barcelona.

Hospital San Pau from the street

The hospital is considered one of the most important, and largest, complexes in the local Modernisme style. The complex was designed with 26 buildings, 12 of them pavilions for patients, separated by sexes and kind of disease. The pavilions were connected by underground tunnels, leaving space for gardens and open spaces between structures. It was originally conceived to be self-sufficient, closed off to protect the rest of the city.

Hospital San Pau, outside

The buildings are erected in brick, and decorated with ceramics both inside and outside, some of them forming complex mosaics on the roofs and ceilings. After a new hospital was built next to the original one in 2009, the complex was recovered as a museum in 2014. We could visit the pavilions, the tunnels, and the administrative building. The whole enclosure is magnificent, and incredibly large. It took over two hours to see everything we were allowed to visit and I loved every second of it. Well, except the pavilion with political propaganda.

Hospital San Pau, interior

Afterwards, we headed out towards a fun restaurant I had found online – Verne Barcelona, decorated simulating Captain Nemo’s Nautilus from the novel Twenty Thousand Leagues Under the Sea by French writer Jules Verne. We shared a cone of tempura vegetables and I ordered a “Submarine” – a sandwich made from toasted brioche bread – called Turtle, with battered squid, sauce and salsa (I just don’t understand how they are supposed to resemble a submarine…).

Verne Barcelona

We headed back towards the hotel, stopping at a Starbucks for a coffee – a matcha in my case – because I helped my sibling dress up for the concert. We had been carrying the cosplay after all, of course they were going to wear it!

We were in Barcelona to attend the Final Fantasy VII Rebirth Orchestra World Tour, to be held in the CCIB – Centre de Convencions Internacional de Barcelona. Final Fantasy is an expanded video game anthology which set off in 1987. Since then, it has spawned 16 main games and countless spin-offs, media, plushies, and remakes. One of the most famous games is the seventh instalment, Final Fantasy VII, released in 1997. The game is set in a cyberpunk dystopia where energy is obtained by draining the Planet’s life-force. Gameplay follows the adventures of a party which opposes the system, embodied by the electric company Shinra, while at the same time trying to stop the main antagonist – mad soldier Sephiroth – from destroying the Planet itself.

Since 2015, Final Fantasy VII has been under redevelopment into a trilogy using modern graphics. The first game was Final Fantasy VII Remake, released in 2020, whose music had its very own World Tour in 2021. The second instalment, Final Fantasy VII Rebirth came out in 2024, and its music event – Final Fantasy VII Rebirth Orchestra World Tour – began almost immediately, ending precisely with our concert.

We were at the queue already when doors opened, but not early enough, so we needed to line again for the merchandise booth, almost an hour. It was in that queue where something amazing happened. When we attended the previous concert Final Fantasy Distant Worlds 35th Anniversary – Coral –, we were stuck at the merchandise queue for about an hour too and by the time we reached the front, they had ran out of most of the items. That included what I wanted the most – the chocobo plushies. Chocobo are a recurring species in the Final Fantasy franchise, large birds that can be ridden in-game, and in real life be sewn into cutesy toys.

It turned out that in 2023 the last chocobo plush had been bought by the guy who was sitting behind me. I might have made some jokes about stealing it and running away, and he promised to get me one for the next concert. I of course filed that under “one encounter silliness” and forgot all about it.

Well, he did not.

In that queue, two years later, he found me, and he gave me a chocobo plush. He actually found my sibling, who was easier to identify due to the cosplay. I was absolutely flabbergasted. Gobsmacked. Never in a million years would I have expected something like that to happen. Just… figure that everything that went on afterwards was coloured by a feeling of puzzlement and amazement at this stranger’s kindness over a silly plush I wasn’t able to buy two years before.

Chocobo!

We got to the front of the line over an hour later, almost at the time of start. I only wanted a programme, and we were seated around 20:50. I am good at choosing seats, by the way. We were dead centre at a great distance from the stage.

Setlist:
  First part:
  1. The Unknown Journey Continues
  2. FFVII Rebirth Opening
  3. Main Theme of FFVII – Battle Edit
  4. A New Journey Begins: Grasslands / Junon / Mt. Corel
  5. Crossing the Planet: Corel Desert / Gongaga / Nibel
  6. Queen’s Blood
  7. Stamp – Rebirth Medley
  8. Rufus’s Welcoming Ceremony – A New Leader
  9. Costa del Sol – Fun in the Sun
  10. Custom Valkyrie
  11. End of the World Medley
  12. Cosmo Canyon – Sanctum of Planetology
  13. Bare Your Soul
  14. Welcome to the Gold Saucer
  Second part:
  15. Loveless Symphonic Suite – Gift of the Goddess
  16. No Promises to Keep – Loveless Ver.
  17. Galian Beast
  18. J-E-N-O-V-A Lifeclinger
  19. Sephiroth Reborn Symphony
  Encore:
  20. One-Winged Angel – Rebirth Medley
  21. Aerith’s Theme – Return to the Planet Medley

Final Fantasy VII Rebirth orchestra playing

The orchestra was directed by Eric Roth. It was all right, I enjoyed it. However, I don’t think it was as powerful as the first one I saw, but that one was the first post-Covid event so it was emotional in other ways. Then again, I am not a gamer. I just watch gameplays on the Internet… I was a bit disappointed by the arrangement of One-Winged Angel, it felt… too elegant. What I love about the song is the pure chaos it represents, after all.

In attendance was composer Masashi Hamauzu [浜渦 正志 | Hamauzu Masashi]. He started working for Square Enix in 1996 under Nobuo Umematsu, the main composer of Final Fantasy VII music. Hamauzu’s first direct work related to the saga was the Chocobo’s Mysterious Dungeon soundtrack in 1997. He was in charge music for the Final Fantasy VII spin-off Dirge of Cerberus and alongside Mitsuto Suzuki, he has worked in both Final Fantasy VII Remake and Final Fantasy VII Rebirth.

After the concert, we joined the VIP queue for pictures and autographs. Though I had brought the CD from the time before – when I did not get the pamphlet – I was equipped this time. And I even managed the Spanish – English – Japanese cacophony without messing up either of them. That’s a first for me, I think. I got my programme autographed on the setlist page, and then my sibling and myself headed back to the hotel. For 179 €, I keep thinking the VIPs should at least get their own merch queue, or an item to get signed. I guess there are lots of people to get paid…

Eric Roth and Masashi Hamauzu signing autographs

Something that surprises me a lot about this area of Barcelona is that not even the McDonald’s at the shopping centre is open after 23:00, so I always make sure we buy something to snack after the concerts. The room was at least not freezing, though not particularly welcoming either. I had a hot shower, and that finally got rid of my headache, just in time for bed…

29th March 2025: Tibidabo & Friends {FFVII Barcelona 2025}

It sometimes feels like the alarm clock going off at 6:00 is actually worse than it going off at 3.00… Fortunately, after a hefty dose of coffee, I was able to get on my way, and we got to the station on time to do some reorganising of luggage. The situation with the trains was chaotic due to some projected works on the tracks. They announced that the train would be 12 minutes late, but it actually arrived and left a minute early. The train ride was uneventful, despite a large crowd of loud teenagers from a rugby team who had no idea where the were going, and really dirty toilets in the cars. The train reached Barcelona ten minutes before schedule. However, it did not go into the station until 15 minutes later for some reason – I really don’t understand what was going on with the whole railway system, or how construction in Madrid affected the time to enter Barcelona, but at least we were there.

The first step was dropping off the suitcase. Fortunately, Barcelona Sants has a luggage storage. I decided that for 10 € I could ditch my backpack and not haul it through the underground. Barcelona Sants station was under construction in 2021 and it’s still under renovation, so it took a bit to get to the correct place with the suitcase. Once we could drop the luggage off, we headed off to the underground.

There, we had to queue up to get our transportation cards from a machine – which apparently could not be used in any language except Catalonian. I had a code to input, and with that code the machine spat the tickets. They were convenient to use, and they worked on the underground and the buses without problem. The online discount made them better value for money: a single ticket is 2.65 €, and the 72-hour card Hola Barcelona is 26.30 €, which is reduced to 23.67 € if you order online (a 10% discount which is almost the price of one trip).

I had waited to book activities till the very same week because I wanted a relatively good prediction on the weather. It was not as nice as I had hoped due to the wind that morning, but oh well. Unfortunately though, the eclipse caught us in the underground. I had hoped we would be outside already, but we were over half an hour behind schedule due to the train and the construction in Sants.

I had bought tickets for the amusement park Parc d’Atraccions Tibidabo. A long time ago, from Park Güell, I was trying the zoom of my then-new camera and I was intrigued by its silhouette. I was curious and honestly, I thought it was an interesting place to see. Tibidabo is considered the oldest – or at least longest-running – amusement park in Spain. The first rides opened in 1905 under private initiative, though the park is now owned by the Barcelona city council.

I found a ticket which allowed to see the panoramic area and ride the “classical attractions”. It included the shuttle bus and the funicular Cuca de Llum, opened in 2021, which is not the original from the turn of the 20th century, but a recently renovated one. There’s no way I am getting on a funicular which older than 100 years old. To get there, we took the underground, and walked to the so-called Tibidabo Store, where we exchanged our tickets for bracelets so we could ride the bus to the funicular. The place is a bit out of town indeed.

We reached Parc d’Atraccions Tibidabo around 12:45, a good couple of hours after leaving Sants. Upon entering, it was colder than I had imagined, because it was windy, especially at the top of the mountain. There was no ticket control except for the attractions, so we were able to come and go as we pleased, and i found that was a regular mini-bus that went there. I felt a bit cheated, but I guess the funicular itself was an experience! Good thing that I am not too keen on rides and I decided to only get the basic ticket. It did not feel cheap either (21.50 €). The ticket Pase atracciones emblemáticas allowed us to wander around and ride the ‘emblematic’ rides – i.e. the classic one – and see the museum.

Barcelona from above

We first had a look at the city of Barcelona underneath. The view was not particularly different from the one in Parc Güell, except I’m more familiar with the layout by now. We then turned to snoop around the Temple of the Sacred Heart of Jesus Temple Expiatori del Sagrat Cor, a Christian church designed by Enric Sagnier i Vilavecchia (1858-1931) in a mix of Neo-styles, halfway between a Disney Castle and a classic cathedral. Construction was carried in two phases: 1903 – 1911, and 1915 – 1951. The upper towers were built later on, and work continued until 1961. The outer lower area is Neo-Romanesque, and the upper one Neo-Gothic; the inside is Neo-Byzantine, with mosaic walls. It has stairs a the sides to move from one level to another, and a lift inside. All in all, the whole building is… weird.

Sacred Heart Basilica

We ambled around for a while, and finally decided to have an early lunch, so we could avoid the family rush. My sibling wanted a proper sit-down, and we found the only option offering actual tables. The service was terrible – we never got glasses nor cutlery. We had to ask for napkins twice I think. Thrice for the bill after ordering two bottles of water and two burgers Hamburguesa de mejilla ibérica con pepinillo (Pulled pork and pickles burger). The service was so bad that the waiter decided to give us a complementary 15% discount on their own volition.

After lunch, we queued to ride the carousel and the Ferris wheel, and we saw the Automatons Museum, which was really interesting. The oldest piece dates back from 1880, and the newest from 2005. There used to be automatons sprinkled through the park for almost a century, but they were housed in their current home in 1982 to protect them from the weather.

Tibidabo Panorama

Automaton Museum

Around 15:00, we came down from Tibidabo. We had to share one ticket to get into the funicular, and the doors closed on me. I had to go to customer service to wait for someone to give me a replacement one. We undid all the way back to Sants to pick up our luggage, then we went back to the underground to meet with my friends E**** and P***o near their house to celebrate an important event in their family. We stayed with them for a few hours, then dropped by the supermarket to buy dinner for the next day, and took a bus towards our hotel.

We checked in, dropped our stuff in the room, cranked up the heating, and went to have dinner. We ended up at a Japanese franchise because the website said they had okonomiyaki, which they didn’t. At least they had dorayaki to compensate.

When we came back the room was at 19 ºC, and the air conditioning was blowing out cold air. I turned the thing off and went down to reception, where they told me they would call with a solution – either maintenance or a change of room. An hour later, without having heard from them, I went down again and a different receptionist told me the only thing that could be done was giving us extra blankets. I asked for three blankets and only got two. But I was too tired to fight – there was an extra towel I could use for added warmth. I defrosted in the shower and went to bed.

29th – 31st March 2025: Final Fantasy VII Rebirth Orchestra World Tour in Barcelona (Spain) {FFVII Barcelona 2025}

My sibling is an avid Final Fantasy fan, or at least of the concerts, and they usually ask me to prepare a trip when there is one in Spain. They tend to be in Barcelona, which has a love-to-hate relationships with tourism. Short-term letting apartments to tourists is more profitable than renting to residents, which is (allegedly) one of the causes of the current housing crisis. Finally, it has one of the highest criminality rates in Spain, and the epicentre of the secessionist movement. Thus, I’ve not planned much the last couple of times we were there, just enough to fill the days. It does not help that my sibling is a cosplayer and we have to haul a suitcase with the outfit.

This time, however, the Final Fantasy Rebirth Orchestra World Tour concert was on a Sunday. I have no faith in the public transport system any more, and Monday had to be requested off anyway, so we ended up looking at Saturday-morning to Monday-evening trip. Thus, I decided to fit in a bunch of Modernisme and other stuff that had been on my list for a while. Also, friends! Because friends are extremely important, especially when big changes are on the way!

I bought tickets for the concert in June 2024, when they went on sale. I booked the hotel in November, but I refused to pay for breakfast, because it was 20 € per person and day, and I was not going to pay 40 bucks for weak coffee and stuff I don’t even eat… And then I did not do much planning until February. However, I knew that at some point I needed to get things organised, else we would spend the weekend queueing to enter places. I’ve seen it happen before…

The train tickets only came out 90 days in advance, and I got them in early February. They were expensive – I had hoped to catch one of the new low-cost trains, but paying for the cosplay suitcase would push it to normal ticket prices. I found an outbound direct train, bit the return one that I wanted was not running, so we had to take a connection – which meant going to Madrid, then backwards on our way back. Oh, well. And on top of that, construction on the tracks triggered delay warnings – which did not come true in the end, good thing I insisted on being at the stations for the earlier time, whether it was the old or new one.

I put together a tentative itinerary waiting for the weather forecast, and the week of the trip itself, I booked tickets, including the transportation card – which was a nightmare. I really don’t understand how or why cities have decided to get rid of regular transport tickets. The ten-trip ticket has disappeared, and buying a one-way was prohibitive. Considering how many trips we would get, it made sense to get a 72-hour tourist ticket, since it was impossible to register to get a normal card… I also organised where to leave the luggage, since the hotel is next to the venue, and that is more than a bit out…

Spoiler alert though: we did not get pick-pocketed nor robbed, unless you count the insane tourist tax at the hotel, and we did not take forever to do the check-in.

27th March 2025: The Raven Age at ReviLive (Madrid, Spain)

Sometimes one has to wonder what guides music promoters to make certain decisions. It would be interesting to be aware of factors like costs of renting a venue, fuel, ticketing and so on. Because on occasion, it feels like tour schedules are suboptimal from all angles – acknowledging the lack of information. In the case of The Forsaken Tour by The Raven Age featuring Disconnected, I think that the most important factor that was considered was minimising bus-tour kilometres. Unfortunately, that placed their Madrid show on a Thursday, in a venue which… I’m pretty sure was inconvenient for everyone but myself.

The Raven Age is an English heavy metal band formed in 2009 by guitarists George Harris and Dan Wright – though Wright has since left the band. Current members are Harris and Tommy Gentry on guitars, Matt Cox on bass and backing vocals, Jai Patel on drums, and Matt James (MJ) on lead vocals. They have released three studio albums, and supported Iron Maiden, Anthrax and Apocalyptica during the Apocalyptica Plays Metallica Vol 2 Tour 2024. Though I saw Artics supporting that tour, my friend A****d saw The Raven Age and highly recommended them – actually she was the one who informed me of the upcoming tour and the Madrid date and place.

The Raven Age Tour Schedule

The concert was held in ReviLive, a concert and party venue associated with the musical studio ReviRock, which provides recording equipment, sets, rehearsal spaces… It is located near the Vicálvaro train station and Puerta de Arganda underground stop in Madrid. Unfortunately, it’s pretty far out from most commuting hubs. I had first thought about driving there, but my Sat-Nav has been failing lately. Furthermore, I did not feel comfortable parking and walking around the area – not the best – without knowing my way.

Since Vicálvaro was close and the way was rather straightforward, I decided to drive to a nearby station, then take a high-frequency train. But in the end, that day I had a headache, so I wanted to drive as little as possible. That meant risking it with the trains. I had previously checked finishing times and with doors at 19:00, I should be out at 22:30 latest. I had no intention to queue, so I took a train that arrived at the station around 18:50. That got me to the venue at 19:05. I was all right with staying back, but the crowd was so small that I found a spot at the barrier… And I was not wearing barrier shoes, at all. The good thing of a small side-lined venue is that security is nicer – and you are allowed to do outrageous things like bringing in your water bottle.

Supporting act throughout the tour was the French artists Disconnected, an independent French progressive metal band. Formed in 2016, it features Ivan Pavlakovic on vocals, Adrian Martinot and Florian Merindol on guitars, Romain Laure on Bass and Amaury Pastorelli on drums.

Doors ended up being at 19:30, not at 19:00, which was mean to the poor fans that had been there since early, particularly the meet & greet ones. I have to admit I did check for M&G tickets, but found no way to get them, else I would have. Maybe they were fanclub-only, I don’t know. I was hoping the venue would fill up more – similarly to La Riviera, where the crowd (that I’ve seen) skips the supporting act and drips in without queuing.

At 19:50, Disconnected started their act, and it was quite all right. What was unfortunately not so good was the sound. For such an empty venue, it was a pity, because it was not as if there was a roar from the attendees. The vocalist had great energy, and he was fun – though painfully aware of how few people there were. They sang in English and French, but the ratty sound made it a bit difficult to follow.

Disconnected’s setlist:
  1. Living incomplete
  2. I Fall Again
  3. The Wish
  4. La Puissance
  5. Unstoppable
  6. A World of Futile Pains
  7. Life Will Always Find Its Way
  8. We Carry On

The Raven Age Madrid Concert: Disconnected

The Raven Age Madrid Concert: Disconnected

Unfortunately, the venue had not filled up when it was time for the main act, and that was a bit sad. Despite the ongoing sound problems and the small crowd, The Raven Age had a great presence. The music did not sound as powerful as what I had been listening online though, and I am sure that they did not have any tea in their thermos bottles…

The Raven Age’s setlist:
  1. The Guillotine
  2. Promised Land
  3. Forgive & Forget
  4. Nostradamus
  5. Surrogate
  6. The Face That Launched A Thousand Ships
  7. Scimitar
  8. The Day The Earth Stood Still
  9. Essence of Time
  10. The Journey
  11. Seventh Heaven
  12. Angel in Disgrace
  13. Serpent’s Tongue
  14. Grave of the Fireflies
  15. Fleur de Lis

The Raven Age Madrid Concert: The Raven Age

It was extremely amusing to hear a heavy metal singer with such a strong British accent, talking in a natural way and dropping swearwords without sweating them. The members seemed to be quite happy taking over all the stage, and there was a lot of interaction, which is always good and fun. Unfortunately, considering that promoter was giving tickets away, I don’t think I’ll ever have the chance to see them close to home again.

The act was not long. They started at 20:50 and finished at 22:10, so it was a relatively short show, but it went by really fast. There was no real encore, because MJ said “this is the time when we go backstage, you guys yell for more, we come back and sing some more, so we’re going to skip all that and go on.” I approve of that.

The Raven Age Madrid Concert: The Raven Age

The Raven Age Madrid Concert: The Raven Age

The Raven Age Madrid Concert: The Raven Age

The Raven Age Madrid Concert: The Raven Age

The whole event had a weird atmosphere from start to end – the lack of a queue, the… chairs outside so we could wait… The… “hey, hold my spot, I’m going to change into this merch shirt I just got” and “Sure, but then hold mine while I go to the toilet” conversations… And especially, the lack of people. I really hoped that there would be more concertgoers after 20:00, and at least some more enthusiasm. When I saw Kamijo in Barcelona there was a small crowd, but it was loud. Here, it was lukewarm. I felt a bit heartbroken for the bands, because they both did a great job.

The train I was supposed to take back did not pass, so I had to wait almost 45 minutes at the Vicálvaro station. That was not fun because the only seats were in the open platform and my lower back hurt – bad choice of shoes. It was extremely cold, too, so I just huddled on a bench, and it felt good when the train finally came. I got to my car just before midnight, and home soon after. I was so tired I almost hit the kerb on my last curve, so it is good that I did not drive back and forth on the speedway, actually.

All in all, I enjoyed the day, the supporting act, and the concert. Would I travel abroad for The Raven Age? Probably not. Will I buy their CDs when I have money to spare? Probably yes. Although I keep getting sidetracked by activities and places to see and burning through my fun budget… Just you wait until there is a concert somewhere I want to visit, and I’ll be taking this whole “not travelling for The Raven Age” back.

22nd March 2025: The Historical Flow of River Henares (Guadalajara, Spain)

The presence of the anticyclone over Great Britain created an unusual rainy March in the centre of Spain, with four storms hitting almost back to back. An average March in Guadalajara sees 4.9 days of rain. Between the 1st and 25th of March 2025, it rained for 21 days. Storms Jana, Konrad, Laurence and Martinho delivered rainfall not seen in the area for 30 years or so.

Rain is measured using gauges and in a unit of “millimetres” – one millimetre of rain is equivalent to one litre of water per square metre. The average rainfall in the Guadalajara area is around 46 litres per square metre for the whole month of March. This four-storm period left over 150 litres per square metre. That’s a lot of rain on rain – dark clouds, soaked soil, wind blowing off the cherry plum blossoms (Prunus cerasifera).

Prune flowers in the storm

Guadalajara was built on the river Río Henares a tributary of a tributary of river Tagus. The Henares sprouts out of the mountain range Sierra Minsitra and runs about 160 km with a variable average flow between 10 and 40 cubic metres per second. The flow of the river and its tributaries is heavily regulated by the presence of a network of reservoirs in the area, designed to fight the cyclical droughts in central Spain, an arid plateau known as La Meseta (The Plateau). There are sixteen reservoirs in the province of Guadalajara, ten of them actively monitored. In March 2025, it rained so much that six of them (Alcorlo, Atance, Beleña, El Vado, La Tajera and Pálmaces) reached critical capacity and their floodgates had to be open, which dumped more water into the already “fattened” river. Furthermore, it was already thawing season, and the little snow that was on the peaks had started melting…

The result? The flow was up to over 300 cubic metres per second. That… is a lot. Official sources say that the water level increased by 40 cm, which of course caused the river to jump its usual banks. Along Guadalajara, this was mostly seen around the 10th century bridge Puente Califal (though other rivers were scary to cross). The structure was originally an Arab bridge, probably dating to the times of Abd al-Rahman III (Abd al-Rahmán ibn Muhámmad [عبد الرحمن بن محمد‎], 891 – 961 CE), though it was repeatedly damaged and repaired later on, particularly during the reign of Carlos III in the 18th century.

The bridge was built in ashlar masonry using a common technique from Al-Andalus architecture, stretcher and header soga y tizón, which means laying a layer of ashlar so the long side is outwards, then a layer so the short side is outwards, with the widest area always horizontal. The structure is almost 120 metres long, with five arches and four pillars, so thick that one of them allows for a spillway. Normally, only three of these arches are above water, allowing for most of the arch to be seen. This is a 2021 photograph which shows the usual situation underneath the bridge.

The normal state of the bridge - the low areas are dry, and only three arches have water running underneath

The humble bridge became the city’s most important tourist attraction during the storms period, as the river swelled and the water rose. Since I was in the area for work, I decided that I had to take a look. It was impressive. The water roared, and it had jumped the banks around the “park” area that has been built, along the footpaths.

Stone structure alongside the bridge, with water covering everything

Puente Califal Guadalajara during the March 2025 floods

River Henares underneath the Arab bridge

River Henares underneath the Arab bridge

Wideview of the Bridge, banks burst

15th & 16th March 2025: Canterbury (England, UK) for “The Shark Is Broken”

I’ve travelled for – or with the excuse of – concerts (take your pick) and documentaries (at least thrice, even twice for the same one), but this was my first time travelling for a theatre play. Don’t get me wrong, I like theatre – I’ve even squeezed Wicked into a London trip a couple of times – but it had never been a main driving force. Until I stumbled upon the information that The Shark is Broken was heading towards the UK and Ireland. There were no shows in London, and my connection to everywhere else – including Dublin – was not good, especially due to work schedules. However, there was one date which was, if not convenient, at least doableCanterbury, in the county of Kent. Unfortunately, neither the Gods of Trains nor the Gods of Buses were as willing to smile upon me as the Gods of Air Travel.

Once I secured a ticket for the play (£55.00, dead centre of the stalls), a hotel in Canterbury, and the plane ride, I checked out what to see in town. This was back in December 2024. I also booked my parking spot at the airport, and since it was so long out, I could reserve Terminal Parking for just a couple of quids more than long-distance parking. That’s an extra 20 minute snooze! However, as I’d been hearing about train disruptions in England, I decided to wait a little before buying the Stansted-London and London-Canterbury trains. And sure enough, when a couple of weeks before the trip I went to check on the trains, the Stansted Express was indeed not running. There were ticket sales, at normal prices, but the trip would be by bus – taking as long as a bus usually takes. Thus, I decided to buy a coach trip at coach prices instead. That added a couple of hours of travel / waiting to the whole journey. Then, I went on to the South Western Rail website, which claimed that purchasing tickets would be easy. My definition of easy is… different, but, I was able to secure tickets. I was supposed to download the app to use them – but the app cannot be downloaded outside the UK. Fortunately, I was able to download a copy of the tickets from the confirmation email and use those.

When the day came, I left home a bit after 3:00 for my 5:45 flight. It was extremely cold, but at least it was not raining. I had some time at the airport before take-off, but of course everything was closed. It felt a bit weird, knowing it was the last time I could fly to the UK “for free”, considering that all countries are implementing the stupid Visa fees everywhere. We landed in London’s Stansted Airport on time, so I made it to the 08:10 coach I had booked – despite the utter chaos that Stansted coach station has become. The nice 40 minutes by train to London Liverpool turned into an over-two-hour coach obstacle course through London’s construction work.

Since I had been forced to buy a bus ticket, I got a direct one to King’s Cross – St Pancras International, where my train to Canterbury was due to depart. I had calculated for a safe train at 10:40, and I reached the stop around 10:05, which gave me enough time to find the nearest Costa Coffee before I went to Platform 13 to board my train. I chose the carriage poorly, as I ended up in the midst of a boisterous hiking group, but the trip was less than an hour, and I reached Canterbury West at 11:34. This was a bit over an hour later than what I had originally hoped for, due to the train-bus adjustment. Looking back, maybe it had not been necessary to buy that ticket in advance.

The city of Canterbury is a Unesco World Heritage Site in the county of Kent, in the south-east of England. The area has been inhabited since the Lower Palaeolithic, through the Iron Age, and Roman times on. The town saw the first Christian conversions in the British Isles, and the foundations of the cathedral were set in 596. Canterbury survived the Viking raids around the year 1000, but it fell into William the Conqueror’s hands in 1066.

In 1170, Archbishop Thomas Becket was murdered in the cathedral, an event which triggered massive pilgrimages from all the Christian countries. Between 1387 and 1400, author Geoffrey Chaucer wrote The Canterbury Tales, one of the key works in English literature, a fictional compendium of stories told by pilgrims towards the cathedral. During the early Middle Ages, Canterbury became one of the most populated towns in England, until the Black Death decimated its people. In the 16th century, there was an influx of French protestants (Huguenots) who fled mainland Europe to resettle, revitalising the economy and introducing the silk-weaving industry that flourished for over a century.

After the 17th century, things changed. Canterbury became an agricultural hub spot, so the Industrial Revolution only affected it with the construction of railways. The historical centre was damaged during WWII bombings, after which the historical area was pedestrianised and a ring road built around it. Today, Canterbury lives off tourism, retail, and higher education, with a large floating population of university students.

And it was cold that weekend. A climate topsy-turvy seemed to have exchanged the Spanish winter anticyclone and the British rains, so it was storming in Spain and crispy in Britain those days. But at least, it was not raining, which allowed for freedom and seeing a lot of things. Upon leaving the station, my first contact with Medieval Canterbury were the Westgate Towers Museum & Viewpoint, the largest Medieval gateway surviving in the UK. It was erected around 1380 to substitute the Roman ones. Even before that, there were other hits like “the oldest brewer in Britain.”

Westgate tower, former gate to the Medieval city

I reached the pedestrian St. Peter Street, which merges into High Street, the town’s spine. My first real stop was the Cathedral and Metropolitical Church of Christ, Canterbury (Canterbury Cathedral for short). The cathedral is the seat of the Archbishop of Canterbury, the symbolic leader of the Anglican church, and the spiritual leader of the Church of England – whose official residence is actually in London though, for some reason. I wanted to get to the cathedral first just in case it closed at any time for a service, and so I did not pay much attention to the main street for the time being.

The cathedral precinct is accessed by the Christchurch Gate, completed around 1520 in the Tudor Gothic style. It features restored colours on the decoration, restored between 2018 and 2022. In the square in front of it stands the Canterbury War Memorial, to honour the victims of WWI, which was damaged during WWII, along with most the historic area, due to bombings.

The cathedral was established in the year 597 after the arrival of St Augustine to Kent. During its first period of existence, it was a Roman Catholic place of worship. The building burnt down and was completely re-erected towards the end of the 11th century, and a lot of construction and reconstruction went on until the end of the 16th century – around the time of the English Reformation, when the Catholic monasteries were disbanded and the cathedral turned Anglican. Most of it has remained in the 12th-century Gothic style, except the crypt, which is Romanesque. The west front – under conservation work – hosts statues of people who are considered influential in the life of the cathedral and the church of England, from Augustine of Canterbury to Kings and Queens including Elisabeth II. During the Roman Catholic period there was a Benedictine Abby attached to the cathedral. Today, only the cloister and the ruins of the infirmary remain from that time.

I bought my ticket and headed to the entrance of the cathedral. There was a trail, and I decided to follow it. That led me to see the West façade, with the statue of the Saints, Kings and Queens, and then down a corridor towards the cloister, which might have been the most beautiful one I’ve ever seen, with gothic arches and family crests painted on them. After the cloister, I found the herb garden and the water tower, and I got to see the ruins of the infirmary.

I went down to the crypt, and then up to the cathedral. The building already looks big from the outside, but the inside feels huge, with columns and pointed arches soaring up to the ceiling, and paned glass windows letting the light in. I first toured the quire (choir), where the Shrine to Thomas Becket used to be. Thomas Becket (Saint Thomas of Canterbury) was King Henry II’s friend and chancellor when he was appointed Archbishop of Canterbury in 1162. He clashed with the King regarding the rights of the crown and the church, and even if the Pope tried to mediate, in the end Becket was murdered in the atrium of the cathedral in December 1170, which propelled him to martyrdom first and sainthood a couple of years later. His body was hidden for decades until he was buried in a shrine under the quire in 1220. The shrine became a pilgrimage destination in the Middle Ages known as The Pilgrims’ Way, from either Winchester or Southwark Cathedral in London. During the Reformation, in 1538, King Henry VIII ordered the destruction of the shrine and Becket’s remains. Today, there is a candle burning where that shrine stood, and the Pilgrimage is still encouraged by the cathedral.

Canterbury cathedral - exterior

Canterbury cathedral - interior

I saw the place of the murder, called the martyrdom, on the way to the main nave, where a concert was being rehearsed. It sounded beautiful, but I could not stay forever, because there were many more things to see in town. Outside the cathedral itself there is a memorial garden and the six-metre sculpture War Horse (named Joey), in honour of all the animals that have died in war.

I had to move on, as it was windy and cold out in the open, and I still had more places to visit. I went on towards the Canterbury Roman Museum. The British are always extremely proud of their Roman ruins, though sometimes these are just a few objects. This time, however, the museum lives up to its hype. Even if the artefacts are not that impressive, it hosts the only in-situ Roman pavement mosaic in the UK. Unfortunately, nobody thought about building an overpass viewing platform…

Roman mosaic on the ground

I then headed back towards the main artery of the historical area, High Street and the local museum, The Beaney House of Art & Knowledge, which also doubles as Tourist Information Centre. I broke the worker’s brain when I asked for advice considering that I’d already seen the cathedral and the Roman Museum. What I actually wanted was an estimate of how long the trail around town would take, and confirmation of opening times. I was not too successful as they gave me some schedules which were not accurate. Anyway, I snooped around the place.

The Beaney House of Art & Knowledge was designed by A.H. Campbell in 1897 in the Tudor Revival style. It is named after James George Beaney, a Canterbury-born medical doctor who left money to the city to create a cultural hub. Today, the house hosts the Tourist Information Centre, an art gallery, an auction gallery, the local library, and a museum with collections about different aspects of the town’s history, including a lot of worldwide items that seemed brought by aristocrat’s Grand Tour.

The Beaney House of Art & Knowledge

I decided to do the walking trail around the town then. Now that I was not bee-lining any more, I could take in the statues, houses and buildings in High Street. The statues include Aphra Behn and Geoffrey Chaucer. Behn was a 17th century writer, one of the first English women to earn her living from her art, and possibly even a spy in the colonies and Antwerp. Along the street, I located my hotel, the Great Stour Canal, the theatre and the restaurant where I wanted to have lunch. I exited the centre through the Westgate Towers again, and ended up in the Westgate Gardens. I had started exploring, but then I got dizzy, and my legs shook a little. I had been on the go for almost 12 hours, on four hours of sleep, so it was time for a break. Thus, I backtracked to the Old Weavers Restaurant. I have to admit that I almost got sidetracked to have an authentic afternoon tea, but I had come across this place during my planning, and I was glad I went.

It is true that British food has a horrible reputation around the world. But honestly, it is not that bad – it’s just not such an important social event as it could be for example in Italy or Greece. Furthermore, there is a theory that most “traditional” recipes diluted away with industrialisation, when people worked too much to bother with cooking – the Industrial Revolution was something so new, nobody really knew how to deal with so many changes. Then, WWII food rationing and post war pre-made foods prevented a whole generation from learning how to cook. And thus, Chicken Tika Masala became the staple of English cuisine. In reality, however, this is not accurate. The British gave us scones, bangers n’ mash, roasts and pies, all of which are delicious.

Pies were what grabbed my attention from the Old Weavers Restaurant menu. The eatery is located next to the canal, in a house which dates from the 1500s, with foundations from the 1200s, and the original interior structure. The building was originally a weaving centre in the 16th century by the Huguenot refugees, which then became a weaving school – hence the name. When the school closed, the restaurant was established. moreover, almost all the “nice” restaurants in the area were offering a 15% discount with theatre tickets too.

The place was warm and a hot meal was a nice break to have. I was seated at a small table on the ground floor and ordered a Chicken, ham & leek pie in a hot skilled with a puff pastry lid, and a side of chips. I like British pies. Conversely, the first recipe of British pie on record was also written by Chaucer in 1381.

Pie and chips

Since I was quite literally outside my hotel, I decided to check in so I could drop my backpack and relieve the weight on my shoulders. I was not carrying much at all, but the hours were getting heavier, I guess. The hotel turned out to be an old refurbished house, with narrow stairs, and my room was on the upper floor. It turned out to be tiny, and weirdly distributed – I had to open the bathroom door in order to take off my coat. But it had a working bathroom, a radiator, and it was warm, so I was all right with it. The price was cheaper than anything I would have found in London and it would save me a lot of stress when I left the theatre. While taking the train back to London was doable, it’s not like I felt like one hour on the train, and then a commute in the Tube in the middle of the night.

I left again, and tried to pick up where I had stopped before lunch – this was my mistake. I should have done my walk clockwise, but I thought I had a bit of time. I had not counted on admission ending up an hour beforehand – but it was all right, and my plan ended at a local supermarket to buy snacks, dinner, and something I wanted to bring back with me. Thus, I went to the Westgate Gardens again, and I took a bit of time with the buildings and the ruins there.

Canterbury - Marlow theatre and Medieval buildings

Canterbury is located on the River Stour, usually known as Great Stour to distinguish it from its tributaries. There are at least three main waterways through town, and even businesses that give boat rides to tourists. The Westgate Gardens are built along the Stour. They host The Guildhall (town hall) and Tower House, a narrow Victorian house built around a bastion of the city walls. I strolled along the riverside, mindful of the mallards and the seagulls who owned the place, until I crossed the Rheims Way Underpass – Canterbury really likes its underpasses, and they’re all right when you get used to them – full of graffiti and contemporary art (graffiti). I eventually veered back towards town, towards an area called Tannery Field and I came across the Canterbury Bull Sculpture, by local artist Steven Portchmouth, an artwork which honours the agricultural and industrial history of the area.

Canterbury Great Stout & Westgate park

I found St. Mildred’s church, an 11th-century stone church with a small graveyard, and totally missed Canterbury Castle for a minute there. I knew it was closed, but it turned out it was completely covered in scaffolding. The castle dates back to 1066, when Canterbury surrendered go William the Conqueror, who proceeded to commission a motte-and-bailey structure, with the motte being what remains today, though underneath the protective scaffolding.

A few minutes away, I got distracted by something which had not been in my plans – Dane John Gardens. Dane John was not a person as I originally thought – the name comes from the corruption of the Norman word for “fortified mound”, donjon, and there is actually a theory that the mound that still stands in the middle of the park is a former defensive motte, though during the Roman times it might have also been a burial mound, on top of which stands the Simmons Memorial – Simmons was the local alderman who built the gardens between 1970 and 1803. The park ends at the reconstructed Roman wall, with rebuilt defensive towers, and it hosts small attractions like fountains, a giant sundial, a Band Stand…

I went along the Canterbury City Walls until I reached ground level again – and then I went underground to cross the wide roads. When I emerged, I finally made my way to St. Augustine’s Abbey. The abbey was originally dedicated to other saints, but it was repurposed after St. Augustine, who had established the cathedral, died. It was a Benedictine monastery from the year 598 on, until the English Reformation forced its dissolution in 1538. Afterwards, it became a royal residence, which was then rented out to noble families. Most of it was eventually dismantled to build new houses, until it was bought in 1844 by a religious Member of Parliament who established a missionary college. During the 20th century, the abbey ruins and the college were separated for classrooms and boarding houses. The British Government took charge of the ruins in 1940, and the abbey is part of the Unesco Heritage Site.

Dane John Gardens and Medieval walls of Canterbury

It was a little past 16:00, and I assume the ticket booth had just closed, though opening times were listed until 17:00 and there were people – a dogs – inside. I first saw the Fyndon Gate, the original gate to the abbey, built in the early 1300s, with two octagonal towers on the side, and a chamber above the entrance arch, which has an overlooking arcade. Though I could not enter the abbey, I was able see to the main ruins through a convenient lookout to the side of the locked-down area.

St Augustine Abbey Canterbury

I saw a signpost regarding the pilgrims’ route that lead me to both Rome and St. Martin’s church. Rome was a little far away to be back on time for the theatre, so I decided to settle for the church, which had been the plan all along anyway, as it was the third key point in the Unesco Heritage Site. The church recognised as the “oldest parish church in use” in the English-speaking world. It was used by Queen Bertha of Kent as her private chapel even before St. Augustine arrived from Rome in 597. Though her husband, Æthelberht of Kent, was originally a Pagan, he allowed her to continue practising her Christian Faith and he himself eventually converted. The building was erected reusing a lot of Roman bricks and tiles, along later stone. It has a small graveyard where many notable families have been laid to rest. The sun was setting, and the wind had calmed down, so it was nice. I did have a moment of slight worry when I glimpsed someone and I heard a bang – I thought maybe they had closed the gate and I would have to jump over the wall. Luckily, it was not.

Canterbury St Martin chuch

I headed back towards the centre. In front of the abbey’s Fyndon Gate I found the statues of King Æthelberht and Queen Bertha of Kent. King Æthelberht was eventually considered a saint for his role spreading Christianity among Anglo-Saxons, but his main contributions were more earthly. He created the earliest written Law code in any Germanic Language, and minted the first coins which circulated in Kent.

Still heading downtown, I walked by St. Paul’s church without the Walls, which could’ve been built in Roman times as a cemetery chapel. A bit further along, there was the St. Thomas of Canterbury Roman Catholic Church, the only Catholic church in town, built in the late 1800s in the Gothic Revival Style. Adjacent to the church stands the tower Tower of St. Mary Magdalene, which belonged to Medieval parish that was demolished to build St. Thomas. There is a memorial inside the tower, protected by glass.

Back in the High Street, most shops were closed or closing down, and I did not come across any bookshops, where I would have purchased a copy of Chaucer’s The Canterbury Tales just to have a copy from the town. What I did find was a Sainsbury’s Local supermarket. There, I bought a sandwich for a late supper after the theatre, some Cadbury Eggs, and a can of Bisto Gravy granules. Cadbury Eggs are a confection made of chocolate with a yellow-and-white sugary filling. Gravy is a cooking sauce I can’t recreate to save my life so I enjoy having the ready-to-make at hand, it’s just small granules that you dissolve in boiling water to create the sauce. Neither – I reasoned – should be a problem at the airport.

I went back to the hotel to have an hour or so of rest before I headed out to the theatre. Marlowe Theatre was obviously named after one of the most famous Canterbury locals: Christopher Marlowe, the 16th century playwright, poet, translator, alleged spy and reportedly atheist, whose work is reported to have influenced Shakespeare himself. His plays were extremely successful, and they include The Tragedy of Dido, Queen of Carthage, The Tragedy of Jew of Malta, and the first dramatised version of the Faust legend, The Tragical History of the Life and Death of Doctor Faustus. The Marlowe Memorial, depicting The Muse of Poetry (either Calliope or Erato, one guesses).

There have been at least three “Marlowe Theatres” in Canterbury. The current one was rebuilt from a previous one between 2009 and 2011, as a stainless steel and aluminium building with a colonnade, and at night it glows electric blue, pink and purple. It is not a pretty building on the outside, but the inside is all right. It seats 1,200 spectators, it has a bar and a tiny merchandise stall.

Canterbury cathedral and Marlowe Theatre at night

Before I went into the theatre, where I bought the programme, I headed towards the cathedral to take a few pictures the building at night. On the way back, I must have taken a wrong turn somewhere, because I was disoriented for a minute before I found the bluish glow of the theatre. Back in December, when I booked the tickets, I also got “ticket protection” (insurance, basically), but I was ecstatic that I did not need a refund. I had managed to get there, and I could finally enter the theatre. I did not feel even a bit tired, even if I had been on the go for over 16 hours.

The Shark is Broken is a ninety-five-minute play written by Ian Shaw and Joseph Nixon, based on actor’s Robert Shaw’s diary of filming the 1975 film Jaws, directed by a young Steven Spielberg in 1975. It follows three very different men who try to hunt down (fish down?) a great white shark which has found the perfect feeding ground off Amity Island, a small beach community in Long Island. Jaws is often credited as the first summertime blockbuster, and it went on to win three Academy Awards – Best Original Score for John William’s music, Best Film Editing and Best Sound.

Canterbury Marlowe Theatre - The Shark is Broken

It is a commonplace piece of trivia that working on Jaws was a nightmare for everyone involved, as the mechanical sharks used for filming kept breaking down, which caused delays and going over budget again and again and again. Main actors Roy Scheider (Chief Brody), Robert Shaw (Quint) and Richard Dreyfuss (Hooper) were stuck on the little ship set for days on end while the film crew worked on “Bruce”, the shark. On top of authoring the script, Shaw plays his father. Dan Fredenburgh plays Roy Scheider, and Ashley Margolis plays Richard Dreyfuss. The stage play was originally directed by Guy Masterson in its Broadway run, and Martha Geelan is acting touring director.

The play is a number of connected, sequential scenes depicting different conversations over several days, showing the rising tensions amongst the actors. There are plenty of rather uncensored references to Robert Shaw’s rampant alcoholism, which his son, Ian Shaw, has not tried to hide or dilute. The set is just the ship, and only the three actors are on stage, you only ‘hear’ about the shark off-scene.

Was it a comedy? No. Was it funny at points? Extremely. Did I enjoy it? Immensely. I’ve read reviews saying that it is not worth it unless you are a huge Jaws, which I am. It includes known trivia, obscure facts and several hilarious meta references, including “It’s a thriller, do you think people will be talking about it in 50 years?”, which delivered on the 50th anniversary of the film is hilarious. Another one, referring to how Spielberg bailed on the last day of filming fearing the crowd would dunk him in revenge for all the inconveniences, and his upcoming career, is “Sharks? Aliens? What’s next, dinosaurs?” The scenes were chronological towards the end of filming, until the last one. Another known piece of trivia is that Robert Shaw was extremely drunk trying to do one of his scenes, the so-called “Indianapolis Speech” – and he screwed it up every time until he sobered up and delivered it in one go. The speech is referred to a few times throughout the play, and the very last scene is its re-enactment. It was glorious.

The Marlow Theatre was just a minute away from my hotel, and I could use the back door to get back in. I climbed up to the room and took a shower to warm up. Unfortunately, the bathroom had one of those fixed nozzles and the shower screen was… way too short for it. I might have caused a teeny-tiny flooding – good thing that I had extra towels to contain it. Afterwards, I had my sandwich, and a Cadbury Egg, even if it should have been too late for chocolate. Predator was running on TV, so I watched that while I charged the phone. Finally, I set my alarm and went to sleep, thinking that maybe being able to be on the go for twenty-something hours straight is my superpower.

My train back to London was at 7:24 – I had to miss my breakfast at the hotel, which started at 7:30, but that’s life. Fortunately, there was a kettle with some instant coffee and creamers in the room, along with biscuits. I woke up around 6:15, got ready, and hurried to Canterbury West station not because I was late, but because it was extremely cold. The train was on time and I was back in London St Pancras International just before 8:20. The train ride was uneventful, and once there I crossed over to Kings’ Cross Station to get breakfast from Costa Coffee. Since I was there, I peered over at Harry Potter’s Platform 9⅓, and I discovered that they actually take out the cart when the “attraction” is closed. I knew they charged for pictures, but I did not know that the cart was detachable. Which… I guess makes sense… considering that people would take free pictures with it if it was there. I just thought there would be a screen or something…

Anyway, not my thing. I headed out to explore St Pancras International Station. The original station was constructed in the Gothic Revival style (or Victorian gothic) in the 19th century, opening in 1868. The exterior was made out of dark red bricks, while the interior displays a complex roof in wrought iron and glass. The overall station layout was commissioned to engineers William Henry Barlow and Rowland Mason Ordish, and the adjacent hotel was designed by architect George Gilbert Scott. It is a magnificent building only slightly defiled by the contemporary expansion tracks. St Pancras was all but abandoned around 1960 until the 1990s, with extensive reconstruction, renovation and restoration in the 2000s. In 2007, it became the “international” station as it became terminus for the Eurostar train which covers the route between London and Paris in 2h 16 mins.

St Pancras international train station

I had to sit down for a few minutes because I made a wrong movement and my back cramped, but it passed soon. I was able to do a little bit of shopping in the station. A lifetime ago, I bought an umbrella in a franchise called Boots, and they had the same style and brand in the shop at the station. Considering that said umbrella served me well between 2012 and 2024, I had decided to buy another one if I ever saw it. I also got a book, because books in the UK are comparatively very cheap.

I found the coach stop, where I had to be at 15 minutes in advance. It was cold and windy, and it felt long. Apparently, the bus before had not come either, so there were a lot of people waiting. However, my ticket and seat were guaranteed. The only problem was, again, that the traffic was horrible due to construction. We took 43 minutes to cover something that should have been done in 10. Despite it all, the coach arrived at London Stansted Airport on time and without issues.

I went straight to security. Stansted is implementing new security protocols, which is great if you don’t get stopped. I got through two times ago, but last time my keyring created a problem – I have since changed that. This time around, the security lady was opening playing-card boxes to check for chemicals (not even kidding) and had to swipe my gravy granules for drugs, or explosives or who-knows-what. When I said “I didn’t even realise that could be a problem” her – rather sheepish – answer was “it isn’t.” Then… why did it get flagged? I’ll never understand airport security.

After 20 minutes waiting at security, I had some sushi at the airport, and bought a Playmobil Royal Guard, because they have always drawn my attention, and I thought that today was the day. Then, it was just waiting. My plane back was at 14:10, landing before 18:00, because I needed to get to a hard week of work on Monday. Part of me wishes I could have stayed until a later flight, but I needed to be reasonable. I did not get emergency exit seats either flight, so there was no issue with the cabin crew. However, when I tried to get my car out of the parking lot, the plate-recognition system would not work, so I had go down all the way back to find a person to talk to – good thing, then, that my plane had not arrived at 23:00.

The truth is, everything would have been more efficient had the Stansted Express been running, but at least I waited to book tickets so I could make the most out of the commuting issues. I did not pay train prices for coach transit, and I did not have to wait much between transportation choices. Furthermore, I could fill the time I had with things to do – and stuff to buy. And the most important thing, I saw The Shark is Broken, along with getting to know a new city.

9th March 2025: Expominerales 2025, the other half of the weekend’s plans (Madrid, Spain)

Since I had to be in Madrid to watch the fantastic concert by the Wiener Sängerknaben, the plan had been to attend the yearly Expominerales mineral fair in the Mine and Energy Engineering School Escuela Técnica Superior de Ingenieros de Minas y Energía (ETSIME) that same day. However, the fair closes on Saturdays between 14:00 and 16:00 for a lunch break, so since the weather was so horrid, I decided not to wait. On Sunday, the weather forecast was slightly less miserable, and in the end I was lucky with only some gentle rain as I walked between the train station and the Engineering School, nothing like the sleet deluge the previous day.

Expominerales fills the ETSIME with stalls selling minerals, fossils and crystals offered by reputable sellers. Here I’ve seen the biggest megalodon teeth in my life, held a plesiosaur vertebra – which I regret not buying when I had the chance – and discovered that moldavite exists – and which I regret not buying when I had the chance… do you spot a pattern here? I did not break it anyway, because in the end I cannot afford most of what is sold, and I already own most of what I can…

Overlook of ETSIME during Expominerales

I arrived at the School shortly after the exhibit opened around 10:00, and the area was still pretty empty. There were fewer stands than the previous years I’ve been there, and the moldavite stand was not there. Actually, there were very few meteorite-related stands this time around. I did see amazing modern-times frog fossils from Owens Lake. Owens Lake is called Patsiata in the Mono Native American language. In 1913, the lake dried out when the water from the Owens River was redirected and with years it has become a deadly salt flat, a source of alkali sand storms with a side of carcinogen materials. One of the minerals found in Owens Lake is trona, a crystal formed by the precipitation of sodium carbonate, making it a type of evaporite. In 2023, an atmospheric river caused floods in California, filling the lake up for the first time in over a century. The floods damaged infrastructure and created a surge of floodwater to the lake, which eroded surfaces and dragged a lot of small hibernating animals towards the lake, where they were killed instantly. Their soft tissues were quickly replaced by trona salt before the bodies even decomposed, creating a perfect cast of the poor critters. There were two on display at Expominerales and they were creepy!

Something else that caught my eye (and was actually within my doable price range) was a polished abalone shell. The Korean abalone (Haliotis discus) has been used for centuries in the art of najeonchilgi [나전칠기], which refers to decorating items with mother of pearl. The abalone can be polished in full, creating a whole iridescent body of nacre. These mollusks used to be collected by haenyeo [해녀], traditional female divers from the Jeju province, but most of them are farmed for food today. A small polished abalone came home with me.

Items from Expominerales

The School opens its classic museum during the exhibit, and I always enjoy visiting it. However, after wandering around for a bit (and spending some money), I moved onto what basically is the next building over to the ETSIME, the Spanish Mining and Geology Institute IGME – Instituto Geológico y Minero de España, which hosts the Geomineral Museum Museo Geominero. The original design of the building was conceived by Francisco Javier de Luque, and work started in 1921. Though a congress was held there in 1925, construction went on until 1941. The building has not been extensively restored, but it presents deviations from the original plans, and even from subsequent ones.

The museum is hosted in the former hall, and to get there, first you have to go through a very bored security guard – who first asked if I was sure I wanted to be there. Once inside the building, one goes up the main staircase towards the gallery underneath a glass-and-iron skylight with the logo of the Mining Institute. It was designed by Luque himself and created by the Madrid workshop La Veneciana, a glassware shop dating from 1876 and which, under a different name, still exists today.

Entrance staircase to the Geomineralogical museum

The museum is an open area, located underneath another incredible skylight. The displays are hosted in wooden cabinets in the main floor. The upper balconies can be accessed through spiral staircases and are protected by metalwork railings. One of the details I absolutely adore are the glassworks displaying geological sample cores of different surveys. I’ve never seen the library, but I was once part of a group which was allowed to play with some of the “lesser value” items they have as part of a training session, and that was super fun. The museum is probably one of my favourite spots in town.

The Geomineralogical Museum

From the architecture point of view, I like the building and the skylights. However, there are way more things to love in the museum, such as the wooden cabinets, full with samples of minerals, fossils and meteorites. The museum’s collection are divided into “Mineralogy and Petrology”, “Flora and Invertebrate fossils from Spain”, “Vertebrate fossils from Spain”, “Foreign fossils”, “Systematic invertebrate palaeontology”, “Micro-palaeontology”, “Fossil resin”, “Fossil tracks”, “Stromatolites”, and the “special exhibits”. One of these is a complete cavern bear (Ursus spelaeus), another one is an Ibex (Capra ibex). The last two have honour spots, with their own display.

When you come into the museum, one of the first things that you see, in front of the door, up on the first-floor balcony, is the cast of the most complete Tyrannosaurus rex skull ever found – Stan. Specimen BHI 3033, Stan, was found in 1987 and excavated in 1992, in South Dakota’s Hell Creek Formation. Stan lived around 65 million years ago, in the Cretaceous period. We know he fought for his life more than once – his ribs were broken and healed, two vertebrae were fused together, and he suffered a bite to his snout. Stan remains one of the most complete skeletons ever found, and probably the most-often cast. The skeleton made mainstream news when it was auctioned at Christie’s in New York due to money disputes among partners of the original owner-firm, Black Hills Institute. An anonymous buyer paid $31.8 million for it in October 2020. In 2022 it was disclosed that the Department of Culture and Tourism of Abu Dhabi had bought Stan for their projected new Natural History Museum.

On the ground floor there is a mastodon fossil Anancus arvernensis found in the 1990s. These animals related to modern elephants lived throughout the Miocene and went extinct in the Early Pliocene (two million years ago). The could have been around the size of a modern African bush elephants, but their tusks were mostly straight. They would have lived in steppe with dry and warm climate, but close to water. The fossilised bones were recovered are dated around 3.2 million years ago, and were dug from the Las Higueruelas site between 1948 and 1991.

Exhibits at the Museo Geominero

After I wandered the museum for a while, I left towards my train which was delayed… 43 minutes. Fortunately, so were the ones that had to pass before, so I ended catching one in the right direction after only a twenty-minute wait. And then I got junk food, because some days have to end in junk food…

23rd February 2025: The Annual Medieval Fair (Tendilla, Spain)

For the last few years, the Medieval fair Feria de Mercaderíass de San Matías in Tendilla has started on the 25th (2022), 24th (2023) and the 23rd (2024) of February. So it makes perfect sense that my mind placed 2025’s edition start on the… 14th, right? Since the fair celebrates St. Matthew, and the onomastic is the 13th, I unilaterally decided that the fair must be that weekend. Obviously, I was wrong, and the fair was held from the 21st to the 23rd. Due to the date mishap, I had a visit booked on the 22nd, and I amended my plans to head to the fair on Sunday the 23rd instead of on Saturday as I usually do – that way I could see the Palace, the Botarga Parade and the Fair on the same weekend.

It was a good thing that I decided to go to the Parade instead of trying to make it to the fair on Saturday, because apparently they were blocking cars from entering the village, but not letting them park anywhere close-by which… is a problem. To avoid a similar issue on Sunday, I drove to Tendilla before the fair even opened, so I was there around 8:40. I used the time to climb up the frozen nearby hills to see if there were nice views from above. I also headed into the pine forest, which was covered by a thin layer of frost everywhere. It was pretty.

Tendilla: Landscapes before the fair started

There was a parade scheduled to take place at 11:00, which did not happen until around 13:00 – there was just a trio of musicians going up and down the main street. In the mean time, I wandered up the fair, and stayed around the ox paddock hearing things like “such noble eyes the animal has” from the mouths of city-dwellers. The poor oxen seemed pretty much used to to be stared at, so they just munched on hay with an air of resignation. There were two of them separated from the herd, which would later be yoked to a traditional cart. Looking back, I’m slightly surprised that I did not get any allergy symptom from their straw.

Three musicians in Medieval Clothes

Oxen in the Medieval Fair

I also found the newly-inaugurated statue to honour the fair – a tiny farmer with two donkeys standing atop a column which… was a bit underwhelming, to be honest.

La borriquilla - the little donkey

Around noon, a queue started forming for migas. In the mornings during the fair, some of the villagers prepare this typical dish from the area for all passers-by (queuers-by?) to enjoy. The traditional migas are made from fried breadcrumbs, paprika and meat from pig slaughtering. However, Tendilla is famous for its torreznos (processed pork lard snacks), so these communal migas are served with the local dry treats, and accompanied with a glass of wine to be washed down. I had never queued for them, but some family members saw me when they were almost at the front of the line and I was snuck forward in exchange for some photos. I also got to talk to one of the stand owners, and I discovered about a place called Emociones al Vuelo, a bird-of-prey rescue and training centre which organises activities. I may or may not have decided to pay them a visit.

Communal migas being prepared

We snacked, and then moved around the village. I was in the middle of Main Street Calle Mayor when the parade came through. The troupe had changed this year, and it was not Christian knights and moors, but gypsies and magicians. They brought horses and “wolfdogs” – not actual wolfdogs but wolf-looking domestic dogs. Enough to fool a lot of people. There was supposed to be a tournament, but apparently the gypsies were not up to it. There was no tournament, and after an hour of waiting, the troupe went back to the Main Square Plaza Mayor, did a couple of horse tricks, and started cutting ham to share with the onlookers. It was a bit disappointing, but I least I got to pet the dogs.

Troupe of horse riders dressed as Medieval gypsies

Dogs from the gypsy troupe

I headed to my relatives’ place and we prepared lunch, though I had some leftover migas that had been saved for me from the previous day, and a fried egg on top. Much better than the communal ones, for real.

The last activities for the day were related to the long-suffering oxen. First, two of them were yoked to a traditional hay cart and children were given rides through the fair. The two oxen were led to the cart and then tied to the structure. Something that I had never known was that part of this tie went around their horns and forehead, so the owners placed a small pillow on the animals’ foreheads for them to pull more comfortably. However, to do the tie the knots as strong as it was necessary for them to be, he had to use his foot as leverage on the ox’s head… Once the animals were yoked, the cart started moving. One small child who had apparently been asking about the ride all day long was the first to be helped on the cart – even though some others tried to cut the line! At first, they went up and down the village, but apparently some idiot spooked the poor animals and the owners decided to just move around the main square afterwards.

Oxen being yoked

After six or seven rides, the oxen were untied and let into the paddock. A lorry was brought and the owners created a mini stampede for all the oxen to go into the vehicle. That was wickedly cool.

That was the last activity, so I decided to say goodbye to my relatives soon and drive back through the sunset. Most of the stalls were already closing anyway and there was no way I was going to stay for dinner – because that would mean I’d have to actually eat more that day, which was not the plan.

On the way back I drove into a very weird traffic jam. It did not happen around the bottleneck, but much much earlier, and the bottleneck was clear. I’ve never understood traffic jams anyway…

So all in all, I had a very complete weekend, combining Madrid, Guadalajara and Tendilla, I had relatively good weather, and got to check out most of what I wanted. The only downside? Having to go to my day job on Monday without having caught any rest!

22nd February 2025: Architecture in Madrid, and folklore in Guadalajara (Spain)

By now, reaching Madrid by train without anything remarkable to comment on is actually remarkable all by itself – there were actually no problems for once. I had booked a spot for a visit at noon, but since I don’t trust the rail service, I hopped on a train to be at Atocha Station around 10:00, and for once I was there right on time, maybe even a minute early!

As I walked up the street Paseo del Prado, I passed by the exhibition centre CaixaForum, where the Patagotitan still stands. Since it was still winter, the trees on both sides had little to no leaves, and I could see it from the opposite side. I of course said hi.

Patagotitan skeleton

My first stop was the church Iglesia de San Jerónimo el Real, dedicated to St. Jerome, a late Gothic – early Renaissance building erected between 1502 and 1505. It belonged to a monkhood whose original monastery stood near the river. The stagnant waters caused illnesses among the brethren, who asked the Catholic Monarchs for a new location. The church for the new community was created from brick and masonry, and towers were added in the 17th century. The interior is decorated with two gothic altars to the sides, but no main altarpiece, as the original one has been lost to time. Instead, there is a painting by Rafael Tegeo La última comunión de San Jerónimo – Saint Jerome’s last communion – created in 1829.

Monastery Monasterio de Jerónimos

Afterwards, I headed towards the National Museum of Anthropology Museo Nacional de Antropología, a small museum dedicated to the diversity of cultures in the world, particularly the Americas, Philippines, Africa and the “Far East”, focusing on traditions, culture and religion. It is covered by my national museum card.

At the moment, the museum is running a temporal exhibit on art based on myths, legends, and sacred texts from India, Caminos místicos. Tradiciones vivas del arte de la India – Mystic Paths. Living Traditions of art from India. I was curious about it, but not expecting how much I liked it in the end. The pieces of the exhibit were mostly based on Hinduism (Sanātana Dharma, सनातन धर्म), the oldest religion in the world. According to Hindu tradition, the Supreme Being Brahma exists as themself, but also as the manifestation of the deities Brahma the Creator, Vishnu the Sustainer and Shiva the Destroyer, all of who at the same time have different avatars (avatāra, अवतार) or incarnations. One of the core principles of Hinduism is the concept of cosmic cause-and-effect justice, karma [कर्म]. Another is reincarnation (saṃsāra, संसार), an eternal cycle of life and death until the individual is liberated from it through self realisation or illumination. The religion is based on values like righteousness, truth, love, peace, and ethical conduct, and it is quite open to other beliefs and ethics.

Religious Indian Art pieces

The Museum of Anthropology’s permanent exhibition has a lot of items from the Philippines on the ground floor, probably due to how long(1565–1898) the islands were a Spanish colony. There are clothes, tobacco items, ritual objects, and a small sample of how the local culture was throughout the 1800s. To the back, there is a room dedicated to the religions of Asia and the Middle East – Hinduism, Buddhism and Islam. The first floor is dedicated to Africa, combining a number of traditional exhibits with modern photographs of the traditional people’s way of life – baskets, pottery, leather and wooden objects, ritual masks… The second floor holds items from the Americas, especially from South America. Some of them include a Mexican Día de los Muertos (Day of the Dead) altar, Andean Carnival masks, Sioux-Lakota clothes, Inuit coats…

Religious icons and traditional masks

I remember visiting the museum when I was a child, and then feeling disappointed in it when I returned as an adult. This time around, I found the permanent and temporal exhibitions quite interesting, so it’s a good thing I headed there. It also helped make time until noon, when my next visit was due, to the only Ministry that can be visited – albeit not freely, by appointment and paying a fee – as it is a historical building.

The current Agriculture Ministry is housed in the historical building known as Palacio de Fomento – Palace of Development. Its plans were originally drawn by architect Mariano  Belmás y Estrada, aiming for an Arts and Craftwork School. Later, Eduardo Saavedra y Moragas took over to turn the design into a university. Finally, the project ended in the hands of architect Ricardo Velázquez Bosco, who erected the building between 1893 and 1897 to house the then Ministry of Development.

The Palace is an impressive construction. The original design had three floors, which have now been turned into five. From the outside, the building looks white and orange-brown, but a more focused look reveals decorative tiles by Daniel Zuloaga, who also collaborated with Velázquez Bosco in the ETSIME. The entrance is flanked by two caryatids and roof above there is a sculpture group – Glory and Pegasi La Gloria y los Pegasos, a bronze copy of an original marble by Agustín Querol.

Palacio de Fomento, outside

Once you enter, you find yourself in a huge majestic hall, where we had to check in, since the building is a working Ministry. The email said to be there at 11:45 to go through security. I got there at 11:40 and went in at 11:44. They took my name (they did not care about the ticket) and they put my stuff in the X-ray machine. I had to go through the metal detector and when I asked whether I had to remove my belt, I was just told to put my hand over the buckle… So much for security, I thought, because I did not beep. Then I realised that I must look quite non-threatening as quite a few people were thoroughly searched as they set off the machine.

Beyond the hall where we were checked in, there is an imperial staircase in marble, and a vaulted frescoed ceiling. From there, we visited some offices and meeting rooms, and the portrait gallery – from which the ministers who held office during the Franco dictatorship had been removed. Finally, we visited one of the side inner courtyards, covered in a skylight with some ironwork.

Palacio de Fomento, inside

After the visit was over, the security guards saw us out and locked the doors. I walked around the building, because I had honestly never realised it was square. As the place was next to the Retiro Park, I had been considering looking for some archaeological spot they had opened. However, there were more ideas – Guadalajara was having the Botarga parade, and it was the fair weekend in Tendilla, though, a phone call informed me that traffic was horrid and that it was not a good idea to head there so late in the afternoon.

Eventually, I decided on the Parade. I bought some sandwiches and headed for the train. Though I got rained upon, it cleared up, and at 18:00 I was in Guadalajara to have a look at the traditional Parade of Carnival characters Desfile de Botargas – “creatures” from the whole area which meet up in the capital the Saturday before carnival, despite each character having its own schedule wherever it is rooted. The parade was a bit late, so I could talk the local botarga group – El Manda (the Order-giver), Los Mandaneros (the Order-receivers), and the Botarguilla (Little Botarga) – into posing for me. I watched and took pictures from two spots, but the parade moved really fast because they only had thirty minutes to do the route – last year they took well over an hour for that. I decided I did not want to run for it that much… I have to remember to find myself a vantage point next year, instead of trying to get the beginning of the parade…

Guadalajara Botargas

Heifferette from Riba de Saelices

Botarga Parade 2025

I got “attacked” a few times, and ended up with soot all over my face, but at least I avoided the guy painting people with mustard… The botargas seemed to zoom in on children and cameras, and so did the devils Diablos (from Luzón) and the heiferettes Vaquillas and Vaquillones (Villares de Jadraque, Robledillo de Mohernando, Luzaga, Riba de Saelices). It was fun. One of these days I might have to try to follow the botargas in their own villages…

4th January 2025: Bye Bye, Murderbird. MARPA, Alcalá de Henares (Spain)

While it was great to have the Concavenator fossil (a.k.a. Murderbird in my headspace) in the Dragon Hunters exhibit in Alcalá de Henares close enough to visit at will, the time had come to see it move on. Just in case there was any information I was missing, I decided to book a guided visit to the exhibit. As it was scheduled for 12:00, I decided to look for something to do beforehand, and I found guided visits to the monastery Monasterio de San Bernardo at 10:00. I had seen the building before, as it stands next to the MARPA, I just had never given it much of a thought.

The monastery was established under the patronage of Cardinal Bernardo Sandoval y Rojas around 1620. He bought land cheap because it was near the Moorish quarter. The church was erected in brick with decoration in stone on the outside. The inside has an elliptical dome, and it was heavily damaged in a fire during the Civil War, so it had to be restored – the work on it was a Rehabilitation prize in 2019. Most of the decoration of the church was lost and today walls and roof are just white and gold. The building is attributed to architect Juan Gómez de Mora.

There is a free-standing ciborium in gold, with a number of sculptures of Saints instead of an altarpiece. Behind the altar and ciborium, there are a number of paintings – they were created by Italian artist Angelo Nardi. Nardi was born in the late 16th century, and studied in Venice before moving to Madrid, where he became a Court Painter. His style evolved from late-Renaissance (mannerism) to Baroque, and he is known for his expressive faces. He was friends with Velázquez, and famous for being quite kind, though his style eventually fell out of grace. He painted most of the pictures in the church, although some of them are now out of order as they were moved during the Civil War.

The visit was interesting albeit a little underwhelming. It felt a bit weird to be the only visitor and having the whole thing explained to me – that has only happened once before, in Recópolis. However, that was epic, because I ended up getting the whole archaeological place for myself. The monastery was more of a serious experience – and it did not rain on me. But still it felt… colder. And like being in an exam, the guide kept asking me questions about history, architecture and hagiography.

Monastery of San Bernardo in Alcalá de Henares

I had a bit of time before my following visit, so I decided to run to the Sala Museográfica de la BRIPAC, a tiny museum about the history of the Army’s Parachuting Brigade. The Brigade was created in 1953, and the parachuters participated in combat for the first time in 1957. In its origin, it was established in Alcalá, so there is a historical connection there. The hall hosts uniforms, flags, medals, and reports about the peace missions in the 1990s. I am not much of a fan of Armed Forces museums, but today the BRIPAC is considered a peace corps. The museum opened in February 2023, on the 70th anniversary of the foundation.

BRIPAC exhibit

I still had a bit of time, so I dropped by Plaza Cervantes, which was full with Christmas lights and shoppers at the small market. There were food stalls, a small bookshop, some rock shops… Nothing really caught my eye though.

Plaza de Cervantes Christmas

I finally headed back towards the Archaeology and Palaeontology museum MARPA Museo Arqueológico y Paleontológico de la Comunidad de Madrid. It was one of the last chances to see the exhibition on the history of palaeontology “Dragon Hunters” Cazadores de Dragones with a guided visit, and I figured out that maybe I could learn anything new – despite the fact that I’ve been there a few times and bought the book. We had a nice fun guide who relied a lot on asking questions to her audience. Apparently I was the only one with… some knowledge of… anything she asked – what’s with guides in Alcalá de Henares trying to have you do their job? I felt a bit sorry for her so I answered her questions – with a higher success rate than the ones from the Monastery, to be honest. She did not impress me with the depth of her knowledge, to be honest. She actually looked at me a bit panicky when I asked her t confirm that the T-Rex replica was a cast of the famous Stan.

Cazadores de Dragones entry in the cloister of the MARPA

I stayed back for a bit longer after the visit ended. I’ve ranted on and on about the Concavenator before, both the fossil slab and the actual-size reconstruction. I just loved having both so at hand. When I was young, the scientific community came to the conclusion that “birds descend from dinosaurs” but today it is actually believed that birds are actual dinosaurs. And since the poor beast has such a ridiculous name, I’ve just been calling it “Murderbird” or “Murderchicken”, for kicks and giggles.

There were these two little kids who kept grilling their dad about the skeletons, and the poor man was a bit overwhelmed. I decided to give him a hand with the questions and explained a little. I thought that was it, but the smallest child pointed at the Concavenator and blurted out “can you tell us more things about that one??” He was so eager that I just took the family to see it and told them a few things further. The family was on their merry way in five minutes – four-year-olds only have so much attention span. The kids were happy, the parents were relieved and I got to geek out about dinosaurs with appreciative public. I think the interaction was an all-around win.

Murderbirds: T-rex and Concavenator

At first I had thought that I would be staying in Alcalá for an exotic lunch, but I was not really feeling up to it. With great sadness, I said goodbye to the Concavenator and moved on to drive home.

1st January 2025: The Return {Vienna, Silvesterkonzert 2024}

We got up for breakfast at around 7:30, but the cafeteria wasn’t open yet, so I had to (gasp) pack before I had coffee. That was not fun. The breakfast room opened around 8:05, and I could finally have my caffeine fix. We had been discussing all three days about the automatic pancake machine in there, so I decided to try it. Basically, you waved at it, and it made the pancakes. They were not the most delicious thing ever, but there was Nutella to go with them…

Pancake making machine

As we were already packed, there was not much left to do after breakfast. We went up to the room to collect the luggage and back down to reception. We had a transfer arranged at 9:00 and we were ready with a few minutes to spare. Check-out was fast, and off we went towards the airport, after saying goodbye to the nice Spanish lady with the card issue. I’m not sure if it had snowed outside Vienna or what we saw on the trees was hoarfrost, but everything was white once we got onto the motorway. I totally missed whatever our driver was saying because I was trying to take pictures of the landscape – but he talked a lot.

Trees covered in white ice and snow

When we reached the airport, the check-in counters were not open yet. We were flying with Iberia, which does not have a permanent crew there, the counters did not even have the lights on. It took them longer to open the counter than to actually check us in, and the worker was confused because we were only checking in three suitcases even if we were four people. The poor lady looked absolutely exhausted – maybe she had stayed up late.

Security was “collapsed with a crowd” and they told us to go through the kids gates – I don’t think I have seen any “collapsed” security so empty… But we made it through okay. We found our gate at literally one end of the airport, and left our things with one of my parents while we scattered off to look for lunch. The flight was at noon, so we had to buy something either at the airport, or on the plane. I found myself a chicken sandwich that looked rather nice. I would later learn the word for “spicy mayo” in German… Good thing I got a Coke to go with it. I also bought a “no kangaroos in Austria” magnet because I did buy a tote bag last time I was around, but I can’t seem to find it.

Airport in winter weather

The flight back took off on time at 12:20. It was uneventful, we just landed at 4S instead of 4. We knew this was going to happen this time, so we had counted on it – in the end, that was the reason I managed to convince my family to have lunch on the plane. We did not get out of the airport up until 16:00, what with picking up the luggage and all. I think I made it home around 19:00, and boy was I beat. I love my family, but travelling with them can be a bit too much…

31st December 2024: A clumsy morning yielded to an unbelievable evening {Vienna, Silvesterkonzert 2024}

When we walked out of the rooms to go down and have breakfast, my parent’s alarmed face made me worried. They informed my sibling and myself that “it had snowed”. That was spooky for a second – until I ran to the window and saw that the “snow” was just a very thin layer of scattered white powder. It was safe to go out, even with my senior parents. We had breakfast and we got ready to go out.

Snow in Vienna

At some point, my family “caught” that I like Natural History museums, so they really, really thought I wanted to go to Vienna’s Natural History Museum – Naturhistorisches Museum Wien, and just wouldn’t listen to “No need, I’ve been there already, Their reasoning is that I had mentioned it before, which I actually had, to inform them that the Venus von Willendorf was there. That is where we ended up, and I was happy to oblige – the museum has rocks, meteorites, fossils and dinosaur animatronics. All right up my alley.

The museum’s oldest collection 250 years. In 1750, the Holy Roman Emperor Francis I bought what at the time was the largest collection of natural history objects at the time – around 30,000 objects. That same decade, the Emperor founded the Schönbrunn Zoo and the botanical garden, and he ordered the first scientific exhibition to be held. Upon his death, the collections were donated to the state, and the first museum according to the Enlightenment principles was founded – and soon expanded.

The museum building was also commissioned by the Emperor. It was designed by architects Gottfried Semper and Carl Hasenauer, with an identical exterior to the nearby Museum of Fine Arts. Works began in 1871, and the institution officially opened in 1889. Though it was indeed originally designed as a museum, it feels more like a repurposed palace, with decorated ceilings and monumental staircases. It has 39 halls with almost 9,000 square metres of exhibits, still keeping the 19th century outline. We just did halls 1 to 13: mineralogy, petrography, meteorites, palaeontology and prehistory galleries, including the Venus von Willendorf. The 11-centimetre figurine was made in limestone around back to 30,000 years ago. It is a nude woman of large proportions, and even if she does not have a face, she is mostly anatomically correct and has plaited hair.

My family was fascinated by the collections, and I guess I felt a teeny bit smug about that – considering how much fun they poke at me because natural history museums are very high on my priorities when I visit a new place (see: my first time in Brussels).

Natural History Museum Vienna

Natural History Museum Vienna

We left the museum after a couple of hours, around noon. We did not stay at the Silvestermarket at the square, but headed out towards the Imperial Butterfly House Schmetterlinghaus. It comprises half of an Art Nouveau greenhouse turned tropical botanical garden and butterfly zoo of sorts. I really love the iron-and-glass architecture of the building – and I would have loved to have had lunch in the brasserie that fills the other half of the greenhouse. The building was designed by architect Friedrich Ohmann and erected in 1901 as part of the Hofburg Palace and is, next to the Burggarten palace.

Most of the butterflies we saw, if not all, were forest giant owls Caligo eurilochus, very large butterflies originating from the Americas – they can live from Mexico to the Amazon basin. They have marks like big eyes in its back wings (hence the commmon name), and the inner wings are blue. They are pretty, and they seem to like fruit, as they gathered around the feeders to snack on it. The sad part is that they only live around 24 days.

Schmetterlinghaus

We then headed to the restaurant Centimeter, near the Rathouse (town hall) to have lunch. It is a place that has a lot of things measured – you can order sausages by the metre. I was somehow was not feeling hungry, so I decided to get Gebackener Emmentaler mit Sauce Tartare und Preiselbeeren, breaded and baked Emmental cheese with tartare sauce and cranberries. After lunch, we expected the Silvestermarket next to the Rathaus to be open, as it was one of the places to be for New Year’s Eve. We were wrong! That was a bummer, because in hindsight we could have cancelled the reservation and just stayed at the market in front of the Natural History Museum. That was a bummer, but at least we were warm.

Gebackener Emmentaler

We headed back towards the hotel, and we stopped by the supermarket next door to buy something for dinner. I grabbed myself some pre-emptive sushi, because I was pretty sure that my family was not going to find what they wanted – basically stuff like they would get at home. After half an hour of going back and forth, they decided to settle down with sandwiches and more sushi. We also picked up some chocolate thingies that would end up being more coconut than anything else. Not that I have anything against coconut, but I do not appreciate it replacing chocolate unannounced.

We took the groceries to the hotel, and had a bit of downtime before got ready for the main event. During that time, I went on the online airline webpage to make sure that the travel agent at El Corte Inglés had checked us in. The check-in was done, but someone had made a typo on my parent’s email address so we had not received the boarding passes. I retrieved them and downloaded onto my phone to distribute later.

A bit past 18:00, we left for the Wiener Musikverein, the Viennese Music Association, home to the Vienna Philharmonic Wiener Philharmoniker, where we would attend the 2024 Silvesterkonzert. It was a bit strange to head to such an event using the underground, but that was the most efficient means of transport, to be honest. We ran into the Spanish lady and her husband again – and that was great because that way we could take pictures of each other without having to get a stranger to do so.

Vienna Musikverein

The Musikverein was designed to resemble an Ancient Greek Temple in a Neoclassical style, following plans by architect Theophil Hansen. The building was inaugurated in 1870, and it has a small decorated entrance, very underwhelming staircases, a small chamber music hall, and the main music hall, the Großer Musikvereinssaal or Golden Hall. Walking in there was… surreal. It’s a hall I’d seen so often on TV, and it actually felt… I don’t know, a bit… pale. Less bright than on the screen. Maybe it was that the flowers were white and pink, so they did not pop. And it’s not like I know anything about flowers, anyway. I was just happy they were artificial enough not to trigger my allergies, it would have been awkward to sneeze all throughout the concert…

Vienna Musikverein Golden Hall

Though the “New Year Concert” is the one that everyone knows, there are actually three concerts with the same set list – the Preview Voraufführung on the 30th, the Silvesterconcert Silvesterkonzert on the 31st, and the New Year’s Concert Neujahrskonzert on the 1st. I honestly would have thought that it would be full of wealthy people and they would be all cool as cucumbers, but it turns out, a whole bunch of us were just excited noobs taking pictures of every and anything. My family’s seats were on the second floor balcony. I just couldn’t believe everything that was going around around me, nor where I was. I bought the programme, because I really wanted something physical from the soirée, aside from the ticket.

The Vienna Philharmonic was founded in 1842. It is formed by the best musicians from the Vienna State Opera. It is actually run by the musicians themselves. Every year, a conductor is chosen to direct the concerts, and for the 2025, it was Italian Riccardo Muti. Maestro Muti was born in Naples in 1941, and studied in the Classical Lyceum. He proceeded to move onto studying Piano, then Composition and Conducting. He began his career in 1968 as the music director of the opera festival Maggio Musical Fiorentino. He conducted the New Year’s Concert in Vienna in 1993, 1997, 2000, 2004 and 2018 before this year. In 2011, the Philharmonic awarded him Honorary Membership. He is also a bit of a troll.

The concert had two parts, including the encore:

First part:
  1. Johann Strauß I. Freiheits-Marsch, op. 226 – Freedom March
  2. Josef Strauß Dorfschwalben aus Österreich. Walzer, op. 164 – Village Swallows from Austria, waltz
  3. Johann Strauß II. Demolirer-Polka. Polka française, op. 269 – Demolition Men’s Polka, French Polka
  4. Johann Strauß II. Lagunen-Walzer, op. 411 – Of friends, Waltz
  5. Eduard Strauß Luftig und duftig. Polka schnell, op. 206 – Airy and fragrant, fast Polka

Second part:
  6. Johann Strauß II. Ouvertüre zur Operette “Der Zigeunerbaron” – Overture to the operetta “The Gypsy Baron”
  7. Johann Strauß II. Accelerationen. Walzer, op. 234 – The Acceleration, Waltz
  8. Josef Hellmesberger (Sohn) Fidele Brüder. Marsch aus der Operette “Das Veilchenmädl” – Fidel brothers. March from the operetta “The violet girl”
  9. Constanze Geiger Ferdinandus-Walzer, op. 10 [Arr. W. Dörner] Ferdinandus, Waltz
  10. Johann Strauß II. Entweder – oder! Polka schnell, op. 403 – Either … or! Fast Polka
  11. Josef Strauß Transactionen. Walzer, op. 184 – Transaction, Waltz
  12. Johann Strauß II. Annen-Polka, op. 117 – Polka Ana
  13. Johann Strauß II. Tritsch-Tratsch. Polka schnell, op. 214 – Chit-chat, fast Polka
  14. Johann Strauß II. Wein, Weib und Gesang. Walzer, op. 333 – Wine, Woman, and Song

Encore:
  15. Johann Strauß II. Die Bajadere, Polka schnell, Op. 351 – The Bajadere, fast Polka
  16. Neujahrsgruß (New Year’s Address)
  17. Johann Strauß II. An der schönen blauen Donau, Walzer, Op. 314 – The Blue Danube
  18. Johann Strauß I. Radetzky-Marsch, Op. 228 – Radetzky March

Vienna Silvesterkonzert 2024

Honestly, what can I say? It’s nothing and everything like what you watch on TV. The music was fantastic, but somehow it felt like the conductor did not do much, the orchestra did whatever they wanted, not in a bad way. They knew exactly what to do and just did it. I know next to nothing regarding classical music, but they made it feel absolutely effortless. I am not sure how much work they do on their own and how much they do with the conductor, but I can tell had Riccardo Muti a blast. At some point, when he was coming in and out, he knocked over some of the viola or bassoon’s music sheets all over – he was very apologetic about it. Also, although neither photographs or videos are not permitted (mine are totally… sneaky, you see), one of the ladies in the first row was shamelessly filming, and he winked and waved at her. Furthermore, he would just… jump during some of the polkas, which is a feat considering the man is 83 years old.

The concert always ends with Strauß’s Radetzky-Marsch, and the public is invited to clap along. Muti completely had the concertgoers in his pocket, controlling them (us) with a finger and a look. It was amazing to watch. All in all, he was absolutely… not careless but carefree. It was great to see, somewhat magical in a way.

Vienna Silvesterkonzert 2024

The concert felt much much shorter than the two and a half hours it lasted. We went down to the first floor for pictures during the intermission, and we were not the only ones. However, I think we kind of… snuck past the intern or something, not sure we were supposed to be allowed on that floor. People were having champagne but I only cared about seeing everything. I might be a bit… weird. I make no apologies. I really loved the experience. They say it is a once-in-a-lifetime experience, but to be honest, I would just try the lottery every year from now on. I mean, I now have the right clothing for it…

After the concert, we went back to the hotel where we had our dinner. To be completely fair, there was a part of me that would have totally wanted to go out to watch fireworks and Vienna’s way to celebrate the New Year – and then be an absolute wuss, freeze my butt off and need to come back to the hotel. But the grass is always greener on the other side of the fence, and since I did not get to see it… It must have been the most interesting thing ever! It’s okay though, because I got to see the concert, and it was already my once in a lifetime most interesting thing ever… But it took me hours to get to sleep, so maybe I could have explored some, because in the end I’m greedy and I want it all.

30th December 2024: A planned and packed day {Vienna, Silvesterkonzert 2024}

It was a crisp morning in Vienna when we got up. We went down for breakfast and it was not particularly well stocked. The coffee was… weak, so I decided to mix a cappuccino and a black coffee to get me the energy I needed for the day. I tried some local cake, but I did not enjoy it, so I decided to stick to bread and croissants. Thankfully, I did run into the lady from the day before, and her husband, during breakfast, and told her about our plans – that way at least someone in the group would know not to wait for us and we would not delay anyone. Apparently, we were not the only ones who had made their own plans either, as the excursion had been marketed as “optional” and yet it seemed to be “a given”. Even better, we came across the driver from the day before (despite him saying he had nothing to do with the trip), and we could tell him that we were not coming, either. As we stepped out, it was freezing – literally below zero – but sunny during the whole day.

We took the underground at Zieglergasse and headed towards the city centre. I asked my parent to use their phone for GPS and maps in order to keep my battery for as long as I could so I could be taking pictures throughout the day, so they would be guiding. Our first stop was the Hofburg – the former imperial palace – and the Sisi Museum. Empress Elisabeth of Austria (1837 – 1898) was the wife of Emperor Franz Josef I of Austria. She married the Emperor when she was just 16 years old, and was stifled by court life. She spent most of her time travelling and avoiding royal duties. Her perceived eccentricity – today we would call it depression – and assassination in 1898 helped create an image of a romantic heroine in the media that has reached today, especially through actor Romy Shenider’s portrayal in the 1950s.

Hofburg

The museum tells about her life by showing objects, portraits and reproductions of her clothes. Then, you step into the former imperial apartments, which have been refurbished with furniture from the 19th century to make them look real. The audioguide was… corny to say the least, and I kind of skipped most of it because I got bored.

Sisi Museum and Royal Apartments Vienna

I proposed the church of Saint Michael first, and then the National Library. However, my parent had been intrigued by the church that stood at the exit of the underground. Thus, we headed there. The Wiener Minoritenkirche, Friars Minor Conventual Church, is officially the Italian National Church of Mary of the Snows Italienische Nationalkirche Maria Schnee. The church was erected between 1276 and 1350, and it was one of the first gothic churches in Vienna, following a French pattern. There were many subsequent reforms, including rebuilding the bell tower and the spire again and again – today the bell tower is flat and the spire is gone. The interior altar is Neogothic, by Ferdinand Hohenberg. Since it was still around Christmas time there were Nativities and Christmas trees.

Wiener Minoritenkirche

Afterwards, we headed towards St. Michael’s Church Pfarre St. Michael. It started as a late Romanesque or early Gothic building, maybe in 1221. The following two centuries saw Gothic annexes added. The crypt was built in the 16th century. The organ was built in 1714. The Rococo high altar was sculpted by Karl Georg Merville, and it represents the Fall of the Angels after the War in Heaven, when Lucifer was banished; underneath, there is a Byzantine Virgin Mary from the Cretan school. The outer façade was rebuilt in a classicist style in 1791. Construction officially finished in 1792. The crypt is accessible in a guided tour, but considering it has about 4,000 bodies, some of them mummified and on display, I think I’m happy we did not take it.

Michaelkirche Vienna

I proposed going to the Library again, because it was cold and there would be toilets there. My parent took over guiding with their phone, and my sibling and I got distracted as we passed by the Stallburg, where we caught a glimpse of the Lipizzan horses chilling out.

Instead of reaching the Library, my parent decided that we wanted to see the Augustinian church Augustinerkirche, a mix of 14th century Gothic and 18th century Neogothic. The original church was engulfed by the Hofburg as it expanded, and in 1634 it became the official imperial church. May Habsburg weddings were officiated there, and a chapel to the side, called the Herzgruft (Heart Crypt), contains the hearts of the members of the dynasty, from Ferdinand IV in 1654 to Archduke Franz Karl in 1878.

Augustinerkirche

I did not get to go to the Library, but we walked past the Hotel Astoria, which opened in 1912. it was built in the a late Art nouveau style known as fin de siècle (end-of-century). At the time it opened, the hotel was the latest, with electricity, bathrooms and all!

We reached the pedestrian / shopping street Kärntner Straße, the neuralgic centre for Vienna shopping. There we… met the card-not-working lady and her husband again, in what would become a funny number of encounters. We also saw the Swarovski shop. We entered it because we thought it would be warm – and hey, it had a toilet, which was handy, considering we had left the hotel over four hours before. Swarovski is an Austrian glass producer, known for its crystal glass, used in jewellery, decoration, watches, accessories. The company was founded in the late 19th century with the idea of “making a diamond for everyone”. Since then, it has produced thousands of items – from Christmas decorations to sculptures to collectible tiny figurines to whole dresses for the Vienna Opera. The place was halfway between a shop and a museum – and we might have spent a bit more than we had planned there, especially considering we were not planning to spend anything.

Swarovski flagshop Vienna

We reached DO & CO Restaurant Stephansplatz, located on the top floor of the post modernist structure Haas House, constructed in 1990. Most of the building is a hotel now. The restaurant has a fun view of the cathedral Domkirche St. Stephan. My parent and I discovered the restaurant because the opening scene of Austrian TV series Kommissar Rex, which ran between 1994 and 2004. It follows the story of German Shepherd Rex, a police dog which is “transferred” to the homicide department after his original handler dies… at the DO & CO terrace. It is such a naïve series, I just love it. Think The A-Team ingenuity with an adorable GSD saving the day every time and stealing sausage rolls as a self-reward. In a later series, Rex would move to Italy, and there is currently a Canadian reboot too…

There were no doggies in DO & CO, but both service and food were superb. They had butter and bread, and small receptacles with different types of salt, and a note on how they should be used. For lunch, I ordered kalbsbutterschnitzel – delicious minced veal butter patties with cream, accompanied with mashed potatoes, fried onion rings and a small leaf salad. For dessert, I had an ice latte that I should not have had, but I saw it pass by and I was smitten. We snuck a number of pictures from the restaurant, too.

DO & CO Vienna

After lunch, we went into St Stephan’s cathedral Domkirche St. Stephan. The building is a mixture of Romanesque and Gothic, and it was initiated around 1137 and completed 1578, and as many as four construction stages can be seen – the first Romanesque towers, the later Romanesque church, the Gothic Choir, and the outer, newest additions. The roof is tiled with as many as 230,000 pieces, one side shows the mosaic of a double-headed eagle, and the other the coat of arms of the city and the country. The bell tower has twelve bells, and the interior hosts as many as 18 altars (plus the ones in chapels). The cathedral was built in limestone, so it looks darker than other churches its size (107 metres long, 70 metres wide and 137 metres high).

The high altar was built in marble by Tobias Pock in the 1640s in the Baroque style. It depicts the stoning of Saint Stephen, church patron and the first Christian martyr. He was stoned to death by the Israelites after a rather inflammatory speech in front of the Sanhedrin, defending Christ’s teaching versus the traditional Jewish ones. According to the Bible, this would have happened a couple of years after Jesus’ death, and before the Roman persecution.

St Stephan’s cathedral

My parents were tired and they decided to head off towards the hotel, while my sibling and myself stayed behind. We wandered around Stephansplatz, Rotenturmstraße, and Kärntner Straße, checking out the Christmas lights and decoration until we reached the Popp & Kretschmer fashion store. They are a luxury women’s clothes firm, which draw tourist crowds during Christmastime to see their huge bow decoration, which makes the whole building look like a present. They call it the Vienna Bow.

Christmas decoration - Vienna Bow

We also looked at the Vienna State Opera Wiener Staatsoper, which was prepared to celebrate the new year, with a neon display saying (in English) “Hello 2025”. It was stupidly cold though, so we might have stayed in an underpass for a few minutes longer than necessary.

Afterwards, we headed towards the Sacher Hotel. The five-star hotel was founded in 1876 by the son of a famous confectioner. When the founder died, his wife, Anna Sacher, became manager. She turned the hotel into one of the most refined in the world, catering exclusively to the aristocracy. This management lead the hotel to bankruptcy, and she had to sell the business to new owners, who restored it to its former glory. The hotel serves “the original Sacher-torte”, a chocolate cake coated with dark chocolate icing, and a thin layer of apricot jam in the middle, served with unsweetened whipped cream. It was reportedly invented by the father of the founder, and the recipe is kept a secret. There are other versions of Sacher-torte, but the hotel is the only one with legal standing to call theirs original.

We had a 17:30 reservation at Café Sacher, in the hotel. Sacher Hotel actually has two cafés. The more modern one faces Kärntner Straße and is called Café Bel Étage. It had a long queue – Christmas is peak season in Vienna, as we were quickly learning – but I had been informed that reservations accessed through a particular door. However, that was not where our reservation was – I swear, I did not see the different name anywhere. The historic Café Sacher had an even longer line, and no special door. I dared ask the doorman at the hotel how to get there, and he gave me a huge grin and said “skip the line, go through the exit”. Boy, that was… awkward. Very, very awkward. I though the people just outside would lynch us!

Staff came to check on us, and since our reservation at the Café Sacher was valid – I made the reservation in July, literally as soon as the spots open – we were shown into one of the small salons. The café has a perfect offer – Sacher Sweet Treat: a perfect slice of original Sacher-torte with whipped cream, a non-alcoholic hot beverage and a bottle of Römerquelle mineral water for 22.5 € (31.5 € with a glass of the in-house champagne, Original Sacher Cuvée). I ordered mine with sencha senpai, Japanese green tea. I enjoyed the cake more than I had thought I would, and the tea was great. The staff was incredibly nice, too. They must have been used to silly tourists.

Sacher & Sachertorte

We left the Café Sacher and headed towards the Spanish Riding School Spanische Hofreitschule. For my sibling, this was a core-memory event, so they insisted we got really, really good seats for the Gala Performance Galavorführung at 19:00, on the parterreloge – the box at ground level. The Gala performance is the longest exhibition the Riding School has, and it lasts 90 minutes, with a break. The horses were gorgeous, and the riders looked very cold, but everything felt strangely… cold. I think I liked the exhibit in Jerez Riding School better.

The Spanish Riding School, considered the oldest horsemanship school in the world, was established during the Habsburg Monarchy in 1565. It is dedicated to the breed and training of Lipizzan horses. Lipizzaners are a breed of riding horses developed during the Habsburg empire. It derives from Arab, Bavarian, Spanish and Neapolitan breeds. They were selectively bred so most of them are grey with white coats – albeit there is always a bay stallion in the Spanish Riding School. The breed itself might be traced to eight stallions in the late 1700s, and it was developed in Slovenia. The horses are considered so precious that they were evacuated during WWI, and “rescued” by the US army during WWII. “Lipizzan horse breeding traditions” has been considered Unesco Intangible Cultural Heritage since 2022.

Once bred, foaled and fledged, the Lippizaners are trained. This is done at the Spanish Riding school. The traditional horse training methods used by the school can be traced back to Ancient Greece, and like many other things, they re-flourished during the Renaissance period in the 16th century. The goal of Classical training was to prepare horses for warfare as part of the calvary. Horses train for six year after they turn four.

In Vienna, the Lippizaners are housed at the Stallburg, which is technically part of the Hofburg Palace. It is a Renaissance building from around 1560, originally conceived as a residence but that was later converted into the Imperial Stables. The Winter Arena was built in 1735, and has remained unchanged since then – including the chandeliers. The arena is presided by a painted portrait of Emperor Charles VI.

Vienna Riding School - winter Arena

There was something weird in the atmosphere that made it not feel all that… fun. Before every performance, a lady walked to the centre of the arena to introduce the exercises movements in German and English. The performance was pretty though. I tried to sneak a picture or two, but I was unsuccessful – and a bit worried they would kick me out if the venue. There were a total of six different numbers, and the show, including the introductions, was organised as follows:

  1. Alle Gänge und Touren der Hohen Schule – “All Steps and Movements of the High School”: four riders and stallions in individual choreographers, including the one dark stallion in the stable, with classical movements.
  2. Am Langen Zügel “Schools on the Ground: On the Long Rein” – the riders guide the horse from the ground, they are not on top of the horse, with movements such as piaffe and pirouette.
  3. Pas de Deux “Step by Two” – two riders-horses pairs work in tandem, mirroring each other.
  4. Arbeit an der Hand und Schule über der Erde “Working Hand and Airs Above the Ground” – with three main movements: levade, capriole and courbette. Four horses work with their riders on the ground, and two of them with the riders on the saddle, but without stirrups. When horses perform well, they get a sugar treat from the rider.
  5. Am Zügel “Schools on the Ground: Curb Reins” – only one horse and his rider, who only holds two out the four reins in their left hand, and they hold the riding crop upright in their right hand, a commemoration of the military heritage of the horse riding tradition.
  6. Schulquadrille “School Quadrille” (or Das Ballett der weißen Hengste “Ballet of the Eight White Stallions”) – eight horse-rider pairs have to coordinate with each other for a choreography, ending in the Radetzky-Marsch.

When the exhibition came to an end, we tried to go to the toilets. You had to scan your tickets and pay 50 cents. Really. Two hundred quid for the tickets and they charged fifty cents for the toilets, which were filthy on top? A total rip-off.

I got my sibling to the hotel, and then I left again to meet up with my friend D****e and her father Fr***, who were also in Vienna for a few days. They were even staying in a hotel close to ours, so it seemed that we had planned it in advance. We spent a couple of hours in a small eatery – Gschamster Diener – where they introduced me to kaiserschmarrn, fluffy shredded pancakes with raisins, powdered sugar and cinnamon.

Kaiserschmarrn

I eventually had to go back to the hotel and my room. There, I spent an hour trying to find a place to book lunch for the following day. After deciding not to plan anything on the 31st, my parents had a change of mind and suddenly I found myself tasked with planning and finding a place for lunch. Most restaurants were either closed or booked off. I was not a happy camper, but in the end I managed to find something… somewhat decent. My sibling suggested the Natural History Museum, the Butterfly House and the Library before lunch. I was absolutely sure that was impossible to cram three things in the morning. We would not even do the entire Natural History Museum, but at least we would be somewhere warm. I resigned myself not to see the Library, had a shower and went to bed.