Tag Archives: yakiniku

19th & 20th August 2019: Bye-bye for a while, Japan {Japan, summer 2019}

Posted on by

For my last day full day in Japan, I dropped my luggage off at Shinjuku station and met with D****e for lunch to say goodbye for now. I also got to say goodbye to Tokyo Tower [東京タワー] from Roppongi Hills [六本木ヒルズ].

Lunch was a bit sad, but the yakiniku was very yummy. After she had to come back to work I met with B**** for drinks and wandering around for a while in Shinjuku [新宿]. We mostly sat at Wendy’s, talking and drinking… whatever this is…

And then she took me to CocoCurry for goodbye-curry.

Then she came with me to Nippori station to help me carry my luggage to the train. I was so mentally exhausted that I did not even stop for a stamp at Narita Terminal 1. I had booked myself a hotel for the night at the airport because I felt that was the best thing for my mental health at that time, and I am glad I did. It was very handy and the transport to the terminal was very smooth.

I had been worried about my Fuji-climbing stick, but I had been told I could check it in. I bought a suit-cover which I sewed, and had no problems with it – I mean, I saw people checking-in kayaks, for fuck’s sake. My stick was tiny in comparison to that! The flight back was a-okay, unremarkable, mostly.

Walked distance: 19th: 11099 steps / 7.94 km. 20th: 5045 steps / 3.60 km. The displacement was a bit longer though… something around the 11000 km (≧▽≦)

The 2019 trip was a long one, full of awesome experiences that I won’t forget any time soon. I hope to gather experience from what went wrong, but not cling onto the bad feelings. I chose not to write about that, and look for the best in every day. Also, I did not really feel it, but a bunch of Japanese friends told me that my language skills had improved, so that made me happy. Now it’s time to go back to the real world and do adulty things, and start dreaming about the next adventure. また今度ね。

26th July 2019: KAMIJO’s Persona Grata {Japan, summer 2019}

Posted on by

I woke up, and had some coffee from the convenience shop on my way to the station. I took a train to Tokyo [東京] – the great thing about the JR Pass is that you can ride back and forth as much as you want. The itinerary I have for this time over might not the most efficient in terms of optimising time, but it does maximise the number of concerts I can attend. This was the day of KAMIJO’s the opening concert of his 2019 Japan Tour Persona Grata.

When I arrived in Tokyo, I headed off towards Roppongi Hills. There, I met up with D****e and we had some some delicious yakiniku together for lunch.

Lunch set. Salad, white rice and some raw meat for the grill, along with the sauces to dip

I first saw KAMIJO in Barcelona in 2018. He is a visual-kei rocker from the old school – with the costumes, the backstory and lots of theatricality. He is basically pretending to be Lestat de Lioncourt during the stint he becomes a rock star. I mean, we are the same age. We must have read the book around the same time, so I know where he is coming from.

Since, aside from vampires, KAMIJO is also obsessed with France, a while back he opened a European fanclub. Unlike most Japanese artists’ international fanclubs, Rose-Croix international allows for very real benefits. Since the European chapter is actually located in France, everything was much easier in terms of payments and so on. I was able to ballot for tickets for the Japan tour, and I actually hit for Premium tickets for Persona Grata’s opening night at Mainabi Blitz Akasaka. The tickets included “seating in front of the stage” and special presents. To prevent tickets getting lost in the post, you have a reference number and need to drop by the ticket booth to receive your physical ticket on the day of the concerts you hit for. I was lucky enough to buy the tickets for the two concerts I wanted.

Kamijo Persona Grata poster

After lunch, I went to D****e’s to drop off my backpack and changed, then I set back out. I arrived at the venue around 16:30, and the shop to buy merchandise was already open, but the ticket booth was still closed. I could not claim my Premium goods without the physical tickets, but I looked at the merchandise. I decided that I needed the small lamb plush with vampire fangs Hitsuji Vampire [羊ヴァンパイア], along with some other items, the more important being the booklet.

Around 17:30 I was able to retrieve my ticket – I only had to show my passport to get it. The premium seat guaranteed a “front seat”, which was second row – better than expected. Afterwards, I went to collect my premium “goodies” – a jewellery pouch (I really thought it was a wallet at first), an autographed board, and a mug, all inside a limited-print plastic bag that was given out for purchases over 3,000¥. I think that between second row and the presents, the ticket price was fair in comparison to the regular one.

Kamijo Persona Grata Premium gifts
The tour doubled as an introduction to the new songs for the upcoming singles. Aside from the new compositions, I discovered a few songs I really liked (a lot of my Book Off shopping this year had to do with trying to build KAMIJO’s entire discography)., The concert felt quite special. I enjoyed every second, and having a chair really helped to get some rest when he was off stage and we had the “film” instalments. Unfortunately, the fandom is not too open so I did not get to make any new friends.

There was a large screen on stage where the conducting story was projected. This is another thing that some v-kei artists do, have “plots” for their concerts, and big stories for tours / releases. This is usually done in the form of short films shown throughout concerts, and snippets written on the CDs or DVDs (it’s the original transmedia strategy, I guess – and reading the booklet helped figure things out). It also works to give the musicians a break during high-energy concerts. The story of Persona Grata takes the viewer back to the times of Louis XVII of France. The Count of Saint Germain – whom is never seen, but is voiced by famous voice-actor Tomokazu Seki [関 智一] – is a vampire masquerading as alchemist. He created the Émigré, a system to obtain energy from the blood of resurrected corpses. These corpses are a sort of sentient human “battery” who are allowed to meet their beloved ones once more before their final, eternal death. Émigré created an “ideal world” with infinite energy. Time passes and in the present day, the Émigré is working in Japan and being exported to America. The film opens with the Secretary of Energy in the USA killed, delves into the investigation, and culminates with a meeting between the President and the Count, after which the Count’s car is blown up.

After the first instalment of the film, KAMIJO came on stage along with the musicians – Meku (guitar), Yuki (drums) and Masashi (bass).

Setlist:

Intro: Sang-epilogue- (recorded)
    1. [New song]
    2. [New song]
    3. Nosferatu
    4. Emblem (recorded)
    5. Émigré
    6. Vampire Rock Star
    7. Ecstasy
    8. 闇夜のライオン [Yamiyo no lion]
    9. Delta -Interlude-
    10. Castrato
    11. [New song]
    12.The Star-Spangled banner (recorded)
    13. [New song]
    14. Eye of Providence
Encore
    15. BASTILLE
    16. 第四楽章 – Dying Table – [Dai shi gakushou – Dying Table –]
    17. Moulin Rouge
    18. 追憶のモナムール [Itsuoku no mon amour]
    19. Louis ~艶血のラヴィアンローズ~ [Louis, Enketsu no La Vie en Rose]
Ending + Eye of Providence (recorded)

I like KAMIJO because he is fun. He tries really hard to stay in character all the time, but he does not manage, and keeps slipping into being a goof ball. However, he is a great singer. Furthermore, I also like vampires, I’m not going to lie, and he makes for a very pretty one. One of the things I find hysterical is that he uses a goblet to drink at concerts, a member of the staff keeps it full of water all the time.

The Blitz show was pretty powerful and really good. There was something special about it, something magical. Artistically, KAMIJO showed everything he can do. He did not miss any cue, his voice never wavered, he never hesitated. Every line and twirl and drop were timed perfectly. He hit all his crazy highs and the husky lows, and did not have any issues with songs with completely different tempos back to back. He jumped, made the audience jump, made the musicians jump and fake-bit all the guitarists’ necks. During the emcee, he announced the final October tour, a “trilogy of singles” that would complete the Émigré story arc.

The audience struck me as pretty rather quiet, in comparison with the HYDE concerts I had just attended, where the crowd is a bit… overenthusiastic. In this case, everybody just clapped, but did not scream or speak.

Out of the new songs, I really liked Ecstasy, for which KAMIJO had practised his English a lot. Lyric-wise, I think Eye of Providence hit hard. Of the not-so-new songs, I absolutely adored Bastille. He sadly did not sing Mystery, but it probably did not fit the ongoing theme. Neither did Moulin Rouge, I think, but it is a staple of his. At the end of the nine-minute concert, he said that we all were a family, and coached us to hold hands and jump together with him and the musicians.

Night view of the venue, reading Mainabi Blitz Kamijo

After the concert finished, I headed back towards D****e’s place, and I had some dinner on the way. I must have. I don’t really remember…

Walked distance: 13515 steps / 9.66 km. I don’t believe this for a second, the watch is totally messing up between moving arms doing furutsuke, and walking.

1st September 2018: HYDE LIVE 2018 @ Odaiba, Strike 1 {Japan, summer 2018}

Posted on by

In the evening, the first concert of the HYDE LIVE 2018 tour took place in Odaiba [お台場]. Luckily, I was going to be able to attend three shows in a row. Since it was a Saturday, we decided to make “a day” out of the concert and headed towards the area. There was an offer going on, so buying ten Yurikamome tickets would be cheaper than going to the three concerts using the usual underground system, so we decided on those.

The concert was in Zepp Tokyo, next to Venus Fort. And what do you do before a concert? Queue. In Europe it is so you get in first, in Japan, since tickets are numbered, you do not do so. You queue to buy goods, because they sometimes run out – at least that’s how people justify it. Unfortunately, not all the announced goods were on sale yet, which was disappointing. At least we did not get a sunburn while waiting, as we were prepared for rain and thus carried an umbrella-turned-parasol against the merciless sun.

After we had bought our goods, D****e and I went to have lunch at the Venus Fort. We surveyed the places and ended up in a yakiniku place which was almost empty, and still had a long line of people waiting to get in. Things I’ll never understand. Food was good, though.

Yakiniku lunch – a dish of uncooked meat, the grill to cook it, rice, broth, and pickled vegetables

The concert was HYDE’s new solo project. After VAMPS disbanded a few months back, this was my first concert watching him. It was a strange situation, because the feelings were very bittersweet. It seems that HYDE has been trying hard to do damage control on the band break-up and has put a couple of singles out this summer, along a bit of a haphazardly-organised tour. He could probably not afford a show-less summer.

This time there was an opening act, progressive-rock band STARSET, who have a very distinctive style that I liked pretty much. The band itself is composed by four men: Dustin Bates (lead vocalist), Ron DeChant (bass), Brock Richards (lead guitar) and Adam Gilbert (drums). They were touring with two back-up members: Mariko M (cello) and Siobhán Cronin (violin). DeChant, Richards and Gilbert played their whole set wearing full-astronaut suits, and I have no idea how they did not die of heatstroke.

STARSET’s opening act took around 45 minutes. They were opening for HYDE as part of their promo in Japan – they actually collaborated with him for a re-recording of one of the band’s hits, Monster. At first, the audience had no clue about when and what to chorus, but it caught up quite quickly. When lead singer Bates managed to get the interaction he wanted, he visibly brightened up, which was cute.

Setlist:
1. Frequency
2. Carnivore
3. Gravity Of You
4. Telescope
5. Monster feat. HYDE
6. Ricochet
7. Bringing It Down
8. My Demons

After the STARSET show, there was a short intermission, and then not a countdown to zero but a “countup” to 666, which may have lasted about five minutes. In total, maybe about 20 minutes.

Setlist:
1. Fake Divine
2. After light
4. Out
5. Set in Stone
6. Don’t hold back
7. Zipang
8. Who’s gonna save us
9. 監獄ロック [Kangoku Rock]
10. Rise or Die
11. Lion
12. Two Face
13. Devil’s side
14. Midnight Celebration II
(pause)
15. Kiss of Death
16. Ahead
17. Rise up
18. Ordinary World (Duran Duran cover)

There was something weird in the show, something amiss that I was not able to put my finger on until later. It felt… incomplete. Disconnected. Zipang was like a power-ballad lacking power, there was something strange about Devil’s side, HYDE’s guitar was the most powerful one in Ahead. It took a while to put my thoughts in order to understand. On the one hand, it felt that HYDE had half an album ready, and filled the rest of the concert up with other songs that he owned the rights to. On the other hand, it felt that what was played was either not completely arranged or not rehearsed enough. It was not that the musicians were bad, they just felt… out of synch. Like… there was “noise” where there should be music, and each of them was playing a different tempo.

In contrast to the music, someone had put a lot of thought on the visuals. The stage was decorated with a cyberpunk background, with a lot of neon and LED lights. HYDE was also going with a mask theme. He used one when he came out to echo STARSET’s Monster, and he kept the mask on for the fist couple of his own songs, and all his supporting musicians wear them too, they don’t take them away. He also brought in a retractile throne that went to the centre of the stage and back, so he could appear from behind it, or sing sitting (or flopped) down. This show is about HYDE and HYDE alone – he wants to feel like “the only one” and have exchangeable musicians, it feels.

Among the new songs, my favourite was Out – the lyrics read something akin to “I’m not afraid of standing out. A hundred devils messing with my head again. I won’t pretend, I won’t back down, I’m not afraid of standing out”, and they resonated in a way usually only Yoshiki’s songs vibrate with me. I think I could have done without the VAMPS songs though, but I guess that without a whole ready album, HYDE sang whatever he owned rights to.

Also, I think I bought too many goods: a python necklace, gummies and gaccha.

Hyde's tour truck

After the concert, we just went home to get some rest.

25th August 2018: Niigata + Otohige {Japan, summer 2018}

Posted on by

D****e and I went to Niigata [新潟] to attend Otohige, a summer music festival.

I took in a few things:

  • Golden Bomber are fun (well, this I knew already). Sho got hit for real a couple of times
  • Wagakki Band are fun too. I have given them money
  • I can’t go to arena moshpit without anything to hold on. Too painful.
  • Being on third row for HYDE should be amazing but it sucks if you can’t see HYDE and all your body hurts due to pushing and shoving.
  • I shall avoid macro festivals that do not have seats. If there are seats and arena, I will stay at the seats
  • Japan summer rain when everything hurts is not nice.
  • Painkillers and yummy yakiniku can make things better. Eventually.

This was not such a great experience for me as going into the pit turned out to be a good decision, causing a flare. I’ve decided to avoid festivals from now on.

1st (and 2nd) August 2017: Running out of time! {Japan, summer 2017}

Posted on by

This was my last day and I had to make the most of it! First I went to Shibakoen [芝公園] and Tokyo Tower [東京タワー], because that always keeps the sadness at bay. I went up the tower and I finally gave in and bought the stamp rally booklet. I should have done it before. The Tower was being visited by a primary school class. Ho boy.

Then I went to Iidabashi [飯田橋] using the Shibakoen subway station. The day before I had hired a private lesson to have a teacher explain Japanese conditionals to me. That was very productive. Finally I was off to Shinjuku [新宿] for yakitori and karaoke with B**** and D****e to say goodbye for now.

Finally, I half-packed because I apparently forgot half of my stuff atover there, and went to bed. At 2:02 in the morning there was the only noticeable quake of the trip, quite a big one. In the morning, I headed off to Narita Airport, checked-in my luggage, and once again, it was time to go back to reality.

10th July 2017: Smooth arrival {Japan, summer 2017}

Posted on by

And that was a first. We were on time even if we had taken off slightly late and I was downtown Tokyo at noon. Japan is ‘trying’ to make arrival more friendly and now your fingertips are taken by someone who is not security, but it’s still the same process – you arrive, they take your fingerprints, take a photo of you (without glasses) and then you go through immigration. Then you pick up the luggage and go through customs, where they may or may not open your suitcase. This time, I did not get mine open, even if I had a perfect answer for why I was there.

I had lunch with D****e, then went to her place to have a shower and change clothes and then met up with B**** for ice cream, because I was back in Japan in melting hot weather. And then I met up with D****e as I had borrowed her keys, went back home, had some dinner and crashed.

3rd January 2017: Seven Lucky Gods, and a ship, Pilgrimage {Japan, winter 16/17}

Posted on by

As part of the shrine and temple visiting on the first days of the year there is the chance to do a “small” peregrination around several of them for luck – the whole thing is called the Shichifukujin Meguri [七福神 めぐり]. Together with D****e and Sh-san I set off to visit the Seven Lucky Gods of Minato-ku in their respective shrines and temples. Oh, and their ship.

The Seven Gods of Fortune or the Seven Lucky Gods, Shichifukujin [七福神, ] are a group of deities from different origin (India, China, and Japan itself). It is said that on New Year’s Eve the seven gods touch port in their treasure ship Takarabune [宝船] to bestow happiness to humans. The Seven are worshipped in a group, and there are a few temples that enshrine all ofthem together. However, in Minato-ku the Gods and their ship are scattered amongst a seven shrines and one temple. Visiting the Seven Gods of luck will bring you luck for the year (you can read all about the Seven Lucky Gods over at Buddhism & Shintōism In Japan A-To-Z Photo Dictionary Of Japanese Religious Sculpture & Art).

The Gods and Shrines/Temples in the order we visited them are:

  1. Benzaiten at Honjō-in [本成院]. Benzaiten [弁才天 / 弁財天] is the Goddess of the Arts and her virtue is Amiability. She is originally from India.

  2. Ebisu at Kumano Jinja [熊野神社]. Ebisu [恵比寿] is the God of the Ocean and his virtue is Fairness. He is originally from Japan.

  3. The Takarabume [十番稲荷神社] at Juban Inari Jinja. The ship carries all the attributes belonging to the Gods, and it is where they come to bring happiness.

  4. Daikokuten at Daioji [大雄寺]. Daikokuten [大黒天] is the god of the Earth and his vortue is Fortune. He originated in India.

  5. Bishamonten at Hikawa Jinja [氷川神社]. Bishamonten [毘沙門天] is the God of Treasure, and his virtue is Dignity. He comes from India.

  6. Jurōjin at Sakurada Jinja [櫻田神社]. Jurōjin [寿老人] is the god of Wisdom and his virtue is Longevity. Originally, he comes from China.

  7. Fukurokuju at Tenso Jinja [天祖神社]. Fukurokuju [福禄寿] is the god of Wealth and his virtue is Popularity. He originally comes from China.

  8. Hotei at Hisakuni Jinja [久國神社]. Hotei [布袋] is the God of Contentment and his virtue is Magnanimity.

In-between the gods, we had lunch at a very good yakiniku place in Roppongi [六本木].

12th August 2014: Yokohama & friends {Japan, summer 2014}

Posted on by

We headed off to Yokohama [横浜] to visit Chinatown.

Our goal was an early lunch and then a division of forces – either temples or Panda shops. I was on Team Temple, as nobody will be surprised to hear – Kwan Tai [関帝廟] and Kanteibyō / Kuan Ti Miao [関帝廟 / 中華会館].

Then we walked around the seaside park, Yamashita Koen [山下公園] and looked at the bay.

After a visit to (yet another) Book Off stop, we headed back to Tokyo [東京], where we had arranged to meet a few Japanese friends in Shibuya [渋谷].

The first plan of the afternoon was meeting at Hachiko’s sculpture in Shibuya, because that is what you do when you meet in Shibuya. Then we headed to Bic Camera to check out the special promo that they had running on the 4K audiovisual set. The promo featured the trailer of the L’Arc~en~Ciel’s concert at the National Stadium earlier in 2014, which will be released in October.

One of our friends had to work that afternoon, but as this was the only day we could see the three of them before they went home for Obon, we decided to surprise her and drop by the cafe she works at to keep her company. This was the day when I discover that Japanese people actually flop on the floor when they are surprised, for real.

The Mr. Happy cafe is located in Shibuya and is something akin a non-profit which is affiliated to a children’s character. We had amazing milk shakes and mini smiling sponge cakes (lemon and caramel) and took pictures of them, of course. As we were leaving, our friend presented us with a mini box of berry sponge cakes per person! They were very kawaii and delicious, too.

For dinner we went for yakiniku again, although this time it was something quite more posh / expensive. We ate a lot, but I felt that there was too much smoke to be completely comfortable there.

11th August 2014: Microwaved bread is a thing {Japan, summer 2014}

Posted on by

The day started started late due to jet-lag and and on and off night and once again we set off to try and of a tea ceremony in Ginza [銀座]. However, for the second time it did not work out, due to the hotel we had selected had stopped doing it for the summer. Not fun.

We headed out for a late lunch and ended up at a place that tried to be a weird version of a British pub, called “The Ginza Lion” which had some nice set dishes that came with a choice of bread or rice. We both chose bread and we received a baguette piece with butter. Amusingly enough, the bread had been… microwaved. Not toasted but microwaved. I am guilty if having microwaved bread before when I was trying to defrost it. Jokes ensued, and I was there to write a blog post on why microwaved bread is a thing. It is, of course. Will mark trend, I am sure.

Afterwards we headed off to Harajuku [原宿] to cavort idol shops, which are always fun. However, there was an unusual crowd due to the release of Kanjani8 stuff, and some of the shops were too crowded to browse in peace.

From Harajuku we walked down to Shibuya [渋谷] for a couple of hours of karaoke (NEWS version of Weeeek is easier once you have gotten used to the GreeeN one, too). Then we went to The One Hundred Yen Yakiniku to eat barbecued meat and veggies and called it a day.

29th June 2013: Tea Ceremony and Nakano Broadway {Japan, summer 2013}

Posted on by

We attended a tea ceremony in the New Otani Hotel, a small event for tourists that was really nice on the geeky traditional kind of way. The lady was very friendly and did her best to be understood in English, so I did not feel off at any point – only sore as my hip seems out to kill me lately XD”

Later on there was Nakano Broadway [中野ブロードウェイ], where lots of money was spent, and Shibuya [渋谷] yakiniku and karaoke, although I was so tired that reading was kind of impossible XD”