5th July 2025: Cheese, archaeology, pancakes (Madrid, Spain)

I am not completely sure how the conversation came up. My sibling said something about cheese tastings. I mentioned something about knowing about a shop in Madrid which organised them. Next thing I knew, I had been tasked with planning an escapade to try. However, closing on dates is not something my family is fast at doing, so by the time my sibling confirmed, the June date we wanted was sold out and I had to book for July.

The final date was Saturday the 5th of July at 13:00. The evening before, there was an explosion and fire in a factory in an area alongside both the speedway and the railway lines, and that forced me to reevaluate transportation – the warehouse worked with lithium batteries, which burn for a very long time. In the end, I decided to try for an early train, with a plan B to drive to a station halfway and meet my sibling there. While you could see the smoke from the wagon, there was no weird smell or anything and the train ran smoothly for once. Maybe we were five minutes late to Madrid? Funny, when I was warned at the station that there were delays. I had planned an extra activity in case we were early.

There was also Pride to take into account, as it was the main Parade, and that causes a cascade of station closures, including Recoletos, the station we had to go to. That would only be an issue to consider when we had to go back though, since they started at 18:00. We could always get the underground and find our way to Atocha.

We started off at the Museum of the National Library Museo de la Biblioteca Nacional. I had seen the museum already, but I had read that there was a temporal exhibit. However, we were unable to find it – it’s been apparently “temporarily closed”. It worked to pass the time out of the heat though. We were done at 12:30 – a bit too early to directly go to the store, but too late to try to see anything else. We decided to walk towards the shop, and we missed it at first, but we soon backtracked and walked into… a literal fridge.

Formaje (an old-fashioned Spanish word for cheese) is a specialised / delicatessen cheese shop. Created in 2020, it aims to “create community around artisan cheese”. They work with farmers, craftspeople, and traditional cheesemakers to distribute environmentally-conscious cheeses from producers who respect the natural processes, the landscape and of course the product. The store is designed to be a warehouse too, so it is… cold. Good thing I was carrying a jacket.

Formaje Castelló: Shop. A cheese shop full of pieces and whole cheeses

We waited in the shop, trying not to obstruct the customers, and gawked at all the types of cheese in display, all of which could be bought, and tasted beforehand! We saw some regulars who had their thermal bags ready for their shopping and debated getting a cheese subscription, and people wandering in out of curiosity. Around 12:55 a lady came to check us in. I was the closest to her, so I was able to take a picture of the whole set up and find a seat closest to the speaker. I have way too many attention issues not to want to be close to someone who is going to do some explaining I care about.

The tasting Cata de Quesos Edición Primavera involved fresh sourdough bread, butter, seven types of cheese, sweet quince paste, red and white wine, and “ice cider”. I am not a fan of alcohol in general, but the ice cider was magnificent. I am not going to gush about how all the cheeses were delicious. Assume I loved them.

Formaje Castelló: Cheese tasting. Long table and a tray full of sourdough bread

To begin with, there was real butter from the farm Airas Moniz in Chantada (Lugo, Spain). Made from the raw milk of Jersey cows grass-fed in the north of Spain, it was fresh, yellow, creamy and salted, and the bread was delicious. The first cheese was Olavidia (from Jaén, Spain), made from goat milk. It had a small layer of smoked wood halfway through. Even if I don’t care much about “the proper order you should eat things in”, I discovered that goat-milk cheese is supposed to be a “soft-tasting” cheese, I have always found it pretty strong. The cheeses were organised from softer to stronger, which apparently is how you should consume them.

The second cheese was a Camembert (protected designation of origin, AOP from its French acronym) from the region of Normandie, France; it was creamy, made from raw cow milk, with a slight moulded rind (with Penicillium camemberti) which protects the inner creaminess.

Then came a Manchego (protected designation of origin, DOP from the Spanish acronym), made with raw sheep milk. It originated in a farm called Finca Valdivieso (Alcázar de San Juan, Ciudad Real). In my opinion this one was the weakest cheese, as I am a fan of older Manchego and this was less than a year old, though still nice.

Number four was a cheese I had not heard about before, Tronchón (from cheesemaker Los Corrales, Almedíjar, Castellón). Tronchón is generally made from raw sheep milk, though sometimes it might be made with goat milk or a mix of both. The one we tried was made from goat milk. The rind is dark and unappealing on sight, but it was nice enough. Despite my ignorance, this cheese is old enough that it was mentioned in Cervantes’ Don Quijote.

Another discovery was the German Blossom Hornkäse. Hornkäse comes from the Bavarian region of Allgäu. The cows that provide the milk are fed with local grass and they don’t have their horns cut (Did you know that a cow’s horns are connected to her throat and they are part of the digestion process?). The cheese is made in wood recipients using only wooden tools. This version comes with a crust of dry flowers which makes it… just amazing.

Sierra Sur was… the icky one. It smelled like literal stable – and not a clean one. It is made with raw goat milk and you have to fight yourself a little bit to take a bite of the rind. It is a seasonal cheese, which I wouldn’t be able to say whether it has gone bad… It did look like it had gone bad… But it was nice enough, if you could ignore the smell. Not something I would buy on my own though.

The last cheese, Savel, came from Chantada – like the butter at the beginning. It is made from raw cow milk, from Jersey cows, injected with Penicillium roqueforti. This was extremely strong, but really good, especially with the bread, and the ice cider called Bizi-Goxo. Though this one brand comes from the north of Spain and is made from Errezile apples, ice cider originally comes from Canada. To produce this particular spirit, the apple is kept through the winter on straw mats, and it does not rot. The resulting drink is stronger and sweeter than a regular cider.

Formaje Castelló: Cheese tasting. Seven small pieces of cheese perfectly aligned on a tray

We spent some time chatting with the lady who had given the explanations, then went on our way. We walked to the archaeological museum Museo Arqueológico Nacional, where they were running two temporal exhibitions. One was a personal-turned-public collection of Egyptian Artifacts called El Egipto de Eduard Toda. Un viaje al coleccionismo del siglo XIX (Eduard Toda’s Egypt: A trip to collecting in the 19th century). Eduard Toda i Güell (1855 – 1941) was the Spanish Vice-Consul in Egypt for a couple of years, during which he amassed a rather impressive collection of artefacts, which he eventually donated to public institutions. The bulk of what he owned is now held in the archaeological museum as part of both the permanent collection and the archives. He had antiques, carbon copies of reliefs, photographies and a hefty number of fakes – apparently, knowing they were so.

Treasures from an Egyptian tomb

The second temporal exhibition we wanted to see was Alas para la guerra. Aratis y la Celtiberia: Wings for war, Aratis (a town, now an archaeological site) and Celtiberia. This one focuses on the Celtiberian culture and how it warred, using soldier helmets as a storyline. These particular helmets have a convoluted history – it turns out that between the early 1980s and 2013, someone used metal detectors to find artefacts from the ancient town and sell them out. This “gang” found and illegally auctioned up to 6,000 artefacts, including twenty helmets which had been forged between the 5th and 2nd century BCE. The archaeological site of Aratis, now called Aranda del Moncayo, would have been probably the most important Celtiberian site after Numancia if these guys had not systematically destroyed it.

The Aratis helmets are the most complete items of their kind that have ever been found. They were not really used for war, but were part of funerary treasures. Truth be told, Germany sounded the alert at some point around 2008 about the legality of the auctions, but the Spanish government did not stop them. Seven of the helmets were returned to Spain in 2018 thanks to the European buyers who learnt that they had been illegally exported, and 11 more have been located. The seven helmets are deposited now in the Museum of Saragossa, but that one is currently closed due to construction work (scattering some of its collections to be shown elsewhere), so they have been lent to the Archaeological Museum.

Celtiberian helmets with decorations on the sides

The exhibition also holds other weapons, parts of armours, and Celtiberian artefacts such as coins and brooches. I had seen some of the messed up spears in the museum in Tiermes, which makes sense, considering it also held Celtiberian items.

Afterwards, I finally (finally!) managed to find the reproduction of the Altamira Caves Neocueva de Altamira open! It just had not worked any other time I had been in the museum for the last ten years, and I had seen it once when I was really young, and something similar in the museum on site a lifetime ago. It was smaller than the one I remember from both times… And it makes me sad that I will never be able to see the real thing, because there’s a waiting list you can’t even get into any more, and only 50 people per year see the actual cave…

Reproduction of the Altamira Cave, with bisons, horses and bulls painted on the ceiling.

My sibling was not ready to go home just yet, so I thought they might like a stop at Kawaii Café before we turned in. We could take the underground and in under a change and 30 minutes – since I had been there just a couple of days before, I remembered the underground station. I was not sure whether there would be a queue to enter or not, but we were lucky. We alighted at Tirso de Molina and went into the café without problem – it was half empty at the time, around 16:30. They really wanted to order something cute – which is not hard. In the end, they chose teddy-bear-shaped pancakes with chocolate spread Ositos rellenos de Nutella, with chocolate syrup, whipped cream and banana slices. This time I went for a matcha frappé.

Two drinks with cute rabbits drawn on top, and pancakes decorated to look like teddy bears

Afterwards, we walked down to Atocha Station down one of the shopping streets. We made a few stops, and reached the station just before the Pride Parade blocked the streets. There, we settled to wait for a train. On the way back, the factory that had had the accident was still smoking, but the dark cloud seemed weaker. However, I never thought I would have to consider “lithium explosion” in my adventure planning, to be honest…

19th December 2024: Themed visits at Madrid’s Museo Arqueológico Nacional (Spain)

There have been a lot of witches dripping into mainstream pop culture these last couple of months, what with Disney + / Marvel’s Agatha all Along and (half of) the musical Wicked released as a film. So when I read that the National Museum of Archaeology was running a special guided visit to the exhibition “Between Chaos and Cosmos: Nature in Ancient Greece” Entre Caos y Cosmos. Naturaleza en la Antigua Grecia and part of the permanent exhibition called “Nature, Magic and Witchcraft” Naturaleza, magia y brujería I thought “hey, the Heritage people are catching up with the times!” That day there actually were two guided visits, and the second one was centred around the sculpture Il Pugilatore. One was at 12:00, and the other one at 17:00, so they could be combined – hey, they were free, I just had to find something to do in-between.

Thus, I booked both visits and headed out to Madrid. I got to the archaeological museum Museo Arqueológico Nacional with ample time due to my distrust of trains. As I have the museum card, I decided to just walk in and wait for the time safe from the cold and the rain – and since it had just opened, from the crowds too. Though the ticket said to wait at the meeting point, the museum staff directed me somewhere else, and that is where I sat to wait ten minutes before the starting time. Apparently, a bunch of people did not get the information so when the time came we were few… and promptly joined by about half of the group once we had started.

The first visit was “Nature, Magic and Witchcraft” Naturaleza, magia y brujería. It started at the exhibition Entre Caos y Cosmos. Naturaleza en la Antigua Grecia – “Between Chaos and Cosmos. Nature in Ancient Greece”. As we walked in, the staff scanned a ticket and gave it to us.

The guide made a small introduction to Greek mythology with an emphasis on pre-Olympian “Chaos”. He mostly spoke about hybrids, such as satyrs or harpies, psychopomps (creatures that take souls to the afterlife after death), like Echidna, Cerberus, and the sirens. He also seemed to like the deity Achelous a lot. Achelous [Ἀχελώϊος] was the personification of one of the Greek rivers, a son to the Titans Tethys and Oceanus, and father of the sirens. He was able to shape-shift and would often be represented with small horns as he could turn in to a bull.

Regarding witchcraft, there is a small room in the exhibit about it, and the guide pointed out the concept of sisterhood, and some of the small artefacts and glass carafes. He mentioned the figure of Medea as the greatest witch in Greek mythology. That surprised me, because I had never associated her primarily with magic – I knew her from the Jason and the Argonauts myth, in which she originally helped Jason find the Golden Fleece, but she eventually killed the children they had together when Jason dumped her. Glad to know there was more from her than just being a “crazy lady”.

Afterwards, we moved onto the permanent exhibition. Unfortunately, the tickets we had been issued would not work any more because… reasons. Apparently, they could only be scanned once, and they had already been scanned at the exhibition. However, the person guarding the gates would not let us through without having a ticket beep – despite being with a member of the museum. It was solved quite quickly, but it gave off the feeling of everything being very disorganised.

In the permanent exhibition we mostly saw Talayotic and Iberian talismans and jewellery, then we moved onto the Roman area, where he mentioned the laws regulating the Augurs (people predicting the future), and some small curse tablets that the Romans slipped into each other houses when they were vexed – curses. All in all, the visit did not feel very on topic, just a number of objects vaguely connected together by a weak narrative. And witchcraft was the weakest topic, so it seems that the heritage people have not really caught up with the times. Oh, well.

Artefacts from Naturaleza Magia y Brujería MAN

Before I left the archaeological museum, I dropped by the new “archaeological news” room (Sala de Novedades Arqueológicas). Currently, it holds the exhibit Rostros del Turuñuelo. Los relieves de Casas del Turuñuelo. Guareña, Badajoz – a name larger than the exhibit itself: “The Turuñuelo faces. The reliefs from Casas del Turuñuelo, Guareña, Badajoz”. The Turuñuelo, or Casas del Turuñuelo, archaeological site corresponds to the Tartessian culture – a mix of Palaeohispanic and Phoenician traits which flourished in the south and east of modern Spain (and a bit of Portugal) between the 11th and 5th centuries BCE.

The exhibit is a collection of five faces dating from the late period, found within the ruins of a two-storied building. It seems that the building and everything within were destroyed, set on fire, and buried intentionally. It is possible that the faces found belong to sculptures that can be recovered amongst all that material. The faces, discovered in April 2023, are the first and only human representations associated to the Tartessian culture.

The faces from Turuñuelo

After the visit, I went to have lunch. There is this place I have wanted to visit for a while and it has never panned out. I would have actually wanted to have breakfast there, but whatever – this was doable and convenient. Located near the French Institute, it is a crêperie called Prep’ La Crêpe – it would make sense to think they’re French, but in reality they belong to an English franchise. I ordered a basil crêpe classique (melted cheese, mozzarella, tomato, basil and Mediterranean sauce), a Kick-start smoothie (orange, carrot and ginger), and a Belgian (black) chocolate crêpe sucrée for dessert. All in all, it scratched an itch that I had had for a long time, and it was not bad. A bit on the pricey side, I’d say, but what is not expensive these days?

Prep' la Crêpe lunch

Afterwards, I still had a bit of time so I decided to go into the National Library Biblioteca Nacional de España, where they had transformed the book museum into something called “Hell and Marvels” El Infierno y las Maravillas, which runs through the history of printing and knowledge (marvels), then the history of book banning (hell). The exhibition continues with thoughts on how information is preserved, in books and other formats. Finally, the museum is hosting two special exhibits, one around the writer Gonzalo Torrente Ballester Gonzalo Torrente Ballester, la travesía de un creador, and a collection of historical documents belonging a noble family El archivo del Conde de Orgaz. Una ventana a la historia. The archive was really interesting, with a lot of privileges given to the family by successive kings of Spain. The former count was a member of the Friends of the Library, and the exhibition is a homage to him, aside from showing documents dating back from as far as 1220.

Hell and Marvels, National Library

I then went back to the archaeological museum Museo Arqueológico Nacional for the second visit, with another long title Il Pugilatore y la escultura monumental en el Mediterráneo Occidental Antiguo: Cerdeña, Baleares y la Península Ibérica “The Boxer and monumental sculptures in the ancient Western Mediterranean Sea”. The sculpture Il Pugilatore, one of of the Nuragic giants found in the Mont’e Prama archaeological site in Sardinia, Italy. This ambassador giant, who travels the world to introduce people to his culture, is called Manneddu, and he is the statue in best conditions. He would have had a glove in his hand, and a dagger pointing forward, and his chest would have been painted red.

Il Pugilatore

The guide explained that these sculptures – archers, warriors, wrestlers and boxers – were supposed to be armed, but no weapons from either the period or the culture have ever been found. The giants were found, purposely moved and destroyed, in a necropolis for young men. The sculpture also had “little brothers” with the same poses, made in bronze, which have been preserved. That is how the archaeologists know the different weapons and stances they had. The giants are considered the first monumental anthropomorphic sculptures in the coasts of the western Mediterranean Sea, and the only ones in Sardinia.

We also heard about the similarities between the Nuragic towers, which were used for water management and as meeting points, and Talayotic ones in the Balearic Islands. Then, the guide ended up talking about the bronze bull heads that represent Talayotic cultures, and insinuating that they might have been brought from somewhere else…

Talayotic bull heads

The visit ended there. I then wandered around the museum for a little longer, then checked the Christmas market – and a classical merry-go-round similar to what I rode the previous week. Since it was dark already, the lights were on, but it was raining on and off, so the weather was not nice enough to wander around for long. Thus, I headed to the train to get home.

Classic Merry-go-round in a winter night

12th & 13th February 2023. The Epic Apocalypse Tour in Madrid (Spain)

The year 2020 was going to be so amazing that I actually would have had to choose the things I wanted to do and sacrifice others. It didn’t turn out that great in the end, with lots of rescheduling and cancellations. I was eventually able to budget time and money for one of those rescheduled events – the joint concert by the metal bands Epica and Apocalyptica in their Epic Apocalypse Tour. For a while, however, there was a bit of uncertainty with dates, as they bounced between Sunday 12th and Monday 13th of February, so I needed to juggle work dates in order to make sure I’d be free on Monday. In the end, I was all clear, all the concert-related activities were set for Sunday evening, and I decided to make a two-day trip out of it – I needed to take a hotel for Sunday anyway.

I arrived in Madrid around 9:30 in the morning. I had some time before my first appointment so I walked into one of the large parks of the city Parque del Buen Retiro, which is part of the Unesco World Heritage Site Paisaje de la Luz (Light Landscape), officially called Paseo del Prado y el Buen Retiro, paisaje de las artes y las ciencias, declared in 2021.

Parque del Buen Retiro was built in the 17th century for one of Felipe IV’s palaces, and it was opened in the late 18th century as public park. The park was almost destroyed during the war against Napoleon’s troops in the early 19th century, so most of it has been rebuilt. Aside from the obvious flora, it features sculptures, fountains, buildings… It is home to a lot of birds, and unfortunately a large number of invasive and fearless monk parakeets (Myiopsitta monachus), whose culling has been controversial in recent years. I got to see common blackbirds (Turdus merula), a European green woodpecker (Picus viridis) and a European robin (Erithacus rubecula).

One of the most important features of the park is the sculpture Monumento al Ángel Caído, which represents an angel falling from grace. It was originally designed by Ricardo Bellber, who made it in plaster in 1877. It was later cast in bronze and the original plaster destroyed, and eventually the sculpture was made into a part of a fountain in 1885. Around the area, there is also an ancient water mill, and to my surprise, the almond trees (Prunus amygdalus) had started blossoming.

Retiro Park collage: a pathway with trees and bushes on both sides, ducks, and a robin.

Retiro Park collage: a water mill, blossoming almond trees, and the fallen angel fountain

At 10:15 I had a guided visit to the Real Observatorio de Madrid (ROM), commissioned around 1785 by Carlos III, as an centre to develop and study astronomy, geodesy, geophysics and cartography. The main building is the astronomical observatory, built by Juan de Villanueva in what then was the outskirts of the city. Today, ROM belongs to the National Geographical Institute (IGN), and it is home to the National Astronomical Observatory, the Central Geophysics Observatory, and the data gathering division of the National Volcanic Service, though no measurements are taken there. The main astronomy measurements are carried out in the Centro Astronómico de Yebes, in a town around 80 km north-west of Madrid. The observatory is also part of the Unesco World Heritage Site.

The visit comprises three stops. The first one is the main building, called Edificio Villanueva, which has three rooms – the main rotunda with a Foucault pendulum, the library, with the spot where gravity was first measured in Spain, and the “Time room”, where the sun used to be traced to determine the hour.

ROM collage. A small Neoclassical building, an inner room with a pendulum and telescopes, a telescope and a 19th century library.

The second stop is the Great Telescope, a replica of one that William Herschel built in the 18th century – Hershchel was one of the greatest telescope makers of the time, and is credited with discovering the planet Uranus, two of its moons, and two moons of Saturn. The telescope was destroyed during the war against the French, but later rebuilt thanks to the number of laminates that had been preserved – the original had a focal distance of 7.6 m and a 61-cm diameter mirror (which is displayed in the main building), and Herschel himself considered it the best he ever built.

Herschel grand telescope: a wooden scaffolding structure keeping a huge black tube pointing at the stas

The final stop, the little museum of “Earth and Universe Sciences” has a small collection of ancient instruments used for astronomy, navigation, and geophysics. There are also a couple of seismographs – one of them new, which is up and running – and material retrieved from the volcanic eruptions of El Hierro in 2011 and La Palma in 2021.

Collage. Ancient telescope, old tide measuring device, an old globe, and lava bombs

I had planned for a typical sandwich at an iconic bar afterwards, but I ran into a political demonstration. Thus, I scratched that idea and took the underground westwards. When I was in Egypt, one of the places I visited was Lake Nasser, created by the Aswan High dam. The lake swallowed a lot of villages and monuments, but a few of them, such as Abu Simbel and the Temple of Philae were saved by Unesco. Between 1960 and 1980, a total of 24 monuments were saved, and five out of these were presented as “grants-in-return” to five countries which had offered exceptional technical and financial assistance to the campaign – Germany, Italy, Netherlands, the United States and Spain, the latter being impressive as Spain was in the middle of the dictatorship, and pretty shunned by the international community at the time.

The monument was a small and ruined temple in the now-flooded town of Debod, to which it owns its name Templo de Debod (Temple of Debod). Dedicated to the god Amun, it was built around the location of the First Cataract of the Nile, some 15 km south of Aswan, about 2200 years ago, though the core of the building may have been older. The monument was actually affected by the original dam at the beginning of the 20th century, and it was covered in water for most of the year, which destroyed its colours and damaged the reliefs.

During the Unesco salvage mission, it was dismantled, and eventually granted and taken to Spain, and “freely” reconstructed – a lot of information had been lost, and there were missing blocks. National stone was used to fill in the gaps, and the gates (remains of the pylons) were built in the wrong order, according to some old pictures. The restorers built an air-conditioning system, a wooden roof, and the main hall was closed off with a glass door and window panes. Today, the temple is open to the public at weekends, but unprotected from the Spanish weather – rather different from the Egyptian one – and pollution, it is rapidly deteriorating.

I went inside the temple once when I was a child, and I had a clear memory of it that kept surfacing when I was in Egypt – so I wanted to go back. The entry is free, but capacity is reduced, so I had to queue for almost an hour to enter. I finally matched my memory to reality. The interior of the sanctuary has a small chapel and some carved stones had been taken to a makeshift second floor to display them as a little museum.

A collage of a small Egyptian temple - it has two floating gates that lead up to the main building, which is small with four columns. One picture shows a tiny and dark inside room with an altar.

After the temple, I got lunch on the go, then walked towards the hotel to check in and change clothes. Around 16:15, I set off to La Riviera for the concert. I had a Meet and Greet ticket and had to be there before 17:00. Personnel from the venue were extremely nice, and there was no chaos at all, even if things had been a little disorganised and some fans were lacking M&G confirmation emails. Everything was well-handed and everyone who had paid for an upgrade got through. There were about 30 people to meet and greet Epica and we were ten for Apocalyptica.

Apocalyptica is a Finnish four-man band – Eicca Toppinen, Perttu Kivilaakso, Paavo Lötjönen and Mikko Sirén – founded in 1993. They are “semi-officially” a symphonic metal band, but they’ve ventured into everything from Metallica covers (which was their origin) to pure classical works. They have a very specific style heavily using classical cellos and combining them with modern drums. They currently collaborate with American – self-identified as Cuban in the concert – singer Franky Perez for vocals.

Meeting the four of them was really fun. I got autographs and took the most epic picture I’ve ever taken with a band or artist before. As we were only ten, after it was over, I had time to buy some merchandising and still be the second person to settle on first row – despite having decided that I was going to sit back and relax.

Apocalyptica white and black poster, signed by the four members

General admission started at 18:00, and the crowd was surprisingly tame throughout the whole thing. The venue filled up and the supporting band, Wheel, came up at 18:30. Wheel is a Finnish progressive metal band that consists of James Lascelles (Vocals/Guitar), Santeri Saksala (Drums), Aki ‘Conan’ Virta (Bass) and Jussi Turunen (Lead Guitar).

Wheel Setlist

  1. Hyperion
  2. Blood drinker
  3. Movement
  4. Vultures
  5. Wheel

Wheel playing, each member at his insturment: bass, guitar, singer and drummer

The second band was Epica, which I remember having listening to back when the world was young. They are a Dutch symphonic metal band currently composed by Simone Simons (lead vocals), Mark Jansen (rhythm guitar, vocals), Coen Janssen (keyboards, synthesizer), Ariën van Weesenbeek (drums), Isaac Delahaye (lead guitar) and Rob van der Loo (bass). Simone can go insanely high with her voice, and she has an amazing presence on stage, and the whole band has an immense amount of energy – she also reminded me of a comic character. The keyboardist had a lot of personality too, and he was extremely fun.

Epica Setlist

  1. Abyss of Time – Countdown to Singularity (recording)
  2. The essence of silence
  3. Victims of contingency
  4. Unleashed
  5. The final lullaby
  6. The obsessive devotion
  7. The skeleton key
  8. Rivers
  9. Code of life
  10. Cry for the moon
  11. Beyond the Matrix
  12. Consign to oblivion

Collage of Epica playing, showing different members at their choice of insturment - singer, bassist, guitarist, and keyboardist with a portable keyboard

Finally Apocalyptica came on stage, and it was extremely fun. The things those guys do to their classical cellos would make some classical musicians cry, but the sound is super-powerful. We had Franky Perez for vocals, and a very fun moment regarding “listen to our classical music album at home, because we still feel like death metal”. They interacted a lot with the public, and it felt somehow very friendly / warm – yes, I’m talking about metal here. It was really that fantastically weird.

Apocalyptica Setlist

  1. Ashes of the Modern World
  2. Grace
  3. I’m not Jesus
  4. Not strong enough
  5. Rise
  6. En route to mayhem
  7. Shadowmaker
  8. I don’t care
  9. Nothing else matters
  10. Inquisition Symphony
  11. Seek & Destroy
  12. Farewell
  13. In the Hall of the Mountain King

Apocalyptica playing with Franky Perez. Perez is in the foreground, dressed in black. The thee cello-playing members are in the frame, playing. The drums peek behind them, but you can't spot the drummer

Apocalyptica playing at La Riviera. They have classical cellos. Two of the members stand on the sides, playing their cellos. Another one is walking swinging his as if it weighed nothing, The final one is slamming drums in the background.

We finished off just short of 23:00, I bought off some fast food for dinner, and headed back to the hotel to have a shower and get some sleep. I was woken up early in the morning due to the cleaning crew and the garbage mini-vans noises, but I did not leave bed until 9:00, then set off at 9:30. I bought some cold coffee on the way and walked into the former royal palace gardens, now public park Jardines del Campo del Moro.

Though I’d seen the gardens a few times before, this was the first time I actually walked into them. Despite the frost covering everything, I got a nice view of the palace and different fountains and buildings sprinkled throughout the green – Chalet de Corcho, is a small hut with coloured windows; and Chalecito de la Reina a wooden house that is currently closed. I was insanely amused by a little grass-cutting robot.

Jardines del Campo del Moro. Collage. It's winter and most trees are grey and bare. At the end of the walkway stands the Neoclassical Royal Palace. Two smaller buildings - one of them is white with brown beams, reminscing of German architecture; another one is a small kiosk with colourful windows - red, green...

I wandered around for an hour or so, then headed off via underground to the National library of Spain Biblioteca Nacional de España for the absolutely worst guided visit of my life. Like… it’s true that it’s free, but tickets run out within hours of coming out – on the 20th of the month, for the following month. I’d actually been trying to do this since Covid lockdowns ended… It turns out, we did not see any real books, we could not even peer into the reading area, the book and reading museum is closed and the only information we got was… that the guide did not like the Library. We did not get to see anything interesting or that we could not see on our own, and we did not get to learn anything, so this was a huge blunder. Live and learn – but it was one of the few things that was open on a Monday. The library is a huge Neoclassical building with a fantastic marble staircase inside. The doors and gates are protected by intrincate ironwork fences.

Biblioteca Nacional de España. A Neoclassical building in white and grey tones. The exterior has columns and statues of writers. The interior showcases a pair of twin staircases with the statue of one of the most important library directors between both.

I met with family for a quick lunch and then we went for a walk. We had thought about going to one of the terraces to see the cityscape, but it was closed because it was a Monday. We ended up at the Parque del Retiro park again to make some time and walk. We sat in the sun for a while, then went to see the Palacio de Velázquez there. Currently, it’s part of the modern art museum Museo de Arte Reina Sofía, and I did not really care much about the exhibits, but I like the building. Architect Ricardo Velázquez Bosco built it in brick (with ceramic tiles by Daniel Zuloaga) for the Mining Exhibit in 1883, inspired by London’s Crystal Palace, now gone. The interior is pristine white with hints of iron architecture, but the building’s official style is “neorenaissance historicism” whatever that means.

Palacio de Velazquez: A brick building with large windows and tile decoration. The inside is all white with bits of iron architecture.

Velázquez Bosco and Zuloaga also came together when they designed another building I really like, the glass-and-iron greenhouse Palacio de Cristal, which was built to home tropical flora and fauna from the Philippines in an exhibit in 1887. In front of the palace, there’s a small pond home to some cheeky ducks and geese.

Palacio de cristal. A huge greenhouse with a dome, and two wings. A white duck wanders in the foreground. Between the greenhouse and the duck there's a small pond.

Then, we went to have a snack. Trying to find something on the map before the trip, I’d come across a place called La Mejor Tarta de Chocolate del Mundo, which translates to “The best chocolate cake in the world” and that had to be tried! It was really nice, even if the place was pretty small and felt a bit cramped.

A slice of chocolate cake in front of mugs and teapots

We finally took a stroll down towards the sunset, and I took the train back without much of a hitch, then drove home

26th December 2013: Japanese Exhibitions & Christmas Lights in Madrid (Spain)

Over the Christmas break, there were many activities related to the celebration of the establishment of diplomacy between Spain and Japan, so-called Año Dual España Japón. We decided to kick off the day going to a Japanese restaurant, my favourite in Madrid, the Nagoya (believe it or not, this is the daily menu).

There was a Calligraphy exhibit in the national library, Biblioteca Nacional. On the way, we also found that there was an exhibition about the Chinese terracotta warriors, but the queue was insane! We decided to try to get tickets online for another day.

We went to Caixa Forum to see a Japonism (19th-century European art influenced by Japanese concepts and aesthetics). Honestly, pictures were forbidden, but I snuck one because I really loved the painting.

We also took a walk to see the Christmas lights. Here’s the Postal Service building, Edificio de Correos.

And a view of Gran Vía, one of the main arteries of Madrid, all lit up.