31st March 2025: More Modernisme and the way back {FFVII Barcelona 2025}

For our final day in Barcelona, I had planned some more architectural visits. I had adjusted my planning considering the underground issues the previous day, but it turned out, it had been a Sunday-only thing. We had breakfast and on check-out, the manager asked how the stay had been. To his merit, when we told him about the issue with the air-conditioning, he apologised and offered us free breakfast in compensation. After we declined – timed entry visit – he advised us to write a complaint letter for a discount next time. I didn’t think it was necessary.

Since the station we had to change at was open, there was no issue with the underground, so we were half an hour early. I had booked a locker for the luggage in the centre of town, as the hotel is very convenient for attending a concert at CCIB, but quite far from… everything else, really. The locker system was convenient: you book online and get a code which opens both the place and your assigned locker. I found it more trustworthy than leaving the bags in a random shop which “looks after luggage”. However, about a month later, there was a complete outage in Spain, which made me second-guess the convenience of these things, as I heard about a lady who could not go home because her luggage was inside one of those lockers. We’ll see whether I dare use them again.

We were to continue on my Modernisme route, visiting one of the works of Antoni Gaudí (1852 – 1926), considered the peak representative of the style – to the point that some of his works have been declared Unesco Heritage by themselves as Works of Antoni Gaudí. Gaudí originally found inspiration in orientalism and Neo-Gothic, but as he became more and more established, he turned to nature forms – seeds, branches, bones, catenary shapes… The UNESCO work we wanted to see was Casa Milà, a building commissioned to Gaudí by lawyer Pere Milà in 1906. The building itself was erected between 1906 and 1910, and it was nicknamed “The Quarry” La Pedrera. It is an eight-floor apartment building with a self-supporting façade, electricity, running and hot water. The building was designed around a central patio, and it has a very particular roof-terrace. Some people claim that Casa Milà does not even fit into the Modernisme category, but it should be classified as “organic naturalism”, or even “expressionism” all by itself.

La Pedrera, exterior

I found the building… underwhelming. We had a combined ticket for Sant Pau and Casa Milà at 39 €, but the normal ticket price for the building is 40 €, and this is only for one of the floors with a “recreated apartment”, the attic, and the terrace. At least you get to see the patio as you have to walk past it so you reach the tiny lift in which they cram you to take you to the 7th floor. The experience felt… like… not enough. I was for sure expecting something more.

La Pedrera, Interior

Do not get me wrong, the house is extremely cool, but you get to see really little in comparison to how big the place is. So even if it is pretty, it feels crowded and small, with way too many gift shops crammed in. The terrace is fun, with chimneys that look like ancient warriors – some people say they represent chess pieces, others that they hide religious undertones – Gaudí was very spiritual. Reportedly, they also inspired the stormtroopers’ helmets in Star Wars.

La Pedrera, terrace

Afterwards, we walked to the music hall Palau de la Música Catalana part of the Unesco Heritage Site Palau de la Música Catalana and Hospital de Sant Pau, Barcelona. The so-called Palace of Music was designed by Lluís Domènech i Montaner a couple of years after projecting the hospital.

Palau de la Música Catalana

Everything that Casa Milá came short, the Palace passed with full marks. The building has an original entrance designed by Domènech, in dark brick with extensive decoration. The interior is laced with tiles and glass, and tinted-glass windows. The concert hall is amazing. At first, we could not access it, because there was an educative concert for children going on, but we were later allowed to sit at the paradise. There is a huge skylight / lamp in coloured glass, pegasus statues. The concert was incredible too, with four to six musicians playing classical music and… running around the stage too. Lady trotting up the stairs while playing the cello, you have my admiration. I loved everything about the palace, to be honest, except the creaky chairs.

Palau Música Catalana

Once we were done in the Palau, we walked to the market Mercat de Sant Josep (St. Joseph’s market), known as La Boquería (The Butcher’s). It used to be a regular marketplace, but now it has turned a touristic attraction. The main entrance is also part of the Modernisme route, designed by architect Antoni de Falguera, who also created the inner metal cover. Though I had half a mind about eating there, the prices were ridiculous, so we ended up at an Asian place a couple of streets down. On the way, I had been excited about the “Barcelona Aqueduct”, but it turns out it’s a modern construction with old ashlars, nothing historical in it at all.

Market La Boquería

After lunch, we had about an hour to kill, and we decided to try our luck in the hobby-shops area. The Norma Comics shop was open, and we spent a while looking at the books there. Then, we headed back to pick up our luggage and commute to the station.

We had to change trains, and there was an announcement that any passengers with a connection shorter than 30 minutes would be escorted to their train. Of course, that’s only PA, and you’re on your own – I asked a worker, who tried to divert us to the suburban trains, not our connection. From that conversation, I think that we were supposed to go out of the system and get our tickets scanned again, but we found our train before that. There was no one else to consult with, so I decided that we would get on it. My sibling was mortified, but we were not doing anything wrong. If anyone checked on us, we had a valid ticket. They had not lived up to their part of the agreement anyway – and I would have told them exactly that, had anyone even thought of scolding us.

But we made it, as I predicted nobody gave us any grief, and the drive from the train station was uneventful. All in all, it was an intense weekend – though I feel I could have squeezed in a monument or two more had we skipped the sit-down meals, but my sibling can’t handle that. All in all, I think everything worked out rather well.

30th March 2025: Sant Pau, Verne & a chocobo {FFVII Barcelona 2025}

The Barcelona hotel charged 20 € per day and person or breakfast, and I was not willing to pay for that, and so I told my sibling. They had no option but to accept since they had decided to delegate all planning and credit-card’ing on me. Instead of booking with breakfast, I brought cold latte bottles and snacks – good for taking headache medicine, which I did. After a quick breakfast, we set off. As we left, I asked at reception if they could do something about the air conditioning.

We headed towards the underground. It should have been an easy twenty-five-minute commute, but one of the stations was half-closed. We had to go outside and walk towards the other entrance to change lines, which was strange and consumed a ridiculous amount of time. We had to be at the ticket booth of our booked visit ten minutes before the allotted time, and we barely made it – though they did not seem to care. When I was looking at tickets, I found a combined ticket that saved us 10 € for two iconic buildings in town that I had not visited before. That however implied exchanging vouchers for tickets, thus the extra time.

We reached the former hospital of Saint Paul Sant Pau Recinte Modernista ten minutes after I had anticipated, right at the time we had to be there. Sant Pau is a huge hospital complex erected between 1901 and 1930 by architect Lluís Domènech i Montaner (1849 – 1923). Domènech favoured Modernisme, and is considered one of the most influential architects in shaping it. He designed buildings which balanced functionality and decoration, with lots of mosaics and polychrome. Though the precinct had been a hospital since the Middle Ages, it was completely redeveloped for the early 20th century project. Today, it is half of the Unesco Heritage Site Palau de la Música Catalana and Hospital de Sant Pau, Barcelona.

Hospital San Pau from the street

The hospital is considered one of the most important, and largest, complexes in the local Modernisme style. The complex was designed with 26 buildings, 12 of them pavilions for patients, separated by sexes and kind of disease. The pavilions were connected by underground tunnels, leaving space for gardens and open spaces between structures. It was originally conceived to be self-sufficient, closed off to protect the rest of the city.

Hospital San Pau, outside

The buildings are erected in brick, and decorated with ceramics both inside and outside, some of them forming complex mosaics on the roofs and ceilings. After a new hospital was built next to the original one in 2009, the complex was recovered as a museum in 2014. We could visit the pavilions, the tunnels, and the administrative building. The whole enclosure is magnificent, and incredibly large. It took over two hours to see everything we were allowed to visit and I loved every second of it. Well, except the pavilion with political propaganda.

Hospital San Pau, interior

Afterwards, we headed out towards a fun restaurant I had found online – Verne Barcelona, decorated simulating Captain Nemo’s Nautilus from the novel Twenty Thousand Leagues Under the Sea by French writer Jules Verne. We shared a cone of tempura vegetables and I ordered a “Submarine” – a sandwich made from toasted brioche bread – called Turtle, with battered squid, sauce and salsa (I just don’t understand how they are supposed to resemble a submarine…).

Verne Barcelona

We headed back towards the hotel, stopping at a Starbucks for a coffee – a matcha in my case – because I helped my sibling dress up for the concert. We had been carrying the cosplay after all, of course they were going to wear it!

We were in Barcelona to attend the Final Fantasy VII Rebirth Orchestra World Tour, to be held in the CCIB – Centre de Convencions Internacional de Barcelona. Final Fantasy is an expanded video game anthology which set off in 1987. Since then, it has spawned 16 main games and countless spin-offs, media, plushies, and remakes. One of the most famous games is the seventh instalment, Final Fantasy VII, released in 1997. The game is set in a cyberpunk dystopia where energy is obtained by draining the Planet’s life-force. Gameplay follows the adventures of a party which opposes the system, embodied by the electric company Shinra, while at the same time trying to stop the main antagonist – mad soldier Sephiroth – from destroying the Planet itself.

Since 2015, Final Fantasy VII has been under redevelopment into a trilogy using modern graphics. The first game was Final Fantasy VII Remake, released in 2020, whose music had its very own World Tour in 2021. The second instalment, Final Fantasy VII Rebirth came out in 2024, and its music event – Final Fantasy VII Rebirth Orchestra World Tour – began almost immediately, ending precisely with our concert.

We were at the queue already when doors opened, but not early enough, so we needed to line again for the merchandise booth, almost an hour. It was in that queue where something amazing happened. When we attended the previous concert Final Fantasy Distant Worlds 35th Anniversary – Coral –, we were stuck at the merchandise queue for about an hour too and by the time we reached the front, they had ran out of most of the items. That included what I wanted the most – the chocobo plushies. Chocobo are a recurring species in the Final Fantasy franchise, large birds that can be ridden in-game, and in real life be sewn into cutesy toys.

It turned out that in 2023 the last chocobo plush had been bought by the guy who was sitting behind me. I might have made some jokes about stealing it and running away, and he promised to get me one for the next concert. I of course filed that under “one encounter silliness” and forgot all about it.

Well, he did not.

In that queue, two years later, he found me, and he gave me a chocobo plush. He actually found my sibling, who was easier to identify due to the cosplay. I was absolutely flabbergasted. Gobsmacked. Never in a million years would I have expected something like that to happen. Just… figure that everything that went on afterwards was coloured by a feeling of puzzlement and amazement at this stranger’s kindness over a silly plush I wasn’t able to buy two years before.

Chocobo!

We got to the front of the line over an hour later, almost at the time of start. I only wanted a programme, and we were seated around 20:50. I am good at choosing seats, by the way. We were dead centre at a great distance from the stage.

Setlist:
  First part:
  1. The Unknown Journey Continues
  2. FFVII Rebirth Opening
  3. Main Theme of FFVII – Battle Edit
  4. A New Journey Begins: Grasslands / Junon / Mt. Corel
  5. Crossing the Planet: Corel Desert / Gongaga / Nibel
  6. Queen’s Blood
  7. Stamp – Rebirth Medley
  8. Rufus’s Welcoming Ceremony – A New Leader
  9. Costa del Sol – Fun in the Sun
  10. Custom Valkyrie
  11. End of the World Medley
  12. Cosmo Canyon – Sanctum of Planetology
  13. Bare Your Soul
  14. Welcome to the Gold Saucer
  Second part:
  15. Loveless Symphonic Suite – Gift of the Goddess
  16. No Promises to Keep – Loveless Ver.
  17. Galian Beast
  18. J-E-N-O-V-A Lifeclinger
  19. Sephiroth Reborn Symphony
  Encore:
  20. One-Winged Angel – Rebirth Medley
  21. Aerith’s Theme – Return to the Planet Medley

Final Fantasy VII Rebirth orchestra playing

The orchestra was directed by Eric Roth. It was all right, I enjoyed it. However, I don’t think it was as powerful as the first one I saw, but that one was the first post-Covid event so it was emotional in other ways. Then again, I am not a gamer. I just watch gameplays on the Internet… I was a bit disappointed by the arrangement of One-Winged Angel, it felt… too elegant. What I love about the song is the pure chaos it represents, after all.

In attendance was composer Masashi Hamauzu [浜渦 正志 | Hamauzu Masashi]. He started working for Square Enix in 1996 under Nobuo Umematsu, the main composer of Final Fantasy VII music. Hamauzu’s first direct work related to the saga was the Chocobo’s Mysterious Dungeon soundtrack in 1997. He was in charge music for the Final Fantasy VII spin-off Dirge of Cerberus and alongside Mitsuto Suzuki, he has worked in both Final Fantasy VII Remake and Final Fantasy VII Rebirth.

After the concert, we joined the VIP queue for pictures and autographs. Though I had brought the CD from the time before – when I did not get the pamphlet – I was equipped this time. And I even managed the Spanish – English – Japanese cacophony without messing up either of them. That’s a first for me, I think. I got my programme autographed on the setlist page, and then my sibling and myself headed back to the hotel. For 179 €, I keep thinking the VIPs should at least get their own merch queue, or an item to get signed. I guess there are lots of people to get paid…

Eric Roth and Masashi Hamauzu signing autographs

Something that surprises me a lot about this area of Barcelona is that not even the McDonald’s at the shopping centre is open after 23:00, so I always make sure we buy something to snack after the concerts. The room was at least not freezing, though not particularly welcoming either. I had a hot shower, and that finally got rid of my headache, just in time for bed…

29th March 2025: Tibidabo & Friends {FFVII Barcelona 2025}

It sometimes feels like the alarm clock going off at 6:00 is actually worse than it going off at 3.00… Fortunately, after a hefty dose of coffee, I was able to get on my way, and we got to the station on time to do some reorganising of luggage. The situation with the trains was chaotic due to some projected works on the tracks. They announced that the train would be 12 minutes late, but it actually arrived and left a minute early. The train ride was uneventful, despite a large crowd of loud teenagers from a rugby team who had no idea where the were going, and really dirty toilets in the cars. The train reached Barcelona ten minutes before schedule. However, it did not go into the station until 15 minutes later for some reason – I really don’t understand what was going on with the whole railway system, or how construction in Madrid affected the time to enter Barcelona, but at least we were there.

The first step was dropping off the suitcase. Fortunately, Barcelona Sants has a luggage storage. I decided that for 10 € I could ditch my backpack and not haul it through the underground. Barcelona Sants station was under construction in 2021 and it’s still under renovation, so it took a bit to get to the correct place with the suitcase. Once we could drop the luggage off, we headed off to the underground.

There, we had to queue up to get our transportation cards from a machine – which apparently could not be used in any language except Catalonian. I had a code to input, and with that code the machine spat the tickets. They were convenient to use, and they worked on the underground and the buses without problem. The online discount made them better value for money: a single ticket is 2.65 €, and the 72-hour card Hola Barcelona is 26.30 €, which is reduced to 23.67 € if you order online (a 10% discount which is almost the price of one trip).

I had waited to book activities till the very same week because I wanted a relatively good prediction on the weather. It was not as nice as I had hoped due to the wind that morning, but oh well. Unfortunately though, the eclipse caught us in the underground. I had hoped we would be outside already, but we were over half an hour behind schedule due to the train and the construction in Sants.

I had bought tickets for the amusement park Parc d’Atraccions Tibidabo. A long time ago, from Park Güell, I was trying the zoom of my then-new camera and I was intrigued by its silhouette. I was curious and honestly, I thought it was an interesting place to see. Tibidabo is considered the oldest – or at least longest-running – amusement park in Spain. The first rides opened in 1905 under private initiative, though the park is now owned by the Barcelona city council.

I found a ticket which allowed to see the panoramic area and ride the “classical attractions”. It included the shuttle bus and the funicular Cuca de Llum, opened in 2021, which is not the original from the turn of the 20th century, but a recently renovated one. There’s no way I am getting on a funicular which older than 100 years old. To get there, we took the underground, and walked to the so-called Tibidabo Store, where we exchanged our tickets for bracelets so we could ride the bus to the funicular. The place is a bit out of town indeed.

We reached Parc d’Atraccions Tibidabo around 12:45, a good couple of hours after leaving Sants. Upon entering, it was colder than I had imagined, because it was windy, especially at the top of the mountain. There was no ticket control except for the attractions, so we were able to come and go as we pleased, and i found that was a regular mini-bus that went there. I felt a bit cheated, but I guess the funicular itself was an experience! Good thing that I am not too keen on rides and I decided to only get the basic ticket. It did not feel cheap either (21.50 €). The ticket Pase atracciones emblemáticas allowed us to wander around and ride the ‘emblematic’ rides – i.e. the classic one – and see the museum.

Barcelona from above

We first had a look at the city of Barcelona underneath. The view was not particularly different from the one in Parc Güell, except I’m more familiar with the layout by now. We then turned to snoop around the Temple of the Sacred Heart of Jesus Temple Expiatori del Sagrat Cor, a Christian church designed by Enric Sagnier i Vilavecchia (1858-1931) in a mix of Neo-styles, halfway between a Disney Castle and a classic cathedral. Construction was carried in two phases: 1903 – 1911, and 1915 – 1951. The upper towers were built later on, and work continued until 1961. The outer lower area is Neo-Romanesque, and the upper one Neo-Gothic; the inside is Neo-Byzantine, with mosaic walls. It has stairs a the sides to move from one level to another, and a lift inside. All in all, the whole building is… weird.

Sacred Heart Basilica

We ambled around for a while, and finally decided to have an early lunch, so we could avoid the family rush. My sibling wanted a proper sit-down, and we found the only option offering actual tables. The service was terrible – we never got glasses nor cutlery. We had to ask for napkins twice I think. Thrice for the bill after ordering two bottles of water and two burgers Hamburguesa de mejilla ibérica con pepinillo (Pulled pork and pickles burger). The service was so bad that the waiter decided to give us a complementary 15% discount on their own volition.

After lunch, we queued to ride the carousel and the Ferris wheel, and we saw the Automatons Museum, which was really interesting. The oldest piece dates back from 1880, and the newest from 2005. There used to be automatons sprinkled through the park for almost a century, but they were housed in their current home in 1982 to protect them from the weather.

Tibidabo Panorama

Automaton Museum

Around 15:00, we came down from Tibidabo. We had to share one ticket to get into the funicular, and the doors closed on me. I had to go to customer service to wait for someone to give me a replacement one. We undid all the way back to Sants to pick up our luggage, then we went back to the underground to meet with my friends E**** and P***o near their house to celebrate an important event in their family. We stayed with them for a few hours, then dropped by the supermarket to buy dinner for the next day, and took a bus towards our hotel.

We checked in, dropped our stuff in the room, cranked up the heating, and went to have dinner. We ended up at a Japanese franchise because the website said they had okonomiyaki, which they didn’t. At least they had dorayaki to compensate.

When we came back the room was at 19 ºC, and the air conditioning was blowing out cold air. I turned the thing off and went down to reception, where they told me they would call with a solution – either maintenance or a change of room. An hour later, without having heard from them, I went down again and a different receptionist told me the only thing that could be done was giving us extra blankets. I asked for three blankets and only got two. But I was too tired to fight – there was an extra towel I could use for added warmth. I defrosted in the shower and went to bed.

29th – 31st March 2025: Final Fantasy VII Rebirth Orchestra World Tour in Barcelona (Spain) {FFVII Barcelona 2025}

My sibling is an avid Final Fantasy fan, or at least of the concerts, and they usually ask me to prepare a trip when there is one in Spain. They tend to be in Barcelona, which has a love-to-hate relationships with tourism. Short-term letting apartments to tourists is more profitable than renting to residents, which is (allegedly) one of the causes of the current housing crisis. Finally, it has one of the highest criminality rates in Spain, and the epicentre of the secessionist movement. Thus, I’ve not planned much the last couple of times we were there, just enough to fill the days. It does not help that my sibling is a cosplayer and we have to haul a suitcase with the outfit.

This time, however, the Final Fantasy Rebirth Orchestra World Tour concert was on a Sunday. I have no faith in the public transport system any more, and Monday had to be requested off anyway, so we ended up looking at Saturday-morning to Monday-evening trip. Thus, I decided to fit in a bunch of Modernisme and other stuff that had been on my list for a while. Also, friends! Because friends are extremely important, especially when big changes are on the way!

I bought tickets for the concert in June 2024, when they went on sale. I booked the hotel in November, but I refused to pay for breakfast, because it was 20 € per person and day, and I was not going to pay 40 bucks for weak coffee and stuff I don’t even eat… And then I did not do much planning until February. However, I knew that at some point I needed to get things organised, else we would spend the weekend queueing to enter places. I’ve seen it happen before…

The train tickets only came out 90 days in advance, and I got them in early February. They were expensive – I had hoped to catch one of the new low-cost trains, but paying for the cosplay suitcase would push it to normal ticket prices. I found an outbound direct train, bit the return one that I wanted was not running, so we had to take a connection – which meant going to Madrid, then backwards on our way back. Oh, well. And on top of that, construction on the tracks triggered delay warnings – which did not come true in the end, good thing I insisted on being at the stations for the earlier time, whether it was the old or new one.

I put together a tentative itinerary waiting for the weather forecast, and the week of the trip itself, I booked tickets, including the transportation card – which was a nightmare. I really don’t understand how or why cities have decided to get rid of regular transport tickets. The ten-trip ticket has disappeared, and buying a one-way was prohibitive. Considering how many trips we would get, it made sense to get a 72-hour tourist ticket, since it was impossible to register to get a normal card… I also organised where to leave the luggage, since the hotel is next to the venue, and that is more than a bit out…

Spoiler alert though: we did not get pick-pocketed nor robbed, unless you count the insane tourist tax at the hotel, and we did not take forever to do the check-in.

3rd & 4th February 2023: Final Fantasy Distant Worlds 35th Anniversary – Coral – in Barcelona (Spain)

3rd February 2023: Mummies, fish, and music

Though I would not have minded to become a gamer back in the day, my joint issues discouraged this. Thus, my relation with the Final Fantasy saga is tangential. However, my sibling is a big fan of one of the instalments, and last year I accompanied them to Final Fantasy VII Remake Orchestra World Tour in Barcelona in 2021. Having had more time to prepare for this one, we got VIP tickets, and I planned a two-day outing.

Our arrival in Barcelona happened right on schedule, and we walked from the station to Caixa Forum Barcelona to see the exhibit Momias de Egipto. Redescubriendo seis vidasEgyptian mummies; Rediscovering six lives, in collaboration with the British Museum. I am not sure whether the items are part of the actual collection over there or are in the archives, because I don’t really remember seeing any of the mummies. The Barcelona exhibits focus around six mummies and how they lives could have been before their deaths. Aside from the actual mummies and their sarcophagi or coffins, there are objects that they may have used in life, and images of what the bodies look like inside the wrappings.

It was at the very same time interesting and creepy, everything we can get to know through technology about these poor souls who passed away millennia ago. There was information about their age, illnesses, and objects they had been buried with – god statuettes, jewellery, funerary miniatures… One of the mummies in display was that of a small child with his face painted on the wrapping, that was more than a bit creepy, to be honest.

A collage showing a a mummy and a turquoise wrapping; a sarcophagus; four canope jars; three statuettes: Horus, an ibis, Thoth; close-up of a sarcophagus, with bright colours; a mummy and a plain wooden casket.

We took the underground towards the waterfront to visit L’Aquàrium de Barcelona, located in the harbour. With more than 11,000 animals and 450 species, it is the largest aquarium dedicated to the Mediterranean Sea. It was inaugurated in 1995 and it holds 35 aquariums, including an oceanarium with capacity for almost four million litres of water (36 metres diameter, five metres high) with two tunnels at the bottom. Species-wise, the aquarium does not have anything out of the ordinary, but the size of the tiger sand sharks is impressive. There are a few sharks, some tropical fish, axolotls, frogs… and a very fun sperm-whale room to keep the jellyfish in darkness.

A collage of the aquarium. Seahorse; swimming sharks; anaemone; baby dogfish shark; tiny crustacean similar to a prawn; sand tiger shark; octopus trying to eat the viewers; penguin showing off; fabulous tiny jellyfish

We grabbed an expensive-but-convenient bite to eat at the aquarium itself during some of the feeding events to make sure the cafeteria was empty. AFter we had finished viewing all the exhibits, we went on towards the hotel, which was well-placed between the auditorium and the shopping centre. Since check in had been so bad when we went to the previous Final Fantasy concert, this time we had booked different accommodation, and it was a total 180 – everyone in the hotel was super friendly, and we had zero issues. We procured some sandwiches for dinner, then got ready for the concert.

The Final Fantasy Distant Worlds 35th Anniversary – Coral – directed by Arnie Roth is a compilation of the background pieces from all the Final Fantasy games, from the first (1987) to the latest to date not counting the remakes (Final Fantasy XV, 2016). The concert was held at the CCIB – Centre de Convencions Internacional de Barcelona. We had no idea what time doors would open, but I calculated that an hour should be good for queuing for merch and then get to our seats.

By the time we got to the queue, the concert booklet had already been sold out. When we reached the front, my favourite plush toys were also gone. I decided to get the previous year’s CD in order to get it signed later at the meet & greet event that was included in the ticket we had bought. Looking back, maybe I should have asked for the autographs on the tote bag we got for the spending.

The concert had two halves and an encore, and was… strangely not very coral, for something called so. The choir was placed over to one side, and only did three or four songs – they actually did not show up for the whole first half. The set list was accompanied by projected images on the screen and it was super-impessive to see the first 8-bit games at first compared to what the technology of the latest Advent Children (movie from Final Fantasy VII) managed to create.

    First half

  1. Final Fantasy I~III: Medley 2002
  2. Final Fantasy III: Eternal Wind
  3. Final Fantasy IV: The Red Wings ~ Kingdom of Baron
  4. Final Fantasy IV: Main Theme of Final Fantasy IV
  5. Final Fantasy V: Home, Sweet Home ~ Music Box
  6. Final Fantasy V: A New World
  7. Final Fantasy VI: Phantom Forest ~ Phantom Train ~ The Veldt
  8. Final Fantasy VI: Kids Run Through the City
  9. Final Fantasy I~VI: Battle Medley 2022

    Second half

  10. Final Fantasy VIII: Liberi Fatali
  11. Final Fantasy XI: Ragnarok
  12. Final Fantasy XII: Flash of Steel
  13. Final Fantasy VII: Aerith’s Theme
  14. Final Fantasy XIV: Torn from the Heavens
  15. Final Fantasy XV: Apocalypsis Noctis
  16. Final Fantasy IX: Not Alone
  17. Final Fantasy X: 素敵だね [Suteki da ne] (Isn’t it wonderful?)
  18. Final Fantasy Main Theme with Choir ~ The Definitive Orchestral Arrangement ~

    Encore

  19. Final Fantasy X: Zanarkand
  20. Final Fantasy VII: One-Winged Angel

The concert was all right. I did not feel the general chill I had through the previous one. I really liked Liberi Fatali and One-Winged Angel, but I guess I don’t have enough of an emotional connection with most of the games. Aside from the conductor Arnie Roth, we had composer Yoko Shimomura present, and vocalist RIKKI, who is the original singer of 素敵だね in Japanese, and did the live version.

Collage. Three pictures show a classical orchestra with different things projected on the screen behind them - the logo of Distant worlds, several 8-bit screenshots of games, a very realistic depiction of a blond man with a very unrealistic sword. The last picture shows singer RIKKI, composer Yoko Shimomura and conductor Arnie Roth

The M&G was fun, and I got to tell Roth that when I grow up I want to have as much fun as he does at work. They signed autographs and took pictures with people – it was much less stiff than the usual, too. We headed off afterwards for a sandwich, a shower and a good night’s sleep. In general though, not much value for money considering how much more expensive the VIP tickets were, even though the seats were good. Also, the fact that most merchandising sold out showed poor planning.

Collage. The ticket reading the name of the concert, the autographs of the three main artists, and a plush of a Final Fantasy imaginary being, it looks like a white teddy bear with a huge pink nose, a red ball on top of it and cute wings

4th February 2023: Ramen with Friends

We had bed and breakfast at the hotel, and the latter was fantastic. The buffet had both a juice bar and a milk bar – both of which I sampled, of course. I overdid it with the fried egg, I fear, but they were just cooked and it looked just too appetizing not to fall for one. After breakfast, we packed up, vacated the room, and asked the hotel to keep our bags for a couple of hours. We went to the science museum Museu de Ciències Naturals NAT, where we spent a couple of hours. This is the only place where they refused to speak Spanish to us.

The museum is divided in several areas. The first one is “history of the Earth”, where you can see a few interactive exhibits, fossils and reproductions. The second one is the collection of living animals, most of the stuffed, some of them just skeletons. There was another one about fungi – with the edible ones exhibited in tins. Then there was one on plants, and finally rocks and minerals. Not a bad place to spend a couple of hours, but it is just one of those places that takes itself much more seriously than it should, to the point that it felt pretentious. Some items were exhibited over and over again, as if they just wanted to use up the room – I counted at least eight elbaite specimens in different locations, and there were a bunch of reproductions taking up important spaces, you would believe they were originals if not paying lots of attention to the writing, and the blue light made for horrid photographs.

Collage. Four pictures show prehistoric animals in blue light, stuffed animals, a tin of mushrooms along real specimens, a red algae and some shiny rocks.

We transited to Sants train station to drop off my sibling’s bag at the cloakroom there and went on to meet my Barcelona friends E**** and P***o who had offered to take us to eat really-real Japanese ramen. Since I had a feeling that the restaurant would be on the small-ish side, and my sibling’s luggage was a bit oversized since they had cosplayed for the concert, I decided on the Sants detour for convenience.

The restaurant is called KOBUTA ramen i més (Kobuta Ramen and More) and I was amused when all of us made the same choice – tonkotsu miso ramen with an extra of half an egg, and water; then we shared some gyoza (dumplings) and karaage (fried chicken). The restaurant is not cheap, but the food makes up for that, it is very authentic Japanese food.

Collage. A dish of breaded fried chicken, some dumplings, and a bowl of ramen, with the ingredients floating - algae, half an egg, noodles, pork meat and spring onion

Though P***o had to leave early, the rest of us headed off towards the bullfighting-ring-turned shopping centre Arenas de Barcelona. There, we climbed up the terrace for views, then sat down for drinks and a long chat. We also popped into the local comic store, since it was convenient, and eventually we headed off to the station.

Collage. Shopping centre las Arenas, a round building that used to be a bullfighting ring, there are two pictures, one by daylight and another one at night, lit up. There's a picture of the views- two clock towers leading to a palace; finally three glasses together showing brightly coloured drinks - yellow, orange and dark pink

The train ride home was surreal. People playing music on their phones, yelling, talking loudly and making the footrests squeak – apparently there had been some kind of sporting event for kids and a lot of families were coming back home. All in all, not a bad couple of days, lots of laughs, I got to see dear friends and eat nice food, and listen to cool music – in the CCIB, not on the train.

11th & 12th December 2021: Final Fantasy Remake Orchestra World Tour, Barcelona (Spain)

11th December 2021: El Triángulo Friki

When the tickets for the FINAL FANTASY VII REMAKE Orchestra World Tour first came out, 2020 promised to be an amazing year. True, we all know how that turned out, but the point was that I did not have enough fun funds at that moment. So I just looked at the Barcelona dates, sighed, and never bought tickets because I decided that it was a low-priority event for me. Then, what happened happened and the tour was pushed forward to 2021. By chance, back in summer this year, I saw that it would take place on a Saturday, the 11th of December 2021. My sibling overheard me mulling whether I wanted to try to go or not this time over, since I had not done much on the nerdsphere for a while, and the low priotity was conflagrating with higher priortity and the still lacking fun budget. They didn’t know about this, though, and they proposed we went together. I thought it was a good opportunity for a weekend out, so I did some checking. We found some tickets that had been turned back, in an amazing place, actually – row #5 on the stalls. We booked a hotel and trains, and just went on with our lives.

The train left around 8:00 and arrived in Barcelona short from 11:00 – both of us had been in town before and were looking for an “alternative” plan. I had been checking out different options, and by pure chance, on Thursday, I found out that there is an area in Barcelona called Triángulo Friki, something akin to “the nerd triangle”. It is an area near Arc de Triomph that holds a bunch stores which specialise in comics, manga, figures, merchandising and so on. I thought it could be a fun thing to see, as Japanese stuff a hobby I share to some extent with my sibling.

We took the commuter train to the area (commuter train tickets are complementary with long-distance ones, which helps, as the Barcelona public transport is very expensive) and wandered around a bunch of shops, under the agreement not to spend too much money nor to buy anything that did not fit in our backpacks. We… failed the mission successfully. On the sixth or so shop I got myself a Christmas present that sure as hell did not fit in the backpack.

A collage showing the entrance to a bunch of comic and gaming stores. Most of them have a window showing Funko pops

One of the shops we visited was Tsume Store, in association with Global Freaks. Tsume is a business that 3D-prints statuettes from anime designs, and Global Freaks is a merchandise shop. They have a partnership and Tsume is selling some of its statuettes through Global Freaks – we saw one of them, priced at 1400€. Most of the figures were just for show. On the other hand, Global Freaks had several things we bought (remember the “mission failed successfully” comment? We spent way too much money on stuff that did not fit in the backpacks). Furthermore, they had a reproduction of a motorbike from Akira (アキラ), a famous manga / anime – a cyberpunk action story whose main character, Shōtarō Kaneda, rides it through Neo-Tokyo.

Tsume / Global freaks store in Barcelona. There are different pictures of resine statues of different sizes (and prices), and a reproduction of an anime motorbike.

We walked towards the area where the basilica designed by Gaudí, and consecrated to the Holy Family, Basílica de la Sagrada Família, which had been decorated with a new twelve-point 7.5-metre 5.5-tonne star. As there was a Christmas market around the basilica, I thought that the start was just for Christmas, but it turns out that it is there for good.

A modernist cathedral. It looks a bit like it's melting. It has four towers, plus one with a star, and a triangular façade

We took an underground train to the area where the venue was, and we were there around half an hour before hotel was open to check ins so we decided to have lunch first in the adjoining shopping centre. We ended up at an Udon, a wannabe fancy noodle bar chain. This was our first time getting our Covid passport checked as it’s not necessary where we’re from. The whole process was fast – open the PDF, zoom in, get it read with a device, and a green light with our names on it lit up (eventually I just screenshot the zoomed-in QR). I still felt a little uncomfortable due to the amount of people in the restaurant, so we ate as quick as possible before heading off to the hotel.

A bowl of ramen and a peek of a tempura plate in the background

It was the worst check-in experience ever. First of all, I think it’s stupid to demand a payment deposit on an already-paid booking. Second, they tried to charge me for the room again, we were given one card key for two people which didn’t even work, and we were “upgraded” to a room with a city view (16 € more expensive than our booking), but that only had amenities for one guest. We needed to get off the lift to request another card in order to get to the 21st floor, and we finally got two working cards. Oh, and the hotel was hosting a bunch of teams for some kind of handball championship who thought masks were for lesser beings and got away with it, despite the super-strict Covid-policy the hotel claimed to have, and with the obvious blessings of the clerks, despite other guests’ complaints.

Two views of Barcelona from above, one with daylight, the other one at night. The buildings are apartment blocks, rather regular, and you can guess the long streets that separate the different areas

We stayed in the room, just chatting and taking in the astonishing views (nah, I’m not being sarcastic (≧▽≦).) The FINAL FANTASY VII REMAKE Orchestra World Tour concert was to start at 20:00, but doors were at 18:30. It took place in the convention centre CCIB – Centre de Convencions Internacional de Barcelona, which… actually turned up to be the auditorium of the local Natural Science Museum. That was confusing for a minute.

We were quite literally across the square so we just had to go down. It took just a few minutes to enter, and then we went into the goods queue, because my sibling absolutely needed a chokobo plush. We were in line for about half an hour, as we debated how expensive everything was! They decided that I needed a chokobo too, so I’m the proud owner of a Chokobo Black Mage now.

An adorable chokobo plush with a mage cape sitting on the leaflets we got from the concert.

After we had all our goods, we headed off to our seats – which had been occupied by two different people who had bought row five on the dress floor – but had tried the main floor stands, never mind that a lady told you which door you had to use when you went in, in order to avoid these “mistakes” . I decided that I did not care about causing a scene, so I just grabbed an usher and had her clear our seats. The guy on mine took my flyer too, but I found some more when the concert was over. I’m amused though that someone would buy a ticket on the first floor and then happily stroll down to the fifth row on the stalls – more than double the price.

Let me start by saying that I’m not a video-game player, that’s why this event was originally a low-priority one. When my wrist problems started, I was recommended not to play them any more. But I love video-game graphs and Final Fantasy VII designs more than any. I mean, I own the Advent Children DVD just because it’s pretty. I have to admit though that the concert blew my mind. The stage was full with a complete orchestra indeed, and a choir – the Ensemble Symphony Orchestra & Chorus. At the back of stage there was a screen that projected scenes from the game, both animations and gameplay. In the little emcees by conductor – and producer – Arnie Roth we also got messages from composers and producers from Japan. Furthermore, the composer Hamauzu Masashi was in attendance. We did not get Yosh Morita, from The Prophets, as it was originally announced, but singer Ricardo Afonso did a very decent job out of the power ballad Hollow.

Empty stage with chairs for the orchestra. There is a screen in the background reading Final Fantasy VII Remake Orchestra World Tour in front of a futuristic cityscape

    Part 1

  1. Prelude – Reunion –
  2. Opening medley
  3. Mako Reactor 1
  4. Flowers Blooming in the Church
  5. The Turks’ Theme
  6. Tight rope
  7. Stand up
  8. Words left unheard
  9. Tifa’s Theme – Seventh Heaven –
  10. Those who fight – Battle Medley –

    Part 2

  11. Anxious Heart
  12. Hurry!
  13. Jessie’s Theme
  14. Shinra’s Theme
  15. The Arsenal
  16. Those chosen by the Planet – Fate’s Calling –
  17. Arbiters of Fate – Singularity –
  18. Hollow
  19. Final Fantasy VII Main Theme

    Encore

  20. Aerith’s Theme
  21. One Winged Angel

I loved the Those who fight – Battle Medley –, and I’d say that one of the highlights was the song Hurry Up. Apparently, during a specific part of the game you have to put the rather-uptight main character in a dress and teach him to dance in a night club. I also really liked the choir interventions. The concert ended on a hype – for a second I thought it would end in the slow song, but no, we got the fantastic theme for the bad guy Sephiroth, One-winged angel.

The stage again, this time it is full with the orchestra and the director. The screen shows the main character of the game, Cloud, with blond spiky hair and a ridiculously big sword, holding a bright ball in his hand.

The concert lasted for two hours and a half, including the intermission – in which I got to see (and hug!) friends. After the ending, we tried to go and grab some sushi at the shopping centre, but they were already closing down – so in the end we just got a salad and some chips at McDonald’s and took it to the hotel – then we showered, rearranged luggage and purchases, and went to bed.

12th December 2021: Walk by the ocean

Our original plan after breakfast was to take a walk by the beach, then check out and ride the underground, but we realised that we had a train station about 20 minutes away, and we could get a detour by the seaside and make it a bit longer – and if we took the train, we had a free ride.

When we checked out we got the same person who had checked us in. They still had to charge us for the tourist tax, and I had that ready in cash. They insisted that they had to deduct that from the deposit and give us the change, they could not give us a fifty-buck note. They had to give us the change. With lots of coins. They did not even check the room for damage, so what was even the point of the deposit?

We left the hotel, and walked towards the station. We spent a little time at the beach Platja del Fòrum and the mouth of the river Río Besòs before we reached the station – lots of people walking their dogs, and lots of happy dogs playing on the beach and with the waves. In the background, the former thermal station with three chimneys looming over the sand – Central Tèrmica de Sant Adrià de Besòs. Had we had more time, we would have taken the time to try and get to it, but due to external reasons we had tickets for the noon train and it was already 10:45 – and I am paranoid about schedules.

A sandy beach with a factory building in the background, it has three chimneys made of brick. The waves are coming in gently.

We took the commuter train, then the long distance train. When we arrived, before going home, we made a short stop to have some make-up sushi for the one we could not get the previous night. And some side Chinese dumplings.

Sushi and bao plate

Walking distance Saturday: 9.05 km
Walking distance Sunday: 5.54 km

21st & 22nd September 2018: The Vampire Rockstar in Barcelona (Spain)

I first heard about KAMIJO when someone handed me a flyer for his Paris concert when I was there to see Yoshiki Classical, back in 2014. I did not give that much more thought as I obviously don’t live in Paris. However, tickets for KAMIJO’s Sang Project Act III Europe Tour came out around my birthday this year, and I decided to get them as a present for myself – there was a concert in Barcelona, on a Friday. I had a good connection there, it was the weekend, and the tickets were not expensive. Thus, I bought the ticket, the VIP upgrade (early entrance and Meet and Greet) and the memorial photo ticket (individual Polaroid with him), a grand total of 68 €.

KAMIJO is a Japanese “visual kei” singer, both solo and with the band Versailles. Visual kei (V-kei) is musically similar to rock, though sometimes it leans closer to heavy metal. Singers and bands often don a particular style, the “visuals”, usually associated with some kind of fictional backstory (however, most of them tone “the look” down as they become older). KAMIJO has adopted the persona of an 18th-century French vampire which fits both his solo activities and the ones with Versailles. However, the illusion shatters as his French is worse than his English, despite how hard he tries.

Kamijo Sang Europe tour dates and venues

Between getting the tickets in May and the concert in September, I ordered and listened to the album KAMIJO was promoting, Sang. I recognised influences from older V-kei  bands Malice Mizer and Moi dix Moix – both of which have the same vocalist, singer MANA. However, there was something more up-beaty to it that took a couple of listening sessions to fully embrace. In the end, I decided that I liked it pretty well.

Although the original reason why I decided to go to the concert was convenience, the whole thing was a pleasant surprise. I also took the chance to meet with my friends E**** and K*****, who live there. Thus, on the 21st, I took the first train to Barcelona, and I arrived a bit before 10:00. I went over to the queue at Sala Apolo, a venue in the centre of town and I was the sixth person there. I made some nice acquaintances at the queue who held my spot when I ran to the hotel to check in, around 15:00 (with 15 – 20 people at the queue).

Apolo venue façade

As I arrived at the hotel, a man walked in behind me. I did my check-in and the person behind the desk asked me for “the gentleman’s ID too”. I blinked – I had a single room, a reservation for one and he thought we were together? Weird. The guy was actually looking for a hotel for the night without a reservation, and I sure as hell was not going to share my nice, soft bed.

I went back to the queue to wait the evening away. We did not see the tour truck nor the band come in – nor out afterwards – but the venue has an underground car park, so they probably just drove in there VIP doors were scheduled for 18:00, but did not open until around half-past. I think this was one of the nicest queues I’ve ever been in. By the time the venue opened, we had already sorted ourselves into a VIP and a GA line, everything ran very smoothly. However, we were very few – probably not even 300, and most of the tickets had VIP upgrades.

After doors opened, we were shown into the actual hall, the smallest of the three the Apolo has. There was no separation between the actual floor and the low stage – there was no barrier, and we were going to be close. We had to wait in the queue for the Meet & Greet, and after we were done, we would be able to either go to the goods or take our places at the stage.

Once all the VIP ticket holders were inside the hall, KAMIJO appeared to say hi. One by one, we went to him, shook his hand and talked to him for a few seconds. He was very kind and smiled a lot, and he mostly answered “yes” to whatever he was told in any language.

I took on first row, a bit to the left. My spot was kept when I went to buy some merchandise, and we were so few that even when the concert started there was no push (unfortunately, that might mean he will not come back…). The stage was all set, including a perfect glass of water, formal tableware style, he’s above utilitarian water bottles, apparently.

Kamijo Barcelona stage

The fun part was that I was close enough that I had to be careful not to actually hit KAMIJO when he wanted us to reach out to him. The tour story revolves about the Émigré, an innovative energy system that transforms human blood into energy. This system was created by “Louis”, who is over 200 years old, and is exploited by the Count of Saint-Germain during the French Revolution. I am not completely sure how this makes sense, but I’m sure it does for people who have been following him for longer.

The live interweaves narration with recorded and actual songs, building on that outline. At times the instruments and reverberations were a bit too loud. However, most of the concert was okay. After all, this is KAMIJO’s solo project, designed so his voice is the most important thing. There were four of us in the middle of first row who had to wave and cheer with caution or we would literally smack the artist. When he twirled and turned, his velvet coat flew around and we had to be careful he did not hit us on the face with it. I had never been so near a performing artist in my whole life – I could also take a photograph of the setlist.

Setlist:
[Recording] SE あらすじ Scenario narration
  1. Theme of Sang
  2. Nosferatu
  3. Émigré
  [Recording] SE Blood Cast セリフshort narration
  4. Vampire Rock Star
  5. Bastille
  6. Symphony of The Vampire 第五楽章「Sonata」
  7. 闇夜のライオン instrumental
  [Recording] SE Delta with narration
  8. Castrato
  [Recording] SE Ambition
  9 Sang I
  10. Sang II
  [Recording] Intro as narration
  11. Sang III
  [Recording] SE mademoiselle
Encore 1
  12. 私たちは戦う、昨日までの自分と
  MC
  13. Mademoiselle
Encore 2
  [Recording] Emblem narration (guillotine)
  14. Moulin Rouge
  15. 第四楽章「Dying-Table」
  16. Vampire Rock Star

Kamijo Barcelona 2018 setlist

For the first, and I don’t think this will ever repeat, so quite probably the only time in my life, I got to experience a singer singing to me. He reached out during Mademoiselle. And next thing I know, he’s cupping my face, pulling my chin up and looking into my eyes to the verse do you want to be a princess reaching out to me into les affairs d’amour?. I also got a high-five later, and he was gentle when he noticed my wrist brace, while other people told me he was high-fiving hard at that point – or maybe he just brushed me because he miscalculated.

One of the funniest moments of the concert was the MC. Apparently, last time he was in Europe with Versailles, KAMIJO fell and twisted his ankle in the concert before Barcelona. Instead of cancelling, he continued the tour, and sang in Barcelona with crutches spray-painted in gold, or sitting down. This time he was very adamant to tell us “I can sing on my feet! No need for…” and he forgot the word “crutches” and proceeded to mimic those. Then, he hopped all around the stage like a very fabulous kangaroo.

After the show, we had some time at the hall, without being herded or anything, before we lined up for the photograph with the artist. As you reached the head of the queue, they checked your tickets – and kept them – and took your personal stuff. We could shake his hand again and get the Polaroid taken. I reached out for the handshake saying thank you, and he pulled on me so he could wrap his other arm around my waist for the picture. I think because I was just the right size for this, compared to him and his platforms.

A few of us stayed behind for a while after the pictures were done, but we did not see anyone leave. I walked back to the hotel before it got too late, and headed straight for the shower, then the bed. All in all, the concert was extremely – and unexpectedly – fun, even if (or because?) we were few. I really expected him to be much more stuck-up due to the “vampire persona” act. People at the queue were very nice, too.

The following morning, I went out to meet my friends E**** and K*****. We went to an Asian restaurant and ate some really great food, with very good conversation until I had to go back to the station to take a train home.

5th & 6th of November 2016: Barcelona (Spain) for We are X

I was supposed to have travelled to London in March 2016 to see X Japan’s concert, where they were also going to project the We Are X documentary premiere. Unfortunately, that was postponed to 2017 due to PATA’s health issues. I really hope it works out next year. However, the decision was made to start premiering the documentary in different music festivals, and the second I heard that it would be shown at the Beefeater In-Edit festival in Barcelona I got a ticket for it. Furthermore, I actually won two more tickets in a giveaway.

These two tickets I got I gave to a couple-friend of mine who had been so nice as to let me stay over at their place. I took a train around 8 am and was in Barcelona mid-morning. I went directly to their place and we just hung out until it was time to go to the Multicines Sala 5, where the documentary was going to be shown. We were actually the first and, press aside, we were the first ones in. We sat dead in the middle of the cinema and a group that walked in ten minutes later wanted us to move. And sorry, random person, but the answer is not. We were not really a “queue” but we were waiting for a couple of hours, so I was not going to give my chosen “best seat” out of the whole theatre for a group of ten people.

This was a Saturday evening, and there had already been a premier on the 1st of November so there might be more fans there, but in general I was a bit taken down by how few fans there were, most felt like people who had a whole-festival ticket.

The documentary tells the story of X JAPAN, one of my favourite Japanese bands, from the point of view of its founder, drummer and pianist Yoshiki. The band crumbled at the height of its popularity when guitarist Hide died by hanging, and the singer ended up brainwashed by a cult. Everything is told from Yoshiki’s own point of view, which makes the film biased, but still poignant.

After the film we went back to my friends’ place and had dinner. The next morning, they wanted to show me their little orchard in the outskirts, and I was treated to the best paella (Spanish rice) that I have ever had in my life – so awesome I even forgot about taking pictures! It was sad that I had to leave by 8pm, so I was only in Barcelona for about 32 hours, but it was so well worth it.

Collage showing the entrance to Multicines 5 and the Beefeater In-Edit screen before the film started

24th – 27th March 2016: Easter in Barcelona (Spain)

I think this has been the first time I’ve been to Barcelona without a concert. However, one of the first times I did take a long touristing tour, so this time round my friend and I took it rather chilly – in the literal sense. As we were there there was a drop in temperature and I had to run to get myself a long-sleeved T-shirt.

24th March: Gaudí afternoon

Through different means and from different origins, my friend and myself arrived in Barcelona at around the same time mid-afternoon. We met at the station and dropped our things off at the hotel, then we took the underground towards Monte del Carmelo, Carmel Hill, where Parc Güell, the Güell Park, stands. The park, which was supposed to be a urban area originally, was designed by Antonio Gaudí. It became a Unesco World Heritage Site in 1984.

Visiting some areas of the park is charged, but the whole park is accessible starting in the late evening. We decided to climb up first and then visit the paid-but-free area. Thus we got to the summit of Carmel Hill and saw the Turó de les tres creus, the Three-Cross hill, that offers a great view of the city, including the Tibidabo area with the Cathedral and the amusement park.

We went down and we walked into the architectural area. Although there is no artificial lighting in the area, as the sun went down we were treated to a bit of a magical area, also away from the tourist crowds.

We had dinner at Arenas de Barcelona, the old bullfighting ring now turned shopping and dining centre, then we went up to the roof for some night views.

25th March: Gaudí morning & Gaudí night

We woke up and had breakfast – coffee inception!!

Then we headed off to see the Casa Batlló, the Batlló house, one of Gaudí’s Modernist masterpieces. It is also called the “house of bones”, and it’s kind of wobbly and organic. The roof is designed to look like the back of a dragon. An interesting detail is that the building was not really erected on Gaudí’s orders – it was a renovation of a previously-existing building.

After the house, we went to the harbour area. We hung out for a while (with a stop to buy an extra T-shirt because it was cold), had lunch and eventually purchased tickets for the Museu Marítim, the Maritime Museum, located in the former Royal Shipyard.

The sun was setting when we came out, and we headed towards the Basílica de la Sagrada Família, the church of the Holy Family, also designed by Gaudí. Both of us had already seen it, so we were happy to see it from the outside. When they finish it, I would like to come back though.

26th March: No Gaudí!

We had a walk around the Gothic Neighbourhood of Barcelona, and we made a stop at the Iglesia de La Purísima Concepción, the church of the Conception to visit the cloister.

We saw the cathedral Cathedral of the Holy Cross and Saint Eulalia, Catedral de la Santa Creu i Santa Eulàlia.

We also walked under the Bisbe Bridge, Pont del Bisbe, in the street of the same name.

We had lunch in a Japanese restaurant, then walked around the Port area for a while.

As we had visited the Maritime Museum the previous day, we had a free pass to the sailboat Santa Eulàlia.

We ended the day in the L’Aquàrium Barcelona, the local aquarium.

After that, we backtracked to our hotel. The following morning, on the 27th, we met up with another friend who had a free while for breakfast and then everybody went home.

28th & 29th September 2013: Barcelona (Spain), VAMPS, and friends

I had just started a new job so getting to Barcelona for the Saturday concert had to be undertaken on that same day. I missed all VAMPS members and supporting musicians coming in and signing autographs but I got a good place as someone had been “saving” my spot at the queue. I have some awesome friends ^^

This was unfortunately a rather empty concert, even if a fun one. Hyde tried his best at Spanish, which was not too good to be honest, but kudos for trying. The setlist had a couple of my favourite songs, so that was a plus. I also managed to catch one of KAZ’s picks, and got one of the bunch that bassist Ju-ken’s left on stage!

Collage showing the band, the stage, and the picks I got from them

I slept over at a friend’s house, and “sleep” means we stayed up talking until the wee hours of the morning, but then I was meeting up yet another friend for breakfast. We went to the Parc de la Ciutadella [Park of the Citadel], which features a… mammoth and a really nice fountain / pond.

Collage of the park, showing the pond, a wooden elephant, some palm trees, and the lookout point over the lake

Afterwards we went to the area of the harbour, Puerto de Barcelona (harbour), to have something to drink.

Harbour, showing the different quays and the cablecar

Finally, we all got together to have lunch in a Japanese restaurant before I headed back off to the station to head back home and work on Monday.

Japanese food lunch to share, including sushi, salad, dumplings, breaded meat and sweets

Flashback to 27th – 31st July 2011: Barcelona (Spain) for Gackt / Yellow Fried Chickenz

  • Basílica de la Sagrada Família (Church of the Holy Family)
  • Torre Glòries (Glory Tower)
  • Gackt / YFC concert.

Note: This is a flashback post, which means it is just a collage regarding a trip I took before I started the blog in 2012. Tags may be incomplete or slightly off.

Flashback to 17th – 21st June 2010: First time in Barcelona (Spain), with the excuse of Gackt

  • Basílica de la Sagrada Família (Church of the Holy Family)
  • Catedral de la Santa Creu i Santa Eulàlia (Cathedral of The Holy Cross and St Eulalia)
  • Mercat St Josep (St. Joseph Market)
  • La casa de los paraguas or Casa Bruno Cuadros (House of Bruno Cuadros)
  • Museu de Cera Barcelona (Wax Museum)
  • Edificio de Aduanas (Customs Building)
  • Puerto de Barcelona (Barcelona Harbour)
  • Estatua de Colón (Colombus Statue)
  • Iglesia de Santa María del Mar (Church of St. Mary of the Seas)
  • Museo del Mamut (Mammoth Museum)
  • Arc de Triomf de Barcelona (Bartelona Triumphal Arc)
  • Parc Güel (Güel Park)
  • Montjuic
  • MNAC or Museu Nacional d’Art de Catalunya (Museum of Catalonian Art)
  • Poble Espanyol (Spanish Village)
  • Plaça d’Espanya & Torres Venecianes (Square of Spain & Venecian Towers)
  • Barrio Gótico (Gothic Quarters)
  • Gackt’s Are you Fried Chickenz concert.

Note: This is a flashback post, which means it is just a collage regarding a trip I took before I started the blog in 2012. Tags may be incomplete or slightly off.