10th December 2025: Oxford, trains and back to London {United Kingdom, December 2025}

I got up, used the kettle in the room to prepare a quick coffee… and one look at the radiator told me how it worked. I must have been much more tired than I realised the night before… I left my luggage at reception and went back to the streets of Oxford. I basically retraced my route from the previous evening in daylight.

I started off at the Claredon Building, the Bodleian Library and the Bridge of Sighs. Beyond that, I got back to the Radcliffe Camera, University Church of St Mary the Virgin, and the Old Bank Hotel. Down High Street, I walked by All Souls College, the Examination Schools, the Queen’s College, all the way down to Magdalen College.

Up the street again, I reached the Covered Market and turned at Carfax Tower, to St Aldates Church and Christ Church College. Though visiting it was my goal for the morning, I still had some time before the College opened. Thus, I decided to go to Costa Coffee for a proper breakfast, where I had a vanilla latte and a blueberry muffin.

I then headed back to Christ Church College. As it is the largest and most important structure – and also the one that holds the cathedral – it was the college I thought I needed to visit. The visitors’ centre is located in Christ Church Meadow, a floodable grassland open to the public during the day.

I purchased a self-guided visit ticket and went on to explore. Christ Church College (officially The Dean and Chapter of the Cathedral Church of Christ in Oxford of the Foundation of King Henry the Eighth) was founded in 1531 by King Henry VIII, as expected by the name. It was later refounded in 1532, and again in 1546. The second refoundation had a lot to do with the reorganisation of the Church of England, and since then it has been the home of Oxford’s cathedral. Christ Church is a huge complex, mostly in a stunning Gothic and Neo Gothic styles (with some Baroque and Neoclassical add-ons), and the audio guide kept insisting that one should not peer through the windows. Though I think it would have been doable to take the tour the previous day, the cathedral had been closed, and I wanted to see that.

I don’t really think I was ready for how grandiose – I can’t find any other word for it – the whole compound was. The Great Hall caught me by absolute surprise. The staircase which accesses it is magnificent, and the hall is just fascinating. There are fireplaces, pictures of Deans and Professors, long wooden tables and lead windows with different motifs, the most important one being the Alice in Wonderland Window.

The visit begins at Meadow Quad, a 19th-century Gothic Revival building, designed by TN Deane. The particular style is known as Venetian Gothic. During the Victorian period there were several efforts to redefine the significance of Classical ruins and medieval structures, along with a scorn of Baroque. In a typical with-me-or-against-me fashion, two thought currents emerged. On the one hand, Frenchman Eugène Viollet-Le-Duc, who wanted to be more Gothic than the Medievals themselves. His idea was to perfect Gothic buildings using more modern materials and techniques, often making up structures and even whole buildings. Amongst his notable efforts are the restoration of Notre Dame in Paris and the city of Carcassonne (and by his followers, the Olite castle).

On the other hand, Englishman John Ruskin claimed that construction had a life cycle and should be born (be built), then live (be used) and die (collapse). Being a Romantic in the artistic sense of the word, he also idealised Gothic, and his theories inspired more than one Gothic Revival attempt, but he considered them plagiarism and “faux”. Ruskin studied in Oxford, and some of the Neo Gothic buildings there tried to recreate his idealised visions of Gothic – Meadow Quad is one of them (the museum of natural history is another). While Ruskin originally (and vehemently) opposed restoration, to the point that at some point he wrote that it “shattered his soul”, by the end of his life he acknowledged that maybe it was not such a bad idea. Though this is of course a very summarised version of both theories, if I have to take a stand, I’m on Viollet-Le-Duc’s side.

Outer façade of Christ Church College, Oxford, towards the end of the meadow.

The first visit inside the college is Bodley Tower, which features a the monumental Hall Staircase, with an incredibly vaulted ceiling of Medieval design but carved in 17th century. It leads to the Great Hall, the Renaissance mesh room where students and teachers share their meals on long wooden tables (I’ve also learnt that during summer holidays Christ Church turns the students’ rooms into a B&B and you can have breakfast there. Yes, I’m having thoughts). Features of the room include the two chimneys, painted portraits, and stained glass windows.

There is a particularly famous window, called Alice’s window, which honours a former student of the college, one Charles Dodgson, who is more famous than you think. Dodgson’s pen name was Lewis Carroll, and Alice is the one who went to Wonderland and Through the Looking Glass. Carrol was born in 1832, and throughout his life he became a writer, photographer and mathematician. He was tall but scrawny, deaf in one ear, had weak lungs and suffered from a stammer. In 1851, he enrolled to study in Oxford’s Christ Church, where he would go on to work for the rest of his life. It is said, especially in this college, that the main character from Alice’s Adventures in Wonderland (1865) and its sequel Through the Looking-Glass (1871) was based on the Dean’s daughter, Alice Liddell. Another apocryphal story is that the Dodo that appears in the fist book is based on himself – apparently his stammer made it difficult for him to pronounce his own surname, Dodgson, so he referred to himself as a Dodo. It’s difficult to know if this was true…

Main Staircase and Main Hall, where food is served.

Leaving behind the tower, I ventured onto the main yard of the college, Tom Quad (officially the Great Quadrangle), home of the resident pet ducks Tom and Peck. It was originally designed to be a cloister, but the arcade was never finished. In the middle of the quad stood a firefighting water reservoir, now substituted by a decorative fountain with a flying Mercury in bronze. The street and the college are connected by a gate on top of which stands the bell tower known as Tom Tower, whose bell is known as Great Tom. Tom Tower was designed by Christopher Wren around 1680, and Great Tom rang for the first time in 1684. Today, it rings 101 times at 21:00 Oxford time, which is 21:05 GMT, signalling the original curfew time.

The other two quadrants open to visitors are Peck Quad and Canterbury Quad. The former is overlooked by the New Library built in the 18th century in the Renaissance style. The latter gives way to the Picture Gallery. Possibly though, the most impressive element in the complex is Christ Church Cathedral or Cathedral Church of Christ. The building was erected towards the end of the 12th century, but the interior was redesigned, in the Neo Gothic style by Sir George Gilbert Scott.

Quadrants at Christ Church College, Oxford. One is Gothic, the other is Baroque.

The cathedral was re-signified within the context of Henry VIII’s Reformation, which was sparked when the king wanted to have his first (out of six of them) marriage annulled. The original wife, Catherine of Aragon (Catalina de Aragón, daughter of Spain’s Catholic Monarchs) had already married Henry’s older brother, Arthur, who died soon after. Seven years later, she was wedded to Henry VIII, soon after his ascent to the throne, and although she become pregnant six times, only one child, future Queen Mary I, survived past infancy. In order to marry his brother’s widow, Henry needed a special dispensation from the Pope.

However, he was unhappy that Catherine had only reared one daughter, so by the time she was too old to have more children, he sought a personal favour from the Pope – the annulment of the marriage. He claimed to have realised that according to the Bible, said marriage was wrong and the lack of sons was a divine sign. It did not help that by this time, he had fallen in love (or in lust) with Anne Boleyn. The Pope rejected the request, which eventually yielded to Henry VIII’s breaking out with the Catholic Church and creating the Church of England. Henry banished Catherine, and married Anne Boleyn, who later ended up beheaded, accused of “treason” (read: infidelity), while Henry married again – four times.

Christ Church Cathedral was originally Catholic, built in the Norman (Romanesque) style during the 11th and 12th centuries. After its conversion to the Anglican rite, the interior of the church was redesigned. It has large stained glass windows and an amazing Neo Gothic ceiling. During the audio guide explanation there was a salute from the Dean, Sarah Foot, welcomed visitors “of any faith, or none” into the cathedral. As the building had originally been designed as an Augustinian monastery during the Catholic period, it features a cloister and a chapter house, the last visitable elements in Christ Church. I turned back in the multimedia guide, bought a trinket at the gift shop, and left the premises.

Interior of the very gothic Christ Church cathedral.

Afterwards, I returned to the hotel to pick up my luggage and head to the station taking a small detour to see the outside of Oxford Castle and Prison and the Castle Mound. There’s no free exploring the castle, you must book a guided tour, so I had decided against it, heading back towards London instead. I wanted to leave on the 12:34 train, which gave me enough time to drop the luggage in my London room, and head out again. Unfortunately, the train was delayed by a “disruptive passenger” and reached Oxford 20 minutes late. I had a booking for the London Museum of Natural History, but I could get another one to guarantee entry if there was a queue, half an hour after the original.

I did not see everything that you can see in Oxford. However, I’ve learnt that day trips are cheaper, because a single and a return ticket have the same price. I did not get to see anything related to JRR Tolkien, nor the Headington Shark, so I might have to eventually come back. I do not regret my planning though, because I had priorities. Off to London I rode, munching on salt-and-vinegar crisps.

I reached Paddington, then changed to the underground to reach Victoria Station. I hate Victoria. I hate it almost as much as I hate Shinjuku Station. It’s bustling and chaotic and I never get my exit right. It was particularly crowded as they had a Christmas installation – a huge plastic “Christmas bauble” which people could enter to have their picture taken. I finally got my bearings and reached the hotel, a few minutes away. Though it was called the Grapevine Hotel, check-in was next door, in the Sheriff Hotel. I had booked a single en-suite with private toilet, and when I got to my second-floor room I found the faucet, the shower, the bed, and a note reading “the toilet is on the first floor”. As in… a whole floor down there was a toilet with a sign reading “Room 15 toilet”. It was incredible surreal, and I had a good laugh about it!

I headed back to Victoria Station (have I mentioned I really hate Victoria?), hopped onto the Tube, and reached South Kensington. It was not too crowded and I could take the tunnel towards London’s Natural History Museum. They have recently reopened their garden, after revamping the area and adding a bunch of details and attractions. Renamed Evolution Garden, its main feature – due to sheer size alone – is Fern the Diplodocus (Diplodocus carnegii). The life-sized specimen is made in bronze and based on Dippy, the Carnegy cast. Before Dippy went on tour in 2021 (again), each bone was scanned so further copies could be made. The museum wanted a new specimen in a lifelike pose and no external support, that would be placed outside, no less. That was why it was decided to build the new display in bronze. However, the resulting skeleton would be too heavy, so they needed to hollow the bones out and keep the skeleton up using internal wiring. The result is a 25-metre long, self-supporting giant that gently sways with wind and withstands both heat and rain.

It almost dwarfs the smaller Hypsilophodon, first discovered in the Isle of Wight – a typical “English dinosaur”. The species lived in the Early Cretaceous, and it was first discovered in 1849, and for a couple of decades it was thought to be a young Iguanodon, until Thomas Henry Huxely proved otherwise. The new species was officially named Hypsilophodon foxii in 1869. It was bipedal, had a beak and teeth, and it is thought to have been a natural runner. It measured up to 2 metres in length, weighed around 20 kilograms.

Outside garden if the Natural Science Museum London showing the diplodocus and Hypsilophodon fossil replicas.

The Garden of Evolution has vegetation in order of appearance – from ferns to other early plants to flowering plants and grasses as one walks through the garden and “advances” in time. There are more small sculptures and art pieces, rocks and ponds, all of them dedicated to recreate evolution and at the same time provide a little nature to the heart of London.

I walked into the building, and my bag was flagged for inspection… ish. It’s just big enough to hold my camera and my wallet, and when the security guard saw that it flopped – the camera was already around my neck – he waved me through. My first stop was the gift shop – there were two things I wanted so I got that out of the way. I was aiming for two Christmas ornaments, but I got a Fern commemorative coin too.

I headed to the dinosaur area. One museum’s traditions is dressing their T. Rex animatronic in a humongous Christmas jumper every year – this year it featured ammonite, theropod prints, stars and a T. Rex skull. It was hilarious. I almost bought myself the human-design version after seeing it.

T Rex animatronic dressed in an ugly Christmas sweater with T Rex skulls.

I then went to the birds area to find the museum’s dodo, because after Oxford, everything dodo had to be checked out, of course. Later, I found my way to Sophie, the most complete stegosaurus skeleton. Afterwards, I made my way up because in June, the Museum unveiled a new species, a small herbivore named Enigmacursor mollyborthwickae from the Morrison Formation in the US. It is considered the holotype for the species (the only specimen known, even). Enigmacursor means “mysterious runner” and mollyborthwickae references Molly Lowell Borthwick – she and her husband donated a small fortune so the museum could acquire the unique skeleton, filed NHMUK PV R 39000. It was named in 2025 by Professors Susannah Maidment and Paul Barrett, and put on display. I was very excited to see it for the first time.

Enigmacursor mollyborthwickae, the one and only skeleton of this small theropod dinosaur.

I wandered through other spaces of the museum, including seeing the Treasures in the Cadogan gallery, where the Archaeopteryx is kept, the mineral gallery and The Vault, with all the gems and precious minerals. I also popped into the newly-renovated Hall of Mammals. I left the museum a bit before closing and was a tad disappointed that I could not cross the gardens, as they had closed an hour before the museum itself. I had a couple of hours before the musical, which did not feel like much to go to the centre and snoop around something “Christmassy”. So I headed back towards Victoria, and stayed a little at the bauble decoration, which now had a few ballet dancers inside – characterised as the Nutcracker, but to the music of Swan Lake.

Natural History Museum London exhibits: Maiasaurus skeleton, mammal hall, rhino skeleton, dodo skeleton, gold ore in the shape of a dragon.

Hintze Hall and Hope the blue whale of the Natural History Museum London from the entrance.

At 18:30 I strolled to Apollo Victoria Theatre. After watching the Spanish version and the first film, it felt right to go back to watch the original Wicked musical once more.

The theatre was displaying a couple of dresses and a sculpture of Chistery the flying monkey. I checked out the upper bar for a change, but everything was packed, so as soon as the sitting area opened, I went to find my seat. Since I was amongst the first people inside, I could take a few decent pictures of the stage. The theatre was rather empty in comparison to what I was expecting, but then I realised that it was the middle of the week, and I had only been to the Apollo Victoria at weekends before. I had booked a seat next to the aisle on row S, and honestly it was a perfect view – the person in front of me was also short, which was fantastic.

Dresses, figures and stage from Wicked in London.

The three main characters were played by Emma Kingston as Elphaba, Zizi Strallen as Glinda and Carl Man as Fiyero. I think Kingston has become my favourite Elphaba to date. Points to Man for keeping the British Ts during his solos, too. However, he did not feel as powerful a character as 2022’s Ryan Reid. I saw a few of Jeff Goldblum’s mannerism on the Wizard (Michael Matus), which… honestly do not work if you’re not Goldblum. Though the cast claims that they have not been influenced by the film, there are times that it just… slips in. Not in a bad way, but… it’s there. I really enjoyed it though, much more than any of the other versions. It feels natural – and not as long as the film(s).

The Cast of London's Wicked after the show.

After the play was over, I stopped by the station so I could buy some dinner (and cut some walking in the cold), and I guess I was hungry because I had all but skipped lunch. Once back at the hotel, I checked in for my flight, and also received an email stating that there was a bit of a chaos at London Stansted airport due to operational issues. That made me decide to head to the airport a couple of hours before I would usually do the following afternoon. It meant sacrificing one of the stops, but it would have sucked to get stuck there due to a long security line. And it’s London. It’s not like I’m not planning to go back already.

The truth is that the hotel had been cheap, and it ended up being quite uncomfortable. On top of the toilet issue, there were no blinds on the window, and it was humid. At least, heating worked, I guess. I did not sleep much, but that gave me time to try and plan my following morning.

9th December 2025: Exploring Oxford {United Kingdom, December 2025}

Nothing ever seems to go right before 4:30 in the morning, right? It turned out that when I reached my usual parking lot at the airport, I had mistakenly booked for another one! Ho boy that was stressful for a few minutes! Fortunately, I could reach the correct parking lot within five more minutes, and found a good spot to drop off the car. Then I did not have to wait for the bus, but could directly walk into the terminal. I might change my usual parking lot to this one, honestly. I like that you can walk and not depend on the bus. The downside is that if you get in or out late, you have to look for one of the 24-hour accesses to the terminal, and those are far and few so you end up walking back and forth a bit.

This whole mishap put me 20 minutes behind schedule, and of course I got a secondary screening at security – random drug / explosive test. Also, can airports decide on policies? Or at least, you know… could the airport agree with itself? Shoes on, shoes off, liquids in, liquids out… In Madrid, it seems to depend on the terminal – and the equipment I guess, if I am being rational. But I really did not feel like waiting for the chemical test to show a negative result.

Passport control went smoothly. When I sat at the boarding gate, I received a reminder that I had to check in with some administrative nonsense (basically proving that I’m still alive) – fun thing to do at 5:00. But that was a fast thing, and soon we had boarded. I had an aisle seat, not exit row. I dozed for most of the flight. Once at London Stansted, getting out took a bit of time because I was really back in the plane, but since I know that airport pretty well, I was able to outrun most of the crowd and barely had to wait at immigration. No one asked about the ETA, but it’s supposed to be linked to the passport, so I guess the system recognises it.

Once in the United Kingdom, I made my customary stop at Costa Coffee, then hopped onto the Stansted Express to get to central London. I changed into the underground, reached Paddington Station… and missed my train by literally a minute, because I could not, for the life of me, figure out how to access the platform! It turns out that Paddington has only one entry point in the middle of all the platforms, but several points of exit. The next train was only 30 minutes later so I just hung around the station for that time.

The first London Paddington station was designed by Isambard Kingdom Brunel and opened in 1854. The original train shed features a glazed roof and wrought iron arches. There is a side shopping centre with a Paddington Bear shop, since the character was named after the area. Since Michaek Bond published the first book in 1958, this Peruvian spectacled bear has become a staple of British children’s literature – and of course, someone managed to heavily cash on that.

Once the train was announced, I got on, and roughly at 11:00, I was finally in the historical centre of Oxford, with the plan to visit the four museums that the local university created to showcase its collections. Since my hotel was on the way, I dropped my luggage off there, and headed out to the first stop – the Oxford University Museum of Natural History, a place that I had wanted to visit when I was a child, just like the Oceanographic Museum of Monaco. To get there, I walked by St Mary Magdalen, an Anglican church in Gothic and Gothic Revival styles, and the Martyrs’ Memorial, designed by Sir George Gilbert Scott to commemorate the burning at the stake of Protestant Bishops Hugh Latimer and Nicholas Ridley and Archbishop Thomas Cranmer.

The Oxford University Museum of Natural History was built between 1855 and 1860, and gathered all the science collections that the university had amassed in different colleges and the Ashmolean Museum, with items that can be traced back to the Tradecant Collection from the 1600. The building itself was mainly designed by Irish architect Benjamin Woodward in a stunning Neo Gothic style. It was originally conceived as both museum and research centre, but as the collection grew, most of the research departments – except entomology – left to newer spaces. Once inside, the museum resembles a cloister, with a central court divided in five aisles by iron pillars that support the glass ceiling, decorated with wrought leaves to evoke trees and plants. Both floors have stone columns supporting pointed arches, and each one is representative of a different British stone, as if it were a research core.

Today, the museum has custody of seven million artefacts, divided in three main collections – Earth (comprising palaeontology and minerals), Life (covering zoology and entomology) and Archive (out of mere mortals’ reach). There are a few incredibly rare and valuable items in either collection. One of them is the only soft tissue of a dodo, an extinct bird.

The dodo (Raphus cucullatus) was a flightless bird from the African island of Mauritius that disappeared in 1662. It was a roundish bird that could measure up to 75 centimetres, and when it was “discovered” in 1598, it had no fear of humans. That made it a very easy prey, which led to its annihilation in just 64 years. Nowadays, it has become a symbol of anthropic extinction, but it used to be just known due to its role in the book Alice’s Adventures in Wonderland by Lewis Carroll, one of the most important books in Victorian literature. Oxford is very proud that the book was written there.

Other elements in the zoology collection are skeletons of elephants and other mammals – the skeleton parade – and dozens of taxidermied birds. The dodo obviously belonged to the bird group, but the preserved tissue is too fragile to be displayed by now. The entomology collection is also impressive, but I’m a bit squirmy about those.

Another item in the Life collection is the so-called Red Lady of Paviland, a partial human skeleton dating back from the Upper Palaeolithic period. The bones were found along with shell beads and carved ivory in a cave known for mammoth remains. They were covered in red ochre, and were originally identified as belonging to a woman from the Roman period (hence the name). They turned out to be from a young man who could have lived as long as as 34,000 years ago, making them the oldest human remains in the United Kingdom, and one of the most ancient ceremonial burials in Europe.

Oxford Museum of Natural History exhibits: reddish human bones from the Red Lady (who turned out to be a man), reconstructed dodo, printouts from the dodo remains the miseum has, a collection of skeletons.

Besides local minerals, the Earth collection hosts over 200 rocks from outer space. One of them is the Nantan meteorite – 4.5 billion years old, and on display for you to touch. And as with every natural history museum, highlights are fossils and, of course, their reproductions. On display there are casts of a Tyrannosaur (Stan), one of the Bernissart iguanodons, an edmontosaur… The ground floor hosts plesiosaurs, ichthyosaurs, dunkleosteus… and a “Wall of Trilobites” with literally dozens of them.

However, the key items in the collections is none of the almost-complete skeletons or fossils on display or archived, but a few dislodged pieces – a leg, a piece of spine and half a jaw. These belong to the species Megalosaurus bucklandii, named by Willian Buckland in 1824 as the holotype of a long-gone massive creature. Megalosaurus was the first dinosaur ever described and named, and it would later get its “interpretation” at London’s Crystal Palace. It was not an accurate one, but it kicked off the first “dinomania” in the Victorian times. Normally, only a cast of the jaw is displayed, but the temporary exhibition Breaking Ground, about the history of palaeontology, had brought them out to be enjoyed by yours truly… I mean everyone. Another fantastic item in this exhibition was an ichthyosaur fossil found by Mary Anning herself – one with remains of its last supper still in its stomach.

As I entered the museum, the first thing I saw were two preserved bears (one of them has since been retired), and the skeleton replicas of iguanodon and tyrannosaur. To the right, the marine reptiles that wrote the history of palaeontology in the UK, and some other dinosaur replicas (edmontosaur, triceratops…). I wanted everything in the gift shop, of course. I had planned to walk the museum in order, but I was unable to, because as soon as I found the stairs, I trotted up to the first floor to find the temporary exhibition Breaking Ground.

Oxford Museum of Natural History building from the outside, and exhibits: dinosaurs and other fossils.

I ran into a couple of school visits, and at some point I was almost ran over by an overeager tween. One of his classmates tried to excuse him saying “apologies, he’s a bit hyper”. I could understand… I only hide it better, but this was one of those other places that had been in my inner child’s bucket list forever and a day. I was extremely happy to be there, and I’m sure I stayed way longer than normal people do. Selfies with megalosaurus were taken.

Megalosaurus was a Middle Jurassic theropod carnivore which has only been found in the Oxfordshire area (Taynton Limestone Formation). The first remains known to science have been lost, but were described and illustrated at the time. There was a tooth recovered in 1699, and a partial femur. A new batch of bones were discovered in 1815, and they were acquired by Willian Buckland, a geology professor in the University of Oxford. He named the creature “megalosaurus” (large lizard) in 1822, and officially presented his findings in 1824, with illustrations by his wife Mary Ann Mantell. Though Sir Richard Owen would not coin the term “Dinosauria” until 1842, megalosaurus was the first non-avian dinosaur to be formally described and named (though Buckland’s reconstructions would not be accurate in the least). The species would eventually receive the binomial name Megalosaurus bucklandii to honour Buckland.

Oxford Museum of Natural History exhibits: pieces of the original megalosaurus fossil.

I went through the exhibition, and emerged on the other side, where I saw the mineral and gem gallery, and what they show you about the dodo – a 3D printed skull and some pictures. Back on the ground floor, I looked at the statues, the skeleton parade, the evolution area… Lots and lots of items.

Towards the back, the Oxford University Museum of Natural History is connected to the Pitt Rivers Museum, the university’s collection of archaeology and anthropology. It was founded in 1884 when private collector August Pitt River exchanged his collection for a post as permanent lecturer in anthropology in the university. The premises reminded me a little of the Sir John Soane’s Museum (but way larger), there was so much stuff to see that my brain could not process everything.

Despite the information clutter, I was extremely impressed, especially by the self-awareness of the museum itself. Panels at the entrance explain the relation between colonialism and the collection itself. Apparently, the museum is carrying out a very serious attempt to get in touch with the cultures that spanned a good part of the items in display in order to return them, amend racist descriptions, remove them from view or challenge them. A notable example was its removal of a collection of shrunken heads, tsantsa, from the Shuar culture. Several cases pointed out how historical labels were offensive (outright calling the cultures inferior or savage) and asked how the viewer would feel if their relatives’ remains were exhibited in museums. I think it made me successfully uncomfortable.

Pitt Rivers museum general view.

However, the coolest thing happened on the third floor, when a random volunteer asked me if I knew what a prehistoric tool was. It was in the middle of a case of hand axes. I owned up that I had no idea, so he explained that it was the tool used to make all the other tools, a stone hammer – which made it the oldest item in the whole museum.

There were still things to do and see, and I had time. I had a second run around the Natural History Museum, just because I could, then I headed towards the History of Science Museum. It is one of the oldest museums in the world that was originally built as such. Unfortunately, most of it was closed due to conservation works. However, the lower floor hosts the highlights, one of them being a small blackboard which feature some equations scribbled in 1931 by no other than visiting professor Albert Einstein. Another of the items is the original penicillin culture that was applied to human clinical trials in 1941 by Howard Florey after Alexander Fleming discovered its antibiotic properties. And probably less dramatic, but utterly impressive, is a 1795 drawing of the moon by John Russell, which looks better than any photography I have ever been able to take.

Einstein's blackboard at the History of Science Museum.

I ran into a Christmas market – Christmas in Oxford, which I decided I would visit later on, and headed out to the last of the four museums, the Ashmolean Museum of art and archaeology. Its collections were started as far back as 1683. It is considered Britain’s first public museum, and hosts works spanning half a million years of human history.

On the way, I stopped to buy a drink at a supermarket, and I guess I needed it, because it was gone in… three minutes. I had been getting cramps on my toes, which is usually due to an electrolyte imbalance, so I bought a juice-like thing I like.

The Ashmolean Museum ended up being much larger than either of the other museums, outright huge. It felt similar to Victoria and Albert institution, with a lot of different collections from varying origins. It is much more modern-feeling than the other three, especially since a renovation in 2009.

On the ground floor I found Ancient Egypt – I walked past Roman and Greek sculpture first – with a whole sarcophagus complete with mummy case, and even a small temple. I then proceeded to Greece and Cyprus. I came across a staircase and followed it to the area of Conservation, Textiles, Writing, Money and History – Present of the museum, which includes a cabinet of curiosities hosting some of the oldest pieces in the institution, along some which are just… interesting. One of them is an iron lantern from 1605, which is said (probably an urban legend though) to have been used by Guy Fawkes. Fawkes has historically been considered the head of the Gunpowder Plot, in which a number of English Catholics tried to blow up the English Parliament and assassinate King James VI by digging a tunnel underneath and filling it up with barrels of gunpowder. He would have used this lantern inside the dug-up tunnels.

Ashmolean Museum Exhibits -Greek god, vaguely human form, griffon, Hindu deity.

Ashmolean Museum Exhibits - Small Egyptian temple, Sobek the crocodile god, Arabian camel from a tomb, copies of Roman sculptures.

I popped into the shop, where I saw that the restaurant and terrace was open and they were serving “Festive Afternoon Tea”. I had not been able to book it for the Natural History Museum in London, but maybe I could get away with it here. I decided to try my luck, so I climbed to the fourth floor, where the Rooftop Restaurant is. I caused a bit of a ruckus since I popped in without a reservation and solo, but once the waiters got approval, everything went smoothly. I got a seat next to the window and ordered. Afternoon tea consisted on sandwiches, scones and sweets along with a pot of loose-leaf tea.

The mini-sandwiches were: Cucumber and dill cream cheese; Brie and cranberry shallot shell, shallot purée; Roast turkey, sage emulsion, cranberry sauce, rocket; Smoked salmon, dill and horseradish crème fraîche. The scones were homemade, not plain but with cranberry and mixed spice, accompanied by English clotted cream, and Tiptree jam; they were absolutely mind-blowing.

As for sweets, I got Mini Baileys mousse, Tia Maria syrup; a Father-Christmas-shaped gingerbread biscuit; a lovely Mince Pie; and Mini vanilla cheesecake, candied clementine segment. The sweets were extremely so and I did not finish all of them, particularly the mousse.

It was hard to decide which tea I wanted. In the end I went for the in-house Ashmolean Tea, mixed specifically for the museum by local business Team Tea: a malty second flush Assam, combined with single estate Darjeeling and Black Gunpowder from China. They claim that the “Gunpowder” is a call back to the lantern. It was a great choice, and required no sugar or milk – though I drank the milk after all the sweets.

Afternoon tea, on a three-storied tray, along with a cuppa.

Belly full (maybe a bit too full), I went back down to the second floor, where I visited China and Japan, and European and English art rooms, including jewellery. On the first floor I found the Mediterranean World, Islam and Near East, and India. Back on the ground floor there was more China, Rome, and a collection of Classical casts I had missed before. I missed a bit of the collection, displayed at the third floor, because there is no staircase access there – or I did not find those stairs. I left about ten minutes before closing time.

In front of the Ashmolean Museum stands the beautiful Randolph Hotel Oxford, a Hilton property that is way out of my league, but I can admire. Down Broad Street there were tons of small cafés and shops – collectibles, memorabilia, books… It started drizzling a little just as I walked by one of the largest bookshops, so it was a great idea to pop in and snoop. here are two writers that greatly define Oxford’s personality, and both had their dedicated areas – Lewis Carrol and JRR Tolkien, author of The Lord of the Rings, and father of the modern high fantasy genre, I guess. I wanted everything, but I was limited by luggage size. Good thing I can be reasonable at times. But only at times… T

The drizzle cleared, and I was quite at the centre of Oxford. I explored the Christmas in Oxford market, and then the Claredon Building and courtyard, the Bodleian Library and the Bridge of Sighs. I checked whether I could get a ticket for the tours happening the following day, but they were sold out. It was a pity, but I could live with that – there were plenty of things to do.

The Clarendon Building is a Neoclassical structure, originally destined to be the University Press under the design of William Townesend. Today, it is part of the library, founded in 1602 by Sir Thomas Bodley, and it hosts 13 million items in print. Besides the Clarendon, the library is hosted in a number of buildings – I was snooping around the 15th century Duke Humfrey’s Library and the Radcliffe Camera (from the Latin “chamber”, not because there is any kind of camera around). The Bridge of Sighs is officially called Hetford Bridge. It is a sky walk between the new and old wards of Hetford College, actually a relatively new construction, dating from 1914.

I walked past the Radcliffe Camera and the Gothic University Church of St Mary the Virgin. I strolled into High Street with another of the high-class lodgings – the Old Bank Hotel. The sun had already set and it looked – and felt – like it was the middle of the night, but it was not even 17:30, as I had just left the Ashmolean Museum right before closing time at 17:00.

Oxford at night - Library, Bridge of Sighs, Radcliff Camera, Colleges.

I went all the way towards the end of High Street to see the colleges and other university and religious buildings. It’s difficult to actually explain the roles that Colleges have in Oxford. They are technically “residential colleges”, and become both housing and teaching institutions. All university students are members of one of the 36 colleges. The University describes them as “academic communities where students have their tutorials”. The colleges offer courses, and the students combine courses (year or semester-long subjects) until they lead to a degree. Classes are organised by the colleges, and the preferred teaching method is the aforementioned tutorial, a small group of people (one to four) discussing a topic of academic nature, usually related to the week’s work. Examinations and important lectures are conducted by the University as a whole.

The first building I came across along High Street was All Souls College (officially The College of All Souls of the Faithful Departed, of Oxford), established in 1438. From that corner, I saw one historical building after the other. All the students take the exams at the end of term in the Examination Schools, which also serves for lectures. It was erected between 1876 and 1882. A bit further down the road I saw the Queen’s College, which dates back to 1341, and it’s named after Queen Consort Philippa of Hainault, wife and political advisor to Edward III. I finally spotted Magdalen College, founded in 1458 and one of the most important colleges in town, with beautiful Gothic and Neo Gothic architecture.

I backtracked towards the other end of High Street, walked past All Saints’ Church, Lincoln College Library, and found the Covered Market. The structure, designed by John Gwynn, has been in use since it opened in 1774. It has permanent stalls and wooden beams that give it a church-like vaulted ceiling, along with a cast iron ceiling. Most of the shops were closed though, and the market was almost empty.

Covered market, a wooden structure.

I reached Carfax Tower, or St Martin’s Tower. It used to belong to a long-gone church built in the 12th century, and technically no building in Oxford may be higher than it. From there, I turned into St Aldate’s street, where the Town Hall stands. Unfortunately, it was under renovation, and mostly covered by construction scaffolding.

I reached Christ Church College, which I planned to visit the following morning. In front of it stands the small Medieval St Aldates Church. I went out a little further until I reached Folly Bridge and Bacon’s Tower over River Thames. The tower is not the original 12th century one, but a sort of revival castle erected in 1849 as a folly – basically a decorative building (hence the name).

I tried to drop by the Christmas Market again to buy a cute bauble, but it turned out that it closed at 18:00, and it was 18:30 by then. I headed back to the hotel and got my room. After a shower, I settled down to make my plans for the following day and watch some TV (without even having to surf for a channel in a language I understood…). I even managed to stay awake long enough not to give myself jet-lag.

However, for the life of me, I could not figure out how to operate the radiator in the room…

15th November 2025: The Côte d’Azur {France & Monaco, November 2025}

D****e was leaving Paris about an hour earlier than myself, so I decided to tag along to her station and then backtrack to mine (hey, it was extra friend-time). I’m not good at going back to sleep after waking up, anyway. Thus, we checked out of the hotel together, and I rode with her, then changed platforms towards Paris Gare de Lyon to take my long-distance train. The ride across France was six hours, but it was very cheap, and not much longer than I would take flying from home to my destination.

The current iteration of the Paris Gare de Lyon station was erected following designs of Marius Toudoire around 1900, so it was ready for the World Fair. It features a clock tower and an inner ironwork structure combined with decorative details typical of the Belle Époque design. The station was bustling even early in the morning – I arrived before 7:00 for my 8:21 departure. My ticket said that I would have to leave through hall 3, but there was an announcement from hall 1, where I waited.

Inner platform of Gare de Lyon station.

Since the previous day I had been tired and had not thought to buy food for the day, I had to pay the price of travel-hub lunch. I got myself some cookies, a Coke and a sandwich – chicken in traditional sauce. I also decided to start a Christmas ornament collection, and got myself a shiny Paris bauble. Access to the train opened ten to fifteen minutes before departure, and it was a bit chaotic. My seat was in the low 500s, and for some reason you could not go from one carriage to another (or at least from my carriage to another?) so I’m happy I got the right door on the first try. The train left on time, at 8:21 sharp, and I slept for the first couple of hours. Around 11:00 I was hungry, so I decided to pull out my sandwich… which ended up being “tandoori sauce”, not “traditional sauce”. Take that, caffeine-deprived brain. For a second, I considered not eating it, fearing it would upset my stomach. However, I was hungry enough that I did not really care, and it was not too spicy. I had another nap afterwards again, and before I knew it I had arrived at the Gare de Nice-Ville station in Nice, in the south-east of France, the area known as the Côte d’Azur (Azure Coast) or French Riviera.

Gare de Nice station from outside.

The first hominids may have roamed the area as far as 400,000 years ago. However, the city was founded around the 350 BCE by settlers of Greek origin, naming it after Nike, goddess of victory. There was a nearby Gallic-then-Roman settlement, Cemenelum, which was eventually absorbed by the growing Nice. During many years throughout history, it could be considered that the region was part of Italy in one way or another. In 1860, the territory was given to France, though not all the Niçoises were happy about that. The Italy sympathisers were repressed without much success.

After the annexation to France and the modernisation of the railway network, Nice became popular amongst the English aristocracy, who enjoyed spending winter there. Holiday-makers included Queen Victoria, for whom a full hotel was built, and her son Edward VII. This would eventually lead to the city’s economy boom during the second half of the 20th century, after it was liberated from the WWII occupation.

In 2021, Unesco recognised the uniqueness of Nice declaring it World Heritage as Nice, Winter Resort Town of the Riviera, with emphasis on the winter part. The development of winter resorts was different from the summer ones, creating layer upon layer of new structures. The so-called Belle Époque architecture became popular, but all in all, the layout of the city is quite complex, due to both history (grand hotels near Roman ruins) and geography (beaches and cliffs).

I headed out to the hotel, which was very near the station, dropped off my stuff and went on exploring. The weather was great, so I could forego one of my layers, even. I was starting to understand the “mild winter” reputation. I first headed down the Avenue Jean Médecin, the main commercial artery of the town, until I reached the promenade.

On the way, I stopped at the basilica-church Basilique Notre-Dame de l’Assomption, a Neo Gothic building designed by Charles Lenormand and erected in the 1860s, after the city was incorporated to France, as gothic was (is?) considered a “very French style” (thanks, Viollet-Le-Duc) and more “French architecture” was desired in the city. The building was not open, so I continued down the avenue until I reached the large Place Masséna, the main square of the city. It is surrounded by red buildings of Italian architecture, and a fountain called Fontaine du Soleil, the fountain of the sun, representing the Greek god Apollo.

Neo-gothic basilica.

Place Masena with Italian-architecture building and a monumental fountain.

After crossing the Esplanade Georges Pompidou and leaving behind an ugly monument thing Neuf lignes obliques, I found myself at the famous Nice promenade and the Mediterranean Sea. In front of me, a line of private and public beaches made of rounded boulders. On my right, the Promenade des anglais (the Walkway of the English), and on my left the Quai des États-Unis (United States Quay). I turned left, but I could not prevent getting distracted by the beaches. Leaving behind the opera house Opéra de Nice, where nothing was on, I spent some time sitting by the ocean before I continued my way.

Etats-Unis quai and the beach.

Waves on a pebble-and-stone beach.

I diverted a little back into the old town to visit the cathedral Cathédrale Sainte-Réparate de Nice – Cathedral of Saint Reparata. Construction started in 1650 in the Baroque style, and it went on for centuries until it was declared complete in 1949. The building has one bell tower and ten lateral chapels. It enshrines the relics of Saint Reparata, which arrived in Nice in 1690.

Catholic cathedral of Nice, a Baroque building.

After wandering Old Nice for a bit, I started the climb up the historic park Colline du Château, where the old Nice castle and cathedral stood. Today it offers panoramic views, ruins, playgrounds and… cemeteries for some reason. There is a “free” lift, but someone stood at the entrance, looking very much like they were charging a fee. I wanted to climb up the stairs on foot for the views anyway. Though it was before 16:00, the sky was already in sunset mode.

Sunset over the sea.

The ascent was not difficult, three or four flights of stairs before I reached the small building that tops the tower Tour Bellanda, the first viewpoint. The structure was originally a medieval defensive structure, but it was destroyed and rebuilt as a place to enjoy the views. I continued on, through the hill / park / historical site. There are several viewpoints towards both sides of the city, along with historical ruins, mosaic decorations, fountains, even the aforementioned cemeteries… All in all I had a lot of fun exploring.

Views of Nice - roofs, coast and ocean.

Collage of the Chateau de Nice: ruins, a waterfall and an octopus-shaped collage.

It had become dark by the time I left the parks, and I somehow ended up re-entering the city down some historical stairs which landed me right into the Medieval quarter again. After going back to the beach for some more wave sounds, I undid my path towards the hotel, taking the exact same route.

Medieval Nice at night, with the cathedral tower at the end.

Waves on a pebble beach at sunset.

There was a bookshop on the way, and I really wanted to stop and buy a book I knew was out that weekend, but honestly? D****e had brought so many presents for me that it would not have fit into the backpack… What I did buy was dinner and breakfast for the following day at the supermarket in front of the hotel – read: coffee and a sandwich. Oh, and a smoothie because it looked awesome.

I spent the last couple of hours of the evening in the hotel, watching bad creature films on YouTube before I went to bed.

29th March 2025: Tibidabo & Friends {FFVII Barcelona 2025}

It sometimes feels like the alarm clock going off at 6:00 is actually worse than it going off at 3.00… Fortunately, after a hefty dose of coffee, I was able to get on my way, and we got to the station on time to do some reorganising of luggage. The situation with the trains was chaotic due to some projected works on the tracks. They announced that the train would be 12 minutes late, but it actually arrived and left a minute early. The train ride was uneventful, despite a large crowd of loud teenagers from a rugby team who had no idea where the were going, and really dirty toilets in the cars. The train reached Barcelona ten minutes before schedule. However, it did not go into the station until 15 minutes later for some reason – I really don’t understand what was going on with the whole railway system, or how construction in Madrid affected the time to enter Barcelona, but at least we were there.

The first step was dropping off the suitcase. Fortunately, Barcelona Sants has a luggage storage. I decided that for 10 € I could ditch my backpack and not haul it through the underground. Barcelona Sants station was under construction in 2021 and it’s still under renovation, so it took a bit to get to the correct place with the suitcase. Once we could drop the luggage off, we headed off to the underground.

There, we had to queue up to get our transportation cards from a machine – which apparently could not be used in any language except Catalonian. I had a code to input, and with that code the machine spat the tickets. They were convenient to use, and they worked on the underground and the buses without problem. The online discount made them better value for money: a single ticket is 2.65 €, and the 72-hour card Hola Barcelona is 26.30 €, which is reduced to 23.67 € if you order online (a 10% discount which is almost the price of one trip).

I had waited to book activities till the very same week because I wanted a relatively good prediction on the weather. It was not as nice as I had hoped due to the wind that morning, but oh well. Unfortunately though, the eclipse caught us in the underground. I had hoped we would be outside already, but we were over half an hour behind schedule due to the train and the construction in Sants.

I had bought tickets for the amusement park Parc d’Atraccions Tibidabo. A long time ago, from Park Güell, I was trying the zoom of my then-new camera and I was intrigued by its silhouette. I was curious and honestly, I thought it was an interesting place to see. Tibidabo is considered the oldest – or at least longest-running – amusement park in Spain. The first rides opened in 1905 under private initiative, though the park is now owned by the Barcelona city council.

I found a ticket which allowed to see the panoramic area and ride the “classical attractions”. It included the shuttle bus and the funicular Cuca de Llum, opened in 2021, which is not the original from the turn of the 20th century, but a recently renovated one. There’s no way I am getting on a funicular which older than 100 years old. To get there, we took the underground, and walked to the so-called Tibidabo Store, where we exchanged our tickets for bracelets so we could ride the bus to the funicular. The place is a bit out of town indeed.

We reached Parc d’Atraccions Tibidabo around 12:45, a good couple of hours after leaving Sants. Upon entering, it was colder than I had imagined, because it was windy, especially at the top of the mountain. There was no ticket control except for the attractions, so we were able to come and go as we pleased, and i found that was a regular mini-bus that went there. I felt a bit cheated, but I guess the funicular itself was an experience! Good thing that I am not too keen on rides and I decided to only get the basic ticket. It did not feel cheap either (21.50 €). The ticket Pase atracciones emblemáticas allowed us to wander around and ride the ‘emblematic’ rides – i.e. the classic one – and see the museum.

Barcelona from above

We first had a look at the city of Barcelona underneath. The view was not particularly different from the one in Parc Güell, except I’m more familiar with the layout by now. We then turned to snoop around the Temple of the Sacred Heart of Jesus Temple Expiatori del Sagrat Cor, a Christian church designed by Enric Sagnier i Vilavecchia (1858-1931) in a mix of Neo-styles, halfway between a Disney Castle and a classic cathedral. Construction was carried in two phases: 1903 – 1911, and 1915 – 1951. The upper towers were built later on, and work continued until 1961. The outer lower area is Neo-Romanesque, and the upper one Neo-Gothic; the inside is Neo-Byzantine, with mosaic walls. It has stairs a the sides to move from one level to another, and a lift inside. All in all, the whole building is… weird.

Sacred Heart Basilica

We ambled around for a while, and finally decided to have an early lunch, so we could avoid the family rush. My sibling wanted a proper sit-down, and we found the only option offering actual tables. The service was terrible – we never got glasses nor cutlery. We had to ask for napkins twice I think. Thrice for the bill after ordering two bottles of water and two burgers Hamburguesa de mejilla ibérica con pepinillo (Pulled pork and pickles burger). The service was so bad that the waiter decided to give us a complementary 15% discount on their own volition.

After lunch, we queued to ride the carousel and the Ferris wheel, and we saw the Automatons Museum, which was really interesting. The oldest piece dates back from 1880, and the newest from 2005. There used to be automatons sprinkled through the park for almost a century, but they were housed in their current home in 1982 to protect them from the weather.

Tibidabo Panorama

Automaton Museum

Around 15:00, we came down from Tibidabo. We had to share one ticket to get into the funicular, and the doors closed on me. I had to go to customer service to wait for someone to give me a replacement one. We undid all the way back to Sants to pick up our luggage, then we went back to the underground to meet with my friends E**** and P***o near their house to celebrate an important event in their family. We stayed with them for a few hours, then dropped by the supermarket to buy dinner for the next day, and took a bus towards our hotel.

We checked in, dropped our stuff in the room, cranked up the heating, and went to have dinner. We ended up at a Japanese franchise because the website said they had okonomiyaki, which they didn’t. At least they had dorayaki to compensate.

When we came back the room was at 19 ºC, and the air conditioning was blowing out cold air. I turned the thing off and went down to reception, where they told me they would call with a solution – either maintenance or a change of room. An hour later, without having heard from them, I went down again and a different receptionist told me the only thing that could be done was giving us extra blankets. I asked for three blankets and only got two. But I was too tired to fight – there was an extra towel I could use for added warmth. I defrosted in the shower and went to bed.

30th December 2024: A planned and packed day {Vienna, Silvesterkonzert 2024}

It was a crisp morning in Vienna when we got up. We went down for breakfast and it was not particularly well stocked. The coffee was… weak, so I decided to mix a cappuccino and a black coffee to get me the energy I needed for the day. I tried some local cake, but I did not enjoy it, so I decided to stick to bread and croissants. Thankfully, I did run into the lady from the day before, and her husband, during breakfast, and told her about our plans – that way at least someone in the group would know not to wait for us and we would not delay anyone. Apparently, we were not the only ones who had made their own plans either, as the excursion had been marketed as “optional” and yet it seemed to be “a given”. Even better, we came across the driver from the day before (despite him saying he had nothing to do with the trip), and we could tell him that we were not coming, either. As we stepped out, it was freezing – literally below zero – but sunny during the whole day.

We took the underground at Zieglergasse and headed towards the city centre. I asked my parent to use their phone for GPS and maps in order to keep my battery for as long as I could so I could be taking pictures throughout the day, so they would be guiding. Our first stop was the Hofburg – the former imperial palace – and the Sisi Museum. Empress Elisabeth of Austria (1837 – 1898) was the wife of Emperor Franz Josef I of Austria. She married the Emperor when she was just 16 years old, and was stifled by court life. She spent most of her time travelling and avoiding royal duties. Her perceived eccentricity – today we would call it depression – and assassination in 1898 helped create an image of a romantic heroine in the media that has reached today, especially through actor Romy Shenider’s portrayal in the 1950s.

Hofburg

The museum tells about her life by showing objects, portraits and reproductions of her clothes. Then, you step into the former imperial apartments, which have been refurbished with furniture from the 19th century to make them look real. The audioguide was… corny to say the least, and I kind of skipped most of it because I got bored.

Sisi Museum and Royal Apartments Vienna

I proposed the church of Saint Michael first, and then the National Library. However, my parent had been intrigued by the church that stood at the exit of the underground. Thus, we headed there. The Wiener Minoritenkirche, Friars Minor Conventual Church, is officially the Italian National Church of Mary of the Snows Italienische Nationalkirche Maria Schnee. The church was erected between 1276 and 1350, and it was one of the first gothic churches in Vienna, following a French pattern. There were many subsequent reforms, including rebuilding the bell tower and the spire again and again – today the bell tower is flat and the spire is gone. The interior altar is Neogothic, by Ferdinand Hohenberg. Since it was still around Christmas time there were Nativities and Christmas trees.

Wiener Minoritenkirche

Afterwards, we headed towards St. Michael’s Church Pfarre St. Michael. It started as a late Romanesque or early Gothic building, maybe in 1221. The following two centuries saw Gothic annexes added. The crypt was built in the 16th century. The organ was built in 1714. The Rococo high altar was sculpted by Karl Georg Merville, and it represents the Fall of the Angels after the War in Heaven, when Lucifer was banished; underneath, there is a Byzantine Virgin Mary from the Cretan school. The outer façade was rebuilt in a classicist style in 1791. Construction officially finished in 1792. The crypt is accessible in a guided tour, but considering it has about 4,000 bodies, some of them mummified and on display, I think I’m happy we did not take it.

Michaelkirche Vienna

I proposed going to the Library again, because it was cold and there would be toilets there. My parent took over guiding with their phone, and my sibling and I got distracted as we passed by the Stallburg, where we caught a glimpse of the Lipizzan horses chilling out.

Instead of reaching the Library, my parent decided that we wanted to see the Augustinian church Augustinerkirche, a mix of 14th century Gothic and 18th century Neogothic. The original church was engulfed by the Hofburg as it expanded, and in 1634 it became the official imperial church. May Habsburg weddings were officiated there, and a chapel to the side, called the Herzgruft (Heart Crypt), contains the hearts of the members of the dynasty, from Ferdinand IV in 1654 to Archduke Franz Karl in 1878.

Augustinerkirche

I did not get to go to the Library, but we walked past the Hotel Astoria, which opened in 1912. it was built in the a late Art nouveau style known as fin de siècle (end-of-century). At the time it opened, the hotel was the latest, with electricity, bathrooms and all!

We reached the pedestrian / shopping street Kärntner Straße, the neuralgic centre for Vienna shopping. There we… met the card-not-working lady and her husband again, in what would become a funny number of encounters. We also saw the Swarovski shop. We entered it because we thought it would be warm – and hey, it had a toilet, which was handy, considering we had left the hotel over four hours before. Swarovski is an Austrian glass producer, known for its crystal glass, used in jewellery, decoration, watches, accessories. The company was founded in the late 19th century with the idea of “making a diamond for everyone”. Since then, it has produced thousands of items – from Christmas decorations to sculptures to collectible tiny figurines to whole dresses for the Vienna Opera. The place was halfway between a shop and a museum – and we might have spent a bit more than we had planned there, especially considering we were not planning to spend anything.

Swarovski flagshop Vienna

We reached DO & CO Restaurant Stephansplatz, located on the top floor of the post modernist structure Haas House, constructed in 1990. Most of the building is a hotel now. The restaurant has a fun view of the cathedral Domkirche St. Stephan. My parent and I discovered the restaurant because the opening scene of Austrian TV series Kommissar Rex, which ran between 1994 and 2004. It follows the story of German Shepherd Rex, a police dog which is “transferred” to the homicide department after his original handler dies… at the DO & CO terrace. It is such a naïve series, I just love it. Think The A-Team ingenuity with an adorable GSD saving the day every time and stealing sausage rolls as a self-reward. In a later series, Rex would move to Italy, and there is currently a Canadian reboot too…

There were no doggies in DO & CO, but both service and food were superb. They had butter and bread, and small receptacles with different types of salt, and a note on how they should be used. For lunch, I ordered kalbsbutterschnitzel – delicious minced veal butter patties with cream, accompanied with mashed potatoes, fried onion rings and a small leaf salad. For dessert, I had an ice latte that I should not have had, but I saw it pass by and I was smitten. We snuck a number of pictures from the restaurant, too.

DO & CO Vienna

After lunch, we went into St Stephan’s cathedral Domkirche St. Stephan. The building is a mixture of Romanesque and Gothic, and it was initiated around 1137 and completed 1578, and as many as four construction stages can be seen – the first Romanesque towers, the later Romanesque church, the Gothic Choir, and the outer, newest additions. The roof is tiled with as many as 230,000 pieces, one side shows the mosaic of a double-headed eagle, and the other the coat of arms of the city and the country. The bell tower has twelve bells, and the interior hosts as many as 18 altars (plus the ones in chapels). The cathedral was built in limestone, so it looks darker than other churches its size (107 metres long, 70 metres wide and 137 metres high).

The high altar was built in marble by Tobias Pock in the 1640s in the Baroque style. It depicts the stoning of Saint Stephen, church patron and the first Christian martyr. He was stoned to death by the Israelites after a rather inflammatory speech in front of the Sanhedrin, defending Christ’s teaching versus the traditional Jewish ones. According to the Bible, this would have happened a couple of years after Jesus’ death, and before the Roman persecution.

St Stephan’s cathedral

My parents were tired and they decided to head off towards the hotel, while my sibling and myself stayed behind. We wandered around Stephansplatz, Rotenturmstraße, and Kärntner Straße, checking out the Christmas lights and decoration until we reached the Popp & Kretschmer fashion store. They are a luxury women’s clothes firm, which draw tourist crowds during Christmastime to see their huge bow decoration, which makes the whole building look like a present. They call it the Vienna Bow.

Christmas decoration - Vienna Bow

We also looked at the Vienna State Opera Wiener Staatsoper, which was prepared to celebrate the new year, with a neon display saying (in English) “Hello 2025”. It was stupidly cold though, so we might have stayed in an underpass for a few minutes longer than necessary.

Afterwards, we headed towards the Sacher Hotel. The five-star hotel was founded in 1876 by the son of a famous confectioner. When the founder died, his wife, Anna Sacher, became manager. She turned the hotel into one of the most refined in the world, catering exclusively to the aristocracy. This management lead the hotel to bankruptcy, and she had to sell the business to new owners, who restored it to its former glory. The hotel serves “the original Sacher-torte”, a chocolate cake coated with dark chocolate icing, and a thin layer of apricot jam in the middle, served with unsweetened whipped cream. It was reportedly invented by the father of the founder, and the recipe is kept a secret. There are other versions of Sacher-torte, but the hotel is the only one with legal standing to call theirs original.

We had a 17:30 reservation at Café Sacher, in the hotel. Sacher Hotel actually has two cafés. The more modern one faces Kärntner Straße and is called Café Bel Étage. It had a long queue – Christmas is peak season in Vienna, as we were quickly learning – but I had been informed that reservations accessed through a particular door. However, that was not where our reservation was – I swear, I did not see the different name anywhere. The historic Café Sacher had an even longer line, and no special door. I dared ask the doorman at the hotel how to get there, and he gave me a huge grin and said “skip the line, go through the exit”. Boy, that was… awkward. Very, very awkward. I though the people just outside would lynch us!

Staff came to check on us, and since our reservation at the Café Sacher was valid – I made the reservation in July, literally as soon as the spots open – we were shown into one of the small salons. The café has a perfect offer – Sacher Sweet Treat: a perfect slice of original Sacher-torte with whipped cream, a non-alcoholic hot beverage and a bottle of Römerquelle mineral water for 22.5 € (31.5 € with a glass of the in-house champagne, Original Sacher Cuvée). I ordered mine with sencha senpai, Japanese green tea. I enjoyed the cake more than I had thought I would, and the tea was great. The staff was incredibly nice, too. They must have been used to silly tourists.

Sacher & Sachertorte

We left the Café Sacher and headed towards the Spanish Riding School Spanische Hofreitschule. For my sibling, this was a core-memory event, so they insisted we got really, really good seats for the Gala Performance Galavorführung at 19:00, on the parterreloge – the box at ground level. The Gala performance is the longest exhibition the Riding School has, and it lasts 90 minutes, with a break. The horses were gorgeous, and the riders looked very cold, but everything felt strangely… cold. I think I liked the exhibit in Jerez Riding School better.

The Spanish Riding School, considered the oldest horsemanship school in the world, was established during the Habsburg Monarchy in 1565. It is dedicated to the breed and training of Lipizzan horses. Lipizzaners are a breed of riding horses developed during the Habsburg empire. It derives from Arab, Bavarian, Spanish and Neapolitan breeds. They were selectively bred so most of them are grey with white coats – albeit there is always a bay stallion in the Spanish Riding School. The breed itself might be traced to eight stallions in the late 1700s, and it was developed in Slovenia. The horses are considered so precious that they were evacuated during WWI, and “rescued” by the US army during WWII. “Lipizzan horse breeding traditions” has been considered Unesco Intangible Cultural Heritage since 2022.

Once bred, foaled and fledged, the Lippizaners are trained. This is done at the Spanish Riding school. The traditional horse training methods used by the school can be traced back to Ancient Greece, and like many other things, they re-flourished during the Renaissance period in the 16th century. The goal of Classical training was to prepare horses for warfare as part of the calvary. Horses train for six year after they turn four.

In Vienna, the Lippizaners are housed at the Stallburg, which is technically part of the Hofburg Palace. It is a Renaissance building from around 1560, originally conceived as a residence but that was later converted into the Imperial Stables. The Winter Arena was built in 1735, and has remained unchanged since then – including the chandeliers. The arena is presided by a painted portrait of Emperor Charles VI.

Vienna Riding School - winter Arena

There was something weird in the atmosphere that made it not feel all that… fun. Before every performance, a lady walked to the centre of the arena to introduce the exercises movements in German and English. The performance was pretty though. I tried to sneak a picture or two, but I was unsuccessful – and a bit worried they would kick me out if the venue. There were a total of six different numbers, and the show, including the introductions, was organised as follows:

  1. Alle Gänge und Touren der Hohen Schule – “All Steps and Movements of the High School”: four riders and stallions in individual choreographers, including the one dark stallion in the stable, with classical movements.
  2. Am Langen Zügel “Schools on the Ground: On the Long Rein” – the riders guide the horse from the ground, they are not on top of the horse, with movements such as piaffe and pirouette.
  3. Pas de Deux “Step by Two” – two riders-horses pairs work in tandem, mirroring each other.
  4. Arbeit an der Hand und Schule über der Erde “Working Hand and Airs Above the Ground” – with three main movements: levade, capriole and courbette. Four horses work with their riders on the ground, and two of them with the riders on the saddle, but without stirrups. When horses perform well, they get a sugar treat from the rider.
  5. Am Zügel “Schools on the Ground: Curb Reins” – only one horse and his rider, who only holds two out the four reins in their left hand, and they hold the riding crop upright in their right hand, a commemoration of the military heritage of the horse riding tradition.
  6. Schulquadrille “School Quadrille” (or Das Ballett der weißen Hengste “Ballet of the Eight White Stallions”) – eight horse-rider pairs have to coordinate with each other for a choreography, ending in the Radetzky-Marsch.

When the exhibition came to an end, we tried to go to the toilets. You had to scan your tickets and pay 50 cents. Really. Two hundred quid for the tickets and they charged fifty cents for the toilets, which were filthy on top? A total rip-off.

I got my sibling to the hotel, and then I left again to meet up with my friend D****e and her father Fr***, who were also in Vienna for a few days. They were even staying in a hotel close to ours, so it seemed that we had planned it in advance. We spent a couple of hours in a small eatery – Gschamster Diener – where they introduced me to kaiserschmarrn, fluffy shredded pancakes with raisins, powdered sugar and cinnamon.

Kaiserschmarrn

I eventually had to go back to the hotel and my room. There, I spent an hour trying to find a place to book lunch for the following day. After deciding not to plan anything on the 31st, my parents had a change of mind and suddenly I found myself tasked with planning and finding a place for lunch. Most restaurants were either closed or booked off. I was not a happy camper, but in the end I managed to find something… somewhat decent. My sibling suggested the Natural History Museum, the Butterfly House and the Library before lunch. I was absolutely sure that was impossible to cram three things in the morning. We would not even do the entire Natural History Museum, but at least we would be somewhere warm. I resigned myself not to see the Library, had a shower and went to bed.

21st October 2024: Bruges & Antwerp {Belgium October 2024}

It was raining in Bruges [Bruges | Brugge] when I woke up, but it was supposed to stop by the time the monuments started opening. I asked reception to take care of my bag and I left around 9:30. I thought I would retrace my steps from the previous day, but when I got to the Church of Our Lady, it was not open yet, thus I took a small detour and explored its surroundings. I walked around the area taking in the scenery, and crossed Boniface Bridge Bonifaciusbrug, one of the iconic bridges overlooking traditional wooden and brick houses which face the canal. In front of the church stands the hospital-turned-museum Apotheek Sint-Janshospitaal. It was closed because it was a Monday, but the building was pretty.

Bonifacebridge

The Church of Our Lady Onze-Lieve-Vrouwekerk opened at 10:00 and I wanted to at least see the free area. The church is famous for having a statue by Michelangelo, but that was in the museum area, which I did not visit. The church also displayed original frescos and a small Via Crucis.

Church of our Lady Bruges

I then walked towards the city centre and Saint Salvator’s Cathedral Sint-Salvatorskathedraal. The cathedral is made mainly out of brick, along with tuff and limestone. The oldest bricks date from the 14th century, made outside the city and brought via the waterways. It was not originally built as a cathedral, but took over the role when the actual one one was destroyed in the 18th century. Instead of rebuilding it, the city made Saint Salvator the next cathedral in the 19th century. Unfortunately, shortly afterwards, there was a fire and the roof collapsed. English architect Robert Chantrell was in charge of the restoration, and he chose to build the neo-Romanesque tower that looks something like a Lego set. Later, a peak was added to the tower which makes it even more… Lego-like.

Saint Salvator Cathedral Bruges

The cathedral has an organ originally built in the 18th century, and has been expanded thrice since then. The altar is surrounded by Flemish tapestries. Underneath the nave, there is a crypt where you can see the oldest bricks and a number of 14th century tombs, decorated with paintings in the fresco technique. They feature angels, Jesus, the Virgin Mary and Saint John. There is a small building adjacent to the cathedral with a closed off cloister which holds the treasure, full of works of art.

Saint Salvator Cathedral 14th century tombs

Afterwards, I headed off back towards Market Square Grote Markt. It was raining on and off, so I decided that maybe I could check out the Belfry of Bruges Belfort van Brugge – it turns out that the museum is… climbing the belfry. The belfry was originally built in 1240, though it burnt down and it was rebuilt forty years later. It has an octagonal end cap which was added in the late 1480s. After a few built and destroyed wooden spires, a stone neo-Gothic parapet was added in 1822. The tower is 83 meters high (366 steps, yes, I counted, I got 364) and contains a carillon with 23 bells (27 tons, no, I did not weigh them), and a total of 47 bells. Believe it or not, I was up there when the carillon stroke noon. That was awfully cool. There were also great views of the city.

Bruges Belfry

Bruges from the Belfry

There was a clearing in the clouds and very low chance of rain for the next hour or so, and thus I decided to find one of the official providers of boat tours on the canals. These are sanctioned by the town hall and all of them have the same price and the same route, so any one would do. The one I found first was De Meulemeester Boat Tours Rondvaarten De Meulemeester. The tour departed and arrived from Dock no. 5 (Wollestraat 34). We sailed to Jan van Eyckplein (Jan van Eyck Square) and the edge of the Lake of Love Minnewater. On the way we did not only see the most important monuments facing the water, we also came across Bruges’ famous swans. In the 15th century, keeping swans was a symbol of status, and they were added to the city as part of its image as a flourishing trade point. Today they’re still maintained by the city, which has actually taken them off from the canals for quarantines before. There were quite a few tours going on at the same time, and the boat captains seemed to know each other – or at least have enough familiarity for some banter.

The canals of Bruges

After the boat ride, I found the Gothic Bruges city hall Stadhuis van Brugge, one of the oldest city halls in the historical region. It was built in a late Gothic style between 1376 and 1421, but it has been modified and renewed a few times – and since at this time I had decided that Bruges was a city to come back on a non-Monday, I decided to leave it for the next time, hoping that Antwerp would have better weather – a bit less cold at least.

Next to the town hall stands the Basilica of the Holy Blood Basiliek van het Heilig Bloed, which is supposed to hold a Relic of the Blood of Jesus Christ. I only visited the Romanesque chapel underneath, because I had just seen two huge groups of people go in.

It was then around 13:45, and I had decided to take the 14:25 train to Antwerp to try and make it to the last entry to Chocolate Nation. At the station, however, I decided to get a Belgian waffle with dark chocolate and strawberries. The waffle shop was out of strawberries, so I got a berry mix instead. That killed all my appetite, to be honest, but it was delightful. I even got a little Belgian flag on it – and good thing that I did not order whipped cream, because it was so filling that I was not able to eat anything else throughout the whole day. I regret nothing.

Belgian waffle

The train was on time and off I went to Antwerp [Anvers | Antwerpen]. I reached the stunning Antwerpen-Centraal railway station Gare d’Anvers-Central | Station Antwerpen-Centraal. The weather was not much nicer than in Bruges though, and it was still raining. I dropped my luggage off at the hotel, and went back to the station to take some pictures – I like hotels near travel hubs. Afterwards, I headed off to Chinatown / Van Wesenbekestraat, but the only interesting thing there was the pagoda gate.

Antwerp Central station

I headed towards the historical centre and stopped by the Cathedral Cathedral of Our Lady Onze-Lieve-Vrouwekathedraal, which belongs to the Unesco World Heritage Site Belfries of Belgium and France. It is credited to architects Jan Appelmans and his son Pieter Appelmans. Both of them are honoured in a metal monument within the wall of the cathedral, which was erected in the Gothic style. The cathedral was never completed to its original concept, and only one of the two projected towers was ever finished. The church was damaged in several scuffles with time – as recently as WWI – and it was completely restored between 1965 and 1993. It had already closed, but I was counting on that.

Antwerp cathedral by day

I continued off to Main Square Grote Markt, which was almost empty due to the weather. There stands the Antwerp City Hall Stadhuis Antwerpen, a few guild houses, and Brabo Fountain Brabofontein, which represents a legend – a giant who cut off the hands of boatmen received the same fate by hero Silvius Brabo.

Antwerp Grote Markt by day

Then, I continued off towards the edge of river Scheldt, on whose banks Het Steen, a Medieval fortress dating back to the early 13th century. It is what one could call the Antwerp Castle from Wagner’s’ operas, and it was built as a way to control the river. It is currently used as a visitor centre.

Het Steen

It was getting dark already and none of the monuments were lit, so I decided to get back, as it was raining rather hard. The second I saw reached the station though, the illumination was turned on. I decided to go to the hotel and wait the rain out, as it was supposed to clear out in about an hour. It did, so I retraced all my steps back towards the Cathedral of Our Lady Onze-Lieve-Vrouwekathedraal and the Main Square Grote Markt. I even reachedHet Steen, but it was not lit.

Antwerp cathedral by night

Antwerp Grote Markt by night

Though it was cold, it had fortunately stopped raining for the time being, and I could take my walk leisurely. I turned in for the day afterwards.

20th October 2024: Heroes Comic Con & Art Nouveau in Brussels and the Medieval Centre of Bruges {Belgium October 2024}

Just before going to bed to grab a couple of hours’ sleep on the 19th, I did a last check that I had everything ready, and I realised that my parking reservation at the airport had not been processed. It is a good thing that being an Aena member, the price had not gone up outrageously from when I had done it the first time a few months back. I have no idea why it did not work the first time, but I am glad I caught it before I left, because non-reserved parking is three times as much.

I did sleep for a few hours and the alarm clock went off around 3:00 for my 6:20 flight. The drive was uneventful, I found an awesome parking spot, and I had the bus just for myself after a minute of waiting. Security was fast, and it was weird to be in the Schengen side of the terminal for a Ryanair flight. I got on the plane and got some sleep. We landed in Brussels [Bruxelles (French) | Brussel (Dutch)], Belgium [Belgique | België] early, but deplaning took a while. Once outside, I followed the signs for the train and there was one there already. I settled until I got to Brussels Central station, where I bought a coffee, a drink, and a sandwich. I then walked towards the underground station – the coffee was gone even before I was there.

I knew I was in the correct underground line when I started seeing cosplayers and kiddos with superhero merchandise along with their resigned parents. My backpack was not heavy, but I was glad to have a seat both on the train and the underground. I reached the area of Brussels Expo a few minutes before the convention Heroes Comic Con opened for general admission. There was a queue, but instead of getting in line, I walked up to the nearby Atomium.

The Atomium was built as the centrepiece of the Brussels Expo’58. It is credited to architects André Polak and Jean Polak from a project by civil engineer André Waterkeyn. It was designed as a homage to scientific advance, especially nuclear physics, and thus resembles an atom or a molecule. It is 102 metres high, and it comprises nine spheres with a diameter of 18 metres each, joined by tubes and escalators. The Atomium was not designed to survive the Expo it was built for, though. In the mid 2000s, it had to be renovated, and a lot of the original aluminium was replaced by stainless steel.

Brussels Atomium

I contemplated going up the building. However, when I looked at the time, I realised that if I went in, I would be able to get into the first of Misha Collin’s photo shoots. When I decided to buy the tickets, I only bought one picture in the afternoon, because I was not sure what time I would make it to the convention, considering the plane, the train and the underground. But I was there on time so I used my phone to buy an extra ticket for the photo shoot in which Collins would be wearing the outfit from Supernatural’s character Castiel. This also gave me the chance to get the photograph signed during the time between photo shoots. Furthermore, I was still within budget – because I had decided to indulge myself with the money I had originally set aside for a balloon ride in Cappadocia.

I walked into Brussels Expo. The exhibit was huge, but I had a map downloaded on the phone. I was a bit confused when doing my original research, because it turns out that there were actually three conventions going on at the same time – Heroes Comic Con, Made In Asia and Gameforce. However, once there, it was easy to get around. Heroes Comic Con is “a big feast dedicated to pop culture”, so basically a one-size-fits-all big merchandise fair with graphic artists, cosplayers, the whole nine yards, nothing too different from Paris Fan Festival. Heroes Comic Con’s biggest selling point, however, was having invited a number of popular actors – along Misha Collins (real name Dmitri Tippens Krushnic, for the record), other guests were Bob Morley, Eliza Taylor, Ian Somerhalder and Paul Wesley. Some of them… rang a bell. I might even have seen a few of them somewhere – I must have, because I did watch the newer Star Trek. However, I find it great that they had a large following and there were queues for them.

I followed my map towards the photo booths, where they checked my ticket and gave me a bright-coloured chip – they give you a chip per ticket, as you can have two people in one photograph. I was on my own, so no problems there. I actually got two photographs out of the first shoot – so I’ve got three though I paid for two, yay me. I had brought a customised jacket with a pair of angel wings, and the goal was to have them in the photographs, so I would be facing Misha but looking over my shoulder. The first photograph did work out too well, so Misha called me back for a re-shoot. He was very friendly, and much more approachable than my usual Japanese artists. Either that or I was less strung up. The pictures were printed on-site, so I took mine to the autographs area to wait. I had bought an official book beforehand – the lightest thing I had found, to be honest – in case I could not get a photograph signed, but since I this had worked out so well, I had our recent picture – and in the character outfit – to be signed.

Since I had been towards the end of the photograph queue, I did not have to wait long for Misha to come. A staff took my name on a post-it note and attached it to the photograph. When it was your turn, you paid for the autograph (I decided not to get a selfie, because I still had another photograph bought), and I told him about the pure chance I was there. He was “glad I could make it”. As I said, nice and approachable.

By the time I was out of the autograph area it was around 11:40. I decided to wander around. I gravitated towards Made in Asia, and was very strong reminding myself I wanted to keep my luggage light and not pay for any extra. Thus, I managed not to buy anything despite finding a bunch of Saint Seiya merchandise – which I now regret, but that’s FOMO speaking. I had a chuckle or two out of young people complaining about the official good stuff being “too expensive” when I found the shops cheaper than the stands I see in the Spanish counterparts.

Brussels Hero Comic Con

I returned to the photo booth for the second photograph, and I thanked Misha for the chance – I look silly in the picture, but that’s okay. It was great. There was a Q&A with Collins an hour or so later, but I decided to forego that and leave the convention. If I stayed, I would have no time to do anything in Brussels that day. I also wanted to keep on the move because else my body would remember how little slept it had gotten, and I would crash. Thus, I bought an online Art Nouveau pass, and I left the convention.

Brussels’ Art Nouveau Pass is 20 € and it covers entry to three museums, historical places, or exhibitions in a long list, all of them related to – obviously – Art Nouveau. The pass can be value for money even if you only visit two of the “big ones”. Since the pass is valid for nine months, I might be able to use it for a third time in the near future. The original idea was to buy one from the beginning and hit the Comic Museum, the Horta Museum and the Solvay House – things I had not had the time to visit the previous time because in the end I spent a lot of time walking to different spots (read: the Natural History Museum). However, the Solvay House was under renovation, and the Horta Museum was a bit out of the way, so I ended up being flexible

I rode back to Central Station and walked out towards the Cathedral of St. Michael and St. Gudula Cathédrale des Saints Michel et Gudule | Kathedraal van Sint-Michiel en Sint-Goedele, which was beautiful in the flurry of autumn leaves. It was cold, so I hastened towards the Comics Art Museum Musée de la Bande Dessinée | Stripmuseum (Belgian Comic Strip Center). The museum is located in the former textile store Magasins Waucquez, an early 1900s commercial building designed by architect Victor Horta. Horta is considered one of the founders Art Nouveau, with his use of curved forms and use of steel, skylights and open floor plans with abundant decoration.

Brussels cathedral

After the department store closed in the 1970s, the building was listed as a historical site, and it was bought by the Belgian Government to be used in the promotion of comic strips. The museum itself was founded in 1984 as a non-profit, and it opened in 1989. It runs a new permanent exhibition on the history of comics in Belgium and Europe (free from the American Comics Code Authority and censorship – I mention this because I had tickets for a Marvel exhibition the following month, and the CCA had a lot of impact in the development of American comics). The person at reception told me to watch out for a very first-print Tintin which had been recently added to the exhibit. There are items and print issues related to most of the great Belgian comic artists – there were a lot of things I had never even heard about. I found a big lack of Morris’ Lucky Luke though.

Comics Art Museum Brussels

Comics Art Museum Brussels

Something I had decided to do in this trip was trying the typical foods, so once out of the museum I headed towards the central square Grand-Place | Grote Markt and Manneken Pis, which was not wearing any costume this time around, even if Brussels is still under a lot of construction (when I saw it in 2023, it was wearing a reflective jacket). I remembered that there were a lot of places that sold local street food – I don’t tend to be much of a foodie, especially with street food or fish. I figured out that Belgium could be a safe place to experiment without risking an upset stomach.

Brussels Grand Place

Manekken Pis

Thus I got some frites, Belgian fries, at a chain called La Friterie. I had seen a few of the establishments with queues outside, so when this one was almost empty, I jumped at the chance. Belgian fries are sourced from local potatoes and cooked in two goes, traditionally in beef fat. I got them with just salt, and they were really good. And warm. That was a great point.

Belgian Frites

It was around 17:00 by this time, and things had started to close down. I headed off towards the station to take a train to Bruges [Bruges | Brugge], in the north west area of West Flanders. The historic city centre is a Unesco World Heritage Site – Historic Centre of Brugge – and it is criss-crossed with canals. The area has been inhabited since Prehistory, but its importance peaked during the Middle Ages, between the 12th and 15th centuries. It became a commercial hub due to its strategic location between Flanders and France, though it later opened to other countries, like the Portuguese. The first stock exchange in the world probably opened there in 1309.

The Medieval architecture and brick Gothic constructions are exceptionally well preserved, including the pattern of streets intertwined with waterways. I was curious about northern Europe canals, which was one of the reasons why I chose the city. The other one was that it is a city to walk and see from the outside, which was great for a Monday morning. Unless it’s raining and about 7 ºC colder than cool – I had prepared for 13 – 17 ºC and drizzle, and got 9 – 13 ºC and rain. Whoops.

I bought some snacks at the station and went down to the platform. The train was late. I knew it was late, and I knew when it was expected, because the board told me. It was refreshing, considering the uncertainty around Madrid’s trains this last couple of years. I had booked a hotel close to the railway station, and I got there around 19:00. It was quite a basic place, with a toilet, and a shower closed off, and a washbasin column in the middle to separate the wet area from the bed area. Functional, and all right. The heating worked and they spoke English, so all good.

I did not rest for long. I ate the snacks, grabbed my umbrella and an extra layer of clothing, and headed out. It was dark outside already, and I hoped to get to see the city centre lit up for the night. My first stop was the Church of Our Lady Onze-Lieve-Vrouwekerk. Mostly built between the 13th and the 15th centuries, it is one of the highest Gothic brick structures in the world.

Our Lady, Bruges

Then I headed towards Saint Salvator’s Cathedral Sint-Salvatorskathedraal, a curious mixture of neo-Romanesque and neo-Gothic, with a bell tower that looks more like a defence tower than anything religious. This tower, however, was the result of a 19th-century modification of the original tower. Of course, both churches were closed at this time, but they would open the next morning.

Bruges cathedral

I continued towards the Market Square Grote Markt, featuring the Gothic Provincial Court Provinciaal Hof, the Historium, and the Belfry of Bruges Belfort van Brugge. The Medieval bell tower is doubly World Heritage – it belongs to the Historical Centre Unesco site, but it is also key in the Unesco Belfries of Belgium and France serial property. And while it is not part of the Manual bell ringing intangible Cultural Heritage, Bruges takes a lot of pride in its carillon and its bell ringing. At the centre of the square stands the statue of Pieter de Coninck and Jan Breydel Pieter de Coninck en Jan Breydel, who participated in the Flemish resistance against the French King in 1302.

Bruges Grotemarkt

I also wanted to explore a large park I had seen on my way. It turned out to be two of them, Poertorenpark and Minnewaterpark – which later I found means “Lake of Love Park” – before it was too late in the evening. There I found the Gunpowder Tower Poertoren – built between 1398 and 1401 by Jan Van Oudenaarde, and used as gunpowder store for almost five centuries. Beyond it, the Lake of Love itself Minnewater, the Lovers’ Bridge Minnewaterbrug, “very romantic” stone bridge. I noticed the part about it being stone. It also yielded to a beautiful night view.

Bruges Love Lake park at night

I did not want to stay out too late. Thus, I crossed the Barge bridge Bargebrug to get back to the busy street area. Bargebrug is a modern construction, barely 20 years old, in bold red curves. On the other side there was a “reception area” in the same style, apparently a sort of bus station, and then there was the main road. Afterwards, I just headed back to the hotel and turned in for the day. I watched some TV, but to be honest, I had woken up before 3:00 am, so I zonked out rather quickly.

Bruges Love Lake park at night