7th July 2023: Balloon Museum “Pop Air” in Madrid (Spain)

Part of this summer’s plans involved a three-week French course-and-stay in Montpellier, but I ended up changing my mind – too many hidden costs on top of the already-steep price, and a generalised bad feeling that I could not really define. I decided to take a course in Madrid and use up the evenings to do some exploring in town.

After class, I booked a table at the Chueca shop of the Japanese restaurant chain Sibuya Sushi Bar, which claims to offer a new concept of sushi. Most of what they offer felt pretty normal to me, except some random baos and the desserts. I browsed the website before booking, so when I arrived I had a pretty good idea of what I wanted. Somehow, the waiter did not expect that and was thrown off track. I ordered some ebi furai and a sashimi mix – I have to admit that the size of the sashimi portion did surprise me a little, as I did not expect such a generous serving. Luckily, I had hold on ordering dessert, because the two dishes were more than enough.

Lunch at Sibuya Madrid

There were two temporary exhibits I wanted to check out, and I chose the one that closed down earlier. I checked as I had lunch, and there were tickets available online. I decided to take the underground and buy the tickets in person instead of stressing about making it on time for a particular timeslot. I reached the Balloon Museum on time for the 15:45 entry. The exhibition Pop Air runs from March to July 2023 in the Escenario Puerta del Ángel in Madrid’s Casa de Campo.

Still considered a noon slot, the exhibition was not too crowded at the time I entered, I even had a couple of rooms for myself before I reached a point in which you had to be admitted because the performance was timed. The Ballon Museum‘s Pop Air exhibit is a collection of art pieces that use air and light as their main vehicle.

Artworks:

  • The Goof by Filthy Luker (2021). They are a bunch of “friendly monsters” that observer the world feeding off surprise and happiness. They look… just adorable, as if they were made of giant inflated latex gloves in different colours with huge eyes.
  • Aria, The Breath Immersive Experience by Pepper’s Ghost (2022). A room full of mirrors and digitally-created colourful spheres that spreads to infinite and beyond.
  • Airship Orchestra by Eness (2020). More adorable creatures made out of air, some resembling Japanese peaches, other bunnies, or cacti.
  • Ballon Museum exhibits. The Goof, Aria, Airship orchestra

  • Hypercosmo by Hyperstudio (2021), which is basically a huge ball pit with a show of music and lights.
  • A Quiet Storm by Quiet Ensemble (2022). A dark room where cannons shoot bubbles.
  • Silenus by Max Streicher (2002). A giant, breathing… person… sleeping. It’s a bit creepy, to be honest.
  • Knot by Cyril Lancelin (2017). It is an inflatable… knot, literally a 3D knot made out of a tube.
  • Balloon Museum exhibits: Hypercosmo, A quiet storm, Silenis, Knot

  • Polyheadra by Karina Smigla-Bobinski (2022). It is a room full of balloons with small magnets which you can stick to the wall and the ceiling, and even to each other.
  • Never Ending Story by Motorefisico (2021). Music: Gentle Music by Plume (Netlabel). A lot of decorative balls in a small room full of mirrors and light.
  • Tholos by Plastique Fantastique (2022). A giant black ball surrounded by a plastic structure that imitates the archaeological tholos tombs.
  • Canopy by Pneuhaus & Bike Powered Events (2019). Four palm-tree-like structures that open up and glow if you bike them into life.
  • Balloon Museum Exhibits. Polyheadra, Never ending story, Tholos, Canopy

  • Cloud Swing by Lindsay Glatz with Curious Form (2019). Cute swings held by colourful “clouds” of light.
  • The GINJOS by Rub Kandy (2022). They’re blobs of air with eyes. When I saw them my first impression was “they’re squishy and unstable. I have found my people”. I also found the song hilarious, especially the reference that “GINJOS are not Barbapapa”.
  • Into the Rainbow by Ultravioletto. A VR experience out of which one cannot really take pictures. A white sphere travels through the colours of the rainbow and its symbols – orange candy, yellow rubber duckies, green trees, blue whales, purple… cows(?) and amethyst crystals
  • A number of cute photo booths for picture opportunities, without credit to any particular artist.
  • Parcobaleno by Stefano Rossetti (2020), is a large “inflatable park” for “all the family” (i.e. for kids), which was empty as it was way too hot for any playing.

Ballon Museum exhibits. The swings, the Ginjos, Parcobaleno

All in all, it was a really silly but fun experience. I headed back home afterwards, because even if exploring Casa de Campo is on my list, it was way too hot and I did not have any cold drinks on me. I made an amazing underground-train connection though, which was great because the Casa de Campo stop is pretty far away by public transport – and rather horrible to drive to.

24th June 2023: Abierto por Restauración. La Puerta de Alcalá (Madrid, Spain)

There is a Spanish adage that calls King Carlos III (1716 – 1788) “the best mayor Madrid ever had”. The truth is that when Fernando VI died, his brother, King of Naples and Sicily ascended the Spanish throne. He started a number of reforms in the Spanish capital that today conform the so-called “Way of the Light” – Unesco Heritage Site Paisaje de la Luz since 2021.

Madrid had at the time a surrounding wall for administrative reasons, in order to control trade. The different gates were named according to the main city they lead to. Carlos III decided to remodel one of the gates, the one that lead north-west – first to Alcalá de Henares and then to the rest of Europe. To carry out the task he called for a contest, which was “coincidentally” won by the Court’s architect Francesco Sabatini. It took ten years (from 1769 to 1779) to be completed, in typical Neoclassical style.

Today, this gate is still known as Puerta de Alcalá, and it stands in the central district of Salamanca in Madrid. The wall, however, long gone so the structure remains as a triumph arch more than a gate, in the middle of a roundabout in the Square Plaza de la Independencia.

The gate measures almost 24 metres high, 43 metres wide and 12 metres deep. It was built in solid stone with five arches, and decorated with sculptures depicting the cardinal virtues (Prudence, Justice, Fortitude and Temperance) and allegories of war victories.

Puerta de Alcalá under the protective cover

Restoration studies started in 2022, and the works began in 2023. In March 2023, it was announced that the gate would be “open for restoration” Abierto por Restauración, and that about 6,500 tickets would be offered for guided visits to the monument throughout summer. I had a free morning when the tickets went live and I managed to secure one, despite them being “sold out” in minutes. The Abierto for Restauración project, financed by the Madrid Town Hall, aims to raise awareness of the heritage that Madrid holds.

Though I had originally planned for a day out, I was not feeling too well . Nevertheless, I really did not want to give up the chance and I decided to just head over, attend the visit. and just take the train back home, making it a half-day out.

The gate is covered with a huge billboard showing a hyper-realistic photograph, which also hides part of the scaffolding and protective messes that cover the structure. The restoration aims to repair the mistakes of previous attempts at conservation, counteract the effects of pollution and weather, and secure the sculptures at the top of the gate.

We were supposed to meet at 10:45 at the gate of the park on one side of the square, for the 11:00 visit. The guide arrived at 11:00 sharp and started “taking attendance” – since the gate is technically a “construction site” you are insured, and you have to wear a security helmet and all. Then she took us to the base of the gate and told us the history of the construction. The previous group started coming down at 11:00 and we climbed at 11:15. By noon, we were down.

We climbed the inner scaffolding to the top of the gate, where we got to see the work first-hand. Not that there was much to see, because the works cover most everything. There are giant staples that have been taken off the sculptures in order to repair the damage and secure their placement.

Scaffolding supporting the Puerta de Alcalá

The upper platform allowed for snooping along the sculptures there and the views around the gate, along with a bit of the work being done – huge metal supports for the sculptures, filling up cracks, insulation…

Sculptures at the top of Puerta de Alcalá

Views from the top of Puerta de Alcalá

Though the experience was short, and I did not see as much as I hoped, I was lucky to grab a ticket – 6,500 of them, with 13,000 in the waiting list – but it looks like the reforms won’t be over for a while, so it might still be open next summer. It might be an interesting experience to try again and compare the progress.

31st May 2023: Birthday in Madrid (Spain)

I was lucky enough to be able to combine my 2022 birthday with a holiday that happens around the end of May / beginning of June, so I took off to Tenerife. I could not do that this year, but the stars aligned for a half-day in Madrid – actually, what aligned was a lot of website-hopping, to be honest. It all started when we were booking tickets for the visit to the Royal Palace of La Granja. At that time, I discovered that the collection of Stradivarius instruments in the Madrid Royal Palace are brought out so they can be played every now and then. I had to work on the dates of all the upcoming 2023 concerts where they were used, but I managed to secure tickets for a side gig, which also gave access to a usually closed-off area of the Palace anyway.

Conversely, I have been obsessed with a London experience in which you get to have afternoon tea on a 60’s double-decker bus – but unfortunately, it does not take reservations for one. I was browsing the Internet , looking at similar experiences, and I stumbled upn the fact that the Mandarin Oriental Ritz runs afternoon tea in Madrid. They actually claim that their tea is the same as the London Hyde Park Ritz. I signed up for the Fan of M.O program – not that I’m ever going to be able to afford a stay there, but oh well – before making the reservation, and the system asked if there was a special occasion going on. I ticked “birthday”.

Plans thus built, we arrived in Madrid for the 16:00 booking of afternoon tea at the Palm Court restaurant in the Mandarin Oriental Ritz Madrid hotel.

The Mandarin Oriental Ritz Madrid opened in 1910, after King Alfonso XIII decided that Madrid needed a luxury hotel to host European nobility. The king himself became an investor, wanting the city to have lodgings comparable to Paris or London. The building was commissioned to French architect Charles Frédéric Mewes and the construction was directed by Luis de Landecho y Lorenzo Gallego. Surrounded by a metalwork wall, it has 153 rooms and suites, and a wide variety of dining options with different levels of formality.

Through the 20th century, the original Ritz became a piece of history. Its rooms and bars hosted a wide range of personalities – WWI spy Mata Hari, artist Salvador Dalí, writer Ernest Hemingway, scientist Alexander Fleming, and more recent celebrities such as Ava Gardner, Michelle Pfeiffer or Madonna. In 2015, the hotel was acquired by Mandarin Oriental, and in 2018 renovation was tackled. The Covid pandemic delayed its reopening until 2021. Part of the restoration focused on the inner court, with an iron-and-glass ceiling. This is the area where the restaurant Palm Court is located.

When we arrived, they confused my reservation with someone else’s with the same first name – I had to correct the lady, it was a reservation for three not for two. Then they asked if we were celebrating something, to which I replied that it was my birthday – again. As we sat down, the pianist was playing the OST of Aquaman. Cognitive dissonance? Check.

A nice gentleman brought out the tea menu – while the food is fixed, you can choose from a wide variety of tea. I had of course studied the options beforehand, and ordered sencha meicha, because it is one of my favourite teas, even if it is Japanese. I mean, I can get Earl Grey more easily – and affordably.

The booking confusion continued when we got our food – once more they brought out a three-tier tray for two, and when they brought out the third one, they had mistakenly brought out one of the dietary-restriction trays – easy to spot because the sandwiches had different colours. When the correct tray was brought out, the order of the different tiers was incorrect.

The tea itself was delicious. The food included has been designed to Quique Dacosta, mixing the “best afternoon tea tradition” with Spanish confectioneries. The classic mini sandwiches included a cucumber and cheese cream, Spanish ham, potato omelette, seafood and mayonnaise, and a salmon cracker, shaped as a rose. The sweets included chocolate mousses, lilac sponges and citrus pastries.

Afterwards came the scones, which were a bit too small and I was slightly disappointed that the promised clotted cream was merely butter. But the scones – two types of them – were warm and well done. Afterwards, as we were finished, the pianist played the notes to the traditional happy birthday song and I was brought a small mousse with “congrats” written on the plate – though they served it to someone else in the party!

Afternoon Tea: sandwiches, pastries, scones and the actual tea

Felicidades dessert

I loved the tea party. However, even if all the staff was extremely nice, it gave me the feeling that they were overwhelmed and nervous – almost improvising – as they made a few mistakes. Afterwards, we walked to the Royal Palace Palacio Real de Madrid. Even if it was an hour to the recital, we were allowed into the courtyard, and not much later into the royal chapel Real Capilla. The recital was called Afectos Amantes (Loving affections), and it mostly comprised music by José de Torres. Torres was the main composer of religious music for the Spanish 17th-century court, though the majority of his music was lost when the original Madrid alcazar burnt down – however, a few pieces were preserved in El Escorial, Salamanca, and Guatemala. There were also a couple of pieces by Händel.

Royal Palace and Chapel

The music was performed by Al Ayre Español, a classically-trained ensemble that focuses on Spanish Baroque Music. Its members are Eduardo López Banzo, (harpsichord, and director); Jacobo Díaz Giráldez (oboe); Alexis Aguado (violin); Kepa Arteche (violin); Aldo Mata (cello); Xisco Aguiló (double bass); Juan Carlos de Mulder (archilaúd and guitar); and finally Maite Beaumont (mezzo-soprano singer).

The program included:

  1. Pasacalles I & II (Passacaglia), Anonymous
  2. Divino Hijo de Adán (Divine Son of Adam), José de Torres
  3. Sonata Op.5 No.4 in G Major, Georg Friedrich Händel
  4. ¡Oh, quien pudiera alcanzar! (Whomever could reach), José de Torres
  5. Sonata Op.5 No.5 in G Minor, Georg Friedrich Händel
  6. Afectos amantes (Loving affections), José de Torres
  7. Grave (Low), José de Torres

Al Ayre Español bowing to the audience after the recital

The recital lasted a bit over an hour and a half. It was something really interesting to do once in your lifetime, and surprisingly not pricey at all. Even if Baroque music is not usually my thing, the event felt very appropriate in the chapel. We did not feel like any more food, so we just headed home, braving the thunderstom on the highway.

27th May 2023: Mammoths and Knights in Madrid (Spain)

I headed off to Madrid to watch the Knights of the Zodiac film, the Hollywood remake of the 80s anime Saint Seiya – I’m not making any excuses (I mean, I still went to the Symphonic Adventure after it got cancelled trice), I just wanted to see it, even if I did not have much faith in it. I wanted to combine it with another activity, and I thought I lucked out when I found that Caixa Forum Madrid was running an exhibition on mammoths – Mamut, el Gigante de la Edad del Hielo (Mammoth, the Ice-Age Giant). I allocated about an hour and a half for the exhibition, which hosted an almost-complete fossilised skeleton and a hyperrealist sculpture “among other pieces”. Truth be told, there was not much else to see.

The exhibit has some molars from different species, some fur, a tusk and a few pieces of prehistoric art. There was also an evolutionary timeline and little models comparing the sizes of different mammoth species to the average human size. The pièce de résistance is indeed the complete mammoth skeleton that was the literal centre of the exhibit – hugely-tusked specimen of wholly mammoth (Mammuthus primigenius). It was a truly magnificent piece, but I was a little disappointed by how few pieces were actually on display. It’s not like there is not any material around – there used to be a Mammoth Museum in Barcelona that had actual tusks for sale. I had also seen another one in Muséum des sciences naturelles de Belgique in Belgium a couple of months back, which diminished the awe factor a little.

Mammoth - The Ice Age Giant exhibit featuring the giant skeleton with huge curved tusks, the smaller sculpture, a lone tusk, some hair and a piece of Paleolithic art engraved on the ivory of a tusk.

I was done in a bit over 30 minutes, so I had time to walk to the cinema – there was another exhibition in the same floor, but I had already seen it in Barcelona, and the Museum shop did not have anything interesting. I had planned to walk to the cinema, as public transit was only slightly shorter. The weather was not so nice, and there was a small storm. I did duck into a couple of shops but to be honest I ended up at the cinema 40 minutes before the session started while it poured outside. I found myself a seat to wait – I had got my ticket online the day the release was announced. This was my first time in a cinema since Jurassic World: Fallen Kingdom in 2018, and it was a weird feeling, being so close to strangers again. It was also extremely cold, and the previews were felt eternal.

The reason I sometimes choose Yelmo Cines Ideal is that some of their films are shown in their original language, and I tend to enjoy subs more than the dubbed versions. The Knights of the Zodiac film was… a choice, I guess. It is based on the newest remake – which I have not seen because I’m not a streaming-service person – and it changed a lot of the lore. Except for the main character (Seiya in the original material), all the names had been changed, but I noticed that the subs stuck to the original ones.

Knights of The Zodiac movie poster

It was not a bad film, all things considered. Entertaining, wannabe Marvel-like, tapping a little into mixing the cosmic magic and newer technology that was unimaginable in the 80s when the manga was made. It lacked on the music department though – considering how powerful the anime music is, that was disappointing, though here and there there are a few chords of the original song Pegasus Fantasy. That was cool.

But then again, I was half-expecting a disaster, so anything was an improvement, and the film made itself watchable. Sean Bean’s character died, but considering that in the original material his character is already dead at the end, I guess it could be considered some kind of record…

7th April 2023: Monasterio de Piedra (Nuévalos, Spain)

There are many things to consider when visiting the so-called Monasterio de Piedra, a tourist complex in Nuévalos, in the area of Aragón. One of the most important ones is the weather – as most of the complex is outside. The second is probably people. Just the online bookings are 2,000 tickets in a day – and some more go on sale throughout the day as visitors leave, or it is calculated that they do. A third factor is getting there, because it is literally in the middle of nowhere. This year, Easter break has peaked at an almost 100% occupancy rate since it seems that Covid is dwindling down, and the weather is superb – these facts have implied crazy traffic, too.

I had been mulling the trip for a while, checking weather and traffic warnings, and considering all the driving around that would be take place. I thought that the 7th would be a good date for a day trip – fewer cars out within the break period, and I was busy on the 8th, the other calm day. When I finally decided that the 170-km-each-way drive was going to be worth it and safe as the traffic authority had not updated its warning on the late-afternoon of the 6th of April, there were around 30 left for the 7th, and it was already sold out for the 8th. I got worried about traffic again, decided to leave the tickets for later, and by the time I definitely made up my mind, the day had been sold out!

I was disappointed, but I noticed that some tickets had become available for the 8th when previously there had been none. Thus, I kept checking throughout the evening, and finally around 23:00, I was able to purchase the 2000th ticket for the complex. Good thing that while I was wondering whether to go or not, I had prepared a backpack with whatever I might need, because if I wanted to beat the crowds, I had to leave by 7:30.

I did, and I made it to the complex around 9:10, after driving on almost-empty roads. I had planed to park in the outer lot, but as I reached the area, there were a number of workers directing cars and I ended up in the inner area. All the visitors who were already there – maybe I was the 30th car or so – stepped out of their vehicles commenting “oh, I thought there would not be so many people so early”. I thought the same… I had no idea of what “many people” meant in this place yet.

The Monasterio de Piedra complex has two distinct parts – the historical garden Parque-Jardín Histórico del Monasterio de Piedra and the monastery-turned-hotel. I decided to visit the park first, which would later be proven a good idea.

Río Piedra is mainly a pluvial-regime river (a fancy term to say that its flow depends on rain), also fed by various underground springs. The water has a high concentration of calcium carbonate, which for centuries has been key in creating the landscape that characterises the park, with a large number of waterfalls and caves – calcium carbonate dissolves and precipitates depending on how much water the river carries at any given time. Along the fertile soil from the river banks, the precipitates feed a very green landscape which in turns yields to a rich and varied fauna that lives there.

The park was established as a Romantic garden during the 19th century by Juan Federico Muntadas when he inherited the area. He also built the first Spanish fish farm there to breed river trouts. The garden is organised in two trails, a main one and an “extra” one – I decided to take the main trail, which runs around 5 km. The park prohibits food inside, but it does not really enforce it. I took a bottle of water, and an energy bar just in case, without the intention to eat it unless it was an emergency.

I walked in, got my print-at-home ticket scanned, and I was surprised that a few steps in, someone was holding an owl for people to take pictures with it. At 9:00. That was bizarre – I knew that the park used to hold birds of prey shows, but I thought it was a thing of the past. I got to my first intersection, and a park employee directed me towards the route. I was a bit disoriented for a minute or two, and I later realised that they were flushing the first visitors towards the big bottleneck area in order to try to control people, capacity, and waiting times. In this garden, the amount of people you run into can indeed make or break your experience – and I am happy to say that I made the right choices most of the time. The biggest problem I ran into were families with small children being loud, which was annoying but bearable.

Because of the redirection, I started off at what would have been number 16 on the route – the most famous waterfall, called the “ponytail”, Cascada de la Cola de Caballo. From there, you walk into one of the karstic caves (Gruta Iris) and pass under another waterfall, which even creates a small underground lake. It was cool, but I was really not prepared for how splashy it was! I continued off, I saw the and walked around a backwater called “mirror lake” Lago del Espejo for obvious reasons – it reflects absolutely everything. Although the route is only 5 km, it goes through areas that feel and look completely different, and it feels much, much longer without being tiring.

Monasterio de Piedra garden - waterfalls, karstic caves and the underground lake. Everything looks green with the vegetation and reddish with the karst deposits.

A 15-metre waterall, water splashing, flows into a river. The land around it is reddish-grey

A reddish hill perfectly reflects on a lake.

As I “finished” the route, I got to the intersection where the bottleneck is created and I saw all the people waiting – hundreds, probably. That was unexpected, because it had not felt that it was so crowded – it turned out, arriving early had been a great idea. The amount of people waiting was shocking, but understandable as most of the cave passages are only wide enough for one person – now I understood the reviews that claimed hours to see the waterfall and the cave.

I got a bit disoriented at this point – as I said, the route feels long since the landscape is so varied. However, instead of going for the exit, I decided to continue exploring a bit more – that is how I arrived at the lower numbers of the route again – number four, that was a bit more on the crowded side. I did the first part of the route, climbing up the hill slopes to see a dozen or so more waterfalls. Then had to backtrack again, until I finally saw everything that there was to see, even if in a strange order (on the map: sixteen to end, four to fifteen, then three to one. Not confusing at all, I know).

Monasterio de Piedra garden - fountain, and waterfalls and a cave. Everything looks green with the vegetation and reddish with the karst deposits.

Unfortunately, loud people scared most of the wildlife away, so aside from a few fish, there was nothing around in that respect. There were dogs around, but well-trained, so they did not cause a problem. The area is really nice, the waterfalls and caves are beautiful, but I can see how the number of people you visit it with might make it a good or bad experience. I am sure that I would have quit had I needed to wait hours to cross a cave and see one of the waterfalls.

When I left, there was a huge queue to get a picture with the owl. Furthermore, there were several huts with more birds of prey or other animals, and the pictures were sold at the exit. I’m not sure I approve of that, no matter how trained the animals are – there actually used to be exhibitions with the birds of prey, which is not happening these days. After I left the historical garden, I went into the former monastery. Today, most of the building has been turned into a hotel, but part of the historical site can be visited.

The monastery Monasterio de Piedra was established in the 12th century by Cistercian monks sponsored by king Alfonso II of Aragón. The building was erected in the years when Romanesque was turning into Gothic, so it mixes both styles along with some extra Baroque. Between the late 18th century and the early 20th century, the Spanish government carried out several programs to seize and sale property deemed “unproductive” – mostly belonging to religious orders and municipalities. These properties were auctioned to convert them into cash so the government could pay off its debt. The whole process is known as the Spanish confiscation (desamortizaciones).

In the 19th century, Monasterio de Piedra was confiscated. Everything it contained was auctioned in the 1840s and 1850s. In 1843, the buildings were also sold and acquired by the Muntadas family. It was soon afterwards that Juan Federico Muntadas became the owner. He turned the orchards into the now historical garden, and the convent itself into a hotel and… what today would be called a “wellness spa”. He also established the fish farm.

I would have really liked to stay at the hotel, but it’s a bit on the expensive side and there is really nothing else around, so you have to pay for meals on top of the stay. But it would have been cool to wander the monastery building at night. Not being a hotel guest, the ticket includes access to the cloister and the old church. Some rooms around the cloister have been dedicated to host exhibits about regional or historical products and items: carriages, wine, and even chocolate – the monastery was reportedly pioneer in the preparation of chocolate in Spain. The cloister itself has a few chapels, the early-Gothic chapter house with decorated columns and ambience music, and a small garden-like centre. You can also visit a monk’s cell, and there are mannequins spread through the different rooms – startling if you are not paying attention and suddenly see one.

I am not a wine person, so the museum on the topic did not impress me much despite having a bunch of traditional wine-making artefacts. The chocolate exhibit was just a succession of panels with pictures, and thus a bit underwhelming. Within the monastery, what I enjoyed the most was the architecture itself I guess. I loved the cloister and the chapter house most.

I also visited the adjacent ruined church. Like the cloister, it’s early Gothic. It has a Baroque chapel to the side which keeps the wall paintings. Although most of the ceiling is gone, the church still looks pretty – then again we all know that I like the architectural style anyway. It’s nice how the building is somehow ruined but at the same time it’s not, as it has been restored and preserved. However, underneath the altar, there is a small crypt, where a small window has been made to peer at someone’s bones – that was… huh… unnecessary. The nave is now open to the sky and covered with grass, all the figures have gone, and only one of the sides holds a few architectonic remains and capitals.

Inside the monastery - the cloister and the ruined gothic church

I left the inner area and I walked around the outside of the building – what has become the picnic area since you can’t eat inside the garden. Once I left that behind, the area was deserted. I reached the former main square, where the Baroque façade of the monastery still stands. I walked a bit further and found the walls that used to enclose the area, along with a small tower that is called the keep, but it looks more like a defensive tower.

The baroque main entrance to the monastery

Finally, I checked out the gift shop, bought a book and some chocolate. I headed back a bit after 13:00, but instead of driving directly home, I made a stop at a couple of viewpoints over the reservoir Embalse La Tranquera. On the way out, I had crossed several tunnels and seen viewpoints, so since I had time and I was not hungry yet, I decided to snoop around. After a while, I just drove back – though I might just have made a stop for a late fast food lunch, because guilty pleasures happen sometimes. And by 15:00 I was hungry indeed.

A reservoir with turquoise water, nestled in a reddish gorge

5th April 2023: The ghost station of Chamberí (Madrid, Spain)

Perusing the web for something – I can’t even remember what – I came across one of those things that I had discovered a long time ago, then forgotten because life is hectic and so (read: Covid happened). In Madrid, there an underground ghost station, one that has not changed since the 1960s. Well, sort of – it was closed, then restored, and finally turned into a museum. Anyway, somehow accidentally, I ended up securing a free ticket to visit it during Easter break, so there I went. I decided to round up the trip with a fancy lunch in a place I also wanted to visit.

The Madrid underground system Metro de Madrid was the third underground line to open in Europe, after Moscow and London. It ran a little short of 3.5 km, with eight stations, when King Alfonso XIII inaugurated it in October 1919. Subsequent ampliations and renovations of the line were carried out until it reached its current 24 km and 33 stations (plus twelve more lines). The city expanded, its population increased, and underground trains grew with both, going from four to six carriages in the 1960s. The stations were renovated to fit the new, longer trains. Most of them. The ampliations of the stations of Bilbao and Iglesia made it inefficient to do the same with the stop that lay in-between – Chamberí. Thus, this station was locked down – and bricked off – in 1966.

The city forgot about the station’s existence for decades, until in the early 2000s, it was turned into part of the Underground’s museum network Museos de Metro de Madrid or Andén 0. Today, Estación de Chamberí can be visited for free, but only under reservation. Pre-pandemic, I looked into it a few times, and never found a spot, then the whole thing slipped my mind, until I relearnt about it, and lucked out.

I took the train to Madrid and walked from Recoletos to the square where the station was built Plaza de Chamberí. The original entrance has long disappeared, so the underground area is accessed through an ugly metal kiosk and a spiral staircase. However, the original station looks completely different. It was designed by Antonio Palacios (1878 – 1945), a Spanish urbanist and architect with a very recognisable style, whose most important works still stand in Madrid (such as the Círculo de Bellas Artes and Palacio de Comunicaciones). My entry slot was 11:30, and I arrived with plenty of time – trains have been unreliable lately so I gave myself a wide margin. When most of the group had arrived, we went down the modern stairs that yields to the old hall. Characteristic white tiles are laid along the access tunnel that leads to the original ticketing stands and the exit control. The station used to have a skylight, now closed off. The original stairs and maps still stand, along the Metro logo – though everything has been adapted for wheelchair-users.

Ghost Station of Chamberí. Entrance corridor and old ticketing booths

The group comprised 25 people, with a surprising amount of non-Spanish speakers – at least seven, who of course did not care about the guide’s explanation, which was little more than the Wikipedia page (so I guess anyone can take the visit. Print out the wiki and read along). There were families with kids who tried to yell over anything the guide said. Furthermore, underground trains still run through the station, which make for cool pictures, but their six-minute frequency drowns all the given explanations. It was hard to actually get into the “ghost station” mood.

Estación de Chamberí does look really cool though. Unfortunately, glass panels separate the platform from the tracks – they are dirty and get in the way of pictures of the other side of the platform. However, it was interesting to see the old advertisement mosaics – they used to be painted on tiles, and built into the walls themselves, and surrounded by very cool darker slabs with metallic tint. The visit takes about 40 minutes, and on the way out, you get to go through the old ticket gates, which have a very ingenious way of opening – you step on the little platform in front of them, which triggers a latch, and you can push the gate open. Really fun.

Ghost Station of Chamberí. Collage showing details - the name of the station on the old logo, tiles, the platform, and a train coming through

Truth be told, I had booked another free visit before lunch, but I realised I had messed up the location. I cancelled that one before entering the ghost station so the ticket would be available for someone else to use. And thus, I had a bit of time before my lunch reservation at 14:00. Since the weather was nice, I decided to walk to my next spot, and I spent the extra time – and some not-extra money – in one of the big bookshops in the centre of Madrid. At 13:50, I arrived at the back entrance of the hotel Hotel Riu Plaza España. This hotel opened in 2019 in a mid-20th century skyscraper (Edificio España) designed and engineered by brothers Julián and Jose María Otamendi. It is a 26-floor tower which was the highest building in the city at the time of its construction. Situated in the square called Plaza de España, it is close to the Royal Palace and Main Square.

Edificio España - tower like building in reddish and white brick, spanning 26 floors. It is the Riu hotel now.

The hotel has a large terrace on what would be the 27th floor, a rooftop bar and a restaurant or “gastro bar”, whatever the current buzz word means. Entry to the terrace is 10 € (5 € on a weekday), and food is not on the cheap side (everything around that area is stupidly expensive), but I found a deal at their Edén Gastro Bar: one-course lunch + drink + entry to the rooftop terrace for 30€ which allowed me to skip the queue.

I did skip the “ticket-buying” line, but there is only one lift to go to the rooftop, so that queue I had to wait. I ended up reaching the restaurant around 14:10 or 14:15, and snagged a counter-with-a-view seat. I ordered a salmon poké and a drink, and got a few complimentary snacks and breadsticks to complete the meal.

Rooftop picture showing Madrid's Plaza de España and Royal Palace. Blurred in the foreground, lunch

Afterwards, I climbed the stairs to the terrace, officially called 360º Rooftop Bar, on the 27th floor. Music was blaring and there were tons of people drinking overpriced cocktails. The views were cool, sort of a once-in-a-lifetime thing that I don’t think I’d need again. The terrace has a small all-glass balcony that I did not wait the queue for, and a glass platform that would probably impress a bit more if the glass under your feet were clean(er). The terrace was completed by a tacky bull sculpture with metallic-gold testicles.

Madrid rooftop view - low houses with red brick roofs, and in the very background a few highrises

I walked around a couple of times, and then I headed back to the train station after calling it a day. I killed time reading one of the books I had just got, and time flew on the train. It was a nice little outing, but I did mess up with one of the locations, so it could have been more efficient. I guess not every little trip can work flawlessly…

4th January 2023: It’s a trap! (Tendilla, Spain)

It was not really a trap, but a hike. A very unexpected hike, as my family decided that hiking was the best thing to do to get rid of camel-riding soreness. Tendilla is a small village in Spain, dating back from Medieval times. It holds a yearly traditional fair, there are some ruins and historical buildings… It also has a pine forest that was planted in order to control the soil that used to landslide onto the village, and back in the day, a sort of ‘emergency gorge’ was built, in order to channel water in case of a flash flood.

With the years, the pine forest grew. In the 1980s, it was really well-kept, but politics change, and the forest stopped being cleaned and taken care for. These days, the artificial gorge is overgrown with plants and only some dams are seen. Recently, people from the village have tried to create a few hiking routes throughout it, using the fountains and streams that spring as landmarks, called the “Fountain Route” Ruta de las Fuentes. These fountains are old watering holes that were refurbished and some of them re-decorated recently.

The ground was covered with fallen leaves, the sky was bright blue, and the moss was growing – moss takes a long time to grow, so it’s protected. For a while, it was endangered in the area, but now it seems to be doing much better. Unfortunately, both leaves and moss were humid and frosty (literally) – and my shoes were definitely not waterproof.

Collage - a mossy fountain on a leaf-covered ground; a pine forest in dull winter colours; an excavated gorge from the container dam, the gorge is overgrown with green-grey plants

I was very happy when we walked out of the forest and into the trail where the sun was shine. We hiked up to see the brand-new weather vane Veleta, from where we could see the whole village and actually watch sunset, as these days the sun sets early. Then we walked back to the village, not before catching some fallow deer hoof prints, and getting hung on hunting for gypsum crystals, something I used to love when I was a child.

Collage - a pine tree foreest, in golden colours as the setting sun is hitting them, the sky is cleawr blue; a weather pointing southeast

Collage - a fallow's deer hoof print next to a fifty-cent coin for reference- the coin is about half the size of the hoof print; a few gypsum crystals on reddish sandstone

Sunset picture. The sun is sinking behind a low mountain. The mountain gives way to a valley where the village is peeking. On the foreground, there is a capricious-looking grey rock. The sun is a big gold ball flaring on everything

Afterwards, we just sat down to chat and eat leftover Christmas food until it was time to go back home. Not the most exciting thing, one might think, but I had a lot of fun.

20th November 2022: Naturaleza Encendida – Origen (Real Jardín Botánico, Madrid, Spain)

It seems that the Madrid exhibits in the month of December are not being the most successful ones – this time, the weather did not help. After ten day’s worth of rain, it cleared out, but then, on Tuesday, the skies opened yet again. It was raining like there was no tomorrow by the time my train got to Madrid. Boo.

Just after sunset, my sibling and I went to the botanical garden Real Jardín Botánico to see the light show Naturaleza Encendida: Origen (Lit-up Nature: Origins). There had been some issues about the promoter cancelling the activity due to rain with little advance notice, so they decided not to close it. They instead resorted to close parts of the exhibit at random, and herding all the visitors in the same corridors, despite the puddles forming on the uneven ground. After two weeks of rain, something should have been done about it. Moreover, a few of the exhibits were turned off – not sure if just off or high wired. I wish I had some good boots, because I ended up pretty soaked, despite the raincoat and the umbrella. At least I did not ended up in a random puddle.

In 2021, the topic was sea life, and in 2022 the topic is… mushrooms. So there were spores, moulds and… mushrooms. Big mushrooms with lights, or made with small lights, or… just blown with hot air. Lots of mushrooms. The music was a bit creepy though, even if the mushrooms lit up and down with the beat. There is also an exhibit about moulds, with huge screens showing pictures of spores and microorganisms under the microscope.

Most people were antsy and cranky in the rain, and everybody wanted you to move out of the way – in different directions at the same time. A really good thing about it was the cup of hot chocolate that we had booked with the ticket. It was really nice to get in the middle of the cold and rain because it was warm and sweet. We drank it on our way out to the train, and just as we stepped out of the botanical garden… it just stopped raining.

Light display collage: on the upper left, giant red spores; on the lower left a wavy line of lights. On the right, a giant bunch mushrooms illuminated in green from inside the umbrella

Collage of lights display. A mushroom made of little yellow and white lights; a bunch of name mushrooms in red; a hanging mould-like string of lights between two dark trees

All in all, I was not too impressed. I really think that the organisers should have figured out something about the cancellations and the pathways, since they obviously could not do anything about the weather. My favourite display were the “Baymax mushrooms”, even if most of them had lost their illumination, which was actually kind of the point…

A blow-up mushroom made from plastic, looking like it's floating. The  lights inside make it glow green and pink. In the background there is a building gate in red, and a pond between the two.

6th December 2022: Tim Burton’s Labyrinth (Madrid, Spain)

Despite having decided that immersive exhibits were not for me and the fact that I’m not a Tim Burton fan, here I found myself in Madrid to see this one: Tim Burton’s Labyrinth El Laberinto de Tim Burton. Truth be told, I was only there because my sibling asked me to accompany them. I did not find premium tickets for any of the dates either of us was available, but the 6th of December is a national holiday in Spain, and I calculated that if we were there at opening times it might not be too busy, and we would not come across too many kids.

Tim Burton is an American film-maker born in 1958. His first “hit” may have been Stalk of the Celery Monster, which he wrote, directed and animated when he was a student in the California Institute of Arts, in 1979. It presumably earned him a good grade, but more importantly, an animator’s apprenticeship at Disney Animation Studios. With time, he developed a shrill eerie style, with lots of colours and creepy designs that have increased as years have passed, sometimes defined as “gothic fantasy” – I would refer to it as strident and macabre at times, to be honest. His greatest or most famous works include Beetlejuice, Charlie and the Chocolate Factory, Edward Scissorhands, The Nightmare before Christmas, and the first two Batman films.

The exhibition is hosted in a weird place in Madrid, Espacio Ibercaja Delicias, which might look less… abandoned… when it hasn’t been raining for days, I guess. The space consists on a big tent – where we were not going, it might be designed for circuses or so, some kind of bar / cafeteria, and the monster-like building that hosts the exhibit. It is called a labyrinth because out of the thirty-ish wards, you have to go around choosing doors to see different rooms of the exhibit, insomuch that you would need four rounds to see the complete thing. In the end, you choose 15 rooms to see, out of which some are common, and you reach them from whichever previous place you were in. Others are “less common” and you can reach them through several doors, but not all. You enter the labyrinth through a toothy monster’s mouth, then there’s a big button that “decides” on the first room for you.

Collage: exterior of the Labyrinth, which looks like a one-eyed tentacle monster, and the inner entrance monster whose mouth is the curtain you have to cross to enter the different rooms.

In the rooms there are sculptures that represent the characters, some of them with the original clothes that were designed for them (if the film is a live-action), the plain clothes, and on the walls sketches and animations, some original, some “inspired”, and some made specifically for the exhibit. Some rooms are small and rather empty, others are decorated like the movie sets. There are tricks with lights, and some mirrors, but nothing “immersive” about it, and way too many people around considering the size of some rooms.

The idea of a labyrinth is interesting, but I don’t think the price warrants just seeing half of the exhibit, especially considering the big “misses” of not seeing all the The Nightmare before Christmas. We took about 40 – 45 minutes to go through the 15 rooms.

What I am aware we saw included:

  • Beetlejuice
  • Edward Scissorhands
  • Batman and Batman returns
  • Mars attacks!
  • Charlie and the Chocolate Factory
  • Alice in Wonderland or Alice Through the Looking Glass
  • Corpse Bride
  • Frankenweenie
  • Jack from The Nightmare before Christmas

Collage of Tim Burton's characters: Batman's Pengun, Edward Scissorhands, Emily from Corpse Bride

Collage of Tim Burton's characters: Alien from Mars Attack; the clothing from the Chocolatier (I think) in Charlie and the Chocolate factory, surrounded by twirling candy canes; Beetlejuice

Collage of Tim Burton's characters: Jack from The Nightmare before Christmas; The Mad Hatter from Alice in Wonderland, with some giant mushrooms behind; the boy and the dog of Frankenweenie

I think this is an exhibit for die-hard fans that are willing to pay for the premium ticket and see the whole thing twice. What it’s not, and that’s for sure, is for kids.

On both ways, we had some train trouble – delays and technical problems, but nothing too dramatic, and I was home before sunset – but after buying a stack of Christmas candy canes! And my sibling enjoyed, which was the goal anyway.

2nd December 2022: “Tutankhamun Immersive Exhibition” in Madrid (Spain)

In 1922, an archaeologist named Howard Carter discovered the tomb of Pharaoh Tutankhamun in the Valley of the Kings, Egypt. Tutankhamun belonged to the Eighteenth Dynasty. He reigned over Egypt around 1330 BCE, and restored the Ancient Egyptian religion. When he died, he was buried in a smaller-than-expected tomb, probably because his death was sudden and unexpected – for a while, it was hypothesised that he had been murdered, but it seems that he died from a combination of an infection and several previous pathologies (nothing to do with the fact that his parents were brother and sister, I’m sure).

The tomb was robbed and restored twice within a few years of Tutankhamun’s death, but it was eventually buried by alluvium brought by flash floods, and the debris from other tombs being built nearby. Thus, when Carter found it in 1922, it was mostly untouched and unspoilt. The death of Carter’s sponsor George Helbert, five months after visiting the tomb, sparked the rumour about a Curse of the Pharaohs, which has inspired countless works of fiction.

In 2022, Spain is living through a fad of “immersive exhibitions”, heavily based on technology, virtual reality and computer games. I was curious about what it would be about, exactly, so I decided to celebrate the end of work season by hitting the exhibit. I was early as the day before there had been a bit of public transport trouble and you usually have more chances of getting in if you’re early rather than late. Thus, I reached Centro Cultural Matadero in Madrid about half an hour earlier than my ticket read, and I was let in without any issue.

The “immersive exhibit” Tutankamón: La Exposición Inmersiva was devised by MAD, Madrid Artes Digitales, which specialises in digital creation and immersive experiences such a this. The exhibit has been designed in cooperation with the History Channel.

The first bit was a number of panels, explaining the “Egyptmania” that swept the world after the discovery of the mummy, the process of mummification, or life in ancient Egypt. The second held a replica of the inner and outer sarcophagus, along with the mummy, then replicas a few artefacts that had been found in the tomb, including the famous golden mask the pharaoh was buried with.

Three part collage: The upper picture shows the mummy of Tutankhamun suspended from the floor, imitating an open sarcophagus with the lid open on top of that. Bottom left: reproduction of the mortuary mask, in gold and blue, it has the typical Egyptian hair and beard. Lower right: reproductions of small objects found in the grave: estelae and human-like small sculptures.

Afterwards, you go into a huge ward with a projection on all four walls plus the floor, which is very spectacular but does not tell you much about the real history of either Tutankhamun or the tomb, it was just a cool video of flashy images with a narration in first person, showing the interior of the tomb, yes, but mostly vaguely-related imaginary, including some of the Egyptian gods. What it did have, and that was neat, was an original newsreel about the opening of the tomb, including Howard’s voice.

Collage of a 3D projection. Left, from top to bottom, views of Tutankhamun's grave: the outer area, in sandstone with sculptures, and two views of the inner painting an decoration, showing figures and hyeroglyphs. On the right, a projection of lotus flowers blooming and turning into gold, representing the soul of the pharaoh.

A large ward with a projection of a starry sky on the walls. At the front, a view of Tutankhamun's mortuary mask, eyes glowing.

A projection of Tutankhamun's mortuary mask, eyes glowing. Around it, golden writing symbols, maybe hyeroglyphs.

The following area had an augmented reality game, which I won (didn’t get anything though), a photo booth that I skipped and some “I bet you didn’t know” facts – about one third of them were common knowledge, and another third was information from previous panels though.

Finally, there was a room with virtual reality glasses and headphones, but my headphones wouldn’t work – I later realised they were not plugged into anything. This represented – I think – the trip to the Egyptian underworld, as I “started” at Tutankhamun’s tomb, then there were volcanoes, and I ended up in front of Anubis, who weighed a heart against a plume – the Judgement of the Dead.

The VR experience there was the last spot in the exhibition – because I skipped the photo booth – before one went into the shop. In the end, I was there for about an hour and a half, but it almost took me two hours to arrive and an hour and half to come back.

Though I don’t regret the mental break, I have decided that immersive experiences are not for me.

9th October 2022: Atémpora, Sigüenza (Spain)

Sigüenza a Medieval town in the centre of Spain that is currently trying to gain the status of Unesco World Heritage Site. It has a castle, a protected historical centre, and in the heart of it stands the cathedral Catedral de Santa María La Mayor de Sigüenza . The cathedral dates back to 1124, when the original Romanesque building was was erected. The construction finished in 1326 , with remodelling and decoration elapsed several centuries, with different add-ons, until it was “declared” finished after the Spanish Civil War, with later works being just conservation.

Cathedral in Siguenza, a late-Romanesque / early-Gothic building, in a reddish colour. Left: side view, showing the bell tower. Right: façade, with two side towers.

In summer and autumn 2022, there is an exhibition in the cathedral – Atémpora. Sigüenza entre el Poder y la Gloria, which translated to something akin to “Timeless. Sigüenza between Power and Glory”. It displays some of the treasures of the cathedral and the museum, along with a few archaeological devices. We had seen most of the religious artefacts in a previous visit, but the historical chronicle was rather interesting.

The first block, around the cloister, deals with Celtiberian (the Arevaci tribe) and Roman weapons and everyday life. The second block deals with the Goth conquer and the newfound Christianity.

Upper Left: entrance to Atempora, flanked by two angels. Upper right: Celtiberian Daggers. Bottom left: oil lamp looking like a bird. Bottom left: clay bowl.

Interwoven with the exhibition are the treasures of the cathedral, including two collection of Flemish tapestries, one focused on Athena, the other on the story of Romulus and Remus. Another highlight is an Annunciation painting by Domḗnikos Theotokópoulos “El Greco” a Greek artist of the Spanish Renaissance (since he moved to Toledo in his prime). Of course, the cloister is fantastic. There is a tiny gothic altarpiece in one of the chapels that is delicious. The problem? As always, Baroque trends building choirs in the middle of the naves, blocking the view, and overdecorated altarpieces. The wooden ceilings are extremely beautiful where they have been preserved.

Upper left: tapestry collection, hanging from walls. Bottom right: Annunciation by El Greco. Bottom left: decorated wooden ceiling. Bottom right: Cloister of the cathedral.

The three final blocks present different Christian symbols and pieces of art from the Middle Ages onwards, and interestingly enough, a watermill from the old salt marshes. The exhibit makes a particular emphasis on Wilgefortis, a Catholic folk saint which is supposed to be buried in the cathedral, with the silver arch where her body lies brought from the altar. Other pieces include coins, sceptres, and even a few elements from the times when there was a Medieval university in town – one of them being a human skull with “anatomy notes” on it. There are also late Medieval sculptures, most importantly crucified Christ representations and Virgins with the Child, though probably the nicest one is the one which is permanently at the entrance of the cathedral. Next to it, a mill from the nearby salt mines (Salinas de Imón) has been brought – I really want to visit those at some point too, so great reminder.

Altar of St. Wilgefortis on the left. On the right, a coin, a scepter and half of a skull with writings on it.

Top left: Romanesque virging with child. Bottom left: watermill. Right: Crucified Christ with four nails on his hands and feet.

The most important monument, or area, in the Sigüenza cathedral is the chapel called Capilla del Doncel. It holds the tombs of Martín Vázquez de Arce and his parents. The de Arce men participated in the war against Granada Muslims during the 15th century, where the son was killed in an ambush, as the Muslims created a flash flood from the watering system they had to control the waters of River Genil. Though he was already 25 years old, too old to be called a doncel, teenage boy, the name has stuck for centuries. The parents’ tombs are traditional burials, however, the Doncel’s grave is an arcosolium, with the decorative sculpture showing the young man awake and reading a book, rather than lying in death as it is the typical representation.

Chapel of"El Doncel", showing the traditional burials in the foreground, and the Doncel's tomb in the background.

We went to have lunch after the visit, we went to have lunch at La Taberna Seguntina, where we shared some typical cheese, sausage, and roasted pork before we went home.

Typical Siguenza Dishes. Top: sausages and cheese. Bottom: roasted pork leg with potatoes.

25th September 2022: Ruta de las Caras (Buendía, Spain)

As I had a visitor, I proposed a hiking route I had heard about as a silly adventure. The area around the reservoir Pantano de Buendía is home to an… interesting hiking route.

In the early 1990s, a couple of friends called Eulogio Reguillo and Jorge Juan Maldonado, a builder and a pottery maker, got the idea to create a sculpture on the rock. That, which in other circumstances could have be just been considered “defiling nature” became a Land art project – the two “artists” have carved gigantic faces into the sandstone, and the route has become a tourist spot – the Route of the Faces or Ruta de las Caras.

The route has been on my radar for a while (but I’d been feeling lazy about the drive) and I thought it would be a fun bizarre thing we could do together. It did not disappoint. You can do the complete route from the nearby village of Buendía, which is around 9 km, or drive up to the beginning of the route at the edge of the reservoir and hike around 2 km. We decided to do this, as the complete route did not offer much else to do / see.

The route features a lot of official and unofficial sculptures, along with graffiti on the rocks. It is circular and runs through a pine forest which makes it suitable for both warm and cold weather – as long as the roads to get to the village are not frozen. Though temperature had plopped down compared to the previous day, it was still mostly over 20 ºC, so nice enough to be out in a sweatshirt.

Pine trees with a bit of water in the background - the reservoir

The rock carvings vary in size, style and elaboration. There are some religious motives, such a couple of Christian Virgin Marys, and some figures from Indian (Hindu and Buddhist) inspiration, but the ideas are so all over the place that they probably just let the artists do whatever they felt like. While the first carvings date from the 1990s, the route is still being carved, and we missed one of the faces as it is in a “new” area which is still not signalled. Some of the sculptures we did see include:

  • Moneda de Vida – The Coin of Life
  • Cruz Templaria – Templar Cross
  • Krishna (Hindu deity)
  • Maitreya (future Buddha in Buddhist eschatology)
  • Arjuna (a character in one of the Hindu epics)
  • Espiral del brujo – The Male Witch’s Spiral
  • Chemary (short for the name “José María”, Joseph Mary)
  • Sin nombre – Unnamed (and unfinished)
  • La monja – The nun
  • Chamán – Shamman
  • Beethoven (the composer, yes)
  • Duende de la grieta – Goblin in the Crack
  • Dama del pantano – Lady of the Reservoir
  • Virgen de la flor de Lis – Virgin of the Fleur-de-lis
  • Virgen de las caras – Virgin of the Faces

Different faces and shapes carved in sandstone

Different faces and shapes carved in sandstone

Our favourite was the skull overlooking the reservoir, called De muerte – Deadly – which one could actually climb – noooot absolutely sure it was “legal”, but the rules only said “do not carve or alter the rocks” and the sculptures are coated in a protective liquid. And after all, this started as a random art-vandalism thing.

Large skull carving (top) + the look from the viewpoint - the reservoir is pretty depleted, there is a lot of sand, but also some green trees (bottom)

On the way back we stopped at the dam that closes off the Reservoir Presa del Pantano de Buendía, where we played with the echo.

Massive concrete dam, and the water behind it, a rich azure. The water looks cool.

Then, we moved on and once again stopped at the dam in the Entrepeñas reservoir Presa del Pantano de Entrepeñas – and I got the exit wrong again afterwards, exactly like the previous time. We saw a flock of vultures, and as they were circling in search for prey, they were a ‘kettle’.

The silhouette of two vultures circling

To end the day with befor my friend was off to the airport, we headed back and stopped to have lunch at a tiny Mexican place in the shopping centre on our way. And there I discovered that yes, there is such a thing as too much cheese on nachos. In the end, we walked around 4.11 km (6464 steps), so I think we were allowed to deal with the junk-y food.

Nachos + tacos. Everything looks a bit greasy.

10th July 2022: Reservoirs (Buendía & Entrepeñas, Spain)

I tried going for a hike because I was feeling cooped up, and tried to make the most out of the draught Spain is going through. The centre of Spain is sprinkled with large reservoirs, a lot of them built during Franco’s dictatorship as part of the efforts to get the country to recover from the war. The reservoir Embalse de Buendía is fed by the river Guadiela and it was finished in the year 1958. Before that, there used to be a bathing complex used by the royals, along with a village there. I have wanted to get there for a while, but it is tricky because the trail is reported to be in bad condition. So I decided to walk down the trail Camino de La Isabela to gauge whether my small city car would make it. Thus, think about this as a recognisance mission.

I parked the car at the beginning of the trail around 8:10 in the morning and started walking. I saw a small lizard which had shed off its tail, and some footprints – birds, canid, and I’m pretty sure a deer.

Close-up of a brown lizard which is growing its tail back.

Collage of animal footprints: paws, tallons and hooves

The temperature was nice at that time and I walked for about an hour until I got to the shore of the reservoir, then another 20 minutes or so until I got to see the derelict settlement. The water was still too high so I decided not to walk there.

A view of the reservoir. The sun is shining and there are some green / yellow plants ashore.

The reservoir. On one of the inlets you can guess the ruins, along with some columns that peek over the water.

I just hung out at the shore and found a bunch of dragonflies (I think Trithemis annulata, violet-marked darter (female and male), from a helpful comment on social media). Then I started walking back, because the temperature was rising fast.

A yellow and a red dragonfly.

I made it back to the car around 11:00 and drove off towards a second reservoir in the area, Embalse de Entrepeñas. I have driven by more than a few times, and I would always be drawn to a little side road that seemed to overlook the reservoir. It is actually the beginning of a hiking trail, but it was already too hot to keep going. Instead, I peered around the actual dam and hydroelectric station.

A white-grey dam closes the reservoir. There are trees in the foregrond and the water looks almost turquoise.

The electricity power-plant that is fed by the water behind the dam. There are a lot of wires coming out at different heights.

It was too hot to do anything, the beginning of the heat wave, so I just drove off and made a stop to see some friends on the way. I’ll keep an eye on the water level of the reservoir Embalse de Buendía in case I can come back to the area, now that I’ve figured out how far I can reach with the car.

Walking distance: 16846 steps / 11.76 km

14th December 2021: Navilandia (Guadalajara, Spain)

Back when I visited Torrejón de Ardoz in November, they were already preparing their Christmas display, which is famous in the area. In a smart way to curve attendance though, this year the town hall decided to charge non-locals to enter. Towns around quickly noted this and decided to organise their own magnificent displays, and in the case of Guadalajara, give a hand to the people who live off the carnivals and fairs, as most regional summer festivals have been cancelled for the last two years. They called it Navilandia (Christmasland), the biggest “Christmas Theme Park” in the region.

The “theme park” is divided in several areas. The first one is the palace Palacio del Infantado, its gardens and the adjacent square. The Palace features the same Christmas tree as last year, and the gardens have been decorated with lights, Disney characters, a Zeus sculpture, music and… dinosaurs. I have no idea what dinosaurs have got to do with Christmas, but you won’t hear me complaining about dinosaurs. They are called the magical gardens Jardines Mágicos del Infantado. There is also a small flea market.

A gothic façade with a Christmas Tree made out of green and gold lights in front, along with some more decorations: Felices Fiestas, another tree, a reindeer made out of light

As I walked up Main Street I saw the traditional Playmobil Nativity they always set in one of the shops. However… I’ve never been able to spot the actual Nativity scene here. It is rather cool, though.

A Nativity made out of Playobil figurines, the stable is on the left and a bunch of toys are coming towards it through the desert. There a lots of dromedaries.

The second “Christmas hotspot” is the town hall square Plaza Mayor had a tasteful light decoration, a childish representation of the Three Wise Men, and a very beautiful – and lit up – carousel. I really wanted to ride it, but there were too many toddlers. It would have looked… weird. I need to find out when it closes so I sneak in after the kiddies have gone home (≧▽≦).

A caroussel with bright lights on in a square. Hanging above the square there are lots of lights and stars in gold colours. There are also four Christmas trees

Third spot was half-closed but that is okay. The square Plaza de Santo Domingo hosts another flea market, that was not open – they are setting three rotating markets there, basically one each weekend, and we were between them. There was a big walk-in Christmas tree and the “monumental Nativity” there.

Collage: A Christmas tree made out of eye-shaped lights in blue, purple, red and yellow. A picture of the classical nativity with realistic figures. The Holy Family is illuminated in white - Joseph is placing the Child on a crib that Mary is holding.

The final area extends along the parks Parque de la Concordia and Parque de las Adoratrices. The entrance is flanked by two nutcrackers; it hosts a talking tree, lights, food trucks, yet another flea market, and rides that again… are only Christmassy by name. There is another Nativity, this time an “abstract one”, a cute train and a “Polar Express” ride, some lights and… a “talking tree”, which broke into telling some tales out all of a sudden. Then, there was a bunch of rides, but they looked like your average travelling carnival rides, and I was not going to go onto any of those, so I made my way back. Also, I was strong and did not buy any cotton candy nor similar treats, though I was tempted to get some roasted chestnuts.

Bizarre Christmas decorations and motifs in the park: A giant nutcracker / soldier, an abstract nativity, some gingerbread-house-shaped shops, a Polar Express mini train, and a... something that looks like a tree with a face on the trunk and leaves made from green lights.

It was weird because for the second time in a couple of months I’ve been asked if I’m an actual photographer. True, this time it was a drunk guy who then proceeded to yell fascist slogans. I decided it was the right time to call it an evening and go home for the day…

30th November 2021: Naturaleza Encendida – Explorium. Royal Botanical Garden in Madrid (Spain)

After being in semi-lock down last year, my sibling, who loves Christmas lights, asked me to accompany them to the Real Jardín Botánico, the botanical garden in Madrid. The Botanical garden was founded in 1755, adjacent to the planned museum of Natural Science, which would later become the art gallery Prado Museum. Today, it is a research centre. The garden is divided into four terraces, a main building (Edificio Villanueva), and a back terrace, and it serves as museum of live plants of sorts.

For the last few years (at least three that I’m aware), the botanical garden has spiced up its winter downtime with light shows and displays. This year, the display is called “Lit Nature: Explorium”: Naturaleza Encendida: Explorium by the company Let’s go. The topic is ocean explorers and exploration, spread throughout the three main terraces and an extra exhibit in the building.

In order to have flexibility, I got us Premium tickets in case we needed to cancel last minute, which had the extra advantage that spared us from any queues, as we had full-access between 18:00 and 19:00. We also got to see the extra exhibit without paying extra. I drove up to a mid-way train station that allowed me better schedule flexibility – and my sibling lives close-by so it gave us the option to have dinner afterwards. I took the first train and we met at the botanical garden station at 17:30. We wandered around for a little while we waited until twilight faded, and we got in, avoiding all the lines – I did a bit of astronomy maths when planning this, regarding latest sunset and shortest twilight.

The exhibit is organised so you are free to wander around each terrace, but you can only cross from the lower to the upper terraces upwards, you cannot backtrack, in order to control capacity and people in each area. It only felt a bit crowded at a couple of points, mostly around the checkpoints, as it was very difficult to hear the staff.

The whole display has thousands of little blue LEDs to get you on the ‘ocean’ scenery. The first terrace sets the mood – there are Christmas-tree looking build-ups and different types of colour-changing sculptures: turtles, pufferfish, and sea horses. The second focuses on laser and smoke, and reflection displays, and some serious-looking grouper. On the third, where the building stands, there is a little pond from where a few gigantic tentacles rise, and jellyfish hanging from the trees. The exhibit in the building itself is similar to the projections done by Team Lab.

Collage. A garden lit up at night, with different shapes: pufferfish, seahorses, a turtle... The trees and bushes are decorated with thousands of tiny blue leds

Collage. Light flashes in a dark garden, along with a colour gouper fish

Collage. Huge tentacles coming out of a pond, illuminated in red and blue; and blue jellyfish lamps hanging from trees

Collage. Light effects repeating the same patterns: a pineapple, a thisle, a khaki

We wandered around for a couple of hours, and believe me or not… the lights went out at some point! This was like climbing up (rope-way-ing up, to be honest) aaall the way up to see Nagasaki’s lights from Inasayama and getting caught in the clouds, but fortunately shorter (≧▽≦).

We left the botanical garden and took a train back. There were a few places to grab a bite around the station, so we ended up at a cosy Italian place and shared some stuff – too much to then grab some dessert though. When we left it was so cold that my car gave me the first heart attack of the winter by bleeping and showing me an orange alarm in the dashboard that means “the roads might be frosty” but scares me to death whenever I see it for the first time in the winter season. I drove off home, had a shower, went straight into work at 23:00 because how was I going to manage a free Tuesday evening without consequences?

Final waking distance: 8.50 km (though I really think that the wristband confuses my stress-driving with activity.

15th October 2021: Torija & Brihuega (Spain)

The castle of Torija is another of those things I’ve regularly driven by and thought ‘I have to visit one day’. Even though I had been warned that it might be disappointing as it had nothing inside but some touristic promo. Boy, was I in for a ride.

I arrived in Torija at around 10:30 in the morning and upon entrance I saw the demand that a reservation had to be made using a QR – the thing was free but it did not allow for 10:00 or 10:30 reservations – you had to pick it up for 11:00.

The castle Castillo de Torija was built in the 14th century, during a time of strife among all the factions and kingdoms of Spain. Later, in the 19th century, it was taken over by the French during the so-called Peninsular War against Napoleon’s troops, after basically the king Ferdinand VII gave Napoleon Spain wrapped in a bow. Napoleon made the king abdicate and installed his brother on the Spanish throne. There was a popular uprising in 1808 to fight off “the French”, who did not like this new attitude. During the war, the castle was occupied and then blown up. The current reconstruction dates back from 1962.

So there I was. The castle was empty – literally – but nobody was allowed before the reservation time because of ‘capacity rules’. So everybody in the castle was in the hall – yours truly, two other tourists, and four employees. All in the hall. Rules are rules again, but in the times of Covid, it feels utterly stupid to do this to ‘control capacity’ – since the rest of the castle was empty.

There was nothing really worthwhile to see in the castle – none of the interiors were even interesting and some of them were almost embarrassingly bad. Just a few pictures and models and mentions of the famous regional honey. I had been warned that it was going to be ‘disappointing’ but this was utterly ridiculous.

Thus, I continued off on my drive and I reached the village of Brihuega, which aside the lavender fields has a number of historical buildings and curiosities and was declared historical site in 1973. I had left the visit to this village for Friday because there were online tickets for the castle on sale, and therefore I had gathered that it was visitable that day. Right? Wrong, but that comes later.

After being unable to find the spot I wanted my Sat-Nav to take me due to blocked streets, I dropped the car at a public parking lot at the edge of the village, then I walked towards the medieval core of the city. The first item I came across was one of the gates to the medieval wall Puerta de la Cadena.

I strolled towards the centre but after a block or so I saw an archway that drew my attention. Upon turning towards it I found myself in front of the church of Saint Philip, Iglesia de San Felipe, which I had seen in my previous flash-trip. The church dates back from the 13th century, and it is a ‘transition’ church from the Romanesque to the Gothic building styles.

I backtracked towards the main street and reached the main square where the tourist information office stands. Here I learnt that there was going to be a popular festival the following day and that explained why some of the streets were blocked. After a quick stop at the tourist information office, where I got a map and a pamphlet, then I check about the process I had read for visiting the Arab caves – Cuevas Árabes. What the Internet told me was that I had to go to the butcher’s and ask the owner to let me in.

It was true – it turns out that the caves are private property and only he has decided to open up his. The Cuevas Árabes are a number of tunnels excavated into the rocky bed in the 10th and 11th centuries. They run around 8 km underneath the village, but only around 700 metres can be visited. The temperature is constant throughout the year at around 12ºC, so it is thought that they were used for food storage, and several sites say for wine. There are a number of large earthenware jars that are indeed used by winegrowers, but Arabs historical Arabs wouldn’t be drinking wine? I’d put my money on oil, but I really don’t have information to make more than a guess.

The butcher asked me what I wanted, I answered that I wanted to visit the caves. Then he proceeded to ask if I wouldn’t be scared – I paid (2.50€) and I went in after reassuring the guy I would be okay and he explained that I would also find some Visigoth archways, older than the Arab caves themselves and probably a starting point for them. The caves were the highlight of the day, really cool and mystifying, although I kept half-expeciting the owner to jump at me and try to scare me.

After the caves I headed out to the castle area, for which I had to cross another of the wall gates Arco de la Guía.

I found myself in a small square with the castle Castillo de la Peña Bermeja to my left. The castle is mixed with the graveyard in a very strange organisation. Unfortunately, it was closed (despite the fact that the website was selling tickets for the day – so glad I did not want to pay almost double in advance!). The castle is of Arab origin, built between the first and third centuries, and it gathers its name from the reddish colour of the mountain it stands on (Peña Bermeja means Vermillion Crag).

I also got to visit the inside of the church of Saint Mary, Iglesia de Santa María de la Peña by pure chance. The church was built during the 13th century, and it hosts the image of the patron virgin of the village.

Then I walked back towards the car, passing by the corridor they were building for the running of the bulls, I saw some more buildings, such as the convent of Saint Joseph, and the traditional fountains. Then I deviated towards the medieval walls Murallas de Brihuega, which was the last spot for my three-day on-and-off adventure.

Driving distance: Around 68 km (without counting the Sat-Nav merry-go-round)
Walking distance: 7.33 km

14th October 2021: Roman city of Complutum (Alcalá de Henares, Spain)

Around this time in 2020 I took a small tour around Alcalá de Henares. However, the Roman ruins were not near the town centre, and we exchanged walking there for a walking tour the university and the archaeological museum. This time I exclusively drove to the ruins (or tried to, somehow my phone and my GPS have different layouts, so ended up parking 15 minutes away when I should have parked… right by it).

Complutum was founded as a Roman town in the first century BCE, when the locals moved in looking for fertile lands for crops and cattle. The area, near the Roman road and at the bank of the river, was great – and who cared about the original Iberian settlers anyway? The city grew and a newer town started being built in the first century CE. Soon, the town became a religious (dedicated to the goddess Diana and the water nymphs), economic and strategic hub, so that several Roman roads (viae Romanae) started and died there. The town’s influence expanded for kilometres until the 8th century, when the Islamic population took over the city and the population re-settled to what is now the centre of Alcalá.

The city was eventually lost as the town developed around and over it, but part of it was excavated in the 19th century. The modern excavation was organised in the 1970s trying to salvage as much as could be from the urban developments. Most of the mosaics from the archaeological museum are from this time, apparently.

In the 1980s, the city of Alcalá decided to protect and excavate the town and as of now there are two areas that can be visited. However, they are separated and you have to walk or drive from one to the other.

I first visited a building called Casa de Hippolytus, Hippolytus’ House, which was a school dormitory for boys. The building hosts a thermal area, a bathroom, and a garden.

The key part of the house is the “fish mosaic”, commissioned by the rich family who sponsored the school (Anios) to the merchant Hippolytus, who signed the mosaic. The mosaic. is thought to have been a teaching tool as it depicts with a lot of detail a number of aquatic species from the Mediterranean Sea (in contrast with the people in the boat) – there is a dolphin, a sea urchin, a lobster, a cuttlefish, a moray eel, a sea bream…

I walked to the other site afterwards, Foro y Regio II, and it’s divided in several parts – it has a residential neighbourhood, some public buildings (therms, curia, basilica…), and the oracle building, along with remains of the sewers and water supplies.

The most important building, called ‘the house of griffin’ due to to the decoration, was unfortunately closed. But you can be sure that the place is kept safe by the kitty queen on call and her dutiful apprentice.

Driving distance: around 64 km
Walking distance: 6.79 km

13th October 2021: Poblado de Villaflores (Spain)

Poblado de Villaflores (Settlement of Villaflores) is a long-abandoned farm settlement was erected between 1886 and 1887. In 1882, María Diega Desmaissières y Sevillano, countess of Vega del Pozo and duchess of Sevillano (among other titles) came to own the land where the village now stands. She was known for her philanthropy and ordering several buildings be built. The settlement was one of these – the duchess commissioned architect Ricardo Velázquez Bosco to design a ‘rural colony’. The buildings were erected in limestone masonry and exposed brick, and the most important items in the settlement were the main hamlet, a dovecote, four several-family houses and a hermit church. There is confusing information on whether it has been declared an “interesting” or talks of the the declaration were finally archived.

I have driven by the settlement several times, but at one point I made up my mind to visit, even if the area has been in decline for years – as a matter of fact, a clock tower that used to be part of the hamlet collapsed in 2016, and the first alarms had been rung as early as 1980. Since then, most of the buildings have had the entrances either boarded up or walled, and the collapsed areas seem to unstable to come in explore. I wish I had decided to visit earlier, when real urbex was doable, but oh well.

The actual entrance to the area – which is paved – has been fenced off since at least 2011, despite the different announcements about recovering and restoring the settlement. However, next to the settlement there is an official cattle way (Cañada real ), used to guide the herds from winter to summer pastures (the practice of transhumance). This was a common practice in the Middle Ages, but it died away with time, and today most of them have been turned into hiking trails. The key thing is that as they cross roads, there are big clearings where you can park, and that is the way to go in this particular case. The area is named Cañada Real de las Matas (Área Recreativa Francisco Rodríguez).

At the edge of the holm oak (Quercus rotundifolia) forest, Chaparral de Villaflores someone installed a children recreational area and some tables and benches, maybe mid-1990s, and called it a park Parque del Sotillo. While the tables are still in use – judging by the rubbish around it – the swings and other elements have been plundered.

As I approached the hamlet, antigua casa de labranza, I saw the chicken wire fences but most of them were actually open and torn down, so I guess I just decided to wing it. The hamlet was open but I decided not to enter it, just in case I broke an ankle or something. This is the building that lost the clock tower, and the only one whose property is private – it belongs to a real estate company which at some point planned to develop the area, but backed out for some reason.

I went on to the church, which used to be consecrated to Saint Didacus of Alcalá – antigua ermita de San Diego de Alcalá.

I deviated towards the mill, then backtracked to the houses, crossing the actual road that is blocked. It is weird, seeing roundabouts in such a dilapidated place (≧▽≦). As I was exploring the houses, I heard shots and saw ducks try to fly away, so the cars I had come across, which I expected to belong to people looking for mushrooms ended up belonging to hunters.

That made me a bit apprehensive, but I was finally close to the most attention-grabbing building of the whole settlement – the dovecote, called La Tabalta in Spanish. It has two floors and it could home ten thousand doves – which were kept for recreative hunting in the 1880s.

I did not try to enter the winery because it was too dilapidated, nor the more modern barn, but this was a fun little visit that thankfully did not end up with me getting shot! I might try to visit this again in winter when there is less vegetation. Though since it is in the middle of nowhere the wind will be freezing…

Walking distance: 4.48 km

8th October 2021: Tamajón & Cogolludo (Spain)

When I went to the waterfalls of the Aljibe I drove past a little village I had never heard of before – Tamajón, and a side sign reading “Pequeña Ciudad Encantada de Tamajón”. The term “Cuidad Encantada”, meaning Enchanted or Magic City, is used in Spanish to refer to karst formations. Karst is the name of a particular topography, created by the dissolution and chemical weathering of soluble rocks, chiefly but not just limestone.

The particular Spanish karst landscapes were formed by precipitation of salts – calcium carbonate – in the quiet waters of the Tethys Ocean during the Mesozoic Era (251-66 million years ago). Plate tectonics made central Spanish arise during the Cretaceous (the later subdivision of the Mesozoic, 140-66 million years ago) emerge, and the calcium carbonate became exposed to the elements, which started the erosion process. The most famous karst landscape in Spain is the Ciudad Encantada near Cuenca, which I guess spread the name.

Tamajón has a short hiking route around its karst formation, and while it is true that they are on the relatively smaller size, there are different shapes. I started my hiking route at the Ermita de la Virgen de los Enebrales, hermitage church dedicated to the Virgin of the Juniper Forest – the current building was reformed in the Renaissance style, thought the actual dates are shaky.

I started on the hiking route from the hermitage, along the road, and there were no markings there, so I kind of winged it for a while. After I took the first turn and started going up the rocks, I found the painting marking the routes – I had a handmade map because someone had shared it online, so I just went along it, and when I finished I redid about a fourth of it to take a detour to the other side of the road. There are cracks, arches, caves, cavities and capricious forms. I spent about an hour and a half walking around almost completely alone, which was awesome.

On my way back I stopped by the Church of the Assumption Iglesia de la Asunción, also a Romanesque – Renaissance mixture. The porch is typical of Romanesque churches in the Camino de Santiago (St. James’ Way), to shelter pilgrims.

As it was still early and I was relatively close, instead of driving home I headed off to another village called Cogolludo. I parked the car at the edge of the village and walked towards the main square, where there is a famous Renaissance palace Palacio de los Duques de Medinaceli. It is considered the first Renaissance Palace built in Spain, and it is reported to have been finished in 1492. The palace was designed by Lorenzo Vázquez de Segovia, with exquisite decoration, and the blaring lack of towers, which were very popular at the time. If I’m ever in the area again I might want to try to see the interior, which is only open in the guided visits.

The Palace stands in the main square Plaza Mayor which has a typical Castilian arcade with stone columns (unfortunately workers, sun and cars made it hard to take a good picture of it).

Cogolludo has two churches, Iglesia de Santa María de los Remedios (Our Lady of Remedies) and Iglesia de San Pedro (Saint Peter), both dating from the 16th century, but both completely closed down.

Finally, there are also the ruins of the Medieval Castle Castillo de Cogolludo, but there was not much incentive to climb up. All in all, it was a short but interesting morning – though I glad I teamed the two visits up, going to Cogolludo on its own would have not felt productive.

Driven distance: around 115 km
Walking distance: 7.27 km

8th September 2021: Impromptu Madrid Run! (Spain)

This was oh my god so unplanned that I kept improvising throughout the whole day! It all started because a Spanish publisher decided to translate a non-fiction book I’ve loved for ages – Tokyo Vice by Jake Adelstein. The publisher flew the author in for interviews, and I guess I was disappointed that no signing event was organised. I asked the author once and the publisher another time, then shrugged it off when I got no answer. There were some interviews scheduled for him, and a book fair coming up. I guessed it was just not meant to be, but I did feel disappointed.

And then, on the 7th, Mr Adelstein shot me a message that he would sign my book if I could go to Madrid and meet him at one of his breaks. As you can imagine I just… said yes (I could not meet him that very same evening because of travel times, but I could make it on the 8th. And there I went).

It was the first time taking the train since the whole pandemic thing (hell, I had not even been on a train since Paris 2020), and a weekday so I chose the times carefully to hopefully get close to as few people as possible – it worked, as both rides nobody sat next to me.

I arrived in Madrid and transferred easily, then got out at a new station in the area of Gran Vía. The Tokyo Vice book came out that day, so I wanted to go to a big book store that would hopefully have it already. My first stop, FNAC, failed miserably, so I went to La Casa del Libro, where they told me I would find the book in a completely different section where I actually did. But at least I had it in my hands, even if I had apparently not used my credit card for so long, I got the right PIN for the wrong card (≧▽≦).

After I had the book in Spanish – I’ve owned a first edition copy in English since 2010 – I had thought that I should get a small detail for the author as he was making time for me. As he had to continue on his travelling, I decided to do something small and “consumable”, so I came up with buying some typical Madrid candy – violet sweets from La Violeta. I’d never been inside the shop, but it’s an adorable little place dating back to 1915.

It was still early for my appointment at 14:00, so I decided to head towards a square that hosts an Egyptian temple of all things. On the way I made a stop at a Starbucks for a Vanilla Frappucino, I figured out that the amount of calories would get me going and I would not have to eat until I was back – looking back it was a weird thing, but it made sense in my head at the time. I strolled around the park next to the palace Palacio Real.

The way to the temple was completely blocked off due to construction, so I decided to backtrack. I walked up the great avenue in the middle of the city Gran Vía. As I walked around, minding my business and listening to music, I kept remembering a comic by Sarah Sanders, in which she makes fun of how people won’t leave you alone when you’re wearing headphones and, well, minding your own business.

I reached the square with the fountain to the goddess Cybele Fuente de la Cibeles and the related Palace Palacio de Comunicaciones (by Antonio Palacios). The fountain dates back to the 18th century, when king Carlos III revamped a lot of Madrid trying to make it more beautiful and similar to other European capitals.

Carlos III is also responsible for the design of the modern version of one of the former wall gates, called the gate to Alcalá, the nearby town, Puerta de Alcalá. This area was declared Unesco World Heritage Site in summer 2021 as Paisaje de la Luz, so Madrid was in a celebratory mood.

I headed into the park Parque del Retiro, which is also included in the Heritage declaration. The park was initially built in the first half of the 17th century, as part of the royal recreational areas. Carlos III opened it up as public park a hundred years later. Aside from the obvious green areas, the park features fountains, palaces and sculptures. I walked past some of them. First I came across the fountain “of the turtles” Fuente de los Galápagos.

There is also a large pond, aptly called the big pond Estanque Grande del Retiro populated by carps, to whose side stands the monument to Alfonso XII – Monumento a Alfonso XII.

Nearby the pond stands the fountain called the artichoke fountain, Fuente de la alcachofa.

I walked to the fountain that depicts the fall of Lucifer from Heaven, Fuente del Ángel Caído. The fountain itself was built in order to exhibit the sculpture by Ricardo Bellve, who originally created it in plaster. The figure would then be cast in iron for the World Exhibit of 1878 in Paris, and eventually placed in the Retiro.

I strolled back towards one of my favourite points in the park, but that’s because I like iron-and-glass architecture – a little building called Palacio de Cristal, which has a small pond around.

Finally I headed over the little café where I had arranged to meet with Mr Adelstein. He arrived shortly after. He signed my book, but truth be told, I had also brought my first-edition copy, which happens to be full of post-its from the first time I read it. He was happy to sign that one too, and to my eternal mortification… he went over all the notes. I almost died right then and there. We chatted for a little, I gave him the violet candy and he had some umeboshi sweets for me too. I babbled that I was very happy that he had made some time for me, and he told me “but you were so polite on twitter and the publisher said no signatures!” and I kind of died again.

In the end, our meeting was only 15 minutes, but I have not felt so happy in a very long time – that he specifically took time felt amazing. We took pictures and even had a safe mask-hug. Afterwards I headed towards the nearest train station so I could be on my way before the afternoon rush came through, so that was it for the day.

Walking distance: 12.39 km