7th April 2023: Monasterio de Piedra (Nuévalos, Spain)

There are many things to consider when visiting the so-called Monasterio de Piedra, a tourist complex in Nuévalos, in the area of Aragón. One of the most important ones is the weather – as most of the complex is outside. The second is probably people. Just the online bookings are 2,000 tickets in a day – and some more go on sale throughout the day as visitors leave, or it is calculated that they do. A third factor is getting there, because it is literally in the middle of nowhere. This year, Easter break has peaked at an almost 100% occupancy rate since it seems that Covid is dwindling down, and the weather is superb – these facts have implied crazy traffic, too.

I had been mulling the trip for a while, checking weather and traffic warnings, and considering all the driving around that would be take place. I thought that the 7th would be a good date for a day trip – fewer cars out within the break period, and I was busy on the 8th, the other calm day. When I finally decided that the 170-km-each-way drive was going to be worth it and safe as the traffic authority had not updated its warning on the late-afternoon of the 6th of April, there were around 30 left for the 7th, and it was already sold out for the 8th. I got worried about traffic again, decided to leave the tickets for later, and by the time I definitely made up my mind, the day had been sold out!

I was disappointed, but I noticed that some tickets had become available for the 8th when previously there had been none. Thus, I kept checking throughout the evening, and finally around 23:00, I was able to purchase the 2000th ticket for the complex. Good thing that while I was wondering whether to go or not, I had prepared a backpack with whatever I might need, because if I wanted to beat the crowds, I had to leave by 7:30.

I did, and I made it to the complex around 9:10, after driving on almost-empty roads. I had planed to park in the outer lot, but as I reached the area, there were a number of workers directing cars and I ended up in the inner area. All the visitors who were already there – maybe I was the 30th car or so – stepped out of their vehicles commenting “oh, I thought there would not be so many people so early”. I thought the same… I had no idea of what “many people” meant in this place yet.

The Monasterio de Piedra complex has two distinct parts – the historical garden Parque-Jardín Histórico del Monasterio de Piedra and the monastery-turned-hotel. I decided to visit the park first, which would later be proven a good idea.

Río Piedra is mainly a pluvial-regime river (a fancy term to say that its flow depends on rain), also fed by various underground springs. The water has a high concentration of calcium carbonate, which for centuries has been key in creating the landscape that characterises the park, with a large number of waterfalls and caves – calcium carbonate dissolves and precipitates depending on how much water the river carries at any given time. Along the fertile soil from the river banks, the precipitates feed a very green landscape which in turns yields to a rich and varied fauna that lives there.

The park was established as a Romantic garden during the 19th century by Juan Federico Muntadas when he inherited the area. He also built the first Spanish fish farm there to breed river trouts. The garden is organised in two trails, a main one and an “extra” one – I decided to take the main trail, which runs around 5 km. The park prohibits food inside, but it does not really enforce it. I took a bottle of water, and an energy bar just in case, without the intention to eat it unless it was an emergency.

I walked in, got my print-at-home ticket scanned, and I was surprised that a few steps in, someone was holding an owl for people to take pictures with it. At 9:00. That was bizarre – I knew that the park used to hold birds of prey shows, but I thought it was a thing of the past. I got to my first intersection, and a park employee directed me towards the route. I was a bit disoriented for a minute or two, and I later realised that they were flushing the first visitors towards the big bottleneck area in order to try to control people, capacity, and waiting times. In this garden, the amount of people you run into can indeed make or break your experience – and I am happy to say that I made the right choices most of the time. The biggest problem I ran into were families with small children being loud, which was annoying but bearable.

Because of the redirection, I started off at what would have been number 16 on the route – the most famous waterfall, called the “ponytail”, Cascada de la Cola de Caballo. From there, you walk into one of the karstic caves (Gruta Iris) and pass under another waterfall, which even creates a small underground lake. It was cool, but I was really not prepared for how splashy it was! I continued off, I saw the and walked around a backwater called “mirror lake” Lago del Espejo for obvious reasons – it reflects absolutely everything. Although the route is only 5 km, it goes through areas that feel and look completely different, and it feels much, much longer without being tiring.

Monasterio de Piedra garden - waterfalls, karstic caves and the underground lake. Everything looks green with the vegetation and reddish with the karst deposits.

A 15-metre waterall, water splashing, flows into a river. The land around it is reddish-grey

A reddish hill perfectly reflects on a lake.

As I “finished” the route, I got to the intersection where the bottleneck is created and I saw all the people waiting – hundreds, probably. That was unexpected, because it had not felt that it was so crowded – it turned out, arriving early had been a great idea. The amount of people waiting was shocking, but understandable as most of the cave passages are only wide enough for one person – now I understood the reviews that claimed hours to see the waterfall and the cave.

I got a bit disoriented at this point – as I said, the route feels long since the landscape is so varied. However, instead of going for the exit, I decided to continue exploring a bit more – that is how I arrived at the lower numbers of the route again – number four, that was a bit more on the crowded side. I did the first part of the route, climbing up the hill slopes to see a dozen or so more waterfalls. Then had to backtrack again, until I finally saw everything that there was to see, even if in a strange order (on the map: sixteen to end, four to fifteen, then three to one. Not confusing at all, I know).

Monasterio de Piedra garden - fountain, and waterfalls and a cave. Everything looks green with the vegetation and reddish with the karst deposits.

Unfortunately, loud people scared most of the wildlife away, so aside from a few fish, there was nothing around in that respect. There were dogs around, but well-trained, so they did not cause a problem. The area is really nice, the waterfalls and caves are beautiful, but I can see how the number of people you visit it with might make it a good or bad experience. I am sure that I would have quit had I needed to wait hours to cross a cave and see one of the waterfalls.

When I left, there was a huge queue to get a picture with the owl. Furthermore, there were several huts with more birds of prey or other animals, and the pictures were sold at the exit. I’m not sure I approve of that, no matter how trained the animals are – there actually used to be exhibitions with the birds of prey, which is not happening these days. After I left the historical garden, I went into the former monastery. Today, most of the building has been turned into a hotel, but part of the historical site can be visited.

The monastery Monasterio de Piedra was established in the 12th century by Cistercian monks sponsored by king Alfonso II of Aragón. The building was erected in the years when Romanesque was turning into Gothic, so it mixes both styles along with some extra Baroque. Between the late 18th century and the early 20th century, the Spanish government carried out several programs to seize and sale property deemed “unproductive” – mostly belonging to religious orders and municipalities. These properties were auctioned to convert them into cash so the government could pay off its debt. The whole process is known as the Spanish confiscation (desamortizaciones).

In the 19th century, Monasterio de Piedra was confiscated. Everything it contained was auctioned in the 1840s and 1850s. In 1843, the buildings were also sold and acquired by the Muntadas family. It was soon afterwards that Juan Federico Muntadas became the owner. He turned the orchards into the now historical garden, and the convent itself into a hotel and… what today would be called a “wellness spa”. He also established the fish farm.

I would have really liked to stay at the hotel, but it’s a bit on the expensive side and there is really nothing else around, so you have to pay for meals on top of the stay. But it would have been cool to wander the monastery building at night. Not being a hotel guest, the ticket includes access to the cloister and the old church. Some rooms around the cloister have been dedicated to host exhibits about regional or historical products and items: carriages, wine, and even chocolate – the monastery was reportedly pioneer in the preparation of chocolate in Spain. The cloister itself has a few chapels, the early-Gothic chapter house with decorated columns and ambience music, and a small garden-like centre. You can also visit a monk’s cell, and there are mannequins spread through the different rooms – startling if you are not paying attention and suddenly see one.

I am not a wine person, so the museum on the topic did not impress me much despite having a bunch of traditional wine-making artefacts. The chocolate exhibit was just a succession of panels with pictures, and thus a bit underwhelming. Within the monastery, what I enjoyed the most was the architecture itself I guess. I loved the cloister and the chapter house most.

I also visited the adjacent ruined church. Like the cloister, it’s early Gothic. It has a Baroque chapel to the side which keeps the wall paintings. Although most of the ceiling is gone, the church still looks pretty – then again we all know that I like the architectural style anyway. It’s nice how the building is somehow ruined but at the same time it’s not, as it has been restored and preserved. However, underneath the altar, there is a small crypt, where a small window has been made to peer at someone’s bones – that was… huh… unnecessary. The nave is now open to the sky and covered with grass, all the figures have gone, and only one of the sides holds a few architectonic remains and capitals.

Inside the monastery - the cloister and the ruined gothic church

I left the inner area and I walked around the outside of the building – what has become the picnic area since you can’t eat inside the garden. Once I left that behind, the area was deserted. I reached the former main square, where the Baroque façade of the monastery still stands. I walked a bit further and found the walls that used to enclose the area, along with a small tower that is called the keep, but it looks more like a defensive tower.

The baroque main entrance to the monastery

Finally, I checked out the gift shop, bought a book and some chocolate. I headed back a bit after 13:00, but instead of driving directly home, I made a stop at a couple of viewpoints over the reservoir Embalse La Tranquera. On the way out, I had crossed several tunnels and seen viewpoints, so since I had time and I was not hungry yet, I decided to snoop around. After a while, I just drove back – though I might just have made a stop for a late fast food lunch, because guilty pleasures happen sometimes. And by 15:00 I was hungry indeed.

A reservoir with turquoise water, nestled in a reddish gorge

4th April 2023: La Granja and Riofrío (Spain)

King Felipe V of Spain was born Philippe, Duke of Anjou, in France. He was appointed successor to the throne by his great-uncle Carlos II, who died childless. He was never very interested in being a monarch, or at least King of Spain, which he became in 1700. Around 1718, he fell in love with a hunting area and decided to buy it. Today, this area has become the municipality of Real Sitio de San Ildenfonso (Spain), the Royal Site of Saint Ildephonse. He ordered a palace be built “without disturbing what was already built”. The result was the palace known as Palacio de La Granja de San Ildefonso (The Farm at San Ildefonso), in honour of the hermit church and farm that were there when the King bought the hunting grounds.

Legend has it that the palace is extremely uneven because the King ordered that no parts of the church were demolished, so the walls were built around the old construction – however, it is such a massive building that seeing the irregularities from the inside is hard. The palace, built between 1721 and 1724, was commissioned to Spanish architect Teodoro Ardemans. Later, the garden façade was remodelled by Italians Filippo Juvarra and Giambattista Sacchetti. A fire destroyed part of the building in the 20th century and a lot of the paintings were lost. The gardens – the most famours feature of the site – were designed by Frenchman René Carlier in 1721 and finished by Étienne Boutelou when the former died in 1722.

Today, the palace is managed by the Spanish Heritage Network Patrimonio Nacional – which means that photography is not permitted inside. It is technically one of the royal residences, so of course you have to go through security and X-rays and whatnot. We headed there on what was technically a working day before Easter break, so we were not sure how much traffic we would find, or how many visitors there would be. Thus, we had booked our tickets online for 11:00, anticipating a two-hour-and-a-half drive. In the end, we were in front of the palace around 10:15 and were able to enter at 10:30. Before that, we saw some impressive trees, including a sequoia, which I don’t think I had ever seen before.

Baroque Palace of La Granja peering behind a few large trees

The palace is Baroque, showing the likings of the time in which it was built. A monumental staircase gives access to the first ward, rebuilt after the fire into an area to display part of the royal tapestry collection – Museo de Tapices. The oldest tapestries date from the 16th century, before the Spanish tapestry school was founded. Tapestries are not my favourite form of art, but these were pretty impressive. A collection of nine pieces allegorise some of the virtues, mixing classical mythology with Christianity and historical figures.

The interior of the palace displays the private rooms of the monarchs, on the first floor, and the different ballrooms and social rooms on the ground floor. The private areas are decorated with paintings, and the public ones try to emulate the Palace of Versailles (France). They are furnished with marble and mirrors, and decorated with sculptures and statues.

La Granja: Dizzingly-decorated large hall in golden and white marble, with large open wooden doors

The ground floor opens to the well-known gardens Jardines de La Granja. These are considered the best “French gardens” in Spain. They cover almost twenty thousand square metres. Sprinkled throughout paths, hedges, parterres and trees, there are 21 fountains, most inspired by characters taken from classic mythology. The fountains are made out of lead, painted in bronze colour, and even if built 300 years ago, they still work and are indeed turned on during the summer season, fed from local reservoirs. They were not running during our visit – except for one dragon which leaked a bit. Spring seemed not to have arrived in the gardens yet, and it looked strangely like autumn.

La Granja: Italaian façade of the pakace from the top of the waterfall fountain, which was turned off. A number of bronze statues representing mythology characters line the waterfall

From the top of one of the fountains, called “the waterfall” Fuente de la Cascada Nueva, there is a good view of the Italian façade of the palace. Other fountains include “The Fame” Fuente de la Fama and “Diana’s bath” Fuente de los Baños de Diana. One of the most complex fountains is Fuente de las Ocho Calles (Fountain of the Eight Streets), a complex of eight fountains in a sort of “square” created by the intersection of eight garden paths. The fountains were built to only run when the King approached them, and today they are turned on in a rolling schedule, and very rarely all at the same time. This is to take care of the pipe system, still the original one, and because some of them need a lot of water to function.

La Granja, outside. Two large fountains crammed with bronze figures representing mythological beings. Both are turned off.

After we were done with the palace, we continued off to what I found the highlight of the day, the Royal Factory of Glass and Crystal of La Granja Real Fábrica de Cristales de La Granja. It was also established by Felipe V in 1727, and even today people use the old techniques to make glass items there! Even though it is called a “factory”, the process is completely artisan. The place also doubles as a museum to explain the how glass is (and was) made, exhibiting different traditional instruments. Of course, it has a shop. However, the coolest thing is that you can visit the furnace workshop to see how glass is blown, and the decoration workshop to see the engraving process. We hung around the furnace area and the experts can make a whole goblet in three minutes and a half, from incandescent blob to ready-to-engrave product.

Glass museum: diferent machines used to process glass in the 20th century, and a reproduction of the original glass furnace

Workers at the Glass factory: making and engraving a glass

After the factory, we headed towards the Parador de La Granja, a mix of a modern and historical building where we were to have lunch. We shared some cured beef cecina de León, and I tried the local speciality judiones de La Granja, a hearty bean-and-pork stew.

Collage of the inner patio of the Parador building + lunch: dried meat and a bean stew

When we finished lunch, we took the car to the secondary palace in the area, called Palacio Real de Riofrío, a hunting pavilion also managed by Patrimonio Nacional (though apparently, pictures are okay here, which is cool). The building is surrounded by 600 hectares of forest and hunting grounds. It was originally commissioned by Felipe V’s wife Isabel de Farnesio, who actually never got to live there since when she became “queen mother”, her son Carlos III had her move to Madrid.

We drove past the forest, where some storks were happily wandering around. The SatNav flipped on us because it could not find the correct gate, but we managed to make it on time to spend an hour or so there. Also, the entrance was weird – it is actually closed, and there is a guard inside. If we had not arrived just as another car was exiting, we would have thought it was closed and left.
Baroque palace of Riofrío. It's large and pink, with lots of archeways

The palace is also Baroque, and the areas which can be visited include some bedrooms, dining rooms, and the areas where the servants waited to be called. The palace has been organised as a Romantic museum Museo Alfonsino, that honours King Alfonso XII, who mourned his first wife there. It was actually decorated by his father, King Consort Francisco, Isabel II’s husband, and later “enriched” with paintings from other Royal Sites. The most interesting item was the billiard room, because it actually felt rather unexpected.

Another area of the palace has been transformed into a “hunting museum” Museo de la Caza, to honour the fact that these were the King’s hunting grounds. It mostly hosts taxidermy representations and a collection of pelts and skulls. To be honest, some exhibits were a bit unsettling.

Collage showing the inside of Riofrío: the hyper-decorated rooms, the staircase and taxidermy of local deer

As we left, the SatNav warned us of a 40-minute jam on the way back, so we forgave its previous flop. The warning allowed us to take a detour to avoid it – we had to pay the toll but it shaved off almost an hour.

24th March 2023: Brussels {Belgium, March 2023}

I woke up stupidly early to catch a short red-eye flight that was in the end delayed by the French air controller’s strike. Crossing security at the airport was a bit of an issue – I got stuck behind a class of teens going somewhere, and kudos to the teacher for not losing it when about 50% of the kids were sent back because they had not taken out their tablets / liquids / bottles of water and so on. Once inside, I had to head towards the Schengen area transit lounges, which were considerably fuller than beyond passport control in the early morning.

I landed in Brussels [Bruxelles (French) | Brussel (Dutch)], Belgium [Belgique | België] around 9:00. At the airport arrival lounge, I was welcomed by a rocket taken out from The Adventures of Tintin, and some fake flowering trees. I found the station – I had booked all my tickets online beforehand – and after a short train ride I reached the centre of Brussels. From the train I caught a glimpse of the famous atom-like building, the Atomium. I found my way to the hotel throughout a chaos of construction, and dropped off my luggage. Then, I set off to explore the city, which is called the comic capital of Europe: up to 50 comic character murals are painted on walls around the city, to the point that there is even a route dedicated to seeing them all – the Brussels’ Comic Book Route. I had not walked 200 m from the hotel when I saw my first mural, Le Scorpion.

I headed towards the Cathedral of St. Michael and St. Gudula Cathédrale des Saints Michel et Gudule | Kathedraal van Sint-Michiel en Sint-Goedele. The current building was erected in the 13th century in Brabantine Gothic, which is a deviation from the French Gothic style that developed in the Low Countries (Belgium, the Netherlands, and Luxembourg). It features the use of sandstone or limestone in light colours (unfortunately, these materials are very susceptible to erosion), pointed arches, round columns with decorated “cabbage” capitals, and a very clear cruciform floor plan on churches. Unlike the Spanish cathedrals, there is no choir built in-between, so the perspective of the churches built in this style is fantastic.

The cathedral has two symmetrical front towers with tolling bells. It is accessed from the monumental staircase (built in the 18th century) on the western façade, by one of the gates under the bell towers. It does not feature a round or wheel window, but an ogival one. The nave is wide and lit from all the colourful side windows representing biblical scenes. The pulpit on the side is Baroque, carved in dark wood by the sculptor Hendrik Frans Verbrugge. A lot of the sculptures inside the cathedral are also Baroque, as the originals were destroyed by iconoclast movements (Beeldenstorm) in 1566 – this is a feature along most of the monuments I visited. Along with the Chapel Church and Our Lady of the Sablon, the cathedral is considered one of the three traditionally listed gothic churches in the city of Brussels. The organist was rehearsing, along with a cellist and a female singer, which was cool to hear as I explored. Underneath the cathedral, the archaeological site can be accessed to explore the Romanesque origins of the chapel of St. Michael.

The cathedral of Brussels

After the cathedral, my path took me through the park Parc de Bruxelles | Warandepark, featuring a pretty kiosk in metalwork and a bunch of trees striving to blossom. Along one of the axes of the park, 22 sculptures have been erected for a temporary exhibition “Le Chat déambule” Expo (9th March – 30th June 2023). They feature Le Chat, an anthropomorphic obese cat from a comic strip created by Belgian artist Philippe Geluck. Le Chat ran from 1983 to 2013, comically tackling everyday situations or presenting absurd conclusions.

An obese, anthropomorfic cat on a tutu raising a leg while a mouse uses a jack to keep the cat's leg up.

I continued walking for a bit of a long walk that led me past the Royal Palace of Brussels Palais royal de Bruxelles | Koninklijk Paleis van Brussel and the Monument to Leopold II. I went on until I reached something I felt that I could not have missed – the Museum of Natural Sciences of Belgium Muséum des sciences naturelles de Belgique | Museum voor Natuurwetenschappen van België, part of the Royal Belgian Institute of Natural Sciences. This was on my to-visit map long before this little trip came into plan. The museum’s Dinosaur Gallery is the largest room dedicated to dinosaurs in Europe. It holds a replica of Stan the T-rex (the original one was auctioned a while back and bought into private hands for 32 million USD), a piece of the Mont-Dieu meteorite, similar to the one which might have caused the extinction of dinosaurs, along with a bit of the boundary K-T (Cretaceous-Tertiary) or K-Pg (Cretaceous-Palaeogene) – this is a sedimentary layer of black rock with a lot of iridium that separates the “age of reptiles” and the “age of mammals” in the fossil registry.

There is also a room completely dedicated to mosasaur findings, and a lone Allosaurus fossil called Arkhane, which is considered the only discovered specimen of its species. Allosaurus was a Jurassic carnivore and this skeleton, clocking at almost 9 metres long, comes from Wyoming (US) and is 70% complete. However, this was tucked away in a completely different area of the museum. I also saw a Dunkleosteus head. This one was behind glass and I did not find the information to read if it was a cast, so maybe I found an original one?

Fossils at the Belgian Museum of Natural History: dinosaurs, mosasaurs, the Allosaurus Arkhane, and a massive fish head

The most important feature of the Dinosaur Gallery though is the collection of iguanodon fossils – the Bernissart iguanodons. Iguanodon (meaning “iguana tooth”) was the second dinosaur to receive a name. This herbivore lived from the late Jurassic to the early Cretaceous, and it is thought to have been able to on either two or four legs. In 1878, as many as 38 iguanodon fossils were found in the Bernissart coal mine. Nine are displayed in “wrong” standing positions – what was believed at the time to be correct, called the “kangaroo standing” – and nineteen can be seen partly covered in plaster just as they were found in the mine. The standing skeletons are too fragile to be dismantled now – though early palaeopathologists did the best they could, the skeletons contain a lot of pyrite, which disintegrates in contact with air, so they are extremely brittle. Thus, they are exhibited in a protective chamber as historical testimony. These fossils were the most abundant and complete ever found of the species. They unseated the previous English hegemony on iguanodon knowledge at the time, and one of them became the Iguanodon bernissartensis holotype. Today, one of the skeletons stands outside the case, posed in the modern interpretation of how iguanodon would have moved.

Collage: The iguanodons. The upper picture shows a modern interpretation of the iguanodon on four legs standing in front of the older "kangroo posed" reconstructions. On the bottom, the iguanodons as they were found in the mine.

Other exhibits in the museum include a gallery of evolution (which I saw backwards as it was full of high school kids), a mineral collection, a gallery on humans and human evolution, and a biodiversity collection. They have the preserved body of the last captive Tasmanian tiger that lived, and a small ward about the history of the museum and urban flora and fauna.

Collage. The centre is the mascot of the museum. Around it, a tasmanian tiger, a mammoth skeleton, some rocks and taxidermed animals.

I had lunch halfway through the museum visit, and then set off to the centre of the town, undoing my previous way. By now I had got a hold of the construction detours, and I reached the city centre more easily. I walked past Mont des Arts | Kunstberg next to Central Station, with a very fun clock, and eventually reached the central square Grand-Place | Grote Markt. This central square, declared Unesco Heritage site in 1998, is surrounded by monumental buildings dating from the 15th to the 19th century, forming a particularly recognisable unit: the Town Hall Hôtel de Ville | Stadhuis, a Brabantine gothic building with a spire or tower; the Maison du Roi | Broodhuis in Neogothic style; and the so-called guildhalls and private houses, traditionally built buildings, either crammed together and cutely thin, or almost palatial – including the house where Victor Hugo, the writer, used to live in the city.

Grand Place. The buildings are light coloured or grey with a lot of gold decoration

I went down one of the side streets, debating a typical Belgian waffle, but I was not brave enough to try and eat one on my own. I saw the Adventures of Tintin mural (by Belgian cartoonist Hergé) painted on a wall (art by Oreopoulos and Vandegeerde). About five minutes away from the square, one of the corners hosts the fountain known as Manneken Pis, which depicts a naked little boy urinating into the basin. The current fountain features a replica of the boy, the original (sculpted by Jérôme Duquesnoy the Elder) is in the Brussels City Museum. The one on the fountain is often dressed up, and this time round, it was characterised as a construction worker – I can understand why. One of the many legends about the design tells of a young boy who put out an explosive charge fuse by peeing on it.

Collage. Tintin and Captain Haddock climb down some stairs. Manekken Pis fountain boy dressed in yellow reflective clothing.

I walked on to find another comic mural I was extremely interested in – actually two, but the Astérix mural (by Goscinny and Uderzo) was covered by construction. After a quarter of an hour I found the Lucky Luke mural (by Belgian cartoonist Morris, painted by Oreopoulos and Vandegeerde). When I was a child, I absolutely loved the Lucky Luke animated series, and especially his white horse Jolly Jumper and dog Rantanplan, so this was a bit of a tribute visit, rather than tackling the whole comic route.

Lucky Luke mural. The Daltons have robbed a bank and Luke prepares to arrest them (again)

On my way back towards the city centre, I stopped by a number of points of interest – the Baroque church and convent Église Notre Dame aux Riches-Claires; a mural by artist Mr.Doodle called Mr. Doodle Artwork; the late 19th century market Halles Saint-Géry; the 12th century church Église Saint-Nicolas; a “parody” of the Manneken Pis depicting a dog doing the same Zinneke Pis; and the Brussels Stock Exchange Bourse de Bruxelles (under renovation).

Collage showing different buildings in Brussels, and a bronze medium-sized dog peeing on a bollard

As I was making my way back towards the Grand-Place, the weather, which had been behaving most of the day – there had been some rain while I was inside the museum – took a turn for the worse, and there was a bit of a shower. The problem was not the rain itself, but the wind that made it come sideways. I had packed my umbrella, though it was not too helpful. When rain subsided down, I continued walking, and I got to see a rainbow over the Grand-Place. Great timing!

Rainbow peering through buildings at the end of the street in Brussels

It was only round 18:00 but I decided to go back to the hotel, check in, and get some food and rest. En route, I crossed through the classy shopping gallery Galeries Royales Saint Hubert. At first I had considered grabbing a bite here, but prices made me decide on a supermarket dinner, which was all right. I ate a sandwich and lots of berries.

After checking in, and warning the hotel staff that my companion would arrive late during the night, I got some rest, warmed the room, and when it was dark, I went out to see the illumination on the cathedral Cathédrale des Saints Michel et Gudule | Kathedraal van Sint-Michiel en Sint-Goedele, the square Grand-Place | Grote Markt, the fountain Manneken Pis and the shopping centre Galeries Royales Saint Hubert.

Cathedral and Grand Place at night, illuminated in warm light

I finally returned to the hotel and fumbled a bit with the shower until I found the nice massage mode.

12th & 13th November 2022: Santiago de Compostela (Spain)

Here’s a little secret – people don’t like flying on the 13th, even less when it’s a Tuesday. Thus, I came across a bunch of awesome offers for the 13th of December, which unfortunately I could not take up due to work uncertainties. What I could muster was a mini getaway on the weekend of the 12th/13th of November, to the northern Spanish town of Santiago de Compostela. There were a few reasons for this choice – one, cheap flights; two, I’ve recently started considering a route through the so-called Camino de Santiago (St. James’ Way); and three, pandemic shuffled ‘Holy Years’ round so there was a special gate to the cathedral open that I wanted to see. I flew out around noon on Saturday and came back on Sunday night. It was a perfect plan for a decompressing getaway.

Santiago de Compostela is known as one of the most important pilgrimage cities in the world. According to the Christian tradition, the tomb of Apostle James was found in the area in Middle Ages (different sources vary throughout the 9th and 11th century), and the pilgrimage to visit the remains became one of the most important in the Christian faith, alongside Rome and Jerusalem, to the point that the pavement proudly states that “Europe was built on the pilgrimage to Santiago”. While I’m not religious, I have a thing for religious architecture, and as mentioned above I’ve been thinking about the Camino for a while, and visiting the goal felt a good way to start organising how I wanted to look at things.

However, let’s say it wasn’t the most perfect getaway ever. Though the flight was on time, and pretty short, there was turbulence – not something too out of the ordinary, but here’s something you might not know about me. Back in the mid-nineties, I sort of crash-landed in the Santiago airport, so let’s say I was not so invested in a bumpy flight.

As the flight had been very cheap (about 30€), I had decided to splurge a little in the hotel – and I found a not-so-bad offer of half-board at the Parador de Santiago – Hostal Reyes Católicos, downright at the centre of the city. It is located in the old pilgrim hospital, and it is a magnificent building, aside from a five-star hotel. I arrived around 14:00, and the room was not ready – fair enough. I wanted to get there early in order to drop off my luggage, and make sure I could arrange my dinner reservations for a convenient time. One of the reasons I decided to book half-board in the Parador was to guarantee myself a meal late in the evening, as I had booked a walking tour at 20:00, and the main restaurant served dinner till 22:45.

Wide shot of the Parador. It shows a severe building with an ornate gate. The sky is bright blue.

Unfortunately, the check-in staff “had booked me” at 20:30, and they asked if that was okay. I replied it wasn’t, and explained the reason stated above – the staff then said that they could accommodate me at 22:00 at the secondary restaurant, but not at the main one. I answered that then I’d have dinner at 22:00 at the secondary restaurant then, but the staff asked me to check the menu. I stated that it did not matter. I needed my dinner to be at 22:00, and if the main restaurant wasn’t available, it would have to be at the secondary one. The staff asked me to check the menus, and I explained again that I had a tour from 20:00 to 21:30 – I needed dinner at 22:00. I thought that was resolved, and as it was too early to get a room, I picked up my camera, left my backpack in the locker room, and went on my merry way to explore the outdoor “monumental route” within the historical city Ruta Monumental de Intramuros. The old city of Santiago is part of the Unesco Heritage Site Routes of Santiago de Compostela: Camino Francés and Routes of Northern Spain Caminos de Santiago de Compostela: Camino francés y Caminos del Norte de España.

As I had tickets for different activities in the cathedral booked for the previous morning, and the Sunday forecast was rain, I decided to do most of the walking on my first afternoon. I started off in front of the cathedral façade in the square Praza do Obradoiro (the Artisans Square), which hosts the town hall in the former Neoclassical palace Pazo de Raxoi, the Parador itself, and the main – but closed, will get into that later – entrance to the cathedral Santa Apostólica y Metropolitana Iglesia Catedral de Santiago de Compostela, with its Baroque façade called Fachada del Obradoiro.

Baroque façade: two towers and twin set of stairs, fenced away.

I walked around the cathedral, and stopped at all the other squares: Praza da Acibecharía (the Black Amber Workers Square), Praza da Quintana de Vivos (Villa of the Living Square) and Praza das Praterías (the Silversmiths Square).

A collage of views of the cathedral of Santiago.

I walked down Rua do Villar, which is the closest to a main street the historical town has. I strolled around the historical centre – there are many interesting buildings and churches, alongside the market. At some point I entered a bakery, but I kinda ran away when I heard the prices they were charging.

Santiago Route.  An archade, a fountain, an ornate corner with a coat of arms carved into it.

After an hour and a half or so, I found the convent-turned-museum Igrexa e Convento de San Domingos de Bonaval that has become the ethnological museum of the Galician people Museo do Pobo Galego. The museum itself was not too spectacular, but the building itself was fantastic. One of the most amazing things was the triple-helix staircase that joins the different floors on one side, and the remains of the gothic church (where I got to climb the pulpit). To the side there’s the pantheon for illustrious Galicians, including one of the few female historical figures in Spain – poet Rosalía de Castro.

Monastery and museum. The pieces include a humanoid stone idol, some Christian figures in polychromated wood, and two pipes

View of the triple staircase, from above, from below and through the door from one of the sides.

A view of a gothic chapel, showing an empty altar.

This was around 16:30, and even if I was not even a bit hungry, my legs shook a little. Thus, I decided that I needed to find a supermarket to buy a snack – I only had coffee before I left for the airport at 9:00. Before getting to the supermarket though, I walked around the former orchard and graveyard of the convent, now a picnic-friendly park Parque de San Domingos de Bonaval, full of ruins and fountains.

The previous church, from outside, on the right. There's a winter tree in front, and some old niches on the left wall.

I grabbed my snack and went back to the monumental route until I was back at the Praza do Obradoiro. I walked around to see the sunset, and caught a glimpse of the light playing on the façade of the church Igrexa de San Frutuoso, and some nice views from the adjacent park (which turned out to have been another graveyard) Xardín do Cemiterio de San Frutuoso.

Santiago sunset. Upper picture shows the church of Saint Fructuoso, and the lower one a view of the nearby park with the sun setting in the background

It was around 18:00 at that time, so I could finally check in – which I did, only to find out that the staff I had talked to had decided not to book my dinner in the end, which lead to me needing to explain about my tour again to a new staff who told me they couldn’t book me at 22:00 on the secondary restaurant! It had to be at 21:45, but they could notify the restaurant that I would arrive a bit later. I was really not impressed by the whole thing, even less when I apparently needed a bellboy to guide me to my room and carry my backpack– and of course get tipped.

I had my snack and then went on to explore the building. As I did, the sun completely set, so the different lights were cool. The Hostal Reyes Católicos used to be the pilgrims’ hospital. It is a huge rectangle with four interior cloisters named after the four Christian Evangelists, the inner areas having been refurbished into the rooms.

The four gothic cloisters of the Parador. Two have some greenery on them, the other two are just grey and built.

A few minutes before 20:00, I left for my tour. Although I’m not a big fan of tours and group activities, I had had my curiosity piqued by a “theatrical visit” of the historical centre of the town called Meigas Fóra. In the area of Galicia, a meiga is a type of traditional witch, good or bad, depending on what side the person speaking about them is – in this case, the guide being a supposed-meiga, of course they were all neat and nice. The tour was supposed to tell about the different legends and interesting supernatural trivia of the town, but just ended up being a bit watered-down walk around those graveyards-turned-parks I had walked before. The coolest thing was finding the pilgrim’s shadow Sombra del Peregrino, a fun game of light-and-shadows in one of the squares around the cathedral.

A view of the cathedral of Santiago at night, illuminated, on top. On the bottom, a column casts a shadow onto the wall behind it - it seems to be that of a man with a walking cane and a travel hat.

Hilariously though, as we were walking, someone approached me to ask in wonder if on top of taking the tour alone, I was in Santiago all by myself, in total awe of someone travelling on their own. She said that she would never be able to do so – while she took selfies of herself because the people she was “touring” with could not be any less interested…

After the tour I went to have dinner – guess what? At 22:00 h! Let’s say that it was not the greatest experience. The restaurant staff had their hands full with a table of around 20 drunk “pilgrims” who had come all the way from South America and were rightfully celebrating – albeit loudly and a bit obnoxiously (all that pilgrim wine, no doubt) – that they had reached the end of the Way. The rest of the patrons were, including myself, four one-person tables, which made me wonder if they just don’t book one-person tables in the main restaurant after the first shift. The floor staff – basically one working waiter, and one wandering waiter – was overwhelmed by the table, and it took me over an hour to finish my dinner – which was some local octopus (pulpo a feira), a roasted great scallop (Pecten maximus, not only a delicious shellfish, also the symbol of the town and the related pilgrimage, called vieira in Spanish) and a piece of the typical almond pie (tarta de Santiago).

Dinner: pulpo, a scallop and a piece of cake.

Then I went to my room for a nice hot shower and to get some sleep. I was surprised then to find no extra blanket in the wardrobe, though there was an extra pillow. This was around midnight already so I decided not to hit reception for the extra blanket and just cranked up the air-con on and off to stay warm. I slept on and off, too, but it was not too much of a long night.

The next morning I had breakfast and set out for my day at the cathedral, Santa Apostólica y Metropolitana Iglesia Catedral de Santiago de Compostela. Santiago was built around the 7th century legend that the apostle James the Great, Santiago el Mayor, was buried in the area of Galicia, after having reached Spain to convert it into Christianity. In the 9th century, a tomb was discovered among some abandoned Roman ruins, and the local bishop had “the certainty” that it was the Apostle’s tomb. The bishop informed the King, who was the reported first pilgrim, and later ordered that a church should be built to commemorate the finding.

As the number of pilgrims grew, the church became too small, so subsequent temples were erected. The current interior was built between the 11th and the 13th century in a very pure Romanesque style, but the exterior was covered in the 18th century, in a very adorned Baroque style, which is also the style of the altar.

The most important piece of the cathedral is the Portico of Glory Pórtico de la Gloria, the Romanesque entrance to the 12th-century cathedral, with 200 sculptures carved in stone in the three-archway portal. The entrance now is locked away, you have to pay to see it, and photographs are not allowed.

For starters, I climbed up to the roof of the cathedral and the bell tower – not really the bell tower but the “rattle tower”, as the bells chime on the eastern tower, and the rattle is played on the darker, western tower. The roof was restored as recently as 2021, and from there there are some nice views of the town.

The towers of the cathedral from the room, and some aereal shots - one shows the Parador cloisters from above.

Between visits, I went inside the cathedral, where the pilgrims’ mass was about to start. I might have stayed out of curiosity had I been in town for a longer period. Then I visited the portico – since pictures were not allowed, I’ve rescued some 1995 ones from when I were in town as a teen.

Three shots of the  very baroque altar in Santiago - it is heavily decorated and painted gold. On the bottom right, a silver urn, also very ornated, supposedly where the remains of St. James are.

A collage showing several sculpures of the Portico of Glory - Romanesque statues richly coloured and decorated, they look placid

After wandering the cathedral for a bit longer, I made the most out of the last hour of sunshine to head to the park Parque da Alameda to find the spot Miradoiro da Catedral next to a huge centennial eucalyptus tree (Eucalyptus globulus labill) Eucalipto centenario, a 120-year-old specimen, considered one of the oldest eucalyptus trees that was planted in Europe after captain Cook “discovered” Australia and the species was introduced by Fray Rosendo Salvado.

A panoramic view of Santiago, showing the cathedral.

My next stop was the museum of pilgrimages and Santiago Museo de las Peregrinaciones y de Santiago, which was free due to the Covid recovery plan. It features a collection of items related to Saint James Way, and other important pilgrimages of the world, including the Japanese Kumano Kodo [熊野古道], and the Muslim Mecca Pilgrimage Ḥajj [حَجّ]. The upper floors are dedicated to the hagiography of Santiago / James through the Way and in the city.

Museum of Pilgrimages. A collage that shows a wooden statue of Santiago on a white horse, sword raised; other depictions of Santiago as pilgrim; some paper scallops decorated by kids; and a Japanese sacred gate.

Later, even though I should have gone to eat a bite, I headed to the monastery and museum Mosteiro de San Martiño Pinario, religious complex built between the 16th and 17th centuries, though the inner areas and chapels date from the 18th century. Today it’s a cultural centre, and alongside the church, it features a museum with block prints, fossils, an ancient pharmacy… The church has the most baroque Baroque altarpiece I’ve ever seen, and two choirs – one behind the altar, and the other one up on the second floor.

Exterior of the monastery, including the double downward staircase, and a picture of the interior, showing a very Baroque altar painted in gold.

Finally, I stepped into the museum of the cathedral Museo de la Catedral de Santiago de Compostela, which features the entrance to the cloister, library, and the upper galleries, aside from artistic and religious treasures such as the original stone choir, wooden carvings, and tapestries. I was also able to access the upper galleries and look at the rain in the Praza do Obradoiro, and later the crypt.

A collage showing the cloister of the cathedral of Santiago while it rains outside, and the former Romanesque choir, carved in stone.

Romanesque arches and columns built in stone, and a cast ceiling.

After one last visit to the cathedral and its shop, I got myself a last souvenir – a silver and black amber bracelet I had seen upon arrival, and took a taxi back to the airport in order to fly back. All in all, I was not too impressed by the city nor its inhabitant, and I was pretty disappointed in the Parador. I think it has put me off the idea of doing the Camino as much as I thought I wanted to, but not every trip is perfect, I guess, and I hope my memories warm up with time.

A silver and black amber bracelet. The silver is very fine, and the gem is bright black.

Walking distance: around 11.68 km (18659 steps) on Saturday and 10.58 km (16931 steps) on Sunday, not counting airport transits

15th October 2022: The castle in Olite and the cathedral in Tarazona {Aragón & Navarra Oct. 2022}

Today, Olite is not much of an impressive town – but it has a dream castle Palacio Nuevo de Olite. The original fortress is reported to be a first-century Roman building where the Old Palace stands now. The first mention that we have of the old castle dates from the 13th century. In 1388, as Carlos III of Navarra (whose grave we had seen the previous day in Pamplona ) starts the process of clearing the area surrounding it, buying houses and so. The official ampliation of the palace started in 1399, and the actual construction of the new castle in 1402. First, the keep was erected, then the surrounding towers, without much planning, giving was a capricious space with staircases, yards, and even a hanging garden. Construction ended in 1420.

When Navarra was annexed to Castille, the decline of the castle started. Later, during one of the several Spain-France wars, soldiers’ distraction caused the first fire in 1794. later, in 1813, the castle was intentionally burnt down in 1813 to avoid that the French made a stronghold out of it. The wood-decorated room were completely destroyed and only the stone walls remained, although barely. The castle was used as makeshift quarry from then on, until in 1902 the modern regional government bought it. In 1925, after considering three proposals, it was decided too restore the castle using Jose Yárnoz Larrosa, who became the main architect. He chose a restoration style known for aiming to make things “as they should have been” – so rather idealistic. And one has to admit that the castle does look pretty cool, even though apparently it does not preserve the original structure too much. Throughout this time, a mulberry tree might have thriven for about 500 years.

The point of this is that the castle is cool. Pretty much fake, but cool.

After having breakfast, I set off for a few pictures. It was not too early in the morning, even, but at least the square was empty and clean, unlike the evening before. I stopped to examine the entrance of the church Iglesia de Santa María la Real. The church dates back from the 13th century, and is famous because of the decoration of its main façade and the sculpture around the portal, though personally, I was more taken by the atrium just in front of the church. While it does obstruct the view of the façade, the architectural ensemble ends up looking super cool – except for the little porch built in the 2015 restoration that… well… might be necessary but does not allow for the best view.

Church Santa María la Real: Gothic façade with an arched atrium in front of it. The portal is decorated with religious figures

I went around the complex formed by the two Medieval castles Palacio Viejo and Palacio Nuevo de Olite, the walls and the old egg-shaped building that used to work as a snow-powered fridge of sorts.

Collage with different sights of the new Olite palace. The walls, archs and merlons are shown, brown-gold colour. Some of the pinnacles have grey slate pinnacles.

We went in. The restoration of the palace is “in style” so you cannot tell what is new from what it is not. The inner area includes access to the towers, the keeps, the so-called King’s gallery, the hanging garden, and the centennial mulberry tree. I climbed about half of the towers and the keep itself, and I have to say it was pretty fun.

Palace of Olite - Gothic archways, one bare, one full of vegetation, and views from the towers, showing the merlons, pinnacles, and the rest of the towers

Palace of Olite - looking from the interior, the structures show vegetation and the pinnacles. The last part of the collage shows the mulberry tree

Unfortunately, when we left the castle, we were not allowed into the church Iglesia de Santa María la Real as there was going to be a wedding – despite being no notice outside but the normal opening times, within which we were. Sometimes I feel tempted to take pictures even when I know it’s not completely okay, in order not to miss opportunities later. Before we left town, we found a nice viewpoint to try to catch site of the whole castle.

Palace of Olite from afar. It looks like a fairytale castle with pinnacles, walls, merlons and flags.

Afterwards, we drove southwards towards Tarazona, back in the region of Aragón. It is not a big town, with but an interesting point to get to know – the cathedral Seo de Nuestra Señora de la Huerta de Tarazona. Built throughout the evolution of Gothic art, between the 13th and the 15th century, it was later enriched in the 16th century with Renaissance decoration and interior, and sprinkled with Mudejar details. The cathedral is in the middle of restoration, and the organ is fenced off. The cloister shows lots of panels on the works being done, too.

Tarazona cathedral - outside. The façade looks weirdly grey, and the belltower is on the right, darker. A close-up of the dome shows its Mudejar influences

Interior of the Cathedal of Tarazona, showing Gothic columns and the Baroque altarpiece. The cloister is modified Gothic with arcs and spikes. A close-up of the Mudejar-style bell tower.

We had lunch after visiting the cathedral, but we did not feel like staying around until the archaeological gardens. Thus, we just took the car back home, even though we might have been better off checking out some more places in town. Lesson learnt then, more planning is required in this kind of escapades…

14th October 2022: Pamplona, the city of the bulls, and Olite {Aragón & Navarra Oct. 2022}

In order to avoid crossing Zaragoza, we tried to go around it. Unfortunately, trying to save up 30 minutes, we ended up wasting an hour at the entrance of the highway, and we reached the city of Pamplona or Iruña. Today, it is the capital of the region of Navarra, which is roughly the size and shape of the old Kingdom of Navarra, which existed roughly between 1162 and 1512, when it was conquered by the Catholic King Fernando.

There had been a slight misunderstanding on who was going to plan the day – I was convinced my father had not wanted me to do it, but when we arrived he turned to me and I was supposed to know. In summer, I had drafted a small itinerary, but as he was supposed to have taken charge, I had not gone further. It turns out, I should have. Fortunately, I still had the map on my phone and the opening schedules on my travel notebook. Unfortunately, I had not really delved into all that the city has to offer and we missed a few interesting thing

Thus, I tried to take charge, but not too much because it’s hard to balance that with my parents. Even if we have travelled together before, I tend to let them do the planning and only insist on some stuff I want to do or see, and that’s how they end up at dinosaur parks (≧▽≦).

We left the car in a parking lot underneath the congress centre and walked towards St. Nicholas Church Iglesia de San Nicolás de Bari Eliza. The first building dates from the 1100s, and it was built along the now-disappeared walls, as a defensive construction at the same time as a religious one. It was demolished and rebuilt location makes the building awkward, and to add insult to injury, we arrived almost at the same time as mass started, so we just took a quick look.

Iglesia de San Nicolás de Bari Eliza - exterior with pointed arcs, and inside, showin the altar

We walked to the next church dedicated to St. Lawrence Iglesia de San Lorenzo, actually associated to the Unesco World Heritage Site Routes of Santiago de Compostela: Camino Francés and Routes of Northern Spain Caminos de Santiago de Compostela: Camino francés y Caminos del Norte de España. The current building is Neoclassic, and the façade was rebuilt at the beginning of the 20th century when the original was damaged during war. On the right of the main nave, a side chapel holds the famous sculpture of St. Fermin, the patron saint of the town. The chapel was built between 1696 and 1717, when the sculpture was placed there. Every 7th of July, the sculpture is taken out in the religious procession. From the 6th of July and for a week, Pamplona celebrates its local festivals, famous around the world for the encierros, or running of the bulls. While there are similar runnings all throughout Spain, the encierro in Pamplona was popularised by Ernest Hemingway, the American novelist, in his work “The Sun also Rises” (1926).

Church of Saint Lawrece - Neoclassical façade and interior, with the sculpture to Saint Fermin, the patron saint, in a red cape and a mithra, surrounded by red and precious metals.

We continued onto main street Calle Mayor, which ends at the main square Casa Consistorial de Pamplona, which opens to the main square Plaza Consistorial. The building was erected between 1951 and 1953, though the project kept the 18th century façade, halfway between late Baroque and Neoclassic.

Pamplona town hall / council hall, with flags hanging from the balcony.

We continued onto the cathedral dedicated to the Virgin Mary Catedral de Santa María la Real de Pamplona. The building is Gothic (French Gothic, actually), with a Neoclassical façade designed by Ventura Rodríguez (who also worked on the Basílica del Pilar in Zaragoza). One of the most interesting things in the cathedral are the paintings on the walls and columns themselves, just non-religious decorative motifs. In front of the altar lie the tombs of King Carlos III of the Kingdom of Navarra, and his wife Leonor of Trastámara (or Castille).

Cathedral of Pamplona, including a close-up of the bright polychromy in red and blue, and the altar, from far away and a close-up. The most distinctive feature are the pointed arched and the very clean masonery.

In the inner area, there is a beautiful cloister, and you can climb into the false ceiling, see the kitchen of the former convent. And, let’s not forget – they have a stamp, because it is one of the “official” starting points of St. James Way, Camino de Santiago, and also part of the Unesco World Herirage Site related to it.

Collage: Cloister in Pamplona cathedral. The gothic ars are pointed and ornate, standing on bright green grass. One of the corners shows a fountain, the other the iner walkways

We stopped for lunch, then we walked by one of the “iconic” points of the bull-running, the corner at one of the streets of the route – Esquina de la Estafeta, and continued on until we reached the bullfighting ring Plaza de Toros de Pamplona, but since we are not big into the culture, we did not enter.

We did stop by the sculpture to the bulls and runners Monumento al Encierro, a huge bronze composition with a number of real-life pieces: nine bulls (six fighting bulls and three guiding bulls) and ten runners.

This bronze sculpture represents several life-sized bulls and runners. The runners are in front of the bulls, and one of them has been trampled.

Finally, we went to have a stroll alongside the walls of the former citadel Ciudadela de Pamplona. Although now it is a park, and only the foundations are left, the Citadel was one of the most important defensive constructions in the Spanish Renaissance, in the shape of a five-pointed star.

Several angles of the Ciudadela of Pamplona park. Not much is seen except for the building foundations, though they stand two or three metres high.

After that, we took the car and drove towards the town of Olite also known as Erriberri , where we were going to sleep. The town was home to the Monarchs of Navarra, and today there are two distinctive buildings – the old palace Palacio Viejo de Olite, where the Parador de Olite stands, and the new palace Palacio Nuevo de Olite. Originally the most extravagant Gothic castle in Europe, it burnt down during the war against the Napoleonic troupes, and was rebuilt in 1937 using the philosophy of bigger, cooler more teeth. We checked in at the Parador and I collected my stamp. From our room, we could see the main structure of the old palace, as we had a very long balcony.

Old palace of Olite. There is a tower on the right and an old Medieval house to the left. The building is made of irregular masonery and the windows are perfectly rectangular.

We went for a walk, and were surprised at how many people there were in the area. We sneaked into the church Iglesia de Santa María la Real, but did not take any pictures as (once again!) mass started. We planned to come back the following morning as it was barely a 30 seconds away from the door of the Parador.

On the left, a modern red-brick house stands on older arcs. The façade sports a protection made of intricate white ironwork.
On the left, a Romanesque church, blocked by construction and a tractor.

We walked around for a little and were not too impressive by the Medieval city centre, but we did find the typical balconies and the Romanesque church of St. Joseph Iglesia de San José.

We were beat, to be honest, it had been a stressful day after a short night’s sleep, so we turned in early after dinner. I did not even think to wander round to see if I could get any cool pictures of the area, because the area was packed and I was exhausted.

9th October 2022: Atémpora, Sigüenza (Spain)

Sigüenza a Medieval town in the centre of Spain that is currently trying to gain the status of Unesco World Heritage Site. It has a castle, a protected historical centre, and in the heart of it stands the cathedral Catedral de Santa María La Mayor de Sigüenza . The cathedral dates back to 1124, when the original Romanesque building was was erected. The construction finished in 1326 , with remodelling and decoration elapsed several centuries, with different add-ons, until it was “declared” finished after the Spanish Civil War, with later works being just conservation.

Cathedral in Siguenza, a late-Romanesque / early-Gothic building, in a reddish colour. Left: side view, showing the bell tower. Right: façade, with two side towers.

In summer and autumn 2022, there is an exhibition in the cathedral – Atémpora. Sigüenza entre el Poder y la Gloria, which translated to something akin to “Timeless. Sigüenza between Power and Glory”. It displays some of the treasures of the cathedral and the museum, along with a few archaeological devices. We had seen most of the religious artefacts in a previous visit, but the historical chronicle was rather interesting.

The first block, around the cloister, deals with Celtiberian (the Arevaci tribe) and Roman weapons and everyday life. The second block deals with the Goth conquer and the newfound Christianity.

Upper Left: entrance to Atempora, flanked by two angels. Upper right: Celtiberian Daggers. Bottom left: oil lamp looking like a bird. Bottom left: clay bowl.

Interwoven with the exhibition are the treasures of the cathedral, including two collection of Flemish tapestries, one focused on Athena, the other on the story of Romulus and Remus. Another highlight is an Annunciation painting by Domḗnikos Theotokópoulos “El Greco” a Greek artist of the Spanish Renaissance (since he moved to Toledo in his prime). Of course, the cloister is fantastic. There is a tiny gothic altarpiece in one of the chapels that is delicious. The problem? As always, Baroque trends building choirs in the middle of the naves, blocking the view, and overdecorated altarpieces. The wooden ceilings are extremely beautiful where they have been preserved.

Upper left: tapestry collection, hanging from walls. Bottom right: Annunciation by El Greco. Bottom left: decorated wooden ceiling. Bottom right: Cloister of the cathedral.

The three final blocks present different Christian symbols and pieces of art from the Middle Ages onwards, and interestingly enough, a watermill from the old salt marshes. The exhibit makes a particular emphasis on Wilgefortis, a Catholic folk saint which is supposed to be buried in the cathedral, with the silver arch where her body lies brought from the altar. Other pieces include coins, sceptres, and even a few elements from the times when there was a Medieval university in town – one of them being a human skull with “anatomy notes” on it. There are also late Medieval sculptures, most importantly crucified Christ representations and Virgins with the Child, though probably the nicest one is the one which is permanently at the entrance of the cathedral. Next to it, a mill from the nearby salt mines (Salinas de Imón) has been brought – I really want to visit those at some point too, so great reminder.

Altar of St. Wilgefortis on the left. On the right, a coin, a scepter and half of a skull with writings on it.

Top left: Romanesque virging with child. Bottom left: watermill. Right: Crucified Christ with four nails on his hands and feet.

The most important monument, or area, in the Sigüenza cathedral is the chapel called Capilla del Doncel. It holds the tombs of Martín Vázquez de Arce and his parents. The de Arce men participated in the war against Granada Muslims during the 15th century, where the son was killed in an ambush, as the Muslims created a flash flood from the watering system they had to control the waters of River Genil. Though he was already 25 years old, too old to be called a doncel, teenage boy, the name has stuck for centuries. The parents’ tombs are traditional burials, however, the Doncel’s grave is an arcosolium, with the decorative sculpture showing the young man awake and reading a book, rather than lying in death as it is the typical representation.

Chapel of"El Doncel", showing the traditional burials in the foreground, and the Doncel's tomb in the background.

We went to have lunch after the visit, we went to have lunch at La Taberna Seguntina, where we shared some typical cheese, sausage, and roasted pork before we went home.

Typical Siguenza Dishes. Top: sausages and cheese. Bottom: roasted pork leg with potatoes.

24th July 2022: Up, up and down {Salamanca, July 2022}

After a latte and the best croissant I’ve had in a long time, we went over to see the gothic palace Casa de las Conchas, which was built between 1493 and 1517. The façade is decorated with sandstone-carved shells (concha, in Spanish). The exterior sports ironwork-protected windows, and the interior a patio with artistic arches.

The gothic palace called House of Shells. There are hundreds of them carved on the façade. The inner patio is carved in golden stone, with very thin columns and lots of decoration

It was still early for our visit to Palacio de Monterrey, a 16th-century Renaissance palace inspired in the Italian style of the time, combined with Plateresque decoration, which was heavily imitated later on in the 19th century. The building currently belongs to the House of Alba, probably the most prominent Spanish noble family. The House opened the palace to the public, and the inner area cannot be photograph – it was weird anyway, with some antiques and art pieces, but all of it was… prepared and staged, though the carpets were rolled out of the way. In this case the only option to sneak out a picture was from the tower, as a member of the staff followed us all the time.

Monterrey palace, built in golden-like masonery. The roofs and towers are decorated, and there is a row of windows alongside the upper floor.

Next, just in front the palace, we visited the 17th-century church Iglesia de la Purísima, in Italian Baroque style. Its altarpiece is considered to have one of the best images of the Virgin Mary in her Immaculate Conception advocacy.

A Catholic altar showing the Inmaculate conception in the centre, she is dressed in blue, and standing in front of golden clouds, with angels around her. The back of the altar is built in white stone, and ornate.

Our next spot was the second university of Salamanca, the see of the Universidad Pontificia de Salamanca, a building called La Clerecía. As the original university went secular, the Jesuits built a clerical university. The building, built in Baroque style between the 17th and 18th centuries is composed of a church, a cloister, a patio and a magnificent staircase, forming the complex (read: guided tour) called Vita Ignatii.

Collage: On the left, a very baroque church from the outside, also showing the gold inner altar. On the right, some shots of the upper and lower cloister, the patio is ornate and reddish, the staircase is made completely out of stone.

Then there are two towers that give out really awesome views of the town, named Scala Coeli, the stairs to the Sky.

Views of Salamanca from the above: the dome of the church from the outside, the cathedral, the House of Shells, and the bells.

It was rather hot, so we had some unremarkable lunch and went to the hotel to wait out the blunt of it. It did not really work, and we eventually tried our luck with some more sightseeing. The first stop was the garden known as Huerto de Calixto y Melibea, based on a literature work Tragicomedia de Calisto y Melibea or La Celestina. It is considered the first Renaissance writing in Spanish, and it echoes with Romeo (Calisto or Calixto) and Juliet (Melibea), with an extra character, the old matchmaker Celestina, who is a horrible person trying to break the lovers up to marry Melibea to someone else. Though the writing does not have a firm setting, some say that it is probably Salamanca, where the author attended university. It was nicely shaded and had nice views.

Gate to the gardens, a bust of Celestina (the fictional character), from the cathedral, and some flowers: star-shaped and orange, bell-shaped and red.

Then, we wandered off to see the bridges over the river Río Tormes again: both Puente de Enrique Estevan and Puente Romano. Next to the Roman bridge there is a statue of a verraco (ancient Celtic sculpture) Verraco del Puente Romano, which is supposed to have been there since the 16th century. A bit to the side, there is yet another literary monument, which represents the book El Lazarillo de Tormes, Lazarillo being the word for “guide dog (for the blind)” in Spanish (such an eye-seeing dog). Also written in the 16th century, it is considered another of the peak writings in Spanish, telling the story of a young lad who learns to survive by gathering street-smarts and shedding off any morals he ever had, finally settling in Salamanca with his unfaithful wife: Monumento al Lazarillo de Tormes.

Collage. The historical bridges in Salamanca: the Roman one, made from stone with wide archs, and the iron-architecture one, in greyish-green. Sculptures: Lazarillo with his master, and a prehistoric bull or pig, with a flat head

Then we found a very air-conditioned and interesting place – the automobile museum Museo de la Historia de la Automoción (which reminded me a little of the Megaweb Toyota City Showcase and History Garage in Tokyo). It has a lot of classic cars, and some historical pieces such as vehicles that belonged to dictator Francisco Franco or the writer Camilo José Cela (and air-con).

A collage of some cars: A Rolls-Royce, a Ferrari, a Wolkswagen 600; and a Harley-Davidso

I had then booked myself an evening visit around sunset time, to go up the towers of the cathedral, an experience called Ieronimus, with the hope to see some cool sunset and night views. It makes sense, right? Wrong. I should have realised when it turned out to be a guided visit that most of it would be inside, listening to the guy fanboy his own city – then he started speaking about the Lisbon earthquake and its effects in Salamanca and gave out wrong information. I stopped listening to him at that point. There was a light/music show in the cathedral, and I did get some neat pictures, but honestly? The choir concert in the old cathedral would have been a much better choice, had we known about it.

Views of Salamanca at night, with the gothic architecture highlighted by the illumination. The city looks Romantic and mysterious.

Walking distance: 13017 steps / 8.00 km

23rd July 2022: Plateresque Salamanca {Salamanca, July 2022}

Officially in western Spain, Salamanca stands next to the Tormes river and sports a Unesco World Heritage title for its old town. I was five or six the first time I was there, so it’s not like I remembered anything from it, except memorising excerpts from the book El Estudiante de Salamanca (José de Espronceda), my favourite Spanish Romantic poet.

Salamanca is known due to its university, which is considered one of the best in the teaching of Spanish as a second language, the oldest Spanish university and one of the oldest in Europe, founded in 1218. There are actually two universities, but we shall get to that later.

There is a period in Spanish history referred to as the Gold Century, Siglo de Oro (Not an actual century, the given dates are between 1492 – the year when the Catholic monarchs finished conquering the country, Europeans realised America existed, and the first book on Spanish grammar was published – and 1659 – when the Pyrenees treaty was signed after the war with France). It was throughout this period when Salamanca thrived, especially late-time Gothic styles and early Renaissance ones. Then of course Baroque later on, but you know my stance on Baroque by now I guess… The mixture of late-gothic and Renaissance gave way to a unique style, Plateresque – with a strong Gothic base and a blend of Mudéjar, Flamboyant Gothic, Lombard and Tuscan Renaissance elements and decorations. Plateresque is characterised by heavy decorations sculpted onto the main architecture, especially in the typical fusion of doors and altarpieces. The motifs are plants, animals, shields and medallions… All and all, an impressive style considering we are talking about carving stuff on stone – in the case of Salamanca, a lot of it is sandstone, which gives the old city a golden tone.

We had to take a couple of trains, but and made it to Salamanca around 10:30, and were in the city centre a few minutes later. After dropping the luggage at the hotel – I had been requested the hotel to be near the cathedral and I found one which was literally across the street from one of the flanks. Then again, here’s the thing – Salamanca has not one but two cathedrals: the Old Cathedral Catedral Vieja de Santa María and the New Cathedral Catedral Nueva de la Asunción de la Virgen. Apparently, instead of building over the old one, they decided to keep both, making the historical complex unique in the country.

The New Cathedral was built mainly in Gothic style with later Baroque add-ons, with an ornate Plateresque façade. It was commissioned by king Ferdinand V of Castile, and built between the 16th and 18th century, in the Gothic style, even though this was at time when Gothic was already in decline. However, the town authorities wanted it to “match” the old Romanesque cathedral. A cupola and a choir were added in the Baroque period, and the façades were decorated in the Plateresque way (in a 20th-century restoration, someone thought it would be funny to add an astronaut to the decoration, causing some hoaxes to pop up afterwards). The most important architect who worked in the new cathedral was José de Churriguera, one of the leading Baroque architects / sculptors / urbanists.

A very ornate Gothic cathedral. The entrance has so many carvings that it actually looks organic, if not for the fact that it is made out of golden / reddish stone

The New Cathedral connects to the old Cathedral, which is late Romanesque / early Gothic in style (I know, it’s confusing. Historically, the old cathedral is between Romanesque and Gothic, and the new one between Gothic and Renaissance – and this is the reason why the Gothic makes the two cathedral “match”). It was built between the 12th and 14th centuries. The most impressive thing in the Old Cathedral is the altarpiece, in which the highest-quality paintings were made by the Italian Dello Delli. On the way out, I let myself be tempted by a paper guidebook of the city – which was helpful because we had to remake all of our plans a couple of times.

Interior of a Romanesque church - the nave has very high and severe-seeming columns

Afterwards, we headed off to the main university building Universidad de Salamanca, the first university building. The university was founded by King Alfonso XI in 1218, which makes it the oldest university in the whole Spanish-speaking world. The most important building today is the Escuelas Mayores, the upper school, built between 1411 and 1533. The façade, which looks towards the newly-discovered New World is sculpted in the Plateresque style, with a ton of decoration – and the most famous motif is the frog that stands on top of a skull. The university was built around a cloister for the students of old, and it has the most amazing library I have seen in a long while – selfishly (I’m joking of course) closed to the public. There is also a chapel and the classroom where the Spanish academic Fray Luis de León, who was famously jailed for four years, and picked up his lectures with “as we were saying yesterday”. The cloister has two floors since the 19th century, and in the centre there is a small giant sequoia (which I thought was a simple fir). There are chapels, and halls, and areas where university holds events.

Very ornate entrance to a building. there are two doors (four or five times as tall as a person) and the decoration, all carved in stone, is on top. Three floors of decoration, with columns and shields. A close-up shows a frog on top of a skull.

The problem with Salamanca is that the entries and exits of the building make you have to backtrack a lot (and the horrible street lights), but I love Gothic so I did not mind wandering around anyway. After the Escuelas Mayores, we went to another university building the lesser school or Escuelas Menores. Today, there is a cloister which dates from 1428 with a Baroque upper veranda. In one of the side halls there is a fresco panting that used to be in the library and that was moved over in 1950. The fresco represents a night sky was used in teaching.

Gothic patio and a suck picture of a fresco painting, showing stars and the representation of constellations

We had lunch, then we went to the Dominican monastery Convento de San Esteban and its church. The current monastery dates from 1524-1610, and it was built over the previous one. The façade of the church is considered the best example of Plateresque, and José de Churriguera also worked in the main altarpiece. The monastic building has a portico with Italian loggias, typical of the Renaissance. The cloister is mainly Renaissance with Gothic features, and a small temple in the middle. The ambulatory in the cloister has beautiful Gothic columns and nerves on the ceiling.

A convent, built in ornate gotic style. The covered corridor around the cloister shows pointed arches and rich decorations

Right in front of the monastery stands the Dominican convent Convento de las Dueñas. The building is Baroque, and before being a convent it used to be a palace – which has caused the convent to have some eclectic elements of architecture, such as the Mudéjar arch mosaic or doors. The inner cloister is Plateresque and full of roses and flowers.

A Baroque building. The inner patio is decorated with plants and Moorish-seeming blinded arches

Next, we found the tiny Romanesque church Iglesia de Santo Tomás Cantuariense, where I happily sicced the oh-so-bored guide onto my companion.

Small Romanesque church in reddish-gold stone. It has a tiny bell tower.

After a stop for a cold drink we went to the Art Nouveau and Art Déco Museum Museo de Art Nouveau y Art Déco Casa Lis, which is one of those places that takes itself very seriously and does not allow photographs. I got scolded for having my camera to my side even closed – but I have to admit that I did sneak up a few things with the phone, mostly because I wanted a record of the central hall with the glass ceiling, and the green windows from the inside, more than the decorative details, though some of them were pretty nice. The Lis house was built by Andalusian architect Joaquín de Vargas towards the end of the 19th century for the first owner, Miguel de Lis.

A Modernist building with brightly-coloured glass in the ceiling and walls.

We headed to the main square Plaza Mayor for dinner, and then to see the pretty lights. On the way we found the other university Universidad Pontificia and the palace Casa de las Conchas, which we would visit the following day.

The main square was another of the city landmarks first designed by Alberto Churriguera, and later one of his nephews – it seems that the Churriguera family claimed dibs on doing stuff in Salamanca. The square is fantastic by day but when night fell and the lights were turned on, it was unbelievable. We had some local sausages and cheese for dinner at one of the street tables in the square.

A plate of sausages and cheese, and two views of the Main Square in Salamanca, one in daylight, one at night, and lit up. The square buildings have a lot of windows and arches on the ground floor

Afterwards, I wandered alone for a while, to revisit some of the sights at night, and a couple of new ones.

Salamanca at night. The cathedral is lit and the ornamets almost shine. The Modernist house is lit in green and blue lights.

I headed off to the riverside of Río Tormes, which as any river has bridges. The first one I found is the Puente de Enrique Estevan, commissioned in 1891 in order for the town to be ready for the new cars. It has six iron arches and at night it is lit in bluish light. A few minutes downstream stands the older stone bridge Puente Romano, which according to the legend was built by Hercules – it dates back to the first century, but it has been heavily rebuilt and reconstructed through the years, especially after it was damaged by a flood in the 17th century.

A collage showing an iron bridge, and a stone bridge, both lit in the dark

Finally, around midnight, I went back to the hotel for a shower and sleep.

Walking distance: 17269 steps / 10.76 km

29th May 2022: La Orotava, Icod de los Vinos & Parque Nacional del Teide {Tenerife, birthday 2022}

I got up rather early in the morning (especially considering that the Canary Islands are an hour behind my usual time zone) and I was surprised at how many people there were already on the streets of Santa Cruz de Tenerife before 8:30 on a Sunday morning. I drove out of the town and headed north-west, where I came across my first stop – a viewpoint of Mount Teide called Mirador de Humboldt honouring the German explorer from the late 18th century (though I kept thinking that there was a missing penguin opportunity there). The viewpoint overlooks the ocean and Mount Teide, which Humboldt climbed in 1799.

Mount Teide, a volcano, looms in the background. The top is bare and barren, but the slopes look green and fertile, with plantations and some villages. In the foreground, there is a bronze sculpture of Alexander Humbolt, sitting on the low wall of the lookout, and looking to the side.

I continued driving towards La Orotava, the municipality which Mount Teide actually belongs to. After parking the car, I walked towards the historical centre and ended up at the square Plaza de la Constitución, which stands next to the church Iglesia de San Agustín. Mount Teide loomed over the streets, ready to celebrate Pentecost Sunday. And guess what? The main church is called… Parroquia Matriz de Nuestra Señora de la Concepción. The initial hermit church was built in the 15th century, and it was completely rebuilt in the Baroque style throughout the 18th century, though the interior was remade in the 19th century and there was yet another renovation in the 20th century. It is considered the most important building of the Canarian Baroque.

A collage of La Orotava. The buildings are built with white plaster and black volcanic rock. Mount Teide peeks from the background.

The most representative construction in La Orotava is the “house of balconies” Casa de los Balcones. The house was built in the 17th century. The façade shows a front-long balcony on the third floor, and five smaller balconies on the second, all of them made from dark teak wood. The interior holds a museum, but I decided to give that a miss because I reached there at the same time as a very disorganised group of forty or fifty people who were going in at the time.

A colonial house. It is built in white brink. It has three floors. On the ground, there are brown windows. On the first floor, five balconies, with decorated ironwork. On the second floor, a long balcony or gallery in dark wood.

Instead, I went back to the car and drove towards Icod de los Vinos. There, my first stop was the butterfly house Mariposario del Drago, since the ethnographical museum Museo del Guanche is closed.

A collage showing colourful butterflies - red, orange, blue, black, black and white. One of them is chilling on the shell of a turtle, and another one is caught mid-flight. Most are on flowers and plants.

The butterfly house stands next to a botanical park Parque del Drago built around the symbol of the town – and maybe the whole island – the Drago Milenario. This is the largest and oldest specimen of Canary Islands dragon tree or drago (Dracaena draco). Folklore says that it is a thousand years old, hence the name “the thousand-year-old dragon tree”, though in reality, it is probably around 600 years.

The dragon-blood tree. It has a knotted grey trunk and bony branches. Around it there are bright-green palm and laurel trees

The park, built around the drago, holds local species trying to reproduce the local biotopes with height, there is also a small volcanic cave. It was here where where I managed to catch my first glance at the local fauna – two of the endemic lizards (though not as big as the one I had seen in the museum): lagarto tizón (Gallotia galloti) or tizon lizard, a blue-spotted male and a brown-striped female.

Two lizards. One camouflages on the grey and brown ground. The other on has a brown tail, but the body is black and bright blue

Then I went back to the car to climb up a crazy slope until I reached the visitors’ centre of the lava tube Cueva del viento. A lava tube is a “cave” formed the flowing lava of a volcano. As the outer part solidifies, the inner core continues flowing until it empties the tube. The guided visit is the only way you can enter the tube, so I had reserved that a few weeks earlier.

The visit started with a small introduction in the visitor’s centre, with a lot of “gotcha” questions on the guide’s part. I tried really, really hard not to be a smartarse, but I did sit down on the floor at a point because I did not feel like standing around for twenty minutes. The important information we received was that there were two types of lava that had formed the island of Tenerife: pahoehoe and block lava.

Then we took the centre’s vehicles to the outer area of the cave, where we could see the solidified lava, now turned into stone. Pahoehoe lava is basaltic, it flows slowly, and it is the responsible for creating the tubes. As it flows and solidifies, it creates undulations and wrinkles. On top of it, only small trees and bushes can grow.

Old Pahoehoe lava trails. The rock looks wrinkled or similar to pillows.

Block lava is more acidic, with a higher silica contents, it flows less and creates “blocks” as it solidifies. Pines can be found growing on top.

Pines around an old colada, which seems rocky and broken.

The cave itself was very cool. Unfortunately, there were a couple of families with kids and grandparents, all trying to be braver than the next – and thus acted loud and boisterous. More interesting information – mummified guanche aboriginals had been found in the cave, along with remains of a giant rat and lizard that were the ones reproduced in the Museo de Ciencia y Antropología de Tenerife. It is one of the biggest lava tubes in the world, with up to three levels and maybe 18 km of tunnels, though only a short walk can be had.

Inside the lava tube. It looks alien, like the rock is going to start dripping any second

Back in the parking lot, I had a snack and headed off towards the Parador de las Cañadas del Teide, where I had booked my next couple of nights. On the way, I went through several amazing volcanic landscapes that I could not photograph as I was driving. However, I did stop at several lookouts throughout the Parque Nacional del Teide.

Mirador de Samara.

Pines growing up on the dusty remains of a lava flow. In the background, there are three mountains - three craters of the same volcano

Mirador de las Narices del Teide, which shows the collapse on the mountain during the last known eruption.

A view of the black collapse of lava from the last eruption. Everything is barren, brown and grey, except for a black spillage coming down ominously. The sky is blue in the background, which makes the whole thing look even more bizarre.

Mirador Zapato de la Reina.

The top of Teide. This is the point where vegetation has become scarce, with low bushes, that creep up the slope. The summit looks naked.

Finally, I arrived in the area of Las Cañadas del Teide or Las Siete Cañadas where the Parador de las Cañadas del Teide stands. I was lucky that the season was good to see the flowering bugloss Echium wildpretii (tajinaste in Spanish), an endemic flora species mostly found on the Teide slopes. After checking in I wandered around the different tracks and paths – Cañada Blanca, Roques de García and Mirador de la Ruleta, which show the different stages of various volcanic eruptions.

Mount Teide rises in the background. It looks wrinkled due to the different eruptions. At its foot, a low building, looking completely out of place. In the foreground, small bushes in grey and green.

Collage: Different rocks and structures created by lava and erosion, the rocks are reddish or grey, and they have weird shapes. The tajinaste is a tall bush, with tiny red flowers, it stands about 1m above the rest of the plants.

I turned in early, and I had booked my dinner in the Parador both nights I’d be sleeping there, so that was an easy one. The staff made it a little awkward though, even if I was not the only solo traveller around. After dinner, I tried to get some pictures of the night sky, but I was unsuccessful.

28th May 2022: San Cristóbal de la Laguna, Bajamar & Santa Cruz de Tenerife {Tenerife, birthday 2022}

I had a four-day weekend that happened to overlap with my birthday, so I decided to get myself a present and I booked the four days out – I wanted to visit the Spanish island of Tenerife. I seemed to have a streak of luck finding a decent flight, a couple of good hotels and a free permission to visit the peak of Mount Teide, a non-extinct volcano that happens to be the highest peak in Spain. I also decided to rent a car for the first time so I could travel around the island and do different activities in different places.

The plane left on time at 8:15 on Saturday – and I have to say that I love my IKEA travel bag, because it has a huge capacity but the perfect size to place under the seat, therefore I do not need to queue up for boarding to make sure I can stow the carry on. We taxied at the correct time, but when we got to the runway, we stopped. It turned out that one of the sensors was giving a warning of a 400 ºC temperature on one of the wheels. It turned out to be a false alarm, but we ended up with an hour-long delay that ended up cascading.

I reached the airport and got my rental – Volkswagen Polo I had to learn how to reverse. Once I was done with that, it was surprisingly easy to get by. I drove off to San Cristobal de la Laguna and went off to visit the historic quarter, which is a Unesco World Heritage site as an example of colonial architecture – Centro Histórico de San Cristobal de la Laguna. Most of the buildings date back to the 15th century, and the design was then copied in different colonial cities in South America. The houses are painted in different colours and most of them sport amazing woodwork in their doors or balconies.

It gave me a pretty distinct “Disneyland” feeling as the pedestrian streets are plagued with cafés, brand shops and bars. It was packed with tourists like myself flocking in guided tours from the tourist office, which seemed to only open to gather groups in order to hold those tours. As the week before my trip had been work-crazy, I had not been able to plan in detail, so my plan was to hit the tourist office, gather information and move on. This did not work out, and on top of that, the cathedral Catedral de Nuestra Señora de los Remedios was already closing down when I arrived – due to the delay. Other interesting but closed buildings included the church Iglesia Matriz de la Concepción, and several palaces including Casa de los Capitanes and the reconstructed Palacio de Salazar.

Typical buildings from Canary Islands. They are colonial in style, with big doors and windows. The façades are painted with different colours.

Typical buildings from Canary Islands. They are colonial in style, with big doors and windows. The façades are painted with different colours. The streets are wide and full of people.

I’m not going to say that I was disappointed, but I was really not digging the atmosphere, so I decided to move on. Instead of following the initial rough plan, I decided to head off to the tiny village of Bajamar to see the “sea pools”. Built in the petrified lava coast, the Piscinas de Bajamar are swimming pools fed by ocean water that keep swimmers safe from the rocks and the waves. I was lucky enough to find a very good and easy parking spot.

I wandered around the promenade Paseo Marítimo de Bajamar, saw the pools, the beach, and the mini lighthouse Faro de Bajamar.

Waves coming into the volcanic beach, which does not have sand but big black blocks of rock.

I moved onto Santa Cruz de Tenerife afterwards, ditched the car and checked into the hotel, then went off to explore. I walked by the market complex La Recova, also called Mercado de Nuestra Señora de África.

A bright orange building. It has a low, wide wall, and in the centre a clock tower

The tower of the church Iglesia Matriz de la Concepción (yes, again, but another one). The church has been repeatedly rebuilt and renamed between the 15th and 18th centuries. The current building is Canarian Baroque / Tuscan style.

A church with a bell tower. The building is white clay with black rock; this style is typical in the area

My first real destination was Plaza de España where the defensive castle Castillo de San Cristóbal used to stand. Now there is a fountain / pond and you can see the foundations of the castle.

Collage. The former site of the castle, now converted into a fountain or lake. On the other side, the castle foundations, and a cannon.

Next, I found another important square, Plaza de la Candelaria, but it was unfortunately under construction.

A grey building with construction work being done on it

So I moved on to the science and anthropology museum Museo de Ciencia y Antropología de Tenerife. It was rather underwhelming at first, as most of the “exhibit” were photographs. Eventually I reached the “good” stuff, with reconstructions of ancient and extinct animals such as the Canarian giant rat and the Goliath Giant lizard – we’ll come back to those eventually. There were butterfly collections, reproductions of marine animals, rocks and meteorites. In the archaeology ward there were mummies – that was a little unnerving to be honest, I thought we had learnt a little more respect about the ancient cultures.

Before the Europeans arrived in the Canary Islands in the 15th century, there was a previous civilization in Tenerife, called the guanche. The guanche settled in the island around the 6th century. While it is not clear where they came from it is thought that they came from the north of Africa, as their language was similar to those in the Berber language group. They lived off the cattle and the land, and their economy was clearly based on the goat, which they used for everything – food (meat and dairy), clothing, bone tools, and mummification material.

Collage of the museum: a prehistoric carved rock; preserved giant rat and lizard; models of fish; a meteorite; rests of mummies (a foot and an arm)

After the museum, I walked along the harbour and saw the modern concert hall Auditorio de Tenerife, designed by the famous architect Santiago Calatrava, whose style is easily recognised – even though in recent years he has drawn criticism for going way beyond budget and his building having problems due to “over innovation”.

The auditorium. It looks like the sail of a yacht, all white.

A few steps further stands the tiny fortress Castillo de San Juan Bautista, built between 1641 and 1643, and rebuilt the following century. I would have loved to see the botanical garden, but it closed early – as most things seemed to do.

Small castle surrounded by a moat that fills up in high tide.

I took a small detour to see the former arsenal Casa de la Pólvora, built in masonry in the 18th century. Eventually, I went to the supermarket to buy some dinner and snacks for the upcoming adventures, and called it a day after 14 hours on the go.

Armourine building. It looks like a treasure chest, built in grey rock

26th February 2022: A Medieval Fair in Tendilla (Spain)

Tendilla is a tiny village in the area of Guadalajara, Spain. It was declared a town – by Medieval standards at least in 1394. About a century later, the County of Tendilla was founded. By that time, the local cattle fair, around the festivity of St. Matthew, was considered one of the best in the Kingdom of Castile, with the Catholic Monarchs bestowing their blessings on the town. Among the most interesting areas are the long covered arcades, and the unfinished church dating back from the 16th century, Iglesia de la Asunción.

The cattle fair was rekindled in the 1990s, and today it is called Feria de Mercaderías de San Matías. The closest weekend to the 24th of February, St. Matthew’s day, a Medieval market is laid along Main Street, with edibles, trinkets and artisan items. The village becomes decorated with flags, pennons showing off real and assumed heraldry items.

This year, I decided to get there as some family members were going to be in the house they own in the village. I arrived at around 10 am, and by that time most the village was already full. I got deviated, but it was not hard to find a parking spot. Unfortunately the weather had not decided to accompany and it was rainy and freezing all day.

The fair stalls had begun to open, but first we made a run for the local grocery stores to grab some ingredients for lunch. The typical thing to eat in this time are migas, which are basically fried breadcrumbs with paprika, pork, garlic and a fried egg on top. We also bought sweets and confectioneries, just because we could.

At noon, we walked along Main Street Calle Mayor. The stalls were already open, and even in the bad weather there were quite a few people. Some were even in costume, dressed in Medieval outfits, as dames, knights or noblemen.

A wide street. There are flags hanging above and from the balconies, and shopping stands on the right. the sky is dark and heavy, as in all the pictures taken

A wide street. There are flags hanging above, and shopping stands on the both sides, selling hand-made jewellry and trinkets.

A Romanesque church with a bell tower. The church is unfinished.

Main square. It has a pole in the middle, and colourful ribbons run from it to the buildings around the square. The floor has been covered in sand, and the houses are decorated with flags. Lots of people walk around.

To the end of the village, a small “farm” had been installed – oxen, horses, cows, goats, donkies, sheep, rabbits, piglets… Due to the ‘health situation’ which for once was not Covid but avian flu, there were no ducks or hens or any kind of bird. You could hold the bunnies, but I really really wanted to hug the huge draft horses.

Farm animals: a donkey, two piglets, cows, rabbits, a sheep trying to eat the camera, a working horse.

Farm animals: goats trying to escape the pen, oxen ignoring the camera, a black-and-white cow wanting pets, and a working horse looking tired.

Someone had not really thought positioning carefully though, and right in front of the farm – and the piglets – stood the food stalls, especially a roaster, whose cooked pork was… suspiciously similar to the piglets in the farm *coughs*.

On the other side of the farm, the locals had started preparing the communal migas – every visitor is entitled to a plate of them, but it was way too cold to queue. Instead of being topped with an egg, though, they are sprinkled with torreznos, pork lard fried and preserved.

A huge barbecue with pork roasting and sausages. The barbeque itself is round, and it's big enough to fit at least a dozen ribcages, ten pork legs, and twenty or thirty sausages.

A person using a shovel to stir a huge pot of breadcrumbs being cooked, and a close up of the severd plate: orange-looking breadcrumbs with dried fried pork lard on top.

On our way back we ran into the horse parade and show, which was held in front of the town hall. The riders of El Duque Espectáulos, dressed in Medieval and Templar costumes, trotted and galloped along the music.

A group of medieval-looking horse riders making their way through the crowds

An older man making a golden horse trot and gallop on command, the horse is photographed mid-hop

Riders in medieval clothing galloping on the Main square

We stopped to buy some torreznos to take home, and we got given the tourist treat – a cloth bag with a huge box of fried pork skin. It is tastier than it sounds, honest!

A tote bag reading Tendi (the rest of the writing is obscured), with a box of torreznos inside

We had lunch at home, and not to show off, but I do think our breadcrumbs looked much better. We made them ourselves, with chorizo meat and eggs sunny side up! They looked so much better than the communal ones, right?!

A plate of migas. The breadcrumbs look golden, and there are pieces of pancetta and chorizo mixed with the bread. On top, there is a fried egg, sunny-side up

Finally, after lunch, we took another stroll, but the weather was miserable, raining and cold – which was so mean because the following day when I had to work it was nice and sunny, and there was a bird of prey exhibit.

Romanesque and Baroque buildings, deserted in the rain. One of them is a tiny hermit church, the other a column, and the third a palace that has seen better times

But all in all I spent a nice time with family and got to pat horses and goats. I guess there are much worse ways to spend a Saturday.

Walked distance: 6.20 km (9866 steps)

18th – 20th February 2022: Extremadura, the not-at-all-wild west of Spain

With everything that keeps going on in the world, my little travel gig seems insignificant. Here it is, anyway, for the sake of completion.

18th February 2022: Jam and Ham

After a crazy crazy period, and within a just-slightly-less-crazy period, we made space for a mini escapade – just under 48 hours, but it was an interesting mental reset. We took the car and drove off to Cáceres after I finished work in the afternoon. The trip should have taken a little over 3 hours and 15 minutes, but we spent about 70 minutes caught in several traffic jams – or just a very long jam with different instalments.

Sunset from the road. The orange light zigzags through the grey and blue clouds

Cáceres is located in the autonomous community of Extremadura, which is famous because of its particular grassland with dwarf trees called a dehesa. The typical animal farmed in the area is the native Black Iberian pig – a traditional breed of the domestic pig (Sus scrofa domesticus). Through breeding with wild boars and millennia of adaptation, the Iberian pig has grown accustomed to eating oak acorns, and thus it has become a key part of the ecosystem. Furthermore, the breed has great tendency to accumulate intra-muscular fat. This means that its meat is delicious, especially as sausage. The most famous treat is the “Black label” (Etiqueta Negra or Dehesa de Extremadura) ham: a pig raised in the dehesa, fed acorns and natural grass, and whose meat has been cured for at least 20 months.

The area of Cáceres is also known for its sheep-milk cheese, Torta del Casar. It is a strong-flavoured creamy cheese that comes from controlled sheep, also raised in the dehesa. The cheese is especially curded with rennet made from cardoon (Cynara cardunculus). Another typical food from the area is the local paprika Pimentón de la Vera, which is made from smoked local red peppers. All three – ham, cheese and paprika – hold European Protected Designation of Origin certificates.

Of course, not everything is food in Cáceres. After we checked into our hotel near the historical centre, we headed off to the Main Square Plaza Mayor de Cáceres, which features the town hall, the former wall gate called Arco de la Estrella (Star Arch), and one of the watch towers Torre de Bujaco.

The medieval square of Caceres by night. It looks like a castle, with arches, battlements. The sky is completely black.

We found a place inside to grab a bite, and we tried the sausages for dinner before turning in – acorn-fed pork ham, loin, chorizo, morcón (similar to chorizo), salchichón, and patatera (pork mixed with potato and paprika in sausage form).

A plate of sausage slices and ham

Walked distance: 1.79 km (2838 steps)

19th February 2022: The Old Town of Cáceres

The Old or Walled Town of Cáceres, Ciudad Vieja de Cáceres was declared a Unesco World Heritage Site in 1986, and it is easy to see why. It is a small knot of streets between the ancient city walls and the gorge where cars can barely drive, sprinkled with Medieval and Renaissance palaces and manors. After finding an open café, we had breakfast, then headed off to explore that. Since it was a bit before 9 am, most everything was closed – but it was also empty, which was good. We crossed the Arco de la Estrella next to the Torre de Bujaco and walked into the walled area.

The medieval square of Caceres by daylight. It looks like a castle, with arches, battlements, and irregular bricks making up the walls.

We walked past the co-cathedral – to which we would come back later and several palaces, and we ended up at a two-level square called Plaza de San Jorge (St. George Square), towered over by the peculiar-looking church Iglesia de San Francisco Javier – note the white-painted towers.

A church with two twin bell towers, both in white. Between them, the body of the church, in grey rock. In order to access it, you have to climb a staircase, which has a small sculpture of St George attacking the dragon

There was a small palace to the left, and while the building was closed off, the gardens Jardines de Doña Cristina de Ulloa were open, albeit as it was early February, still in winter mode but for some berries and roses.

Wintery garden with bare tree. There are also evergreen bushes and trees, stairs, and benches.

We wandered around for a while, the headed off to a visit we had booked in advance – the manor / palace of the Lower Golfines Palacio de los Golfines de Abajo, which has nothing to do with their position in the social scale, but literally the position within the city hill – in the lower part. The family is known to have owned the palace from the time of the Catholic Monarchs, in the 15th century, till the death of the last descendant in 2012. This woman willed all the heirloom to a foundation that today manages the palace. The foundation got the palace renovated and brought some of the furniture from other properties belonging to the family – among them a glass lamp way too big for the room it was set in, and a sofa which was identical to the one that used to be in my great-aunt’s living room… The lower floor holds the recreated rooms – with more or less success and taste – and a smaller area decorated with Medieval paintings which were discovered by accident. The upper floor holds a small ethnography museum and some documents from the family’s library. Unfortunately, the foundation takes itself a little too seriously and won’t allow you to roam freely in the palace or take pictures, except for the inner Castilian patio.

Gothic palace, with an ornate roof and a small cloister or patio.

After the palace, we walked a whole minute and a half for the co-cathedral Santa Iglesia Concatedral de Santa María. It is the oldest church in town, built around the 15th century, in a Romanesque-going-Gothic style. Outside the church, at the base of the tower, there is a sculpture of Saint Peter of Alcántara. Inside, the altarpiece was carved between 1547 and 1551, in unpainted pine and cedar. The tower can be climbed, and I decided that I wanted to do that, despite not being what I usually do. It was empty enough that I felt comfortable doing so, and I was treated to some nice views.

Collage: a gothic church with a bell tower; the inside showing a bare-wood altarpiece; the sea of columns from above, and a view from the belltower, showing another church and the roofs of some low houses.

By the time we went out, the city had already been taken over by walking tours and guided visits. There were so many companies that the guides put stickers on their tourists so they could herd them round. We backtracked to the Baroque church with the white towers Iglesia de San Francisco Javier (also known as Iglesia de la Preciosa Sangre), where there is no worship today. Instead, there is a huge collection of nativities (hundreds of them, literally). In order to visit the nativities you have to go up a perilous metal staircase. Once on the second floor – after having survived the peril – I decided to continue on the relatively safer stone staircase to one of the towers – only one, I did not climb up both of them. The lower floor holds two last nativities, a classical one and a hilarious set up made out of Playmobil, a German company that makes plastic figure toys.

Collage: The interior of a church with a baroque golden altarpiece, and a collection of Nativities.

We moved onto the following manor, to the side of the square, Casa Palacio Becerra, which shows some antique elements, and the house structure.

Inside a Renaissance palace, with a low arch, a glass lamp and a red carpet that try to look eclectic and end up looking bizarre

Later, we walked to Stork Square Plaza de las Cigüeñas. European white storks (Ciconia ciconia ciconia) are typical birds in Extremadura, and one wonders how they have not decided to make food out of them. In the tower stands one of the few towers that has kept its merlons, as the Catholic Monarchs were very into tearing tower tops down when they conquered a site. The adjacent manor, Casa de las Cigüeñas, hosts the military museum Museo de Armas Aula Militar.

A building with a tower. The inside is a museum, and there are some swords, firearms and Moorish decoration

At the end of the square, in yet another palace – two of them, actually – lies the Museo de Cáceres, the local museum. The part in the Casa de Las Veletasis a regular archaeological museum, with the kind of things you would expect – prehistoric, Roman and Celtic remains, more modern artefacts. The other area, Casa de Los Caballos, hosts the modern art gallery.

Gothic building turned into a museum. The pieces shown are funerary stelae, prehistoric animal representations - bulls or pigs - and jewells, a boat, and Roman emblems

However, the palace was erected on top of the local Arab cistern or aljibe. It is the best preserved in Spain and it has been gathering the rainfall water since the 10th century. Pretty impressive piece of engineering if you ask me.

The aljibe: a moorish basement filled with water. The columns sustain horseshoe shaped arches

Afterwards we still had some time to kill until it was time for lunch, so we wandered around the area of the Jewish quarters or Judería, under the watchful gaze of the local Cerberus.

Narrow streets, and a guarding dog looking suspicious

We had lunch in the local Parador de Cáceres, so I of course got my stamp. As a started we ordered the famous local cheese Torta del Casar cheese.

A tray with bread slices and breadsticks, and a cream cheese with spoons to be spread on the bread

In the afternoon we had a look at another church Iglesia de Santiago de los Caballeros. The church of St. James of the Knights was built in the 14th century over an older temple dating back from the 12th century. The altarpiece was carved and coloured by one of the most important sculptors of the Spanish Mannerism, Alonso Berruguete (1490 – 1561). This time I did not climb the tower – which had been happily colonised by a couple of storks.

Gothic church with a golden altarpiece. A stork snoozes on one of the towers.

After a little while, after sunset, I decided to skid around and have a walk through the old city at night. The artificial light made it look eery and romantic in the most… historical sense of the word. I came across some cats begging for food from a bunch of schoolgirls, and one of them very indignant because the girls would not beg it to take the food!

Different buildings of Cáceres at night. The are lit wit strategic lamps to give a mysterious feeling. There is also a white fluffy cat sitting and expecting food

Walked distance: 9.04 km (14766 steps)

20th February 2022: Trujillo & Oropesa (Toledo)

On this day I managed two more Paradores stamps. Trujillo is a town a meagre 30 minutes away from Cáceres. It also has a traditional / Medieval city centre, set around the main Square Plaza Mayor de Trujillo. It was the birthplace of one of the so-called conquerors during the colonisation of South America, Francisco Pizarro, whose equestrian statue, Estatua ecuestre de Francisco Pizarro (by American sculptor Charles Cary Rumsey). Other highlights in main square include the corner balcony in the “Conquest Manor” Palacio de la Conquista.

The large Reinassance square of Trujillo with decorated palaces and a sculpture of Hernan Cortez on his horse

One of the most interesting churches in the area is Iglesia de Santa María la Mayor. Its tower dates back from the 13th century, but was almost completely rebuilt in the 16th century. Inside the richly painted altarpiece was erected around 1490. Apparently, my newly-discovered activity of climbing towers yielded to a new adventure, as for a few minutes I ended up locked down in the bell tower – I guess I’m a Disney Princess now (≧▽≦).

Gothic church with gothic golden altarpiece.

I got an hour and a little to wander round the town, so I climbed up to see the Muslim fortress Alcazaba de Trujillo (also called castle). Built between the 9th and the 12th century, it is a huge building with a defensive wall, an aljibe or cistern, several towers and a Christian chapel.

Moorish castle, from the outside and the inside. The walls and the battlements are amazingly well-preserved. It seems that the castle is built around the natural rocks defending the area

Then I hurried towards the other edge of the city to get my Parador de Trujillo stamp (only cheating slightly. I was there, after all). On my way I happened upon the Torre del Alfiler, with a family of storks happily clattering away the late morning.

Storks on top of a bell tower

I backtracked to the Plaza Mayor and I had twenty minutes before our rendezvous time, so I decked into the church Iglesia de San Martín. Its origins date from the 14th century, but it was not finished till the 16th century – which makes it so that the thick Romanesque walls are mixed with Gothic and Renaissance elements. No tower this time, but the second floor holds a religious museum.

Romanesque turning Gothic church. The inside is plastered in white and the celing above the altar and the nave retains the original decorated stone ceilings

After getting a general idea of the Medieval town of Trujillo, but it being a “working Sunday”, we moved on rather quickly, and drove off until we made it for lunch in Oropesa (Toledo) which also holds a Parador – Parador Museo de Oropesa, the first monumental Parador opened in 1930. That makes three stamps in two days, I’m almost impressed with myself!

Plain building with ornate balconies, and cars parked on a row in front of it.

The Parador is adjoined to the castle Castillo de Oropesa, which was unfortunately closed, but I shall put in on my list of “to re-explore”. It was built by the Arabs during the 12th – 13th century, probably on a former Roman fortress. Today, the Old Castle is joined to the New Palace and both belong to Paradores.

Classical Romanesque castle with towers and turrets. It looks heavily restored.

After that, we drove back home, and as we got a couple of wrong turns, we ended up avoiding the traffic jam we had found on our way to Extremadura, which was convenient!

Walked distance: 5.57 km (8836 steps)

22nd & 23rd October 2021: Zaragoza Getaway (Spain)

We had a silly day-and-a-half and it turned out that for some reason a commuting train to Madrid took about as long as a high-speed train to Zaragoza, a town in the area of Aragón that we scratched off our summer route because there are lots of curves in the Pyrenees and time was limited.

22nd October 2021: Churches, Museums and a Palace

The train to Zaragoza arrives at the Delicias station, which is a bit away from the centre of the town, so we took a taxi to the hotel. This was around 9 am so we were of course not expecting any room, what with check-in being 2 pm – we just wanted to drop off the overnight bag. Not being able to give us a room seemed to upset the receptionist quite worried, and he promised to call as soon as a room was available. Honestly, I just set my phone to flight mode because we were starting to visit monuments right away, as the hotel was just by the most important square in town Plaza del Pilar.

Zaragoza is home to one of the most important Christian icons in Spain, the Virgin Mary of the Pillar, Virgen del Pilar. The image is hosted in Catedral-Basílica de Nuestra Señora del Pilar. The bulk of the current cathedral-basilica was built between 1681 and 1686 in the Baroque style, but was later modified quite a few times and it was finalised in 1872. Interesting items in the church include, aside from the virgin image, some frescoes painted by Goya, the main altarpiece, and two bombs that fell within the church during the Spanish Civil War (1936-1939). Zaragoza is very anti pictures inside so I had to sneak them in. Sorry, not sorry.

A collage showing the Baroque Basilica, including unexploded bombs, and two of the altars

Virgin of the Pillar, wearing a mantle

After a small detour to say good morning to the river, Río Ebro, and the Puente de Piedra (stone river), the second building we visited was the Old Market Exchange building – Lonja de Zaragoza. This was the first Renaissance building erected in Zaragoza, dedicated to commerce, with an amazing Gothic-imitation ceiling. Today it is used for exhibits, such as paintings or sculptures.

Coming out, we almost walked into one of the fountains in the square, Monumento a Francisco de Goya, featuring the artist – a brilliant Spanish painter from the Romantic times. He was as brilliant as bad-tempered though. Behind the fountain stands the cathedral, for which we had tickets for 11 am, and it was still early for that.

Thus, we started the route of the Caesaraugusta Museums. Zaragoza was founded in Roman times under this name (where an Iberian dwelling used to be) and in the latest decades, this Roman past has started being dug up. We first visit the museum focused on the original forum, Museo del Foro de Caesaraugusta where we could see the foundations of the old city and walk into the sewers (yeah, it’s cooler than it sounds). The Roman ruins date back from emperors Augustus and his successor Tiberius’ reigns.

After that it was almost time for our reservation to visit the Catedral del Salvador also known as La Seo de Zaragoza, the other cathedral of the town, literally at the end of the same square as the other one. The cathedral mixes several architectonic styles: Romanesque, Gothic and Mudéjar, these last tow being among my favourite styles, so a total win – Renaissance and Baroque elements were added, including the towers. The cathedral has a tapestry museum with a lot of works, not exactly “pretty” but rather impressive.

Following the cathedral we walked towards the rest of the Roman museums, but we made a small detour to look at the Mudéjar tower of the church of Mary Magdalene, Iglesia de Santa Magdalena.

Then we reached the museum of the Bathhouse, which was open but closed – let me explain. They run an “Audiovisual” and close the museum door for as long as it runs. It runs every half hour so finding the thing open seems to be hard. Thus, we moved onto the next archaeological site, related to the old Roman Theatre Museo del Teatro de Caesaraugusta. The theatre was apparently discovered by accident in the early 1970s, and it is apparently one of the biggest Roman theatres in Spain.

We tried our luck with the Bathhouse Museum again Museo de las Termas Públicas de Caesaraugusta. Unfortunately, just like before, we walked up to it while the audiovisual was running, and the concierge made a very studious effort not to see us – so we just peered over the glass roof to see what is left of the main bath.

More impressive was the river port museum Museo del Puerto Fluvial de Caesaraugusta, which keeps the foundations and some of the clay amphorae that were used for import / export.

And believe it or not, we did all that before lunch!! Therefore, we decided it was the right time for a break. We headed back to the hotel to see if we could wash our hands (and take off our facemasks for a while). To our surprise, the hotel had given us an upgrade to a junior suite, so we had a sitting room, a full bathroom and a bedroom – and a balcony that went all along the three. When I opened the window I could hear people playing the piano on the street, as there was some kind of festival going round. Believe it or not… I got to listen to Queen’s Bohemian Rhapsody and Rufus Wainwright’s Hallelujah.

We had lunch outside in a place that my companion enjoyed called La Lobera de Martín – not a cheap place, honestly! However, we splurged a little. We shared a smoked fish salad and I had a side of fresh Foie. As a main, ordered steak tartare, which to my surprise, was prepared for me next to the table! For dessert I tried the home-made berry yoghurt. I have to admit that I was totally planning on having a tiny dinner (or completely skip it!) at that time.

After lunch we walked along one of the main arteries of the town, Paseo de la Independencia, to find the Basílica Menor Parroquia de Santa Engracia, to at least see the outside, since we could not fit visiting the interior and the crypt with our tight schedule. One of the most interesting things about this church is how its façade is built like an altarpiece.

Next to the church stands the neo-Mudéjar post office, built in typical bricks from the area – Oficina de Correos de Zaragoza.

And finally, we looked at the current Science Museum, Museo de Ciencias Naturales, the former Medicine University. Why? Because that’s where my parents met *cue romantic music*!

We did not go in though, because we needed a break and had booked a ticket for 5pm somewhere else, so we decided to raise our feet a little for a while in the hotel room – the sitting area was nice though unfortunately there was no more sun on the balcony, else I would have totally impersonated a lizard there (I did scare a pigeon away though, even if the startle was mutual). Our next target was the Medieval palace called Palacio de la Aljafería – a fortress that combines Islamic architecture and ulterior Christian elements. The Moorish palace was built around 1065 – 1081, and it holds a magnificent garden called the Golden Hall with a portico made out of interlocking mixtilinear arches (I totally looked the word up, and will forget it promptly). The palace was taken over by the Christians 1118 and became a palace for the monarchs of Aragón. It was not modified until the 14th century, and in the 15th Century the Catholic Monarchs extended it further into the Mudéjar Palace. Today it is the meeting site for the local government. I adored it, to be honest, I loved the Golden Hall most of all, but the original ceilings in the Christian palace were also really cool.

We walked back towards the Plaza del Pilar (probably through some streets we probably shouldn’t have, hindsight is 20/20 they say), and we reached the church of St. Paul Iglesia Parroquial de San Pablo. The restored interior leaves a bit to be desired, but the exterior, built between the 13th and 14th centuries in the Mudéjar style – it has an octagonal tower in dark tones, with the upper roof added in the 17th century with richly decorated with tiles and windows. It is worth mentioning here that several Mudéjar buildings in Zaragoza, along with others of singular architecture, are declared Unesco World Heritage Site.

Between the church and the square we walked by the central marketplace Mercado Central de Zaragoza in the late 19th and early 20th century, in a combination of stone and iron-and-glass architecture.

Close to it we could see some of the ruins of the original Roman walls Antiguas Murallas de Romanas de Zaragoza, which are actually sprinkled all through the town and mixed with the Medieval ones at points. There, a lady was happily chatting on the phone while her child climbed the walls – so in case it is not evident, here’s a social clue: if there is any kind of barrier / signage around something, it should not be climbed on.

To finish off the day we visited the Museum dedicated to Goya Museo Goya. Goya, whose complete name was Francisco José de Goya y Lucientes (1746 – 1828) was a painter and printmaker from the Romantic age. He is probably one of the most important artists in Spanish history. He was a royal portraitist, fresco decorator, and also painted and printed many critical and fantasy works. To be honest, the museum was a bit underwhelming – with few of the minor works, and one of the least impressive major works, the Christ portrait. There was however a whole room full of prints.

After one more visit to the square, where I managed my only complete picture of the whole (night-lit) Basílica del Pilar from that angle, we just headed to the hotel. There was a sandwich shop at the entrance, so we took one each and had a late light dinner as we watched Night at the Museum in the hotel bathrobes – because it was cozier than turning up the heating. I did not sleep too well as the fire alarm was right on top of the bed and it kept flashing – at one point I thought that an electric storm had hit, but it was just the alarm…

23rd October 2021: Papercraft and walks

The next morning we had breakfast and headed off to the origami museum and workshop EMOZ: Escuela Museo Origami Zaragoza, located in the “Stories Museum” Centro de Historias. I remembered the exhibition from a few years back in Museo Cerralbo in Madrid, with an actual-size hippo, so I have to admit this time I was a little… underwhelmed, probably because the temporary exhibit ended up being “abstract” paper folding…

However, in the very same building there was a very fun exhibition about the evolution of household appliances throughout the 20th century. That was cute!

As we got ready to draw a close to our day-and-a-half getaway we went to say goodbye to the river Río Ebro. We walked by the modern Puente de Zaragoza bridge, and crossed over the Puente de Piedra, the traditional stone river of the town. The current one dates back (although reconstructed) from 1440, but there are records that a previous Roman one stood in its place and was destroyed in the 9th Century. Between the two bridges a flock of cormorant seemed to be sunbathing.

From Puente de Piedra I took my last picture of the Basílica del Pilar before we had a nice milkshake, then headed back to the station to take our train back. By the way – I find it ridiculous that the stations have blocked 60% of the seats while they’re filling up the platforms and the trains as normal…

Total walked distance: 8.69 km

22nd August 2021: Romanesque Soria {Spain, summer 2021}

We just spent the morning in Soria, in the region of Castilla y León, before we got on our way back in the early afternoon, but I have to say that the good morning sunset was spectacular.

As again we had a breakfast slot at 8:00, we were out to see stuff at around 9:00. The Parador de Soria is located on the top of the Castle Park Parque del Castillo, we just had to go down. First we came across some of the ruins and the buildings that had populated the area in Medieval times.

As we continued our trek downwards we ended up at the church of Our Lady of the Thorn Iglesia de Nuestra Señora del Espino, which was closed as it was still early on a Sunday morning.

In the tiny garden in front of the church there is a dead tree that has been preserved by pouring fibreglass and other synthetic materials on it – the dry elm tree, Olmo Seco. In 1912, the Spanish poet Antonio Machado wrote a poem – to an old elm tree, struck by lightning and half-rotten, which has sprouted a few green leaves after April rain and May sun… Well, this is the tree, preserved for all to see, with the poem in a small sign (and another in Braille) right next to it.

After staying there for a few minutes, we went on our trek downwards and we reached another church, the church of St. John San Juan de la Rabanera. It is known that the church had already been built in 1270. In the Renaissance and Baroque periods it was heavily remodelled, but restorations during the 20th century recovered most of the Romanesque purity. The main portal, although Romanesque too, used to be part of another church. The apse keeps all the Romanesque decoration – unfortunately, it was closed too.

We kept strolling around the town centre and came across a bunch of palaces – some of them have been repurposed into public-service buildigns such as the local government, revenue and taxes services, town’s archive, a high school… others were for sale or rent.

In front of the high school we found the sculpture to the poet I mentioned before, Escultura a Antonio Machado.

Not far from there we found the church of Saint Dominic Iglesia de Santo Domingo. Like the church of St. John, it is a reformed Romanesque temple. The most important and impressive part of the church is the main façade, in golden stone with amazing carvings (considered by some the best Romanesque façade in the country), and a rose window.

We decided to try to find the co-cathedral of St Peter Concatedral de San Pedro. Dating back from the 12th century, on the outside, it just looks like yet another Romanesque church, but that changes when you enter. When it is illuminated, the church seems to glow.

Furthermore, you can access the cloister of the former collegiate, which was also built in the 12th century as part of a now-disappeared monastery.

We walked back to the centre of the town. We left the main square Plaza Mayor de Soria, which I accessed through a tiny archway delimited by coloured windows, named Arco del Cuerno.

We ended up at main park Alameda de Cervantes.

However, we were more interested in seeing the archaeological museum Museo Numantino, which was open by then – it holds a few ancient straight-Tusked elephant (Elephas antiquus), Pehistoric art, and most of the artefacts that have been found in Numantia, both Roman and Celtiberian, including Roman statues, Celtiberian weapons and drinking jars and the most famous relic of all: a tiny horse-shaped fibula (brooch) that has been adopted as the symbol of Soria.

Finally, on our way out, we stopped at the ruins of the monastery of Saint John of the Douro, commonly just referred to as “archway” and not monastery Arcos de San Juan de Duero, a very cool cloister with different arc styles – a typical Romanesque one from the 13th century, and a second one that might have had Arab influence.

And with this, we drove back home for around 170 km after walking for 6.57 km. Fingers crossed for the next adventure working out!

17th August 2021: Towards the Pyrenees, via the cathedrals {Spain, summer 2021}

The total driven distance today was around 450 km, but we did that in three legs with with two visits in-between.

The first stop was Huesca, in the province of the same name, in Aragón. After ditching the car (and having our first Sat-nav disagreement for the trip), we walked towards the city centre. The first thing we peered into was a little grocer’s shop Ultramarinos La Confianza, which dates back to 1871 and is reported to be the longest-running grocer’s in Spain. Unfortunately, due to Covid restrictions there was a queue outside and we could only see it from the outside.

We proceeded to the cathedral of the Lord’s Transfiguration Catedral de la Transfiguración del Señor, a Gothic-style building that stands in the centre of the town, just in front of the council hall. The cathedral has only one tower which used to be crowned by a spire, but that was lost during the civil war. The main gate is decorated with carvings of the Apostles.

However, we did not enter through the main gate, but the lateral one which gave us access to the religious museum of the cathedral Museo Diocesano de Huesca. The museum has several art pieces from different periods, and gives access to the Gothic cloister of the cathedral, and to older structures, among them, a peek into the original Romanesque cloister.

Adjacent to the cathedral stands the Bishop’s palace, also part of the museum. The most impressive part is the hall called Salón del Tanto Monta , which sports a Mudejar wooden ceiling carved and polychrome in 1478, restored twice since then. The wording “Tanto Monta” refer to the Catholic King Fernando, indicating that he had as much importance in his wife’s kingdom as she did – I’ll get into that history titbit another day though.

We finally walked into the cathedral itself, which is presided by the high altar made from alabaster and sculpted in the 16th century by Damián Forment, the most important sculptor at the time.

Again due to Covid, we could not visit the council hall and see the painting that illustrates a rather sordid legend – the king Ramiro II called upon some treacherous noblemen under the excuse to show them “the greatest bell in the kingdom” and beheaded all of them. Some of the legends add that he used one of the severed heads as a clapper. The town hall hosts a painting by José Casado del Alisal depicting this side of the legend, even though it has been long debunked. What was open was the little church in the convent Monasterio de Nuestra Señora de la Asunción, though the most interesting part of the monastery is the building itself, in a very characteristic style using bricks that reminds of the Mudejar style.

The next stop was another monastery San Pedro el Viejo, one of the oldest Romanesque buildings in Spain. The church was used as Royal Pantheon and some of the old Monarchs of the former Kingdom of Aragón are buried there. Though it has been completed and renovated in different styles, the cloister dates back to 1140 – albeit some of the capitals have been “cloned” in restoration.

The inside of the church has been populated by Baroque chapels (urgh). However, some of the original polychromy can still be seen.

These are the main sights for the town of Huesca, so we decided to go on. We tried to find a place to have lunch, but most places were closed as the local festival had just finished. Searching, we ended up passing by and underneath the Porches de Galicia, a covered street considered a historical landmark, but there is no actual information on it that I could find.

On our way out, we walked past the fountain Fuente de las Musas, representing the Greek Muses.

The second leg of the journey took us to Jaca, where we visited the cathedral and the Diocesan museum. The cathedral of St. Peter Catedral de San Pedro Apóstol, a predominantly Romanesque building (with, of course, Baroque decoration), although the wooden ceilings have been replaced. The building itself was completed around the year 1130. The altar holds the organ and is richly decorated with frescoes.

The adjacent museum Museo Diocesano de Huesca, also called the Romanesque Museum, which contains a large number of Romanesque paintings that have been collected from the different churches around the area, and sculptures from the period. It also yields entrance to the cloister, which has a small garden populated with roses, bright purple thistles, and tiny shy lizards that ran away as I peered in.

It was a little too late to enter and walk around the old fortress Ciudadela de Jaca, the military museum, so I just walked around it. Unfortunately, the star shape is not appreciated from the ground, so take my word for it – it is star-shaped. Due to droughts, however, the moat is devoid of water, and it has been turned into a… deer park.

So after this we drove off to the final destination of the day, the small village of Torla-Ordesa, which is the entryway to the Pyrenees area on the Huesca province, particularly the nearby national park Parque Nacional de Ordesa y Monte Perdido.

We had a bit of an organisation issue here. Because the park is a National one, there is zero reliable information from the administration itself – it turns out that to reach the park you need to take the bus from the visitor’s centre in Torla-Ordesa, you cannot get there on your own (lovely for Covid times, don’t you think?). Furthermore, the park has top capacity which is measured by the buses that depart from the centre – around 30 buses, which is usually reached around 10 am in summer. This made us change all our plans. So we set the alarm for 6:30 am to get an early start, and went to bed.

As mentioned before, driven distance was around 450 km. Total walking distance: 7.5 km.

8th – 12th July 2021: Beach weekend (El Campello & Elche, Spain)

The sea is far, far away and due to a number of situations coming together, we rented an apartment near the ocean for a couple of days. Our usual summer destination was not a good option this year due to – as everything that is going less than great these days – to Covid, so we gave a try to the town of El Campello. The town likes boasting itself as a beach paradise-resort, while it’s barely a standard Mediterranean village eaten which boomed along other, bigger resorts such as Benidorm. The apartment was not anything marvellous, but it was extremely close to the ocean – just beyond the waterfront promenade, Paseo Marítimo.

8th July 2021: The arrival

We arrived in El Campello at around 4pm, did a fast sweep of the apartment in order to feel safer Covid-wise and I decided to go for a walk at the beach, jeans and all. There were surprisingly fewer people than expected, and not as hot as I thought it would be – all in all we were pretty lucky, weather-wise.

El Campello is built parallel to the coastline. The more traditional area has a small marina Puerto de El Campello to the north, and then a sand beach that extends towards the south divided into Platja de la Illeta and Platja del Carrer de la Mar. Though the beach has a couple of breakwaters, they are for protecting the beach against erosion and not to separate the different areas – the east of Spain has a reputation for building quite close to the beaches. Over the years, that caused the winds and waves to shift and the once amazing and long beaches started being washed away – now all those groins are necessary to keep the sand in place, and are liberally built along the Mediterranean coast.

I climbed on one, of course, more than once – and more than one too (≧▽≦).

In the evening we walked along the waterfront promenade. While most of it is fronted by restaurants and souvenir shops, I did see this cute little house.

Eventually, we chose a place to have dinner – some fish and the area speciality: honey-soaked aubergine (berenjenas con miel), which is not actually made with honey, but a type of molasses – which actually makes this a vegan dish, as bees are not involved in making the “honey”, what do you know? The first time I tried this I was not too convinced, but if prepared well, this dish is absolutely delicious.

9th July 2021: The lady’s town

Elche is a nearby town a bit inland, and the third most populated in the area. It is famous due to the Iberian sculpture bust found nearby and because of its palm grove. The history of the town can be traced back to the current archaeological site Yacimiento Arqueológico de La Alcudia, whose stratigraphic sequence dates to the Bronze Age. There are ruins and artefacts, mostly from the Iberian and Roman ages, though there are findings until the Islamic era.

In 1897, a young farmer found the bust named La Dama de Elche, the Lady of Elche, which can be seen in Madrid’s archaeological museum Museo Arqueológico Nacional – it is the limestone bust of an Iberian woman, probably with funerary purposes, what was carved around the fourth century BCE. Since that time, a great deal of work has been carried out in the area of La Alcudia, and today is a full-fledged archaeological site with a Roman wall, several Iberian and Roman houses, a Roman temple and an Iberian one, a basilica, and hundreds of sculptorical and clay artefacts.

We visited the site in the morning, hoping to finish the stroll before it became too hot. There are still works carried out in the site, but you can visit and walk around the area – as long as you don’t step on the red ground. There are two museums on site, aside from the outer ruins. In one of them there is a reproduction of the lady, which yields to easier pictures than the glass protection in the National museum. There are also interpretations and reconstructions about what the Lady may have looked like when she had her colours. Unfortunately, reaching the site is hard, and probably not worth the detour unless you’re an expert in archaeology, but it turned out interesting to see.

… Except for the “commemorative site” of where they found the Lady. That was hideous.

After La Alcudia, we drove off to the town centre to walk around Palmeral de Elche, the biggest palm grove in Europe, with around 200,000 – 300,000 trees, most of the date palm species, Phoenix dactylifera. The palm tree grove originates in the 10th century CE (planted by the Caliphate of Cordoba conquerors), and it has been a Unesco World Heritage Site since the year 2000. The most important palm grove is in the centre of the town (and we missed the dragon that stands on one of the trees 。゚(゚´Д`゚)゚。).

Close to the grove stands the local archaeological museum, Museo Arqueológico y de Historia de Elche, divided between the new building and the old Moorish castle or alcázar, Palacio de Altamira, which drinks from La Alcudia and other findings from the area.

After the museum, we headed off to see the main church Basílica de Santa María, but we had just missed opening times. It stands on the place of the original mosque, and the current building – the third church that has been built – is Baroque. The bold blue dome is typical of the area, found all over the region on towers and churches.

As we could not see the basilica, we just had lunch! After a bit of a banter with an over-friendly waiter we had some fish-based lunch to share – salt-preserved fish bits, grilled octopus and tuna tataki.

On the way back we got to see a different view from the palm grove and the castle and the palm grove – maybe it looked like this in the old Arab times?

It was too hot to stick around and wait for the museums and church to open up again, so we drove back and after a while I headed back to the beach. This time I reached the end of the sand beach and got to the boulder one at the end of the waterfront promenade.

We had a quiet dinner at the apartment, then went out for ice-cream. We ended up walking to the marina, Port d’El Campello and caught sight of the Torre Vigía De La Illeta in the background.

10th July 2021: Not much to report

Just some pizza and a night-time walk along the waterfront promenade yielding tries to take artistic pictures without much success.

11th July 2021: The Tower

I woke up with a lovely reaction to the sun – not a sunburn, more like an allergy flare-up (here’s the plausible explanation for that), so we went out rather early for a walk, to then shield from the sun.

From the Roman times, a number of watchtowers were build along the Mediterranean coast to be on the lookout for pirates. The tower in El Campello, Torre Vigía de la Illeta was built between 1554 and 1557 (and restored in the 1990s), was part of a watch system commissioned by the Viceroy of Valencia at the time. The tower was manned by two infantry and two mounted soldiers – in case a pirate ship was spotted, the former would make smoke signals and the latter would ride to raise alarm in town.

The tower overlooks the marina, the town, and the archaeological site Yacimiento Arqueológico La Illeta dels Banyets, with ruins and artefacts dating from the Iberian and Roman times, but we did not walk to them as it was early in the morning and it was not even open.

It was hot, so most of the day was spent under the air-con, to later have dinner out – some mussels, more aubergine with honey (not so good this time), and squid rings. But the highlight of the night was the final ice-cream waffle, which is a great, great idea.

And that was it, as we left early in the morning the following day, as soon as we could check out, as the trip is – as mentioned – long.

29th & 30th May 2021: The Walls (and churches) of Ávila (Spain)

There was a little-talked about consequence of the Industrial Revolution in Spain. While it is widely known that it drew a large number of people to the cities and towns, few stop to think of the subsequent steps that had to be adopted. More people in town required housing, and thus a number of projects denominated ensanches or “widenings” were projected and carried out. Even though such a thing makes sense, here lies the problem – in order to enlarge the urban area, many Spanish cities and towns tore down their Roman and Medieval walls, leaving either bare traces or nothing at all.

Legend has it that the town of Ávila lacked the money to demolish the wall. In retrospect, that was a good thing, because today, the walls that surround Ávila, Murallas de Ávila are among the most impressive Europe, some say that even better preserved than Carcassonne (France).

Ávila is a couple of hours away by car, so we drove off on Saturday morning at around 8 am and were there just before 10 am. We entered the city through one of the city wall gates, Puerta del Carmen.

Approach to the walls

We parked (100% ditched the car) at the hotel and checked in – even if it was quite early, they told us that one of the rooms was already prepared and gave us the keys. Unfortunately, it was not, and since the blunder was a Covid-protcol blunder, they upgraded us as an apology. The hotel, Parador de Ávila, belongs to the Spanish network of Paradores, and it is located in a 16th century palace, Palacio de Piedras Albas. We booked late-check-out for the following day, which can be done “for free” booking lunch in the restaurant (which is obviously not free).

Parador

Our first stop was the tourist office, but not the one that is clearly signalled in the middle of the town – the one that is located outside the wall and you have to turn around and around to find. But we needed it to buy the 48-hour pass to the monuments. Then we stuck around to wait for the nearby church to open, which gave way to observing the wall for the first time.

The Muralla de Ávila has been a Unesco World Heritage site since 1985. The structure is clearly defensive and it was built towards the end of the 11th century, quite probably as extension or reinforcement of a previous one, either Roman or Arab – though the Roman theory is the most credible as some pieces used in the original wall seem to come from a now-lost Roman cemetery, and there are documents about a Roman camp with similar shape. The wall has been restored in several occasions, and after surviving the ensanche risk, it was declared national monument and cleared of attached houses. Today most of the wall belongs to the Spanish government, and it is managed by the town hall, though there are some private parts, such as the ones that are part of the cathedral. The walls close off all the historical centre. They have a perimeter of 2,515 metres, with around 2,500 merlons, almost 90 turrets, and nine gates. Our second gate was Puerta de San Vicente.

Puerta de San Vicente

The first monument we stopped by, as soon as it opened since we were already there, was the basilica church Basílica de San Vicente (officially Basílica de los Santos Hermanos Mártires, Vicente, Sabina y Cristeta, three Christian siblings who were martyred nearby). It is one of the most important Romanesque buildings in the whole country, built between the 12th and the 14th century. It is protected as part of the World Heritage Site declaration. One of its characteristics is the golden rock in which it is built – sandstone-looking granite.

Iglesia de San Vicente

The inside of the basilica is, in the typical way, a mix of more modern styles. The grave of the martyr siblings is Pre-gothic, and the large altarpiece is Baroque. In the crypt there are proto-Christian pieces and a Romanesque Virgin which we did not get to see and which is the patron of the town.

Iglesia de San Vicente

Afterwards we headed off to the cathedral Catedral de Cristo Salvador, which is considered the first gothic cathedral in Spain (something that other people say about Cuenca), with clear French influences. It was designed as a fortress church as its abse dubs as one of the turrets of the city wall.

Catedral de Cristo Salvador

In later years, a choir was added, along with a Baroque altarpiece. The walls are also sandstone-looking granite, but some elements inside are limestone and wood.

Catedral de Cristo Salvador

To the side of the cathedral stands the cloister, which holds the grave to the first modern president of Spain, Adolfo Suárez, and the entrance to the cathedral’s museum. It yields to views of the tower and… the storks that squat there.

We headed off towards the Museum of Ávila. First we stopped at the former church Iglesia de Santo Tomé, which today is a warehouse for the museum, but can be visited anyway. When I was young, I studied the statues / sculptures called verracos, built around the 5th century BCE by the Vettones, a Celtic pre-Roman civilisation that faded upon the arrival of the Romans. The verracos are crude statues that represent four-legged animals – bulls, boars or pigs. At the time, I had only heard about a number of them, and was somehow under the impression that there were two or three around. I was quite wrong, apparently they pop up from the snow like daisies or something. In the church-turned-warehouse there were like twenty, one outside, there was one at the hotel garden… so no, apparently they are quite common. Other artefacts in the building include some carriages, Roman sculptures and mosaic, Muslim funerary artefacts and roof boards…

Iglesia de Santo Tomé

Then we moved onto the museum itself, Museo de Ávila, with a beautiful patio and a number of archaeological and ethnological items which represent the history and folklore of the town.

Museo de Ávila

It was almost time for lunch, so we headed off towards the restaurant where we had booked. Before, we made a small stop at an old palace Palacio del Rey Niño, built in the 12th century, today turned into the Post office and the public library, with a patio closed off by the Walls themselves.

Palacio del Rey Niño

Then we walked by the modern marketplace.

mercado

Which happened to be right in front of the restaurant, named La Lumbre. Aside from its walls, Ávila is famous for its cattle, a particular breed called Raza Avileña – Negra Ibérica, and of course the meat the animals produce, especially the matured and grilled meat from older oxen. After the animal has been sacrificed, the meat is matured in a traditional process called “dry maturation” for six weeks before it is grilled. We ordered the rib steak, chuletón to share, along with some grilled vegetables, a “tomato salad” that was a… one-tomato with dressing. And then there were desserts, aside from chocolate cake, we ordered yemas de Ávila – a typical confectionery made with egg yolks, lemon juice, cinnamon, and caster sugar. Lots of typical stuff, as you can see!

lunch

Our next stop was the main square, called “little market square”, Plaza del Mercado Chico, along with the town hall or Ayuntamiento. The square was rebuilt in the 19th century and is flanked by arcades. The town hall was built in 1862.

Plaza del Mercado Chico

Plaza del Mercado Chico: Ayuntamiento

After a brief stop at the Parador for some rest, we headed off to find a convent / monastery on the other side of town. On the way we came across some ruins that I assume are the church Iglesia de San Jerónimo, as they sit in the square of the same name.

Ruinas de San Jerónimo

We reached the convent Convento de San José, a reconstruction of a previous monastery and church, the first founded by Santa Teresa de Jesús (Saint Teresa of Ávila), a Christian “doctor of the church” and mystic Carmelite nun, known for her ‘raptures’, her reforms, and her literature work. More on her later though. The convent and church were a little… underwhelming, even if is a World Heritage building.

Contento de San José

Then we walked back towards the historical centre, and walked past the church Iglesia de San Pedro, a 13th-century building with a great rose window, but which was closed (reforms).

Iglesia de San Pedro

On the other side of the square, Plaza del Mercado Grande (Big Market Square) stands another of the wall gates, Puerta del Alcázar, and a monument to Saint Teresa Monumento a Santa Teresa: La Palomilla.

Puerta del Alcázar

Next we separated and I went off to climb the walls Murallas de Ávila. Well, to walk on the parapet. Due to Covid, there is only one access, next to the Cathedral and its gate Puerta de la Catedral. The walkable area is around 1.4 km, including walking over some of the gates and up and down more than a few turrets. It allows for some amazing views of the town and its outskirts…

Views from the walls

… but also of the wall itself, both the original walls and the add-ons from later eras (and a magpie).

When I reached the end of the walk, I went down and crossed the bridge gate Puerta del Puente, named that way because it overlooks the bridge over the Adaja river. I could not take a picture of it because the traffic police was checking cars at the roundabout in front of the gate. Thus, I headed off to the pedestrian bridge to cross over towards the tiny hermit popularly known as “the four posts”, Los Cuatro Postes, which yield to an impressive view of the town and its walls.

Cuatro Postes

Views on the wall

Avila and View

I walked back to see the walls from the base. Then I crossed the gate we had driven through in the morning, Puerta del Carmen, and I headed back to the hotel for a drink.

At the feet of the walls

Puerta del Carmen

After a while we headed off for dinner and tried another of the typical dishes in Ávila, patatas revolconas – mashed potatoes with paprika and pork rashers, and waited for the sun to go down so the city lit up.

Patatas revolconas

A walk around the town yielded to views of the Iglesia de San Vicente and Puerta de San Vicente, some of the inner streets leading to the town hall Ayuntamiento, the longer area of the Muralla and the Puerta del Carmen.

Night view

And then I had a very, very long shower and went to bed.

In the morning, breakfast was had – not a fan of the “we can’t have a buffet so we prepared this and this is what you get” plate, but whatever. I mentioned Santa Teresa before, let’s get into that a bit further. She was a 16th-century nun born near Ávila, canonized in the 17th century, and elevated to doctor of the church in the 20th century. She is conisdered one of the great mystics and religious women in the Roman Catholic church, author of a number of spiritual classics, and the reformer of the Carmelite nun order into the Discalced Carmelites. She founded convents all over Spain and was known for her mystics raptures which may have been messages from God or epileptic attacks. She is one of Ávila’s most important historical figures and wherever you go there are traces of her. In the place where her house stood now there is a convent, a church, a reliquary room and an interpretation museum, with really strange hours on Sundays. We could see the convent / church Convento de Santa Teresa de Jesús / Iglesia de la Santa and the reliquary room where no pictures were allowed Sala de Reliquias between services.

Iglesia de la Santa

On the way, however, I found some interesting ruins – the gate to the former hospital Hospital de Santa Escolástica, and we walked past a bunch of palaces.

Portada de Santa Eulalia

Then we moved onto a long walk to the 16th- century Gothic monastery Real Monasterio de Santo Tomás, which we could see due to lucky timing as there was a First Holy Communion Mass happening and the local little old ladies were not to keen on cultural visits of the church.

The monastery has a church, three cloisters and two adjacent museums. The church has an impressive Gothic altarpiece (by Pedro Berrugete, one of the key painters riding the wave between Gothic and Renaissance arts), and hosts the grave to the Catholic Monarch’s only male son.

Santo Tomás

The three cloisters: Claustro del Noviciado, Claustro del Silencio, and Claustro de los Reyes Católicos (Novitiate, Silence and Catholic Monarchs).

Santo Tomás Cloisters

The Museum of Natural Sciences Museo de Ciencias Naturales, an occupational therapy project could… be better, and sets the expectation bar rather low for the next one.

Museo de Ciencias Naturales

However, the Museum of Eastern Arts Museo de Arte Oriental is pretty impressive. It contains pieces and artefacts that the Dominican missioners brought from China, Japan, Vietnam and the Philippines.

Museo de Arte Oriental

And in the end, that was it for the weekend. We walked back, decided to give the museum of Saint Teresa a miss, had a drink, had lunch and went back on our merry way – with a a view of the train tracks over the dam of the reservoir Embalse de Fuentes Claras.

Train tracks over Embalse de Fuentes Claras

Walked distance (Saturday): around 12.5 km
Walked distance (Sunday): around 6 km
Total distance driven (both days): around 340 km

23rd & 24th April 2021: Mental Reset Half-weekend: Cuenca (Spain)

With everything going on, travelling is almost impossible, but the stars aligned for a tiinny bit longer than day trip – from Friday to early Sunday morning, with every precaution possible, of course. We ran away to Cuenca for a day and a fifth. As days are becoming a bit longer, when we arrived there were still a couple of hours of light left. We checked in and dropped off the car at the Parador de Cuenca. The Parador hotel chain might be more expensive than standard accommodation, but truth be told, it is upholding the strictest hygiene protocols, even though their hand disinfectants give me allergies. Truth be told, it was spectacular.

The Parador stands in a repurposed monastery, the old convent of Saint Paul, just at the edge of the historical centre of Cuenca. The hotel has a covered cloister and a newer building, and the adjoint church has been turned into an art centre.

Parador

Room

Gorge

The core of the town stands between two rivers, River Júcar and River Huécar. As the area is rich in karst – calcite rocks, which dissolve in water – the rivers have dug parallel gorges around the historical dwellings. The walled city has been declared a Unesco World Heritage Site and one of the keymost point is the hanging houses, Casas Colgadas (now home to the Museum of Abstract Art). While the houses are now rather unique, they used to be the norm in the 15th century. In order to cross the Huécar gorge Hoz del Huécar, there is a(n also) hanging bridge. The bridge of Saint Paul, Puente de San Pablo, was built at the beginning of the 20th century in the typical cast-iron architecture of the time.

Puente de San Pablo

Looking back to the other side of the bridge, you see deceivingly high hill, Cerro del Socorro, carved out of karst. I say deceiving because when you actually look at it, you’re half-way up, and you can look down to the bottom of the gorge. At the top of the hill stands a religious pillar to the Catholic Sacred Heart, Monumento al Sagrado Corazón.

Cerro del Socorro

Monumento al Sagrado Corazón

Casas Colgadas

We went on walking towards Main Square and the Cathedral of Our Lady of Grace and Saint Julian – Catedral de Santa María y San Julián de Cuenca. The cathedral is one of the earliest Gothic buildings in Spain (although the main façade has been rebuilt in style). However, it is not the typical Spanish Gothic style, but it is more similar to the Norman buildings in the north of Europe. It was unfortunately not open for visiting though (it’s the third time I’ve been to Cuenca and I’ve never been able to walk in (≧▽≦) ).

Catedral de Cuenca

There also stands the Ayuntamiento de Cuenca or town hall, a three-arched Baroque building erected around 1760 after the designs of the architect Jaime Bort. The building closes off the square and is the gateway to a maze of chaotic traffic of one-way streets and directing traffic lights.

Ayuntamiento de Cuenca

We turned towards the gorge, Hoz del Júcar on the other side of the town for a view of the sunset, but the clouds seemed to be hiding it.

Hoz del Jucar

As we continued on, we stopped by a nun convent Convento de las Esclavas. This Catholic nun congregation leads a contemplative life and they are perpetually praying to the Eucharist – at least some of them, as apparently they bake and sell confectionery to sustain themselves. You can see a nun praying in the church, and to be honest for a second I did not realise she was there, it felt like there was a ghost all of a sudden. The building was erected between the 15th and 16th centuries.

Convento de las Esclavas

Convento de las Esclavas

We found the monument to a medieval king Monumento a Alfonso VIII. During the Christian and Muslim wars, the king was the one to conquer Cuenca for the Christians, and assimilated it into the Castilla crown.

Monumento a Alfonso VIII

Another sculpture we found was, conversely, erected to honour the traditional shepherd from one of the old streets in town, a bronze statue named Monumento al pastor de las Huesas del Vasallo and located next to the bridge.

Monumento al Pastor

We also got treated to some nice views as the sun came out the second we turned out backs on it.

Sunset

After dinner – a really good club sandwich in my case, I walked out to take some pictures of the bridge and the hanging houses after dark, expecting them to be lit up… Which they were. I mean, I was really not expecting the green colours.

Night

Casas Colgadas

In the morning we had breakfast at the old dining room of the convent, the refrectorium, which still keeps its old allure.

Refrectorium

Later, we headed out to the local palaeontological museum Museo de Paleontología de Castilla-La Mancha. The museum was inaugurated in 2005, recycling, so to speak, a previous building that overlooks the city of Cuenca. The museum has an inner area with some reproductions and pieces from the different palaeontological sites around the area, and several models of the animals, organised in eras.

MUPA

MUPA

The outer part also holds replicas, and it gives a very Jurassic World feeling for a second, when you take the view with the dinosaurs. We had booked first thing in the morning, so we were leaving when the kid-crowd started to arrive, in order to see both the extinct and the extant dinosaurs (a.m., we found a mallard minding his own business at one of the ponds).

MUPA

We drove back, and unfortunately the Sat-Nav got us lost. However, we dropped the car safely off a the hotel and decided to take the plunge and walk into the museum of Spanish abstract art Museo de arte abstracto Español, home to a number of… works… by Spanish artists from the 1950s and 60s in the Hanging Houses / Casas Colgadas. I… have to admit I am not the biggest fan of abstract art, so I was not terribly impressed – I mean I had been there before and it had not imprinted on me, like at all (≧▽≦).

Museo arte abstracto

After the museum we headed back to the Parador for lunch and some rest – and I have to say that the curd I had tried the last time was nowhere to be found any more. Sad.

cuajada

But not to be deterred, we soon moved to the city museum Museo de Cuenca, which highlights the Roman origins of the city. There are displays from Prehistory to the Middle Ages, but there is either a surprising lack of Muslim artefacts, or they were in the closed-off rooms.

Museo de Cuenca

After this, we wanted to check out one of the churches, and on the way we passed by a viewpoint towards the gorge Hoz del Huécar.

Hoz del Huécar

We also came across the “Christ in the Alleyway” or Cristo del Pasadizo, which is related to the legend of two lovers – he went to war, she stayed behind and moved on, and then everything ended in tears because how dare a woman in Christian Middle-Ages Spain try to be happy. Anyway, here’s the alleyway and the Christ figure.

Cristo del Pasadizo

After that we ended up at another museum of contemporary art, Fundación Antonio Pérez, located in another former convent built in the 17th century. Honestly? It was slightly interesting but mostly claustrophobic. The majority of rooms do not have windows whatsoever and the fact that there is a one-way itinerary due to Covid, and how dry the air was, made it stressing to an almost ridiculous level.

Arte contemporáneo

It was early evening when we came out, and the second we put a foot outside it started pouring, so we headed back – it also made for a few spectacular pictures.

Rain

Rain

Some cool ones were also taken on Sunday morning just before we drove off early because there was stuff to be done throughout the day.

Casas Colgadas + Puente de San Pablo

8th & 9th January 2021: Guadalajara & Filomena (Spain)

Since 2017, Spain (alongside Portugal and France) has taken up the custom of naming bad storms, and this season we are up to ‘F’, the 6th bad storm. In this case, the storm, named Filomena, entered Spain from the south west and collided with a polar air mass that happened to be coming from the north. The result – snow. Lot’s of it, with low temperatures and snow-heights not seen in a very long time. Some call it “the snowfall of a lifetime”.

As Covid-19 has made travelling impossible – or at least pretty unsafe / irresponsible (choose your pick), plans have been pushed back again, and plain cancelled. While truth be told I still hold tickets for the Saint Seiya event in Paris in late May, I have no hope I will be able to attend. Even if the Covid crisis fades away, there’s the extra issue of the economic blow 2020 caused.

Anyway, back to Filomena – it brought something that is rarely seen in these parts. Snow. Lots of it. So before everything went to hell, I just decided to ignore the stay at home recommendation and took a couple of walks around Guadalajara for a rare sight – the monuments covered with snow. Furthermore, as the snow is expected to freeze into ice plates, I had to go out when the snow was still fresh.

I took two different walks. On the eight of January, Friday, as soon as I got out of wok I put on my snow boots (perks from the time living in Scotland) and winter coat, then threw my raincoat over it – it was a tricky movement, but I managed not to dislocate my shoulder doing so. By this time there was a coverage of a few centimetres, and I decided to head out to the outer area of town where I could sneakily take my mask off if my glasses fogged too much, which I had to do when I crossed the road, because there’s no actual crossing.

There was a surprising amount of people around! Fortunately I was able to keep my distance, especially at the times when I tried to breathe – even if I went out with the smaller glasses, at points I had to take them and the mask off to be able to breathe and see anything.

I walked up to the Toro de Osborne a winery-billboard-turned-item-of-cultural-and-visual-interest which as you can see is shaped as a bull – representing the species used in bred for bullfighting, because the Osborne winery is located in an area also famous for the livestock. It is made of metal and measures around 14 metres high, one of the 91 that remain around Spain. It stands in an area that was supposed to become urbanised but never did, so it has several unfinished alleys and corners. There has been a statue there since 1975, called El Abrazo, (The Hug), which has always reminded me of a decomposing DNA strand. It was erected by Francisco Sobrino, the most famous sculptor from the town.

I went back right before sundown, and the roads were already difficult. It continued snowing throughout the night, and when I woke up on Saturday morning, no cars could run, there were no buses, trains had been stopped and some trees had collapsed under the weight of the strongest snowfall in decades. But… temptation won. I only wanted to peek around the corner a little, but then I decided that as there was a good chance I would run into people, I could not cheat on mask policy – so I put my contacts on. That warranted for a longer walk as those are disposable, and… not cheap (≧▽≦).

First I walked down the Avenida del Ejército, one of the main arteries in town, which had already been somewhat cleaned of snow, which was good, because… well, there was a bit more of a cover than the day before

I reached the park built after the ancient Arab structure, Parque de la Huerta de San Antonio. To the left stands one of the towers of the old walls, Torreón de Alvar Fáñez.

I saw the snowed Palacio del Infantado. This palace was built in the late Renaissance style, designed by Juan Guas and commissioned by the Marquis of Santillana. Although the main construction happened between 1480 and 1497 but has been reformed in several occasions, even recently as it was turned from public library into monument and museum. Infantado is a name related to the concepts of infante or infanta, which are the Spanish terms that designate the children of monarchs who are not the direct heirs (so no the crown prince or princess). The most important feature is the main façade built with sand-coloured rocks and diamond protuberances as decoration. It was suspected to have suffered from aluminosis concrete a couple of years back, but after a small political struggle, it the palace was deemed healthy again. Magic, I guess.

Up the central street of the old town, I took a small detour to check the Iglesia de Santiago Apóstol to the left. The church, built in bricks, used to belong to a now-gone convent.

In front of the church stands the convent-turned-palace-turned-high-school Convento de la Piedad / Palacio de Antonio de Mendoza. The convent-palace represents the start of the Renaissance influence in Spain, especially the former grand entrance.

At the end of the street stands the main square and Ayuntamiento, the town hall, and main square, where the street turns into the main street, Calle Mayor. The town hall, built at the beginning of the 20th century, sports an interesting bell tower in iron.

The square Plaza del Jardinillo (square of the little garden) where the Baroque church Iglesia de San Nicolás el Real stands. You can’t really recognise him under all the snow, but there is a Neptune standing in the middle of the fountain in the square.

Main Street continues until the square Plaza de Santo Domingo. The square is half park-like, half built, and one of the trees that died in the park area was carved into a book-stash sculpture.

On the other side of the road stands another church, Iglesia de San Ginés, built in the 17th century with two towers and a Romanesque-looking entrance.

The police tape around the main town park, Parque de la Concordia, had been partially taken down and I interpreted (wrongly) by the sheer number of people inside that it was allowed to walk in. Only when I reached the other side I realised that the park was considered unsafe, and of course I did not risk any other trespassing. The park dates to mid-19th century, and hosts a gazebo-like structure built in brick and iron by Francisco Checa in 1915.

I went on to the Paseo de San Roque, only on the street area, as the more park-like one was taped off. This is one of the most diverse parks in town, and some say that it could / should have been considered a botanical garden.

I walked alongside, peeked into the park Parque de las Adoratrices, but it was packed, so I continued on. Although this park is rather recent, opened in 2009, the walls and fences were built a century earlier. The town festival used to be celebrated here, but it was moved away to the outskirts as the town grew.

At the end of the street stands the chapel Ermita de San Roque , which originally was outside the town when it was built in the 17th century, in the typical brick of the area.

I walked around the walled area of the Colegio de las Adoratrices, with some really cool views of the pantheon that stands there, Panteón de la Duquesa de Sevillano, the school building and the church Iglesia de Santa María Micaela. This whole area used to belong to the Duchess, who commissioned the architectural complex in the 19th century. The pantheon is a particular example of the eclectic architecture, with a purple dome. The church is a mixture of different styles, out of which maybe neo-Gothic would be the most prominent one.

The street I wanted to go along next was a) taped off and b) waaaay too steep for a safe climb-up, so I decided to turn towards another of the important squares in town, Plaza de Bejanque. You can guess the old fortress Fuerte de San Francisco behind it, but it was also full of people, so I walked fast.

One of the features of the square is the old gate from the walls, Puerta de Bejanque, one of the access gates through the 14th century wall. This used to be part of a house that was built around it, and it was unearthed, so to speak, in the 90s.

I went down towards the co-cathedral Concatedral de Santa María. Originally built in the 13th century, this catholic church has been redesigned and rebuilt in several styles. It is best characterised by the horse-shoe arches in the main façade.

And sneaked up towards the chapel Capilla de Luis de Lucena, a small and compact chapel built like a tiny fortress that used to be an oratory part of a larger church.

I walked past the old palatial house Palacio de la Cotilla, a palatial house from the 15th century.

The convent Convento de las Carmelitas de San José. This convent, where cloistered nuns still live (tradition says that couples that are going to marry should bring them eggs for sun on the day of the wedding) was built in 1625, and the inside is decorated in the Baroque style.

And finally reached the lookout over the park built within the old torrent, Parque del Barranco del Alamín.

I finally saw the former church Iglesia de los Remedios. Today it is used as the grand hall for the nearby university, but it was originally a Renaissance temple, with three characteristic arches guarding the entrance.

And turned back towards the Palacio del Infantado from the square Plaza de España.

It had started snowing more heavily by then and my legs were getting tired. The sloshy snow on the roads had become frozen so it was slippery, and when I was walking on the actual snow, it was up to my mid-shins, so I was feeling the strain in my legs and my back. Thus, I decided to go back home and not to return in the afternoon again because the trees had lost more and more branches under the weight of the snow. The temperature going down also meant that the snow was going to freeze and it would be more slippery as it became ice…

I mean, this is the tree that used to stand in front of my balcony… So better safe than sorry. But all in all, the snowfall of a lifetime in these latitudes!