29th July 2025: Birds with great PR (Madrid, Spain)

The National Museum of Natural Science Museo Nacional de Ciencias Naturales in Madrid announced that they were having an exhibit called Dinosaurios entre Nosotros / Dinosaurs among us, a collaboration with the American Museum of Natural History (though the original exhibition was apparently called Dinosaurs among us: The ancestry of birds, which feels slightly more accurate).

When I was young, it was believed that dinosaurs came from birds. With the new definition of what a dinosaur is, it turns out that birds are dinosaurs. The key features used to define a dinosaur is that the animal belongs to the clade (natural group) archosauria, and it has hind limbs which are erect underneath the body – as opposed to growing sideways and bent. Currently, two groups of archosauria exist: crocodilians (with bent legs) and birds (with straight legs). I think if you ever look into an emu or a cassowary’s eyes, you’ll understand what a deinonychus’ (the real species of the Jurassic Park velociraptor) prey might have seen.

Dinosaurs among us sign, showing a feathered T-rex

The characteristic that originally defined archosauria was the hinge-like ankle structure. As time went on, protofeathers developed and some animals adopted a straight-legged stance, which is the start of the real dinosaurs – first the ornithischians (triceratops), then the sauropods (patagotitan or diplodocus), and the theropods (tyrannosaurus), the first with a wish bone. Then the forelimb became wing-like (deinonychus), yielding to the Avialae clade, which developed flapping flight. Some scientists declare that all Avialae are already birds. Others claim that birds are the subgroup Aves.

I took the train to Madrid and walked to the museum Museo Nacional de Ciencias Naturales. It took a second to be admitted because their computer system was down, but I was carrying cash, so I could was able to purchase my ticket (I had not bought it in advance because entry is timed, and I did not trust public transport delays). It was around 10:30, still early enough so that the museum was not crowded even during the school holidays. I headed directly to the exhibition, which, mostly through panels, taxidermy, and mounted birds, summarised how dinosaurs behaved similarly to today’s birds – laying eggs, brooding those eggs, protecting the nests… The biology and anatomy of birds and dinosaurs, especially theropods, are very similar.

Fossil of Caudipteryx zoui (replica) and skeletons of a cassowary and an ostrich. They all share uncanny similarities, except the fossil is about one metre long and the current birds are larger

There was a very special exhibit – and no, it was not the Tyrannosaurus rex skull they’ve got. It was the original (and only) fossil of Iberomesornis romerali, a holotype from the MUPA, which you cannot photograph at its home, but you can here (just like my photography spree with the Concavenator at MARPA). Iberomesornis was the sparrow of the Early Cretaceous. There was a reconstruction of how it would look in real life (though I’ve read some texts that say it’s an outdated view?).

Iberomesornis romerali fossil and recreation. It was a crossing between a sparrow and a crocodile.

Similarly, there was a model of Archaeopteryx, the first ever-discovered feathered bird-like dinosaur. With only 13 specimens ever found, it was key in palaeontological studies before more avialans were discovered. This one was a replica, I’ve only seen one real slab ever in the London Museum of Natural History (I hope I can see the Berlin one at some point). The model was so ugly, the poor thing, but somewhat endearing.

Archaeopteryx fossil (replica) and life-sized recreation. It looks like a bald nightmare with a beak and teeth.

There was also a model of Anchiornis Huxleyi, discovered in China and named after Thomas Henry Huxley, the biologist who in 1869 suggested that maybe birds were related to dinosaurs. He did this comparing the hip of a Megalosaurus and an ostrich (for a while, dinosaurs were classified using “bird hip” and “reptile hip” criteria) amongst other similarities, and of course he used Archaeopteryx as evidence. Unfortunately, the poor guy is more often remembered for being a Darwin fanboy – he was even nicknamed “Darwin’s bulldog”. Palaeontologist Xu Xing described the species in 2009, and chose to call it “Huxley’s almost bird”. It has allowed to rebuild almost completely the colours of dinosaur feathers.

Anchiornis Huxleyi, proof that dinosaurs evolved into birds. Something between a rooster and a lizard

The rest of the exhibition was most… modern birds, sprinkled with children’s disappointed “Where are the dinosaurs?” wonderings. Truth be told, at the end of the exhibit there was a life-sized reconstruction of Velociraptor mongoliensis, the “real” one, not the presented in Jurassic Park, along with the explanation that Michael Crichton found the name cooler than Deinonychus, which is the animal he described in his book.

Taxidermy bird collection

Reconstruction of a Velociraptor mongoliensis, with a crocodilian face, long arms with proto-feathers and powerful claws.

So in the end, the exhibit was a lot of information about birds, hyped up with the buzzword “dinosaur”. Interesting enough but… not really what it was pumped to be. That’s what good PR does, I guess. And erasing half of the exhibition’s original title…

Back to Darwin though, the museum has a bit on him in its gallery of biodiversity – which is just a way to… continue exhibiting the old taxidermy specimens that they already had, some of them… made with more success than others – while some of the works they’ve got are extremely realistic, some others are… horror shows – such as the famous giant panda that the Zoo Aquarium first hosted.

One of the most interesting parts of this museum is the science cabinet Gabinete Científico, which recreates Carlos III’s scientific collection. It shows a glimpse of how science was understood at the time (though the human skeletons it used to host have been quietly removed).

Natural Science Museum Madrid - Diversity collection: elephant, giant squid, manatee skeleton, 19th century cabinet

Recently, the museum became the custodian of Santiago Ramón y Cajal’s legacy, including his Nobel Prize certificate and medals. Ramón y Cajal was a Spanish doctor considered the father of modern neuroscience. In 1888, he discovered how nervous cells work, even before they were called neurons, and that they were separate entities that created the nerves and the brain, explaining how impulses are transmitted through the nervous system. He described characteristics that could only be observed in real life almost a century after he wrote abut them. In 1906, amongst many other awards, he received the Medicine Nobel Prize alongside Camillo Golgi, who designed the methodology to colour cells, a process that allowed many of Ramón y Cajal’s discoveries. The museum exhibits microscopes, drawings, and his original office and library. For some reason, next to the ocean display and the giant squid.

Santiago Ramón y Cajal legacy: reconstruction of his office and Nobel Prize

This was all in the first ward of the museum. The second one is on the other side of the building that it shares with the Industrial Engineering School. To get there, you have to follow the dinosaur footprints, but I took a couple of detours. First, I got a bit distracted trying to figure out the “Mediterranean Forest” garden, but honestly it was too hot to stay there for long. Maybe some other time with better weather.

My other stop was at the Engineering School, Escuela Técnica Superior de Ingenieros Industriales (UPM). I had recently discovered that its main hall hosts an 1832 steam engine, built by the company David Napier & Son Limited. The machine was designed to power coin minting, and it was one of the first machines to arrive in Spain, purchased by the Royal Mint. It is not clear in the description if it was designed by James Watt, or just similar to his models, but it seemed a piece of history worth seeing – and the janitor was distracted while I snooped around. The engine was donated to the Engineering School in 1914, when the Mint replaced it.

Watts Machine

I reached the second building of the science museum Museo Nacional de Ciencias Naturales, which is the palaeontology, geology and anthropology ward. Nothing had changed there that much since my last visit. Here’s a funny story though – they have a replica of a Diplodocus carnegii, of Dippy, exactly the same one that the London Museum of Natural history has – albeit on tour. Why am I so obsessed with the London one, having another replica so close? I think it’s because the “care” the NHM gave it, while in Spain it has just been set against a wall, mixed with all the other dinosaurs from whichever age. It actually took me a while to realise they were the same cast…

The original Dippy fossil was unearthed in 1898, and soon Andrew Carnegie bought it for his new museum in Pittsburgh, hence the name of the species. In 1902, King Edward VII convinced Carnegie to donate the original cast to the NHM while the skeleton was still unmounted (there was no museum to house it yet). In later year, Carnegie would donate a few more casts to other museums in the world, including Madrid, Paris and Vienna.

This time around (call it selective perception, or plain looking out for them) I spotted the trilobites from the Murero palaeontological site, one of whose characteristics are how deformed they are, due to the earth’s internal forces and movement. The museum has a large mineral collection too, but I think it lacks something. Maybe it’s me mentally comparing to other natural history museums in Europe, or even other incredible museums in Madrid itself, such as the Geomineralogical museum nearby. It is missing… loving, in a way. I think the Natural History Museum is a bit of an ugly duckling in the cultural system, because even if it’s considered a “national museum”, it is not part of the national network, so there is something weird going on there.

Natural Science museum Madrid - diplodocus, deformed trilobite from Murero, allosaurus, geode

As I left the museum, it was incredibly hot. It was early for Spanish lunch, but some places had already started opening. I had been looking at an “Asian Market” called Oiko, but then I read that you have to order through a machine (okay) and input your phone number so they call you on WhatsApp when your order is ready, and I get too many spam calls already. I was not planning on giving out my phone number to anyone who does not need it. Even if they had taiyaki desserts.

Instead, I found a burger joint called Steakburger, which self-describes as a gourmet burger restaurant, trying to become a franchise. I later realised that they are not 100% upfront with their prices, as the online menu lists one price, but the details shows another – and the desserts don’t even come with prices. It might also be a coding issue, since once you’ve checked the details, the correct price shows everywhere. Also, the machine translation is awful. Anyway, I had seen that they carried a burger with matured Angus and a topping of raclette – red cheddar, Gouda and mozzarella which were poured onto the burger, alongside Batavia lettuce and tomato, La melting cheese madurada. Honestly? It was good but not worth the price. The desserts looked decadent, but the burger was enough for me.

Hamburger being bathed over with melted cheese.

Afterwards, I just headed off to the station to take a train back, and for once I was there when a train was about to arrive. It was just too hot to look for something else to do, and during August a lot of things close at 15:00.

26th July 2025: Gladiators in Alcalá de Henares (Spain)

I am weird. Give me an exhibition of things I’ve seen (from the MAN) or I’m planning to eventually see (from the Roman Museum in Mérida), and – even if it is nearby – I won’t feel like coming. Add a thirty-minute historical recreation, limited-time only and I’ll be all in. The archaeological museum Museo Arqueológico y Paleontológico de la Comunidad de Madrid MARPA, in Alcalá de Henares, was running an exhibition on gladiators from Hispania called ¡Hispano! Gladiadores en el Imperio Romano (“Hispanian! Gladiators in the Roman Empire”. I have no clue what the exclamation mark is doing there). It’s not like I was not interested, it was just… not really drawn to it.

Gladiator exhibition poster, showing two Roman fighters in the Colosseum

However, I did hear about the historical recreation just about it was going to end. And you know how I am with “now or never” feelings. The way it was organised made it a bit of a challenge though – tickets were free but handed over at 15:00 for three sessions: 16:00, 17:00 and 18:00, and I had no idea when people would queue or whatever. I arrived at the museum around 13:30, and asked at reception. They told me that people usually started queueing around 14:30, and thus I decided to head there around 14:15 to secure entry.

Meanwhile, I checked the exhibition out. The majority of the pieces were reproductions, but there were a few originals. The most important real artefacts came from the Mérida Roman Museum, which as far as I know is closed at the moment. There was a guided visit going on, and I reasoned that a bunch of those people would also want to see the recreation.

The collection included reliefs, mosaics, and some sculptures. There was also a copy of the Roman Law from the MAN. In glass cases, helmets and weapons – most of them real – were displayed. In the centre there was a round amphitheatre where the recreation would take place. It was a small exhibition.

Exhibits in the Gladiator show: reliefs and a mosaic showing men fighting, and a helmet.

Afterwards, I wandered the rest of the museum for a bit, and around 14:15 I went to queue, displeasing the security guard who said that lining started at 14:30. That was not what I had been told. I offered to move, but he muttered “never mind”. What is with security suddenly going weird when there is queueing involved? I’d never had any kind of problem with the MARPA staff before.

At 14:55, I got my free ticket and headed outside the museum for a quick bite. I had planned to try a typical pastry, but all the patisseries close from 14:00 to 16:00, which was inconvenient. I ended up having yoghurt ice-cream instead. I had never seen the main street Calle Mayor or square Plaza de Cervantes so empty, but I guess that was because of the heat. Afterwards, I walked towards Puerta de Madrid, an 18th-century monumental gate that took the place of the actual wall gate. Coincidentally, the structure shows up in the 1960 gladiator film Spartacus.

Main street in Alcalá de Henares, during summer mid-day. The only shadows is under the covered area behind the columns at the sides

Puerta de Madrid - monumental entrance to Alcalá de Henares

I went back to the museum and we were soon admitted into the “theatre” that doubled as arena. The recreation was carried out by the historical recreation group Antiqva Clio. There were three actors: the lanista, and two gladiators. There was a kid running around too, but he was sort of the mascot, and a lady in plain clothes helping out.

The recreation started introducing the concept of ludus (plural ludi): a gladiatorial school, where the gladiators were housed (kept) and trained. The owner or lanista selected the fighters – slaves, criminals or free men – and assigned them to a category, either heavy-weight or light-weight.

The lanista was the owner of the school. He invested in the gladiators and their training. Gladiators who were slaves or criminals could eventually buy their freedom if they won enough fights. Once the gladiator entered the ludus, they took the “Gladiatorial oath”, which was akin to “we accept to be hit, burnt, chained and killed by the sword”. Which… was not the expected one, right? To get it out of the way from the get-go, apparently the whole Ave Caesar! Morituri te salutant (Hail, Caesar, those who will die salute you), was popularised in the 19th century, and there is only evidence that it was said in real life as Avē Imperātor, moritūrī tē salūtant, once. It was in the year 52 CE on Lake Fucinus (not even a circus), where a group of criminal and prisoners sentenced to death were to fight on a naumachia (mock naval encounter) until there were no survivors.

Anyway, back to what I learnt. After swearing the oath, gladiators chose a fighting name, and got right into the fray. They trained together and became a sort of family, even taking care of each other and their relatives. Gladiators tended to specialise, as there were different classes with styles and weapons, and the ones who fought each others were different from those trained to hunt beasts. Fighters trained with weighed weapons so the fight would seem much smoother on the show. They were well-fed and even a little chubby so there could be wounds and blood without jeopardising their lives too much. As a matter of fact, when a gladiator died, his lanista had the right to monetary compensation for “loss of investment”.

The standard Roman circus games, ludi circenses, were sponsored by an editor, a sort of promoter who paid for everything. He hired the gladiator schools ludi to offer free entertainment to the people around him. The games started with Wild Beast Hunts (a fighter who was trained in this was called a venator or a bestiarii), then came executions, then the gladiatorial fights (munera) happened.

The gladiators who fought each other were paired: a light-weight versus a heavy-weight, and each fight took about ten minutes. There were different classes of gladiators, and we had an example of a murmillo (Leandrus) and a hoplomachus (Pintaius). The murmillo was a heavy weight-gladiator, equipped with a large shield and a sword. He was the defensive party. The hoplomachus was the light-weight and thus the aggressor. He carried a spear and a small shield. In general, one was “too armed to move” and the other one was “not armed enough” to somehow balance their differences. Both wore helmets with bad visibility in order to increase the drama.

Gladiator in fight pose, hiding behind a large shield

Gladiator with a small shield and a spear

There were two more figures in the games, the rudis, sort of a referee, and the lorarius, who made sure the fighters gave everything they could using a whip to motivate them. Though there was a risk that fighters might die during the fights, it was not the common thing. The winner received a laurel crown, a palm, a purple coat, a silver tray, and a bag of money. The loser could be pardoned or killed, but the whole thumbs-up, thumbs-down thing? That is not historically accurate either. If a winner gladiator was ordered to kill a loser who came from the same ludus, he made sure to do it as quickly as possible.

When a gladiator had won 10 fights, he had enough money buy his freedom and leave the life completely, though he could continue fighting and even assume another role in the ludus, such as a trainer or doctor of sorts. There is no historical information about how a fight was refereed, but here they did a first-to-reach-three-hits scheme. The lanista divided us in two groups to cheer for each gladiator, and the one on my side lost. Apparently Antiqva Clio‘s fights are not staged. The members of the recreation group actually train (with non lethal weapons of course) to learn how to fight, and whomever wins has won. No idea, but I felt sorry for the guys, who had to do it again in 30 minutes, and they were exhausted.

Gladiators fighting. The light-weight is launching his spear forward

Gladiators fighting. The light-weight's spear has made contact with the heavy-weight's shield.

Afterwards, we could take pictures with the gladiators – and they let me hold the weapons, since “my mum was not around to grant or deny permission”. In the end, I just headed home. The walk to the car was a bit scorching though… The price you have to pay for an easy parking spot is a ten-minute walk that… gets hard towards the end of July.

But there was a limited-edition activity and I had got to do it. Good job me.

19th July 2025: Highway → Murero → Highway → Home {Dinosaur Eggs Loarre & Zaragoza, July 2025}

While Zaragoza (Saragossa) is not a super-busy city, the noise from the large avenue the hotel was in woke me up early enough to be amongst the first customers at Pannitelli Original Bakery. I had a toast, orange juice, and a coffee, then set off to the not-so-easy task of retrieving my car, driving back to the hotel, getting my deposit returned, and going on my merry way. It took a while, but once that was taken care of I could drive off. Getting out of Zaragoza was easier than getting in had been, and there were few cars on the road. One of them was the traffic police, so every driver seemed on their best behaviour…

Once in the speedway, the first stop of the day was a petrol station, as there was no way I made it home with one quarter of a tank. Unfortunately, there were no low-cost fuelling points on my way, so I had to use a big-name one. Thirty euro don’t take you as far with branded fuel…

To be fair, I could have driven home the previous day, but I thought that after such a week, an extra night of sleep could only be beneficial. Staying also allowed me to see the Asian treasure exhibits in the Lonja and make a stop on the way. My first idea had been going downtown to see the Natural History Museum, but it closes at the weekend. That was why I asked about the visit during the course, and it turned out it was doable. Thus, in the end, I decided to make a stop in a small palaeontological site that I would not travel to otherwise. Furthermore, the site popped up during the course twice – the signage had been handled by Paleoymas and the Natural Science Museum had quite a few specimens from there.

View of a valley with a sign that reads 'Plaeontological site' in Spanish

The Yacimiento Paleontológico de Murero palaeontological site holds remains from the Cambrian Period, extremely important because there are around eight million years’ worth of fossils (511 to 503 million years ago) preserved in the strata. Palaeontologists have found about eighty species of trilobites, along with echinoderms which had not yet developed five-way symmetry, brachiopods, worms… It is mainly composed of shales which allow for soft-bodied organisms to be fossilised along the hard bits like shells or exoskeletons. The site is famous because it allowed researchers to identify sexual dimorphism in trilobites – they were able to describe two distinct types of animals within a same species, which are interpreted as male and female. What they don’t know is which animal is which sex.

I left Zaragoza using the A23, then turned to a national, smaller road (N234) that crossed over to the A2. The site and the municipality it technically belongs to, Murero, lie halfway through this road. As mentioned before, not somewhere I would purposely travel to, but since I was literally in the area, it was a convenient stop. The regional road was all right, but the local one was narrow and the curves were very sharp and steep. I was thankful that all of the cars I saw passed while I was hiking or taking photos of the site, and none while I was driving. I decided to only stop at the area which had a small parking lot so it was safe for me and any potential driver.

To be honest, I expected to see more in the palaeontological site. The signage has either weathered out or been vandalised and nothing is readable. It is a short walk up and down a hill where you can’t really see anything except for a box at the top where people leave what they find, but there was not a chance to see anything in situ. I guess the palaeontologists and the amateurs have taken out everything that is worth anything already – or left it well buried so it can’t be pillaged. I wouldn’t even consider it a nice hike because broken pieces of slates made the path extremely slippery (I forgot my hiking boots in the car…).

Walking upward to the site, among the pines. On the lft there is a rock with the number 6 painted on it with yellow paint.

Side of the mountain with pine trees

And oh, the temptation to steal a trilobite from the display box was strong! I resisted it though, and headed back to the car after an hour or so. I undid the path towards the N234 road and continued onto the A2. I made a stop in-between for some caffeine and a snack, but I was home for Spanish lunchtime. I have to admit I had pondered stopping somewhere along the way, maybe Daroca, Belchite or Calatayud, but considering that I still had to drive back, I decided to leave it for another time.

Cool crystal dendrite, which is not a fossil but still neat

Fossil equinoderms on a stone

Fossil trilobite, deformed by pressure and the pass of time

On my first solo road trip, I was surprised by the sheer amount of people who like driving at the same speed all the time. A bunch of drivers in the regional road, with limits of 90 kph, did 70 kph even when they drove through 50 kph towns. The same happened in the speedway – some people drove at 110 kph, both at the 120 kph or the 100 kph stretches. There were also those who liked aligning their cars with the markings that separate the lanes, effectively occupying both. The lorries were more manageable on the way back than towards Loarre, as it was a Saturday morning, and because the speedway feels more “downwards”.

Once home, it hit me how tired I was, so I guess it was a good thing that I had not made another stop. Checking Murero out was a good idea as it broke the trip in half and was a small hike that helped me keep alert, but more would have been overdoing it.

As a recap of my experience with the course Técnicas de restauración en paleontología a través de la preparación de los huevos de dinosaurio de Loarre: Palaeontological Restoration Techniques through the preparation of Loarre dinosaur eggs, I can say that all in all, it was amazing. The professors were extremely knowledgeable, they made learning effortless and entertaining, and the group was fun and easy-going. The course was way more hands-on than I had expected, literally covering everything from geological analysis to the fate of a dug-up piece, either in display or in storage within the museum, including working with the fossils themselves. It was not cheap, mostly due accommodation choices, but booking in advance probably made it better – and honestly, decent hotels were a must. As Loarre is a small village, food options were limited. Though there was a bakery / shop, we were out doing stuff while it was open. However, I made do with crisps or nuts for dinner, as I had a good breakfast. Probably lunch in Ayerbe was the weakest, and most awkward since it involved getting to know each other (and ten bucks for a frozen pizza was daytime robbery).

The whole trip involved driving around almost 700 km. It did show me that I (and my coffee-maker of a car) can manage the long drives better than I had expected, even during a “peak” time such as a holiday-period opening date. I am more comfortable on the road than in towns, though, even when caught in a jam. Was it the smartest idea to head to Loarre directly after work? Probably not, but if I had to do it all over again, I probably would – it was the only actually available option. And knowing that not all the course openings were filled, I would not have stressed as much over the University’s lack of efficient sign-up.

The only downside I can find is the lack of mental reset – I was constantly learning new facts, and I did not get much me-time. It was extremely fun, but not really a holiday where I could plan and do stuff at my own pace. Would I do it again? Well, the University of Teruel runs a similar summer course using Dinópolis resources, and sign ups open in February…

Stay tuned.

18th July 2025: In the University of Saragossa {Dinosaur Eggs Loarre & Zaragoza, July 2025}

I woke up and for the first time in days I put on “person clothes” (for the city) instead of “scarecrow clothes” (for hiking & working in the field). Before setting off on the trip, I went to the sales to buy some jeans that would work for sitting on rock or walking through thistles and dry grass, and while they are not particularly nice, they are comfortable and resistant. Saragossa / Zaragoza was still waking up as I headed for breakfast to a bakery close to the hotel, Pannitelli Original Bakery, which I had chosen for two reasons. One, they opened at 7:30, which gave me plenty of time to walk to the university afterwards and two, they had waffles, I had seen them online. I wanted waffles, and a big coffee. I had both (and some orange juice, just because I could).

It turned out that not driving to the university Universidad de Zaragoza had been a great idea. Though it had been my first thought (dump the car there, then walk to my accommodation), I was lucky that in the end I was able to reserve my parking spot with the hotel. It happens that access to campus is restricted to working staff. Students can drive into the parking lot ten times in the school year. And on top of that, there was a farmers’ market for some reason.

Having 20 minutes to walk, I was the first one there, and I sat down in the rock garden of the Earth Sciences building to wait for everyone else for the last day of the course Técnicas de restauración en paleontología a través de la preparación de los huevos de dinosaurio de Loarre: Palaeontological Restoration Techniques through the preparation of Loarre dinosaur eggs. By 9:00, when class was to start, I was the only one besides the teachers who had managed to arrive. Everyone else had either got lost, left Loarre late, or was taking forever trying to park. So yay me being lucky for once (and for the 20 € which the hotel parking cost for the whole stay).

The first chunk of the morning was a tour through the Rock and Hard Material Preparations, 3D Printing and Scanning Service (Servicio de preparación de rocas y materiales duros, impresión y escaneado en 3D) in the university. They have two main lines of work. One is to make thin translucent sections out of specimens so they can be studied under the microscope, and the other is digitalising and making 3D models and copies of items so they can be lent or studied through a computer. The inner works of the department were explained by Raquel Moya Costa, who not only described in detail all her complex machinery, she also gave each of us a 3D printed T-Rex charm from the Dino Run Game!

We then moved onto the Petrology lab to look at thin sections on the transmitted-light microscopes – preparations of a sauropod eggshell, a crocodilian eggshell and an iguanodon eggshell. There were other preparations we could snoop around if we promised not to take pictures and publish them. We also got to play with the 3D copy of one of the first eggs recovered from Loarre. Much less heavy than the real thing, for sure.

Microscope used in geological studies

Microscope preparations and how they look under the microscope. There are three egg specimens: one from Loarre (sauropod), a crocodile and an iguanodon, The crocodile is the thinnest, and the sauropod is the brightest and more complex

Then a bit of chaos ensued as we got distracted by the shiny exhibits of the Palaeontology department, and a couple of post-docs offered to show us their lab and what they were working on. Having finished all the activities of the course, the coordinators had organised an extra visit to the Natural Science Museum Museo de Ciencias Naturales de la Universidad de Zaragoza (which might have actually been my fault as I asked how come that would not happen, considering that most of the region’s fossils are officially deposited there). A few people left first, but some of us got delayed looking at the lab specimens, and then we had to hurry to the museum…

Zaragoza Natural Science Museum: Exhibits in the Geological science building. Replicas of dinosaurs and invertebrate fossils

Once we were at the site of the Museo de Ciencias Naturales, we were taken on an express visit of the palaeontology ward by Ester Díaz Berenguer, curator of the collections. The museum is located in one of the historical buildings of the Zaragoza campus. Designed by Ricardo Magdalena in 1886, it was erected with academicist criteria, in brick, with large windows and striking symmetry. It opened in 1893, and during the 20th century, it served as Faculty of Medicine. When the university moved to the newer campus, the building was refurbished as cultural spot and seat of the government body. The basement was turned into the exhibition site of the Science Museum, which has three main areas – palaeontology, natural science, and mineralogy.

The palaeontology ward of the museum comprises nine rooms. The first one is an introduction to the science and the concept of fossilisation, and the following ones run through the Earth’s history, from the Precambrian to the Quaternary. The Precambrian is the earliest “calculated” period in geological time, and spanned from 4567 to 539 million years ago (give or take). Though we cannot pinpoint when life actually originated, it was already there when this “supereon” gave way to the Cambrian. During the Ediacara Period, at the end of the last Eon of the Precambrian, the Proterozoic, the earliest complex multicellular organisms that we know about thrived in a state that has been called “The Garden of Ediacara”. The word “garden” tries to evoke the idea of the “Garden of Eden” as there was no active predation and life just… existed.

The next rooms focus on the “Cambrian Explosion”, a term used to refer to the point in geological time when living things took over the planet. At first, this brand-new life was comprised of ocean-dwelling invertebrates. In the room there are impressive trilobites from the Murero Palaeontological Site, which I had actually planned to drive through on my way back. But not only animals appeared, so did plants – organisms which produced a new toxic gas that would change the planet forever: oxygen. To the side of this area there is a curtained room, the “aquarium”.

Zaragoza Natural Science Museum: Two trilobites from the same species showing slightly different shapes, thought to be a male and a female

Here you can see the cranium of Carolowilhelmina geognostica, a fish which lived around 392 million years ago, during the Devonian period. It was a placoderm, a group whose main characteristics were being covered in armoured plates, and having developed an actual jaw and true teeth. The specimen is not just the holotype, it is the only known fossil of the animal. The cranium alone measures almost 45 cm, and by its shape, palaeontologist speculate that the animal was probably a predator of invertebrates. A first fragment of the fossil was found in Southern Aragón in 1971 by palaeontologist Peter Carls. Carls kept returning to the site to search for the rest of it every summer, until in 1986 he unearthed the rest of the skull, which was finally extracted in 1993.

Zaragoza Natural Science Museum: skull of an ancient armoured fish

The following room is devoted to the Mesozoic, and it hosts another of the museum treasures, the skull of the holotype and only specimen of Maledictosuchus riclaensis, the “Cursed Crocodile from Ricla”. This crocodilian lived in saltwater around 163 million years ago, during the Middle Jurassic. It had flippers instead of legs, and probably ate fish. The fossil was found during the construction of the high-speed railway between Madrid and Barcelona in 1994. It earned the name of “cursed crocodile” because despite the fact that it was the oldest crocodilian found in Spain, exceptionally preserved on top of that, it took 20 years until someone could tackle its study and description. The “curse-breaking” researcher was Jara Parrilla Bel, one of the post-docs who shown us her lab work at the university.

Zaragoza Natural Science Museum: Skull of an ancient crocodile

Of course, the “stars” of any palaeontological exhibit are dinosaurs. The museum hosts several iconic pieces, amongst them replica of the feet of the first dinosaur ever described by researchers belonging to the local university Universidad de Zaragoza, Tastavinsaurus sanzi (a titanosaur), a whole specimen of the Mongolian Psittacosaurus (a small ceratopsian), and a good part of an Arenysaurus ardevoli, a hadrosaur which lived in the Pyrenees area around 66 million years ago, during the early Maastrichtian; the rest of the specimen is located in Arén, where it was located, and which is one of the museum’s satellite centres, just like Loarre’s museum-lab. In the same room there were trunks of fossilised wood that could be touched, and a skull of the extinct crocodile Allodaposuchus subjuniperus.

Zaragoza Natural Science Museum: Skeleton of a small Mongolian dinosaur

Zaragoza Natural Science Museum: some bones from a hadrosaur, including the tale, hind hip and some ribs

After a small room with an audiovisual representing the impact of the meteorite and the K-Pg mass extinction (which we skipped due to time constraints), there was an exhibit of the spread of mammals. The specimen of honour in this exhibit is the ancient sirenian Sobrarbesiren cardieli (holotype, and the topic of our guide’s thesis). This species lived during the Eocene, around 45 million years ago. Sirenians (manatees and dugongs) are a type of marine mammals whose closest relatives are elephants – and not other ocean-dwelling mammals. After life spread through land, a number of mammals went back to water, and it looks like this species is a snapshot on the readaptation process: it was already completely aquatic, but it still had four functional limbs. Its hind legs had started reducing and its tail was getting flat. It was a strict herbivore, eating sea grass, but less efficiently than current sirenians.

Zaragoza Natural Science Museum: Skull of an ancient sirenian.

There was also an impressive aquatic turtle of the genus Chelonia, several remains of Gomphotherium angustidens, an elephantimorph, and smaller pieces including crabs, sea urchins, gastropods and even insects. Several of these specimens are holotypes, too.

The final area was almost contemporary considering when we had started. It hosted remains of cave bears (Ursus spelaeus, 40,000 years ago), the skull of an aurochs (Bos primigenius, a species that actually lived until the 1600s), evidence ancient hyena nests, micro-invertebrate bones, mammoth defences… These animals coexisted with human beings, whose skulls comprise the ending room before moving onto the “nature collections” which we did not visit because a) the course had after all to do with palaeontology and b) it was closing time – quite literally, museum security was turning off lights behind us since the museum shut down at 14:00.

Zaragoza Natural Science Museum: Skull of an ancient bull, curved mammoth defence, a pile of bones from a hyena nest and several human-ancestor skulls

We had a mini closure “ceremony” in the hall of the building – coordinators Miguel Moreno Azanza and Lope Ezquerro Ruiz thanked us for attending, we clapped and thanked them back. Then we all went off to have a drink, a snack and a chat. A bit after 16:00, when most students had already left and the professors had been joined by university staff, I took my leave.

Palaeontological Restoration Techniques through the preparation of Loarre dinosaur eggs

Hopping from shadow to shadow to avoid the sun and the heat as much as I could, I headed downtown. On my way I made an exception regarding the walking in the shade when I found the only remaining gate of the original Medieval Wall, today called Puerta del Carmen. Calling it “original” is a bit of a stretch though. While it is in the same place as the first gate, it actually dates from the early 1790s, and it follows Neoclassical patterns.

I also stopped at Starbucks for a Vanilla Frappuccino – I’m on a bit of a matcha remorse trip due to the alleged shortage, so I’ve reverted to my old drink of choice. With a temperature of around 38 ºC, I reached the most important square in town, Plaza de Nuestra Señora del Pilar, where the namesake basilica is. I kid you not, what was running through my head was “I’ve got a 0.5 zoom on my phone now, I’ll be able to take a nice picture of the whole building with its towers…”. Only to find said towers covered in scaffolding. I was able to take the picture, but it could have been nicer. I entered the Cathedral-Basilica of Our Lady of the Pillar Catedral-Basílica de Nuestra Señora del Pilar, a Baroque / Neomudejar catholic temple which is considered the first-ever church dedicated to the Virgin Mary. I sat at the chapel for a little bit, but when I was ready to have a walk around the church, there was a call for mass, so I did not do it out of respect.

Chapel of Our Lady of the Pillar, a baroque chapel for the workshop of a small figurine of the Virgin Mary carrying a child and standing on a pillar

Instead, I strolled to the former exchange building Lonja de Zaragoza, which has been turned into a free exhibition centre. The building is Renaissance with a touch of Neomudejar, and it is considered the most important civil architecture construction erected in the whole area of Aragón during the 16th century.

I had read that there was an exhibition on Asian culture called Tesoros. Colecciones de arte asiático del Museo de Zaragoza – Treasures: Asian art collections from the Zaragoza Museum. At the moment, the Zaragoza Museum is closed and has loaned a few of its artifacts to be displayed elsewhere. This one exhibition displays items that were originally part of personal collections and were donated to the museum. The Colección Federico Torralba, comprises religious items and art pieces from China and items from Japan. The Colección Víctor Pasamar Gracia and Colección Miguel Ángel Gutierrez Pascual have woodblock prints – landscapes, noh [能], kabuki [歌舞伎], even modern ones. The. Finally, the Colección Kotoge displays lacquered tea bowls (chawan [茶碗]). There are also modern calligraphies, paintings, and the compulsory samurai armour. The regional government has undertaken buying artefacts to engross the Asian collections. Though they looked a bit out of place in the historical building, the items were fantastic – and you could even make your very own “woodblock print” at the end.

Zaragoza exchange ceiling, decorated with architectural flower-like patterns

Though the exhibition was the reason I had wanted to go downtown, after I left the (nicely air-conditioned) Lonja, I still had some time to do stuff. I wandered back into the cathedral for a bit – between the 17:00 mass and the 18:00 mass, and left before the second one started.

I continued towards the Roman Walls Murallas Romanas de Zaragoza, which sadly have had to be fenced off because people have no respect (I vividly remember a mum letting her toddlers to climb all over them one time I visited). At the end of that square stands the marketplace Mercado Central de Zaragoza, a wrought iron architecture building designed in 1895 by Félix Navarro Pérez. Being a Friday evening, in the middle of summer, many of the stands were closed, so it was not crowded.

Zaragoza Roman ruins

Iron and glass architecture market

I continued towards the Fire and Fireforce Museum Museo del Fuego y de los Bomberos, where a nice gentleman wanted to give me a guided visit which I declined. Honestly, I just wanted to look at the old fire trucks (and actually, support any initiative by firefighters if it helps fund firefighting). It is a little quaint museum located in part of a former convent, the other half is an actual fire station. The exhibition covers documentation of historical Zaragoza fires, firefighting equipment, a collection of helmets, miniatures, and quite an impressive collection of vehicles used to fight fire. There were two immersive rooms, one which showed damage to a house and another about forest fires. I really enjoyed it, though I only had a quick visit – they closed in an hour, and I was the only guest along a family.

Firefighting museum: collection of vintage vehicles in a brick cloister

On my way back towards the hotel I walked by CaixaForum Zaragoza, where they were running the Patagonian dinosaurs Dinosaurios de la Patagonia. Seeing the Patagotitan on the balcony made me want to go in, but I had already seen it, and I knew I was just on a palaeontology high.

Patagotitan installation on a balcony

I headed back to the hotel – crossing a couple of quite unsavoury neighbourhoods – and bought some fast food dinner again. It was stupidly early, but after eating I could have a shower and relax on the bed while I studied the route for the following day. Furthermore, it was so hot I really needed that shower, and I knew I would not be going anywhere after taking it. Thus, I showered and plopped down to watch the Natural Science Museum’s YouTube Channel after I had learnt how to get out of the city.

17th July 2025: Hands on in the lab! {Dinosaur Eggs Loarre & Zaragoza, July 2025}

I got up around 7:30 and got dressed. I finished packing and before breakfast I took my luggage to the car, as I was leaving Loarre in the evening and I had to clear the room. Since I was outside, and the sky was clear, I went to explore the village a little more. There were some fountains and older farmhouses – one of them had been transformed into the rural hotel which never replied to my query. Some buildings had decorated their windows with cute homemade mascots.

Old Loarre Townhall, turned hotel (this is where I stayed)

Walk around Loarre: rhino mural, fountain, old house, wash house

At 8:30 I went back to the Hospedería de Loarre for breakfast. Since there was nobody at reception, I asked the lady at the restaurant what to do with the key when I left the room. I had my coffee(s) and toast, grabbed what I needed for the day, dropped off the key, and headed to the museum-lab for the third day of the course Técnicas de restauración en paleontología a través de la preparación de los huevos de dinosaurio de Loarre: Palaeontological Restoration Techniques through the preparation of Loarre dinosaur eggs. Today was the day when we would work hard at the laboratory.

The Restoration Lab in Loarre

Once again we got divided in three groups. One group opened a cast jacket using a radial saw – no way I was going to try and operate heavy machinery. Opening the jacket is the first step to study what it has been protecting, now that it is safe in the lab. The cast is removed in layers, and the rock is processed so the matrix (everything which is not actual fossil) is removed from around the eggs. Afterwards, there are two jobs. One is going through the discarded matrix / sediment for any and every interesting thing that can be found. The second is cleaning up the fossilised egg or eggs from any extra sediment to reveal their actual shape and colour.

I started with the cleaning crew (again). Under Ester Díaz Berenguer’s guidance, we worked on chemically removing sediment from a fossilised egg using alcohol diluted in water and brushes. It was a slow but very Zen work – wax-on-wax-off kind of thing. The others in my group sounded a bit frustrated with the task, but I guess it’s because they were younger people and more impatient? I know that I did not finish cleaning one shell fragment after an hour, but I was just… aware that fossil prep was a slow process?

Chemical clean up of fossil egg using a brush

My second activity was also cleaning, but this time mechanically, using an air pen to remove as much of the remaining matrix as possible without damaging the general structure. This step would actually happen before chemical clean-up. The air pencil is a pneumatic tool so you really don’t have to press against the rock, to see the sediment peel away. It’s even more Zen than the chemical clean up – unless you’re working on a fragile bit. The important thing is to always clean away from the shells. I worked on that for another hour or so, and I even got to use some gluing materials to make sure a crack did not cause a problem – that was the bit that was more stressful, worrying I might damage the fossil.

Mechanical cleaning of fossils using an air pen

We had a short break which I used to go to the car to organise the car boot – I had thrown all my things there, but a classmate had asked me to drive him to Saragossa, and I had to adjust for his luggage to fit too. Then my group moved onto studying the removed matrix from a jacket, under the direction of Manuel Pérez Pueyo. This consists on checking bags upon bags of broken rock bits to find anything that could be an eggshell. Though the main find of the Santa Marina site are the sauropod eggs, there are eggs belonging to other species – crocodilians and theropods. You weigh some sediment, spread it on a tray and move it around until you’ve taken out anything that can be useful to science. You have a microscope handy in case you need it. I am proud to report that during my three rounds, I did not miss anything key (before you discard your sediments, you call an expert to recheck). I did not find anything out of the ordinary, but I pulled out a couple dozen egg shell fragments.

Sediment being checked for loose egg shells

At the end of the morning, I snooped around what they were doing on the opened cast jacket, and someone was using the air pen on it, trying to locate the eggs. The jackets are opened upside down, so there’s a bit of detective work to find the fossils again. In order to protect the eggs, the casts are made big enough to protect them from any saw, so casts may be huge (and of course heavy). Thus, a lot of cleaning work is required at the lab, which translates in an insane amount of time. The palaeontologists must find an equilibrium amongst protection, weight, and lab-work when deciding on the size of the cast.

Upside down cast jacket that has just been opened. The job is cleaning out all the sediment around the eggs.

For lunch, all of us went to Casa Lobarre, the village restaurant, I think a concession from the town hall, as it is in the same building. The inside is decorated with reproductions of Romanesque frescoes and painted to look like a castle, as it was used as the set in a film some time ago (Kingdom of Heaven, 2005 I think. Don’t quote me on it). They offered a set menu with the choice of a (hearty) starter, a main course, and a dessert, drinks included. It was a big lunch! I ordered stuffed courgette and assorted grilled meats. The food was quite all right, especially for the price, and the desserts were handmade.

Afterwards, we had two lectures. One was given by Manuel Pérez Pueyo, who explained to us the hard science data of the Garum facies, which could be the key to understanding the last dinosaurs surviving in Europe. He also talked about the K-Pg limit and dinosaur extinction. He also made a comparison between the little Santa Marina site with the American Hell Creek formation – as the presentation said… size matters. That’s why there have been so many dinosaurs found there, compared to the more humble sites in Spain.

The final lecturer was José Ignacio Canudo Sanagustín, the director of the University of Saragossa’s Natural Science Museum Museo de Ciencias Naturales de la Universidad de Zaragoza. He explained how a museum works (I was reminded me of the visit to the inner works of the geomineralogical museum in Madrid), and the museum-lab status. The Saragossa Museum, as an institution, is the custodian of the Loarre fossilised eggs, even if they stay in the Laboratorio Paleontológico de Loarre. This is not unique to this village, as there are several similar schemes in place all throughout Aragón, known as “satellite sites” or “remote halls”.

Canudo also talked about counterfeit fossils – a reason why I only buy my fossils during Expominerales or Expogema, I don’t trust random vendors. Then, he moved onto the topic of the Museum itself – how it works, what kind of items they hold, how they came into the museum, and a little pride-flex, that they are home to a whooping 319 holotypes (the specimen that is used to describe a species), mostly from the Aragón region. The museum only exhibits a tiny proportion of the treasures that are deposited there for their protection and research.

Towards the end of the evening, we hopped onto the vans yet again to head to the middle of nowhere for some amazing views of the castle. No, really. We were headed to another “palaeontological site”. It turns out that a few years ago, a farmer was ploughing his land and found a few slabs of rock which he discarded to the side. These slabs held footprints from hornless rhinoceros from maybe 15 – 10 million years ago. The slabs are haphazardly stacked with the footsteps on the underside, which is great for conservation. Also, the way is so unkempt that nobody would get there to damage them for kicks and giggles, which is good too. We had to waddle through thistles and dry plants about hip-height to get there, then climb up the rocks so all of us could get a look. Afterwards, we found a shaded spot to talk – and the professors brought cold drinks (and chocolate) again for the hike. They were crazy prepared.

Loarre castle

Here’s the thing with the rhino footsteps – scientifically, they’re out of place, so they have lost a good part of their intrinsic / purely scientific value. But legally, they must be protected and conserved. So, what to do with them? It would be expensive to move them, and once they were transported, where would they end up? Neither the lab nor the museum were willing to take them on… Each of the coordinators told us about pros and cons of different actions. In the end, what we were brought to realise was the big discrepancy between what must be done (considering the law), what should be done (considering the science) and what can be done (considering the money). The museum-lab has an idea or two about what to do with them, and I wish they succeed. I really hope the rhino footsteps become well-known some day. That way I can boast I knew them before they became famous…

Slabs of rock in the middle of a hill.

Ancient rhinoceros footsteps

Technically, the day was over then, but the coordinators asked for our help with some stuff – getting the jacket we had extracted from Santa Marina into the lab, and moving one of the display cases to change the exhibit inside. We happily complied with both, being the first to see the new display in the museum. Are we special or what?

New exhibit in Loarre, which has exchanged a jacket for two prepared eggs

Afterwards, my classmate and I set off towards Saragossa Zaragoza. We arranged that I would drive him to my hotel and he would get a taxi from there. The drive from Loarre to outer Zaragoza takes about an hour, but once you get into the city itself, all bets are off. Furthermore, Google Maps had given me some strange instructions to enter Saragossa, but fortunately, traffic was light, as I had predicted / hoped. The hardest part getting to the hotel parking lot – I had to go to the hotel first (and find a parking spot for that) to check in, and get the key to the parking lot, then drive there. Of course, the only place I could drop off the car near the hotel was a one-way street in the opposite direction from what I needed, with no convenient turns allowed. In the end, it took 20 minutes to be able to leave the car, but it was really the most convenient option. Zaragoza is really not made for visitors to park in the streets, even if the hotel was far from the centre. It was the closest to the university as I had been able to find so the next day was nice and easy.

It was insanely hot, sticky hot, and I needed some dinner. I found a nearby fast food place and headed back to the hotel room with take-out. I finally had a long shower – this was a bit of a theme during this trip, wasn’t it? The room was small and a bit claustrophobic (honestly, it reminded me a little of a prison cell), and the air-conditioning machine was right above the bed, so it was a bit tricky to find the correct temperature / fan combination. I was tired, but stupidly alert, so it took a while to fall asleep.

Palaeontological Restoration Techniques through the preparation of Loarre dinosaur eggs

15th July 2025: The Egg Museum & the Mallos {Dinosaur Eggs Loarre & Zaragoza, July 2025}

I woke up around 7:30. After I had stressed out so much about reaching there, I almost could not believe I was really in Loarre, at the feet of the Pyrenees mountain range. I lounged around until breakfast started at 8:30. I went down and the choice was limited but adequate – fresh bread (still warm, the bakery was literally under my window, and it had been making me hungry for an hour), tomato spread, Spanish omelette, cheese, sausages, pastries, coffee, milk, and an assortment of jams and butter. The coffee was weak, so I had a couple of cups, but the orange juice was freshly squeezed and awesome. I made myself toast with cheese and omelette, loaded up on the caffeine and went on my way. At 8:58 I was at the museum-lab Laboratorio Paleontológico de Loarre (Oodinolab). And there was my name, on the attendance sheet for the course Técnicas de restauración en paleontología a través de la preparación de los huevos de dinosaurio de Loarre: Palaeontological Restoration Techniques through the preparation of Loarre dinosaur eggs. Everything was going to be all right. I have to admit I was 100% ready to show all my emails and confirmation should any problem have arisen… but it was all right (which… I should have known due to the email received previously… but I am an overthinker by nature).

After signing attendance and checking details for the certificate, we received a tote bag with postcards, notebooks and pens. The course started with a welcome and introduction by Miguel Moreno Azanza, who is the Universidad de Zaragoza researcher in charge of the lab. The most important goal of the course, he transmitted, was empowering us with knowledge about every step involved in fossil-handling: from digging to commercial exploitation, including geology, conservation, restoration, study and museumification.

The course kicked off with the guided visit of the museum-lab that is usually done for kids and families, including pulling out crates for our backpacks. Thus we learnt about the story of the discovery of the eggs – a fellow researcher of Moreno Azanza’s, José Manuel Gasca, a geologist, runs mountain trail. In 2019, he was training with a few colleagues when during a break he looked at the ground and saw what it looked like a fossilised dinosaur egg. And that is how one of the largest egg-dinosaur sites in Europe was discovered.

From the science standpoint, we also heard about how hardshell eggs played a key part in the evolution of animals coming out of the sea, as they allowed reproduction on land, without having to return to water. There were (are) different strategies to take care of eggs, and spherical eggs mean that they were (are) buried. From fossil tracks, we know that the dinosaur females that laid their eggs in the area buried them for protection using their back legs. We saw two cast jackets too, ready for research, on display.

Collage showing several exhibits of the museum: two cast jackets (with fossils inside), the first sauropod egg excavated (of course, in broken pieces of shell pressed together), a dinosaur vertebra and a reproduction of a sauropod embryo in an egg.

Fossil eggs are categorised as oospecies, unless or until it can be proven which animal laid them. The Loarre dinosaur eggs are tentatively classified as Megaloolithus siruguei (sometimes spelt Megaloolithus sirugei), laid by a species of titanosaurian sauropod – some candidates are Garrigatitan, Ampelosaurus and Lohuecotitan. Sauropods were plant-eating dinosaurs that moved on four straight legs, and had long necks and tails, such as Dippy, the Diplodocus (and other copies, such as the one in Madrid or Paris). During the Cretaceous period, the dominant group of sauropods were the Titanosaurs, the last surviving long-necked dinosaurs until the extinction of dinosaurs – in South America there was Patagotitan; another example is Qunkasaura pintiquiniestra, which I saw in MUPA and MARPA exhibits.

The first dinosaur eggs ever registered were found in the Pyrenees – on the French side though – by Pierre Philippe Émile Matheron in 1846, and described in 1859 by Jean-Jacques Pouech. In 1967, Pierre Souquet documented dinosaur eggshells around the reservoir La Peña, some ten-ish kilometres from Loarre (had I known in 2021…). These were the same oospecies as the ones in Loarre – since the fossil layer is the same, it makes sense.

We were supposed to have a video-conference inauguration with someone from the university, but she decided to come in person, and that was moved to 19:00. So instead we hopped onto the vans that the organisation had provided and drove towards the geological formation called Mallos de Riglos, in the village of Riglos (hence the obvious name). The Mallos are a number of vertical domes conformed by reddish conglomerates. I had actually seen these geological structures before, from the other side of the River Río Gállego – not up close. The wording of the email “a slight ascent” had not made me suspect at first we were going to climb all the way up in the heat. Looking back, it was not that bad but a) I was not mentally prepared for it, and b) I have a new backpack, and it’s comfortable but… differently-shaped, so my centre of gravity was all off. There, Lope Ezquerro Ruiz (honourable mention to Manuel Pérez Pueyo, who cracked jokes and held the whiteboard) gave us a few good pointers on geology which made me wonder where he was when I was first studying geology at university.

Looking up at the Mallos de Riglos, vertical structures made from reddis conglomerates

Simply put, if one assumes that the natural laws have not changed with time (Uniformitarianism), then three things happen that define geology: strata deposits are horizontal, deeper strata are always older, and if they are not, it is because something new has eroded or deformed them. Of course, the Pyrenees mountain range is anything but flat.

Pyrenees geological structures on the side of the mountain, from the mountain opposite the river - erosive walls, faults and folds

On site, we learnt about the Garum facies, the result of the sedimentation of fluvial and marshy red clays. The layer started forming during the Maastrichtian (the latest age of the Upper Cretaceous, 72.2 to 66 million years ago. Both the Maastrichtian and the Cretaceous ended with a literal bang – the Cretaceous–Palaeogene extinction event, when non-avian dinosaurs went extinct, marked by the K-Pg boundary (formerly K-T boundary), a layer of sediment rich in iridium which probably came from a meteorite impact. The deposit of Garum facies continued through the first age of the Paleocene, the Danian. This means that the K-Pg boundary is somewhere inside the layer, which is pretty cool. And even cooler? There are dinosaur eggs there, obviously from before the mass extinction.

We learnt about this literally standing on the Garum itself. We talked about the time when the a lot of the Iberian Peninsula was a shallow sea with scattered islands, and then sat to try and “see” the processes of folding, faulting and erosion that created the Pyrenees mountain range as the African tectonic plate pushed against the Eurasian plate.

Reddish rock on the ground, called the garum facies

Every now and then, a vulture flew above us, in wide circles. We were apparently not appetising, because it flew away every time. Once we tackled the descent, we headed towards Ayerbe, where we split up for lunch. At 16:00 we met up again so professor Lope Ezquerro Ruiz could demonstrate how strata bend and break using a model and sand. Afterwards, we drove back to Loarre.

Griffon Vulture mid-flight

Walking down the Mallos de Riglos, with two vertical walls at the sides and a river-valley in the background

Simulation of how folding ocurs in rocks using sand

In the modern town hall, we had the first lecture of the afternoon, by José Luis Barco, Manager of the business Paleoymas, a company specialised in protection, development, management and use of cultural and environmental assets, with a strong emphasis on palaeontology and geology. One of their work lines is monetising projects related to palaeontology, as opposed to the “research-focused” stereotype. Between a palaeontological discovery and its communication or exploitation for the general public, there is a gap that can last over a decade.

Paleoymas is responsible for the project Paleolocal, which created the museum-lab in town, with the idea of studying the fossil eggs almost in situ, which would develop a touristic resource and help the village profit from it. The museum-lab is technically part of the Natural Science Museum Museo de Ciencias Naturales de Zaragoza, which has custody of the fossils according to the regional law. However, keeping the eggs in Loarre is a way to involve the community into protecting the palaeontological site, as well as to create a tourist flow to the village itself. See: yours truly, who spent 240 € in lodging there.

The second lecture was given by Miguel Moreno Azanza, who talked about the Theory of Excavating a Palaeontological Site, as one of the activities in the course was working on the field. The summary could be: “forget Alan Grant with a paintbrush, think hydraulic hammer”, but the important lesson is “do not dig up anything you cannot take with you, and register any and everything you see / do / touch”. Also, regarding egg shells, it’s important to write down whether you find them concave up or concave down. This can help decipher whether the egg has rolled or not (for example, if several eggs are found together, were they in a nest, or where they moved there somehow? Did a baby dinosaur break the eggshell?).

Around 19:30, we had the official inauguration of the course, with a representative from the university, Begoña Pérez, and the mayor of Loarre, Roberto Orós, who was nice enough to buy us all a drink afterwards. Not one to turn down a free Coke, I tagged along for a while, and when people started taking their leaves, I returned to my room. I had some crisps in lieu of dinner, took a long (and I mean long) shower, scribbled down some notes and lay down till it was time to sleep.

Palaeontological Restoration Techniques through the preparation of Loarre dinosaur eggs

14th June 2025: The road to Loarre {Dinosaur Eggs Loarre & Zaragoza, July 2025}

The closer the day came, the more nervous I got. First, there was the drive. It would be a long drive on my own, during the pre-holiday rush, and I had to go around Zaragoza (Saragossa), which has a notorious knot of connections. I had studied the route up and down with both Google Maps and my Sat-Nav. However, I could not control traffic nor other drivers. And secondly, that weekend there had been torrential rain alerts in the area. The last thing I needed was a flash flood.

I pumped fuel before I went to work in the morning as I had a cheap petrol station on the way. When I finished at 15:00, wrapped up, said my goodbyes, and headed off. I had a swing of water and set on the road, with the goal of taking a break in an hour or so. I had over 360 km to drive through, most on the A2 speedway, then a national road, and a final local road. The first 20 km or so were the worst, with lots of traffic and lorries because I was right in the middle of a logistics hubs. For the next 100 km or so, as I went north, I had the pleasure of getting caught in a few “lorry overtaking lorry” instances (sometimes even “lorry overtaking lorry overtaking lorry” ones, when there were three lanes), with the slowest lorry going at 110 kph and the overtaking one at 111 kph on a 120 kph speed limit.

I was surprisingly not tired, but I forced myself to make a stop around 17:30 to have a caffeinated drink and one of the sandwiches I had prepared, then continued on. I found some construction work which created a traffic jam that got us to a near stop for about 20 minutes around 18:00, maybe. I managed the Zaragoza exchange and drove successfully onto the following speedway (A-23) – from there, it was about another hour. When I reached Huesca, the exchange was easier, just a turn left into the national network (A-132). The last 34 km were on the local road (A-1206 – the lower the number, the “better” the road is), and took a bit longer than expected due to getting stuck behind a tractor and a harvester for the last stint. I finally reached Loarre around 19:20. I found a convenient (and legal) parking spot in one of the outer streets, and walked to my accommodation.

The hotel Hospedería de Loarre is located right in the Main Square of the village, roughly a three-minute walk away from the street where I had parked, and four minutes from the main road. When I checked in, the worker made some conversation and asked me why I was in town. Upon explaining that I had come for the course Técnicas de restauración en paleontología a través de la preparación de los huevos de dinosaurio de Loarre: Palaeontological Restoration Techniques through the preparation of Loarre dinosaur eggs, I was told that I was “the one from close-by”. Considering that I had driven for over 360 km, that shocked me. The worker explained that the previous people who had checked in before me, who were also there for the course, came from Chile and Mexico! I was the one from close-by indeed, and one of the three people from the course staying at the Hospedería. The network Red de Hospederías de Aragón comprises a group of hotels in historical buildings within areas with high tourism potential. The Loarre one is located in a palatial house, the former town hall, which was rehabilitated recently.

After check-in, I went for a walk for an hour or so. I saw the church Iglesia de San Esteban and the cross that marks the end of the village Cruz de Término. I also found the laboratory or “museum-lab”, Laboratorio Paleontológico de Loarre, which is a tiny building painted in bright colours and silhouettes of sauropods (though it shall soon move to a bigger one).

Romanesque church

Building with dinosaurs painted on it, the museum-lab in Loarre

The castle Castillo de Loarre was not too far away (walking route was about an hour). I had visited it before, so I did not need to see it again, but I would have liked a picture of the walls that I was unable to get due to a lack of perspective. Unfortunately, as I considered the hike, a storm cloud rolled by. There was ominous thunder, and a few raindrops fell. If I continued on my walk, I was sure I would get drenched. If I decided to go back, the second I got out of the shower and into the pyjamas, it would stop raining. The area had been on alert due to rain and flash floods all weekend too…

Loarre castle from the valley

A huge thunderclap helped me decide to head back.

Storm rolling in over the cultivated fields near Loarre

When I pulled up my toiletries, the sun lotion had not been well-closed, so I had to wash all the stuff. At least my chapstick wouldn’t get sunburnt? Then, I headed into the shower, and when I came out, it had indeed stopped raining. However, the cloud was still there, and I did not trust it… Oh, well. There would be other chances, I thought.

Palaeontological Restoration Techniques through the preparation of Loarre dinosaur eggs

6th July 2025: Brihuega, Yela & Cívica (Spain)

I was supposed to go to Madrid, as I had a free ticket to see the restoration of the façade of the local museum Museo de Madrid up close, but I ended up cancelling due to having been in Madrid the previous day. I really did not care much about the visit, but I had signed up because it was a limited-time thing, and to be honest, I get FOMO when I read “for so long only”. However, I had heard somewhere that there was a chance that the lavender fields would be left fallow the upcoming years, so I guess I felt FOMO in the opposite direction. I had already visited the lavender fields in Brihuega, collectively known as Campos de Lavanda de Brihuega during sunset a few years back, and while in theory the view is prettier, I found that the lavender did not look… purple enough. Maybe it was the angle of the light, maybe it was too late in the summer already, but the flowers looked greyish. Thus, I wanted to see them during normal light once.

The lavender sown around Brihuega is Lavandula angustifolia, a herbaceous plant native to the Mediterranean areas. It grows in small bushes with narrow leaves, and it is popular for its uses – it can be applied in traditional medicine, in the kitchen (as herb or tea) and commercially, to produce lavender essential oil, which has hundreds of cosmetic uses: perfumes, soaps, balms… While it was the region of Provence, in France, which put “lavender watching” out as an activity, for the last 15 years or so, the village of Brihuega has made a name for itself during July as a tourist destination.

I drove to the fields and I reached the makeshift parking lot around 9:00, when there were few cars and just a bus of tourists. I wandered around for around an hour and a half, doing my best not to damage the plants and get a good picture or two – including macros of bees. For the first while, I stayed in a smaller field to listen to the sounds, but then I moved onto the bigger fields for better views.

An inmense field full of purple lavender flowers with some patches of green because the photographer is too short to get the great angle with endless purple

Lines of flowering lavender bushes that reach the horizon

Close up of a lavander plant and a blurred background of endless purple

Close-up of a bee on a lavander flower

 
When I felt I was done, I hopped back on the car and set off towards a nearby place I had always wanted to see. The Sat-Nav sent me through Yela, a tiny hamlet with a Romanesque church Iglesia de Nuestra Señora de los Llanos and two medieval fountains. Technically, it is a neighbourhood of Brihuega, and it has a horrible road. However, it was still better than driving through Brihuega itself, which I had to do on my way back.

Reconstructed Romanesque church

Fortunately, I did not come across any other car in the opposite direction, but I did breathe in relief when I got to the larger road, from which I accessed Cívica, population 14. There are remains of a Roman villa, and in recent times rumours spread of Medieval knights and Jews in hiding, but this Brihuega district is famous due to a structure built in the mid 20th century.

Though quite a few websites rant on about the “mysterious ruins” in the hamlet, their history is well-documented and widely known in the area. Between 1950 and 1970, a priest from a nearby village convinced a number of neighbours to buy the rocky land lot and work on it. He wanted a sanctuary, a bar, a chapel, all of the above at the same time. It was to be a magnificent complex. What the priest managed was to transform a karst rock wall with natural caves into an interesting façade with carved interiors that would serve for celebrations and debauchery. During the 1980s, it was all the rage amongst celebrities and rich people to go partying there, though it eventually lost its importance and closed down. Its ownership was inherited by a group of siblings who did not find it worth of any effort. A few years ago, it was bought by an entrepreneur who hopes to turn it into a rural hotel – and who shows it around at weekends for 2 € per person. There was a phone number to contact them for a visit, but I had no signal. Fortunately, I ran into the owner as he was starting a visit, so I joined in.

The façade of what can be called Caserío de Cívica has several arched doors (similar to the Visigoth arches in the Brihuega wine caves), balconies and stairs. The interior hosts bars and shelves. Deeper areas, the original caves, can double as wine cellars where drinks could be kept cold when they were still served. Though the Internet keeps saying that “the ruins are abandoned”, this is no longer true – they can be visited by appointment or at the weekend, especially if you are lucky enough to have signal to phone the owner so he shows them to you.

First we were shown the original bar, outside the property itself. Then we went in towards the second bar and the “caves”. Afterwards, we visited the party area, including the booths, which today are a dishevelled garden. Finally, we climbed all the way up to the modern caserío (homestead). Thus, the visit starts on the ground floor, next to the road, and you ascend through the different levels – the garden, the balcony and the upper area, where you can actually walk into one of the natural caves used for food storage in the past. To be honest, after reading so many conspiracy theories on the Internet, hearing the actual mundane story of the “ruins” was almost disappointing. However, it was really cool to check the inside, something that could not be done before – at least not legally.

Cívica, a venue built into a vertical wall, with balaustrades and balconies, from the ground

Cívica, a venue built into a vertical wall, with balaustrades and balconies, from the garden

Cívica, a venue built into a vertical wall, with balaustrades and balconies: walking around the balconies, which were carved into the rock itself

Cívica, a venue built into a vertical wall, with balaustrades and balconies: walking into the halls and tunnels

After the tour, I hopped into the car, and the Sat-Nav directed me back through the village of Brihuega itself. If driving there is difficult already (I ended up having to park outside the town last time), with the lavender activities, and it being a weekend, traffic was chaos. I was lucky I had the right of way so I could leave quickly, and I was soon on the speedway, having watched the lavender and learnt the secrets of Cívica.

5th July 2025: Cheese, archaeology, pancakes (Madrid, Spain)

I am not completely sure how the conversation came up. My sibling said something about cheese tastings. I mentioned something about knowing about a shop in Madrid which organised them. Next thing I knew, I had been tasked with planning an escapade to try. However, closing on dates is not something my family is fast at doing, so by the time my sibling confirmed, the June date we wanted was sold out and I had to book for July.

The final date was Saturday the 5th of July at 13:00. The evening before, there was an explosion and fire in a factory in an area alongside both the speedway and the railway lines, and that forced me to reevaluate transportation – the warehouse worked with lithium batteries, which burn for a very long time. In the end, I decided to try for an early train, with a plan B to drive to a station halfway and meet my sibling there. While you could see the smoke from the wagon, there was no weird smell or anything and the train ran smoothly for once. Maybe we were five minutes late to Madrid? Funny, when I was warned at the station that there were delays. I had planned an extra activity in case we were early.

There was also Pride to take into account, as it was the main Parade, and that causes a cascade of station closures, including Recoletos, the station we had to go to. That would only be an issue to consider when we had to go back though, since they started at 18:00. We could always get the underground and find our way to Atocha.

We started off at the Museum of the National Library Museo de la Biblioteca Nacional. I had seen the museum already, but I had read that there was a temporal exhibit. However, we were unable to find it – it’s been apparently “temporarily closed”. It worked to pass the time out of the heat though. We were done at 12:30 – a bit too early to directly go to the store, but too late to try to see anything else. We decided to walk towards the shop, and we missed it at first, but we soon backtracked and walked into… a literal fridge.

Formaje (an old-fashioned Spanish word for cheese) is a specialised / delicatessen cheese shop. Created in 2020, it aims to “create community around artisan cheese”. They work with farmers, craftspeople, and traditional cheesemakers to distribute environmentally-conscious cheeses from producers who respect the natural processes, the landscape and of course the product. The store is designed to be a warehouse too, so it is… cold. Good thing I was carrying a jacket.

Formaje Castelló: Shop. A cheese shop full of pieces and whole cheeses

We waited in the shop, trying not to obstruct the customers, and gawked at all the types of cheese in display, all of which could be bought, and tasted beforehand! We saw some regulars who had their thermal bags ready for their shopping and debated getting a cheese subscription, and people wandering in out of curiosity. Around 12:55 a lady came to check us in. I was the closest to her, so I was able to take a picture of the whole set up and find a seat closest to the speaker. I have way too many attention issues not to want to be close to someone who is going to do some explaining I care about.

The tasting Cata de Quesos Edición Primavera involved fresh sourdough bread, butter, seven types of cheese, sweet quince paste, red and white wine, and “ice cider”. I am not a fan of alcohol in general, but the ice cider was magnificent. I am not going to gush about how all the cheeses were delicious. Assume I loved them.

Formaje Castelló: Cheese tasting. Long table and a tray full of sourdough bread

To begin with, there was real butter from the farm Airas Moniz in Chantada (Lugo, Spain). Made from the raw milk of Jersey cows grass-fed in the north of Spain, it was fresh, yellow, creamy and salted, and the bread was delicious. The first cheese was Olavidia (from Jaén, Spain), made from goat milk. It had a small layer of smoked wood halfway through. Even if I don’t care much about “the proper order you should eat things in”, I discovered that goat-milk cheese is supposed to be a “soft-tasting” cheese, I have always found it pretty strong. The cheeses were organised from softer to stronger, which apparently is how you should consume them.

The second cheese was a Camembert (protected designation of origin, AOP from its French acronym) from the region of Normandie, France; it was creamy, made from raw cow milk, with a slight moulded rind (with Penicillium camemberti) which protects the inner creaminess.

Then came a Manchego (protected designation of origin, DOP from the Spanish acronym), made with raw sheep milk. It originated in a farm called Finca Valdivieso (Alcázar de San Juan, Ciudad Real). In my opinion this one was the weakest cheese, as I am a fan of older Manchego and this was less than a year old, though still nice.

Number four was a cheese I had not heard about before, Tronchón (from cheesemaker Los Corrales, Almedíjar, Castellón). Tronchón is generally made from raw sheep milk, though sometimes it might be made with goat milk or a mix of both. The one we tried was made from goat milk. The rind is dark and unappealing on sight, but it was nice enough. Despite my ignorance, this cheese is old enough that it was mentioned in Cervantes’ Don Quijote.

Another discovery was the German Blossom Hornkäse. Hornkäse comes from the Bavarian region of Allgäu. The cows that provide the milk are fed with local grass and they don’t have their horns cut (Did you know that a cow’s horns are connected to her throat and they are part of the digestion process?). The cheese is made in wood recipients using only wooden tools. This version comes with a crust of dry flowers which makes it… just amazing.

Sierra Sur was… the icky one. It smelled like literal stable – and not a clean one. It is made with raw goat milk and you have to fight yourself a little bit to take a bite of the rind. It is a seasonal cheese, which I wouldn’t be able to say whether it has gone bad… It did look like it had gone bad… But it was nice enough, if you could ignore the smell. Not something I would buy on my own though.

The last cheese, Savel, came from Chantada – like the butter at the beginning. It is made from raw cow milk, from Jersey cows, injected with Penicillium roqueforti. This was extremely strong, but really good, especially with the bread, and the ice cider called Bizi-Goxo. Though this one brand comes from the north of Spain and is made from Errezile apples, ice cider originally comes from Canada. To produce this particular spirit, the apple is kept through the winter on straw mats, and it does not rot. The resulting drink is stronger and sweeter than a regular cider.

Formaje Castelló: Cheese tasting. Seven small pieces of cheese perfectly aligned on a tray

We spent some time chatting with the lady who had given the explanations, then went on our way. We walked to the archaeological museum Museo Arqueológico Nacional, where they were running two temporal exhibitions. One was a personal-turned-public collection of Egyptian Artifacts called El Egipto de Eduard Toda. Un viaje al coleccionismo del siglo XIX (Eduard Toda’s Egypt: A trip to collecting in the 19th century). Eduard Toda i Güell (1855 – 1941) was the Spanish Vice-Consul in Egypt for a couple of years, during which he amassed a rather impressive collection of artefacts, which he eventually donated to public institutions. The bulk of what he owned is now held in the archaeological museum as part of both the permanent collection and the archives. He had antiques, carbon copies of reliefs, photographies and a hefty number of fakes – apparently, knowing they were so.

Treasures from an Egyptian tomb

The second temporal exhibition we wanted to see was Alas para la guerra. Aratis y la Celtiberia: Wings for war, Aratis (a town, now an archaeological site) and Celtiberia. This one focuses on the Celtiberian culture and how it warred, using soldier helmets as a storyline. These particular helmets have a convoluted history – it turns out that between the early 1980s and 2013, someone used metal detectors to find artefacts from the ancient town and sell them out. This “gang” found and illegally auctioned up to 6,000 artefacts, including twenty helmets which had been forged between the 5th and 2nd century BCE. The archaeological site of Aratis, now called Aranda del Moncayo, would have been probably the most important Celtiberian site after Numancia if these guys had not systematically destroyed it.

The Aratis helmets are the most complete items of their kind that have ever been found. They were not really used for war, but were part of funerary treasures. Truth be told, Germany sounded the alert at some point around 2008 about the legality of the auctions, but the Spanish government did not stop them. Seven of the helmets were returned to Spain in 2018 thanks to the European buyers who learnt that they had been illegally exported, and 11 more have been located. The seven helmets are deposited now in the Museum of Saragossa, but that one is currently closed due to construction work (scattering some of its collections to be shown elsewhere), so they have been lent to the Archaeological Museum.

Celtiberian helmets with decorations on the sides

The exhibition also holds other weapons, parts of armours, and Celtiberian artefacts such as coins and brooches. I had seen some of the messed up spears in the museum in Tiermes, which makes sense, considering it also held Celtiberian items.

Afterwards, I finally (finally!) managed to find the reproduction of the Altamira Caves Neocueva de Altamira open! It just had not worked any other time I had been in the museum for the last ten years, and I had seen it once when I was really young, and something similar in the museum on site a lifetime ago. It was smaller than the one I remember from both times… And it makes me sad that I will never be able to see the real thing, because there’s a waiting list you can’t even get into any more, and only 50 people per year see the actual cave…

Reproduction of the Altamira Cave, with bisons, horses and bulls painted on the ceiling.

My sibling was not ready to go home just yet, so I thought they might like a stop at Kawaii Café before we turned in. We could take the underground and in under a change and 30 minutes – since I had been there just a couple of days before, I remembered the underground station. I was not sure whether there would be a queue to enter or not, but we were lucky. We alighted at Tirso de Molina and went into the café without problem – it was half empty at the time, around 16:30. They really wanted to order something cute – which is not hard. In the end, they chose teddy-bear-shaped pancakes with chocolate spread Ositos rellenos de Nutella, with chocolate syrup, whipped cream and banana slices. This time I went for a matcha frappé.

Two drinks with cute rabbits drawn on top, and pancakes decorated to look like teddy bears

Afterwards, we walked down to Atocha Station down one of the shopping streets. We made a few stops, and reached the station just before the Pride Parade blocked the streets. There, we settled to wait for a train. On the way back, the factory that had had the accident was still smoking, but the dark cloud seemed weaker. However, I never thought I would have to consider “lithium explosion” in my adventure planning, to be honest…

7th June 2025: Tiermes Archaeological Site (Spain)

For a while it felt that this day trip was cursed or something. Whenever I decided to schedule it, something happened – a family emergency, a weather alert, work hiccups, car trouble, you name it. I finally got everything ready on Friday and hoped for the best on Saturday morning. The weather was all right, family was okay, the car had passed its check, and work was calm for a minute. Off I went!

The Tiermes Archaeological Site Yacimiento Arqueológico de Tiermes is located in the municipality of Montejo de Tiermes, in the area of Soria. The ancient city of Tiermes was first inhabited in the Bronze Age. Before the Roman conquest, it was a Celtiberian dwelling, and during Scipio’s campaign around 134 BCE to conquer the Iberian Peninsula, it became an ally to Numancia. After the Roman Empire’s victory, the town was assimilated. In the year 98 BCE, Tiermes became a municipuim with two forums, a theatre, an aqueduct and several houses built to maximise the utility of the rocks of the area. In more recent times, a Romanesque hermit church was built nearby.

The site is located around 1200 metres high, in a sandstone landscape with flats and erosion cliffs. Both Celtiberian and Romans built around and into the rock, to the point that there are several “rock houses” which have been excavated into the mountain, with literal furniture carved out of the stone.

While the Romans made sure to keep the legend of Numancia alive – as it made the victory more glorious – Tiermes was eventually forgotten after it was abandoned, probably when the area ran out of water. The ruins were first excavated in 1960 by Teógenes Ortego and Juan Zozaya. It was however the work of José Luis Argente Oliver, between 1975 and 1988, which really brought out the ruins into the spotlight. There were new findings from 2008 onwards.

The drive was just shy of two hours, and since I left on a Saturday around 8:00, the roads were rather empty. I drove past the reservoir Embalse de Alcorlo, but the parking spot to look at the structure was behind a curve and I missed it. I also passed by the Medieval village Molina de Aragón, which had a festival the following day. I had an idea…

It was not extremely hot, and the drive was easy, even if I did not take the speedway. There was a stretch of the road which was really badly paved, and almost as soon as I drove into Soria it became pristine. I reached the parking area a bit before 10:00 – my Sat-Nav was way more on spot predicting the times than Google Maps. Though some of the roads had a speed limit of 90 kph, there was no way you could do more than 40 kph on them.

There is an area to park next to the hermit church Ermita de Santa María de Tiermes, the newest construction of the site, dating from the 12th century, which has a small cemetery associated to it. The little building looks like a 3D puzzle with its bricks and arches. It has a covered outer area, which indicates that at some point it was ready to receive pilgrims. Unfortunately, the church was closed so I could not snoop inside.

Tiermes: Romanesque Hermit Church in brick with decorated arches

Instead, I set off for the walking route, which starts at the Roman forum. When the Romans took over the city, they transformed it according to their customs, and two forums were built throughout the Julio-Claudian and the Flavian dynasties (27 BCE – 68 CE and 69 – 96 CE). Most of the forum was erected above the ground and now it is gone.

Tiermes: Ruins of the forum; a number of square foundations that would have been shops

The same happened to the House with the Aqueduct Casa del Acueducto, though in this case you can walk into the different rooms – and there are reliefs on some rocks that comprise the basements and foundations of the structure. The original house would have had 35 rooms in different levels, with stairs to move around them. The plinth was made out of the red sandstone that comprises the area and the walls were built with wood.

Tiermes: Ruins of a mansion called Aqueduct House

As Tiermes was partially built into the mountain, it has two levels. The upper one, with the forum and the Aqueduct house, and the lower one, where you can see (and enter) houses carved in the rock. I was on the upper part, heading towards the vertical wall to descend onto the lower area. In order to do so, I had to go down the West Gate of the city Puerta del Oeste, which now is just a small gorge between the levels, with a steep slope.

Whilst I was walking towards the Gate, I heard bells, and when I got to the edge of the rocks, I saw that there was a herd of sheep walking underneath, along a shepherd and five huge mastiffs. There was no way I was going to walk near the herd and bother the dogs, so I stayed in the upper part. One of the mastiffs gave out a warning bark, and at first I thought it was directed at me. However, I realised that the dog was barking at a couple of griffon vultures which were circling for any food available, namely if they could snatch a lamb, I guess. And then, one of the vultures decided to circle me instead of the sheep.

Herd of sheep with a giant mastiff guarding it

Griffon vulture gliding for lunch

When the herd was at a safe distance, I went down and crossed the Gate to walk alongside the rock wall, which has houses carved into it. Not only that, there is a whole underground aqueduct Acueducto y Túnel de Tiermes dug into the rock. And you can actually explore its whole length! I went in. It was completely dark except for a couple of ventilation holes, and at the end of it I found myself at the Aqueduct House. I decided to backtrack using the same way in order to continue the route and not miss anything by accident, or because the whole experience was wickedly cool. Take your pick.

Tiermes: Aqueduct and houses carved in the rock

 
From the entrance of the aqueduct, I walked alongside the rock wall and explored the houses built into it – Casa de las Escaleras (The House with Stairs), actual apartment blocks up to seven floors, Casa de las Hornacinas (The House with Shelves) and Sección Rupestre Sur (Southern Area), which was built half into, half onto the rock. Most of these date from or were repurposed during the Roman area, so it is difficult to point the original Celtiberian work.

Tiermes: houses carved in the rock, including staircases

Tiermes: Houses built from the rock outwards

A bit away from the rest of the town stands El Graderío, an area with sitting terraces carved onto the rock that could have been a meeting place or a theatre. Then, I found another of the gates Puerta del Sol, which again gives way to the upper area.

Tiermes: terraces carved into the rock where people could have sat

There was also the reconstruction of the Roman wall, with… a couple of pieces of the original defensive wall, and a lot of new ashlars that looked quite fake, so you could see what was original and what was not. As far as archaeological sites go, though most of what can be seen in the town is Roman, it was cool to see so much standing – especially the aqueduct – considering how little of Numancia exists on site, though the reason is probably the constructions into the rock.

I got back to the car and backtracked a little to the museum Museo Monográfico de Tiermes. The small hall exhibits pieces of pottery and artifacts recovered from the nearby necropolis Necrópolis de Carratiermes – brooches, weapons, and other burial paraphernalia which are indeed Celtiberian. The museum was free since it was a weekend.

Tiermes: Museum. Collage showing swords, spears, ceramics and brooches

On the drive back, my Sat-Nav made a weird noise. It speaks everything except… Well, route changes. It decided to propose a different route, that is what the sound meant. I think it’s a new update or something, because it had not done it before, and it has a couple of items since then. As I could not check it – it was not safe – I missed my turn for the easy secondary road and had to take an alternative route. I ended up in Jadraque.

While it is true that the castle Castillo de Jadraque is amongst the places I need to visit at some point, it was high noon. Too hot, even if you can drive nearby, for a castle which is closed for restoration. I’d rather wait till it is reworked. I did stop at a viewpoint for a couple of pictures.

Not long afterwards I found my way to the highway and it was easy to get home from there, though I do prefer the secondary road to all the lorries in the highway. I got home by lunchtime to wait out the heat and have a post-hike lunch.

Jadraque Castle, a Medieval fortress on top of a hill

24th May 2025: Megalithic (self-guided) Tour {Malta, May 2025}

The group of drunk people was back again, at 5:00 once more. Joy. However, this time I could not get an early start because I had booked a Megalithic Tour with a company called Visit Malta, as at first it had felt more convenient than navigating the buses. They confirmed and sent me a ticket saying that pick up was at my hotel, and a Google Maps link that did not work. Thus, I assumed that they would pick me up at the hotel. I tried to contact them via email previously, but I had no reply, so I told myself not to be paranoid, and trust them.

Twenty minutes after the pick up time, I called them. They yelled at me that I was in the wrong place. I informed them that my ticket read “pick up at the hotel”. They told me there was nothing they could do for me. So I was upset for about 3 minutes – that was 50 € down the drain. However, it was only 9:30 in the morning, so I had time to take matters in my own hands and go see the temples on my own. And I could even squeeze an extra one! I felt… I don’t know… gleefully spiteful. I was going to see the temples out of revenge! I know it sounds strange, but it took me back to what happened in Cappadoccia, when there was nothing I could do to fix the issue. This time around, I had lost some money, but I would not miss on the experience.

Of course, this would have been much more efficient if I had organised the visits originally on my own, since the Ħaġar Qim and Mnajdra Archaeological Park | Il-Park Arkeoloġiku Ta’ Ħaġar Qim u L-Imnajdra is in Qrendi | Il-Qrendi, quite close to the Blue Grotto. Conversely, that also made it easy for me to get there, since I knew the bus route already. But I decided not to dwell on the inconvenience and just “save back” the lost 50 € back not buying whims or mementos.

The Megalithic Temples of Malta are a World Heritage site, and it still blows my mind that they are older than either Stonehenge or the Giza Pyramids. The Ħaġar Qim and Mnajdra Archaeological Park | Il-Park Arkeoloġiku Ta’ Ħaġar Qim u L-Imnajdra might be the most well-known complex, or at least it was the one with most tourists.

The temples Ħaġar Qim and Mnajdra are located very close to one another, and they share an entrance with a small museum, thus forming one archaeological park. Both were first officially described by officer J.G. Vance of the Royal Engineers (British Army) in the 1840s. Unlike Ħal Tarxien on Thursday evening, these two were packed with visitors – more than a few of them happily touching the stones out of curiosity or for support as they walked. I got there in bus 201 and reached the entrance just before a big tour bus entered. The guide lady tried to go past me, but my face must have told her that I was not in the mood to be messed up with, and my turn was respected. The museum mostly had information about the environment, and pieces of pottery that had been recovered from the sites – similar to what the Archaeological Museum in Valletta.

Ħaġar Qim was erected using the ever-present globigerina limestone, a soft sedimentary rock, golden in colour, formed around 23 – 14 million years ago. As this and other temples have weathered out, they have taken a more reddish or brown colour. To protect the remains from deterioration, many have been covered with protective tents.

The temple has several inner chambers within a retaining wall that can be crossed through a trilithon. The whole site has a keyhole shape, and it has been associated with fertility rituals. The main temple was built between 3600 and 3200 BCE, with remains of older ruins. As construction went on, the shape became distorted. It holds the largest stone in any of the Maltese temples, and an altar probably for animal sacrifices. It was hard to get into the magnificence of the temples with so many people swarming them after the Ħal Tarxien experience. However, the structure is quite impressive in itself.

Hagar Quim Neolithic temple: a roundish construction surrounded by a wall made out of limestone. Inside there are chambers and open holes working as doors, along a thriliton as main gate.

Mnajdra | L-Imnajdra is made from coralline limestone, a harder kind of stone, so as a construction material, it can be used in smaller blocks. Mnajdra might be the most representative temple in the archipelago, as its altar is depicted in Malta’s 1, 2 and 5-cent coins – though it is not the one which kickstarted the Unesco protection. Mnajdra consists on three temples arranged in a clover-leaf disposition. The structures are joined but not connected. They were erected between 3600 and 2500 BCE – so they could be over 5,600 years old. Even with the sheer amount of people around, there was something special about the complex. The temple plays light tricks on the equinoxes and solstices, and the decoration of one of the stones could be interpreted as a lunar calendar (with a lot of imagination, if you ask me). Probably, out of all the temples I visited, this one was the one I found more impressive – even if the first one I saw will forever remain my emotional-favourite.

Mnajdra Neolithic temple: a reddish limestonestructure with trilitons and low walls made out of brick-like structures

I was done before schedule, so I went back towards the bus stop. I returned to the airport and then took another bus (119) to Birżebbuġa. There I could see the Għar Dalam Cave and its museum. The Cave is home to some of the oldest evidence of human presence in Malta, around 7,400 years ago (the oldest comes from Mellieħa Cave, dated as 8,500 years old). Għar Dalam Cave is about 144 metres in length, and it also contains remains of animals that have been long extinct in the island, found in distinct layers of sediment at the bottom of the cave.

There is a base layer of clay, older than 167,000 years. Over that lies the “Hippopotamus layer”, showing remains of two extinct species of hippopotamus, deer, dwarf elephants… One of the hippos, Hippopotamus melitensis, was a “dwarf” hippo (only 900 kg) endemic to the island. The remains are very mineralised (almost fossils) and worn down. This is also called the “Breccia layer”. Breccia is a rock composed large angular fragments of minerals cemented by a fine-grained matrix, only in this case the fragments are ancient hippo bone.

Covering the “Hippopotamus Layer”, there is a band of pebbles, without any remains. Over that one lies the “Carnivora Layer”, with remains of several of the previous animals along with foxes, wolves, bears, and smaller creatures such as voles, shrews, bats, turtles… These range from around 167,3000 to 151,200 years ago, and are less mineralised and worn down, just like the following band: the “Deer Layer”. Here there are remains of three different species of deer, some bovines, equines, and small animals. The two upper layers, starting 7,200 years ago, hold remains of small wild animals, domestic animals – sheep, goats, pigs, cows and cats – pottery and other human artefacts, and human remains.

Għar Dalam was first investigated in 1865 by palaeontologist Arturo Issel. Subsequent researchers expanded the excavation and knowledge, identified an all-new species of dwarf hippopotamus, and systematised the museum adjacent to the Cave. Said museum, called the George Zammit Maempel Hall presents hundreds (thousands, maybe) of the remains dug up from the cave. However, the most important ones, amongst them the skull of a Neolithic child, were stolen in 1980. The Cave itself is creepy and damp, and the excavation shows the different layers for the spectator to see. One wonders what lies beneath the end of the visitable area… I would believe the cave be haunted much easily than the Grand Master’s Palace.

Ghar Dalam museum: samples of rock with bones, and cleaned bones and hundreds of small bones in display cabinets.

Ghar Dalam cave - deep cave with excavated ground where you can guess the layers of bones and remains.

Across the valley from the Cave, you can see the remains of a ruined Roman villa Ta’ Kaċċatura, but it cannot be reached, and it’s hard to distinguish rocks from the actual ruins.

By now, I had seen all the temples included in the original tour, so I had a bit of a victory moment. And yet, I had more to do. I loaded up on sun lotion, then headed towards the nearby Borġ In-Nadur, barely ten minutes away on foot – plus some extra to cross the street so you are on something similar to a pavement to walk on. Borġ In-Nadur is another small megalithic structure, with a cemetery, and the remains of a Bronze Age village, with remains ranging from the years 3000 to 700 BCE. Entrance to the Megalithic site was included with the visit of Għar Dalam. The temple was first excavated in the 1920s by archaeologist Margaret Murray. It is the most dilapidated site I visited, but I was again alone – except for a couple of chickens from an adjacent farm. You are allowed to go into the niche or stone circle, and unlike the other temples, it is not covered (yet?).

Borg in Nadur, a roundish collection of megaliths vaguely disposed in a circle

 
Near the temple, at the limestone beach of St George’s Bay | Il-Bajja ta’ San Ġorġ, I found silos and cart ruts, also thought to date from the Bronze Age, and Roman Baths directly carved into the limestone. They are not really Roman baths, as in dating from Ancient Rome, these are artificial pools were excavated into the rock during Victorian times. And yet modern people think they’ve invented something

Different constructions near the sea shore: cart ruts, round silos and square artificial pools

Not far from there, I found the bathing beaches, the commercial harbour and the salt pans, a traditional way to produce salt letting sea water evaporate from shallow pools in order to harvest the salt crystals. They did not seem in use though as they were either full of litter or used as sunbathing spots.

Rows of rectangular salt pans - shallow tidal pools - near the ocean

I still had some time and energy, and decided to invest them on getting to Birgu. This Medieval city is located across the Grand Harbour from Valletta, and it was the first place where the Knights Hospitaller settled. It has a bunch of historical palaces and museums. I would not get there before closing times, but at least I could see the town layout and some buildings from the outside. These included the Gate of Provence, the Inquisitor Palace, the Birgu Waterfront and Maritime Museum, and finally Fort Saint Angelo, a key fortress during the Siege of Malta. Today, use of the fort has been granted to the modern version of the Knights. There was a sign reading “Jurassic World: Dominion” was filmed here, but I did not recognise the backdrop.

Walled entrance to Birgu

Ruins of the Birgu Waterfront overlooking the ocean and Valletta

I found a convenient bus to head back to Saint Julian’s | San Ġiljan. I freshened up and headed for dinner. At first, I tried to get a table at a restaurant right at the entrance of the hotel. Since they decided to ignore me and give the table to someone else, I moved along. I found Salt & Pepper, a nice grill with an ocean view and an outdoor sitting area. There, I was able to try Stuffat tal-Fenek (fried rabbit in garlic), a typical Maltese recipe (considered the national dish, actually) – pan fried rabbit, simmered in wine, tomato paste, garlic, peas and olive oil, served with roasted potatoes. I wanted to try it, but at the same time I was a bit reluctant, as I am not a big fan of neither garlic nor wine. In the end, I have to say I enjoyed it more than I thought (as long as I kept my mind away from it being actually… rabbit).

Rabbit cooked in tomato sauce with peas and herbs, and wedged potatoes on the side.

Afterwards, I walked around Spinola Bay for some nice views before I turned in for a shower and some sleep… only to be woken up at 5:00. Again. But hey, this time it was a group of girls.

23rd May 2025: Valletta {Malta, May 2025}

Around 5:00, I was woken up by a group of guys singing, and I thought they were outside, drunk and going back to their hotel. It turns out that Saint Julian’s | San Ġiljan is a party area. I had absolutely no idea – I would like to chalk that up to the improvisation again, but to be honest the concept of a “party town” is one that had not even crossed my mind till then. I did not sleep much afterwards, so a bit after 7:30, when breakfast opened, I headed there, then I took the bus towards the capital, Valletta.

My first stop was a compulsory one – the City Gate | Bieb il-Belt which I had to cross to walk into the city. The capital of Malta was declared a Unesco World Heritage in 1980 under the name City of Valletta because with 320 monuments in 55 hectares, it is one of the most concentrated historic areas in the world. The city was erected by the Knights Hospitaller around a watch tower that was demolished to create a large defensive fort. After said fort fell during the Great Siege of 1565, the Grand Master of the Knights Hospitaller Jean de Valette decided to build a grand fortified city with plans by Francesco Laparelli. Neither Valette nor Laparelli saw the city complete, which happened in the 1570s, when it became the capital. The Gate is the entrance to the fortification itself, separating Valletta from the city of Floriana. Protected by its the walls, Valletta thrived and though 17th the century it became filled with manors and palaces, some of which have now been repurposed as hotels or museums.

One of such buildings is the National Museum of Archaeology, which hosts artefacts from the Neolithic (around 5900 BCE) to the Phoenician period (circa the 6th century CE). On the ground floor they have all the items that have been removed from the Neolithic temples for protection, including some of the carvings from Ħal Tarxien Prehistoric Complex. A tiny clay figuring called The Sleeping Lady captured my attention. It was a lovely detailed little representation from the so called Temple Period of Maltese history (4000 – 2500 BCE), which was recovered from the Ħal Saflieni Hypogeum. There are also headless bodies and bodiless heads found at other temples.

Archaeological Museum Valletta: pieces taken from the Temples in order to protect them: carved rocks, statues (most of them of bodies without heads), trilithons...

Archaeological Museum Valletta: Sleeping lady. A small figurine of a woman sleeping made in clay

I proceeded upstairs, where there is a small exhibit on “cart ruts”, a network of tracks in the rock. The analysis seems to show that they were made by carts with wooden wheels eroding the limestone. However, there are no… traces of whatever pulled on them – no tracks, no trails, nothing but the wheels. There is another room displaying Phoenician civilisation, and one showing some amphorae from a shipwreck off Xlendi Bay in the island of Gozo, at a depth of 110 m. The ship sank in 700 BC, it was discovered in 2007 and it was finally excavated between 2018 and 2021.

The final room I saw hosts a few skulls from the Ħal Saflieni Hypogeum. I might have to return to Malta just to finish exploring all the prehistoric sites – aside from that, there is sea, the food is delicious and when you open the tap, the water is warm. I felt right at home, really. Anyway, some of these skulls are described as “elongated” and for a while there was even a conspiracy theory about them being alien… They are not. The elongation was not artificially created, like in some Mesoamerican cultures. They belonged to a few individuals who had… long heads. Which is a bit anticlimactic, but only a few remains have been recovered from the calculated thousands, so there is very little that can be inferred from whomever was interred in the burial chamber.

Archaeological Museum Valletta: Phoenician pottery, skulls from the Hypogeum, anforae from the shipwreck

There was actually a last-last area, a ball room from the Baroque palace, but that was under construction and I could barely have a bit of a look. Afterwards, I walked towards the St. John’s Co-Cathedral | Kon-Katidral ta’ San Ġwan. The Catholic co-cathedral shares responsibilities with the one in Mdina, and was built between 1573 and 1578 in a Mannerist style. The interior was redecorated in the 17th century in a very Baroque style and lots – and I mean lots – of gold and golden decoration. Downstairs, there is a crypt where some Grand Masters of the Knights Hospitaller are buried. On the main floor, the nave is surrounded by nine chapels, eight of which are dedicated to the different chapters of the Order and their patron Saint, and the last one is dedicated to and one to the Virgin Mary. .

Though you can get tickets online, there is no chance to buy same-day tickets but on site. I queued for a while, maybe 20 minutes or so, before I was scanned for… guns and explosives… then I was allowed in. There were small restoration works being carried out. Not a Baroque person in general, but I have to admit it was impressive. I declined climbing to the dome because the fun views are from across the harbour, not from inside the city itself.

The co-cathedral holds two pieces of art by Caravaggio – The Beheading of Saint John the Baptist and Saint Jerome Writing, both in the chiaroscuro style – with high contrasts of light and dark. Michelangelo Merisi da Caravaggio (1571 – 1610) was one of the maximum representatives of chiaroscuro, with usually violent and gruesome topics, usually disguised as hagiography.

Baroque interior of the cathedral, with dark walls decorated with frescoes and golden wood

After I exited the cathedral, I headed down a small alley opposite for something that is not a monument but… made me happy anyway. Malta has Costa Coffee – something which, unlike the plugs, I had thought of checking beforehand. I actually had a shop near my hotel. Had I known that, I might have skipped booking breakfast. What I did worked really well though, so no big deal. I managed to balance breakfast and dinner, which made my moving around more convenient, not needing to find a place for lunch. Of course, a medium vanilla latte from Costa does not count…

My next stop was the Grand Master’s Palace | Il-Palazz tal-Granmastru. It was the first building erected by the Knights Hospitaller around 1574, and it is considered the seed of both Valletta and the country of Malta itself. The building was first the residence of the eponymous Grand Master of the Knights of Malta until the 18th century, then the residence of British Governors, the Seat of the Parliament, and it currently houses the Office of the President of Malta. That explains why the security is tight enough you’re not even allowed a bottle of water in.

The building was designed by Gerolamo Cassar. The exterior is Mannerist, severe and simple, but the interior is richly decorated with paintings and frescoes. Some of the rooms have coffered ceilings and tapestries on the walls. There is a huge armoury, organised chronologically, and a throne room, which felt a bit out of place for a republic. The building has two courtyards – the so-called Prince Alfred’s Courtyard has a clock tower which is claimed to date from the 1530s. Oh, and apparently, it’s haunted? I did not feel anything out of the ordinary, not even a temperature drop. That would have been handy.

Grand Master's Palace - clock tower, throne room and corridors decorated with frescoes

After the Palace, I walked down Valletta’s narrow streets and until I reached St Paul’s Pro-Cathedral | Il-Pro-Katridral ta’ San Pawl, the Anglican “temporary” cathedral, established in 1839 – and still in use. It is a Neoclassical building with a very characteristic steeple and an organ imported from England.

Interior of the cathedral, with corinth columns and a small altar.

I then took a walk towards what is called Lower Valletta, at sea level. I walked around Elmo Bay and reached Fort Saint Elmo | Forti Sant’Iermu. The origin of the star-shaped fort was defence against the Ottoman Empire (which would eventually yield to Türkiye), and it is a large structure in limestone. It was key in the 1565 Great Siege of Malta and the Maltese victory. However, the interior is a War Museum, and I did not quite feel like that. Instead, I walked around and went down to the beach to enjoy the waves and the views of Fort Ricasoli | Forti Rikażli across the bay.

Fort St Elmo - a sea-side fortification made in golden limestone

Later, I found the Lower Barrakka Gardens | Il-Barrakka t’Isfel, a green terraced with trees, monuments and fountains, along with a nice view. I was heading upwards again, towards Upper Valletta.

Lower Barrrakka Park: Mediterranean plants, a temple-like building and a pond.

I thought I ought to get some food as I passed by the Valletta Food Market | Is-Suq Tal-Belt, but I did not find anything I fancied. I bought a soda in a small market in the basement, where I was charged 10 cents for the “reusable cap” (fair) and 10 extra cents for buying a chilled drink (LOL). The soda gave me calories and hydration enough to continue on, so I found the Upper Barrakka Gardens | Il-Barrakka ta’ Fuq. Aside from a nice mixture of architecture and nature, the gardens are linked to the Saluting Battery | Batterija tas-Salut, which stands under the terraced area of the gardens as part of the St. Peter & Paul Bastion. It was constructed in the 16th century for ceremonial gun salutes. Today it hosts cannon replicas that are fired at 12:00 and 16:00. I was there for the Evening Salute, with the firm plan to watch from above.

Then a nice gentleman in a nifty uniform said something akin to “for just 3 € be the closest to a firing cannon you can be in Europe” and there went all my restraint. I mean it was only 3 € and being the closest to a firing cannon you can be in Europe. Yes, I’m easily distracted. Yes, I paid the 3 €.

Entry included a brief explanation, including what a “smooth-bore breech loading 32-pounder gun” is: basically, a cannon designed in the 1880s with a smooth barrel, which can be loaded from the breech end of the barrel and… can fire shells weighing 55 pounds (24.95 kg). They were made modifying guns that could only shoot 32-pound shells though. The soldier-actor explained about cannons, how to load them, what the process was and the security protocols. Oh, and that the weapons were anything but accurate in real life. That was cooler than I thought it would be, so I was happy I had decided to get the ticket.

Saluting Battery: cannons and still of the shooting

 
When the demonstration was over, I left the gardens. I walked past the Tower Port and The Lascaris War Rooms, another war museum, on my way to the Herbert Ganado Gardens and the Kalkara Steps. Doing this, I temporarily left Valletta and stepped into Floriana, then walked back into Valletta until I found The Valletta Waterfront, a group harbour warehouses from the 1700s which have been converted into restaurants, bars and souvenir shops. Since it was that silly time when the restaurants have closed after lunch time and are not yet open for dinner, it was almost empty, so it was nice to see all the buildings.

Valletta Waterfront: a line of neoclassical warehouses and buildings turned into shops and eateries

I had two options then – one was walking back towards the city centre to see two churches that I had missed, or head back to Saint Julian’s | San Ġiljan. Since I was quite closer to the bus station than to any of the churches (Shrine of Our Lady of Mount Carmel | Bażilika Santwarju tal-Madonna tal-Karmnu and The Collegiate Matrix Parish church of Saint Paul | Il-Knisja Kolleġġjata Arċipretali u Matriċi ta’ San Pawl), I decided to return.

Once in Saint Julian’s | San Ġiljan, I had the largest pizza I’ve ever had the pleasure or disgrace to be served. I mean, good thing that I ordered a plain Margherita (in all honesty, it was the house special with extra cheese) because I would not have been able to eat anything with toppings, even after having basically skipped lunch. I somehow made space for ice-cream afterwards…

Huge Margheritta pizza

22nd May 2025: Blue Grotto, Tarxien & Saint Julian’s / Sliema {Malta, May 2025}

My flight departed at 9:55 from Madrid-Barajas, which is actually a very bad time for a flight, as you have to drive to the airport through the daily rush-hour traffic jam. However, for a change, I was given a lift there instead of driving myself – my car failed a few days before and I was not feeling too trusting. The inbound plane was delayed, and we ended up landing at Malta International Airport around an hour late.

It turns out that Malta has done a smart thing – the airport is also a coach hub, and there was a bus which went directly where I wanted to go first 20 minutes afterwards – that was lucky because the bus only comes every hour. It did not take long to reach the Blue Grotto | Taħt il-Ħnejja in the village of Qrendi | Il-Qrendi.

I got off in an aptly-named bus stopped called Grotto, next to which stands Xutu Tower | Torri Xutu. The history of Malta cannot really be understood without mentioning the Order of Knights of the Hospital of Saint John of Jerusalem, the Knights Hospitaller, today also known as the Sovereign Order of Malta. This Catholic military order was founded during the Crusades in the 12th century and the knights were established in Malta between 1530 and 1798, acquiring the name. They fortified the island and created the city and defences of Valletta, so-named after Grand Master La Valette. The knights built hospitals – along with medicine schools – and turned Valletta into a centre of art and culture with a university, a school of navigation, and a school of mathematics. Through the centuries, the order transitioned from a warring and defensive army to an organisation centred in humanitarian, medial and social assistance.

Xutu Tower | Torri Xutu was one of the towers built during the operation to fortify the coastline of Malta, probably around 1650. It is a two-story tower with a square ground plan and vaulted ceilings inside, setting the example of the towers that would be built afterwards. As many buildings in the island, the tower was erected using limestone, and restored in 2014 using the same type of material. It also yields to impressive sights – even without climbing it – of the ocean and the islet of Filfla, uninhabited and turned a bird sanctuary.

Qrendi cliffs, made if whiteish - grey rock, over a calm dark-blue ocean

I bought a ten-euro ticket to sail to the Blue Grotto | Taħt il-Ħnejja from the Blue Grotto Boat Service. This is just a way to amalgamate all the captains and boats who do trips to the caves, I think, and not a bad one. It is a quick trip that does not even take half an hour and charters you to snoop the different caves, created by the erosion of sea water and waves against the cliffs. Each has its name: Blue Window Cave, Circle Cave, Calscave, Honeymoon Cave, Cat’s Cave, Reflection Cave and the main archway which gives the name to the whole area, the Blue Grotto. The water is very clear and since the sun was out, there were extremely beautiful reflections. I stuck my hand in the ocean a few times when I was not taking pictures.

Blue Grotto: Sea level caves with bright blue water

Afterwards, I decided to stop for food. I was not really hungry, but I wanted to tackle the walk to the viewpoint, which was 15 minutes. I thought it would be more efficient to have a late lunch first. There were a couple of restaurants and I chose Step in Malta. It had a terrace, was less than half full, and most importantly: offered calamari fritti. When I researched Maltese food, I read about this dish – fried squid with garlic and parsley mayonnaise , and I really wanted to try them.. I think I broke the poor waiter’s brain when I told him I did not need the menu and ordered directly. They were delicious.

Calamari fritti: a plate of breaded and fried squid

I then did the short walk to the Blue Grotto Viewpoint – and though I won’t be mentioning it much, just assume I just used a lot of sun lotion all the time. It did not take as long as I expected, even if the shortcut was closed down. It yield to pretty views, but not as impressive as expected.

Blue Grotto viewpoint, showing the cliffs from above

I was about to go back towards the original spot to wait for the 201 bus again, when a Valletta-bound bus stopped by. I hopped onto that one to use the Wi-Fi and replan the rest of my evening. An idea had been to head towards Valletta indeed, but instead I decided to try my luck to reach my first Megalithic temple in Tarxien | Ħal Tarxien. The Blue Grotto is actually quite near another archaeological complex, but that one was covered by the tour I had booked on Saturday.

The trip to Tarxien turned out to be a great idea. When I arrived, I was surprised by the sheer amount of Christian images that were in the streets. That weekend the Catholics celebrated the Feast of the Annunciation. Malta is officially a Catholic country with over 80% of the population adhering to the religion, so while it was slightly surprising to see so much decoration, it is not shocking. I wanted to get to the Ħal Tarxien Prehistoric Complex | Il-kumpless Preistoriku ta’ Ħal Tarxien because it had a closing time.

A street crossing in Tarxien, with a movable Catholic altar brought out. The houses on the corners have flags with religious motives, and the altar is guarded by angels carved in wood

The Megalithic Temples of Malta are considered amongst the oldest free-standing structures in the world. They were erected between 4100 and 2500 BCE (making them older than Stonehenge, whose rocks were placed between 2600 and 2400 BCE), though the remaining structures probably date from the 3600 – 2200 BCE. In 1980, the UNESCO created the Heritage protection for one of the temples, and in 1992, the Site expanded to six temples / structures in total.

The Ħal Tarxien Prehistoric Complex | Il-kumpless Preistoriku ta’ Ħal Tarxien has been dated between 3000 – 2500 BCE, and it is considered the greatest example of the Temple Period (4100 – 2500 BCE). It was first excavated by Maltese archaeologist Themistocles Zammit around 1913 following complaints of a local farmer that he kept hitting stone while ploughing. The main excavation and restoration took place between 1915 and 1920, and some of the most delicate structures were moved to the Malta Museum of Archaeology to protect them from weathering. The site is covered by a protective tent that makes it look a bit alien, and being alone made it even more magical.

The temple is built in limestone, showcasing three constructions which are independent but attached to one another. The rooms are round, and there is evidence that they had a roofing. There are several chambers, and in some of them there are spiral decorations and domestic animals carved into the rock. There is even a small hearth where fire could be lit. I spent about an hour there, nearing closing time, which meant I was almost alone. I was extremely happy to be there.

Hal Tarxien temples - ruins of Neolithic temples with round rooms and trilithon entrances, from outside

Hal Tarxien temples - ruins of Neolithic temples with round rooms and trilithon entrances, from inside, showing spiral decorations and areas that have been restored, such as a hearth

Relief of a bull on a limestone wall

I could not visit the related Hypogeum of Ħal-Saflieni because tickets are released – and sold – months in advance, and this whole trip was planned in a couple of weeks. But I could explore around.

Due to the festivities, some of the bus stops were out of order, so I followed the bust route until I found one that was in use. At some point there I crossed my first “invisible frontier” between the village of Tarxien and Paola. Still in Tarxien, I stopped to look at the Catholic sculptures, and in Paola, I came across the Minor Basilica of Christ the King | Il-Bażilika ta’ Kristu Re. The church was erected at the beginning of the 20th century and, compared to the buildings around it, it feels huge – over 80 metres long, 40 metres wide and 60 metres high. It was full, which I found strange for a weekday at 18:00, but then I thought it might be part of the Feast of the Annunciation programme.

Minor Basilica of Christ the King: a Neoclassical basilica with two towers on the outside, and a sober interior design

I took a bus again and after a few changes I reached my hotel in the town of Saint Julian’s | San Ġiljan. Though I was driven through a few towns, it felt like a huge stride of buildings one after the other, with no real break. It was weird, that the whole area is just one big urban sprawl. I found changing buses easier than I expected, even not knowing the layout of the area. I got to my stop, Ballutta and checked into my hotel.

Aaand at that point I realised that there was a consequence of “British colonisation” that had not even crossed my mind – Malta has Type G plugs. So on my supermarket run I had to add an adaptor (despite having a few at home) to my bottled water and sandwich shopping list. I dropped the groceries at the room and then I went off to explore the coastline. That way, I inadvertently crossed to Sliema. I walked along Ballutta Bay and Exiles Bay, two of the three lobes that make up the larger St Julian’s Bay. I was a bit surprised when all the beaches were made of rock and limestone, which made them great to walk on. I had a lovely walk – except at one point, when I slipped and realised that my totally-sensible-for-airport shoes were not the best choice for limestone beaches. Eventually, I went back to the hotel to eat my supermarket-bought dinner.

Balluta Bay at dusk. The ocean is calm, and the buildings at the other side of the water have started turning on their lights

13th May 2025: Three free niche exhibitions (Madrid, Spain)

I planned a little escapade to Madrid. There was nothing really special going on, it was just going to be a sunny day with no rain forecast and I could go to a museum and have lunch. When I say nothing special was going on, I mean there were a couple of exhibits I wanted to see, but it would have been just as easy to visit them the previous or following day. I just timed it for the best weather forecast of the week.

I had a small work-related thing early in the morning so I ended up leaving the house half an hour later than I would have liked. The trains were around 10 minutes late and the underground was packed, but none of that is news. I reached my first stop, the Museum for the Blind Museo Tiflológico de la ONCE, around 11:30. This museum hosts models or miniatures of famous monuments in Spain and around the world, designed to be seen with one’s hands. That way, people with low or no vision can get an idea of how they are. It is part of the ONCE inclusion program for the blind, and I think it is a brilliant idea.

ONCE stands for Spanish National Organisation of the Blind in the local language, Organización Nacional de Ciegos Españoles. Its history and works are a bit convoluted, but keeping it short, the Organisation was established in 1938 with the goal of providing equal opportunities for the blind and people with visual impairments. One of its main income sources is the lottery known as El Cupón de la ONCE.

While the museum itself is free to enter and very relaxed, when you arrive at the building you have to fill out a questionnaire, for statistical purposes, I guess. I did find it a bit off putting that I was outright asked why I wanted to see the exhibition. Because I’m curious, all right?

The museum has three distinct sections – one with the reproductions of the monuments, one with works by low vision, blind, or artists with other disabilities, and a historical area. In turn, the monuments are divided in national (Spanish) and international landmarks. The models are faithful to their smallest detail, and just like the Eiffel Tower is made out of metal, the Taj Mahal is made out of marble! Some of the monuments were reproduced in different scales, such as the Alhambra in Granada or the Aqueduct in Segovia. This should give an idea of both scale and detail. However, I don’t think I would ever be able to imagine something like that without being able to see it.

There were lots of sculptures by artists with disabilities, with a disturbing amount of naked ladies, but whatever. I also saw paintings and a homage to Braille that was sort of abstract but was really cool. The historical section hosted a number of items to learn and write Braille through the years, general studying tools such a 3D map of Spain, and a few historical runs of the lottery ran by ONCE. In general, it was a fascinating visit.

Museum for the Blind - national monuments

Museum for the Blind - international monuments

I did some shopping afterwards, and while the sales lady was really nice, she worked rather leisurely- That, and all the pedestrian lights being red on the fifteen-minute walk, put me seven minutes behind for my lunch reservation – and I swear, they phoned me. I was reaching the door of Comic Planet at 13:07 and they were already calling to check I was coming. People wonder why I’m paranoid about reservation times with them… They decided to change my table to “a more private one” to keep me away from a family with toddlers, and I had no problem.

I got to try the last item that I wanted to try from their menu – the Aquaman Burger, which had caused me some morbid fascination when I first read about it– Beef and king prawns? Garlic and pickles mayonnaise? It could be… either really good or really bad, I thought, and I really wanted to check it out. It was all right, I guess. There was much less of a flavour contrast than I expected, so it was most of a normal burger with a bit of an edge. And the edge was that the buns were blue. I also ordered a Vanilla Coke just because I could, and the waiter was nice enough to offer me tap water when I asked for some too. Cool.

Comic Planet Aquaman Burger

After lunch, I took the underground towards Fundación Telefónica which is running an exhibition called “Echoes of the ocean”, Ecos del Océano. I liked the idea better when I did not know that half of it was done using AI. It was – or tried to be – an exhibit centred around cetacean vocalisations. The first room was a mindfulness thingy in which a lady told you to become one with the ocean and then called you fat – “your body enlarges. You’re huge. You’re a humpback whale”. It made me laugh as it broke all the concentration thing. I also cackled when the voice told me that I went “deeeeep” as a sperm whale and met leopard seals there.

Then there were several huge screens with computer-generated graphs that imitated a sea prairie, dolphins and whales. That was the part that was made using AI, and it could have been a CGI or an actual video just as easily. The important part was that the images on the screen moved along the sounds of actual cetacean vocalisations. A room at the end hosted two actual underwater microphones, and headphones to listen to recordings of different creatures – sperm whales, seals, humpback whales – and ice sliding (this is important because for a long time, the sound of ice on the ocean was unidentified and it yielded to a lot of wild explanations / conspirancy theories).

Echoes of the Ocean screens

On the way out, there was a sculpture with glass reproductions of different microorganisms that love in the ocean: diatoms, anabaena, coccolithophores, dinoflagellates… Yes, this was totally me geeking out and identifying all the tiny little critters. The final room had to do with some photograph and schematics of a particular blue whale that had been tracked by the organisers.

Echoes of the Ocean plankton

I left the building and headed towards Palacio de Cibeles, which this time, was running an exhibit on its own architect Antonio Palacios. The exhibition is aptly named “An architect’s dream: Madrid as a metropolis” Madrid metrópoli. El sueño de Antonio Palacios. It uses photographs, designs, and models to present the works Palacios projected for Madrid – the ones that were built, the ones that were not, and the ones that have disappeared. It was an interesting collection, and the visit was free! Of course, I wandered the building a little before heading to the train station.

Antonio Palacios exhibit - models of buildings

Antonio Palacios exhibit - framed façade designs

Antonio Palacios exhibit - façade design and photograph of the actual Palacio de Comunicaciones building

On the way, there was a classic book fair Feria del Libro Antiguo y de Ocasión, but everything was way too expensive for me. I guess that in general it was a very budget-friendly day – three free exhibitions – if you do not count tiny shopping spree in-between, and it was around 20 €.

15th April 2025: Kinetic art and Egyptian replicas (Guadalajara, Spain)

Rain and school holidays having thwarted my hiking plans yet again, I decided to make the most of half a non rainy morning when I was going to be around Guadalajara to check out a free exhibition and the museum of a local artist.

Francisco Sobrino (1932 – 2014) was a conceptual artist whose sculpture can be framed into the kinetic art and constructivism styles. The museum Museo Francisco Sobrino hosts some of his smaller works, mostly in colourful vinyls and experiments with materials, textures and light. Pretty colours and shapes, but I guess you need more knowledge of art than I have to appreciate the works and see… something different from pretty colours and shapes. But the museum is free and it is hosted in a historical building, the former slaughterhouse, built in traditional brick and stone. Though I’ve been around a few times, I’d never visited it before…

Francisco Sobrino Museum Guadalajara

The exhibition on Ancient Egypt and King Tutankhamen’s tomb Tutankamón Secretos Revelados: La Exposición (Tutankhamen Secrets Revealed: The Exhibition) was endearing but lacking. It was located in another historical building, the traditional market Mercado de Abastos. It used to be a very successful local market, but the vendors lost most their clientele when it was closed for a few years to turn the place into a culture and bar hub. It was not successful at all, and now it’s a sad-looking place. The top floor hosted the exhibition, with a few posters with information and pictures, one of them being a very buff Anubis from the video-game franchise Assassin’s Creed. There were a few display cases with reproductions of Egyptian antiquated from private collections and books on Egypt. The largest part of the exhibition was a reproduction of several items found in Tutankhamen’s tomb: the wall paintings, a golden chair and the gold-plated sarcophagus. There were also a reproduction of the funerary mask, a brass tray and anything golden the curators seemed to have at hand, including a scarf. And the bust of Nefertiti for some reason.

Tutankhamun Exhibit Guadalajara

Tutankhamun Exhibit Guadalajara

I’m not going to say I was disappointed or that I expected more, it was a cute little exhibition that tried to do its best. Unfortunately, some of the information was inaccurate or outdated – they were showing a video from the 1980s, and archaeology has evolved a little since then.

However, I am still cackling at the low-resolution buff Anubis…

30th March 2025: Sant Pau, Verne & a chocobo {FFVII Barcelona 2025}

The Barcelona hotel charged 20 € per day and person or breakfast, and I was not willing to pay for that, and so I told my sibling. They had no option but to accept since they had decided to delegate all planning and credit-card’ing on me. Instead of booking with breakfast, I brought cold latte bottles and snacks – good for taking headache medicine, which I did. After a quick breakfast, we set off. As we left, I asked at reception if they could do something about the air conditioning.

We headed towards the underground. It should have been an easy twenty-five-minute commute, but one of the stations was half-closed. We had to go outside and walk towards the other entrance to change lines, which was strange and consumed a ridiculous amount of time. We had to be at the ticket booth of our booked visit ten minutes before the allotted time, and we barely made it – though they did not seem to care. When I was looking at tickets, I found a combined ticket that saved us 10 € for two iconic buildings in town that I had not visited before. That however implied exchanging vouchers for tickets, thus the extra time.

We reached the former hospital of Saint Paul Sant Pau Recinte Modernista ten minutes after I had anticipated, right at the time we had to be there. Sant Pau is a huge hospital complex erected between 1901 and 1930 by architect Lluís Domènech i Montaner (1849 – 1923). Domènech favoured Modernisme, and is considered one of the most influential architects in shaping it. He designed buildings which balanced functionality and decoration, with lots of mosaics and polychrome. Though the precinct had been a hospital since the Middle Ages, it was completely redeveloped for the early 20th century project. Today, it is half of the Unesco Heritage Site Palau de la Música Catalana and Hospital de Sant Pau, Barcelona.

Hospital San Pau from the street

The hospital is considered one of the most important, and largest, complexes in the local Modernisme style. The complex was designed with 26 buildings, 12 of them pavilions for patients, separated by sexes and kind of disease. The pavilions were connected by underground tunnels, leaving space for gardens and open spaces between structures. It was originally conceived to be self-sufficient, closed off to protect the rest of the city.

Hospital San Pau, outside

The buildings are erected in brick, and decorated with ceramics both inside and outside, some of them forming complex mosaics on the roofs and ceilings. After a new hospital was built next to the original one in 2009, the complex was recovered as a museum in 2014. We could visit the pavilions, the tunnels, and the administrative building. The whole enclosure is magnificent, and incredibly large. It took over two hours to see everything we were allowed to visit and I loved every second of it. Well, except the pavilion with political propaganda.

Hospital San Pau, interior

Afterwards, we headed out towards a fun restaurant I had found online – Verne Barcelona, decorated simulating Captain Nemo’s Nautilus from the novel Twenty Thousand Leagues Under the Sea by French writer Jules Verne. We shared a cone of tempura vegetables and I ordered a “Submarine” – a sandwich made from toasted brioche bread – called Turtle, with battered squid, sauce and salsa (I just don’t understand how they are supposed to resemble a submarine…).

Verne Barcelona

We headed back towards the hotel, stopping at a Starbucks for a coffee – a matcha in my case – because I helped my sibling dress up for the concert. We had been carrying the cosplay after all, of course they were going to wear it!

We were in Barcelona to attend the Final Fantasy VII Rebirth Orchestra World Tour, to be held in the CCIB – Centre de Convencions Internacional de Barcelona. Final Fantasy is an expanded video game anthology which set off in 1987. Since then, it has spawned 16 main games and countless spin-offs, media, plushies, and remakes. One of the most famous games is the seventh instalment, Final Fantasy VII, released in 1997. The game is set in a cyberpunk dystopia where energy is obtained by draining the Planet’s life-force. Gameplay follows the adventures of a party which opposes the system, embodied by the electric company Shinra, while at the same time trying to stop the main antagonist – mad soldier Sephiroth – from destroying the Planet itself.

Since 2015, Final Fantasy VII has been under redevelopment into a trilogy using modern graphics. The first game was Final Fantasy VII Remake, released in 2020, whose music had its very own World Tour in 2021. The second instalment, Final Fantasy VII Rebirth came out in 2024, and its music event – Final Fantasy VII Rebirth Orchestra World Tour – began almost immediately, ending precisely with our concert.

We were at the queue already when doors opened, but not early enough, so we needed to line again for the merchandise booth, almost an hour. It was in that queue where something amazing happened. When we attended the previous concert Final Fantasy Distant Worlds 35th Anniversary – Coral –, we were stuck at the merchandise queue for about an hour too and by the time we reached the front, they had ran out of most of the items. That included what I wanted the most – the chocobo plushies. Chocobo are a recurring species in the Final Fantasy franchise, large birds that can be ridden in-game, and in real life be sewn into cutesy toys.

It turned out that in 2023 the last chocobo plush had been bought by the guy who was sitting behind me. I might have made some jokes about stealing it and running away, and he promised to get me one for the next concert. I of course filed that under “one encounter silliness” and forgot all about it.

Well, he did not.

In that queue, two years later, he found me, and he gave me a chocobo plush. He actually found my sibling, who was easier to identify due to the cosplay. I was absolutely flabbergasted. Gobsmacked. Never in a million years would I have expected something like that to happen. Just… figure that everything that went on afterwards was coloured by a feeling of puzzlement and amazement at this stranger’s kindness over a silly plush I wasn’t able to buy two years before.

Chocobo!

We got to the front of the line over an hour later, almost at the time of start. I only wanted a programme, and we were seated around 20:50. I am good at choosing seats, by the way. We were dead centre at a great distance from the stage.

Setlist:
  First part:
  1. The Unknown Journey Continues
  2. FFVII Rebirth Opening
  3. Main Theme of FFVII – Battle Edit
  4. A New Journey Begins: Grasslands / Junon / Mt. Corel
  5. Crossing the Planet: Corel Desert / Gongaga / Nibel
  6. Queen’s Blood
  7. Stamp – Rebirth Medley
  8. Rufus’s Welcoming Ceremony – A New Leader
  9. Costa del Sol – Fun in the Sun
  10. Custom Valkyrie
  11. End of the World Medley
  12. Cosmo Canyon – Sanctum of Planetology
  13. Bare Your Soul
  14. Welcome to the Gold Saucer
  Second part:
  15. Loveless Symphonic Suite – Gift of the Goddess
  16. No Promises to Keep – Loveless Ver.
  17. Galian Beast
  18. J-E-N-O-V-A Lifeclinger
  19. Sephiroth Reborn Symphony
  Encore:
  20. One-Winged Angel – Rebirth Medley
  21. Aerith’s Theme – Return to the Planet Medley

Final Fantasy VII Rebirth orchestra playing

The orchestra was directed by Eric Roth. It was all right, I enjoyed it. However, I don’t think it was as powerful as the first one I saw, but that one was the first post-Covid event so it was emotional in other ways. Then again, I am not a gamer. I just watch gameplays on the Internet… I was a bit disappointed by the arrangement of One-Winged Angel, it felt… too elegant. What I love about the song is the pure chaos it represents, after all.

In attendance was composer Masashi Hamauzu [浜渦 正志 | Hamauzu Masashi]. He started working for Square Enix in 1996 under Nobuo Umematsu, the main composer of Final Fantasy VII music. Hamauzu’s first direct work related to the saga was the Chocobo’s Mysterious Dungeon soundtrack in 1997. He was in charge music for the Final Fantasy VII spin-off Dirge of Cerberus and alongside Mitsuto Suzuki, he has worked in both Final Fantasy VII Remake and Final Fantasy VII Rebirth.

After the concert, we joined the VIP queue for pictures and autographs. Though I had brought the CD from the time before – when I did not get the pamphlet – I was equipped this time. And I even managed the Spanish – English – Japanese cacophony without messing up either of them. That’s a first for me, I think. I got my programme autographed on the setlist page, and then my sibling and myself headed back to the hotel. For 179 €, I keep thinking the VIPs should at least get their own merch queue, or an item to get signed. I guess there are lots of people to get paid…

Eric Roth and Masashi Hamauzu signing autographs

Something that surprises me a lot about this area of Barcelona is that not even the McDonald’s at the shopping centre is open after 23:00, so I always make sure we buy something to snack after the concerts. The room was at least not freezing, though not particularly welcoming either. I had a hot shower, and that finally got rid of my headache, just in time for bed…

29th March 2025: Tibidabo & Friends {FFVII Barcelona 2025}

It sometimes feels like the alarm clock going off at 6:00 is actually worse than it going off at 3.00… Fortunately, after a hefty dose of coffee, I was able to get on my way, and we got to the station on time to do some reorganising of luggage. The situation with the trains was chaotic due to some projected works on the tracks. They announced that the train would be 12 minutes late, but it actually arrived and left a minute early. The train ride was uneventful, despite a large crowd of loud teenagers from a rugby team who had no idea where the were going, and really dirty toilets in the cars. The train reached Barcelona ten minutes before schedule. However, it did not go into the station until 15 minutes later for some reason – I really don’t understand what was going on with the whole railway system, or how construction in Madrid affected the time to enter Barcelona, but at least we were there.

The first step was dropping off the suitcase. Fortunately, Barcelona Sants has a luggage storage. I decided that for 10 € I could ditch my backpack and not haul it through the underground. Barcelona Sants station was under construction in 2021 and it’s still under renovation, so it took a bit to get to the correct place with the suitcase. Once we could drop the luggage off, we headed off to the underground.

There, we had to queue up to get our transportation cards from a machine – which apparently could not be used in any language except Catalonian. I had a code to input, and with that code the machine spat the tickets. They were convenient to use, and they worked on the underground and the buses without problem. The online discount made them better value for money: a single ticket is 2.65 €, and the 72-hour card Hola Barcelona is 26.30 €, which is reduced to 23.67 € if you order online (a 10% discount which is almost the price of one trip).

I had waited to book activities till the very same week because I wanted a relatively good prediction on the weather. It was not as nice as I had hoped due to the wind that morning, but oh well. Unfortunately though, the eclipse caught us in the underground. I had hoped we would be outside already, but we were over half an hour behind schedule due to the train and the construction in Sants.

I had bought tickets for the amusement park Parc d’Atraccions Tibidabo. A long time ago, from Park Güell, I was trying the zoom of my then-new camera and I was intrigued by its silhouette. I was curious and honestly, I thought it was an interesting place to see. Tibidabo is considered the oldest – or at least longest-running – amusement park in Spain. The first rides opened in 1905 under private initiative, though the park is now owned by the Barcelona city council.

I found a ticket which allowed to see the panoramic area and ride the “classical attractions”. It included the shuttle bus and the funicular Cuca de Llum, opened in 2021, which is not the original from the turn of the 20th century, but a recently renovated one. There’s no way I am getting on a funicular which older than 100 years old. To get there, we took the underground, and walked to the so-called Tibidabo Store, where we exchanged our tickets for bracelets so we could ride the bus to the funicular. The place is a bit out of town indeed.

We reached Parc d’Atraccions Tibidabo around 12:45, a good couple of hours after leaving Sants. Upon entering, it was colder than I had imagined, because it was windy, especially at the top of the mountain. There was no ticket control except for the attractions, so we were able to come and go as we pleased, and i found that was a regular mini-bus that went there. I felt a bit cheated, but I guess the funicular itself was an experience! Good thing that I am not too keen on rides and I decided to only get the basic ticket. It did not feel cheap either (21.50 €). The ticket Pase atracciones emblemáticas allowed us to wander around and ride the ‘emblematic’ rides – i.e. the classic one – and see the museum.

Barcelona from above

We first had a look at the city of Barcelona underneath. The view was not particularly different from the one in Parc Güell, except I’m more familiar with the layout by now. We then turned to snoop around the Temple of the Sacred Heart of Jesus Temple Expiatori del Sagrat Cor, a Christian church designed by Enric Sagnier i Vilavecchia (1858-1931) in a mix of Neo-styles, halfway between a Disney Castle and a classic cathedral. Construction was carried in two phases: 1903 – 1911, and 1915 – 1951. The upper towers were built later on, and work continued until 1961. The outer lower area is Neo-Romanesque, and the upper one Neo-Gothic; the inside is Neo-Byzantine, with mosaic walls. It has stairs a the sides to move from one level to another, and a lift inside. All in all, the whole building is… weird.

Sacred Heart Basilica

We ambled around for a while, and finally decided to have an early lunch, so we could avoid the family rush. My sibling wanted a proper sit-down, and we found the only option offering actual tables. The service was terrible – we never got glasses nor cutlery. We had to ask for napkins twice I think. Thrice for the bill after ordering two bottles of water and two burgers Hamburguesa de mejilla ibérica con pepinillo (Pulled pork and pickles burger). The service was so bad that the waiter decided to give us a complementary 15% discount on their own volition.

After lunch, we queued to ride the carousel and the Ferris wheel, and we saw the Automatons Museum, which was really interesting. The oldest piece dates back from 1880, and the newest from 2005. There used to be automatons sprinkled through the park for almost a century, but they were housed in their current home in 1982 to protect them from the weather.

Tibidabo Panorama

Automaton Museum

Around 15:00, we came down from Tibidabo. We had to share one ticket to get into the funicular, and the doors closed on me. I had to go to customer service to wait for someone to give me a replacement one. We undid all the way back to Sants to pick up our luggage, then we went back to the underground to meet with my friends E**** and P***o near their house to celebrate an important event in their family. We stayed with them for a few hours, then dropped by the supermarket to buy dinner for the next day, and took a bus towards our hotel.

We checked in, dropped our stuff in the room, cranked up the heating, and went to have dinner. We ended up at a Japanese franchise because the website said they had okonomiyaki, which they didn’t. At least they had dorayaki to compensate.

When we came back the room was at 19 ºC, and the air conditioning was blowing out cold air. I turned the thing off and went down to reception, where they told me they would call with a solution – either maintenance or a change of room. An hour later, without having heard from them, I went down again and a different receptionist told me the only thing that could be done was giving us extra blankets. I asked for three blankets and only got two. But I was too tired to fight – there was an extra towel I could use for added warmth. I defrosted in the shower and went to bed.

15th & 16th March 2025: Canterbury (England, UK) for “The Shark Is Broken”

I’ve travelled for – or with the excuse of – concerts (take your pick) and documentaries (at least thrice, even twice for the same one), but this was my first time travelling for a theatre play. Don’t get me wrong, I like theatre – I’ve even squeezed Wicked into a London trip a couple of times – but it had never been a main driving force. Until I stumbled upon the information that The Shark is Broken was heading towards the UK and Ireland. There were no shows in London, and my connection to everywhere else – including Dublin – was not good, especially due to work schedules. However, there was one date which was, if not convenient, at least doableCanterbury, in the county of Kent. Unfortunately, neither the Gods of Trains nor the Gods of Buses were as willing to smile upon me as the Gods of Air Travel.

Once I secured a ticket for the play (£55.00, dead centre of the stalls), a hotel in Canterbury, and the plane ride, I checked out what to see in town. This was back in December 2024. I also booked my parking spot at the airport, and since it was so long out, I could reserve Terminal Parking for just a couple of quids more than long-distance parking. That’s an extra 20 minute snooze! However, as I’d been hearing about train disruptions in England, I decided to wait a little before buying the Stansted-London and London-Canterbury trains. And sure enough, when a couple of weeks before the trip I went to check on the trains, the Stansted Express was indeed not running. There were ticket sales, at normal prices, but the trip would be by bus – taking as long as a bus usually takes. Thus, I decided to buy a coach trip at coach prices instead. That added a couple of hours of travel / waiting to the whole journey. Then, I went on to the South Western Rail website, which claimed that purchasing tickets would be easy. My definition of easy is… different, but, I was able to secure tickets. I was supposed to download the app to use them – but the app cannot be downloaded outside the UK. Fortunately, I was able to download a copy of the tickets from the confirmation email and use those.

When the day came, I left home a bit after 3:00 for my 5:45 flight. It was extremely cold, but at least it was not raining. I had some time at the airport before take-off, but of course everything was closed. It felt a bit weird, knowing it was the last time I could fly to the UK “for free”, considering that all countries are implementing the stupid Visa fees everywhere. We landed in London’s Stansted Airport on time, so I made it to the 08:10 coach I had booked – despite the utter chaos that Stansted coach station has become. The nice 40 minutes by train to London Liverpool turned into an over-two-hour coach obstacle course through London’s construction work.

Since I had been forced to buy a bus ticket, I got a direct one to King’s Cross – St Pancras International, where my train to Canterbury was due to depart. I had calculated for a safe train at 10:40, and I reached the stop around 10:05, which gave me enough time to find the nearest Costa Coffee before I went to Platform 13 to board my train. I chose the carriage poorly, as I ended up in the midst of a boisterous hiking group, but the trip was less than an hour, and I reached Canterbury West at 11:34. This was a bit over an hour later than what I had originally hoped for, due to the train-bus adjustment. Looking back, maybe it had not been necessary to buy that ticket in advance.

The city of Canterbury is a Unesco World Heritage Site in the county of Kent, in the south-east of England. The area has been inhabited since the Lower Palaeolithic, through the Iron Age, and Roman times on. The town saw the first Christian conversions in the British Isles, and the foundations of the cathedral were set in 596. Canterbury survived the Viking raids around the year 1000, but it fell into William the Conqueror’s hands in 1066.

In 1170, Archbishop Thomas Becket was murdered in the cathedral, an event which triggered massive pilgrimages from all the Christian countries. Between 1387 and 1400, author Geoffrey Chaucer wrote The Canterbury Tales, one of the key works in English literature, a fictional compendium of stories told by pilgrims towards the cathedral. During the early Middle Ages, Canterbury became one of the most populated towns in England, until the Black Death decimated its people. In the 16th century, there was an influx of French protestants (Huguenots) who fled mainland Europe to resettle, revitalising the economy and introducing the silk-weaving industry that flourished for over a century.

After the 17th century, things changed. Canterbury became an agricultural hub spot, so the Industrial Revolution only affected it with the construction of railways. The historical centre was damaged during WWII bombings, after which the historical area was pedestrianised and a ring road built around it. Today, Canterbury lives off tourism, retail, and higher education, with a large floating population of university students.

And it was cold that weekend. A climate topsy-turvy seemed to have exchanged the Spanish winter anticyclone and the British rains, so it was storming in Spain and crispy in Britain those days. But at least, it was not raining, which allowed for freedom and seeing a lot of things. Upon leaving the station, my first contact with Medieval Canterbury were the Westgate Towers Museum & Viewpoint, the largest Medieval gateway surviving in the UK. It was erected around 1380 to substitute the Roman ones. Even before that, there were other hits like “the oldest brewer in Britain.”

Westgate tower, former gate to the Medieval city

I reached the pedestrian St. Peter Street, which merges into High Street, the town’s spine. My first real stop was the Cathedral and Metropolitical Church of Christ, Canterbury (Canterbury Cathedral for short). The cathedral is the seat of the Archbishop of Canterbury, the symbolic leader of the Anglican church, and the spiritual leader of the Church of England – whose official residence is actually in London though, for some reason. I wanted to get to the cathedral first just in case it closed at any time for a service, and so I did not pay much attention to the main street for the time being.

The cathedral precinct is accessed by the Christchurch Gate, completed around 1520 in the Tudor Gothic style. It features restored colours on the decoration, restored between 2018 and 2022. In the square in front of it stands the Canterbury War Memorial, to honour the victims of WWI, which was damaged during WWII, along with most the historic area, due to bombings.

The cathedral was established in the year 597 after the arrival of St Augustine to Kent. During its first period of existence, it was a Roman Catholic place of worship. The building burnt down and was completely re-erected towards the end of the 11th century, and a lot of construction and reconstruction went on until the end of the 16th century – around the time of the English Reformation, when the Catholic monasteries were disbanded and the cathedral turned Anglican. Most of it has remained in the 12th-century Gothic style, except the crypt, which is Romanesque. The west front – under conservation work – hosts statues of people who are considered influential in the life of the cathedral and the church of England, from Augustine of Canterbury to Kings and Queens including Elisabeth II. During the Roman Catholic period there was a Benedictine Abby attached to the cathedral. Today, only the cloister and the ruins of the infirmary remain from that time.

I bought my ticket and headed to the entrance of the cathedral. There was a trail, and I decided to follow it. That led me to see the West façade, with the statue of the Saints, Kings and Queens, and then down a corridor towards the cloister, which might have been the most beautiful one I’ve ever seen, with gothic arches and family crests painted on them. After the cloister, I found the herb garden and the water tower, and I got to see the ruins of the infirmary.

I went down to the crypt, and then up to the cathedral. The building already looks big from the outside, but the inside feels huge, with columns and pointed arches soaring up to the ceiling, and paned glass windows letting the light in. I first toured the quire (choir), where the Shrine to Thomas Becket used to be. Thomas Becket (Saint Thomas of Canterbury) was King Henry II’s friend and chancellor when he was appointed Archbishop of Canterbury in 1162. He clashed with the King regarding the rights of the crown and the church, and even if the Pope tried to mediate, in the end Becket was murdered in the atrium of the cathedral in December 1170, which propelled him to martyrdom first and sainthood a couple of years later. His body was hidden for decades until he was buried in a shrine under the quire in 1220. The shrine became a pilgrimage destination in the Middle Ages known as The Pilgrims’ Way, from either Winchester or Southwark Cathedral in London. During the Reformation, in 1538, King Henry VIII ordered the destruction of the shrine and Becket’s remains. Today, there is a candle burning where that shrine stood, and the Pilgrimage is still encouraged by the cathedral.

Canterbury cathedral - exterior

Canterbury cathedral - interior

I saw the place of the murder, called the martyrdom, on the way to the main nave, where a concert was being rehearsed. It sounded beautiful, but I could not stay forever, because there were many more things to see in town. Outside the cathedral itself there is a memorial garden and the six-metre sculpture War Horse (named Joey), in honour of all the animals that have died in war.

I had to move on, as it was windy and cold out in the open, and I still had more places to visit. I went on towards the Canterbury Roman Museum. The British are always extremely proud of their Roman ruins, though sometimes these are just a few objects. This time, however, the museum lives up to its hype. Even if the artefacts are not that impressive, it hosts the only in-situ Roman pavement mosaic in the UK. Unfortunately, nobody thought about building an overpass viewing platform…

Roman mosaic on the ground

I then headed back towards the main artery of the historical area, High Street and the local museum, The Beaney House of Art & Knowledge, which also doubles as Tourist Information Centre. I broke the worker’s brain when I asked for advice considering that I’d already seen the cathedral and the Roman Museum. What I actually wanted was an estimate of how long the trail around town would take, and confirmation of opening times. I was not too successful as they gave me some schedules which were not accurate. Anyway, I snooped around the place.

The Beaney House of Art & Knowledge was designed by A.H. Campbell in 1897 in the Tudor Revival style. It is named after James George Beaney, a Canterbury-born medical doctor who left money to the city to create a cultural hub. Today, the house hosts the Tourist Information Centre, an art gallery, an auction gallery, the local library, and a museum with collections about different aspects of the town’s history, including a lot of worldwide items that seemed brought by aristocrat’s Grand Tour.

The Beaney House of Art & Knowledge

I decided to do the walking trail around the town then. Now that I was not bee-lining any more, I could take in the statues, houses and buildings in High Street. The statues include Aphra Behn and Geoffrey Chaucer. Behn was a 17th century writer, one of the first English women to earn her living from her art, and possibly even a spy in the colonies and Antwerp. Along the street, I located my hotel, the Great Stour Canal, the theatre and the restaurant where I wanted to have lunch. I exited the centre through the Westgate Towers again, and ended up in the Westgate Gardens. I had started exploring, but then I got dizzy, and my legs shook a little. I had been on the go for almost 12 hours, on four hours of sleep, so it was time for a break. Thus, I backtracked to the Old Weavers Restaurant. I have to admit that I almost got sidetracked to have an authentic afternoon tea, but I had come across this place during my planning, and I was glad I went.

It is true that British food has a horrible reputation around the world. But honestly, it is not that bad – it’s just not such an important social event as it could be for example in Italy or Greece. Furthermore, there is a theory that most “traditional” recipes diluted away with industrialisation, when people worked too much to bother with cooking – the Industrial Revolution was something so new, nobody really knew how to deal with so many changes. Then, WWII food rationing and post war pre-made foods prevented a whole generation from learning how to cook. And thus, Chicken Tika Masala became the staple of English cuisine. In reality, however, this is not accurate. The British gave us scones, bangers n’ mash, roasts and pies, all of which are delicious.

Pies were what grabbed my attention from the Old Weavers Restaurant menu. The eatery is located next to the canal, in a house which dates from the 1500s, with foundations from the 1200s, and the original interior structure. The building was originally a weaving centre in the 16th century by the Huguenot refugees, which then became a weaving school – hence the name. When the school closed, the restaurant was established. moreover, almost all the “nice” restaurants in the area were offering a 15% discount with theatre tickets too.

The place was warm and a hot meal was a nice break to have. I was seated at a small table on the ground floor and ordered a Chicken, ham & leek pie in a hot skilled with a puff pastry lid, and a side of chips. I like British pies. Conversely, the first recipe of British pie on record was also written by Chaucer in 1381.

Pie and chips

Since I was quite literally outside my hotel, I decided to check in so I could drop my backpack and relieve the weight on my shoulders. I was not carrying much at all, but the hours were getting heavier, I guess. The hotel turned out to be an old refurbished house, with narrow stairs, and my room was on the upper floor. It turned out to be tiny, and weirdly distributed – I had to open the bathroom door in order to take off my coat. But it had a working bathroom, a radiator, and it was warm, so I was all right with it. The price was cheaper than anything I would have found in London and it would save me a lot of stress when I left the theatre. While taking the train back to London was doable, it’s not like I felt like one hour on the train, and then a commute in the Tube in the middle of the night.

I left again, and tried to pick up where I had stopped before lunch – this was my mistake. I should have done my walk clockwise, but I thought I had a bit of time. I had not counted on admission ending up an hour beforehand – but it was all right, and my plan ended at a local supermarket to buy snacks, dinner, and something I wanted to bring back with me. Thus, I went to the Westgate Gardens again, and I took a bit of time with the buildings and the ruins there.

Canterbury - Marlow theatre and Medieval buildings

Canterbury is located on the River Stour, usually known as Great Stour to distinguish it from its tributaries. There are at least three main waterways through town, and even businesses that give boat rides to tourists. The Westgate Gardens are built along the Stour. They host The Guildhall (town hall) and Tower House, a narrow Victorian house built around a bastion of the city walls. I strolled along the riverside, mindful of the mallards and the seagulls who owned the place, until I crossed the Rheims Way Underpass – Canterbury really likes its underpasses, and they’re all right when you get used to them – full of graffiti and contemporary art (graffiti). I eventually veered back towards town, towards an area called Tannery Field and I came across the Canterbury Bull Sculpture, by local artist Steven Portchmouth, an artwork which honours the agricultural and industrial history of the area.

Canterbury Great Stout & Westgate park

I found St. Mildred’s church, an 11th-century stone church with a small graveyard, and totally missed Canterbury Castle for a minute there. I knew it was closed, but it turned out it was completely covered in scaffolding. The castle dates back to 1066, when Canterbury surrendered go William the Conqueror, who proceeded to commission a motte-and-bailey structure, with the motte being what remains today, though underneath the protective scaffolding.

A few minutes away, I got distracted by something which had not been in my plans – Dane John Gardens. Dane John was not a person as I originally thought – the name comes from the corruption of the Norman word for “fortified mound”, donjon, and there is actually a theory that the mound that still stands in the middle of the park is a former defensive motte, though during the Roman times it might have also been a burial mound, on top of which stands the Simmons Memorial – Simmons was the local alderman who built the gardens between 1970 and 1803. The park ends at the reconstructed Roman wall, with rebuilt defensive towers, and it hosts small attractions like fountains, a giant sundial, a Band Stand…

I went along the Canterbury City Walls until I reached ground level again – and then I went underground to cross the wide roads. When I emerged, I finally made my way to St. Augustine’s Abbey. The abbey was originally dedicated to other saints, but it was repurposed after St. Augustine, who had established the cathedral, died. It was a Benedictine monastery from the year 598 on, until the English Reformation forced its dissolution in 1538. Afterwards, it became a royal residence, which was then rented out to noble families. Most of it was eventually dismantled to build new houses, until it was bought in 1844 by a religious Member of Parliament who established a missionary college. During the 20th century, the abbey ruins and the college were separated for classrooms and boarding houses. The British Government took charge of the ruins in 1940, and the abbey is part of the Unesco Heritage Site.

Dane John Gardens and Medieval walls of Canterbury

It was a little past 16:00, and I assume the ticket booth had just closed, though opening times were listed until 17:00 and there were people – a dogs – inside. I first saw the Fyndon Gate, the original gate to the abbey, built in the early 1300s, with two octagonal towers on the side, and a chamber above the entrance arch, which has an overlooking arcade. Though I could not enter the abbey, I was able see to the main ruins through a convenient lookout to the side of the locked-down area.

St Augustine Abbey Canterbury

I saw a signpost regarding the pilgrims’ route that lead me to both Rome and St. Martin’s church. Rome was a little far away to be back on time for the theatre, so I decided to settle for the church, which had been the plan all along anyway, as it was the third key point in the Unesco Heritage Site. The church recognised as the “oldest parish church in use” in the English-speaking world. It was used by Queen Bertha of Kent as her private chapel even before St. Augustine arrived from Rome in 597. Though her husband, Æthelberht of Kent, was originally a Pagan, he allowed her to continue practising her Christian Faith and he himself eventually converted. The building was erected reusing a lot of Roman bricks and tiles, along later stone. It has a small graveyard where many notable families have been laid to rest. The sun was setting, and the wind had calmed down, so it was nice. I did have a moment of slight worry when I glimpsed someone and I heard a bang – I thought maybe they had closed the gate and I would have to jump over the wall. Luckily, it was not.

Canterbury St Martin chuch

I headed back towards the centre. In front of the abbey’s Fyndon Gate I found the statues of King Æthelberht and Queen Bertha of Kent. King Æthelberht was eventually considered a saint for his role spreading Christianity among Anglo-Saxons, but his main contributions were more earthly. He created the earliest written Law code in any Germanic Language, and minted the first coins which circulated in Kent.

Still heading downtown, I walked by St. Paul’s church without the Walls, which could’ve been built in Roman times as a cemetery chapel. A bit further along, there was the St. Thomas of Canterbury Roman Catholic Church, the only Catholic church in town, built in the late 1800s in the Gothic Revival Style. Adjacent to the church stands the tower Tower of St. Mary Magdalene, which belonged to Medieval parish that was demolished to build St. Thomas. There is a memorial inside the tower, protected by glass.

Back in the High Street, most shops were closed or closing down, and I did not come across any bookshops, where I would have purchased a copy of Chaucer’s The Canterbury Tales just to have a copy from the town. What I did find was a Sainsbury’s Local supermarket. There, I bought a sandwich for a late supper after the theatre, some Cadbury Eggs, and a can of Bisto Gravy granules. Cadbury Eggs are a confection made of chocolate with a yellow-and-white sugary filling. Gravy is a cooking sauce I can’t recreate to save my life so I enjoy having the ready-to-make at hand, it’s just small granules that you dissolve in boiling water to create the sauce. Neither – I reasoned – should be a problem at the airport.

I went back to the hotel to have an hour or so of rest before I headed out to the theatre. Marlowe Theatre was obviously named after one of the most famous Canterbury locals: Christopher Marlowe, the 16th century playwright, poet, translator, alleged spy and reportedly atheist, whose work is reported to have influenced Shakespeare himself. His plays were extremely successful, and they include The Tragedy of Dido, Queen of Carthage, The Tragedy of Jew of Malta, and the first dramatised version of the Faust legend, The Tragical History of the Life and Death of Doctor Faustus. The Marlowe Memorial, depicting The Muse of Poetry (either Calliope or Erato, one guesses).

There have been at least three “Marlowe Theatres” in Canterbury. The current one was rebuilt from a previous one between 2009 and 2011, as a stainless steel and aluminium building with a colonnade, and at night it glows electric blue, pink and purple. It is not a pretty building on the outside, but the inside is all right. It seats 1,200 spectators, it has a bar and a tiny merchandise stall.

Canterbury cathedral and Marlowe Theatre at night

Before I went into the theatre, where I bought the programme, I headed towards the cathedral to take a few pictures the building at night. On the way back, I must have taken a wrong turn somewhere, because I was disoriented for a minute before I found the bluish glow of the theatre. Back in December, when I booked the tickets, I also got “ticket protection” (insurance, basically), but I was ecstatic that I did not need a refund. I had managed to get there, and I could finally enter the theatre. I did not feel even a bit tired, even if I had been on the go for over 16 hours.

The Shark is Broken is a ninety-five-minute play written by Ian Shaw and Joseph Nixon, based on actor’s Robert Shaw’s diary of filming the 1975 film Jaws, directed by a young Steven Spielberg in 1975. It follows three very different men who try to hunt down (fish down?) a great white shark which has found the perfect feeding ground off Amity Island, a small beach community in Long Island. Jaws is often credited as the first summertime blockbuster, and it went on to win three Academy Awards – Best Original Score for John William’s music, Best Film Editing and Best Sound.

Canterbury Marlowe Theatre - The Shark is Broken

It is a commonplace piece of trivia that working on Jaws was a nightmare for everyone involved, as the mechanical sharks used for filming kept breaking down, which caused delays and going over budget again and again and again. Main actors Roy Scheider (Chief Brody), Robert Shaw (Quint) and Richard Dreyfuss (Hooper) were stuck on the little ship set for days on end while the film crew worked on “Bruce”, the shark. On top of authoring the script, Shaw plays his father. Dan Fredenburgh plays Roy Scheider, and Ashley Margolis plays Richard Dreyfuss. The stage play was originally directed by Guy Masterson in its Broadway run, and Martha Geelan is acting touring director.

The play is a number of connected, sequential scenes depicting different conversations over several days, showing the rising tensions amongst the actors. There are plenty of rather uncensored references to Robert Shaw’s rampant alcoholism, which his son, Ian Shaw, has not tried to hide or dilute. The set is just the ship, and only the three actors are on stage, you only ‘hear’ about the shark off-scene.

Was it a comedy? No. Was it funny at points? Extremely. Did I enjoy it? Immensely. I’ve read reviews saying that it is not worth it unless you are a huge Jaws, which I am. It includes known trivia, obscure facts and several hilarious meta references, including “It’s a thriller, do you think people will be talking about it in 50 years?”, which delivered on the 50th anniversary of the film is hilarious. Another one, referring to how Spielberg bailed on the last day of filming fearing the crowd would dunk him in revenge for all the inconveniences, and his upcoming career, is “Sharks? Aliens? What’s next, dinosaurs?” The scenes were chronological towards the end of filming, until the last one. Another known piece of trivia is that Robert Shaw was extremely drunk trying to do one of his scenes, the so-called “Indianapolis Speech” – and he screwed it up every time until he sobered up and delivered it in one go. The speech is referred to a few times throughout the play, and the very last scene is its re-enactment. It was glorious.

The Marlow Theatre was just a minute away from my hotel, and I could use the back door to get back in. I climbed up to the room and took a shower to warm up. Unfortunately, the bathroom had one of those fixed nozzles and the shower screen was… way too short for it. I might have caused a teeny-tiny flooding – good thing that I had extra towels to contain it. Afterwards, I had my sandwich, and a Cadbury Egg, even if it should have been too late for chocolate. Predator was running on TV, so I watched that while I charged the phone. Finally, I set my alarm and went to sleep, thinking that maybe being able to be on the go for twenty-something hours straight is my superpower.

My train back to London was at 7:24 – I had to miss my breakfast at the hotel, which started at 7:30, but that’s life. Fortunately, there was a kettle with some instant coffee and creamers in the room, along with biscuits. I woke up around 6:15, got ready, and hurried to Canterbury West station not because I was late, but because it was extremely cold. The train was on time and I was back in London St Pancras International just before 8:20. The train ride was uneventful, and once there I crossed over to Kings’ Cross Station to get breakfast from Costa Coffee. Since I was there, I peered over at Harry Potter’s Platform 9⅓, and I discovered that they actually take out the cart when the “attraction” is closed. I knew they charged for pictures, but I did not know that the cart was detachable. Which… I guess makes sense… considering that people would take free pictures with it if it was there. I just thought there would be a screen or something…

Anyway, not my thing. I headed out to explore St Pancras International Station. The original station was constructed in the Gothic Revival style (or Victorian gothic) in the 19th century, opening in 1868. The exterior was made out of dark red bricks, while the interior displays a complex roof in wrought iron and glass. The overall station layout was commissioned to engineers William Henry Barlow and Rowland Mason Ordish, and the adjacent hotel was designed by architect George Gilbert Scott. It is a magnificent building only slightly defiled by the contemporary expansion tracks. St Pancras was all but abandoned around 1960 until the 1990s, with extensive reconstruction, renovation and restoration in the 2000s. In 2007, it became the “international” station as it became terminus for the Eurostar train which covers the route between London and Paris in 2h 16 mins.

St Pancras international train station

I had to sit down for a few minutes because I made a wrong movement and my back cramped, but it passed soon. I was able to do a little bit of shopping in the station. A lifetime ago, I bought an umbrella in a franchise called Boots, and they had the same style and brand in the shop at the station. Considering that said umbrella served me well between 2012 and 2024, I had decided to buy another one if I ever saw it. I also got a book, because books in the UK are comparatively very cheap.

I found the coach stop, where I had to be at 15 minutes in advance. It was cold and windy, and it felt long. Apparently, the bus before had not come either, so there were a lot of people waiting. However, my ticket and seat were guaranteed. The only problem was, again, that the traffic was horrible due to construction. We took 43 minutes to cover something that should have been done in 10. Despite it all, the coach arrived at London Stansted Airport on time and without issues.

I went straight to security. Stansted is implementing new security protocols, which is great if you don’t get stopped. I got through two times ago, but last time my keyring created a problem – I have since changed that. This time around, the security lady was opening playing-card boxes to check for chemicals (not even kidding) and had to swipe my gravy granules for drugs, or explosives or who-knows-what. When I said “I didn’t even realise that could be a problem” her – rather sheepish – answer was “it isn’t.” Then… why did it get flagged? I’ll never understand airport security.

After 20 minutes waiting at security, I had some sushi at the airport, and bought a Playmobil Royal Guard, because they have always drawn my attention, and I thought that today was the day. Then, it was just waiting. My plane back was at 14:10, landing before 18:00, because I needed to get to a hard week of work on Monday. Part of me wishes I could have stayed until a later flight, but I needed to be reasonable. I did not get emergency exit seats either flight, so there was no issue with the cabin crew. However, when I tried to get my car out of the parking lot, the plate-recognition system would not work, so I had go down all the way back to find a person to talk to – good thing, then, that my plane had not arrived at 23:00.

The truth is, everything would have been more efficient had the Stansted Express been running, but at least I waited to book tickets so I could make the most out of the commuting issues. I did not pay train prices for coach transit, and I did not have to wait much between transportation choices. Furthermore, I could fill the time I had with things to do – and stuff to buy. And the most important thing, I saw The Shark is Broken, along with getting to know a new city.

9th March 2025: Expominerales 2025, the other half of the weekend’s plans (Madrid, Spain)

Since I had to be in Madrid to watch the fantastic concert by the Wiener Sängerknaben, the plan had been to attend the yearly Expominerales mineral fair in the Mine and Energy Engineering School Escuela Técnica Superior de Ingenieros de Minas y Energía (ETSIME) that same day. However, the fair closes on Saturdays between 14:00 and 16:00 for a lunch break, so since the weather was so horrid, I decided not to wait. On Sunday, the weather forecast was slightly less miserable, and in the end I was lucky with only some gentle rain as I walked between the train station and the Engineering School, nothing like the sleet deluge the previous day.

Expominerales fills the ETSIME with stalls selling minerals, fossils and crystals offered by reputable sellers. Here I’ve seen the biggest megalodon teeth in my life, held a plesiosaur vertebra – which I regret not buying when I had the chance – and discovered that moldavite exists – and which I regret not buying when I had the chance… do you spot a pattern here? I did not break it anyway, because in the end I cannot afford most of what is sold, and I already own most of what I can…

Overlook of ETSIME during Expominerales

I arrived at the School shortly after the exhibit opened around 10:00, and the area was still pretty empty. There were fewer stands than the previous years I’ve been there, and the moldavite stand was not there. Actually, there were very few meteorite-related stands this time around. I did see amazing modern-times frog fossils from Owens Lake. Owens Lake is called Patsiata in the Mono Native American language. In 1913, the lake dried out when the water from the Owens River was redirected and with years it has become a deadly salt flat, a source of alkali sand storms with a side of carcinogen materials. One of the minerals found in Owens Lake is trona, a crystal formed by the precipitation of sodium carbonate, making it a type of evaporite. In 2023, an atmospheric river caused floods in California, filling the lake up for the first time in over a century. The floods damaged infrastructure and created a surge of floodwater to the lake, which eroded surfaces and dragged a lot of small hibernating animals towards the lake, where they were killed instantly. Their soft tissues were quickly replaced by trona salt before the bodies even decomposed, creating a perfect cast of the poor critters. There were two on display at Expominerales and they were creepy!

Something else that caught my eye (and was actually within my doable price range) was a polished abalone shell. The Korean abalone (Haliotis discus) has been used for centuries in the art of najeonchilgi [나전칠기], which refers to decorating items with mother of pearl. The abalone can be polished in full, creating a whole iridescent body of nacre. These mollusks used to be collected by haenyeo [해녀], traditional female divers from the Jeju province, but most of them are farmed for food today. A small polished abalone came home with me.

Items from Expominerales

The School opens its classic museum during the exhibit, and I always enjoy visiting it. However, after wandering around for a bit (and spending some money), I moved onto what basically is the next building over to the ETSIME, the Spanish Mining and Geology Institute IGME – Instituto Geológico y Minero de España, which hosts the Geomineral Museum Museo Geominero. The original design of the building was conceived by Francisco Javier de Luque, and work started in 1921. Though a congress was held there in 1925, construction went on until 1941. The building has not been extensively restored, but it presents deviations from the original plans, and even from subsequent ones.

The museum is hosted in the former hall, and to get there, first you have to go through a very bored security guard – who first asked if I was sure I wanted to be there. Once inside the building, one goes up the main staircase towards the gallery underneath a glass-and-iron skylight with the logo of the Mining Institute. It was designed by Luque himself and created by the Madrid workshop La Veneciana, a glassware shop dating from 1876 and which, under a different name, still exists today.

Entrance staircase to the Geomineralogical museum

The museum is an open area, located underneath another incredible skylight. The displays are hosted in wooden cabinets in the main floor. The upper balconies can be accessed through spiral staircases and are protected by metalwork railings. One of the details I absolutely adore are the glassworks displaying geological sample cores of different surveys. I’ve never seen the library, but I was once part of a group which was allowed to play with some of the “lesser value” items they have as part of a training session, and that was super fun. The museum is probably one of my favourite spots in town.

The Geomineralogical Museum

From the architecture point of view, I like the building and the skylights. However, there are way more things to love in the museum, such as the wooden cabinets, full with samples of minerals, fossils and meteorites. The museum’s collection are divided into “Mineralogy and Petrology”, “Flora and Invertebrate fossils from Spain”, “Vertebrate fossils from Spain”, “Foreign fossils”, “Systematic invertebrate palaeontology”, “Micro-palaeontology”, “Fossil resin”, “Fossil tracks”, “Stromatolites”, and the “special exhibits”. One of these is a complete cavern bear (Ursus spelaeus), another one is an Ibex (Capra ibex). The last two have honour spots, with their own display.

When you come into the museum, one of the first things that you see, in front of the door, up on the first-floor balcony, is the cast of the most complete Tyrannosaurus rex skull ever found – Stan. Specimen BHI 3033, Stan, was found in 1987 and excavated in 1992, in South Dakota’s Hell Creek Formation. Stan lived around 65 million years ago, in the Cretaceous period. We know he fought for his life more than once – his ribs were broken and healed, two vertebrae were fused together, and he suffered a bite to his snout. Stan remains one of the most complete skeletons ever found, and probably the most-often cast. The skeleton made mainstream news when it was auctioned at Christie’s in New York due to money disputes among partners of the original owner-firm, Black Hills Institute. An anonymous buyer paid $31.8 million for it in October 2020. In 2022 it was disclosed that the Department of Culture and Tourism of Abu Dhabi had bought Stan for their projected new Natural History Museum.

On the ground floor there is a mastodon fossil Anancus arvernensis found in the 1990s. These animals related to modern elephants lived throughout the Miocene and went extinct in the Early Pliocene (two million years ago). The could have been around the size of a modern African bush elephants, but their tusks were mostly straight. They would have lived in steppe with dry and warm climate, but close to water. The fossilised bones were recovered are dated around 3.2 million years ago, and were dug from the Las Higueruelas site between 1948 and 1991.

Exhibits at the Museo Geominero

After I wandered the museum for a while, I left towards my train which was delayed… 43 minutes. Fortunately, so were the ones that had to pass before, so I ended catching one in the right direction after only a twenty-minute wait. And then I got junk food, because some days have to end in junk food…

4th January 2025: Bye Bye, Murderbird. MARPA, Alcalá de Henares (Spain)

While it was great to have the Concavenator fossil (a.k.a. Murderbird in my headspace) in the Dragon Hunters exhibit in Alcalá de Henares close enough to visit at will, the time had come to see it move on. Just in case there was any information I was missing, I decided to book a guided visit to the exhibit. As it was scheduled for 12:00, I decided to look for something to do beforehand, and I found guided visits to the monastery Monasterio de San Bernardo at 10:00. I had seen the building before, as it stands next to the MARPA, I just had never given it much of a thought.

The monastery was established under the patronage of Cardinal Bernardo Sandoval y Rojas around 1620. He bought land cheap because it was near the Moorish quarter. The church was erected in brick with decoration in stone on the outside. The inside has an elliptical dome, and it was heavily damaged in a fire during the Civil War, so it had to be restored – the work on it was a Rehabilitation prize in 2019. Most of the decoration of the church was lost and today walls and roof are just white and gold. The building is attributed to architect Juan Gómez de Mora.

There is a free-standing ciborium in gold, with a number of sculptures of Saints instead of an altarpiece. Behind the altar and ciborium, there are a number of paintings – they were created by Italian artist Angelo Nardi. Nardi was born in the late 16th century, and studied in Venice before moving to Madrid, where he became a Court Painter. His style evolved from late-Renaissance (mannerism) to Baroque, and he is known for his expressive faces. He was friends with Velázquez, and famous for being quite kind, though his style eventually fell out of grace. He painted most of the pictures in the church, although some of them are now out of order as they were moved during the Civil War.

The visit was interesting albeit a little underwhelming. It felt a bit weird to be the only visitor and having the whole thing explained to me – that has only happened once before, in Recópolis. However, that was epic, because I ended up getting the whole archaeological place for myself. The monastery was more of a serious experience – and it did not rain on me. But still it felt… colder. And like being in an exam, the guide kept asking me questions about history, architecture and hagiography.

Monastery of San Bernardo in Alcalá de Henares

I had a bit of time before my following visit, so I decided to run to the Sala Museográfica de la BRIPAC, a tiny museum about the history of the Army’s Parachuting Brigade. The Brigade was created in 1953, and the parachuters participated in combat for the first time in 1957. In its origin, it was established in Alcalá, so there is a historical connection there. The hall hosts uniforms, flags, medals, and reports about the peace missions in the 1990s. I am not much of a fan of Armed Forces museums, but today the BRIPAC is considered a peace corps. The museum opened in February 2023, on the 70th anniversary of the foundation.

BRIPAC exhibit

I still had a bit of time, so I dropped by Plaza Cervantes, which was full with Christmas lights and shoppers at the small market. There were food stalls, a small bookshop, some rock shops… Nothing really caught my eye though.

Plaza de Cervantes Christmas

I finally headed back towards the Archaeology and Palaeontology museum MARPA Museo Arqueológico y Paleontológico de la Comunidad de Madrid. It was one of the last chances to see the exhibition on the history of palaeontology “Dragon Hunters” Cazadores de Dragones with a guided visit, and I figured out that maybe I could learn anything new – despite the fact that I’ve been there a few times and bought the book. We had a nice fun guide who relied a lot on asking questions to her audience. Apparently I was the only one with… some knowledge of… anything she asked – what’s with guides in Alcalá de Henares trying to have you do their job? I felt a bit sorry for her so I answered her questions – with a higher success rate than the ones from the Monastery, to be honest. She did not impress me with the depth of her knowledge, to be honest. She actually looked at me a bit panicky when I asked her t confirm that the T-Rex replica was a cast of the famous Stan.

Cazadores de Dragones entry in the cloister of the MARPA

I stayed back for a bit longer after the visit ended. I’ve ranted on and on about the Concavenator before, both the fossil slab and the actual-size reconstruction. I just loved having both so at hand. When I was young, the scientific community came to the conclusion that “birds descend from dinosaurs” but today it is actually believed that birds are actual dinosaurs. And since the poor beast has such a ridiculous name, I’ve just been calling it “Murderbird” or “Murderchicken”, for kicks and giggles.

There were these two little kids who kept grilling their dad about the skeletons, and the poor man was a bit overwhelmed. I decided to give him a hand with the questions and explained a little. I thought that was it, but the smallest child pointed at the Concavenator and blurted out “can you tell us more things about that one??” He was so eager that I just took the family to see it and told them a few things further. The family was on their merry way in five minutes – four-year-olds only have so much attention span. The kids were happy, the parents were relieved and I got to geek out about dinosaurs with appreciative public. I think the interaction was an all-around win.

Murderbirds: T-rex and Concavenator

At first I had thought that I would be staying in Alcalá for an exotic lunch, but I was not really feeling up to it. With great sadness, I said goodbye to the Concavenator and moved on to drive home.