Tag Archives: solo travel

15th August 2018: Hikone is small and at noon it turns into a pumpkin? Hikone → Kyoto {Japan, summer 2018}

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As I had learnt the way to the castle entrance the previous day, first thing in the morning I headed off to Hikone Castle. The walk to the castle is flanked by the Irohamatsu [いろは松], which is a row of special pine trees that were planted there as their roots grow downwards but not sideways.

Hikone castle, Hikone-jō [彦根城], is one of the twelve castles that retain the original keep and one of the five to be a national treasure. The ticket included the castle, the museum, and the Gardens. I was there when they opened so the affluence of people was not to big yet.

Being one of the important ones made two things happen – one, that you have to take your shoes off, and two, that the stairs are crazy. Good thing I was not carrying my backpack – I had left it at the hotel but they told me they could only keep it till noon for whatever reason, so it was a good thing that Hikone is not as big of a town as others. The interior structure of the castle is naked wood, and it feels quite severe.

After the castle I went to the Hikone-jō Hakubutsukan [彦根城博物館], the Castle Museum, as it started drizzling. Normally the castles have the museum inside, but this one was in a nearby tower next to the main gate.

My next destination were the Genkyuen [玄宮園], a traditional garden from where you can spot the castle.

Also within castle grounds was the Kaikoku kinen-kan [開国記念館] (officially translated as Hikone City Museum of History, but it is more as “Memorial Hall”) – unfortunately pics were not allowed except for this Lego Castle.

Finally I checked out Shigakengokoku Jinja [滋賀縣護國神社] under daylight.

I walked back to the hotel through the main street, where I saw many stone statue shops displaying their work　- including the city mascot, Hikonyan [ひこにゃん].

Finally, after picking up my luggage from the hotel I stopped by the Ii Naomasa Ritsuzō [井伊直政立像], the Statue / Monument to Ii Naomasa, who was the original builder of the castle.

I jumped on the Hikone Rapid Express, which was packed, and headed off to my next destination, Kyoto [京都]. As I was earlier than expected, I got a jump-start on sightseeing. This would later proof to be not too much of a good idea – originally I only wanted to do one temple so I did not put my luggage into a coin locker. Looking back, I should have.

I went to To-ji [東寺], a Buddhist temple whose pagoda had drawn my attention every time I had been in Kyoto before.

Then, as it was quite close, I decided to check out the aquarium, Kyoto Suizokukan [京都水族館].

Finally, I went to Daishōgun Shōten Machi Ichi-jō Yōkai Street [大将軍商店街 一条妖怪ストリート], a shopping area with a lot of yokai and yokai-like mascots. Unfortunately, most everything was closed due to the Obon festivities, which in the end made for an unrewarded extra effort. Here I was trying to pace myself and not doing a good job out of it.

On my way to Yokai street and back I saw Jinja Kitano-Jinja Otabisho [北野神社 御旅所],

Jizo-in [地蔵院 ],

and finally Daishogun Hachi Jinja [大将軍八神社].

Finally I backtracked to the station and headed off to the hotel for some rest. I made a mental list of things that were incredibly close to the hotel and I could do the following day.

14th August 2018: On the road… I mean railway again! Tokyo → Nagahama → Hikone {Japan, summer 2018}

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One of the things I did on Saturday in Shinjuku [新宿] before the J concert was activating my JR Pass, and I had a week of travelling in store, so there I went. After getting to Shinagawa and being told that there were no seats to be reserved, I travelled to Maibara on a seat in a very-empty unreserved car (keep in mind, this was the end of the Obon festivals, and lots of people travel around these dates).

In Maibara I left the Shinkansen and jumped onto the local line that headed off to Nagahama [長浜] in Shiga Prefecture. This trip was mostly organised around my need to be in Kyoto on the 16th of August, so when I looked up things to do, Nagahama popped up for having a castle at the shore of Biwa-ko [琵琶湖], Lake Biwa, which is the largest freshwater lake in Japan.

Nagahama Tourist Office at the station provided me with a very handy map that featured a walking route to see the most important areas of the town, which I set to almost immediately.

First, of course I head to the castle, Nagahama-jō [長浜城]. Between the station and the castle there was a cage with monkeys. I did not realise that until one of them popped up staring at my lunch.

Then I walked around the surrounding park and got to the lake front. Biwa-ko is big enough to have waves.

Then I continued on the proposed route to the Nagahama Railway Square, Nagahama Tetsudo Square [長浜鉄道スクエア], and the Railway Museum.

In front of that there was the Keiunkan [慶雲館], a beautiful traditional house and garden.

Then, after deciding to modify the walking route to fit my interests, I headed out to the town centre to find Nagahama Betsuin Daitsū-ji [大通寺], the biggest temple in town (with confusing indications). To get here I passed by the central commercial streets.

Afterwards I decided to go to Hokoku Jinja [豊国神社].

And before heading to the station, the Kaiyodo Figure Museum [海洋堂フィギュアミュージアム] had really caught my attention so I decided to come in.

On my way back to the station I saw the Hideyoshi to Mitsunari deai no zō [秀吉と佐吉 出会いの像], the Statue of (Toyotomi) Hideyoshi and (Ishida), important historical figures in the area.

Finally there was the Aqua Tree before I took the train to go to my next destination, Hikone [彦根].

Hikone is twenty minutes by train using via Maibara, so I basically backtracked to Maibara and continued in the opposite direction. At Maibara our train joined another one so it became twice as long in a very interesting process.

Once I arrived in Hikone, I found my hotel and I checked in. However, having heard that sunset at Biwa-ko was really beautiful, I decided to sprint for 35 minutes, and headed off to the lake, racing the sun. I managed to see a beautiful dusk indeed, even if coming back to the hotel was a bit lonely once the lights were out. I had no idea. Yet.

Then I diverted towards Hikone-jō, Hikone-jō [彦根城] to try and catch a glimpse of it at night. Everything was locked down, so this is the best I got, and that’s a lot of zoom.

Finally, just before turning in I walked by Shigakengokoku Jinja [滋賀縣護國神社] and the Mitama Matsuri it was holding.

13th August 2018: Pretty Lights, Strike 2 {Japan, summer 2018}

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I had quite a boring morning filing all the insurance and company flights hoping to get the money I had spent on clothes during the time my luggage was lost. Then a storm broke so I took the subway to Nakano Broadway [中野ブロードウェイ] to canvass the shops for a while. After shopping (mostly for my friend C*****, actually) I headed home to drop off the purchases of the day because my back was hurting and I did not want to run around carrying weight.

I had arranged to meet D****e in Roppongi [六本木] when she was done with work for two things – one was taking pictures with the dozens of Doraemon [ドラえもん] that were once again colonising Roppongi Hills [六本木ヒルズ].

Then we went to Tokyo Midtown [東京ミッドタウン] building, also in Roppongi. We saw Tokyo Tower [東京タワー] on the way.

We had Chinese for dinner and then we walked into the gardens for the event called Midtown Loves Summer which was a show of lights and music, which was the second goal of the evening. Pretty!

12th August 2018: SSGW (Shinjuku Samurai Godzilla Walk) {Japan, summer 2018}

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This Saturday afternoon I headed off to Shinjuku [新宿] again. This time I went to the Samurai Museum in Kabuki-cho [歌舞伎町]. It is located roughly ten minutes away from the station’s Kabuki-cho exit, though I had to do some extra walking because I got a bit disoriented from my metro exit to the actual area. I get lost in Shinjuku station a lot, but I think I’m getting the hang of it.

The Samurai Museum has two floors. As you come in, you have the shop to one side and the counter to the other. I was strongly encouraged to take the English-speaking tour that started in 10 minutes, although I did see people on their own without taking the tour – my impression was that they prefer foreigners in tours, but I went with it.

The museum claims that all its pieces are original. It has two floors, the first one has a few armours, one of them with a bullet dent. The second floor, where you have to take yours shoes off, you have several rooms with memorabilia such as helmets, stirrups, saddles and so. There is also one room for sword exhibitions – which take place once an hour in the afternoons – and the chance for you to try on.

After the museum I grabbed something to eat from a conbini (because I am not known for keeping regular meal times in Japan anyway) and then took a stroll down Shinjuku and Kabuki-cho, ending up at the Peace Memorial.

Afterwards I went to the Toho cinema / Hotel Gracery Shinjuku [ホテルグレイスリー新宿] to see the Godzilla [ゴジラ] head. I have been there a few times, and I always try to go to the balcony to get close to the head. In theory, access is restricted to customers from the hotel or the bar, but I had heard that sometimes they open it in general. I am not sure if this was the case, but this time the terrace was open, there were people outside so I applied the old trick of ‘walking into it as if you belonged’. So I finally got up close with Godzilla! It was about time, too.

(Sidenote: The above Godzilla pic is a composite of two I took with different lightings. I’m quite proud of how it turned up.)

Then I met up with D****e at the Tokyo Metropolitan Government Building, Tōkyō Tochō [東京都庁], to watch sunset (ish. Again. Japan weather in summer).

Afterwards went off for a drink and towards Shibuya to snoop around the Tower Records and the Book Off, only to discover that the latter was gone ｡ﾟ(ﾟ´Д｀ﾟ)ﾟ｡. From Shibuya [渋谷], as the evening was nice, we walked down first to Harajuku and later to Yoyogi [代々木] to catch the underground. We saw the illuminated NTT Docomo Yoyogi Building [NTTドコモ代々木ビル] and I took about a gazillion pictures.

And at some point I guess we had dinner. Probably.

8th / 9th August 2018: Not really Murphy, but almost {Japan, summer 2018}

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Our story today begins in Barajas airport and the hour-long line for baggage drop off. There are a few details to this trip that might be a bit different from usual, as there is one more factor to take into account. Something that has never flared up on this journal is my chronic pain, which may or may not be fibromyalgia (we go with that for now, because it is never Lupus, and we don’t want to go into the possibility of ALS, not just yet). That makes it difficult to move and to do certain things. The greatest pain I have, or at least the most unmanageable one, is my right wrist, which at the moment warrants a 250€ wristbrace (affectionately known as the exoskeleton) and sometimes a sling.

Even though there are now direct Madrid-Tokyo flights, I booked via London, for a reason – well, actually almost 400 reasons, I’m sure you get my meaning – and direct return flight. Thus I had Iberia and British Airways flights for the leaving trip, and Iberia for the return. Somehow, British Airways told me I was able to buy my seat, but it assigned me one. I think this was because the check in defaulted via Iberia, who keep saying that they have no control over the aircraft British Airways use, so they can’t assign a seat.

So I tried to get a decent seat where I could actually manoeuvre with my wristbrace and my sling, which ended up causing the whole mess. Somehow, after a bunch of calls and emails, my check-in was effective in Iberia, since I had my boarding passes, but somehow not in British Airways – as I was denied entry into London Heathrow intercontinental area until someone punched some stuff on a computer.

Guess what this means? No? Well, it means that I made it to Tokyo Haneda – albeit we were delayed – but my luggage did not. Joy.

(Shout out here to the personnel in Madrid Barajas and London Heathrow for their helpfulness and attentiveness throughout the whole process too, and helping out when I could not move so well).

Anyway, I disembarked in Haneda, and headed off to the luggage belt only to see my name on a small whiteboard. And here we headbutt with the whole Japanese-ness for starters. Superpolite and superineffective ladies wanting me to give them a lot of details on my suitcase while unable or unwilling to answer the simple question of “Is it lost or is it in London?”. They did not know where it was, but they could tell me when it would come via Kuroneko, somehow explaining about the typhoon impacting delivery service. Well, when an airline loses your baggage, they are supposed to explain that you have some rights. For example, the right for them to compensate you for stuff you have to buy. I got none of this. Neither did I get the reference number I was supposed to get nor my receipts, but for some reason I needed to leave them the key – in case customs decided they had to open the suitcase. I tried to prod them about buying things but they would not bulge, they just wanted the paperwork filled and me out of their way.

So guess what?

That meant that I had been awake for roughly 24 hours and now I had to go shopping. For everyday clothes. In Japan. Instead of going to D****e’s place and get a shower, which is what I wanted – and the only thing I could think of was the big Uniqlo in Ikebukuro [池袋]. So Ikebukuro here I come.

Let’s be honest here, for as much as a disaster this could have been – It wasn’t. I had all my money with me, had not packed any, and I did not have pressing stuff that required special clothes. As someone pointed out, if this had happened the year of Gackt’s birthday party I would have died. But it was not really fun, having to spend the first afternoon looking for XL clothes in Uniqlo and Sunshine City. In the end I found enough stuff to survive two or three days and headed off to D****e’s apartment to have my shower, change into new clothes and then get some dinner. And sleep. Cuz sleeping is a thing that should happen.

I think one of the T-shirts I bought perfectly illustrates the situation. It states イライラ (ira-ira), which is an expression of annoyance.

21st & 22nd April 2018: MIYAVI & London (England, Great Britain)

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On Saturday the 21st I caught a red-eye flight and I landed in London Stansted around 7:00. After clearing security (aka a security guard very interested on WHY I was there and WHOSE was the concert again?) I got myself on the train and headed off directly towards ULU London to attend MIYAVI’s “DAY 2” World Tour in Europe 2018. I spent the whole day at the queue / venue, so I tell you much of what I did, except that I was an idiot and did not really eat much solid food, if at all. A cookie, I seem to remember, and a cereal bar, which in the end caused a bad stomachache. Lesson learnt. Also! Heatwave in London. How do I manage to always catch the heatwaves in London?

MIYAVI is a Japanese guitarists I’ve listened on and off for a while. I lost a bit of track of him when he got married and had a baby, but every excuse is good for a little getaway. And I have to say that he blew my mind.

I set off at around 4am on Saturday and arrived in the queue around 10 am. The line was incredibly well organised, and the venue staff was super-friendly and efficient (which is a welcome change from most). Often, when an artist comes in, you can hope for a wave, maybe an autograph or sneak up a picture – not with this man, who goes out of the way to shake your hand and thank you for coming.

Well, I did have a VIP ticket that included a handshake and a picture, so I got two handshakes out of him! The concert itself was fantastic, fast-paced and MIYAVI is a guitar master. He was supported by a number of musicians and singers and they all were bustling with energy.

MIYAVI's instagram story reading well done London you guys were hot tonight

Before heading to the airport, the following morning I headed off to the British Museum, which was halfway between the venue and the hotel. I spent a couple of hours there, mostly in the Korea and China areas. There I fell in love with the Bodhisattva Guanyin.

Collage. British museum façcade and some exhibit from the Asia ward - Shiva, Buddha, a green-faced priest, dragon, a Korean dress... The main piece is Guanyin, sitting with a knee up, their hand resting on the knee, the other leg hanging down

From the British Museum I directly went to the airport, and I grabbed some food at Itsu, which is not my favourite Japanese brand due to the price, but my stomach was acting up (my own fault though (≧▽≦)) and I needed something to appease it. So sushi, miso soup and Coke it was.

Sushi and miso soup

24th March 2018: The day I saw Hatsune Miku (Madrid, Spain)

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“Vocaloid Opera – The End” is an opera for an in the digital world. It was written by Keiichiro Shibuya and performed by Hatsune Miku. Hatsune Miku [初音ミク] is a vocaloid idol. In case you’ve never heard of vocaloids, the idea is a bit complicated. A voicaloid is a singing voice synthesizer software product, basically a computer-generated singing voice. The software was released in 2004 and it exploded with popularity in Japan. Hatsune Miku was given a humanoid shape when it was released in 2017 – and it was definitely a she. So, in a way, Hatsune Miku is a voice synthesiser with a cartoon-female-human form.

Yeah, weird. I have always thought so too. But it was dirt-cheap (8 quid), and there was a session at 18:00 on Saturday that I could attend without a late train back. So I dyed my hair purple (because no, I’m not showing up to a blue-haired character’s show in blue hair), got out my thick faux-fur-neck coat and off I went.

The show was being held at Naves Matadero is a former slaughterhouse turned arts centre. It has turned the buildings into theatres, showrooms and so on. As I walked around the area, looking for my theatre I saw a hell of a lot of families with kids under ten, there to see “the doll” or “the cartoons”. I’m not kidding, during the first ten to fifteen minutes of the show, about twenty families left (≧▽≦).

Entrance to the venue, showing the sign of Naves Matadero Nave 11 and Vocaloid Opera the end

“Vocaloid Opera – The End”, composed by Keiichiro Shibuya [渋谷慶一郎], explores the concept of an artificial being obsessing about death. The whole show is digital, just like Miku, as she wanders the world wondering about “the end”. She seems trapped in a surreal nightmare, with several scenarios that don’t make that much sense. Miku is followed in her trip by a plush rabbit (Alice much?), she talks on the phone and there is a multiple-eye monster around.

Booklet and ticket. Both read Vocalod Opera the end, with the dates. The booklet shows an image of Hatsune Miku, crying blood, the whole booklet is tinted yellow

The music has an electronic flavour, and at times repetitive. It’s loud and you feel it more than hear it. There warnings about bright and strobe lights all around and I understood why – the whole thing relied heavily on CGI and lighting. The chosen topic, along the images were claustrophobic, and I think that was on purpose – there are different “dying” options: drowning, gas masks, withering off.

The climatic “aria” peaks with Miku asking the spectator “Am I dead? Or just asleep? You decide. It makes little difference to me.” In the end, she is a human creation so, like humans, she will “die” sometime too (aaaaand I have opinions about this because I believe that some human creations transcend their authors). And a final downside: knickers. Seriously, what’s with Japanese people and knickers?! She’s a CGI doll – true, wearing CGI clothes designed by the former artistic director of Louis Vuitton, Marc Jacobs, but a CGI doll!

That was all that I did, but here are some pictures I managed to snatch a few pictures, including of the actual 3D rendering of Miku.

Picture of the composer, dressed in yellow

Life-sized sculpture of Hatsune Miku, wearing a chequered dress that shows her waist, and heels. Her hair is flying as she turns.

11th March 2018: An old-fashioned museum and a strike in Madrid (Spain)

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I was looking at a work-related trip and wanted to use up Sunday morning to visit “a couple” of museums, then meet some relatives for lunch. Unfortunately, I was caught in the middle of a public transportation strike, so in the end I had to walk for a long while instead of doing what I wanted! Anyway, what I managed to do was getting to the Museo Geominero Nacional, the “Geomineral Museum” in Madrid. It is located in the headquarters of the Geological and Mining Institute of Spain, in a classical-looking building finished in 1925. It was designed by Franciso Javier de Luue. It is a classical-looking museum with wooden cases and an impressive stained glass ceiling, comprised by a central room and three surrounding balconies.

The access is through a marble staircase and the first corridor is already packed with display cases, even before you get to the main area. These cases show small and not-so-small fossils and replicas, displaying the first taste of the evolution of life on earth.

Once in the main room, most of the floor is taken up by the standing cases holding minerals, fossils and meteorites.

In the centre of the room lie the remains of a mastodon, located in the area of Ciudad Real in the 20th century, one of the crown jewels of the museum.

Of course I have been able to locate the collection of megalodon and shark teeth that are on display on the balcony.

Other displays on the upper floors include Spanish mountain goats, cave bears, and a human-evolution collection. Unfortunately, those did not photograph well due to the sun reflection.

And finally, my favourite piece of the collection is the Tyrannosaurus rex skull replica that presides the museum for the second floor.

When I came out, public transport was not running any more, so I had to walk through the Madrid backstreets until I got to the area where we had arranged to meet, and we went to a restaurant called El Escarpín, where I had an awesome pan of… wait for it… gratin meatballs with molten cheese on a bed of potatoes (Albóndigas gratinadas con queso de tetilla sobre cama de patatas). Amazing! Either that, or I was really ravenous after my hour and a half walking. Serves me right for not keeping up with the news! I learnt my lesson!

21st January 2018: Zoology at the Zoo (Guadalajara, Spain)

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This was just a stroll down the Zoológico Municipal de Guadalajara, the local town zoo. I just thought I could look up some of the animals I came across and see if I learn any interesting facts. It was not as easy as I thought!

Eurasian otter (Lutra lutra): it is a semiaquatic mamal that is fortunately not threatened. It lives near rivers and coasts in Europe and Asia. It mainly eats fish. They are pretty smart and playful, but they are also very territorial, so they usually live alone. They have webbed claws for swimming and catching fish. Mother otters teach the kits to fish by a game of “catch and release” the fish.

Peafowl (Pavo cristatus ): technically “peacock” is the male (colourful) and “peahen” is the female (brown). The male has long tail feathers that he displays when he wants to impress a female or another male. In India, it was used as ‘guardian animal’ as it screams when tigers approach and it can eat young cobra snakes. Now, that’s pretty cool, and here I thought he was just a pretty tail!

Fallow deer (Dama dama): Fallow deer are native to Europe, and have been introduced to many other places. The bucks (males) are very aggressive and competitive during mating season, and they use their horns to fight. The does (females) do not have horns.

Iberian red deer (Cervus elaphus): The imagery of the red deer has been so powerful in the human psyche that some it can be found in paintings dating 40,000 years back. Normally the males and the young create big family groups. Males create smaller groups that cooperate.

Barbary sheep (Ammotragus lervia). Also called arrui, it is an African mountain goat which lives in arid mountains and canyons and graze grass, bushes and lichens. They were artificially introduced in Southern Europe and became a bit of an invasive species. However, the truth is that they look super chill and zen.

European mouflon (Ovis orientalis musimon): It was originally a mountain creature but it moved to the forest when humans started bothering them. They thrive in rocky areas, though. They tend to live in herds with a lead female.

Wild boar (Sus scrofa): This is the omnivore animal by its own right. It can and will eat anything – from fruit to berries to even baby deer (O_O)!. Many old Indo-European cultures considered the boar a symbol of warrior virtues. In Greek mythology, the hero Herakles had to capture a boar as one of his Labours. In the east, it is considered a symbol of determination and even recklessness.

Iberian wolf (Canis lupus signatus): Unfortunately, the Iberian wolf is a vulnerable species and culling is still legal in Spain (•̀ω•́ ). The Iberian wolf is brown-grey and had a characteristic white area around its mouth. They also have black vertical lines along the front legs, and other dark marks on the leg and the tail. They are predators and prefer hunting big animals, especially deer. Wolves are social creatures, they live and hunt in groups.

Something really cool about wolves in general is that when they run, they place their hind legs on the footprint created by the front paw. Talk about coordination. Wolves have a very bad reputation in Spain, but there have not been confirmed attacks on cattle, much less on people, in recent years. Pictograms of the Iberian wolf have been found in archaeological artefacts from the tribes that lived in Spain before the Romans.

Emu (Dromaius novaehollandiae): Yay for another non-threatened animal. Emu originated in Australia, and are the second-biggest bird in existence after the ostrich. They are flightless, and they eat plants, grasses, insect and arthropods, depending the seasonal availability. Because females can lay several clutches of egg in one season after mating with different males, the male takes care of the incubation, and the chick-rearing. According the mythology of some aboriginal tribes of what now is called New South Wales, the sun had been created by throwing an emu egg into the sky.

Eurasian lynx (Lynx lynx): Native of Europe and Asia, it is widely distributed, which lowers its conservation concerns. The Eurasian lynx is mainly a nocturnal predator, and tends to live solitarily as an adult, although hunting areas may overlap for several individuals. They can hunt small animals, but they are known to prefer bigger prey, such as roe deer and common deer. Conversely, they may be hunted by wolves.

Red fox (Vulpes vulpes): The red fox is one of the animals with the widest habitat range in the whole world. It can be found almost everywhere in the northern Hemisphere, including many cities in Europe. It is an invasive species in Australia, where it was introduced in the 19th century. In European mythology it’s considered symbol of deceit. In Asian mythology it has two-faces, some of them are messengers of the gods, some are tricksters and dangerous. Arab folklore considers the fox cowardly and weak. Native American mythology considers it a crafty creature that steals the coyote’s food – in all cultures however, it seems to be intellingent and able to trick other animals or people. Interesting.

Griffon vulture (Gyps fulvus): A scavenger bird of prey, it feeds mostly off the carcasses of dead animals. It tends to live in flocks or colonies and makes nests on rocky walls. Even if they have a bad rep, they are very cool animals.

White stork (Ciconia ciconia): Credited with bringing babies from Paris, storks used to be long-distance migrants, which lived in North Africa in winter and returned to Europe in summer to breed. For the last twenty years or so, the storks have stayed, at least in Spain. They are also famous for making nests on belfries and other man-made structures, and because they are considered a good omen they have rarely been chased away – until the weight of the nest has made belltowers collapse!

Common kestrel (Falco tinnunculus), I think. Feel free to correct me if I’m wrong. The best thing about the small zoo is the work they carry out recovering injured birds of prey. The birds are nursed back to health and if everything works out they are released into the wild. I really hope this little guy can leave soon! ⋛⋋( ‘◇’)⋌⋚

14th – 16th October 2017: Vienna, Austria

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14th October 2017: Arrival and the Inner ring: Butterflies and Dinosaurs

Between flight and transfer to the city on Saturday morning, I arrived in the city of Vienna at 1pm. As my hotel was between the station and the city centre, I took my chances for an early check in and I was lucky – it was. After dropping my luggage I headed off to walk around Vienna’s Inner Ring, the Ringstrasse, which is a big boulevard that runs around all the old city of Vienna (Unesco World Heritage Site). A bunch of things were on my way and it seemed easy enough to find one’s way around. My hotel was located in a building close to a park, and had three floors, on the 11th, 12th and 13th floors of a building, which gave me some views of the city.

On Saturday the plan was wandering around, but as I am who I am I ended up improvising. My first stop was the outer Vienna State Opera, the Wiener Staatsoper, where a young man dressed as Mozart tried to sell me tickets for a show.

Vienna opera house, a baroque building in light colours with huge windows and an arched entrance

I continued on my walk and I saw the Albertina, a modern art museum, but I was actually heading to the Imperial Palace greenhouse, which is the home of a café and the Schmetterlinghaus, or Imperial Butterfly House. This is an area of the greenhouse where a bunch of butterflies are free to fly around and feed on a bunch of flowers, plants and pieces of apple. I was lucky enough to catch a few good shoots and I was very happy to have decided to go in (albeit I have to say that I was really keen on going there since I had seen that it existed). I really had a blast and enjoyed this, so it was a must that I don’t regret having missed, especially since the 6.50€ for the ticket. I spent around forty minutes in there chasing butterflies.

Vienna Butterfly house: a former greenhouse, and a few close-ups of different butterflies on bushes.

Then I saw the Austrian National Library, the Österreichische Nationalbibliothek.

Severe-looking stone building with columns and windows.

After that I back I walked through the Hofburg Palace, Hofburg Wien, and the Michaelerplatz or Saint Michael Square.

Collage of the former Imperial palace. It is a stone building with columns and windows, and arches

After that I crossed the palace in the opposite direction and ended up at the Heldenplatz, which gave way to Naturhistorisches Museum, the Natural History Museum to see dinosaurs, because there were dinosaurs, which is the home of the Venus von Willendorf, a tiny statue of stone dated back 29,500 years. The museum also holds a collection of minerals, meteorites, preserved animals, dinosaurs, an animatronics dinosaur and a multitude of artefacts from Prehistory to the Middle Ages. I also saw the same dunkleosteus that they have in the Tokyo Kokuritsu Kagaku Hakubutsukan. Have I mentioned dinosaur animatronics?

Collage of the Natural Museum: the building, with a dome, a whale skeleton, an Albertosaurus skeleton, the head of a Dunkleosteous fish, a huge salt stone and the Venus von Willendorf, a small naked woman statuette in golden stone

Following the museum I continued down the Ring Boulevard and it did not take me long to stumble up the Pallas Athene Brunnen (Monument to Palas Athena) and the Austrian Parliament Building, Parlamentsgebäude. The latter was under reconstruction.

Vienna parliament house, under renovation. There is a Palas Athena in white marble with a gold helmet standing in front of it.

I continued my walk until I found the Vienna Town hall, called the Rathaus, where there was a kind of Videogame trade fair or something going on.

Vienna town hall - neogothic building with a lot of towers and spikes.

Then I went on walking towards the university and the church of Votivkirche, a neo-gothic building next to the university.

Gothic church under renovation

Afterwards I went down to the hotel because this is not summer vacations after all, just a weekend escapade and I seriously did not have that much energy. On my way I walked past the stables of the Spanische Hofreitschule (Spanish Riding School) stables and I saw some pretty horses.

Two white horses from the Vienna riding school

And even from the hotel (literally from bed), as my room had views, I could take some pictures of the sunset and the lit buildings. And then I went to sleep at a horribly early hour because I was beat and for some reason I managed over 8 hours of sleep.

Sunset over the skyline of vienna. The buildings are dark and the sky is orange

15th October 2017: Palaces, churches and the Cinema

Because my hotel was **** for a change (I have to say that when I think about the whole weekend the word “decadent” is what comes to mind), I had a kettle and instant coffee ready for me – this was my breakfast. After that I did the online for my flight the following day and of course running into technical difficulties, and I left the hotel at around 9:30, which was a bit later than I had intended.

I was coming up to the Belvedere Palace, and on my way there I took a diversion to see the Karlskirche or Karlskirche (St. Charles’ Church), which I could see from my hotel and illuminated at night. This is a baroque church that sometimes holds classical music concerts.

The church of St. Charles; a Baroque church. It has a dome, and two twisted columns in front.

After taking a wrong turn once or twice this I headed out to my original target, the Schloss Belvedere (Upper Belvedere Palace). This is a Baroque Palace (seriously, Vienna is full of Baroque) that has been turned into a painting gallery. The most famous author in this gallery is Klint, but if I have to be honest, I’m not too appreciative of him – must be my likings for the realists. In the end, I liked the palace itself better than the painting collection, specially the reception room and the staircase.

The Upper Belvedere Palace, a Neoclassical building in white stone.

As I had bought a three-combo ticket including Upper and Lower Belvedere and the Winter Palace, I walked down the Belvedere Gardens to the Unteres Belvedere (Lower Belvedere), which holds the “Medieval Treasure” and temporal exhibitions. The best thing was the gold and mirror room and the marble gallery.

A huge garden with a palace in the background. The garden is artificial in a way, with perfectly-trimmed grass, fountains, and bushes.

The Baroque entrance to the lower Belvedere palace, a stone gate with sculptures on top. It looks like it wants to stare you down. The palace peers through the three open doors in the background

Then I headed off to the centre of the city to see the Winterpalais des Prinzen Eugen (Winter Palace of Prince Eugene), which was not the best thing ever but hey it came within the three-museum combo.

A Neoclassical palace with flags hanging over the door

Then I headed off to Domkirche St. Stephan (St. Stephen’s Cathedral), which is the gothic Catholic cathedral. It is not Baroque but Gothic. The entrance was free, but it also had a paid area, including the catacombs. Unfortunately I was too late for the current tour and too early for the following one, so I decided not to stick around, else I would have got the combo for the catacombs, the tower and the treasure.

A gothic cathedral. Collage showing the outside, with the tower and the ornate windows, and the inside showing the pointed arches inthe nave, and the organ.

As it was, I saw the cathedral and then headed off down different streets and saw the outer area of Katholische Kirche St. Peter (Catholic Church of St. Peter).

Façade of a Neoclassical church

And then headed out to the Michaelerplatz to check the inside of the Michaelskirche (Catholic Church of St. Michael).

Neoclassical church, showing the white and pointy bell tower. The image is tilted so the tower fits in the frame

I checked the Spanische Hofreitschule (Spanish Riding School) for tour tickets, but I was late for that and it was all sold out, so I decided to go to the station and buy some food in the supermarket for both lunch and dinner. On the way I crossed the Stadtpark to see the floral clock and the Johann Strauss monument – Johann Strauß Denkmal.

Finally, I headed off to get some rest at the hotel, and have a shower. At 18:15 I walked down to the cinema at the corner of my hotel building, the Gartenbaukino, because in the end that was the reason I was there – to attend the Austrian premiere of the X JAPAN documentary We are X as Yoshiki was going to be around for a Q&A session afterwards.

There had been a small mix-up with the ticket numbering (all of them had been printed out with the same seating number!), which was solved efficiently. We watched the documentary We are X and then there was a Q&A with Yoshiki himself. There were emotional moments as the fans thanked him for everything he had done and for his music.

Entryway to the cinema. It reads We are X Live + Q&A mit Yoshiki 20.00

Yoshiki sitting in front of a burgundy curtain. He is wearing his sunglasses and a black suit, boots and a golden blouse

After the Q&A some of us stayed talking at the cinema gate and the manager, who had solved the ticket problem, came out to close – and he told us where Yoshiki would be leaving from. And that’s… the story of how I got to talk to Yoshiki, I got his autograph and took a picture with him and I will never, ever, ever forget the rush of that.

I have to say I did not sleep much that night. All the excitement caught up with me and I kept replaying the scene in my head over and over again. in the end I think it was around 2:30 that I could turn the lights off.

16th October 2017: Airport Monday morning

After checking out of the hotel I walked back to the train station and took the CAT towards the airport. I had taken an earlier train than I had already planned and boy was I glad to do so when following arrows at the airport took me as much as 20 minutes. Something I learnt in this trip is how friendly Austrian people are, and that they have a great sense of humour, as apparently one of their star souvenirs is “no kangaroos in Austria”. The return flight was not as good as the first, but it was on time and I could arrive to work smoothly for a crazy week.

23rd & 24th September 2017: San Sebastián Film Festival (Spain)

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23rd September 2017: Let’s go!

Overnight, I headed off to San Sebastián as a Weekend Escapade to the Festival de Cine de San Sebastián International Film Festival that is held over there because they were projecting a Japanese film and the main actor and the director were coming over to present it. The film was “Sandome no Satsujin” [三度目の殺人], the director is Hirozaku Kore-eda and the actor in question was Fukuyama Masaharu, of whom I am a big fan.

I started off at 22:00 on Friday as I had to take a bus to go to Intercambiador de Avenida de América, which is one of the bus hubs in Madrid. My bus to San Sebastián left at 00:30, so in the end I had to wait for almost two hours until I could board. I was dozing for most of the trip so it did not feel too long. I arrived in San Sebastián bus station at around 6:50 in the morning and I had decided that I would go to the so-called Shell Beach, Playa de la Concha, to watch sunrise. I had been told that cafeterias would be open at that time, but not even the one in the bus station was ready.

A beach at night. The sea is calm and it reflects the city lights

My plan of watching a sea sunrise was trumped by the fact that the sea is towards the west, but I still could take a couple of nice pictures.

The sun rising, tinting the sky and the sea blue and orange

Among them were the beach itself, the “skyline” and the Catedral del Buen Pastor (Good Shepherd Cathedral).

A gothic or neogothic church clock tower, spiky with pointy arches

I wandered around, found the theatre where the film was going to be projected and as the sun started warming up, I started feeling less like a homeless dog.

The sun rising along a promenade

I found the local Starbucks at around 9:00 to get some rest, a coffee, and a cookie before I went to the Aquarium, which opened at 10:00. The Aquarium de San Sebastián is a bit more of a museum than anything else. The first part (second floor) is dedicated to the history of ocean commerce, with different types of ships, and rooms focused on the local harbour, companies, traditional boat racing and whaling. This includes an actual right whale skeleton and several sperm whale teeth and some baleens. The second part (first floor) is dedicated to general fishing and the local oceanography society, including machinery and live specimens.

Finally, after all this, you get to the actual aquarium (yay). There are several small tanks and then a big tank with a walk-through tunnels. The inhabitants are pretty standard, with lots of small fish and several magnifying-glass tanks to make the animals look bigger than they are. The third floor hosts the tropical fish including the piranha and the clown fish. All in all it is a nice place, however, it was under construction and some tanks were covered by dark plastic. After that I left the aquarium and I decided to go up Mount Urquil, which hosts a castle and quite nice views of the city and the ocean.

A small building entrance which yields to the aquarium. Collage showing different exhibits inside: a whale skeleton, a seven-grilled shark in alcohol, a trilobites fossil, a shark jaw, a starfish, a shark swimming above through an aquarium tunnel, a lionfish, sarks swimming in the aquarium

I walked by John Malkovich while heading there, but he did not look like he was in the mood (or the clothes) to be recognised, so I did not bug him. Then I started my climb up the mount towards the the local castle, Castillo de La Mota, along the batteries of cannons. The castle has a small history museum, and a look-out balcony, and the top has been transformed into a church, with a giant Christ overlooking. The truth is I was mostly improvising on my visits as the week was hell between work and the death of a family member.

Views from and of the ruins of the castle - the sea, the wall, and the old cannons

After that I had lunch and headed off to the theatre to check out the coming out of people. At this point I planned to wait for the actor and the director to come into the theatre, but for some reason I checked out the schedule, and the name of the actor had been taken out of the presentation! That made me sad for a little while, but I decided that I was okay with it, that it would not be a drama. I had taken my chance, and at least I had gotten some air after all the pain and drama throughout the week. I guess that helped relativise the sadness. I went to a park near the beach to get some sun and enjoy the last days of summer.

A 19th century building with large windows. A banner on the façade reads Festival de San Sebastián 65

A banner for the cinema festival, showing posters for different films. The third murder is on the bottom left

Around 15:00 I returned to the theatre, Teatro Victoria Eugenia to start lining as I wanted a seat close enough to see the subtitles- and I found a place on sixth row which was pretty good. As this was a special people’s vote session, we got a ballot to give our opinions. Then I settled to wait, and eventually at 16:00 the presenter came in, and to my surprise, she announced Kore-eda and Fukuyama. That made me so happy I could have died right there and then, and the best was still to come. Kore-eda told us about the film. Apparently several people consider that he has changed genre, but he told us that he disagrees and that he still tried to make a human drama. However, he thought that we should judge. Then Fukuyama told us that he enjoyed San Sebastián and that they had been having pinchos and that he was happy to have returned. I was shaking so hard I could barely hold the phone as I recorded.

The stage inside the theatre

Director Kore-eda and actor Fukuyama Masaharu on stage

Promo of the film The Third Murder from the Festival Webpage

All this would have made me very happy already, but there is more. “Sandome no Satsujin”, or “The third murder” tells the story of a lawyer whose job is to defend a man accused of murder. As this would be the defendant’s third murder, if found guilty he will be handed the death penalty. The film is a complex story, completely unpredictable – or I was too enthralled to see the ending coming – but when everything fell into place I felt like gawking.

Furthermore, there was more to come – at the end of the film both Kore-eda and Fukuyama had stayed behind. as I was coming out I looked up and told them “otsukaresama deshita”, and both of them bowed and replied “arigatou”. Then we waited for them to come down from the second floor, from where they had taken the ovation. I dropped my vote and rushed through the red carpet. As other people talked to the director I made a beedive towards Fukuyama. It was then or never, and it turned out to be then.

Director Kore-eda and actor Fukuyama Masaharu waving for a picture on the street after the film

I was shaking inside but I managed to tell them that I had been a fan of his since Galileo times and I asked for his autograph. He told me thank you (at some point the interpreter tried to help, but I was busy dying and trying to get my meaning across). He signed my Galileo booklet and I asked him to take a picture with me, to which he also agreed. And thus I fulfilled my wildest dreams (and look horrible in the picture). After Fukuyama had continued on the red carpet I managed to sit down on a curb and I was on the phone with my friend C*****, who prevented me from going completely hysterical in fanby bliss.

After I told her everything, I was pretty dead so I headed off to he hotel (pension) that I had booked for the night, and pretty much giggled and crashed, and uncrashed and giggled some more. At 23:00 I was completely zonked out, not without realising that I had headed to get some rest without grabbing my freebies and some merchandising I wanted from the festival.

Fukuyama Masaharu's autograph on a DVD booklet

24th September 2017: And back

I left the hotel early, around 8:30 to head towards the cinema area and buy the short Festival guide (not the big one for 22€ but the little one for 1.5€) and get the free newspaper. I bought a coffee to go and headed back to the bus station, when my bus was at 10:00. I could not sleep and the Wi-Fi was not working, but I could watch Youtube videos on the seat screen. I managed to get home around 17:00 after a couple of buses, and I was pretty much dead. However, it was totally worth it. I think this is why I was hyper enough to decide to go to Vienna next month…

1st (and 2nd) August 2017: Running out of time! {Japan, summer 2017}

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This was my last day and I had to make the most of it! First I went to Shibakoen [芝公園] and Tokyo Tower [東京タワー], because that always keeps the sadness at bay. I went up the tower and I finally gave in and bought the stamp rally booklet. I should have done it before. The Tower was being visited by a primary school class. Ho boy.

Then I went to Iidabashi [飯田橋] using the Shibakoen subway station. The day before I had hired a private lesson to have a teacher explain Japanese conditionals to me. That was very productive. Finally I was off to Shinjuku [新宿] for yakitori and karaoke with B**** and D****e to say goodbye for now.

Finally, I half-packed because I apparently forgot half of my stuff atover there, and went to bed. At 2:02 in the morning there was the only noticeable quake of the trip, quite a big one. In the morning, I headed off to Narita Airport, checked-in my luggage, and once again, it was time to go back to reality.

31st July 2017: Little Korea and Tsukishima {Japan, summer 2017}

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I met up with B**** in Shin Okubo [新大久保] to walk around Korean Town make-up shops. Afterwards we headed off to Iidabashi [飯田橋] because I needed to drop by the school I had been at the previous year and B**** was nice enough to come with me. we took the chance to have a great sushi lunch at a bit of a more refined sushi place than our usual sushi lines. It was so very amazing!

Then I wanted to go to Ikebukuro [池袋] again because I had not found something I wanted in the Shibuya [渋谷] Tokyu Hands on Saturday, and we found ourselves a nice place to sit down and have something to drink (aka, Starbucks) because it was our chance to try whatever lemon beverage they were selling at the moment.

Then I headed off to Tsukishima [月島] to have okonomiyaki and monja with Ms-san and D****e. And then there was a parfait / icecream / whatever.

29th July 2017: Shinjuku, Shibuya & Blended Fam {Japan, summer 2017}

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D****e and I were going to have a relaxing weekend, not leaving Tokyo [東京] and stuff, but she wanted to do some shopping. We started off in Shinjuku [新宿], at the Tokyo Metropolitan Government Building Tōkyō Tochō [東京都庁], which was as always great and on her subway line anyway.

Collage showing Tokyo from above - thousands of buildings that disappear in the background, and some forlone green parks

Afterwards, I wanted to check something in one of the Shinjuku fandom shops (it said to ask the shop assistant, and I can ask, but I was not sure I would have understood the answer, thus she offered to tag along with me). Unfortunately the item I wanted was already gone, life is tough.

Then we went to Shibuya [渋谷] for lunch, Tokyu Hands and Mandarake. Afterwards we walked in the rain towards Royal Flash to check Arly’s Jewellery Line – Blended Fam. Arimatsu, or Arly, is the drummer for Oblivion Dust, and used to play for VAMPS too. He also designs jewellery, and he makes very pretty stuff – unfortunately quite expensive. We chose to drop by this day because he was going to be in the shop greeting fans, and engraving his most affordable piece of jewellery, a pendant made from his used cymbals. Furthermore, if you got one while he was there, he would engrave your initials on it! Fun. I decided to get one, and he was mortified when “SD” was engraved upside-down, yielding to “DS”. He was mortified. Then I joked about it and I gave it a naughty meaning… making him choke with laughter. So… it was a win, I guess?

The artist engraving the pendant, and the material - old cymbals cut out in a heart-shape.

After the event, we headed off to the Tokyo SkyTree [東京スカイツリー]. We were going to see the nearby fireworks with a friend from there, and have dinner later, or have dinner with her if the rain did not stop. In the end only we had dinner – as it was raining very hard and we thought the fireworks would be cancelled, so we headed off to a nice Chinese restaurant at the SkyTree which had extra long gyoza.

Chinese food - dumplings, rice, sweet and sour pork, soup

When we were coming out we saw one last firework, as the show was not cancelled in the end. Live and learn.

Firework sparks behind the structure of the Tokyo Skytree

28th July 2017: Shopping at Ikebukuro {Japan, summer 2017}

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This is something I had never thought I would have done, but it was strangely fun – I went shopping along Ikebukuro [池袋]. And not fandom shopping – well, yes, there was fandom shopping, but… It was weird. I was in the Book Off as always that I’m around. I was also in the Sanryo Gift Gate but there was no Yoshikitty to be found.

The original intent was going to the Sunshine City Aquarium [サンシャイン水族館] but when I arrived there was a very long line, so I decided to wander around for a while. I accidentally ran into a T-shirt that I loved and had to buy – full of sciency formulae, and a bag I really liked. I found it a bit expensive, so “decided” not to buy it.

After some conbini lunch I went back to the Aquarium and decided to wait as the line did not seem to be about to be longer than 15 minutes (much better than the 45 before).

The Aquarium was full and it never fails to surprise me how Japanese kids are this wild in aquariums in general- but this time I got pushed around by grannies too! XD I also found a new appreciation for pelicans and ended up with a lot of pelicanbutt pictures.

After the aquarium I headed to the Closet Child on my way to the station and bought a very cool T-shirt from a group I don’t really listen to, but very cool, and 1000¥. And then, because I had not really gotten myself anything too expensive in Closet Child, I gave into temptation and went back for the handbag. Many people have complimented me for it, and I really love it.

Afterwards I met up with B**** for sushi and Starbucks while D****e was in a fancy dinner on a boat, with my camera (yay phone pictures). After I got into the train, I was messaging with D****e and we realised that we were on the same train. What are the chances? Very, very small XD

27th July 2017: Osaka → Kyoto → Tokyo {Japan, summer 2017}

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It’s not the first time I’ve done this, but this time it was sane-ish. I left Osaka [大阪] maybe at 8.30 in the morning and took the Shinkansen to Kyoto [京都]. Once there, I found myself a coin locker at the station and went on to the bus area. I was heading to Jonan-gu [城南宮] which was my last shrine of the Kyoto Gosha Meguri ~Shi shin Sou Ou No Miyako~ [京都五社めぐり~四神四神相応の京~] and… under repairs too. But I had finished the Meguri. I had to wait about an hour for the bus. Then 40 minutes ride, about 10 minutes in the shrine, 30 minutes waiting for the bus back and 40 minutes ride again.

After I had some lunch at the station, I headed back to Tokyo [東京], where I met up with D****e in order to hit Nakano Broadway [中野ブロードウェイ] to rummage through TRIO (Yay TRIO for getting me what I needed ♥… and some more stuff I did not need but hey, who cares about those details?). Afterwards we had some kushikatsu dinner.

26th July 2017: Kyoto buses *eyeroll* {Japan, summer 2017}

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Someone told me that using Kansai public transport made her appreciate Tokyo trains, and I whole-heartedly agree. I am thankful to the Kyoto [京都] Tourist Office Lady told me the two shrines I had left in the Kyoto Gosha Meguri ~Shi shin Sou Ou No Miyako~ [京都五社めぐり~四神四神相応の京~] would take me a long time, because it allowed me to plan accordingly. Good thing that with a JR Pass you can travel between Osaka and Kyoto in barely half an hour for free.

I went to Matsuno Taisha [松尾大社], but I did not try the famous sake they had because not a drinker here. The shrine was being restored, too, so that took away some of the impressiveness.

Collage of a Shinto shrine: a vermillion torii, ceremonial sake, and the main buildings in dark wood

After I was back at the station, I travelled back to Osaka [大阪] to get the shuuin at Sumiyoshi Taisha [住吉神社] there.

A vermillion gate that gives way into a Shinto Shrine.

Then I headed out to Zepp Osaka Bayside for the last of my VAMPS concerts for the time being. There had been no surprises this time, so it was just a “normal” concert without extra adrenaline, which was good for a chance, honestly. I was too sore to jump after the previous day though (≧▽≦).

Zepp Osaka Bayside logo in blue neon