Category Archives: Spain [España]

28th January 2018: Amusement Park in Madrid (Spain)

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I had a friend over for the weekend and she wanted to “do something” so I got thinking. She is adcenturous, so I thought that the Madrid amusement park could be a good idea. The Parque de Atracciones de Madrid was established in 1969. I’ve never been much of a rides person, for two reasons. One, it is one of those things that you take up when you’re young, and when I was young my parents were rather opposed to funfairs and rides and so on (with good reason, to be honest, but that’s another story). Two, I tend to be worried that random rides are going to trigger my headaches, especially when I have to take my glasses off.

For this trip, I decided to wear my contacts, so I actually got to go on a few of the rides. I was mostly happy staying back and letting my friend do the roller coasters though.

I was all good with the ride called “The Jungle”, which turned out not only to have animals, but… different cultural approaches.

I enjoyed the “Zeppelin”, and the sights…

And, of course, I rode the carousel “Tiovivo”. Several times to be honest.

It was low season, so the price was much cheaper than normally. Unfortunately, it also meant that a few of the rides were closed. Then again, I wouldn’t have wanted to go onto anything with water in January…

21st January 2018: Zoology at the Zoo (Guadalajara, Spain)

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This was just a stroll down the Zoológico Municipal de Guadalajara, the local town zoo. I just thought I could look up some of the animals I came across and see if I learn any interesting facts. It was not as easy as I thought!

Eurasian otter (Lutra lutra): it is a semiaquatic mamal that is fortunately not threatened. It lives near rivers and coasts in Europe and Asia. It mainly eats fish. They are pretty smart and playful, but they are also very territorial, so they usually live alone. They have webbed claws for swimming and catching fish. Mother otters teach the kits to fish by a game of “catch and release” the fish.

Peafowl (Pavo cristatus ): technically “peacock” is the male (colourful) and “peahen” is the female (brown). The male has long tail feathers that he displays when he wants to impress a female or another male. In India, it was used as ‘guardian animal’ as it screams when tigers approach and it can eat young cobra snakes. Now, that’s pretty cool, and here I thought he was just a pretty tail!

Fallow deer (Dama dama): Fallow deer are native to Europe, and have been introduced to many other places. The bucks (males) are very aggressive and competitive during mating season, and they use their horns to fight. The does (females) do not have horns.

Iberian red deer (Cervus elaphus): The imagery of the red deer has been so powerful in the human psyche that some it can be found in paintings dating 40,000 years back. Normally the males and the young create big family groups. Males create smaller groups that cooperate.

Barbary sheep (Ammotragus lervia). Also called arrui, it is an African mountain goat which lives in arid mountains and canyons and graze grass, bushes and lichens. They were artificially introduced in Southern Europe and became a bit of an invasive species. However, the truth is that they look super chill and zen.

European mouflon (Ovis orientalis musimon): It was originally a mountain creature but it moved to the forest when humans started bothering them. They thrive in rocky areas, though. They tend to live in herds with a lead female.

Wild boar (Sus scrofa): This is the omnivore animal by its own right. It can and will eat anything – from fruit to berries to even baby deer (O_O)!. Many old Indo-European cultures considered the boar a symbol of warrior virtues. In Greek mythology, the hero Herakles had to capture a boar as one of his Labours. In the east, it is considered a symbol of determination and even recklessness.

Iberian wolf (Canis lupus signatus): Unfortunately, the Iberian wolf is a vulnerable species and culling is still legal in Spain (•̀ω•́ ). The Iberian wolf is brown-grey and had a characteristic white area around its mouth. They also have black vertical lines along the front legs, and other dark marks on the leg and the tail. They are predators and prefer hunting big animals, especially deer. Wolves are social creatures, they live and hunt in groups.

Something really cool about wolves in general is that when they run, they place their hind legs on the footprint created by the front paw. Talk about coordination. Wolves have a very bad reputation in Spain, but there have not been confirmed attacks on cattle, much less on people, in recent years. Pictograms of the Iberian wolf have been found in archaeological artefacts from the tribes that lived in Spain before the Romans.

Emu (Dromaius novaehollandiae): Yay for another non-threatened animal. Emu originated in Australia, and are the second-biggest bird in existence after the ostrich. They are flightless, and they eat plants, grasses, insect and arthropods, depending the seasonal availability. Because females can lay several clutches of egg in one season after mating with different males, the male takes care of the incubation, and the chick-rearing. According the mythology of some aboriginal tribes of what now is called New South Wales, the sun had been created by throwing an emu egg into the sky.

Eurasian lynx (Lynx lynx): Native of Europe and Asia, it is widely distributed, which lowers its conservation concerns. The Eurasian lynx is mainly a nocturnal predator, and tends to live solitarily as an adult, although hunting areas may overlap for several individuals. They can hunt small animals, but they are known to prefer bigger prey, such as roe deer and common deer. Conversely, they may be hunted by wolves.

Red fox (Vulpes vulpes): The red fox is one of the animals with the widest habitat range in the whole world. It can be found almost everywhere in the northern Hemisphere, including many cities in Europe. It is an invasive species in Australia, where it was introduced in the 19th century. In European mythology it’s considered symbol of deceit. In Asian mythology it has two-faces, some of them are messengers of the gods, some are tricksters and dangerous. Arab folklore considers the fox cowardly and weak. Native American mythology considers it a crafty creature that steals the coyote’s food – in all cultures however, it seems to be intellingent and able to trick other animals or people. Interesting.

Griffon vulture (Gyps fulvus): A scavenger bird of prey, it feeds mostly off the carcasses of dead animals. It tends to live in flocks or colonies and makes nests on rocky walls. Even if they have a bad rep, they are very cool animals.

White stork (Ciconia ciconia): Credited with bringing babies from Paris, storks used to be long-distance migrants, which lived in North Africa in winter and returned to Europe in summer to breed. For the last twenty years or so, the storks have stayed, at least in Spain. They are also famous for making nests on belfries and other man-made structures, and because they are considered a good omen they have rarely been chased away – until the weight of the nest has made belltowers collapse!

Common kestrel (Falco tinnunculus), I think. Feel free to correct me if I’m wrong. The best thing about the small zoo is the work they carry out recovering injured birds of prey. The birds are nursed back to health and if everything works out they are released into the wild. I really hope this little guy can leave soon! ⋛⋋( ‘◇’)⋌⋚

8th December 2017: Ferrari in Guadalajara (Spain)

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There was a tiny (five) Ferrari sport cars exhibition in Guadalajara, Spain, so I thought I would drop by, just to be able to appreciate what they call “Ferrari red”. I loved the cars, but I don’t think that I would ever be able to get in and out of them. You could not sit down at the wheel though, so I can’t say if I would be able to drive them (≧▽≦).

Ferrari was established in 1939 by Enrico Ferrari out of the racing car division of Alfa Romeo. In 1947, the first Ferrari-branded car was completed – there had been a racing car in 1940, but WWII stopped most competitions at the time. After the war, the racing team, called Scuderia Ferrari, was rebuilt, and went on to become the most successful Formula One Team.

Ferrari produced its first road car in 1949. the original road cars were two-seaters and usually customised. Throughout the 50s and 60s, customers used to personalise their cars, which would eventually become one of the brand’s selling points. Since 2011 clients have been able to work directly with designers so the cars are completely personalised.

The exhibition was organised by the car-maintenance watchdog, and the cars shown were recent models, such as the Ferrari F430 Scuderia (2007), the Ferrari 458 Speciale (2014), or the Ferrari 355 berlinetta (1994).

23rd & 24th September 2017: San Sebastián Film Festival (Spain)

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23rd September 2017: Let’s go!

Overnight, I headed off to San Sebastián as a Weekend Escapade to the Festival de Cine de San Sebastián International Film Festival that is held over there because they were projecting a Japanese film and the main actor and the director were coming over to present it. The film was “Sandome no Satsujin” [三度目の殺人], the director is Hirozaku Kore-eda and the actor in question was Fukuyama Masaharu, of whom I am a big fan.

I started off at 22:00 on Friday as I had to take a bus to go to Intercambiador de Avenida de América, which is one of the bus hubs in Madrid. My bus to San Sebastián left at 00:30, so in the end I had to wait for almost two hours until I could board. I was dozing for most of the trip so it did not feel too long. I arrived in San Sebastián bus station at around 6:50 in the morning and I had decided that I would go to the so-called Shell Beach, Playa de la Concha, to watch sunrise. I had been told that cafeterias would be open at that time, but not even the one in the bus station was ready.

A beach at night. The sea is calm and it reflects the city lights

My plan of watching a sea sunrise was trumped by the fact that the sea is towards the west, but I still could take a couple of nice pictures.

The sun rising, tinting the sky and the sea blue and orange

Among them were the beach itself, the “skyline” and the Catedral del Buen Pastor (Good Shepherd Cathedral).

A gothic or neogothic church clock tower, spiky with pointy arches

I wandered around, found the theatre where the film was going to be projected and as the sun started warming up, I started feeling less like a homeless dog.

The sun rising along a promenade

I found the local Starbucks at around 9:00 to get some rest, a coffee, and a cookie before I went to the Aquarium, which opened at 10:00. The Aquarium de San Sebastián is a bit more of a museum than anything else. The first part (second floor) is dedicated to the history of ocean commerce, with different types of ships, and rooms focused on the local harbour, companies, traditional boat racing and whaling. This includes an actual right whale skeleton and several sperm whale teeth and some baleens. The second part (first floor) is dedicated to general fishing and the local oceanography society, including machinery and live specimens.

Finally, after all this, you get to the actual aquarium (yay). There are several small tanks and then a big tank with a walk-through tunnels. The inhabitants are pretty standard, with lots of small fish and several magnifying-glass tanks to make the animals look bigger than they are. The third floor hosts the tropical fish including the piranha and the clown fish. All in all it is a nice place, however, it was under construction and some tanks were covered by dark plastic. After that I left the aquarium and I decided to go up Mount Urquil, which hosts a castle and quite nice views of the city and the ocean.

A small building entrance which yields to the aquarium. Collage showing different exhibits inside: a whale skeleton, a seven-grilled shark in alcohol, a trilobites fossil, a shark jaw, a starfish, a shark swimming above through an aquarium tunnel, a lionfish, sarks swimming in the aquarium

I walked by John Malkovich while heading there, but he did not look like he was in the mood (or the clothes) to be recognised, so I did not bug him. Then I started my climb up the mount towards the the local castle, Castillo de La Mota, along the batteries of cannons. The castle has a small history museum, and a look-out balcony, and the top has been transformed into a church, with a giant Christ overlooking. The truth is I was mostly improvising on my visits as the week was hell between work and the death of a family member.

Views from and of the ruins of the castle - the sea, the wall, and the old cannons

After that I had lunch and headed off to the theatre to check out the coming out of people. At this point I planned to wait for the actor and the director to come into the theatre, but for some reason I checked out the schedule, and the name of the actor had been taken out of the presentation! That made me sad for a little while, but I decided that I was okay with it, that it would not be a drama. I had taken my chance, and at least I had gotten some air after all the pain and drama throughout the week. I guess that helped relativise the sadness. I went to a park near the beach to get some sun and enjoy the last days of summer.

A 19th century building with large windows. A banner on the façade reads Festival de San Sebastián 65

A banner for the cinema festival, showing posters for different films. The third murder is on the bottom left

Around 15:00 I returned to the theatre, Teatro Victoria Eugenia to start lining as I wanted a seat close enough to see the subtitles- and I found a place on sixth row which was pretty good. As this was a special people’s vote session, we got a ballot to give our opinions. Then I settled to wait, and eventually at 16:00 the presenter came in, and to my surprise, she announced Kore-eda and Fukuyama. That made me so happy I could have died right there and then, and the best was still to come. Kore-eda told us about the film. Apparently several people consider that he has changed genre, but he told us that he disagrees and that he still tried to make a human drama. However, he thought that we should judge. Then Fukuyama told us that he enjoyed San Sebastián and that they had been having pinchos and that he was happy to have returned. I was shaking so hard I could barely hold the phone as I recorded.

The stage inside the theatre

Director Kore-eda and actor Fukuyama Masaharu on stage

Promo of the film The Third Murder from the Festival Webpage

All this would have made me very happy already, but there is more. “Sandome no Satsujin”, or “The third murder” tells the story of a lawyer whose job is to defend a man accused of murder. As this would be the defendant’s third murder, if found guilty he will be handed the death penalty. The film is a complex story, completely unpredictable – or I was too enthralled to see the ending coming – but when everything fell into place I felt like gawking.

Furthermore, there was more to come – at the end of the film both Kore-eda and Fukuyama had stayed behind. as I was coming out I looked up and told them “otsukaresama deshita”, and both of them bowed and replied “arigatou”. Then we waited for them to come down from the second floor, from where they had taken the ovation. I dropped my vote and rushed through the red carpet. As other people talked to the director I made a beedive towards Fukuyama. It was then or never, and it turned out to be then.

Director Kore-eda and actor Fukuyama Masaharu waving for a picture on the street after the film

I was shaking inside but I managed to tell them that I had been a fan of his since Galileo times and I asked for his autograph. He told me thank you (at some point the interpreter tried to help, but I was busy dying and trying to get my meaning across). He signed my Galileo booklet and I asked him to take a picture with me, to which he also agreed. And thus I fulfilled my wildest dreams (and look horrible in the picture). After Fukuyama had continued on the red carpet I managed to sit down on a curb and I was on the phone with my friend C*****, who prevented me from going completely hysterical in fanby bliss.

After I told her everything, I was pretty dead so I headed off to he hotel (pension) that I had booked for the night, and pretty much giggled and crashed, and uncrashed and giggled some more. At 23:00 I was completely zonked out, not without realising that I had headed to get some rest without grabbing my freebies and some merchandising I wanted from the festival.

Fukuyama Masaharu's autograph on a DVD booklet

24th September 2017: And back

I left the hotel early, around 8:30 to head towards the cinema area and buy the short Festival guide (not the big one for 22€ but the little one for 1.5€) and get the free newspaper. I bought a coffee to go and headed back to the bus station, when my bus was at 10:00. I could not sleep and the Wi-Fi was not working, but I could watch Youtube videos on the seat screen. I managed to get home around 17:00 after a couple of buses, and I was pretty much dead. However, it was totally worth it. I think this is why I was hyper enough to decide to go to Vienna next month…

6th & 7th May 2017: Cuenca (Spain)

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If I ever go missing, especially with my car, don’t go around looking for me in Cuenca . I would have a nervous breakdown trying to drive through the streets and slopes. I’m not sure what time we arrived, maybe mid-morning. We had a reservation to have lunch at the Parador. However, to get there we had to drive up a horrible, horrible hill with a terrible paving and park too close to the cliff so #no.

Cuenca is considered a World Heritage City. It has a classical, mostly Medieval area, and a normal / standard area surrounding that. The inner cluster is virtually carless as the streets are narrow and steep. It is perched on the Huécar Gorge and as you can see, a vertical rock wall.

We had some time before we had to go for lunch, so the first thing we did was go have a look at the Casas Colgadas, the hanging houses that overlook the Huécar Gorge. Inside there is a contemporary art museum that I visited once already so there was no incentive to look again – you know, the kind of abstract art that showcases a plus-symbol and you’re supposed to interpret.

We had lunch at the Parador de Cuenca. A Parador is a high-end state-owned hotel usually with a good restaurant. More often than not, a Parador is located in a renovated historical building. This one is a former monastery, and the restaurant is located, if I remember correctly, where the original dining room would have been.

Main dishes were forgettable (and not photogenic) but the curd or “cuajada” for dessert was to die for – and it came with a lot of extra goodies.

In order to get to the town centre you have to cross the scary, scary bridge aka the Puente de San Pablo, St Paul’s Bridge, over the gorge, but I survived – without a freak-out (≧▽≦) and you might be aware that I am not a fan of heights.

We had lunch, then moved (over the scary scary bridge) on to see the Museo de las Ciencias de Castilla la Mancha, the Science Museum of Castilla La Mancha – unfortunately the dinosaur area was closed, so we “only” got to see the super steampunk clock and the energy wards, and the tornado simulator, along to some kind of reproduction of the International Space Station.

After the museum we walked a little around the town. We went to the cathedral, Catedral de Santa María y San Julián de Cuenca, but it was closed due to some religious service or another. I mean… that’s its main purpose I guess? (≧▽≦)

Then we found the Torre de Mangana, Mangana Tower, a clock tower dating from the Sixteenth Century. From underneath the tower there is quite an impressive sight of the area surrounding the city.

We went back to the car and we had a drive around the city. Cuenca is located in the middle of a karst area. Karst is a type of landscape formed by the dissolution of soluble rocks e.g. limestone or gypsum. You can see how the rock seems to be “molten” among all the pines.

We reached the Castillo and Murallas (castle and walls) on the other side of town but we had to drive back due to the streets being cut for the same religious event we had run into before.

Thus, on our way back, we drove at the bottom of the Huécar Gorge and headed back to the hotel.

This was about six or seven in the evening, and we did not go out again because we were way outside town. We had dinner in the hotel and called it a day eventually. I ordered the kids’ menu because everything else was too fancy and abundant.

The next morning we woke up early to visit the Ciudad Encantada / Enchanted City. This is another karst topography which has somehow become very famous. Some of the rocks have interesting forms, and have been given names. It is a sort of geological park formed by rain falling on the rocks and dissolving them for millions of years. The original rocks were a mix of of limestone and dolomite in different proportions, which ended up dissolving in different shapes.

After walking around for a couple of hours we went on our return trip.

11th March 2017: “TAO: The Samurai of the Drum” show in Guadalajara (Spain)

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More than a trip, this one is focused on an event I attended. There was a Drum Tao performance in Guadalajara, to which I was invited. The fun part the person who had invited me used to work at the theatre. As he still had “contacts”, I was allowed to peek a little into the backstage, so I could take a few special pictures.

There is not much of a description that you can write of a percussion performance, to be honest. TAO focuses on drumming, the Japanese taiko style, with bigger and smaller drums, but they also play traditional flutes, koto and samishen (traditional harp and three-string guitar). The show also displays a few acrobatics. It was pretty fun. In the end you could take pictures and get autographs from some of the staff members.

Aaand I own up that I did a little bit of trolling by speaking Japanese to random staff in the merchandise area…

Collage: the big drum, the back curtain reading Tao, and a CD with the booklet autographied

5th & 6th of November 2016: Barcelona (Spain) for We are X

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I was supposed to have travelled to London in March 2016 to see X Japan’s concert, where they were also going to project the We Are X documentary premiere. Unfortunately, that was postponed to 2017 due to PATA’s health issues. I really hope it works out next year. However, the decision was made to start premiering the documentary in different music festivals, and the second I heard that it would be shown at the Beefeater In-Edit festival in Barcelona I got a ticket for it. Furthermore, I actually won two more tickets in a giveaway.

These two tickets I got I gave to a couple-friend of mine who had been so nice as to let me stay over at their place. I took a train around 8 am and was in Barcelona mid-morning. I went directly to their place and we just hung out until it was time to go to the Multicines Sala 5, where the documentary was going to be shown. We were actually the first and, press aside, we were the first ones in. We sat dead in the middle of the cinema and a group that walked in ten minutes later wanted us to move. And sorry, random person, but the answer is not. We were not really a “queue” but we were waiting for a couple of hours, so I was not going to give my chosen “best seat” out of the whole theatre for a group of ten people.

This was a Saturday evening, and there had already been a premier on the 1st of November so there might be more fans there, but in general I was a bit taken down by how few fans there were, most felt like people who had a whole-festival ticket.

The documentary tells the story of X JAPAN, one of my favourite Japanese bands, from the point of view of its founder, drummer and pianist Yoshiki. The band crumbled at the height of its popularity when guitarist Hide died by hanging, and the singer ended up brainwashed by a cult. Everything is told from Yoshiki’s own point of view, which makes the film biased, but still poignant.

After the film we went back to my friends’ place and had dinner. The next morning, they wanted to show me their little orchard in the outskirts, and I was treated to the best paella (Spanish rice) that I have ever had in my life – so awesome I even forgot about taking pictures! It was sad that I had to leave by 8pm, so I was only in Barcelona for about 32 hours, but it was so well worth it.

Collage showing the entrance to Multicines 5 and the Beefeater In-Edit screen before the film started

16th September 2016: Some Madrid (Spain) Museums

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I woke up one morning, a silly weekday that I did not have to work for some reason and I decided to wander off and take a day trip to Madrid to see some museums, just because I could.

My first stop was the Museo Nacional de Ciencias Naturales, the museum of natural science. The museum is divided into several buildings. The first building holds the “Biodiversity” collection. This includes preserved specimens – in better or worse shape, mostly stuffed, and some skeletons.

Then I walked over to the palaeontology and mineral museum, where at the moment most of the collection is composed of replica, sometimes it feels that you see the same diplodocus or arsinoitherium (two-horned rhino) skull everywhere. Of course, however, I hunted down every megalodon tooth on site and sight.

After this, I walked around the mineral collection and walked down Castellana Avenue until Colón Square, where I had lunch somewhere before I walked around to see the Museo Arqueológico Nacional – National Archaeological Museum. There were a few things that interested me there.

My first goal was to study the Iberian stelæ . Nobody really knows what they are or what their meaning is, but it is thought that they were funerary monuments, maybe of fallen warriors.

An interesting thing to see in this museum is the sculpture of La Dama de Elche, the Lady of Elche, the limestone bust of an Iberian lady dated back to the 4th century BC. It is supposed to be a woman who belonged to the aristocracy that was later revered as a goddess, or maybe a reinterpretation of the Goddess Tanit of Cathage. The back part has an opening, which suggests that it could have been a funerary urn. It was originally polychromated, but it has lost its colours. I really like her expression, and probably due to the Hellenistic influence. I have a thing for Greek sculpture, after all.

A second “lady”, the Dama de Baza (Lady of Baza), stands next to the first. This one still keeps some of its colours. This one is full-body, also carved out of limestone, and it traces back to the fourth century too. This lady seems to have been designed in pure Iberian style, without Hellenistic influences.

The last key pieces of Iberian sculpture in this museum are the verracos – sort-of headless boars, pigs or bulls (depending on the interpretation), but it is commonly accepted that they are symbols of protection of cattle routes. Most of them are… visibly male.

Once I had seen what I really wanted to see I wandered over the rest of the museum, stumbling upon the currency exhibition, which was strangely interesting.

I walked past the Medieval rooms and then I found the Egyptian area, which is humble, but has some interesting things like the X-rays of a mummified falcon. Finally, I checked out the classical Greek area before calling it a day and making it back home.

22nd May 2016: Kabuki at the CBA (Madrid, Spain)

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I made a short escapade to the theatre Teatro Fernando de Rojas in the Círculo de Bellas Artes, in Madrid. It was my first time watching kabuki [歌舞伎], a type of Japanese theatre. The play was called Tsumoru koi yuki no seki no to [積戀雪関扉], something akin to “The Snowbound Barrier” and translated into Spanish as “En los límites de Osaka, bajo la nieve del amor” (In the Outskirts of Osaka, under the love snow). It is a dance-drama kabuki written in the 9th century, and deals with the spirit of a black cherry tree turning into a courtesan to extract revenge. Before the play, there was a small conference to explain some details about kabuki and that was really interesting.

Afterwards I just had to run for the trains so… no much time to hang around.

14th May 2016: Ikebana & Taiko in Madrid (Spain)

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I went to the Royal Botanical Garden Real Jardín Botánico in Madrid because they were holding an exhibit of Ikebana and Japanese culture “X Gran Exposición de Ikebana y Semana Cultural Japonesa”. There were several activities, and I wanted to watch the ikebana and listen to the taiko players.

I was very amused when it turned out you could actually attend an ikebana class. Ikebana [生け花] is the Japanese art of aranging flowers, and it is one of the three classical Japanese arts of refinement (the other two are calligraphy and tea ceremony, I’m doomed).

To my surprise, the ikebana scene in Spain is heavily dominated by elderly ladies who take the whole thing Very Seriously ™, so in the end the workshop was more like two of them giving instructions to each attendee and one of them just taking the flowers from you and rearranging them if you failed to heed the instructions within a couple of seconds. It was interesting though, and behold my creation:

They almost made me late for the taiko – Japanese drums – demonstration, which turned out to also be a workshop, my first time playing the drums. I’m not that good at that one, either, but let me tell you better than the flowers…

Afterwards, I wandered about the rest of the exhibition before I headed off… and this sounds really fast, but it was a good half day!

2nd April 2016: Círculo de Bellas Artes & Tsugaru-shamisen music (Madrid, Spain)

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Círculo de Bellas Artes (CBA) is a Spanish cultural and artistic association founded in 1880, and they had partnered with The Japan Foundation to hold a concert by Kenichi Yoshida [吉田 健一], a famous Tsugaru-shamisen [津軽三味線] player / artist.

I got to Madrid in the late afternoon, with enough time to get to one of the most hidden Starbucks in the city, which was rather crowded as it was Saturday. Fortunately I found myself a table to spend the extra time (public transport transport paranoia, maybe. But it’s not paranoia if they’re really after you and you have been stuck in Spain commuter trains for hours already). And well, a Starbucks a year and all that… And I mean, I was planning to skip dinner so a Vanilla Frappuccino would keep me going.

The concert was to be held at the Círculo de Bellas Artes building, located in downright in the middle of Madrid. It was designed by the Spanish architect Antonio Palacios and erected in the early 1920s. From the outside, I had always thought it looked pretty weird.

Inside, however, it was a different feeling. I had never imagined the inside of the building was going to be this neat! The CBA Headquarters has a neat staircase, an impressive ballroom, and a reportedly-cool observatory at the top. Unfortunately, getting to the observatory required lining and I was not willing to do so either before or after the concert. However, I did get some views from the second-floor windows!

The concert was in the inner theatre Teatro Fernando de Rojas, a fully-functioning theatre on that second floor, with about 400 chairs, and I had got a fairly good seat so I was happy and could sneak up a couple of pictures.

The concert in itself was amazing. Kenichi Yoshida, the younger brother in the Yoshida Brothers band, comes regularly to Spain to teach shamisen – a classical Japanese string instrument – in Barcelona. Oftentimes he makes the most out of his time and organises recitals and other activities. The concert was a mixture of old and new melodies, played along some drumming. The concert lasted for about an hour, and it felt very short. As Yoshida is a frequent visitor, he can speak a tiny bit of Spanish, too, and he tried that. It was a lovely touch.

24th – 27th March 2016: Easter in Barcelona (Spain)

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I think this has been the first time I’ve been to Barcelona without a concert. However, one of the first times I did take a long touristing tour, so this time round my friend and I took it rather chilly – in the literal sense. As we were there there was a drop in temperature and I had to run to get myself a long-sleeved T-shirt.

24th March: Gaudí afternoon

Through different means and from different origins, my friend and myself arrived in Barcelona at around the same time mid-afternoon. We met at the station and dropped our things off at the hotel, then we took the underground towards Monte del Carmelo, Carmel Hill, where Parc Güell, the Güell Park, stands. The park, which was supposed to be a urban area originally, was designed by Antonio Gaudí. It became a Unesco World Heritage Site in 1984.

Visiting some areas of the park is charged, but the whole park is accessible starting in the late evening. We decided to climb up first and then visit the paid-but-free area. Thus we got to the summit of Carmel Hill and saw the Turó de les tres creus, the Three-Cross hill, that offers a great view of the city, including the Tibidabo area with the Cathedral and the amusement park.

We went down and we walked into the architectural area. Although there is no artificial lighting in the area, as the sun went down we were treated to a bit of a magical area, also away from the tourist crowds.

We had dinner at Arenas de Barcelona, the old bullfighting ring now turned shopping and dining centre, then we went up to the roof for some night views.

25th March: Gaudí morning & Gaudí night

We woke up and had breakfast – coffee inception!!

Then we headed off to see the Casa Batlló, the Batlló house, one of Gaudí’s Modernist masterpieces. It is also called the “house of bones”, and it’s kind of wobbly and organic. The roof is designed to look like the back of a dragon. An interesting detail is that the building was not really erected on Gaudí’s orders – it was a renovation of a previously-existing building.

After the house, we went to the harbour area. We hung out for a while (with a stop to buy an extra T-shirt because it was cold), had lunch and eventually purchased tickets for the Museu Marítim, the Maritime Museum, located in the former Royal Shipyard.

The sun was setting when we came out, and we headed towards the Basílica de la Sagrada Família, the church of the Holy Family, also designed by Gaudí. Both of us had already seen it, so we were happy to see it from the outside. When they finish it, I would like to come back though.

26th March: No Gaudí!

We had a walk around the Gothic Neighbourhood of Barcelona, and we made a stop at the Iglesia de La Purísima Concepción, the church of the Conception to visit the cloister.

We saw the cathedral Cathedral of the Holy Cross and Saint Eulalia, Catedral de la Santa Creu i Santa Eulàlia.

We also walked under the Bisbe Bridge, Pont del Bisbe, in the street of the same name.

We had lunch in a Japanese restaurant, then walked around the Port area for a while.

As we had visited the Maritime Museum the previous day, we had a free pass to the sailboat Santa Eulàlia.

We ended the day in the L’Aquàrium Barcelona, the local aquarium.

After that, we backtracked to our hotel. The following morning, on the 27th, we met up with another friend who had a free while for breakfast and then everybody went home.

16th January 2016: Un Planeta Enloquecido: Fantasmas, Monstruos, y Alienígenas en el Manga (Exhibition in Madrid, Spain)

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Naves Matadero in Madrid was holding a free exhibition on Japanese “monsters, ghosts and aliens” in manga and Japanese pop culture, and since I was around I decided to drop by. Here are some pictures.

I did not stay over but took a bus right back home because it was too cold for anything else.

2nd January 2016: Palacio de Cristal (Madrid, Spain)

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Right after landing back from Scotland there was a couple of things I needed to get going in Madrid. That afternoon I took up the chance and went to see the Palacio de Cristal, or Glass Palace, in the Parque del Buen Retiro (Park of the Good Rest, sort of). The building is a Victorian, iron-cast structure which is currently dedicated to exhibitions. It is a satellite building of the Reina Sofia Museum of Modern Art. It featured an exhibit by the Vietnamese artist Danh Vō – with a hanging Christ and fossilised bones?

And then we found out that there is indeed a parakeet invasion in the Retiro…

8th March 2015: Saint Seiya Legend of Sanctuary in Guadalajara (Spain)

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When I was young I used to love the anime Saint Seiya. Then, as I grew older, I read the manga, then I sort of drifted away from it, until somehow new fandoms and old fandoms collided – and it as announced that YOSHIKI was writing the theme song for the film Saint Seiya Legend of Sanctuary. That grabbed my attention, and eventually Selecta Visión announced that they would release them in cinemas in Spain.

When it was announced that it would be showing in the shopping centre cinemas in Guadalajara for a couple of sessions only, I decided to buy my ticket online. It was strange for me for several reasons – the main of them was that I rarely go to the cinema to watch something dubbed. Also, the online shopping was weird -instead of getting a ticket, you got a number and then you had to input that number on a machine to get your actual traditional ticket printed.

I drove to the shopping centre, which was rather dead as it was a Sunday at half past six, the shops were closed and the restaurants not open yet. The audience of the cinema was comprised by a class of special needs kids and a lot – and I mean a lot of super-excited fathers with their young sons, who had no idea what the whole fuss was about. I enjoyed the film – I had resisted watching it bootleg although it had leaked on the Internet. It was a different, lighter take on the Battle of Sanctuary. I did, however, miss the Virgo Shaka vs Phoenix Ikki battle – because after all they’re my favourite characters. When the film ended, I stayed behind for the whole credits and YOSHIKI’s song “Hero”, beautifully sang by Katie Fitzgerald. I was literally the only person left in the cinema through it, and I had to apologise to the cleaning crew, who told me no problem. And hey, I got to see the mid-credit scene on my own!

Saint Seiya Legend of Sanctuary

After the film, I walked to the car and drove home to watch it again in its original version, because I am that kind of geek, and I was not too impressed with the dubs – but hey, that’s me, I’ve always preferred the originals.

1st February 2015: Space Pirate Captain Harlock. Madrid (Spain)

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You can say that this was a bit of a spur-of-the-moment improvisation – I literally woke up and decided that I wanted to go and see the Space Pirate Captain Harlock. I found a cinema in Madrid that showed the film and I hopped on a train to get there. I arrived in time for an early lunch before I headed off for the film, as the only version in Japanese was at half past three.

This was one of the first times I ate and went to the cinema alone in Madrid, and it was a strange experience. My relatives always say that a person eating alone is sad, and as I’ve been hearing that for a long time, and sometimes it resonates, specially when I’m in Spain. I originally wanted to eat sushi, but in the end I decided against it and went to UDON instead, where I ended getting the membership card. I decided to try the Chicken Yaki Udon – much better than the ramen, in my opinion, as they were real udon noodles, unlike the ramen which uses tallarini – and a koroke (croquette), and I had cheesecake mochi for dessert.

After lunch I headed off to the Yelmo Cines Ideal to watch the film. I had no seat number and I did not need one as we were literally… five people in the cinema. It was a small cinema theatre, and when I arrived there were three or four people, I figured that more would come, but when the previews started we were just five, and five we stayed. When the film finally started, I was really impressed by the quality of the CGI – I already knew that the voice-over was going to be great, what with Oguri Shun and Miura Haruma.

The plot of the film reminded me a little of Space Battleship Yamato, but that might just be me being biased. Even if I vaguely remember watching the anime from the times I was a child, the film felt at the same time nostalgic and new, so I could really enjoy it. Although it is a bit on the predictable side, it wraps up really well.

After the film, I backtracked and it turns out I was home before anyone even noticed I was gone. I should get away more often (≧▽≦).

27th December 2014: A stroll in the cold (Guadalajara, Spain)

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I had a couple of friends over for that silly blursday period between Christmas and New Year’s and we decided to get to Guadalajara for a walk or two. Not that there is much to see, but it has a small zoological park. The Zoológico Municipal de Guadalajara had a rocky start, with small cages and sad animals, but it seems to be trying to do better. The main activity that goes on in the zoo is the recovery of birds of prey, and there are some education programs too.

We had lunch in an all-you-can-eat Asian restaurant that I enjoy because it is one of the few places where I can get myself some sushi.

Afterwards, we visited the Palacio de la Cotilla, Cotilla Palace – whose name ‘palace’ is more than overrated. It is a 17th century is a downtown manor in Guadalajara, Spain, formerly owned by the Marquis of Villamejor. One of the rooms, named the “Chinese Room”, Salón Chino de la Cotilla, is decorated with hand-painted rice paper, brought from Beijing, and several Japanese Edo-period paintings which were probably purchased in France from Dutch sailors or merchants.

Finally we took a stroll towards a silly spot in the middle of nowhere that has a Japanes-like bridge over… nothing, really, but it is a cute bridge, in the Parque de las Esculturas, Sculpture Park.

After that we just headed back home because it was dark and cold and pizza could be ordered (≧▽≦).