11th December 2024: CBA, hotpot and lights (Madrid, Spain)

Posted on 25 January 2025 by JBinnacle

Since I was meeting my sibling for the yearly event of Naturaleza Encendida in Madrid in the evening, I decided get there early and make the most out of the day. As I arrived, I headed to the Círculo de Bellas Artes (literally “Fine Arts Circle”). The CBA is a sort of NGO dedicated to culture and the arts. Its headquarters host many activities such as exhibitions, theatre plays, concerts, lectures… The building was designed by Antonio Palacios, one of my favourite architects. It has seven floors, some of them used for events, others for offices. There is even a small theatre.

The CBA was running an exhibition called “Messenger Species” Especies Mensajeras, by artist Álvaro Soler-Arpa. It is a collection of pieces created from animal bones and items found in dumps. Born in Gerona in 1974, Soler-Arpa is a multifaceted artist who does publicity illustration and creates distressing sculptures using animal bones as its medium to make the viewer to think about waste and pollution. This exhibition of modern art is described as “ecological art for reflection”. I thought that it could be either really good or a holier-than-thou approach, but my curiosity was piqued.

The exhibit collects selected pieces from four series of sculptures: “Toxic Evolution” (Evolución tóxica), “Devastated Nature” (Naturaleza devastada), “Design-methastasis” (Diseño-metástasis) and “Sculptures from the End of the World” (Esculturas del fin del mundo). It was… disturbing, but in a good way. It did not feel preachy. The idea is that nature is affected by the consumerism in current society, but not dying – adapting to it. The imagined futuristic animals are a warning sent through time – nature is resilient and it will survive. Us humans? Maybe not if we do not get any better.

Álvaro Soler-Arpa's Especies Mensajeras

There was another exhibition in the building about the consequences of war, but I decided I could not stomach that one. However, I had the access ticket, so I could take the glass lift to the famous terrace of the building – the one that kicked off a trend of opening terraces in Madrid to watch the skyline while having a drink. It was too cold and too closed to have anything, but I did get a nice view, especially of the Palacio de Telecomunicaciones and the Spanish language Institute Instituto Cervantes, both designed by Antonio Palacios too. The terrace is mostly flat, with a bar and an impressive sculpture of Minerva made in bronze by Juan Luis Vassallo. Minerva – Roman goddess of wisdom and art – is the symbol of the CBA. There is also a smaller and higher structure that looks like it could hold an even better view, but that was closed off.

Skyline from Azotea Círculo Bellas Artes

The CBA building has many cool spaces, such as the ball room (Salón de Baile) or the colonnade room (Sala de Columnas). However, my favourite part of the building are.. the stairs. They are designed as a double staircase with mirrors at the landings, and coloured windows alongside the steps. One of the sides is less bright now, because a building was erected and blocks the sun. I still find the staircase superb, so I hung around there for a while until the security guard gave me a weird look.

Stairs Círculo Bellas Artes

I left the CBA and walked down the street Calle Alcalá and stopped at Galerías Canalejas just to see what kind of decorations they had. It turned out to nutcrackers and elves inside and a huge Christmas tree outside. I still cannot afford anything they sell there.

Chrismas at Galerías Canalejas

I continued down towards the square Plaza de Oriente, where there was a classic merry-go-round – empty and ready to be ridden. Thus, since I have no shame, I went on it. The salesperson was incredibly kind, since I was the only rider – and an adult at that – and yet they directed me to a horse which moved up and down and showed me how to climb on it.

Then, I backtracked to the shop Turrones Casa 1880 in the street Calle Arenal, which hosts a small Museo del Turrón. Turrón is a typical Spanish confectionery eaten mostly at Christmas. It is mainly made out of processed almonds, and 1880 is probably the most famous brand – and it prides itself on the most expensive one. I am not a fan of turrón, to be honest, but it was almost Christmas, and if I was ever going to do it, that was the right time frame. The museum is mostly an audiovisual in a decorated cellar, with a photo-op, but the staff was really nice.

At 14:30 sharp, I met up with my sibling for a restaurant that I’ve been wanting to try for a while 壹锅火锅 Hotpot de Sichuan. Hotpot [火锅, huǒguō] is a Chinese type of stew based on a stock or soup that is kept simmering in the table itself, and you just grab the raw ingredients and dip them in the broth to cook them – imagine a fondue with broth instead of cheese. We ordered a menu for two, a pot with two broths, one mushroom-based and one meat-based. The dips were spring onion, coriander (which was not used, because I hid it), shrimp mince, thin beef slices, tofu stripes, Chinese black mushrooms, cabbage, and rice noodles, along with two sauces – one slightly spicy, and my beloved sesame and peanut sauce. The food was great, but at 15:40, the waiters popped up to tell us that they wanted to close the restaurant, and then stood up next to us until we finished and left. It was more than a bit awkward, so we hurried up to do so. While the food was great, the situation spoilt our experience a little, I think. We were still eating, not slouching around. I am not sure I would want to go back…

Afterwards, my sibling had to do some shopping, so we spent a while going up and down some shops and a department store, before we headed out to Naturaleza Encendida in the park Parque Enrique Tierno Galván. This is a yearly light show organised in Madrid parks – it used to take place in the Botanical Gardens, before it was moved to a larger area. The 2024 edition is titled Naturaleza Encendida: Life.

Naturaleza Encendida Life

To be fair, I was a little bit disappointed, as “Life” turned out to have mostly figures reused from the last few events. Though the organisers tried to build a narrative of water, land and air topics, the novelty had worn off. It was not bad, but the show keeps getting more and more expensive every year, with fewer and fewer perks for the VIP tiers. Furthermore, the new larger location does not imply more light sculptures – they’re just spread farther apart so they can fit more people without it feeling crowded, so it simply takes longer to walk it through. This has its advantages and disadvantages – it was good last year when we had to go on a weekend but this time around it just felt… colder. They also tried to give the whole thing an ecologist spin, and this time it did come out preachy… I mean, it is a show of lights, which technically could count as light pollution, without any actual… purpose… but charging you to watch pretty lights.

Naturaleza Encendida Life

That was the end of the day, and we just headed home afterwards, but aside having to wait for the train for over half an hour, nothing to report on that end.

27th & 28th April 2024: Paris & the Fan Festival (France)

Posted on 10 May 2024 by JBinnacle

27th April 2024: From the Fan Fest to Les Invalides

My grandmother used to say that nothing good happens before sunrise, and to be honest, when the alarm clock rang at 4:40 on Saturday, I was very tempted to believe so. However, there were planes to catch, and red-eye flights are called so for a reason. My sibling and I had tickets for Paris on a 7:25 flight, which required us to be at the airport with enough time to board ± 30 minutes in case we had to get to the Satellite Terminal. Since I started planning with time – back in January – I had booked a parking spot in the actual terminal parking lot, for just a couple quid more than the long-stay one, and I activated a service the airport has so your card is billed automatically when your licence plate is detected, for convenience.

We reached the terminal with plenty of time (± 30 minutes) but recent problems with French air controllers going on strike, I was anything but calm. However, we took off on time and I just huddled off to nap. Arrival in Orly was early, and we did not taxi much, nor need buses. We just stepped off at the gate, and headed towards the Orlyval. We bought a Paris Visit card each, in order to be able to ride the public transport system as much as we needed for the weekend, and hopped on the shuttle. After a couple of transfers and a short walk, we arrived at the exhibition centre Paris Expo Porte de Versailles, where Paris Fan Festival took place.

Paris Fan Festival is a yearly convention that focuses on everything geek / nerd / niche, whatever you want to call it: video games (and retro video games), Star Wars, TV series, Ghostbusters, manga, comics, K-pop, there’s something just for everyone. I think it’s a bit of what Japan Weekend aims to be, but openly. It felt a little like that Funko slogan “Everyone is a fan of something”.

My reason to be there was European comic, actually.￹￹￹￹ Authors (and married couple) Stjepan Šejić and Linda Lukšić Šejić, whom I’ve been following for a few years now, were in attendance. Stjepan Šejić has worked for DC in works such as Aquaman, Harley Quinn, and Suicide Squad, but he has gone independent, focusing on his own content creation. So has Linda Šejić, who started off at Image Comics and currently works on her own web comics. I’m currently buying his works Sunstone, Fine Print and my favourite Death Vigil, and her Blood Stain and Punderworld, the latter based on the Greek myth of Hades and Persephone. I also have the Aquaman hardcover that compiles all of Stjepan’s issues, and the Batman-character self-conclusive Harleen.

Of course, I wore an appropriate “Velocirapture” T-shirt to the event. The goal was to get an issue of each collection signed, and maybe a commission and some merch. In the end, we could only get a commission from Linda – we almost got one from Stjepan too, but things did not work too well on that front. I hope to get one next time they’re reachable – I actually wanted to go and meet him a while back, but I was in the middle of a weekend in Cuenca back in 2017.

Paris Fan Festival: Stjepan Šejić and Linda Lukšić Šejić

My sibling and I wandered through Paris Fan Festival for a few hours. We had something to eat at a Paul’s bakery, which I had discovered in Toulouse, and whose prices were not stupidly inflated by being inside the convention. Unfortunately though, I had followed the instructions of the venue and I was not carrying any water, and just a small backpack. I could’ve completely ignored the rules though, just like… most everybody else did. I did learn a valiable lesson though – when travelling to conventions for people, you buy tickets for both days. Just in case.

One of the most interesting vendors at Paris Fan Festival was the Lyon Cinema and Miniature Museum Musée Cinéma et Miniature, which had brought many sci-fi props from their permanent exhibition. They had the tip of a pyramid, a hieroglyph stone and a mask from the original Stargate film, ), a compsognathus animatronic, and the velociraptor claws from the Jurassic Park saga (), Loki’s mask from The Mask, a xenomorph head from Alien, suits from one of the older Batman films and Armageddon, prosthetics from X-Men…

Samples of the Lyon Cinema and Miniature Museum at the Paris Fan Festival

As every other niche convention, were tons shops with merchandise, books and comics, not all of them legal. They held an exhibit of figures and statuettes. There were also a number of conferences – pity that the one about Jurassic Park was in French, too. Also, I discovered that France has a lot of “replica” culture – there was an actual “Imperial Army” (Star Wars), someone who had customised a car into the Ectomobile from Ghostbusters (2016), even people impersonating Tolkien’s orcs… It goes a little beyond cosplay… Supposedly, there was someone walking around with a dragon, but we did not run into them.

Paris Fan Festival snippets

Eventually, we left the convention to find our way to the hotel and drop the luggage, since comics are heavy, and Paris is on high alert and most places won’t let you through with backpacks. We wasted some time finding the hotel as it was raining cats and dogs – and they were remodelling, so the outer signal was not there. After check-in, we headed out again, and when we reached our next destination, it had literally stopped selling tickets – it was one hour and four minutes to closing time, and the recommended time is one hour and five minutes, so sadly, we could not get in.

It was a bit disappointing, but we moved on towards Arènes de Lutèce. Lutetia (Lutèce) was the Latin name for Paris when it was part of the Roman Empire, and the amphitheatre is one of the most important remains from that period. Built during the first century CE, it would have seated 15,000 spectators. It was restored and open to the public at the end of the 19th century. Today, it is the centre of a park.

Lutetia Amphitheatre

After that, we took the underground towards the high-end department store Galeries Lafayette Paris Haussmann. In 1894, two Parisian businessmen opened a shop that would eventually become the biggest department store chain in Europe. Through the following decades, the businessmen bought buildings around the shop in order to grow their emporium. In 1907, architect Georges Chedanne carried out the first main renovation in the Art Déco style, and Ferdinand Chanut completed it with a Neo-Byzantine dome, built in 1912. Today, the galleries focus heavily on luxury products, and not that we could afford any, but I wanted to see the dome.

When we arrived, we snooped around – it was packed, full with high-end tourists, mostly Asians. The brands selling their products were the most expensive ones – from Chanel to Cartier. As we were admiring the dome, we saw there was a glass walk hanging from the balcony on the htird floor. Of course, we had to investigate. It was around 17:30. We found the end of the queue, and saw that there was a QR to reserve a spot. I was able to book us in for 19:20 – surprising, considering it was the same day, and access is free – maybe it was a language barrier or something? I’m not going to complain.

There was a nearby gallery I also wanted to see, Passage du Havre, a typical Parisian shopping passage. It was less impressive than the Lafayette, but also surprisingly cosy – as my sibling put it “the other guys have Chanel, they’ve got Sephora”. It had some nice decoration and quite a different crowd. Furthermore, we had been up since 4:00, and ate quite early, so when we found a Pret a Manger, we decided to buy dinner there.

Passage Du Havre escalators

We went back to Galeries Lafayette for our “Glasswalk” experience, and it was really, really cool. The staff were also impressively friendly and we enjoyed ourselves immensely for the whole… five minutes of it. I really loved the dome.

Upper floor of the Galerie Lafayette

We finally headed off towards Napoleon’s tomb, the Dôme des Invalides in the complex Hôtel des Invalides. Hôtel des Invalids was originally commissioned by Louis XIV in 1670 as a hospital for disabled soldiers. The church-and-chapel complex was designed by Jules Hardouin-Mansart in several iterations from 1676 on. The complex is considered one of the most iconic examples of the French absolute monarchy Baroque style. When Napoleon’s remains were repatriated in 1840, a state funeral was held, and a mausoleum projected in the crypt under the Dome. Construction of the grave extended until 1861, when the former Emperor was finally entombed there.

We were going to see the light mapping event Aura Invalides, a spin off of sorts from the display in the Notre-Dame Basilica in Montreal (Canada). The show highlights the history, architecture and meaning of the monument through light and orchestral music. The event lasts about 45 minutes, and it￹￹￹￹￹￹￹￹￹￹￹ comprises three parts: First Movement: Creation, which focuses on the architecture of the monument; Second Movement: Collective Memory, through which you get to wander, seeing different effects in the chapels; and finally Third Movement: Universal Elevation, more spiritual and ethereal.

Projections inside the Invalides church

Les Invalides church by night

Afterwards, we headed towards the hotel to have a shower and sleep.

28th April 2024: No plans, really

After a nice breakfast at our hotel, we tried our luck at the Paris Fan Festival again. We got our drawings from Linda Šejić, but Stjepan Šejić had brought all the wrong markers and was not doing any more commissions. I offered my own pen, just to test the waters, and it was unfortunate that he did not take the bait.

Oh, well. You can’t win all the time. Instead of wallowing in our bad luck, we decided to get going and do something cool. For me that meant the park known as Jardin des Plantes, to visit two sites of the French Natural History Museum Muséum national d’Histoire naturelle. The day had started weirdly, with my underground ticket not working, but my sibling’s doing so. A lady who did not seem to enjoy being stuck at work Sunday morning waved us through without exchanging it. As the ticket was still not working when we left Paris Expo, another employee exchanged it.

The first site we visited was the Great Gallery of Evolution, Grande Galerie de l’Évolution, the biggest site of the French Natural History Museum. It has four visitable levels – the upper balcony (third floor), focused on “Evolution of life”, the second floor “Impact of man in life”, and the first and ground floors that deal “Diversity of life” (terrestrial on the first, marine on the ground floor). The way it is arranged makes it, in my view, a companion to the Gallery of Compared Anatomy – (which I still like best, to be honest).

The collection finds its core in the disappeared Zoology Gallery, whose building dates back from 1877. Designed by architect Jules André, the interior was a cast-iron structure with a central nave and a skylight. Although the original project was never completed, the Galerie de Zoologie was inaugurated in 1889. It closed down in 1966 for restoration, although works were actually only carried out between 1991 and 1994. During this time, taxidermist also took care of about a thousand animals. Today, the gallery holds a cavalcade of savannah animals on the ground floor, and more conservative vitrines and glass cases on the upper floors. The museum still keeps the 19th century allure and entertaining aura – we did not go into any of the VR experiences, as they were sold out (and, you know, in French), so we did not see the more modern area of the museum.

Great Gallery of Evolution

We started off on the third floor and made our way down to the ground level. There were a ton of taxidermy animals, collections of insects and shells, even a wool one, and some bizarre specimens such as a tiger attacking an elephant with a chair on top… To be honest, though, I think it is more of a regular zoology gallery, just arranged in a surprising way. I found the evolution angle better developed at Brussel’s Natural History Museum. The classical design is extremely cool, though, and it would have given a great feeling had it not for all the free-range kids wildly running around…

Afterwards, we headed off to the geology and mineralogy gallery, Galerie de Géologie et de Minéralogie, which had a really nice collection of gemstones, crystals and jewellery. And of course, fluorescent rocks which kept my attention for a very long while.

Mineral and geology gallery

It was almost lunchtime and we decided to head out towards a busier area to grab a bite. My Paris Visit ticket was not working again, and I exchanged it yet once more. I went through, but my sibling did not, so they had to wait in queue again to exchange that too. Apparently, I was keeping the tickets too close to my phone – even if it was the one without internet? I deemed my sibling responsible for the tickets from then on.

We stepped out at Palais Royal–Musée du Louvre, hoping there were places to eat, and we were right – there were a bunch of them along the street. The one that grabbed our attention was Café Brasserie Ragueneau, a small eatery close to the Louvre. There, I splurged on a Tartare de boeuf poêlé au foie gras (Pan-fried beef tartare with foie gras) just to be a snob. It was delicious. The foie gras version came slightly cooked, though the raw version would have been fantastic. Our waiters were extremely friendly too, and tolerated my poor French with a smile.

Pan-fried beef tartare with foie gras

After lunch, we walked to the last place on my list for the trip – the church Église Saint-Germain l’Auxerrois de Paris, which mixes elements of Romanesque, Flamboyant Gothic, Rayonnant, and Renaissance styles, though the tower – my favourite – was only added in 1860 as part of Baron Haussmann’s plan to reconstruct the city. The base of the church dates from the 12th century, and during the 14th and 15th centuries it was decorated with a balustrade by Jean Gaussel, multiple sculptures, and gargoyles. The interior is lighter than usual gothic churches, and there is a monumental set of carved wooden seats for the royal family. There are multiple windows with stained glass, although not all of them are the original Medieval ones, since they were destroyed during the French Revolution and replaced in the 19th century.

Church of Saint-Germain l’Auxerrois

The Louvre was not selling same-day tickets, so our idea to spend a couple of hours there went bust. Then, we decided to walk towards Île de la Cité to check on the cathedral’s progress, as it is supposed to reopen this year, when reconstruction from the 2019 fire has been completed. I wanted to check something called Tunnel des Tuileries, but I misunderstood – I thought it crossed underneath the Seine to get to the Isle of France; apparently I mixed it with a pedestrian tunnel under the Thames – it turned out to be a place of modern art, and it did not feel too safe. Thus, we continued under the sun, and reached the flower market Marché aux Fleurs Reine Elizabeth II.

We found out that a sort of stage has been built for visitors to sit in front of Notre Dame, and we saw a lot of people taking pictures of the pictures on the wall, which was a bit weird. We sat for a while, but not long because there was a guy singing really badly at the square.

Notre Dame under reconstruction

We went on and saw the park Square René Viviani, where the oldest tree in Paris stands. Next to the park is the church Église Saint-Julien le Pauvre and close to Église Saint-Séverin. We could not enter any of them, so instead we decided to sit down to have a coffee – in my case a “detox smoothie” because the orange-and-carrot blend reminded me of one in Japan I really like.

We finally set off to collect our things, and this is when I usually say I got home without an incident. Not this time. The public-transport tickets worked fine to get to the airport, we bought dinner and settled to wait. There was nothing much too strange, we were late – forty, forty-five minutes? I’m not sure, but not an obscene amount of time – the crew announced connections over the PA system, I thought that was nice of them. When we landed… I had a moment that I did not know where we were, which is strange, because the terminal is pretty straight forward. It turns out that in order for the travellers who had connections to South America to make it, we had landed at the Satellite Terminal, not the main building! Which meant over thirty minutes of “commute” back to the parking lot… I had taken a leeway of around an hour and a half after landing to get out, but we barely made it!!

A nice weekend to break out the routine, a lot of comics signed, and a lovely piece of artwork were achieved. Unfortunately, I caught a stupid, stupid cold, my first since the whole Covid thing started, and my immune system freaked out. It seems it’s back to facemasks on planes for me.

22nd March 2024: Trail of the 1808 Uprising, Comic Planet and Genesis (Madrid, Spain)

Posted on 6 April 2024 by JBinnacle

Among the activities organised by the Pasea Madrid program (Walk Madrid), there was one about painter Francisco de Goya. Goya was probably the most important painter towards the end of the 18th century. He was born in 1746 and died in 1828, having lived through four Bourbon Kings, the Peninsular War, the postwar and the Bourbon restoration.

Goya started his career in Madrid drawing bucolic cartons to be woven into tapestries. He eventually became popular painting portraits for the aristocracy first, the royal family later, until he was appointed court painter. Sometime along his career he contracted an illness that left him deaf, and his character soured. He started experimenting with other media besides canvas and mural paintings, and started creating prints, which are darker and fantastical. During the Peninsular War against Napoleon’s forces, he created paintings about the uprising, and prints showing the most awful part of human condition during armed conflict – the horrors of war. He did not become any more cheerful after the conflict, depicting famine and illness. His last set of art pieces are called the black paintings, black-and-ocre coloured nightmarish pieces which contrast with the life of his initial bucolic scenes and one of his most famous painted – the naked lady La maja desnuda.

In 1807, Napoleon tricked the Spanish king into abdicating and allowing his troops to march towards Portugal. Instead, the French just… stayed in Spain. Madrid was occupied on the 23rd of March 1808. On the 2nd of May, there was an uprising in town, carried out by plain citizens and a very small percentage of the Spanish soldiers. The rebellion was squashed and the rebels shot to death – where “rebel” meant “everyone caught with a weapon”, and weapons had been stones, knives and even plant pots. While the uprising was unsuccessful, it sparkled the Peninsular War, known in Spanish as the War of Independence. Goya, originally open to the French ideas of Illustration, painted two canvasses about the events. The first was “The charge of the Mamelukes” El dos de mayo de 1808 o La carga de los Mamelucos depicting one of the French units charging Madrid’s people; the second was “The third of May Shootings” El tres de mayo de 1808 o Los fusilamientos del tres de mayo, showing the executions in central Madrid.

After I arrived in Madrid, I started off the day with a Starbucks’ Iced Strawberry Matcha Tea Latte, a new flavour introduced this month. I had plans for a nicer breakfast, but my train was delayed so I had to get something to go, so it was this and a cookie. I really liked the drink, I hope it stays. I grabbed both and went towards the meeting point.

Starbucks' Iced Strawberry Matcha Tea Latte

The visit I attended was called “Goya and La Florida” (La Florida being a small hermit church the painter did murals for), but it was more of an exaltation of the May 1808 uprising. We met the guide next to the Royal Palace, where she summarised Goya’s life. Then, we moved on to a placard next to the palace that memorialises the uprising, and she described the event. We continued on towards the area of Príncipe Pío, saw yet another memorial to the uprising Monumento al Pueblo del dos de Mayo de 1808 and the archaeological remains of one of the forts.

Monument to the second of May

We went up the park Príncipe Pío – next to the Temple of Debod – and the guide explained the military shootings, and read a document. We continued towards the graveyard where the rebels were buried Cementerio de La Florida, next to which stands a monument to Goya Monumento a Goya: four stones, each one with a letter to form the word “Goya.”

Monument to Goya

We finally reached the hermit church Ermita de San Antonio de la Florida, where Goya painted the ceiling frescoes. Over time, they became so degraded that an identical second hermit was built to be used religiously, and the original one kept as a museum and the painter’s pantheon. The ceiling has a dome in which the artist painted St. Anthony’s miracle – as his father had been accused of murder, he resurrected the victim, who could identify the real criminal. The murals are done in al fresco technique, painted on fresh plaster, directly on the walls.

Hermit church of St Anthony

After I left the hermit church, I headed off towards Príncipe Pío station, where I met my relative. There’s this restaurant that I’d been wanting to try for a while, but I needed two other people to tag along in order to get the table I wanted – yes, I wanted a specific table in the restaurant, more on that later. We had a reservation for a late lunch at 15:00, since my guided visit finished at 13:00. We took the underground and alighted at the area of Cuzco, with still some time left.

While checking out how to get to the restaurant, I had came across an Asian supermarket nearby – and that led me to discover Calle General Margallo, a little cluster of Asian supermarkets and stores. We went into Ibero China Madrid and I was happy to buy a bunch of things at a very decent price, mostly Japanese (curry and miso), but I also bought some Filipino Sky Flakes Crackers that I used to get from an acquaintance and had not found for years. Afterwards, we headed to the restaurant.

Comic Planet is an American-food eatery set around the superhero theme – murals on the walls, actual-size figures from DC and Marvel films, and even some prop reproductions. The dishes are “inspired by” superheroes and villains, with a lot of colourful additions.

When making the reservation, I was luckily able to book the table I wanted – and lacking any John Constantine decoration, who is my favourite “almost mainstream” comic character, the table I aimed for was the Aquaman one; I liked Aquaman before Jason Momoa made him officially cool. To be honest, even if I really wanted to check the restaurant out, I was a bit limited on what I could order – way too much coriander. I wanted a burger and a dessert – and a coke chilled with vanilla ice-cream (Coke & Vainilla Ice 1923). Unfortunately, our third party member was almost forty minutes late, so in order to keep the table we needed to exchange desserts for a starter. When the three of us were there, we ordered our mains.

Our starter (for two) was the “Infinity Gauntlet”: cheese sticks wrapped in dough (tequeños) with five sauces – tartar, spicy, mango, BBQ and comic special “cocktail”. The name of the dish refers a weapon created by Thanos, villain in the Marvel comics Avengers, made famous by the films.

My main was a Cat Burger (a reference to Batman’s Catwoman) – a “snobbish” beef patty with caramelised onion, duck foie gras and melted Brie cheese, with regular chips. My relatives ordered a Super Comic Burger (Grilled beef with egg, Oldenburger cheese, fried plantain, guanciale and “kryptonite” – whatever that is. The bread was… blue, and the chips red) and a Hellboy brioche (smoked and spiced pork, natural tomato, Edam cheese, egg, red onion pickled in lime, coriander, mustard and sugar), a reference to Dark Horse Comics’ Hellboy, one of the few creator-owned characters out there.

Comic Planet Madrid Food

One of the greatest things of the restaurant is that you get to hang around and take pictures with and of everything. The restaurant has two floors, and you are free to explore them. Aside from the murals and real-life figures, there are busts of bad guys, and even a homage to one of the most prolific comic-creators in history, Stan Lee. They also have a store with a bunch of merch (surprisingly… no actual… comics).

Comic Planet Madrid decoration

Afterwards, because the weather was nice and the forecast was rain all the following week, we walked down to the Comunidad Evangélica de Habla Alemana – Friedenskirche (German-Speaking Evangelical Community – Church of Peace), who were running a video mapping show in their church, Genesis.

The show follows the first three days described in the Christian Bible’s Book of Genesis, as God creates the earth. On the first day, God separated light from darkness; on the second day, God created Heaven (the sky in some versions), and on the third, he created the lands, seas and vegetation (nature in some translations). The church is a Neoromanesque building with mosaics which helps the otherworldly aura of the experience.

The show, designed by the company Enoarium has five parts: First Day: Light; Second Day: Sky; Third Day, first part: Water and Land; Third Day, second part: Nature; Meditation. When we went in, there were already lights on, a pretty universe-like lighting. There were pouffes to sit / lean on the floors and chairs. I chose a pouffe, thinking that it would be hard to stand up later, but oh well. I had about an hour to get round to it. It was a really good idea, because watching the ceiling was much more comfortable than having to look up.

It was a bit difficult to notice when the one day became the next, because the lights flowed really nicely and one theme faded into another. First, the whole church went dark, and there was a bit of light in the centre of the ceiling that became wider and wider. The white light started mixing with blue, which first was the sky and eventually turned into the sea. Gold / brown bits after a while represented the land, then more blue / purple as more sea, and when it turned green we had reached the creation of vegetation, which exploded in tons of colourful flowers. Eventually, everything dissolved into candles and lamps. The music was nice, too, mostly coral in Latin, I think.

Genesis Madrid stills

Afterwards, we separated and I headed off to the train which – what else is new – was stupidly delayed, so I was stuck at the station for almost 40 minutes until my train came. The only good thing was that another in the same general direction came three minutes before, so most people got onto that, and mine was pretty empty.

29th December 2023: Parque Mágicas Navidades, Torrejón de Ardoz (Spain)

Posted on 4 January 2024 by JBinnacle

For the last escapade of the year, I organised an outing with the family. I had thought that after our annual Christmas / New Year’s lunch gathering, the younger squad could go on for a while while older relatives caught a break from us. For a few years, the town of Torrejón de Ardoz has been organising a bigger and bigger “Christmas park” called Magical Christmas Park Parque Mágicas Navidades. During the last decade, the display has grown to be a massive event which runs throughout December to after Epiphany day. It has become so popular that they started charging people from outside town for entry.

The park is huge by any standard. This year there is a small amusement area with winter-themed rides, an ice-skating rink, a Christmas market, a small house for Father Christmas / the Three Wise Men (depending on the date), and several displays: the “Ice Festival”, the “Frozen Mountain” and the “Asian Lantern Festival”. There are smaller decorations sprinkled all over the park

Unless you are a local, entrance is 6€ / person. Once inside, you can buy tickets for the rides and the Ice Festival, but if you get your tickets in advance, it’s a tiny bit cheaper. In our case, I bought an entrance + Ice Festival combo that was 16€ – buying tickets inside would have been 11 €, so we saved one whole euro!

We reached the station by 19:45, and it took just a few minutes to reach the park entrance and go in. We found ourselves in a path with some food stalls, the Christmas house (sold out when I bought the tickets), some light sculptures and a few meninas. I noticed similar statues when I was in Madrid back in December, but I did not pay much attention to them. It turns out that they are part of an art project by artist Antonio Azzato collaborating with other creators and some of the city’s schools, and a pretty big deal – a modern art project. The word menina refers to a young girl from a noble family who enters the court to serve the queen or her children. Probably painter Diego Velazquez’s depiction of them is the most famous, and is the inspiration for Azzato’s figures.

Parque Magicas Navidades Torrejon Access from Train station

Since we had a timeslot to enter the Ice Festival at 20:30, we decided to find that first to make sure we did not miss our entry; once we located it, we would see what to do. On our way, we crossed a literal starry field – sorry, starry forest Bosque de Estrellas. We walked by a giant snowman, a huge teddy bear, Cinderella’s carriage and Father Christmas’ sleigh, all made of lights. Then, we found the Magical Gate Puerta Mágica – this is a huge structure made of thousands of small light bulbs that looks a bit like the façade of a gothic cathedral. Every hour o’clock there is a show, and we had a three-song disco show that we stayed for, as I had just spotted the destination.

Parque Magicas Navidades Torrejon Magical Gate

After the show, we headed off to the Ice Festival, a giant tent kept at -6 ºC – we were let in early, it was barely 20:15, so I’m thinking timing is… a suggestion. During the first week of the festival, ten two-person teams compete to build an ice sculpture from 25 ice blocks, according to the theme of the contest. This year, the topic was “freezing up the world”, so each piece tried to represent a city or area. Unfortunately, after almost a month of competition, some pieces were damaged or… slightly melted. Such as the… let’s say the “leaning tower of Paris” a.k.a. the Eiffel Tower. In all seriousness though, there was Las Vegas, Rio, Kyoto, New York, Kuala Lumpur… Did I mention the below-zero temperature? I think I lost sensitivity on my right pinky, and by the time we were out some of my fingertips were actually blue…

Parque Magicas Navidades Torrejon Ice Festival

Next, we decided to see the Asian Lantern Festival Festival de las Linternas Asiáticas – a number of figures made out of fabric with light inside, similar to Brilla Zoo, and just as Christmassy, I guess. We actually started on the Second Space, which was dedicated mostly to dinosaurs. There was also a dragon (as 2024 is the Chinese year of the Dragon), some contemporary animals – elephants, flamingoes, lions, red pandas… oh, and lots of Venus flytraps.

Parque Magicas Navidades Torrejon Asian Lanterns 2

Our following spot was the “Way to Bethlehem” Camino de Belén, which recreates the Biblical story of the Nativity, from Joseph and Mary heading off to the census, to the stable and the adoration by the Three Wise Men. It is described as the largest Nativity in Spain – the figures were actual-size, but not too well made, and the whole thing was a bit creepy. Furthermore, they had the same two songs on a never-ending loop.

Parque Magicas Navidades life-sized Nativity

Afterwards, we decided to “climb” the Ice Mountain Montaña Helada, which has a ton of light-reindeers and some white sculptures of creatures of Scandinavian mythology – I think. There were faeries, elves, a winged lion, dragons, horses, a pegasus, trolls… and two very non-mythological polar bears. There was finally a sculpture of a reindeer standing on a sleigh. I’ve recently learnt that a reindeer that keeps its antlers in winter is a pregnant female, so there’s a lot to say about Father Christmas’ sleigh… There is also a light Christmas tree Árbol de Luz in amongst all the reindeer, and you get a glimpse at the ice rink Pista de Hielo, designed by former figure skater Javier Fernández.

Parque Magicas Navidades Torrejon Frozen mountain

There was a bit of a photocall area and we fooled around there for a few minutes. Next, we went back towards the Asian Lantern Festival Festival de las Linternas Asiáticas, to see the First Space, which we walked backwards, apparently. It was mostly about bugs and creepy-crawlers – even bigger than the Naturaleza Encendida ones. There were ladybugs, a praying mantis, butterflies, bees, a scorpion for some reason, flowers and… pandas. Because something is not Asian if there is not a panda?

Parque Magicas Navidades Torrejon Asian Lanterns 1

Once we were out of the area, there were some pink and purple flying penguins which gave way to a small garden with a lot of laser lights and other standing penguins, reading “Merry Christmas” in several languages. We headed back towards the train station then, passing by the Christmas market Mercado Navideño and Christmas Village, though it was hard to know when one ended and the other began. We did not go into any of the rides, not even the carousel, because they were extremely expensive… Neither did we try any food, but I am willing to be the prices were on the same range.

Parque Magicas Navidades Torrejon penguins

We walked out of the park, and we saw a train leave as we were approaching the station. We settled to wait for the next one, which – surprise, surprise – was delayed, so although we were at the station before 23:00, we did not make it home until almost half past midnight, despite the ride being just under 35 minutes. However, I think I’m going to start the family tradition of a mini-adventure after the yearly big-family meet-up, we had a lot of fun.

Parque Magicas Navidades Torrejon Light Christmas tree, reindeers and fountain

20th December 2023: Brilla Madrid Zoo (Madrid, Spain)

Posted on 30 December 2023 by JBinnacle

After an unwarranted amount of stress in the morning, I decided to take a little escapade in the evening to see some lights. The city of Torrejón is known as one of the local “Christmas hubs”, but it was “family day” and tickets were free, so there was no way to get a same-day entrance. I was a bit bummed, because that was convenient to reach by public transport. Instead, I resolved to go to Madrid instead – there was a light show on the topic of animals which had a small same-day discount – with it, I could get the skip the queue “upgrade”, the ticket itself, and the processing fees for the price of a nominal ticket. The downside was that I had to drive there. I booked entrance for the 18:40 timeslot, and left about 17:15, anticipating the traffic jams on my way to the park Parque Juan Carlos I. Traffic on the motorway was rather aggressive and all the exits were jammed. Thus, instead of driving to the main entrance to the park, I decided to drop the car off near one of the side entrances, and walk the last couple of kilometres instead of driving them. When I strolled by the parking lot, I saw that it was full and there were emergency vehicles there – I would have had to go to the inner parking lot, which means walking almost as much, and I saved one merging into the highway and one exit. I don’t mind driving, but I’m not a fan of other drivers.

As I walked into the park, I ran into the first sign reading Brilla Madrid Zoo (Madrid Shining Zoo). They had placed signs all along my path – rather convenient. I walked for about 15 minutes and I was at the gate just past the 18:20 timeslot. Since it was a schoolday, and quite cold, it was almost empty and the staff had no problem letting me through. Brilla Madrid Zoo is a project by Brilla Events, who claim that there are over 500 light figures – I did not count – in a path that takes about 1.3 kilometres.

Brilla Madrid Zoo entryway

After the entrance arch, you go down to the actual ticket control. I had bought the skip-the-queue ticket which allowed me to see an “extra” exhibit in a tent, called Pollinators (Polinizadores). The whole Brilla Madrid Zoo exhibit has a “take care of the earth” kind of message, but it gets old really quickly as each “animal” repeats the same few words every couple of minutes. The Pollinators area had giant displays of a hummingbird, a bee, a butterfly, a bloom, and a bat for some reason. There was a screen with “Gaia” addressing the crowd, and it would have been creepy if not for the kiddos running and screaming around.

Brilla Madrid Zoo Giant hummingbird

As I went in, I was greeted by giant giraffe necks, then I moved into the Savannah (Sabana), with lions, leopards, zebras, hyenas, antelopes and elephants. Afterwards, there was the Jungle (Jungla) with gorillas, capybaras, jaguars… From there, after a turn, there was Australia, with echidnas, koalas, dingos, kangaroos.

Brilla Madrid Zoo Giraffes, Jungle, Australia, Whale

The entrance to the Ocean area (Océanos) could be done through a whale. Along the fountains / ponds of the park stood sharks (great whites and hammerheads), lionfish, turtles, clown fish (a.k.a. Nemo), blue tangs (a.k.a Dori), barracudas, koi carps, corals… There were also two real geese who seemed to be enjoying the exhibit too. It was really hard to take straight pictures as there was very little reference outside the actual animal.

Brilla Madrid Zoo Ocean

As I got close to the River areas (Ríos), there were otters and frogs. The coastal biomes were represented by the Swamp (Pantanos) and the Mangroves (Manglares). There were crocodiles, anacondas, Venus flytraps… for the first, and a flock of birds for the latter – flamingoes, pelicans, herons…

Brilla Madrid Zoo Rivers, Mangroves, Swamps

Then there was a bit of an avenue flanked by Flamingoes (Flamencos) to reach the Butterfly zone (Mariposas) and the Peacocks (Pavos reales). After another turn, there was the area dedicated to Nocturnal Animals (Nocturnos), with lemurs, bats, owls, and a wolf howling at the moon, perched on a dolmen.

Brilla Madrid Zoo flamingoes, butterflies, peacocks and wolf

After the dolmen, I found the Reptiles (Reptiles), with more frogs, iguanas, chameleons, a cute Komodo dragon… The path lead to what I guess is China by any other name: the Tiger (Tigre) and Pandas (Pandas). The Extinct Animal section (Extintos) was sad – with a dodo, a Tasmanian tiger, a white rhino, a Yangtze dolphin, a species of emu…

Brilla Madrid Zoo Reptiles, Panda, Tiger, Extinct animals

But then came the fantastical animals: Griffon (Grifo), Dragon (Dragón), Alicorns (Alicornios) – winged unicorns – and a Phoenix (Fénix).

Brilla Madrid Zoo griffon, dragon, alicorn and phoenix

Once outside the area, you find the Ice figures (Hielo), with seals, Arctic foxes and penguins. There was a tent with a souvenir shop and some food stalls, but I did not go inside. I thought I would just walk back through the park before it became too late – and colder.

Brilla Madrid Zoo Ice

I liked Brilla much better than this year’s Naturaleza Encendida, to be honest. It was quite cold though, and a bit windy. I ran into another jam on the way back, this time caused by an accident. I have a theory regarding signals in this country – half of the drivers don’t use them, and out of the ones who do, yet another half think that signalling gives them immediate preference, even when what they are doing is illegal…

16th December 2023: A day out of ExpoGema (Madrid, Spain)

Posted on 26 December 2023 by JBinnacle

Since the mineral expo ExpoMinerales back in February was all cool and fun, I decided to attend its shinier (and unbeknownst to me, way more unaffordable) sibling, the gem expo ExpoGema, and make a day out of it. Thus, I headed out for Madrid on the 9:00 train with temperatures below zero – I was not made for winter. It was not much better when I arrived, but for once the train ride was uneventful, I actually made my connection, and it seems that after a chaotic year, the underground train tunnels are finally open. Everything going smoothly gave me some unexpected 45 minutes to wander around as the square Puerta del Sol slowly became fuller and fuller with people.

I had booked a guided visit through the company Madrid en Ruta, who has the exclusive concession to show the business centre Casa Comercial Palazuelo. Located in downtown Madrid, it was designed by architect Antonio Palacios. The promoter, Demetrio Palazuelo, bought the lot left behind by a fire, and commissioned the building with the goal of renting it out to shops and professionals – it was thus the first office building in Spain conceived as such, and not repurposed from a manor or an apartment building. Palacios drew inspiration from the Chicago School commercial architecture and used iron to stabilise the building, which allowed him for bright interiors using lots of glass. The office building was erected between 1919 and 1921, and the offices are still rented out today, with the only caveat that the beautiful interior translucent-glass doors have been painted white – to either protect privacy or hide the fact that today the house seems to be almost empty – at least according to the building’s own directory.

The exterior façade could be considered eclectic – the main frame tends to neoclassicism with huge glass windows framed in black iron. The interior tends towards Art Deco and modernism. The offices are distributed around a central indoor patio, with curved balconies that overlook it and lots of lights mainly due to the skylight. There are two classical lifts which are the original ones, in peartree wood. When we went up, I took the stairs, which have white treads, and the riser is made out dark green ceramics. I have seen these in other works by Antonio Palacios.. The interior, with the iron balustrades and its curvy design, was really cool, but I think it is really a pity they painted over the glass.

Interior of Casa Palazuelo

The visit started at 11:00. We spent the first fifteen minutes outside getting context, roughly half an hour inside, and the last twenty minutes on the roof of the building, waiting for the clock of the Puerta del Sol to strike 12:00, then we were ushered out. I really wish we could have wandered the house a little bit, even if we could not go into the offices. The ten euro we paid surely did not feel like we were paying customers, but more like we were sneaking around like unwanted guests – which we probably were anyway.

Puerta del Sol from the roof of Casa Palazuelo

I grabbed a quick snack then and headed off towards the engineering school Escuela Técnica Superior de Ingenieros de Minas y Energía (ETSIME) for the sixth edition of the gem fair ExpoGema. The fair itself was neat, but most everything was way above my budget range. I was there at the typical Spanish lunchtime, there were few people, and most were at the stands. Thus, I had the museum Museo Histórico-Minero Don Felipe de Borbón y Grecia almost completely to myself. I really like old-style museums, and this one has a huge amount of specimens, most of them are minerals, but there are also fossils and a collection of cave bear skulls and bones. I had decided not to book any guided visit or activity as none happened within the couple of hours of lunch downtime.

Geology Museum at Etsime

I bought an ammonite pendant, a small pyrite with almost perfect right angles, and another pendant made with a small meteorite from Campo del Cielo, along with a tiny extra piece. Campo del Cielo is an area in Argentina where four or five thousand years ago an iron meteorite fell. The meteorite shattered upon entering the atmosphere and, when it impacted the surface, the different created up to 26 craters. About 100 short tonnes of a fragmented iron meteorite have been recovered to date, and I now own around four grammes of it – yay me. I did not buy any precious stone though since the pretty shiny rocks were way out of my budget.

Expogema 2023

I left the ETSIME and I walked towards the square Plaza Pablo Ruiz Picasso, where there is a temporary art installation called El Regalo (The present) by Amigo&Amigo, a studio specialising in art installations. The artwork comprises a few arches that end in pads that can be stepped on – when they are, music sounds. The day was still bright, so the artwork was not shining, but a bunch of kids jumped on the pads to keep the music playing.

El Regalo artwork

Afterwards, I took a train and headed off towards central Madrid again. I had a reservation for an afternoon tea at NuBel, an “avant-garde gastronomy space” in the modern art museum Museo Reina Sofía. I had been drawn to the place due to the “freshly-baked scones” they advertised.

The experience was beyond disappointing. First, I had to wait to get seated, but then the person who checked me in forgot to notify that I was there – this is what I assume happened, I was literally told that “the kitchen had forgotten about me”. The set menu took 40 minutes to come out, and the scone was cold anyway, so not even freshly-made. I had got a decaf latte that was also cold when the food came.

The menu, 16€ as I don’t drink alcohol, consisted of: two mini-sandwiches – the two of them had been made from the same bread slice, so you can imagine the size, with some kind of mayonnaise filling which was not bad but rather unidentifiable; one shot-sized glass of (pre-made) gazpacho; one scone; a piece of red velvet cake; a piece of carrot cake; one chocolate brownie; a side of cheese cream, butter and jam; and in my case the already-stone cold decaf latte.

Nubel afternoon Tea

The scone was cold – so much for freshly-made, the only thing that had kept me waiting. Furthermore, the cheese cream, albeit nice, did not fit it like at all, so I had to use butter on it. I laughed to myself thinking about “the horror!” while I clutched my metaphorical pearls. The red velvet was probably the best, but in general the cakes were too sweet – good thing the menu included free tap water. Afterwards, I was comped another free decaf as an “apology for the delay”. However, when I tried to pay, more drama ensued. First the card-reading machine was not working, then they could not take cash because they were balancing the register, then they could bring the machine to the table. All in all, I spent almost hour and a half there – about five minutes waiting to be seated, forty minutes waiting for the tea set, and twenty minutes trying to pay. I’m sorry to say I did not tip, nor do I plan to ever come back.

I missed my train due to the paying delay, and I had to wait almost half an hour for another one. I hung out the Christmas market for a bit, and looked at the lights around Puerta de Atocha station. As it was cold, I walked in and went to check out the original train station, now turned botanical garden. I had never stopped to look at the iron ceiling, just at the plants – and the tortoises people used to dump there – but there had been an old photograph during the Casa Palazuelo visit that made me want to look at the building itself, and I recognised that old station in today’s building, with its wrung iron columns. Funny, how you can look at the same old things and recognise them.

3rd December 2023: Sushi, I“k”ons, Goddesses and Light Bugs (Madrid, Spain)

Posted on 12 December 2023 by JBinnacle

I had evening plans in Madrid with my sibling, and they wanted to have lunch in town and make a day trip out of it. Since I had previously ascertained that the Running Sushi franchise was all right and fun, I proposed to check out another of the locations. They agreed and I had booked a 13:00 slot at Running Sushi in Akihabara, near Plaza de España. It was even more fun than the one I had checked out before, with Godzilla, Taito Station signs, Pacman, neon, anime graffiti in the toilets, and Japanese music playing. From the outside, the restaurant is shaped like a train carriage, and the sliding doors relay the same message they do when Tokyo JR stops at the station at Akihabara. In general, Running Sushi Akihabara offered the same food as the In Market restaurant, but this time there was tuna. I don’t know if it is because of the location, or because it was a weekend – and thus more expensive. Reservation was a great idea, because though I had no problem booking for 13:00, there were plenty other people with and without bookings, and when 14:00 – standard Spain lunch time – approached, the place became almost crowded. We stayed for the whole hour since we had a late start due to missing chopsticks and napkins, and I own up that the last takoyaki might have been excessive. This time, I remembered to ask for the membership card – you get a reward if you visit all the restaurants in the holding, something I’m considering to aim for.

Running Sushi Akihabara

After lunch, we had a 14:50 ticket for a place called IKONO. I have to say I’m warming up more and more to these Instagrammable places – I’ve recently read one of them described as a “fun house” and I think it’s a more than accurate idea. I like them because they’re silly places for, quite literally, kicks and giggles. According to themselves, IKONO was born as a leisure option alternative to “restaurants, shopping and clubbing” for young people – I disagree with the “young people” take though. Out of the permanent establishments of its kind in Madrid, it is probably my favourite.

The IKONO mood kicks off even before you go in, with a peacock-like armchair just outside the main entrance. Spread over three floors, the venue has 15 different experiences / things to do. Once your tickets have been checked, the first “door” you go through is a thick wall of foil fringe curtains in a gradient of shiny colours,which felt like going through the Stargate! (I know, I know, niche comment). All through the place, there is bouncy music playing.

Once you have crossed the curtain – I somehow ended up in a weird inner space instead of where I was supposed to reach, but that’s just me – the first room is a ball pit, and a deep one at that. It was quite hard to move there. There are quite fewer rules than in other ball pits too – you can jump in, and throw balls up. Once you manage to drag yourself out of the ball pit, you get to go upstairs, what I’ve mentally named the “paper floor”. It has three rooms – the landing one has a pretty origami tree and some wings for you to take pictures with. There is a “psychedelic” ward with black-and-white décor and a blue-and-pink confetti cannon. The third one is a dark “jungle scenery” with glow-in-the dark colourings and paintings that I really loved – the frogs were adorable, and the serpent god quite impressive.

Back on the ground floor, the following room is a Japanese-style bamboo forest with wooden lanterns and a torii [鳥居], the traditional entryway to a Shinto shrine. As you may imagine, this was my favourite area. The room walls are covered in mirror, so it looks like a long path, that ends in the following room, a “bamboo forest” which a felt a little underwhelming in comparison. According to the website, the idea of IKONO cemented while visiting the Japanese Arashiyama bamboo grove, and these two rooms are a homage to that place.

Then we walked downstairs, to the “lights area”, with a few more rooms, including some hanging bellflower-shaped lamps, and another with lights made with marbles that went on and off to the music, some modern art inspired by The Last Supper, and a cube of infinite light dots. Back upstairs, there were a couple more panels for photo-ops, and a small souvenir shop. The staff offered a small present if we left a Google review, so we did. Oh, and they had a cloak option for coats, which was amazing.

IKONO Madrid highlights

We walked outside towards our following spot Caixa Forum Madrid, where there are two exhibitions at the moment. The one I really wanted to see was Veneradas y Temidas: el poder femenino en el arte y las creencias, “Worshipped and Feared: Feminine power in art and beliefs”, an exhibit on the female presence in the religion and spirituality of different cultures. The other one was Horizonte y Límite: Visiones del Paisaje. Colección de Arte contemporáneo, “Horizon and Limits: Views / visions of Landscape. Collection of Contemporary Art”, which I had not read about beforehand – because I am biased.

Veneradas y Temidas: el poder femenino en el arte y las creencias is a British Museum’s touring exhibition, Feminine power: the divine to the demonic (which I feel is a more appropriate name, but that’s just me and my problem with translations). It is a collection of artefacts (most of them not exhibited anywhere else) originating from different cultures, trying to convey the “female spiritual power”, though it also has snippets of erotism and homosexuality. One of the most important and impressive pieces include a copy of the Campo Iemini Venus, a “modest Venus”, halfway though covering herself – a copy of the Capitoline Venus, it was found in an Italian Roman villa in 1792. Aphrodite / Venus was the Greek / Roman goddess of Goddess of beauty, love, lust, passion, pleasure, and sexuality. Other Ancient Greece and Rome pieces include Hecate / Trivia (goddess of boundaries, crossroads, ghosts, magic, necromancy, transitions, and the New Moon), Athena / Minerva (Goddess of handicraft, warfare, and wisdom) or Eros / Cupid (God of desire, love, lust, and sex). There are several pieces of pottery, both red and black, depicting different scenes of various… degrees of erotism.

Halfway between Athena and Aphrodite, the goddess Ishtar, Queen of Heaven, and goddess of love and sexuality was worshipped in Mesopotamia (modern Iraq). Though according to the mythology, she had many lovers and was responsible for creation, she was not considered a “mother goddess”, and one of her advocations is the goddess of war.

The Divine to the Demonic: Greece and Mesopotamia

The first thing we saw from Asia were three masks. There was Taraka [Tāṭakā], a Hindu spirit, whose rage upon the murder of her husband turned her turned into a man-eating ogre (ogress?). From Bali, there was Rangda, the demon queen, antagonist of the forces of good, leader of an army of evil witches, and child-eater. From Japan there was a hannya [般若], the jealous vengeful spirit of a scorned woman.

Also from Hinduism, there is a creepily fantastic (or fantastically creepy?) devotional icon (murti [मूर्ति]) of Kali [काली], goddess of death, doomsday and time. The sculpture is the advocation Dakshina Kali – depicted with four arms, a scimitar, a collar made of heads of her slain enemies, and Shiva at her feet. The murti represents a passage in which Kali goes on a rampage after fighting demons, having lost control, and her consort Shiva throws himself at her feet hoping to calm her down.

Theatre masks and Indian Goddess Kali

Among the Egyptian representations, there was Sekhmet, the warrior goddess, represented as a lioness, who was also the goddess of medicine and one of the sun deities. There were also Bastet, who started off similar to Sekhmet but became more of a protector figure, represented as a cat. There were also references to the cosmic goddess Nut, who symbolises the sky, stars, astronomy, the universe, and mothers.

From China, there was a gorgeous Guanyin [觀音] as the Goddess of Compassion, a very different style from the one I had seen in either the British Museum and the Victoria and Albert Museum. There was also a Shiva porcelain which was astonishing.

Egyptian Sekhmet and Chinese Guaiying

From Meso- and South America, there was a beautiful sandstone of Toci, the “mother of the gods” who is depicted with bare breasts and her hands on her belly. There was also a statue of a Mexican cihuateotl. The cihuateteo were spirits of women who died in childbirth, and received the same honours as the warriors who died in combat. There were other references, such as the Hawai’ian goddess of the sea Na-maka-o-Kaha’i, talismans of sex and love (because the Victorians were a bunch of perverts), references to the Mesopotamian demon Lamashtu, Egyptian protection sculptures, funerary steles… and some modern art kind of thing, like a lady sitting down with a ball python slithering on her because… yeah? I really enjoyed the exhibition, though I have to admit I ignored the interactive art a little, to focus on the mythological aspect.

Afterwards, we visited the contemporary art exhibition Horizonte y Límite, which focuses on different… I’m not sure because I know squat about contemporary art (see above comment about the lady and the snake). There were paintings, imaginary photographs, a piece made from different geological cores representing a fault, a panel with postcards, a glass box filled with smoke to represent climate change… Pleasant, but not really my thing. Except the geology cores, they were cool.

Art piece fromthe exhibition Horizonte y Límite: Visiones del Paisaje

After seeing both exhibitions, we headed off towards our next stop. We took a break and sat down for a while to have a great banana-and-strawberry smoothie of all things. Then we walked towards the park Parque Enrique Tierno Galván, where we had tickets for the light show Naturaleza Encendida: Insectos “Lit-up nature: Insects”. The Naturaleza Encendida show used to take place in the Botanical Garden, which is smaller. This year, it has been relocated this year for “reasons unknown” and it feels a bit too long and almost unconnected. All that without taking into account that the idea of a larger-than-me butterfly and giant spiders is a bit creepy to be honest. We had premium tickets which gave us access to the enclosure at any time between 18:00 and 19:00 without queueing, and decided to arrive there around 18:30 as it would already be dark. We had also ordered a cute “magic lantern” – a bunch of sparkling LED filaments – for the giggles.

After an entrance of archways and carpets of light, there is a swarm of dragonflies as a centrepiece. You walk around it, and enter the zig-zagging path. Along the route, you encounter butterflies of different kinds, a line of hard-working ants, bees, grasshoppers, more bees, mosquitoes and flies, more bees, eggs, more grasshoppers, disco balls, larvae (I think? If I had to hazard a guess I’d call them anemones), beetles, ladybugs, spiders and a row of differently-coloured Christmas trees. There were “light corridors” in-between, hive-like hexagons projected onto the trees, and lots of artificial smoke. There are supposed to be some praying mantises somewhere but… I did not see those?

Naturaleza Encendida Insectos figures

All in all, Naturaleza Encendida: Insectos felt too spread out, as if trying to justify the bigger space. Though we had a premium ticket, there was no special premium-only area, and the only benefit was having an hour to go in, without having to queue – which is already enough in my books. I think you really have to be into the topic – we came across a lady who was very freaked out and mostly running so she could get away from the bugs. I have been to three editions of Naturaleza Encendida, and the only one I really enjoyed was the sea-creatures one, Explorium. I thought that the bad weather last year had damped the experience – literally – but I’m going to stop holding my hopes high.

Finally, we headed back to the train station. My morning train had had a five-minute delay, which by the early evening had progressed to the upper￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹￹ 40s. Joy. I’m hoping that when free ticketing is over, service will improve, but I’m not holding my hopes too high…

20th November 2022: Naturaleza Encendida – Origen (Real Jardín Botánico, Madrid, Spain)

Posted on 23 December 2022 by JBinnacle

It seems that the Madrid exhibits in the month of December are not being the most successful ones – this time, the weather did not help. After ten day’s worth of rain, it cleared out, but then, on Tuesday, the skies opened yet again. It was raining like there was no tomorrow by the time my train got to Madrid. Boo.

Just after sunset, my sibling and I went to the botanical garden Real Jardín Botánico to see the light show Naturaleza Encendida: Origen (Lit-up Nature: Origins). There had been some issues about the promoter cancelling the activity due to rain with little advance notice, so they decided not to close it. They instead resorted to close parts of the exhibit at random, and herding all the visitors in the same corridors, despite the puddles forming on the uneven ground. After two weeks of rain, something should have been done about it. Moreover, a few of the exhibits were turned off – not sure if just off or high wired. I wish I had some good boots, because I ended up pretty soaked, despite the raincoat and the umbrella. At least I did not ended up in a random puddle.

In 2021, the topic was sea life, and in 2022 the topic is… mushrooms. So there were spores, moulds and… mushrooms. Big mushrooms with lights, or made with small lights, or… just blown with hot air. Lots of mushrooms. The music was a bit creepy though, even if the mushrooms lit up and down with the beat. There is also an exhibit about moulds, with huge screens showing pictures of spores and microorganisms under the microscope.

Most people were antsy and cranky in the rain, and everybody wanted you to move out of the way – in different directions at the same time. A really good thing about it was the cup of hot chocolate that we had booked with the ticket. It was really nice to get in the middle of the cold and rain because it was warm and sweet. We drank it on our way out to the train, and just as we stepped out of the botanical garden… it just stopped raining.

Light display collage: on the upper left, giant red spores; on the lower left a wavy line of lights. On the right, a giant bunch mushrooms illuminated in green from inside the umbrella

Collage of lights display. A mushroom made of little yellow and white lights; a bunch of name mushrooms in red; a hanging mould-like string of lights between two dark trees

All in all, I was not too impressed. I really think that the organisers should have figured out something about the cancellations and the pathways, since they obviously could not do anything about the weather. My favourite display were the “Baymax mushrooms”, even if most of them had lost their illumination, which was actually kind of the point…

A blow-up mushroom made from plastic, looking like it's floating. The lights inside make it glow green and pink. In the background there is a building gate in red, and a pond between the two.

14th December 2021: Navilandia (Guadalajara, Spain)

Posted on 16 December 2021 by JBinnacle

Back when I visited Torrejón de Ardoz in November, they were already preparing their Christmas display, which is famous in the area. In a smart way to curve attendance though, this year the town hall decided to charge non-locals to enter. Towns around quickly noted this and decided to organise their own magnificent displays, and in the case of Guadalajara, give a hand to the people who live off the carnivals and fairs, as most regional summer festivals have been cancelled for the last two years. They called it Navilandia (Christmasland), the biggest “Christmas Theme Park” in the region.

The “theme park” is divided in several areas. The first one is the palace Palacio del Infantado, its gardens and the adjacent square. The Palace features the same Christmas tree as last year, and the gardens have been decorated with lights, Disney characters, a Zeus sculpture, music and… dinosaurs. I have no idea what dinosaurs have got to do with Christmas, but you won’t hear me complaining about dinosaurs. They are called the magical gardens Jardines Mágicos del Infantado. There is also a small flea market.

A gothic façade with a Christmas Tree made out of green and gold lights in front, along with some more decorations: Felices Fiestas, another tree, a reindeer made out of light

As I walked up Main Street I saw the traditional Playmobil Nativity they always set in one of the shops. However… I’ve never been able to spot the actual Nativity scene here. It is rather cool, though.

A Nativity made out of Playobil figurines, the stable is on the left and a bunch of toys are coming towards it through the desert. There a lots of dromedaries.

The second “Christmas hotspot” is the town hall square Plaza Mayor had a tasteful light decoration, a childish representation of the Three Wise Men, and a very beautiful – and lit up – carousel. I really wanted to ride it, but there were too many toddlers. It would have looked… weird. I need to find out when it closes so I sneak in after the kiddies have gone home (≧▽≦).

A caroussel with bright lights on in a square. Hanging above the square there are lots of lights and stars in gold colours. There are also four Christmas trees

Third spot was half-closed but that is okay. The square Plaza de Santo Domingo hosts another flea market, that was not open – they are setting three rotating markets there, basically one each weekend, and we were between them. There was a big walk-in Christmas tree and the “monumental Nativity” there.

Collage: A Christmas tree made out of eye-shaped lights in blue, purple, red and yellow. A picture of the classical nativity with realistic figures. The Holy Family is illuminated in white - Joseph is placing the Child on a crib that Mary is holding.

The final area extends along the parks Parque de la Concordia and Parque de las Adoratrices. The entrance is flanked by two nutcrackers; it hosts a talking tree, lights, food trucks, yet another flea market, and rides that again… are only Christmassy by name. There is another Nativity, this time an “abstract one”, a cute train and a “Polar Express” ride, some lights and… a “talking tree”, which broke into telling some tales out all of a sudden. Then, there was a bunch of rides, but they looked like your average travelling carnival rides, and I was not going to go onto any of those, so I made my way back. Also, I was strong and did not buy any cotton candy nor similar treats, though I was tempted to get some roasted chestnuts.

Bizarre Christmas decorations and motifs in the park: A giant nutcracker / soldier, an abstract nativity, some gingerbread-house-shaped shops, a Polar Express mini train, and a... something that looks like a tree with a face on the trunk and leaves made from green lights.

It was weird because for the second time in a couple of months I’ve been asked if I’m an actual photographer. True, this time it was a drunk guy who then proceeded to yell fascist slogans. I decided it was the right time to call it an evening and go home for the day…

30th November 2021: Naturaleza Encendida – Explorium. Royal Botanical Garden in Madrid (Spain)

Posted on 3 December 2021 by JBinnacle

After being in semi-lock down last year, my sibling, who loves Christmas lights, asked me to accompany them to the Real Jardín Botánico, the botanical garden in Madrid. The Botanical garden was founded in 1755, adjacent to the planned museum of Natural Science, which would later become the art gallery Prado Museum. Today, it is a research centre. The garden is divided into four terraces, a main building (Edificio Villanueva), and a back terrace, and it serves as museum of live plants of sorts.

For the last few years (at least three that I’m aware), the botanical garden has spiced up its winter downtime with light shows and displays. This year, the display is called “Lit Nature: Explorium”: Naturaleza Encendida: Explorium by the company Let’s go. The topic is ocean explorers and exploration, spread throughout the three main terraces and an extra exhibit in the building.

In order to have flexibility, I got us Premium tickets in case we needed to cancel last minute, which had the extra advantage that spared us from any queues, as we had full-access between 18:00 and 19:00. We also got to see the extra exhibit without paying extra. I drove up to a mid-way train station that allowed me better schedule flexibility – and my sibling lives close-by so it gave us the option to have dinner afterwards. I took the first train and we met at the botanical garden station at 17:30. We wandered around for a little while we waited until twilight faded, and we got in, avoiding all the lines – I did a bit of astronomy maths when planning this, regarding latest sunset and shortest twilight.

The exhibit is organised so you are free to wander around each terrace, but you can only cross from the lower to the upper terraces upwards, you cannot backtrack, in order to control capacity and people in each area. It only felt a bit crowded at a couple of points, mostly around the checkpoints, as it was very difficult to hear the staff.

The whole display has thousands of little blue LEDs to get you on the ‘ocean’ scenery. The first terrace sets the mood – there are Christmas-tree looking build-ups and different types of colour-changing sculptures: turtles, pufferfish, and sea horses. The second focuses on laser and smoke, and reflection displays, and some serious-looking grouper. On the third, where the building stands, there is a little pond from where a few gigantic tentacles rise, and jellyfish hanging from the trees. The exhibit in the building itself is similar to the projections done by Team Lab.

Collage. A garden lit up at night, with different shapes: pufferfish, seahorses, a turtle... The trees and bushes are decorated with thousands of tiny blue leds

Collage. Light flashes in a dark garden, along with a colour gouper fish

Collage. Huge tentacles coming out of a pond, illuminated in red and blue; and blue jellyfish lamps hanging from trees

Collage. Light effects repeating the same patterns: a pineapple, a thisle, a khaki

We wandered around for a couple of hours, and believe me or not… the lights went out at some point! This was like climbing up (rope-way-ing up, to be honest) aaall the way up to see Nagasaki’s lights from Inasayama and getting caught in the clouds, but fortunately shorter (≧▽≦).

We left the botanical garden and took a train back. There were a few places to grab a bite around the station, so we ended up at a cosy Italian place and shared some stuff – too much to then grab some dessert though. When we left it was so cold that my car gave me the first heart attack of the winter by bleeping and showing me an orange alarm in the dashboard that means “the roads might be frosty” but scares me to death whenever I see it for the first time in the winter season. I drove off home, had a shower, went straight into work at 23:00 because how was I going to manage a free Tuesday evening without consequences?

Final waking distance: 8.50 km (though I really think that the wristband confuses my stress-driving with activity.

9th August 2019: Pretty lights, 2019 Edition {Japan, summer 2019}

Posted on 15 September 2019 by JBinnacle

That morning I headed off to Ikebukuro [池袋], on my way to find one of the most important Tokyo [東京] graveyard – Zoshigaya Reien [雑司ケ谷霊園]. I wandered the graveyard for a while – it was damn hot.

However, there was one particular grave I was interested in, the restplace of Lafcadio Hearn / Koizumi Yakumo [小泉八雲], the 19th Century collector of ghost and mythology stories.

I decided to walk out the opposite direction from which I had come in because I wanted to see a park. I did not find it, but pretty much walked into Otori Jinja [大鳥神社] (and discovered a new stamp rally I should attempt at some point).

I continued on my way towards the station and sort of accidentally walked past Honnōji [本納寺].

And then this little guy drew my attention and I entered Zoshigaya Mimizuku Park [豊島区立雑司が谷みみずく公園].

The park holds Takeyoshi Inari Jinja [武芳稲荷].

And Kishimojin [鬼子母神堂] (which I saw before / later in Gokusen 2005 and I right about died laughing).

Afterwards I headed to Roppongi [六本木] to meet with M***chan and D****e for Chinese at Tokyo Midtown [東京ミッドタウン], and later we walked through the Midtown Loves Summer light festival.

Walked distance: 18686 steps / 13.3 km.

13th August 2018: Pretty Lights, Strike 2 {Japan, summer 2018}

Posted on 15 September 2018 by JBinnacle

I had quite a boring morning filing all the insurance and company flights hoping to get the money I had spent on clothes during the time my luggage was lost. Then a storm broke so I took the subway to Nakano Broadway [中野ブロードウェイ] to canvass the shops for a while. After shopping (mostly for my friend C*****, actually) I headed home to drop off the purchases of the day because my back was hurting and I did not want to run around carrying weight.

I had arranged to meet D****e in Roppongi [六本木] when she was done with work for two things – one was taking pictures with the dozens of Doraemon [ドラえもん] that were once again colonising Roppongi Hills [六本木ヒルズ].

Then we went to Tokyo Midtown [東京ミッドタウン] building, also in Roppongi. We saw Tokyo Tower [東京タワー] on the way.

We had Chinese for dinner and then we walked into the gardens for the event called Midtown Loves Summer which was a show of lights and music, which was the second goal of the evening. Pretty!

10th August 2018: Pretty Lights, Strike 1 {Japan, summer 2018}

Posted on 12 September 2018 by JBinnacle

I stayed in bed for most of the morning, and had conbini lunch at home. Mid-morning I received an email informing me that my things had arrived in Haneda and would be delivered the next morning. This confirmed what I suspected, that luggage had stayed in London due to the check-in issues, and left me free for the day, although I would have to fill an insurance claim or two.

Luggageless, and thus cameraless, I did not feel like going out to do tourism, though I did have a couple of places I wanted to visit, so what to do? Obviously the first hunting incursion of the day – first Shinjuku [新宿]’s Closet Child and Pure Sound, and then I headed off to Harajuku [原宿] and the Laforet Building, then I came up Takeshita Dori [竹下通り] where I bought a pair of sunglasses and fell in love with a couple of shoes (until I saw the price. It was an impossible love).

After that, D****e and I met up with M***chan at Meguro [目黒] to go to the Hotel Gajoen Tokyo [ホテル雅叙園東京] and dinner afterwards. Hotel Gajoen is a huge luxury complex in Meguro, with corridors that go on forever, fountains, bridges and jaw-dropping prices. That should give you a clue that dinner was not had there.

The hotel organises cultural events around their one-hundred step ladder, and this summer it was holding the WA NO AKARI × HYAKUDAN KAIDAN Illumination Festival 2018: Wa no Akari, The Aesthetics of Japanese Illumination [和のあかり×百段階段2018 ～日本の色彩、日本のかたち～]. This was an exhibition of interpretation of Japanese art using lights, and it was very beautiful.

Would you like to catch a glimpse of the luxuriousness of the place? These are the lobby toilets:

Since obviously we could not afford to have dinner there, we went for nikuzushi [肉寿司], which is basically sushi with meat, raw or cooked, instead of fish to a place called, of all things, Nikuzushi, in Ebisu [恵比寿] (albeit this is apparently a chain, so there are several of them around the city). This was unexpectedly yummy.

Afterwards we did an hour of karaoke and headed home.

30th December 2016: Water & lights {Japan, winter 16/17}

Posted on 16 January 2017 by JBinnacle

I headed off to Enoshima [江の島] to meet with my friend Mk-san, whom I met in Gackt’s birthday party in July. By pure chance, I caught a glance of Mount Fuji Fuji-san [富士山] again.

Together (with Mk-san, not with Fuji-san ~ヾ(＾∇＾)) we went into Enoshima Aquarium – Enoshima Suizokukan [新江ノ島水族館], which was one of the few I had left in the Tokyo Metropolitan area. The highlight was the focus on algae and seagrass, because the jumping fish did not seem to be in the mood for jumping. Oh, and kira-kira jellyfish!

After the aquarium and lunch, I headed back to Tokyo [東京] and I stumbled upon one of the L’Arc-en-Ciel’s “Don’t be afraid” billboards.

Then I met up with K. and D****e in Nakano Broadway [中野ブロードウェイ] for a bit of shopping before we headed out to Tokyo Dome [東京ドーム] to watch some Winter Illumination.

Later we went to Tokyo Station to see the lights in the Marunouchi [丸の内] side and had some avocado burger in a random Freshness we came across. And it was cold. Very cold. Awfully cold. Finger-ouchy cold.

28th December 2016: Find all the things （　･`ω･´)! {Japan, winter 16/17}

Posted on 14 January 2017 by JBinnacle

One of the items in my calendar this time was visiting the three Dragon Gates of Tokyo. These are three torii gates that have been carved in stone and have an ascending and a descending dragon on each one of the pillars. The legend says that touching the dragons will bring you good luck.

Two torii are located in Suginami [杉並]. The first torii I went off to visit was in the grounds of Shukuhōzan Kōenji [宿鳳山高円寺]. The gate is a bit to the side, in a small adjoined shrine to the left of the main building.

The second gate I visited is in Mabashi Inari Jinja [馬橋稲荷神社], about 15 minutes walking from the previous one (which I chose to hit first because it is closer to the station). As this is indeed a shrine, the torii is pointedly displayed, as it is the second one on the main entrance.

Although I would have wanted to hit the three gates on one day, going back and forth between the first two and the third was not a good idea. Thus, I headed off to Shinjuku [新宿] to check out the Tōkyō Tochō [東京都庁], the Tokyo Metropolitan Government Building, as the day was very clear. And bingo, it worked, and I managed to see Mount Fuji Fuji-san [富士山] in the background. Being a little bit of a geek, and since both observatories were open, I decided to climb both this time (just in case the stamp was different, of course!). Then (also of course) I was doing some shopping around…

And since I was in the area, I decided to go back to Isetan, having devised a plan to get some images of the kimono. Which succeeded. Then I saw other people taking pictures, so I shielded myself with them and took some, too.

After that I met with D****e and we went off to find some of Gackt’s Gakucchi and Hyde’s Chupacabra crane games and UFO Catchers. For this we headed off to Odaiba [お台場], where we had a chance to look at the Winter Illumination, especially the Rainbow Bridge [レインボーブリッジ] looking… well, rainbow-coloured.

Then we went to say bye-bye to the Gundam in front the DiverCity and had some food inside. Somehow I feel like I’m talking about food all the time (*´∀｀*)ノ… This was very yummy and the writing on the algae cracked me up.

As we did not find the Gakucchi nor Chupacabra in Odaiba’s Venus Front, where we had read they would be, we backtracked to Shinjuku [新宿] to search for them. We did not manage to get the stuff out of the crane games but we got the bags that you got with putting 500 ¥ into the UFO Catchers…

26th December 2016: Japan can be cold! {Japan, winter 16/17}

Posted on 11 January 2017 by JBinnacle

This was a discovery. Yes, I knew for a fact that Japan could be a cold country. I’ve seen he pictures and the snow, but it was the first time ever I was in winter Japan.

First of all, regarding the flight, Iberia is now flying Madrid Tokyo in a direct route, which is amazing. However, they charge you about 30 bucks for choosing a seat and the personnel is not the most helpful ever (^_^)”

After arriving in Narita, the first goal was setting the Internet on the phone. I was using Free Wifi at Narita and several stations among my route to meet D. for lunch and to get the keys to her apartment, because I keep forgetting that you have to go onto your browser and “register”.

Anyway, I met with D****e first for yakiniku in Roppongi [六本木], and I got the keys to her apartment as I was crashing with her. I was hungry and forgot to take pictures, so have a look at the ベリベリ (“very berry”) smoothy I got in Harajuku [原宿] with B****. later on (*^◇^)_旦. And after that we went to a place called “Cookie Time” which was amazing.

We also got to look at the winter illuminations between Harajuku and Shibuya [渋谷].

Finally, we went to eat sushi (*･∀･)_Ω. It is a common misconception that there can not be too much sushi, but it is actually a mistake. There is such a thing as too much sushi, but you won’t realise that until it is too late (*ﾟｰﾟ)ゞ.