Tag Archives: Yoshiki

12th – 14th October 2023: Yoshiki Classical World Tour “REQUIEM”, London (England, Great Britain)

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This was my third and last trip to London in these five crazy weeks, and it was again to see Yoshiki. Someone once told me that I love Yoshiki because he appeals to both my wild and posh sides – it is partially true, I guess. It has a lot to do with how many of his lyrics resonate with me, more deeply than I am comfortable admitting sometimes.

I don’t think I would have travelled twice so close in time for any other artist. And believe me, organising this trip was a logistics nightmare. In other circumstances I would have flown out the same day of the event, which was Friday the 13th, but I don’t think that airports in the UK have completely recovered from the Covid chaos, and there are still a bunch of issues – just the previous week to my arrival, a good number of flights were cancelled in Gatwick. Second, the 12th is a holiday where I live, and since it was a Thursday, it kickstarted a long weekend. And last but not least, the 12th is also my parent’s birthday, and they were excited for a big celebratory lunch.

Taking all this into account, I tried to coordinate everything the best I could without breaking the bank. I found the last plane leaving on Thursday the 12th, at 21:50. That gave me time to have lunch at my parents’, then drive off past 19:00 – there should not be too much traffic. I booked the parking lot – the shuttle runs every 15 minutes in the evenings. In the worst case scenario, if my flight was cancelled or too delayed, there was space to manoeuvre on Friday morning. The plane was scheduled to arrive in London Gatwick close to midnight, but I was quite sure it would be delayed, and in order to avoid late-night trains and stress, I reserved a hotel next to the airport terminal – I did not have to worry about dinner as my parents make food to feed a small army. For the following night, I found a “boutique hotel” next to the venue. I booked my return flight on Saturday the 14th in order to avoid the end-of-weekend traffic that would concentrate on Sunday.

Great plan. In the end, something happened and the celebration had to be postponed, so I spent the evening watching the clock, and checking and rechecking both the weather forecast and my luggage – finding something to wear that was nice and still weather-appropriate was difficult. I changed my mind regarding footwear about six times.

Around 19:00 on the 12th, I finally drove to the airport. Considering that the forecast was rain both at home and at London, I took boots in the end, but more comfy shoes for driving. I reached the parking lot and airport a bit earlier than expected, and I found a nice covered spot for the car – which I had to check that it was not reserved a few times. As I entered the international terminal, I was disoriented for a second – since I usually take planes before 7:00, I had not seen the shops open for a long time! It turns out there is a Duty Free just after passport control which I had not even realised before, and that threw me off track for a heartbeat or two.

I had some dinner at one of the fast food stands, and as expected, the plane was delayed. Then it needed an engineer. Then it taxied forever. And after almost two hours of delay, the two-hour-and-a-bit flight to Gatwick was cut short – we landed not even ten minutes late, so we flew the route in a little over an hour. I never knew you could step on it so bad on a plane! I went through passport control and found my hotel – just outside the North Terminal, and much closer than I had calculated. Gatwick was also crazy busy even if it was nearly midnight.

I checked in, and I was surprised that even though it was the same chain I had stayed at next to the O2 Academy Islington, the procedure was completely different. But it went without a hitch, and I was in bed within thirty minutes. I even caught some sleep. For some reason they gave me a room with a sofa-bed aside the regular one.

Leaving in the morning was a bit more complicated. After a much-needed caffeine boost at Costa Coffee, I took the inner airport shuttle from the North to the South Terminal, where the train station is. From there, I found my connection to central London. The good thing is that Gatwick trains belong to a regular line, so they do not require a special ticket, you can use the Oyster card, which I did. The shuttle and train went through awful weather, but when I reached London, rain and wind had calmed down a little. I wanted to leave my things at the hotel because of the bad weather and not to go into any museums with the backpack – just in case. The nice person doing my check in was very stressed that I might want my room – it was before 10:00 for a 15:00 hour check-in. I really just wanted them to hold my luggage. After that was successful, my next step was finding a bank that would exchange a handful of old pounds for new ones. In the end, train, underground, hotel and bank took a bit longer than I had expected and I was running a bit behind my self-imposed schedule.

My first stop was Sir John Soane’s Museum. Sir John Soane was a neoclassical architect – he worked in the remodelling of the Palace of Westminster, but his most prominent legacy is his house-museum. He bought a couple of attached houses in the centre of London, and combined them both as an architecture experiment and to host his collection of antiquities, copies, paintings, and pieces of architectural interest. There was a special Act of Parliament to establish the museum while Soane was still alive, stating that after his death the houses should be kept as they were, to avoid his son selling the collection, as some of pieces were / are worth a fortune. For reference, one of the most important artefacts hosted there is the sarcophagus of Egyptian Pharaoh Seti I (Second Dynasty). Adventurer Giovanni Battista Belzoni tried to sell the piece to the British Museum after taking it from the Valley of the Kings in Thebes. The Museum was not willing to pay what today would equate to almost £200,000, but Soane bought it in 1817 to exhibit it in the basement “sepulchral chamber”, where it still stands today.

Entry to the museum is free, but you are requested to purchase the guide for £3, which I did. The first area you visit is the lovely library, and then you step into the real treasure – the area comprised by “the dome”, “the colonnade” and “the corridors”, where literally hundreds of sculptures, friezes, amphorae, decorative pieces… pile up on one another to the point that everything is overwhelming and fantastically chaotic. Wherever you look, there is something else to notice – whether it is Apollo, a copy of the Farnese Hercules, a pegasus… Then you go down to the basement, and both the “catacombs” and the “sepulchral chamber” are equally cluttered – a pair of Chinese guardian lion-dogs, Aphrodite bathing, a Poseidon head, and of course Seti I’s alabaster sarcophagus, encased in glass, which sucks for pictures but protects it in the super-tight space.

Artefacts at Sir Soane Museum

Sarcophagus of Seti I in Sir Soane Museum

Other spaces include the kitchen – which feels strangely empty in comparison– the drawing rooms on the first floor, and the picture room on the ground floor – with some of Canaletto’s Venetian landscapes, and drawings of ancient monuments. All in all, whenever you blinked, you missed a detail. It was almost stressful, but an amazing place to visit.

Afterwards, I met up with fellow Yoshiki fans A****d and A**i, at the British Museum. They were going there first thing, and we had arranged to get together around noon, but I ran a bit late and only reached them around 12:20. Through that time, they went through the must-dos. We met at the Ancient Middle East and saw a few exhibits about the history of money, one on clocks, Roman Britain, the library… They asked me if there was anything I recommended, and we went past the Moai so I could show them one of my favourite sculptures ever – the Bodhisattva Guanyin [觀音 in Chinese], associated with compassion, in the Chinese Art Gallery. Guanyin sits with one leg up in a very relaxed and informal position compared to other Buddhist imagery, and I just adore this wooden representation.

Artefacts in the British Museum

Around 14:00, we went out for lunch. We tried an okonomiyaki place near the British Museum, but it was unfortunately full, and both my friends had had CoCo Curry the previous night. We walked into Chinatown and we found a self-proclaimed izakaya Japanese restaurant called Oita (Soho). I ordered sushi bento for £16.95, which at first felt a bit expensive, but I had forgotten British-sized servings. It was actually very proportionate size-wise, and came with complimentary miso soup. The bento (“boxed lunch”) itself comprised a small salad, seven pieces of assorted raw fish on sushi rice (tuna, salmon, butterfish, mackerel, squid, prawn and octopus – these last two were no raw, actually), four assorted nigiri (tuna, salmon, butterfish, mackerel), three salmon sashimi, two tuna sashimi, three avocado hosomaki, and some garnishing including cucumber, radish and alfalfa, along with pickled ginger and wasabi. It was really good.

Oita Soho sushi bento

The three of us separated after lunch to go to our hotels and get ready. On my way, I bought a sandwich and a bottle of water from a supermarket to have for the night, and decided to take a shower before changing into concert gear. When I reached my hotel, they showed me around, and told me my luggage was in the room – which it was not. I had to come down again to get it, which embarrassed the staff a lot. The room was posh to the max – I even had a bed with a canopy! Apparently, boutique hotels are “small hotels with a personality” that try to “tailor the experience to the customer”. For me, a hotel is just a place to sleep in, so I’m just happy with them being safe and clean. I can do without the personality, the steeper price, and the surprise extra service charge.

I reserved the hotel through Booking, and they got in touch that they wanted payment outside the page. I dislike this, but it is not unheard from. I needed to demand my payment receipt, too, because the page did not generate any. Later, they tried to charge me through Booking again (though in their “defence” this might have been a Booking issue, as it has been hacked). In the end, the image I got from them was that of an overpriced wannabe high-end hotel, but there were too many blunders to consider coming back if I can help it.

At least, the hotel fulfilled the one reason I had chosen it – it was a short walk from the Royal Albert Hall. Considering how badly I felt after the Miyavi concert a couple of weeks before, I was a bit apprehensive this was going to be too much. It was, but not in the worse sense of the word. The recital was emotionally hard on me, as I tend to connect a bit too much with Yoshiki’s music, but fortunately I did not take ill this time around.

I was deeply moved when I attended the first Yoshiki Classical concert in Paris in 2014, but this time my mind was absolutely blown. Back in May, in a moment of fanby weakness, I decided to buy RAH membership (£55) in order to get access to the presale. Despite that, I only managed a sixth-row seat to the side – Arena F – Row 6, Seat 27 (£60). These were sent by post and arrived in physical form in late July. I decided on this delivery method because even if the tickets did not arrive on time, or got lost, I still had the option of “will call” with my ID and the card used for purchase (of course, my bank decided to cancel my cards meanwhile and get me new ones, so I’ve been running around with both working and not-working cards in my wallet for the last couple of months).

Having a RAH account also meant that I was notified about a “Yoshiki meet and greet VIP package” within minutes of its release, which included an exclusive opportunity to meet Yoshiki after the concert in the 1871 Bar, a photo opportunity with Yoshiki, and a piece of merchandise for signing (£150) – I booked it as soon as the email came through, and I think I was the 10th person to buy the upgrade. These tickets were supposed to arrive by post, too, but the venue changed them to e-tickets the week before the show – when I was already antsy about them arriving – “will call” was still an option, but I was restless.

Around 18:15 I left the hotel to walk to the venue to meet A****d and A**i. The Royal Albert Hall is one of the most famous concert venues in the United Kingdom. It was world’s first domed amphitheatre, designed by two civil engineers, Francis Fowke and Henry Y.D. Scott, and inaugurated by Queen Victoria in 1871. The outer structure is built in Fareham Red brick with a mosaic frieze that represents the arts and sciences, and the roof is a glass and wrought-iron dome. It has several halls and a corridor surrounding the amphitheatre, with several bars and other hospitality offerings.

The three of us walked around and found the merch stand, which was a bit underwhelming – two short-sleeve T-shirt models, and a tote bag. I kind of regret not getting the tote now, but I felt I had already spent too much money. A****d was sitting next to me, and A**i just a couple of rows behind. However, upon being shown to the amphitheatre when doors opened around 18:45 for the 19:30 concert, my brain shortcut. Rows 1 to 5 were inexistent. My row 6 ticket was a first row ticket. I was first row for a Yoshiki concert!

Fine, to the side and with some camera equipment in between, but I was first row for a Yoshiki concert. In particular, for Yoshiki’s Yoshiki Classical 10th Anniversary World Tour with Orchestra 2023 “REQUIEM” on the 13th of October 2023.

Yoshiki Requiem Poster 2023

Most seats had a small booklet, and since mine did not, I decided to “steal” it from a still-empty seat – I’m selfish, sue me. Once my brain settled down enough to take everything in, there were two things I noticed – one, that the grand piano in the centre of the stage was not Yoshiki’s trademark glass piano, and two, that his drum set was there. This was not a huge surprise as he had hinted it during the Q&A in September that he wanted to do something with it. We passed the time looking at people come in, being impressed at how fancy some people dressed, meeting other friends, and taking photographs in front of the stage.

Inside the Royal Albert Hall

The concert / recital was intense. Most of the music played had been composed by Yoshiki himself either for his different collaborations or for X Japan. Vocals were entrusted to pop singer Beverly [ビバリー] and soprano Ai Ichihara [市原 愛]. Special guests St.Vincent and Ellie Goulding sang their own songs. The Royal Philharmonic Concert Orchestra was conducted by Ward Stare. Ballet dancers from Jlee Productions performed on stage during Forever Love and Swan Lake..

Setlist:

Part 1
   1. Amethyst (orchestra alone)
   2. Tears
   3. Angel
   4. Miracle with Ai Ichihara
   5. Forever Love
   6. Kiss the Sky with Beverly
   7. Anniversary
Part 2:
   8. Drum improvisation while the orchestra played Serenade for Strings (by Pyotr Ilyich Tchaikovsky) and Symphony No. 3 (by Henryk Gorecki) and Ai Ichihara on vocals
   9. Say anything
   10. Swan Lake (by Pyotr Ilyich Tchaikovsky)
   11. New York by and with St.Vincent
   12. Love me like you do by and with Ellie Goulding
   13. Red Swan with Beverly
   14. Requiem
   15. Without you
   16. OPUS 13 in A-minor (by Felix Mendelssohn)
   17. Art of Life (second and third movements)
   18. Endless Rain

Although the auditorium opened later than it was supposed to, the concert started almost punctual, a bit past 19:30 – which for Yoshiki is a miracle of ontimeness. He had probably done all his interviews the month before. Director Ward Stare came on stage and the orchestra played Amethyst as warm-up – this is the song that was usually heard at the start X Japan’s concerts, before members came in. Yoshiki walked on stage to play piano from the second song on, Tears. The tour title Requiem comes from the song Yoshiki wrote to honour his mother after she passed – he was understandably devastated, and it made sense to start the show with Tears.

Yoshiki playing piano at Royal Albert Hall

Throughout the concert, he alternated piano-playing and talking – most of the talks we had heard before, but a few were new to me. He told us that when he felt that he had managed a great achievement his mother used to bring him back to earth with questions like “have you eaten?” or “did you sleep?”. He explained that she really praised him when he composed Anniversary for former Emperor Akihito. We also had some promotion of the Under the Sky film, and Yoshiki’s champagne line, along with a recap of him being honoured in LA’s Chinese Theatre. There was also some “thank you to my sponsors” talk, and he might have said “amazing” around a thousand and three times.

The first part went more or less as expected – except for the ballet dancers. I did not think we would get them, but I am not going to complain. I did miss Hero, because I really enjoy listening to that one live, but something had to be taken out to accommodate the songs by the special guests. Some people say that he talks too much, but I think that he’s just trying to catch a breather – both physical and emotional. At one point he spoke about an “X Japan song that we would never really hear”, which was heartbreaking. There is a difference between knowing that there won’t ever be any X Japan ever again, and having it confirmed. Both in September and now, we’ve heard him openly say things that usually went only implied, which I think means that we are in a new stage of his artistic career / life.

Yoshiki Royal Albert Hall with orchestra and ballet dancers

For the second act, he pushed himself even harder with a drum solo to start off. He always smashes the drums as if he were trying to get a confession out of them – it is like he has so much anger inside him and the drums are his only way to release it. In a way, it probably is – he always says that he turned to drumming to deal with his father’s suicide, and that is how he expresses himself. But then he goes back to the piano, and it feels that the keys are crying with him.

The acts with St.Vincent and Ellie Goulding, in my opinion, were more promotional than anything else. Both are well-known and established in their own niches – and Yoshiki likes female singing voices because they can hit high notes better, I think – though I miss Katie Fitzgerald and Ashley Knight, to be honest. St.Vincent was okay, Ellie Goulding left me wondering… what she was doing there. Apparently the pinnacle of her career until now has been composing Love me like you do for the film Fifty shades of grey… And I hate to be that person, but both of them could have chosen way better outfits.

The titular song, Requiem, was extremely poignant. It was the piece Yoshiki wrote to deal with his feelings for his dead mother, in his own words, the means he found to stop crying for her loss. Just like he took to drumming after his father’s death, he took to composing after his mother passed. Later, he explained again how the song Red Swan symbolises standing up through the pain and the blood. The original version of this song is sung by vocalist Hyde, and since he was bringing in people from all around the globe, I would have been extremely happy if he had flown him in for it, and I was hopeful for about one tenth of a heartbeat. Unfortunately, you cannot have everything.

Throughout the recital there were sad moments and happy moments, to thank fans, and to remember those who are gone, moments with ballet dancers and with the torch on the phone on, moments to sing and to laugh, and to feel your heart shrink. In the end, Endless Rain with all the audience was extremely special – it never feels that it is going to be, I keep thinking “this time it’s not going to affect me this much”, but it gets me every time.

Yoshiki talking at the Royal Albert Hall

In the end, the show lasted for about three hours, plus a twenty-minute intermission. He thanked the conductor, the orchestra and dancers and the guests, and received lots of flower bouquets. Next to me, A****d managed to give him a Union Jack with a small EU flag sewn into it, which he proudly wore around his shoulders. It’s fun how he is such a huge super star and then he becomes all shy and embarrassed. Or he just… crashes.

Yoshiki with the Union Jack flag, Royal Albert Hall

After the concert was over, we said goodbye to A**i and, A****d and I made our way to the 1871 Bar, where the Post Show Meet & Greet Experience was to take place. We went to one of the doors, but of course then we needed to go to the other one. Eventually we got in, and rather quickly – I was the 20th person in the queue, and got to wait inside the bar. It was upholstered in blue, turquoise and green tones, with the most garish decoration I’ve seen in my life, including mirrors, golden wallpaper, bright plastic deer heads (better than real ones but still gaudy), lava lamps… There were about… four or five sofas, and the whole floor was carpeted in reddish and green / grey tones.

I was a bit nervous – waiting to meet an artist is actually the worst moment of queueing, I feel. To be honest, the first time I saw Yoshiki in person in 2017, my brain went 404 on me and I was not able to utter a word, though in Vienna I did a bit better and got a selfie. I was shaking so badly it came out horrible and moved.

As we were waiting, a staff member came to tell us that we could talk to Yoshiki a little, and that they would take our pictures with him and email the link to us. He explained that Yoshiki had just played a three-hour show and that he was bound to be tired – and how amazing he was. We smirked that we knew that already – most of us were not local, after all. Meanwhile, lights were set up, and signed posters brought out.

Yoshiki arriving for the M&G in the 1871 Bar at the Royal Albert Hall

Once he came in, we clapped and then everything went very fast and very slow at the same time. Everyone got to talk to him a little indeed, ask for an autograph or give him a present. Some people conjure amazing gifts for artists, but I never bring anything for them, because I feel it’s imposing and they don’t need any junk I could get them. However, I was clutching my bad selfie print-out, running through my head what to say. It was finally my turn, and then something I could have never prepared for happened – he declared that he was tired and just sat down on the floor. Not one of sofas. Yoshiki, superstar, just plopped down on the garish carpet of the bar at the Royal Albert Hall.

I have no idea how or why but my brain kicked into gear at that point. Before the staff could react in any way, I asked Yoshiki if it was all right to sit down on the carpet with him – I really did not know if he wanted to have his picture taken on the floor. I’m not sure if the staff and the aides knew what to do, but when he said it was all right, I approached and sat – A****d had stayed behind and was able to document the whole thing, apparently I sat in the proper traditional Japanese way for the conversation.

I thanked him for his music, and told him how his lyrics helped me feel better after a bad situation. Then I asked him to sign the “horrible selfie” – I actually said this – from Vienna. He thanked me for coming back, and I said “no, thank you for coming back”. The whole thing was absolutely surreal. There we were, sitting on the carpet of the Royal Albert Hall, surrounded by dumbfounded staff and… sofas. Photographer Andy Paradise took our picture, and what I saw when I looked at the camera was the photographer crouching, the video-camera person kneeling, someone else also crouching down, and a fourth person coming in with a chair (despite… sofas). I said thank you again, and dragged myself away – the guy whose turn it was behind me also sat down on the floor.

A****d and I got our signed posters, while I clutched to my now autographed bad Vienna selfie, and left the venue. Some people asked questions on the way out, and we explained how it went. When we came out, it was cold, so damn cold. My hotel was a block over, so I asked reception to order a taxi for A****d, and we parted ways, hoping to see each other soon.

I went up to my room to take my third shower of the day, and have my snack. I was so overwhelmed, it was hard to sleep. It was also stupidly cold because unbeknownst to me, I had not closed the window well, and there was an open crack. I burrowed under the bed covers, a towel and a bathrobe, and got some rest.

The next morning, I made myself a hot instant coffee to start off the day, but it did not do much to get my blood pressure up. I vacated the room around 9:00 after asking the hotel to keep my luggage – but considering what had happened the previous day, I made sure I had all the important things with me. I had a nice plan for the day, but I decided to discard it last minute because underground disruptions had escalated – it was not worth it to get stressed due to commuting issues having alternative things to do. Seeing the first red phone cabin will have to wait for another time.

It was still extremely cold when I stepped out. First, I went to see the Albert Memorial in Kensington Gardens, and I crossed to Hyde Park. I also found the Monument to Livingstone. I went around the Royal Albert Hall, and a bit before 10:00, I joined the queue to enter the Victoria and Albert Museum. Whenever I am in Kensington, I always get distracted by the Natural History Museum, so I had forfeited the V&A for a while now. Today was the day to finally explore it.

The Albert Memorial

Royal Albert Hall from the outside

Founded in 1852, the V&A is one of the largest museums in the world – it’s actually the largest museum of applied arts, decorative arts and design. It covers 51,000 square metres, with 145 galleries and almost three million individual items in its permanent collection. It is a chaotic museum, and yet, it makes sense. The museum is organised by “themes” such as Buddhism, England Middle Ages, metalwork, porcelain, glass, Baroque sculpture… I tried to see things in some kind of logical order, but it was pretty much impossible. Apparently they tried to rearrange it a while back and they just… gave up, as it would diffuse expert knowledge. I found this very interesting, but since this was my plan B, I did not really have time to plan the visit very thoroughly.

Before diving into the galleries, I headed over to the museum café for a gigantic tea-infused scone with jam and proper clotted cream, and a mug of coffee, and sat down at the Gamble Room. When it opened in 1868, it was the first museum café in the world. It is decorated with tiles imitating the Italian Renaissance majolica tiles, columns, golden ceilings, and weirdly modern lamps. After breakfast, I felt a bit more grounded, though I felt a bit off all day.

Scone and coffee at the Gambler Room in the V&A museum

I roamed around the museum for a few hours, and I know that I missed some important areas. I found it difficult to keep track of where I was and where I wanted to go, but I got a bit of a taste of all. I was very impressed by the Cast Courts, where copies of some of the most iconic pieces of architecture and sculpture are kept. These were made in the 19th century, and represent “the truest spirit of the Victorian museum.”

Artefacts at the Victoria and Albert Museum

On the ground floor, I wandered the Korea, Japan, China and Buddhism galleries, and I came across another depiction of Bodhisattva Guanyin, in the same pose but a completely different artistic style. I saw the largest Middle East and Islamic Art collection in Europe, and the adjacent galleries –South Asia (especially India) and South East Asia had a lot of interesting artefacts, too. The sculpture galleries are tantalising.

Other areas I visited included Medieval and Renaissance, Britain though history, ironwork, metalware, gold, silver, ceramics, glassware, jewellery, stained glass, architecture, and I could have gone on and on. But alas, I had a plane to catch.

Artefacts at the Victoria and Albert Museum

Victoria & Albert Museum

Around 13:00, I left the museum, collected my luggage, and made my way to South Kensington Station amidst the Tube closures of the lines that would take me directly to Victoria. A while back, I had to take a similar alternative route from Earl’s Court due to the wires overheating when I was going to the Apollo Victoria Theatre to watch Wicked. The South Kensington station runs the same Tube lines, so I was able to reach Victoria railroad station at the desired time – even with a line change and more than double stops. I was off towards Gatwick airport on the expected train.

Once there, I went through security without a hitch. I had a snack in the most expensive and unfriendly Wagamama in history – give me Stansted’s Itsu anytime. I wanted something warm because my body gets weird after emotional highs, and I was freezing. I even wondered if I was taking ill again, but no. I was just cold. I did not let either the restaurant nor the chill spoil my mood though, and I might even have had a nap on the plane. By the time I got off, I had warmed up. I cleared passport control, found my shuttle to the parking lot and – aside from the inevitable idiot on the road – there was not even that much traffic, which is good. You know the routine – shower, snack, bed.

I was not ill in the end, just stupidly exhausted. Going back to normal was quite difficult, especially as I still had Sunday free. I did not ever dare look at my phone to see if the photographs were real. A few days later, on the 18th, we received the email with the meet & greet professional photos. I look ridiculously happy, sitting on the carpet ,with a sofa behind me, with who is probably my favourite artist. I feel a bit guilty that I burdened him with my problems – I really hope he forgot quickly. Nevertheless, I am mostly glad that I was able to take these three crazy trips to London without incident. I feel extremely lucky that all three of them worked out, if not flawlessly, without any huge mishap. There is actually another Yoshiki event announced for December, but as much as I would love to go, it is just not in the budget, and I am a bit sad about that. But then I think “I sat with Yoshiki on the carpet of the Royal Albert Hall” and smile.

11th & 12th September 2023: 23h 45min in London (England) for Yoshiki’s “Under the Sky”

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Considering that Japanese musician Yoshiki recently got his hand- and footprints enshrined at the TCL Chinese Theatre in Hollywood, I guess he’s not one of my obscure artists any more. Yoshiki is a Japanese drummer and classically-trained pianist who, alongside vocalist ToshI, founded the band X Japan in 1982. They started as a heavy metal band, and eventually shifted over towards progressive rock. Their flashy looks probably gave way to what is now called Visual Kei (V-kei) [V系], though they had dropped them in the mid 1990s, before they disbanded when vocalist ToshI left the band basically to join a cult. In 2007, X Japan reunited.

Yoshiki, born Hayashi Yoshiki [林 佳樹], is considered one of the most influential Japanese artists of all times. Aside from a musician, he is also a songwriter, composer, producer, and fashion designer. He collaborated with Stan Lee for a special four-issue comic collection called Blood Red Dragon, and with international musicians and bands such as Bono (U2), Roger Taylor and Brian May (Queen), KISS, and Sarah Brightman. He composed the theme of the 2013 Golden Globe Awards, worked on the soundtrack of Saw IV, and has composed music for anime such as Saint Seiya and Attack on Titan. Within Japan, aside from tons of collaborations and solo works, he became “mainstream” when he played a concert to honour former Emperor Akihito upon the tenth anniversary of his enthronement in 1999. He also has a Hello Kitty line named and modelled after him, Yoshikitty. And I’ve been using one of his songs as my alarm clock since roughly 2010 (since 2015 it is Born to be free).

Back in 2017, Yoshiki hosted a Q&A in several cities throughout the world, including Vienna (Austria) for special showings of his documentary film on X Japan. The documentary should have premiered in the scheduled March 2016 concert, but when that was postponed, the film went on to be shown at different events festival. When I went to Vienna, I had already travelled to see it in X Japan concert in London and the Beefeater In-Edit festival in Barcelona (and owned the blu-ray).

In 2020, as the Covid-pandemic lockdowns eased up, Yoshiki organised an online concert on a bunch of rooftops, connecting with different artists and having others over, to celebrate his birthday on the 20th of November . Now, he has made a documentary out of the event, called Yoshiki: Under the Sky, which has “premiered” four times, the third of them in London on 11th September 2023. As the London announcement only came mid-August, it was a challenge to get everything running, but I managed to find doable flights and a hotel near the venue. I was able to buy a second-row seat for the cinema, which was pretty good too.

On the 11th of September, trying not to reflect too much on the date, I left the house around 5:00, and right as I merged into the motorway, it started pouring. There was more traffic than usual because the plane was an hour later, but I managed to make it to the airport a bit before the time I had booked to enter the parking lot – yay accuracy. I went through security and passport control without issues, and had to walk to the end of the terminal for my flight, which was also uneventful. Upon landing at London Stansted Airport, we had to wait for a bus because the escalators were broken or something, but I was outside around 9:30. I bought breakfast at Costa Coffee, and settled to wait for a friend I had met in Vienna, A****d. Her flight was due half an hour after mine, so we had decided to hang out for the day. She agreed to tag along to the Natural History Museum – I wanted to go back to the the Jurassic Park 30th Anniversary #NHMxJURASSIC store before it closes down at the end of the month. I really really wanted the rubber ducky cosplaying as a velociraptor, but I feared that if I got that one, I would end wanting to collect rubber duckies… I bought get a limited-edition “opening weekend ticket”, which had been out of my budget on my previous visit, and a titanosaur coin that I had not seen when I visited the exhibit.

A****d had never been to the museum, so we took a tour of the highlights – dinosaurs (of course) and other fossils, the “journey inside the earth” (escalator that goes into the inner core of the planet), the historical building, and Cadogan gallery… Unfortunately, the hall of mammals had recently closed for renovations, so we could not visit that one.

Natural History Museum London

Afterwards, we took the underground and got off at Leicester Square to have a late lunch in Chinatown. We found a little place for lunch. I ordered some rice and duck, which was nice but the duck had a lot of shattered bones. We looked for a place she had known that sold ice cream taiyaki, but sadly we did not find it.

London Chinatown

We located the cinema where the film was showing, Odeon London Covent Garden, but there was nothing going on yet, there was not even a poster announcing the film. After taking pictures, we continued down the block to snoop around the Forbidden Planet London Megastore, one of the biggest comic, manga and related merchandise shops in the world. Luckily, they had few things I wanted badly, and the ones they did were stupidly expensive, so I was able to get away with all my money, yay me!

A****d had decided that she would go back to the airport after the film, but I had taken a hotel a few minutes away from the cinema, right in front of the university and a few minutes away from the British Museum. I dropped by to check in, then we backtracked to Leicester Square as the museum was already closing for the day at 17:00. As we walked by the cinema, they were setting a poster for Under the Sky outside.

We decided to do something a bit silly and headed off to the The LEGO Store Leicester Square, two stories dedicated to selling LEGOs, either in sets, or just blocks. There are also different decorations – for photo-ops – made with oversized blocks, which include Shakespeare in the park, a Bobby, a Buckingham palace guard, a whole Aston-Martin with a Bond sculpture – you can actually go into the car – and lots and lots of Harry Potter. It was a bit disconcerting that they were already displaying Christmas sets!

Lego Shop London

Then, we crossed the street for the M&M’S Store London, which has four floors. The ground one has a recreation of the Beatles crossing Abbey Road, with M&M’S. There was a logo asking “which M&M’S colour are you?” which I thought was a little silly, until I found the orange M&M’S section, whose motto seems to be “I’m scared of what might happen if I relax”. I connected immediately. Next time over I should totally buy a mug or something. Also, there was no Christmas decoration yet, as they were preparing for Halloween. Oh, and they were looking for staff, offering “London liveable wages”.

M&Ms Shop London

We came out and it was 18:00, the Swiss glockenspiel at Leicester Square was chiming. The glockenspiel is a Swiss-themed clock which was built in the 1960s as part of the Swiss Centre, a ploy to drag rich British tourists to the country. The centre failed, and the clock was taken away, but it was eventually restored to the area in 2011. I could have sworn it was playing Poncelli’s Dance of the Hours?

Swiss Clock Leicester Square

Leicester Square is built around a sculpture of Willian Shakespeare, and the gardens around him hold a number of statues dedicated to cinema, Scenes in the Square. We spotted Mary Poppins, Don Lockwood (Gene Kelly’s character in Singin’ in the Rain), Charles Chaplin, Paddington Bear, Harry Potter, and an Indiana Jones which is supposed to be temporary. Apparently, there are a few more I should be checking out for, but that’s okay because I’ll be coming back to Chinatown eventually, and it’s just a few blocks away.

Statues of cinema figures in Leicester Square + Willian Shakespeare

We headed back towards the Odeon London Covent Garden cinema, and we reached there around 18:20. Another poster had been put up, and some fans were already waiting. We met another friend of hers, M**, who told us she had found a sitting area inside, so we sat and chatted away for about an hour. The staff was extremely friendly and did not peep a word of complain, even if we did not buy anything.

Yoshiki Under The Sky at Odeon Covent Garden London

Finally, we were allowed into Screen 2 and found our seats. I lost count of how many people tried to get away with ignoring the seating numbers. Nobody did. I had a second-row seat, pretty centred. The film was introduced by some film producer who explained what we were going to see as if we had just accidentally wandered into the cinema.

There was supposed to be a trailer for Yoshiki’s upcoming concert in October, which was not shown. We had a few in-house adverts before the documentary started. Through the film, Yoshiki talked a little about the power of music, and how he had come together with all these great musicians to create a world-class event, very Covid-compliant. All the songs featured were either composed by Yoshiki himself, or had been arranged by him in some way. Perched on an LA rooftop, he mostly played piano, but occasionally he donned the drums.

The narrating thread of the whole film is life. Yoshiki was a sickly child, and his father committed suicide when he was ten years old, so he grew up with the idea of death deeply ingrained in his brain. As the film goes on, he speaks about how music can bring people together, and how it is important to find the strength to go on. Halfway through the film, he talks about recently losing his mother and how he cried for days. At some point a voice is introduced. It is a regular John Doe who once reached out to Yoshiki on Twitter as his dying wife had just entered palliative care. The man asked for some encouragement for her, and he got it, from Yoshiki and a lot of the fans, until she passed away. There was a heart-wrenching Zoom call with the man, who spoke about how overwhelmed he was by all the support he received. Unfortunately, she passed away.

The documentary runs for an hour and a half, and it’s a mixture of the Yoshiki’s thoughts, the performances alongside different artists, each in their corner (or rooftop) of the world, and a bit of conversation with them, or a making-of. I was familiar with most of the featured musicians, but not all.

Sarah Brightman: Miracle. Sarah Brightman has had an extremely long career and is an excellent soprano – my first memory of her dates back to the 1992 Olympics. She collaborated with Yoshiki on Miracle in 2018. I was really sorry I was not able to go to any of her performances back then.

Jane Zhang: Hero. The original version of Hero was sung by Katie Fitzgerald for the soundtrack of Saint Seiya: Legend of Sanctuary. Though Saint Seiya was my favourite anime as a kid, I had wandered away from it. The song featured in the film actually made me want to go to see it, and eventually dragged me back into the world. Zhang did a good job, but I personally prefer Fitzgerald’s version.

SixTONES: Imitation Rain. As a music producer, Yoshiki must have realised a bit ago that the Japanese boy-band panorama was dire. For long years, the boy-idol company Johnny’s Entertaining (JE) had dominated the business, with bands as SMAP or Arashi. However, an extremely protectionist policy and the open secret that the director had sexually abused some of the boys, lead to the company losing power. I have no doubt that this is why Yoshiki decided to create and produce a boy-band, and thus looked for the six young men that comprise SixTONES. Having followed some of JE’s bands back in the day, I can see how they would tap into the niche (serious flashbacks to KAT-TUN circa 2005, to be honest).

Scorpions: Wind Of Change. Formed in 1965, Scorpions paved the way for a great deal of the big names in 1980s hard rock such as Guns N’Roses, Mötley Crüe, Helloween, Megadeth… And Yoshiki is a little fanboy of theirs, of course.

Sugizo: La Venus. Sugizo is one of X Japan’s members, who took over guitar duties after they reunited. While the band was separated, original guitarist Hide died in “mysterious circumstances” – either accidentally or by suicide. For a long time, Yoshiki claimed that Hide’s death was an accident, and on this film he for the first time acknowledges otherwise. Thus, Hide was the second person in Yoshiki’s circle to take his own life. Sugizo, who also plays violin and is a member of an insane number of bands, including LunaSea, is credited by Yoshiki as the reason X Japan could come back together, which made him very embarrassed. They played a rendition of La Venus without lyrics, with Sugizo on violin.

Hyde: Red Swan. Hyde is without a doubt one of the best rock vocalists in Japan. He was originally the voice of L’Arc~en~Ciel, when they were still a thing. He worked alone for a few years, then he and KAZ founded VAMPS, and finally he went solo again. Red Swan was a collaboration between Yoshiki and Hyde for the anime Attack on Titan!, released as “Yoshiki feat. Hyde”. Yoshiki explained how the red swan represents rising even covered in blood. After this collaboration, there was a second single, released as “Hyde feat. Yoshiki” with the song Zipang, in English and Japanese, which I personally find even more powerful. The significance of Red Swan in Under the Sky comes from how many versions there are on YouTube, especially as anime songs tend to be translated. Thus, it ties in with the concept of coming together through music.

St. Vincent: New York. St. Vincent is known for her clear voice and her complex arrangements, with lots of instruments playing a part. She is considered one of the best guitarist in the 21st century. Yoshiki arranged her song New York for piano and vocals, which made it extremely powerful. All LA artists were invited to sing on Yoshiki’s rooftop, as it would have reduced the logistics involved.

Nicole Scherzinger: I’ll be your love. Scherzinger was the lead singer of the Pussycat Dolls between 2003 and 2009, but before that she had already performed with Yoshiki with this very same song.

The Chainsmokers: Closer. They are an American electronic DJ pair: Alex Pall and Drew Taggart, whom I honestly know nothing about other than they do electronic remixes. They have some supporting musicians.

Lindsey Stirling: Forever Love. She is a violinist who performs and dances at the same time. I had never heard of her either, but she did feel the music. Regarding her, Yoshiki said that she made him realise that not all songs need lyrics and vocals. She did a great job.

Yoshiki and fans: Endless Rain. In a way, Endless Rain is the emotional ballad that keeps showing up in anything X Japan related – and breaking people’s hearts. A while back, there was a request on social media for fans to send recordings of themselves singing the song, which were used for the film. Hearing a Ukrainian girl singing “endless rain lets me forget all of the pain, all of the sadness” was soul-wrenching. Once more Yoshiki circled back to the idea of music bringing music together, along with living, just keep living.

Yoshiki Q&A in London, 11th September 2023

The Q&A afterwards was awkward. The guy who carried it out – Toby Amies – had done his homework but it was not a Q&A, it was an interview by someone who had just learnt about Yoshiki, and was curious, so he had a ton of questions, most of them absolutely unoriginal, such as hey, I’ve just discovered V-kei, explain that to me! Or “do you prefer piano or drums?” which we hear every time – I could swear that Yoshiki was a bit annoyed at that one. The only input that the audience had, before Yoshiki was even in, was “are the Last Rockstars coming to Europe?” (we know the answer to that: never) and “When is the next X Japan album coming out?” (we know the answer to that, too: also never), but when the interviewer got around to ask those, he messed them up! At some point Yoshiki explained the meaning of the title “Under the Sky” – basically, we’re not in Heaven yet, we are underneath. As he was leaving, he was kind enough to sign autographs and take pictures with fans.

After the film, we took a bunch of selfies with other fans in front of the poster(s), then moved on. I went back to my hotel for a shower and a few hours’ rest. The bathroom was tiny but hot water did its job, and I could not find the cereal bar I had packed for dinner. The bed was extremely soft, and the carpet smelt strongly as England is in the middle of yet another heatwave, and my nose clogged – I need to remember to start packing my allergy pills. I did not sleep much if at all, and I ended up leaving the hotel before 5:00. I had to decide between breakfast at London Liverpool station or catching the Stansted Express at 5:25. I decided to go for the train and have breakfast at the Stansted Costa, so I boarded, found a seat, and settled down for a travel nap.

Ten minutes away from the airport, as we left Harlow Town, the second-to-last stop, there was an announcement. We were informed that the train would terminate at Bishop’s Stortford, the last stop before Stansted Airport. There were technical issues at the terminus platform, and the train could not reach it. Passengers should vacate the train at at Bishop’s Stortford and ask the platform staff for instructions. The instructions were that we had to fend for ourselves to reach the airport as there was no alternative transportation provided. It was chaos for a second, with everybody scrambling for buses, taxies and so. I was near a young woman who was going to Uber and had some extra seats. She asked if anyone wanted to tag along and I said yes. She said it would be free because her company would reimburse her, so I was lucky on that account, and I arrived at the airport a bit after 6:30. I waved my Uber-companions good-bye and headed to Costa Coffee for breakfast, feeling relieved that I had decided against waiting for the 5:40 train in London Liverpool.

After a sandwich and a vanilla latte, I passed security, where I had to go through secondary screening because… no idea. There was like no metal on me whatsoever. Then the scanner complained about me having something in my pocket – my damn handkerchief! Seriously, now. This has happened a few times. Where do people keep their hankies / tissues if not a pocket??

A****d had not yet departed when I was through, so we could hang out for a little longer – it’s fun that we had only met in person for a few hours in 2017 and we hit off so well. We even had gates in the same area of the airport, so it was cool. This is the first time that I have done the “going to the airport early in the morning” in London, but to be honest there was a 100 € difference between that flight and the next up, since the whole thing was announced and happened so fast. I asked for a refund from the Stansted Express, and now I’m wondering whether to cancel the train for my next trip to London as they’re threatening with strikes on those days… (ETA: I received a full refund, and there was no major incident during the following trip).

The trip back was uneventful except the road was stupidly full when I drove off the parking lot. I napped most of the plane ride, and I had a Coke before 9:00. Talk about living wildly, especially considering how all this happened in 32 hours, and I was in London for less than 24! My only regret was not taking the camera, but I was trying to pack extra-light this time around.

14th – 16th October 2017: Vienna, Austria

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14th October 2017: Arrival and the Inner ring: Butterflies and Dinosaurs

Between flight and transfer to the city on Saturday morning, I arrived in the city of Vienna at 1pm. As my hotel was between the station and the city centre, I took my chances for an early check in and I was lucky – it was. After dropping my luggage I headed off to walk around Vienna’s Inner Ring, the Ringstrasse, which is a big boulevard that runs around all the old city of Vienna (Unesco World Heritage Site). A bunch of things were on my way and it seemed easy enough to find one’s way around. My hotel was located in a building close to a park, and had three floors, on the 11th, 12th and 13th floors of a building, which gave me some views of the city.

On Saturday the plan was wandering around, but as I am who I am I ended up improvising. My first stop was the outer Vienna State Opera, the Wiener Staatsoper, where a young man dressed as Mozart tried to sell me tickets for a show.

Vienna opera house, a baroque building in light colours with huge windows and an arched entrance

I continued on my walk and I saw the Albertina, a modern art museum, but I was actually heading to the Imperial Palace greenhouse, which is the home of a café and the Schmetterlinghaus, or Imperial Butterfly House. This is an area of the greenhouse where a bunch of butterflies are free to fly around and feed on a bunch of flowers, plants and pieces of apple. I was lucky enough to catch a few good shoots and I was very happy to have decided to go in (albeit I have to say that I was really keen on going there since I had seen that it existed). I really had a blast and enjoyed this, so it was a must that I don’t regret having missed, especially since the 6.50€ for the ticket. I spent around forty minutes in there chasing butterflies.

Vienna Butterfly house: a former greenhouse, and a few close-ups of different butterflies on bushes.

Then I saw the Austrian National Library, the Österreichische Nationalbibliothek.

Severe-looking stone building with columns and windows.

After that I back I walked through the Hofburg Palace, Hofburg Wien, and the Michaelerplatz or Saint Michael Square.

Collage of the former Imperial palace. It is a stone building with columns and windows, and arches

After that I crossed the palace in the opposite direction and ended up at the Heldenplatz, which gave way to Naturhistorisches Museum, the Natural History Museum to see dinosaurs, because there were dinosaurs, which is the home of the Venus von Willendorf, a tiny statue of stone dated back 29,500 years. The museum also holds a collection of minerals, meteorites, preserved animals, dinosaurs, an animatronics dinosaur and a multitude of artefacts from Prehistory to the Middle Ages. I also saw the same dunkleosteus that they have in the Tokyo Kokuritsu Kagaku Hakubutsukan. Have I mentioned dinosaur animatronics?

Collage of the Natural Museum: the building, with a dome, a whale skeleton, an Albertosaurus skeleton, the head of a Dunkleosteous fish, a huge salt stone and the Venus von Willendorf, a small naked woman statuette in golden stone

Following the museum I continued down the Ring Boulevard and it did not take me long to stumble up the Pallas Athene Brunnen (Monument to Palas Athena) and the Austrian Parliament Building, Parlamentsgebäude. The latter was under reconstruction.

Vienna parliament house, under renovation. There is a Palas Athena in white marble with a gold helmet standing in front of it.

I continued my walk until I found the Vienna Town hall, called the Rathaus, where there was a kind of Videogame trade fair or something going on.

Vienna town hall - neogothic building with a lot of towers and spikes.

Then I went on walking towards the university and the church of Votivkirche, a neo-gothic building next to the university.

Gothic church under renovation

Afterwards I went down to the hotel because this is not summer vacations after all, just a weekend escapade and I seriously did not have that much energy. On my way I walked past the stables of the Spanische Hofreitschule (Spanish Riding School) stables and I saw some pretty horses.

Two white horses from the Vienna riding school

And even from the hotel (literally from bed), as my room had views, I could take some pictures of the sunset and the lit buildings. And then I went to sleep at a horribly early hour because I was beat and for some reason I managed over 8 hours of sleep.

Sunset over the skyline of vienna. The buildings are dark and the sky is orange

15th October 2017: Palaces, churches and the Cinema

Because my hotel was **** for a change (I have to say that when I think about the whole weekend the word “decadent” is what comes to mind), I had a kettle and instant coffee ready for me – this was my breakfast. After that I did the online for my flight the following day and of course running into technical difficulties, and I left the hotel at around 9:30, which was a bit later than I had intended.

I was coming up to the Belvedere Palace, and on my way there I took a diversion to see the Karlskirche or Karlskirche (St. Charles’ Church), which I could see from my hotel and illuminated at night. This is a baroque church that sometimes holds classical music concerts.

The church of St. Charles; a Baroque church. It has a dome, and two twisted columns in front.

After taking a wrong turn once or twice this I headed out to my original target, the Schloss Belvedere (Upper Belvedere Palace). This is a Baroque Palace (seriously, Vienna is full of Baroque) that has been turned into a painting gallery. The most famous author in this gallery is Klint, but if I have to be honest, I’m not too appreciative of him – must be my likings for the realists. In the end, I liked the palace itself better than the painting collection, specially the reception room and the staircase.

The Upper Belvedere Palace, a Neoclassical building in white stone.

As I had bought a three-combo ticket including Upper and Lower Belvedere and the Winter Palace, I walked down the Belvedere Gardens to the Unteres Belvedere (Lower Belvedere), which holds the “Medieval Treasure” and temporal exhibitions. The best thing was the gold and mirror room and the marble gallery.

A huge garden with a palace in the background. The garden is artificial in a way, with perfectly-trimmed grass, fountains, and bushes.

The Baroque entrance to the lower Belvedere palace, a stone gate with sculptures on top. It looks like it wants to stare you down. The palace peers through the three open doors in the background

Then I headed off to the centre of the city to see the Winterpalais des Prinzen Eugen (Winter Palace of Prince Eugene), which was not the best thing ever but hey it came within the three-museum combo.

A Neoclassical palace with flags hanging over the door

Then I headed off to Domkirche St. Stephan (St. Stephen’s Cathedral), which is the gothic Catholic cathedral. It is not Baroque but Gothic. The entrance was free, but it also had a paid area, including the catacombs. Unfortunately I was too late for the current tour and too early for the following one, so I decided not to stick around, else I would have got the combo for the catacombs, the tower and the treasure.

A gothic cathedral. Collage showing the outside, with the tower and the ornate windows, and the inside showing the pointed arches inthe nave, and the organ.

As it was, I saw the cathedral and then headed off down different streets and saw the outer area of Katholische Kirche St. Peter (Catholic Church of St. Peter).

Façade of a Neoclassical church

And then headed out to the Michaelerplatz to check the inside of the Michaelskirche (Catholic Church of St. Michael).

Neoclassical church, showing the white and pointy bell tower. The image is tilted so the tower fits in the frame

I checked the Spanische Hofreitschule (Spanish Riding School) for tour tickets, but I was late for that and it was all sold out, so I decided to go to the station and buy some food in the supermarket for both lunch and dinner. On the way I crossed the Stadtpark to see the floral clock and the Johann Strauss monument – Johann Strauß Denkmal.

Finally, I headed off to get some rest at the hotel, and have a shower. At 18:15 I walked down to the cinema at the corner of my hotel building, the Gartenbaukino, because in the end that was the reason I was there – to attend the Austrian premiere of the X JAPAN documentary We are X as Yoshiki was going to be around for a Q&A session afterwards.

There had been a small mix-up with the ticket numbering (all of them had been printed out with the same seating number!), which was solved efficiently. We watched the documentary We are X and then there was a Q&A with Yoshiki himself. There were emotional moments as the fans thanked him for everything he had done and for his music.

Entryway to the cinema. It reads We are X Live + Q&A mit Yoshiki 20.00

Yoshiki sitting in front of a burgundy curtain. He is wearing his sunglasses and a black suit, boots and a golden blouse

After the Q&A some of us stayed talking at the cinema gate and the manager, who had solved the ticket problem, came out to close – and he told us where Yoshiki would be leaving from. And that’s… the story of how I got to talk to Yoshiki, I got his autograph and took a picture with him and I will never, ever, ever forget the rush of that.

I have to say I did not sleep much that night. All the excitement caught up with me and I kept replaying the scene in my head over and over again. in the end I think it was around 2:30 that I could turn the lights off.

16th October 2017: Airport Monday morning

After checking out of the hotel I walked back to the train station and took the CAT towards the airport. I had taken an earlier train than I had already planned and boy was I glad to do so when following arrows at the airport took me as much as 20 minutes. Something I learnt in this trip is how friendly Austrian people are, and that they have a great sense of humour, as apparently one of their star souvenirs is “no kangaroos in Austria”. The return flight was not as good as the first, but it was on time and I could arrive to work smoothly for a crazy week.

14th July 2017: X JAPAN WORLD TOUR 2017 WE ARE X Acoustic Special Miracle ~Kiseki no Yoru~ {Japan, summer 2017}

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This was the first day of my JR pass (in hindsight, I should have not have activated the pass this day, but the next), and also the day to go to the third day of Yokohama [横浜] to enjoy the X JAPAN WORLD TOUR 2017 WE ARE X Acoustic Special Miracle ~Kiseki no Yoru~ 6DAYS at Yokohama Arena [横浜アリーナ].

I headed to Yokohama early in the morning to line up for goods, and I took a book to the queue as I would be waiting along for a while. At around noon my friend B**** came along to keep me company and we had lunch together after I had bought everything that I wanted and had not been sold out (such as the Yoshiki keyrings). In theory my tickets were arena, but they were actually on the stands, though much closer than the previous time I had been there – for Gackt’s Best of the Best, when I was on the second-to-last row. This time I was close to the stage to the right-hand-side.

The mere fact that the concert was carried out is a miracle itself. Yoshiki has been recently had an operation on his cervical vertebrae to try to correct the nerve damage he has suffered through the years. The man can barely move, but he tried his best, and the concert was very emotional. It started with the documentary We are X, and then it moved on to a very powerful ballad-based concert – though it had its hardcore moments with ToshI’s solo. The highlights for me were La Venus, Hero, Miracle with guest singer Ashley Knight, and a very unexpected I.V.. I was very moved throughout the whole set list, and the whole thing was very emotionally-draining, if I am to be honest.

Collage of pictures of the venue, outside and inside. Yokohama Arena, which is just a massive white building. The X Japan We are X symbol. T-shirts from the merch. The logo on the screen. People waving red penlights in the dark. Good luck flowers from different artists.

Then we slept over at a hotel in Yokohama in order to avoid last train stress and be able to sleep in a bit the following day.

11th July 2017: Ueno on the first full day is a thing {Japan, summer 2017}

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I headed off to Ueno because I wanted to wander around the zoo. Don’t ask me why, but it was what I felt like doing. First I dropped by the Shinobazunoike Bentendo [不忍池弁天堂] where I got the shuuin and I entered Ueno Zoo through the new Benten gate. The zoo had not changed much, I think, but I saw things I did not remember seeing the first time around. They have moved the petting zoo to something closed, probably to fight off the heat.

I had lunch at the zoo around 1:30 pm, then continued my way towards the upper part of the zoo. There I was observed by a bird of prey and it made me feel like food XD. I stayed at the zoo until 16:30 I did not get to see the baby panda because it is too small to be up and about.

Then I headed off to Shinjuku [新宿] which was a convenient place to meet up with D****e for dinner and an hour of karaoke. I did some shopping as I waited – and for some once, that was not (only) fandom related. I was in Kinokuniya getting myself some Japanese books (because as I passed N4 I have to continue studying). Bummer. We also stopped by a random electronics shop which had a big Yoshiki poster. That’s always nice to see.

3rd – 5th March 2017: #XDAY in London (England, Great Britain)

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The X JAPAN concert in Wembley was scheduled for the 12th of March 2016. Unfortunately, on the 15th of January, guitarist PATA was admitted to the ICU in Japan, which set back the date a whole year. For the record, I’m very happy that PATA made a full recovery.

Since January 2016 I had been trying to arrange one of the VIP packs that were being offered and which included transportation, but the promoter ONTOURS had been skittish. The postponement did not come as a surprise. In the end these packages blew up and there was a different kind of VIP upgrade arranged, that my friend C***** and I chose to buy. This included half of the merchandise and access to the sound-check. Later on, it was announced that the band would be signing copies of the “We are X” album at hmv in Oxford street. My friend C***** and I also managed to get tickets for that one, so we were elated.

Friday, 3rd of March 2017: We Nailed It

C***** and I met at the airport on the 3rd of March, Friday, for an early afternoon flight, and everything went smoothly. The only minor bump was that she was carrying a trolley and the lady at the gate decided that there were already more than fifty trolleys being loaded as carry-on – there were not, I had counted them and that she had to check in. She tried to protest (literally, the attendant started tagging the line when she saw us) to no avail. I was not having it, so as soon as we walked past the boarding pass check, I ripped off the “check at gate” tag and produced a copy of the boarding pass (without the check-in sticker), and we were allowed in without problem.

We arrived in London Stansted, went through immigration without any impertinent agent bugging us, and we took the Stansted Express, then changed into the underground. It was all smooth once more, we got to the Oxford Street stop, alit, and found the hmv building. When we reached the queue, sheshe stayed and I went in to buy the CDs for the autographs. I also bought a bottle of water, and the cashier actually got a chuckle out of my face when they gave me a new £5 note, which are sort of plastic-y, and have a transparent part. After this, we settled to wait. It took a long time to finally get to the signing area, but the weather was reasonable and there were no weird people around.

You could take pictures on the approach to the band, but as you arrived at the front, you had to leave all your things. As you approached the band, one of the assistants would take the booklet from you and handed it over to the first artist, guitarist Sugizo, who did not look too awake. Then ToshI, who was smiling all the time. Yoshiki was happy as he tends to be when he is the centre of attention. Patatried to look like nothing had to do with him. Finally Heath handed (what you hoped was) your booklet back to you.

All in all you might be seeing them for 3 or 4 minutes top as the hmv staff kept yelling at you to hurry up. It was however worth every second, although all my pictures ended up being horrible.

hmv building outside, autographied CD and a very blurry image of the band signing

And here is my not-so-little secret: I froze. I had practised so much what I wanted to tell each and every one of them, but I just froze and I couldn’t get the words out except a mumbled thank you to Heath when he gave me my booklet back. I remember looking at Sugizo and Yoshiki thinking “they’re real, they’re here, it’s happening…”

We knew that there would be a crowd after the event, and we wanted to avoid that, as C***** has a bad back, so we decided against waiting for them after the fact. Instead, we headed off for the hotel we had booked just next to Wembley Arena. On the way, we stopped at a Salisbury supermarket to get some stuff that we might need – aka some drinks and snacks for the following day – we needn’t have worried though as when we turned the corner we found a whole shopping centre with restaurants.

We checked in, left our things, had a shower, and headed off for dinner. She had never been in a Wagamama before, so I thought it was a great idea to try it for dinner. I think she enjoyed it – and so did I, I might have eaten a bit too much.

Dinner: dumplings, fried chicken, ramen with a lot of veggies, sweet buns

Saturday, 4th of March 2017: The Actual #XDAY

On Saturday morning, the actual #XDAY, the fourth of March 2017, we had breakfast at a Costa Coffee – I have to say that I really enjoyed introducing her to a bunch of “my favourite British things”.

Tall coffee latte mug

We hung out at the outside of the venue all morning until we could get our VIP accreditations and be admitted. Before everything started, though, we had some burgers for lunch.

Fancy burger with overflowing lettuce and avocado sauce

After lunch, we went to the VIP line. I saved up the space while my friend made a run to the merchandise booth to check if they had the We are X soundtrack CDs – yes, exactly the same one that we had bought the day before, except that this time they had a special cover – blue, red, or purple. And with each CD you got a set of “trading cards”. We were not lucky at this time.

The venue, with lots and lots of windows

The whole experience once within the venue started with watching the rehearsal, at least what we were allowed to – to this day I don’t understand why we were let in late and escorted out early so we only caught about 50% of it. Highlights of this are Yoshiki in pink sweatpants, and ToshI waving his hand at us whenever “nobody” was looking.

The band rehearsing

We were chased out to wait in the halls and I used the time to slither towards the merch booth, where I got the CDs – all three colours (twice, actually, for both myself and C***** as she kept the spot). Eventually, the doors opened again and we took the picture on the stage – unfortunately without the band – as the arena started filling up with people. After this we found our seats. I made a run to the ticket booth again because I had won an extra set of tickets and we needed to check whether by any chance they were better than what we had. Through this process, I ended up having a riff-raff with the security staff at Wembley that lead me to file a complaint letter. Of course, I had to run into my least favourite things about British people.

Late, of course, everything started. First, we were shown the documentary “We are X”, and it hurt every bit as much as the first time in Barcelona. And as the documentary was coming to an end, the music rose up and we got started with the chords of Rusty Nail. The concert was fantastic – we had had to wait for over a year but we were finally there. This was my first real X Japan concert, and my heart was soaring all through the event. Everything was magnificent: all the members, the music, the crowd… It was so amazing I wished it never ended.

Unfortunately, though, everything comes to an end, and so did the concert, though I hope the memories never fade away.

Stills of the concert

Sunday, 5th of March 2017: Excitement Hangover

The next morning, we woke up and went to find the Costa again, because Costa is amazing. It was raining, cold, and I was not feeling too well as I had hit a wall, but coffee revived me a little. We got into the underground to go to the commuting point to the train and kept an eye out for any We Are X posters that we could find (we decided against trying to find the billboards because that would mean a big detour and we did not feel comfortable with the flights timing).

We eventually found some posters at Baker Street and… after a quick Instagram check we realised that we had stumbled upon the very same poster in front of which ToshI had taken his pictures, and we had a laughing flash.

The concert promo in the underground.

When we reached the airport we had some hot food at the Stansted Itsu – not the best but it was warm and it helped me feel a bit better.

Lunch - containers of fast food: gyoza, miso soup, turkey with peas, and meat broth. The logo says itsu eat beautiful

We separated at the airport because C***** had a better connection to her town to return than she had for arriving in London. All in all, this was one of the best weekends of my life and it all worked almost perfectly – all the important things anyway.

Also, I made a promise to myself after this – that I would not freeze again in front of a star. I hope I can keep it.

28th December 2016: Find all the things （　･`ω･´)! {Japan, winter 16/17}

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One of the items in my calendar this time was visiting the three Dragon Gates of Tokyo. These are three torii gates that have been carved in stone and have an ascending and a descending dragon on each one of the pillars. The legend says that touching the dragons will bring you good luck.

Two torii are located in Suginami [杉並]. The first torii I went off to visit was in the grounds of Shukuhōzan Kōenji [宿鳳山高円寺]. The gate is a bit to the side, in a small adjoined shrine to the left of the main building.

The second gate I visited is in Mabashi Inari Jinja [馬橋稲荷神社], about 15 minutes walking from the previous one (which I chose to hit first because it is closer to the station). As this is indeed a shrine, the torii is pointedly displayed, as it is the second one on the main entrance.

Although I would have wanted to hit the three gates on one day, going back and forth between the first two and the third was not a good idea. Thus, I headed off to Shinjuku [新宿] to check out the Tōkyō Tochō [東京都庁], the Tokyo Metropolitan Government Building, as the day was very clear. And bingo, it worked, and I managed to see Mount Fuji Fuji-san [富士山] in the background. Being a little bit of a geek, and since both observatories were open, I decided to climb both this time (just in case the stamp was different, of course!). Then (also of course) I was doing some shopping around…

And since I was in the area, I decided to go back to Isetan, having devised a plan to get some images of the kimono. Which succeeded. Then I saw other people taking pictures, so I shielded myself with them and took some, too.

After that I met with D****e and we went off to find some of Gackt’s Gakucchi and Hyde’s Chupacabra crane games and UFO Catchers. For this we headed off to Odaiba [お台場], where we had a chance to look at the Winter Illumination, especially the Rainbow Bridge [レインボーブリッジ] looking… well, rainbow-coloured.

Then we went to say bye-bye to the Gundam in front the DiverCity and had some food inside. Somehow I feel like I’m talking about food all the time (*´∀｀*)ノ… This was very yummy and the writing on the algae cracked me up.

As we did not find the Gakucchi nor Chupacabra in Odaiba’s Venus Front, where we had read they would be, we backtracked to Shinjuku [新宿] to search for them. We did not manage to get the stuff out of the crane games but we got the bags that you got with putting 500 ¥ into the UFO Catchers…

27th December 2016: Yoshikimono in the Box {Japan, winter 16/17}

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Battling over jet lag, the first thing I did in the morning was setting of the Isetan in Shinjuku [新宿], because they were showing (and selling) some of the Yoshikimono. As a matter of fact, I headed there over twice over the course of the few days it was open, because on the first try I could not take pictures, and then I devised a plan to record stuff – and the second time I was there were people taking pictures, so I did too. But at that point, this was the best I could manage, from the outside.

After that, I headed off to “MAVERICK DC GROUP 35th Anniversary JACK IN THE BOX 2016” (mouthful, huh?), because D****e had gotten her hands on tickets, as Hyde was going to show up there. The concert was held in the Nippon Budokan [日本武道館], which looks a bit on the smallish side from above, as we were very far away (last minute tickets were last minute indeed).

Artist Lineup: MUCC; SID; MUDD (half of MUCC and half of SID); SICC (the other half of MUCC and SID); AKi; UNiTE.; Kameleo; CLØWD; VALS; PARTY ZOO Ken with Naughty stars 20th&25th Celebration: Ken (L’Arc~en~Ciel’s Ken), YUKKE (MUCC), AKi, Show (A9), Hiroto (A9), Tora (A9), Ryo (BAROQUE), Kei (BAROQUE), kazuma (gibkiy gibkiy gibkiy) and KENZO; D’ERLANGER feat. HYDE; 35th MAGNUM: PAUL (44MAGNUM), JIMMY (44MAGNUM), D’ERLANGER feat. HYDE; M.A.D SUPER ALL STARS ＆ MDC SUPER ALL STARS. And seriously don’t expect me to do all the alignments and setlist because most of this was AKi around with other people. You can check everything out in the JITB website.

It was a long concert, from 2 to 9 pm and between the different acts there were short videos of past acts. One of the funniest moments in the whole concert was when the screen showed someone covering TOKIO’s “Love you only” and the whole Budokan sang along “only yo~u” without even realising it. Then there were many embarrassed chuckles after that.

Hyde, who was the reason we were there, showed up lateish. In total he may have sung like four songs, including the closing act with “Honey”. We also saw Ken, who can’t do anything without his guitar. The most curious (tending towards sad) was how Hyde and Ken proceeded to ignore each other for as long as both of them were on stage (╯︵╰,).

After the concert we met up wit N***chan, T***pi and M***chan to have dinner.

5th & 6th of November 2016: Barcelona (Spain) for We are X

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I was supposed to have travelled to London in March 2016 to see X Japan’s concert, where they were also going to project the We Are X documentary premiere. Unfortunately, that was postponed to 2017 due to PATA’s health issues. I really hope it works out next year. However, the decision was made to start premiering the documentary in different music festivals, and the second I heard that it would be shown at the Beefeater In-Edit festival in Barcelona I got a ticket for it. Furthermore, I actually won two more tickets in a giveaway.

These two tickets I got I gave to a couple-friend of mine who had been so nice as to let me stay over at their place. I took a train around 8 am and was in Barcelona mid-morning. I went directly to their place and we just hung out until it was time to go to the Multicines Sala 5, where the documentary was going to be shown. We were actually the first and, press aside, we were the first ones in. We sat dead in the middle of the cinema and a group that walked in ten minutes later wanted us to move. And sorry, random person, but the answer is not. We were not really a “queue” but we were waiting for a couple of hours, so I was not going to give my chosen “best seat” out of the whole theatre for a group of ten people.

This was a Saturday evening, and there had already been a premier on the 1st of November so there might be more fans there, but in general I was a bit taken down by how few fans there were, most felt like people who had a whole-festival ticket.

The documentary tells the story of X JAPAN, one of my favourite Japanese bands, from the point of view of its founder, drummer and pianist Yoshiki. The band crumbled at the height of its popularity when guitarist Hide died by hanging, and the singer ended up brainwashed by a cult. Everything is told from Yoshiki’s own point of view, which makes the film biased, but still poignant.

After the film we went back to my friends’ place and had dinner. The next morning, they wanted to show me their little orchard in the outskirts, and I was treated to the best paella (Spanish rice) that I have ever had in my life – so awesome I even forgot about taking pictures! It was sad that I had to leave by 8pm, so I was only in Barcelona for about 32 hours, but it was so well worth it.

Collage showing the entrance to Multicines 5 and the Beefeater In-Edit screen before the film started

8th March 2015: Saint Seiya Legend of Sanctuary in Guadalajara (Spain)

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When I was young I used to love the anime Saint Seiya. Then, as I grew older, I read the manga, then I sort of drifted away from it, until somehow new fandoms and old fandoms collided – and it as announced that YOSHIKI was writing the theme song for the film Saint Seiya Legend of Sanctuary. That grabbed my attention, and eventually Selecta Visión announced that they would release them in cinemas in Spain.

When it was announced that it would be showing in the shopping centre cinemas in Guadalajara for a couple of sessions only, I decided to buy my ticket online. It was strange for me for several reasons – the main of them was that I rarely go to the cinema to watch something dubbed. Also, the online shopping was weird -instead of getting a ticket, you got a number and then you had to input that number on a machine to get your actual traditional ticket printed.

I drove to the shopping centre, which was rather dead as it was a Sunday at half past six, the shops were closed and the restaurants not open yet. The audience of the cinema was comprised by a class of special needs kids and a lot – and I mean a lot of super-excited fathers with their young sons, who had no idea what the whole fuss was about. I enjoyed the film – I had resisted watching it bootleg although it had leaked on the Internet. It was a different, lighter take on the Battle of Sanctuary. I did, however, miss the Virgo Shaka vs Phoenix Ikki battle – because after all they’re my favourite characters. When the film ended, I stayed behind for the whole credits and YOSHIKI’s song “Hero”, beautifully sang by Katie Fitzgerald. I was literally the only person left in the cinema through it, and I had to apologise to the cleaning crew, who told me no problem. And hey, I got to see the mid-credit scene on my own!

Saint Seiya Legend of Sanctuary

After the film, I walked to the car and drove home to watch it again in its original version, because I am that kind of geek, and I was not too impressed with the dubs – but hey, that’s me, I’ve always preferred the originals.

24th – 26th May 2014: Paris (France) for Yoshiki Classical

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24th May 2014: Evening in Montmartre

I was going to atted Yoshiki Classical concert in Paris on Sunday, so I made planes with a a friend to meet up with her over the weekedn so we could do some stuff together. We booked a hotel close to the venue, Le Triannon. I arrived in Paris in the evening of Friday the 24th and met my friend direcly at the hotel – the first thing we noticed was that the area was not the safest, but we could still get to the Basilique du Sacré-Cœur to see it lit.

Sacre Coeur, a basilica on top of a mountain, lit in gentle green light at night

And also to see a nice view of the Eiffel Tower all lit up.

A shot of the Eiffel Tower from afar, lit reddish orange

25th May 2014: Under ground, above ground

On Saturday morning we went to Catacombes de Paris, the Catacombs of Paris. The ancient quarries and mines of Paris became the final resting place of more than six million people. In the late 18th century it was decided to eliminate a good portion of the quickly-overcrowding cemeteries and graveyads of Paris and for a 1786 the bones were carried to the catacombs at night. Today they are consisdered a museum and thus managed as such.

Creepy catacombs of Paris, with thousands of human skulls and other remains

After the catacombs we moved onto the Ille de la Cité, the “island of the city”, an island in the middle of the Seine, to visit Notre-Dame de Paris, our Lady of Paris, a magnificent Gothic cathedral built in between 1160 and 1260. In the 19th century an extensive renovation was carried out, and a few features were added, such as a the gargoyles and a replacement spire for the original one. We climbed the towers and were treated to a really cool Paris view before going inside.

Collage of Notre Dame; the main façade, the gargoyles, the inside of the main navev, and a view of Paris from the top

Leaving Notre Dame, we headed our the Île de la Cité and passed by Saint Germain l’Auzeroix, which mostly dates from the 15th Century and used to be the church for the Louvre inhabitants.

A restored gothic church with an octogonal tower

At the Louvre, by the way, there was a humongous queue, so as both of us had seen it before, we decided to skip going inside.

The Louvre palace from the outside

We passed by the Luxor Obelisk, an Egyptian monument which is over 3000 years old, located in the Place de la Concorde. I’ve always found that name very ironic considering that many people were guillotined there. But hey, the obelisk is cool and all.

A black Egyptian obelisk with golden decoration

We continued walking up the Champs-Élysées until we got to the Arc de Triomphe de l’Étoile (the “Triumphal Arch of the Star”. Okay Paris. Okay.), which is one of the biggest triumphal arcs in the world. It was completed in 1840 and it honours the casualties in the Revolutionary and Napoleonic Wars.

Commemorative gateway or triumphal arch in white stone

From there we took the underground back to the area of the Sacré-Cœur, which we could see at the end of the streets.

Sacre Coeur peering at the end of a street

And to finish the day, we had some Japanese food because why wouldn’t we?

26th May 2014: Bad weather, queue & Yoshiki

On Sunday, we started off back in the Île de la Cité and we walked around Notre Dame on our way as my friend wanted a walk along the Seine.

The back gardens of Notre Dame

We took the underground towards Les Invalides (Hôtel national des Invalides or The National Residence of the Invalids), a complex of buildings erected between the 17th and 18th centuries and that hosts the military museum and some notable graves, among them Napoleon’s.

Les invalides, a neoclassical palace with a golden dome

Afterwards we took the underground to Champ de Mars, the long park where the Eiffel Tower stands. The Tower was built as an entrance to the 1889 World’s Fair exhibition and it was controversial at first (and rather ugly if you ask me, but hey to each their own). Eventually, it became so famous that it was not taken down as originally planned, and to-date it is one of the most visited landmarks of the world.

Eiffel tower in the clouds

Eiffel Tower from underneath, with a tennis ball hanging in from the second floor

As you can see in the pictures, the weather might not have beent he nicest, but we made our best. We walked all through the Chaps to the Trocadero on the other side. There were very few people on the street so I convinced my friend to take a ride in the carrousel over there, because I’m insane like that. Soon after we had left, a group of random people decided to emulate us.

Classical caroussel, looking over the ears of one of the horses

After this, we said goodbye. I headed off to Le Triannon for Yoshiki Classical, and my friend towards the airport as she had work on Monday. Yoshiki is one of the most important figures in Japan’s musical scene. He is the leader of the iconic band X Japan, and also trained in classical music. He wrecked his health when he was young, though, so he is not in the best shape. His recital Yoshiki Classical was meant to be a reimagination of some songs of his career, just him and his piano and some invited artist. I have to admit that it was one of the most beautiful things I’ve ever been to, and I don’t regret attending one bit. Although this was my first concert alone, I didn’t feel strange in any way.

A concert venue with some people waiting

I don’t know what I was expecting, but this surpassed any and everything I could have thought of. Yoshiki is a wonderful human, and he spoke in English during the whole event – he is living in America now, collaborating with people like Stan Lee and Marilyn Manson to do more great stuff. For me, seeing him in person and playing his piano was a heart-bursting experience.

Yoshiki Classical Banner

Although Le Trianon is a seated venue, tickets were not numbered. I arrived at the queue round 17:00 for a 19:30 concert. It was not a good line – French fans seemed to have no sense of personal space, and the person behind the person behind me was invading my space, and I’m not exaggerating.

Conversely, the venue was quite ready for us, entry was well organised and smooth. Theatre staff, speaking in French and Japanese, made sure that ticket holders did not bother the local commerce nor their patrons. Judging by the faces of the sellers around, they were not used to people queuing for the theatre.

Gates opened around 18:45, and I managed a seat on 7th row, in what I thought it would be a good position to actually see Yoshiki’s face as he played. The stage was equipped with the Kawai piano, a synthesiser, and the seats for the strings, along with a standing microphone. I took in the relative positions of everything to chose my seat. The screen showed the Yoshiki Classical World Tour banner, and staff members sold insanely expensive glow sticks.

By 19:50 the audience had started to get nervous,but the members of the press were being shown in to their seats, which meant that the interviews were over. The concert finally started at 20.05, with the entrance of the supporting musicians – three violins, two violas, two cellos. The assistant gave them the tuning note and the video launched behind them. It started with a fragment of the Golden Globes museum interview, where Yoshiki explained the two sides of him, the destructiveness of heavy metal and the peace of classical music. This was illustrated by short clips of X Japan drumming and other activities, such as playing for the Emperor, or Yoshiki Symphonic, all to the music of Miracle.Finally, Yoshiki walked in, sat in front of the Kawai and played the intro of Forever Love.

He did quite a lot of talking between the songs, with a few words in French, but mostly English. He explained that we would have two parts (I used the intermission to go get goods and buy an overpriced bottle of water).Throughout the concert he introduced the strings by name, he remembered all of their names even with effort (and named them Yoshiki Sextet with great mischievousness), and Katie Fitzgerald, the vocalist of his Violet UK project. he himself said that he had too many open fronts and that he had been recording with X Japan forever, but also with Violet UK. He put the blame on himself for being a perfectionist and thus never finding anything finish-worthy. Katie rolled her eyes at him. They seemed to have a good chemistry going on. At the very beginning he told us that he was used to being in the back of concerts, playing drums and that being so close and seeing us made him nervous. He joked that as it was a classical concert he would not stage dive.

As he played the piano the screen behind him projected images, some of them abstract, some of them related to the song, such as roses for Rosa, stills of the Saint Seiya film for Hero, or raindrops for Endless Rain.

He spoke about the history of X Japan and his own – he started playing piano when he was four, the same year he met ToshI. He picked up drums at ten, in Chiba. He reminisced about how he hunted down Pata, Taiji and Hide, ”having to break their bands to get them to come to his band”. Then he spoke of Taiji’s and Hide’s passings, and not talking to ToshI for about ten years. At this point he broke down. It makes one wonder about the kind of pain this man harbours in his soul. You could feel the rage as he pounded into the piano at some points, and yes, I am sure he was crying during the song he dedicated to his father, Taiji and Hide. He said that he had learnt that big venues and stadiums did not really mean anything, but that the support of the fans was what kept him going.

He played an improvisation of Tchaikovsky’s Swan Lake, and a song he had heard on the radio the day before. He confessed that being on tour he lost track of days and places. He was aware of time and space enough to announce that the upcoming October concert in the Madison Square Garden may be the start of a new X Japan tour, but I do not think any of us believed him.

All in all, I knew that he is a great pianist, musician and artist, and after the concert I am completely sure that he is a good person, too. It’s not an act, a persona that he created for the stage. Nobody is that good at feigning pain. He picked up a bunch of presents from the crowd on the first couple of rows himself, be it flowers, plushies, flags, and was thankful for all of them.

Setlist:
1. Miracle (during the video)
2. Forever Love (X Japan)
3. Golden Globe Theme
4. Rosa (Violet UK)
5. Anniversary
[Intermission]
6. Amethyst (Strings only)
7. Swan Lake Improvisation (Tchaikovsky)
8. Hero
9. I.V. (X Japan), fragment
10. Hymne à l’amour (Édith Piaf cover)
11. Without You (X Japan)
12. Kurenai (X Japan), fragment
13. Art of Life (X Japan)
14. Endless Rain (X Japan)

Yoshiki talking to his audience

Yoshiki and Katie Fitzgerald during Hero

After the concert, I went back to the hotel. I would have loved to stay a bit longer, but it was night already and the area did not feel… Nice. In the following morning, Monday the 27th, I just headed for the airport and came back home. It was a very complete weekend!