26th December 2022: Timing, timing {Egypt, Winter 2022-2023}

Since Madrid is a horribly busy airport, apparently 5:00 is the right time to schedule a charter – and take off late anyway. The paperwork insisted on arriving at the airport with a three hour’s margin, and I did precisely that, reaching Terminal one at 2:06. I was slightly worried that the charter would not be shown on the screen, but it was there, literally the first flight. A number of tour operators had come together to charter around 200 people to Luxor, and as it was not a regular flight, there was no way to obtain boarding passes online.

I had to queue for about an hour in order to get my pass, and just as I was leaving the check-in counter, I heard that 90 people had been checked in, and the line was about even longer than when I had joined. There were three check-in counters and the process was really slow – there were problems with the conveyor belt for starters, then people would not have their passports ready or had weight issues with their luggage. I… handed over my passport, put my suitcase up, received my pass, and was out in less than two minutes… So I have no idea what all the issues were…

Security was also pretty fast even if I got stuck behind a family who didn’t take their electronics out, tried to get big liquids in, and couldn’t get their boarding passes sorted out to go through passport control. I found my gate and I sat down to snooze. We were the only plane leaving from the airport, and we were late by 20 minutes…

I slept for a couple of hours until we got breakfast, then slept again until we landed in Luxor | Al-ʾuqṣur [الأقصر ]. As my visa had a already been processed, I got a sticker and filled in the immigration card. Then I went through immigration, picked up my bag, and we were waived through customs. It was a bit of a chaos as different guys yelled up the names of different operators until we found our groups. A guide told me I’d be riding the bus with him as I was the only one heading for the motorboat “M/S Opera”, I’d be getting off first in 15-20 minutes.

Egypt Visa Stamp on a passport. It marks Luxor as point of entry and Cairo as point of exit

Luxor is located on the east bank of the Nile, covering part of the ancient site of Thebes, which comprised an area for the living (eastern bank of the river) and another for the dead (western bank, the current necropolis). Thebes was the capital of Egypt during the Middle Kingdom and the New Kingdom, and today the site of Ancient Thebes with its Necropolis is recognised as Unesco World Heritage Site. The bus drove off and we got to see Karnak [الكرنك], the Avenue of Sphinxes and the Temple of Luxor [معبد الأقصر]. The guide laid out the plans for his group to have lunch and then go off to visit both the temples of Karnak and Luxor to make the most of the time in the city. I thought this was a fantastic idea (I’d be sorely disappointed later when I realised I was not part of those plans).

Temple of Luxor from the bus

About 40 minutes later, way out of the city, the guide informed me that the bus driver had been unable to find my boat, but that he would drive me there now. They were leaving because they had reached their pier. Thus, I was driven back to Luxor, alone in the bus, to a shady alley that eventually got to my motorboat. I was worried that I was keeping the rest of my group back… It turned out that the 17 other people from my group arrived at night! I was not alone on the motorboat, of course, but my tour guide said I should “just relax”.

I entertained the idea of going out to explore, but I’d heard a few horror stories about travelling Egypt alone, and the dock was in a bit of (read: very) shady place; besides, I was pretty much out. It was colder than I expected (apparently, I managed to arrive through a cold wave in Egypt, go figure), so I divided my time between the sun deck and the cabin, reading and dozing off from time to time. Though my cabin didn’t have views, the sun deck had some nice ones of the West Bank of the Nile, where the tombs of the most powerful pharaohs are. The motorboat looked right out of a Mummy film if not for the fact that it was in colour. However it looked charmingly garish – though the cabin was a bit chilly, and the heating wouldn’t work. Since I had two beds, I planned to use both covers to stay warm.

A collage of the motorboat: From the outside, it looks like two train carriages welded together. The inside is full of carpets and decorated wood. The sun deck has a swimming pool and some hammocks.

At some point during the evening I looked up and saw that the light had shifted, so I climbed up to the sun deck and caught some amazing sunset views over River Nile [نهر النيل].

Sun setting over water

To be honest, by 20:00 I just wished dinner time would come and I could grab a bite to eat, a bottle of water, and then take a shower and go sleep for real. I tried to buy Wi-Fi access, the receptionist understood me, but decided to play dumb, so I decided to forgo that altogether. Furthermore, I was growing antsy because I wanted to know the plan for the following day – for waking up purposes – and where I could exchange some money for tips and so on.

I caught the tour guide at dinner and at least managed to secure a time to leave the following day, which was the most important thing. I was not too keen on him by this point – I think he was just miffed he had to start working 12 hours earlier just for one person, and not bothering to hide it, so communicating with him was hard, since he did not seem to have straight answers to my questions – well, at least I knew what time to get going. After dinner, I went to the sun deck again. I was not going to get to see Karnak lit up for the evening, but at least I saw the West Bank.

12th & 13th November 2022: Santiago de Compostela (Spain)

Here’s a little secret – people don’t like flying on the 13th, even less when it’s a Tuesday. Thus, I came across a bunch of awesome offers for the 13th of December, which unfortunately I could not take up due to work uncertainties. What I could muster was a mini getaway on the weekend of the 12th/13th of November, to the northern Spanish town of Santiago de Compostela. There were a few reasons for this choice – one, cheap flights; two, I’ve recently started considering a route through the so-called Camino de Santiago (St. James’ Way); and three, pandemic shuffled ‘Holy Years’ round so there was a special gate to the cathedral open that I wanted to see. I flew out around noon on Saturday and came back on Sunday night. It was a perfect plan for a decompressing getaway.

Santiago de Compostela is known as one of the most important pilgrimage cities in the world. According to the Christian tradition, the tomb of Apostle James was found in the area in Middle Ages (different sources vary throughout the 9th and 11th century), and the pilgrimage to visit the remains became one of the most important in the Christian faith, alongside Rome and Jerusalem, to the point that the pavement proudly states that “Europe was built on the pilgrimage to Santiago”. While I’m not religious, I have a thing for religious architecture, and as mentioned above I’ve been thinking about the Camino for a while, and visiting the goal felt a good way to start organising how I wanted to look at things.

However, let’s say it wasn’t the most perfect getaway ever. Though the flight was on time, and pretty short, there was turbulence – not something too out of the ordinary, but here’s something you might not know about me. Back in the mid-nineties, I sort of crash-landed in the Santiago airport, so let’s say I was not so invested in a bumpy flight.

As the flight had been very cheap (about 30€), I had decided to splurge a little in the hotel – and I found a not-so-bad offer of half-board at the Parador de Santiago – Hostal Reyes Católicos, downright at the centre of the city. It is located in the old pilgrim hospital, and it is a magnificent building, aside from a five-star hotel. I arrived around 14:00, and the room was not ready – fair enough. I wanted to get there early in order to drop off my luggage, and make sure I could arrange my dinner reservations for a convenient time. One of the reasons I decided to book half-board in the Parador was to guarantee myself a meal late in the evening, as I had booked a walking tour at 20:00, and the main restaurant served dinner till 22:45.

Wide shot of the Parador. It shows a severe building with an ornate gate. The sky is bright blue.

Unfortunately, the check-in staff “had booked me” at 20:30, and they asked if that was okay. I replied it wasn’t, and explained the reason stated above – the staff then said that they could accommodate me at 22:00 at the secondary restaurant, but not at the main one. I answered that then I’d have dinner at 22:00 at the secondary restaurant then, but the staff asked me to check the menu. I stated that it did not matter. I needed my dinner to be at 22:00, and if the main restaurant wasn’t available, it would have to be at the secondary one. The staff asked me to check the menus, and I explained again that I had a tour from 20:00 to 21:30 – I needed dinner at 22:00. I thought that was resolved, and as it was too early to get a room, I picked up my camera, left my backpack in the locker room, and went on my merry way to explore the outdoor “monumental route” within the historical city Ruta Monumental de Intramuros. The old city of Santiago is part of the Unesco Heritage Site Routes of Santiago de Compostela: Camino Francés and Routes of Northern Spain Caminos de Santiago de Compostela: Camino francés y Caminos del Norte de España.

As I had tickets for different activities in the cathedral booked for the previous morning, and the Sunday forecast was rain, I decided to do most of the walking on my first afternoon. I started off in front of the cathedral façade in the square Praza do Obradoiro (the Artisans Square), which hosts the town hall in the former Neoclassical palace Pazo de Raxoi, the Parador itself, and the main – but closed, will get into that later – entrance to the cathedral Santa Apostólica y Metropolitana Iglesia Catedral de Santiago de Compostela, with its Baroque façade called Fachada del Obradoiro.

Baroque façade: two towers and twin set of stairs, fenced away.

I walked around the cathedral, and stopped at all the other squares: Praza da Acibecharía (the Black Amber Workers Square), Praza da Quintana de Vivos (Villa of the Living Square) and Praza das Praterías (the Silversmiths Square).

A collage of views of the cathedral of Santiago.

I walked down Rua do Villar, which is the closest to a main street the historical town has. I strolled around the historical centre – there are many interesting buildings and churches, alongside the market. At some point I entered a bakery, but I kinda ran away when I heard the prices they were charging.

Santiago Route.  An archade, a fountain, an ornate corner with a coat of arms carved into it.

After an hour and a half or so, I found the convent-turned-museum Igrexa e Convento de San Domingos de Bonaval that has become the ethnological museum of the Galician people Museo do Pobo Galego. The museum itself was not too spectacular, but the building itself was fantastic. One of the most amazing things was the triple-helix staircase that joins the different floors on one side, and the remains of the gothic church (where I got to climb the pulpit). To the side there’s the pantheon for illustrious Galicians, including one of the few female historical figures in Spain – poet Rosalía de Castro.

Monastery and museum. The pieces include a humanoid stone idol, some Christian figures in polychromated wood, and two pipes

View of the triple staircase, from above, from below and through the door from one of the sides.

A view of a gothic chapel, showing an empty altar.

This was around 16:30, and even if I was not even a bit hungry, my legs shook a little. Thus, I decided that I needed to find a supermarket to buy a snack – I only had coffee before I left for the airport at 9:00. Before getting to the supermarket though, I walked around the former orchard and graveyard of the convent, now a picnic-friendly park Parque de San Domingos de Bonaval, full of ruins and fountains.

The previous church, from outside, on the right. There's a winter tree in front, and some old niches on the left wall.

I grabbed my snack and went back to the monumental route until I was back at the Praza do Obradoiro. I walked around to see the sunset, and caught a glimpse of the light playing on the façade of the church Igrexa de San Frutuoso, and some nice views from the adjacent park (which turned out to have been another graveyard) Xardín do Cemiterio de San Frutuoso.

Santiago sunset. Upper picture shows the church of Saint Fructuoso, and the lower one a view of the nearby park with the sun setting in the background

It was around 18:00 at that time, so I could finally check in – which I did, only to find out that the staff I had talked to had decided not to book my dinner in the end, which lead to me needing to explain about my tour again to a new staff who told me they couldn’t book me at 22:00 on the secondary restaurant! It had to be at 21:45, but they could notify the restaurant that I would arrive a bit later. I was really not impressed by the whole thing, even less when I apparently needed a bellboy to guide me to my room and carry my backpack– and of course get tipped.

I had my snack and then went on to explore the building. As I did, the sun completely set, so the different lights were cool. The Hostal Reyes Católicos used to be the pilgrims’ hospital. It is a huge rectangle with four interior cloisters named after the four Christian Evangelists, the inner areas having been refurbished into the rooms.

The four gothic cloisters of the Parador. Two have some greenery on them, the other two are just grey and built.

A few minutes before 20:00, I left for my tour. Although I’m not a big fan of tours and group activities, I had had my curiosity piqued by a “theatrical visit” of the historical centre of the town called Meigas Fóra. In the area of Galicia, a meiga is a type of traditional witch, good or bad, depending on what side the person speaking about them is – in this case, the guide being a supposed-meiga, of course they were all neat and nice. The tour was supposed to tell about the different legends and interesting supernatural trivia of the town, but just ended up being a bit watered-down walk around those graveyards-turned-parks I had walked before. The coolest thing was finding the pilgrim’s shadow Sombra del Peregrino, a fun game of light-and-shadows in one of the squares around the cathedral.

A view of the cathedral of Santiago at night, illuminated, on top. On the bottom, a column casts a shadow onto the wall behind it - it seems to be that of a man with a walking cane and a travel hat.

Hilariously though, as we were walking, someone approached me to ask in wonder if on top of taking the tour alone, I was in Santiago all by myself, in total awe of someone travelling on their own. She said that she would never be able to do so – while she took selfies of herself because the people she was “touring” with could not be any less interested…

After the tour I went to have dinner – guess what? At 22:00 h! Let’s say that it was not the greatest experience. The restaurant staff had their hands full with a table of around 20 drunk “pilgrims” who had come all the way from South America and were rightfully celebrating – albeit loudly and a bit obnoxiously (all that pilgrim wine, no doubt) – that they had reached the end of the Way. The rest of the patrons were, including myself, four one-person tables, which made me wonder if they just don’t book one-person tables in the main restaurant after the first shift. The floor staff – basically one working waiter, and one wandering waiter – was overwhelmed by the table, and it took me over an hour to finish my dinner – which was some local octopus (pulpo a feira), a roasted great scallop (Pecten maximus, not only a delicious shellfish, also the symbol of the town and the related pilgrimage, called vieira in Spanish) and a piece of the typical almond pie (tarta de Santiago).

Dinner: pulpo, a scallop and a piece of cake.

Then I went to my room for a nice hot shower and to get some sleep. I was surprised then to find no extra blanket in the wardrobe, though there was an extra pillow. This was around midnight already so I decided not to hit reception for the extra blanket and just cranked up the air-con on and off to stay warm. I slept on and off, too, but it was not too much of a long night.

The next morning I had breakfast and set out for my day at the cathedral, Santa Apostólica y Metropolitana Iglesia Catedral de Santiago de Compostela. Santiago was built around the 7th century legend that the apostle James the Great, Santiago el Mayor, was buried in the area of Galicia, after having reached Spain to convert it into Christianity. In the 9th century, a tomb was discovered among some abandoned Roman ruins, and the local bishop had “the certainty” that it was the Apostle’s tomb. The bishop informed the King, who was the reported first pilgrim, and later ordered that a church should be built to commemorate the finding.

As the number of pilgrims grew, the church became too small, so subsequent temples were erected. The current interior was built between the 11th and the 13th century in a very pure Romanesque style, but the exterior was covered in the 18th century, in a very adorned Baroque style, which is also the style of the altar.

The most important piece of the cathedral is the Portico of Glory Pórtico de la Gloria, the Romanesque entrance to the 12th-century cathedral, with 200 sculptures carved in stone in the three-archway portal. The entrance now is locked away, you have to pay to see it, and photographs are not allowed.

For starters, I climbed up to the roof of the cathedral and the bell tower – not really the bell tower but the “rattle tower”, as the bells chime on the eastern tower, and the rattle is played on the darker, western tower. The roof was restored as recently as 2021, and from there there are some nice views of the town.

The towers of the cathedral from the room, and some aereal shots - one shows the Parador cloisters from above.

Between visits, I went inside the cathedral, where the pilgrims’ mass was about to start. I might have stayed out of curiosity had I been in town for a longer period. Then I visited the portico – since pictures were not allowed, I’ve rescued some 1995 ones from when I were in town as a teen.

Three shots of the  very baroque altar in Santiago - it is heavily decorated and painted gold. On the bottom right, a silver urn, also very ornated, supposedly where the remains of St. James are.

A collage showing several sculpures of the Portico of Glory - Romanesque statues richly coloured and decorated, they look placid

After wandering the cathedral for a bit longer, I made the most out of the last hour of sunshine to head to the park Parque da Alameda to find the spot Miradoiro da Catedral next to a huge centennial eucalyptus tree (Eucalyptus globulus labill) Eucalipto centenario, a 120-year-old specimen, considered one of the oldest eucalyptus trees that was planted in Europe after captain Cook “discovered” Australia and the species was introduced by Fray Rosendo Salvado.

A panoramic view of Santiago, showing the cathedral.

My next stop was the museum of pilgrimages and Santiago Museo de las Peregrinaciones y de Santiago, which was free due to the Covid recovery plan. It features a collection of items related to Saint James Way, and other important pilgrimages of the world, including the Japanese Kumano Kodo [熊野古道], and the Muslim Mecca Pilgrimage Ḥajj [حَجّ]. The upper floors are dedicated to the hagiography of Santiago / James through the Way and in the city.

Museum of Pilgrimages. A collage that shows a wooden statue of Santiago on a white horse, sword raised; other depictions of Santiago as pilgrim; some paper scallops decorated by kids; and a Japanese sacred gate.

Later, even though I should have gone to eat a bite, I headed to the monastery and museum Mosteiro de San Martiño Pinario, religious complex built between the 16th and 17th centuries, though the inner areas and chapels date from the 18th century. Today it’s a cultural centre, and alongside the church, it features a museum with block prints, fossils, an ancient pharmacy… The church has the most baroque Baroque altarpiece I’ve ever seen, and two choirs – one behind the altar, and the other one up on the second floor.

Exterior of the monastery, including the double downward staircase, and a picture of the interior, showing a very Baroque altar painted in gold.

Finally, I stepped into the museum of the cathedral Museo de la Catedral de Santiago de Compostela, which features the entrance to the cloister, library, and the upper galleries, aside from artistic and religious treasures such as the original stone choir, wooden carvings, and tapestries. I was also able to access the upper galleries and look at the rain in the Praza do Obradoiro, and later the crypt.

A collage showing the cloister of the cathedral of Santiago while it rains outside, and the former Romanesque choir, carved in stone.

Romanesque arches and columns built in stone, and a cast ceiling.

After one last visit to the cathedral and its shop, I got myself a last souvenir – a silver and black amber bracelet I had seen upon arrival, and took a taxi back to the airport in order to fly back. All in all, I was not too impressed by the city nor its inhabitant, and I was pretty disappointed in the Parador. I think it has put me off the idea of doing the Camino as much as I thought I wanted to, but not every trip is perfect, I guess, and I hope my memories warm up with time.

A silver and black amber bracelet. The silver is very fine, and the gem is bright black.

Walking distance: around 11.68 km (18659 steps) on Saturday and 10.58 km (16931 steps) on Sunday, not counting airport transits

14th October 2022: Pamplona, the city of the bulls, and Olite {Aragón & Navarra Oct. 2022}

In order to avoid crossing Zaragoza, we tried to go around it. Unfortunately, trying to save up 30 minutes, we ended up wasting an hour at the entrance of the highway, and we reached the city of Pamplona or Iruña. Today, it is the capital of the region of Navarra, which is roughly the size and shape of the old Kingdom of Navarra, which existed roughly between 1162 and 1512, when it was conquered by the Catholic King Fernando.

There had been a slight misunderstanding on who was going to plan the day – I was convinced my father had not wanted me to do it, but when we arrived he turned to me and I was supposed to know. In summer, I had drafted a small itinerary, but as he was supposed to have taken charge, I had not gone further. It turns out, I should have. Fortunately, I still had the map on my phone and the opening schedules on my travel notebook. Unfortunately, I had not really delved into all that the city has to offer and we missed a few interesting thing

Thus, I tried to take charge, but not too much because it’s hard to balance that with my parents. Even if we have travelled together before, I tend to let them do the planning and only insist on some stuff I want to do or see, and that’s how they end up at dinosaur parks (≧▽≦).

We left the car in a parking lot underneath the congress centre and walked towards St. Nicholas Church Iglesia de San Nicolás de Bari Eliza. The first building dates from the 1100s, and it was built along the now-disappeared walls, as a defensive construction at the same time as a religious one. It was demolished and rebuilt location makes the building awkward, and to add insult to injury, we arrived almost at the same time as mass started, so we just took a quick look.

Iglesia de San Nicolás de Bari Eliza - exterior with pointed arcs, and inside, showin the altar

We walked to the next church dedicated to St. Lawrence Iglesia de San Lorenzo, actually associated to the Unesco World Heritage Site Routes of Santiago de Compostela: Camino Francés and Routes of Northern Spain Caminos de Santiago de Compostela: Camino francés y Caminos del Norte de España. The current building is Neoclassic, and the façade was rebuilt at the beginning of the 20th century when the original was damaged during war. On the right of the main nave, a side chapel holds the famous sculpture of St. Fermin, the patron saint of the town. The chapel was built between 1696 and 1717, when the sculpture was placed there. Every 7th of July, the sculpture is taken out in the religious procession. From the 6th of July and for a week, Pamplona celebrates its local festivals, famous around the world for the encierros, or running of the bulls. While there are similar runnings all throughout Spain, the encierro in Pamplona was popularised by Ernest Hemingway, the American novelist, in his work “The Sun also Rises” (1926).

Church of Saint Lawrece - Neoclassical façade and interior, with the sculpture to Saint Fermin, the patron saint, in a red cape and a mithra, surrounded by red and precious metals.

We continued onto main street Calle Mayor, which ends at the main square Casa Consistorial de Pamplona, which opens to the main square Plaza Consistorial. The building was erected between 1951 and 1953, though the project kept the 18th century façade, halfway between late Baroque and Neoclassic.

Pamplona town hall / council hall, with flags hanging from the balcony.

We continued onto the cathedral dedicated to the Virgin Mary Catedral de Santa María la Real de Pamplona. The building is Gothic (French Gothic, actually), with a Neoclassical façade designed by Ventura Rodríguez (who also worked on the Basílica del Pilar in Zaragoza). One of the most interesting things in the cathedral are the paintings on the walls and columns themselves, just non-religious decorative motifs. In front of the altar lie the tombs of King Carlos III of the Kingdom of Navarra, and his wife Leonor of Trastámara (or Castille).

Cathedral of Pamplona, including a close-up of the bright polychromy in red and blue, and the altar, from far away and a close-up. The most distinctive feature are the pointed arched and the very clean masonery.

In the inner area, there is a beautiful cloister, and you can climb into the false ceiling, see the kitchen of the former convent. And, let’s not forget – they have a stamp, because it is one of the “official” starting points of St. James Way, Camino de Santiago, and also part of the Unesco World Herirage Site related to it.

Collage: Cloister in Pamplona cathedral. The gothic ars are pointed and ornate, standing on bright green grass. One of the corners shows a fountain, the other the iner walkways

We stopped for lunch, then we walked by one of the “iconic” points of the bull-running, the corner at one of the streets of the route – Esquina de la Estafeta, and continued on until we reached the bullfighting ring Plaza de Toros de Pamplona, but since we are not big into the culture, we did not enter.

We did stop by the sculpture to the bulls and runners Monumento al Encierro, a huge bronze composition with a number of real-life pieces: nine bulls (six fighting bulls and three guiding bulls) and ten runners.

This bronze sculpture represents several life-sized bulls and runners. The runners are in front of the bulls, and one of them has been trampled.

Finally, we went to have a stroll alongside the walls of the former citadel Ciudadela de Pamplona. Although now it is a park, and only the foundations are left, the Citadel was one of the most important defensive constructions in the Spanish Renaissance, in the shape of a five-pointed star.

Several angles of the Ciudadela of Pamplona park. Not much is seen except for the building foundations, though they stand two or three metres high.

After that, we took the car and drove towards the town of Olite also known as Erriberri , where we were going to sleep. The town was home to the Monarchs of Navarra, and today there are two distinctive buildings – the old palace Palacio Viejo de Olite, where the Parador de Olite stands, and the new palace Palacio Nuevo de Olite. Originally the most extravagant Gothic castle in Europe, it burnt down during the war against the Napoleonic troupes, and was rebuilt in 1937 using the philosophy of bigger, cooler more teeth. We checked in at the Parador and I collected my stamp. From our room, we could see the main structure of the old palace, as we had a very long balcony.

Old palace of Olite. There is a tower on the right and an old Medieval house to the left. The building is made of irregular masonery and the windows are perfectly rectangular.

We went for a walk, and were surprised at how many people there were in the area. We sneaked into the church Iglesia de Santa María la Real, but did not take any pictures as (once again!) mass started. We planned to come back the following morning as it was barely a 30 seconds away from the door of the Parador.

On the left, a modern red-brick house stands on older arcs. The façade sports a protection made of intricate white ironwork.
On the left, a Romanesque church, blocked by construction and a tractor.

We walked around for a little and were not too impressive by the Medieval city centre, but we did find the typical balconies and the Romanesque church of St. Joseph Iglesia de San José.

We were beat, to be honest, it had been a stressful day after a short night’s sleep, so we turned in early after dinner. I did not even think to wander round to see if I could get any cool pictures of the area, because the area was packed and I was exhausted.

13th September 2022: Wadi Rum (and the bus) {Jordan, September 2022}

I had a boiled egg, potato hash-browns and coffee breakfast because my body was craving salt, I guess. Then we set off on the bus, where we ended up spending around seven hours (the 412 km are supposed to be done in 5 hours and a half, but that does not take into account bad traffic). Urgh. Our first stop was a viewpoint over the whole canyon area.

Wadi Musa valley panorama, showing the deep gorge from above

The second stop was a souvenir shop that had probably somehow bribed our guide or driver for it. None of us even bought anything, but we were forced to be there for about half an hour before we could continue to the only organised activity for the day – a two-hour jeep tour throughout the Natural Reserve and Unesco World Heritage Site of Wadi Rum | Wādī Ramm [وادي رم]. It is the largest wadi “valley”, created by alluvial fans and wind deposits, rather than the idea of a river bed. They are often found in deserts.

During the tour in Wadi Rum Reserve [محمية وادي رم] we drove through the desert and stopped at some rock formations that had built a gigantic dune. Wadi Rum used to be a granite and sandstone rocky formation. Thousands of years worth of wind eroded the sandstone back to sand, forming and shaping the desert dunes. Huge granite structures still stand, such as the Seven Pillars of Wisdom [عمدة الحكمة السبعة], just at the beginning of the route. One of the stops is the tourist-named Big Red Sand Dune, which you can climb for kicks, giggles and some nice views of the landscape.

Driving into Wadi Rum. The roof of the jeep is visible, along with a rock formation in the background. Between us and the rock formation there is the other jeep, causing a dust cloud

Back of a dune we had to climb, and the rock + sand landscape that could be seen from the top. Wind erosion marks have created soft ridges. The rocks are red-grey and the sand is rose-gold

Then we drove off to see some petroglyphs, and were offered dromedary rides. These petroglyphs, depicting early humans and their cattle – bovines and dromedaries – are the reason for the Heritage status.

A rock wall with some dromedaries in the foreground + a close up of the petroglyphs engraved in the rock, also showing dromedaries (by JBinnacle)

Finally we were shown a Bedouin tent at the feet of the Lawrence Canyon, a beautiful rock formation with faces of Jordan monarchs. Unfortunately, we did not get to see any onyx or fennec foxes, but I did see a small lizard. The Bedouins treated us to a cup of tea, but then we had to tip the driver about 10€…

Lawrence Canyon, a deep cut in the rock filled with sand at the bottom + details of engraved faces and Arab script, a lizard and a bit of tea, along with a traditional Bedouin coffee maker

Afterwards, we started off our trip back northwards back to Amman | ʻAmmān [عَمَّان]. Though the trip is supposed to take about 4 hours, it was way more than that, and we did not arrive at the hotel until way past 18:00. We went through the security checks and ended up learning that we could not travel between floors, so we could not go to the others’ rooms using the lifts, and the stairs were blocked… Well, at least we had… views?

A view of Amman skyline in the dark

After we managed to regroup, we had dinner and decided to try to check in online for the flight next day’s flight – and I was successful. Apparently, the airline only cared about us filling in our Covid certificate to enter Jordan, we were on our own for the way back.

12th September 2022: Petra {Jordan, September 2022}

Petra | Al-Batrāʾ [ٱلْبَتْرَاء] is without doubt the crown jewel of Jordan. It was the capital of the Nabataean Kingdom, and a strategic point in the middle of the trading routes. Nabataeans were one of the nomadic Bedouin tribes in the Arabian Desert that eventually settled and established the capital of their kingdom around the 2nd century BCE. Soon, Petra became a major trading hub and flourished as the Nabataeans were extremely skilful in harvesting rainwater and agriculture in the barren deserts. The Nabataeans also became very good at carving the sandstone of the canyon where they built their city. They lived in caves in the rock and created intricate façades in the sandstone of the mountains surrounding the site.

Eventually, water dried out and Petra fell, becoming a lost city, a tale told by crusaders when they returned home. In 1812, Swiss traveller Johann Ludwig Burckhardt “discovered” Petra for the Europeans, and excavations and archaeological expeditions took place throughout the 20th century. At this time, a Bedouin tribe, the Bidouls lived in the area, and in 1985 they were resettled in a nearby village built by the Jordan government before the site was designated a Unesco World Heritage Site.

As part of the concessions made for the Bidouls, they were given sole rights to the exploitation of the archaeological site, and their traditional customs were declared Unesco Intangible Cultural Heritage. Unfortunately, these traditions have devolved today into blatant child labour, peddling, and animal abuse. Barefoot children run after tourists to sell trinkets, women handle myriad of stands illegally selling rocks and fake archaeological artefacts along with imitation jewellery, cosmetics, decoration and so on, and men offer the services of thirsty and sad-looking donkeys, dromedaries and horses to move round the area. And while I can understand choosing to ride an animal in the long distances and heat, I saw a poor dromedary covered in red graffiti made by tourists that made me want to scream at people.

In 1989, Petra was featured as the lost city of Alexandretta in Indiana Jones and the Last Crusade, something that is considered the start of the Western tourism in the area. The film features the entry canyon, the Siq, and the Treasury as the Temple of the Holy Grail, possibly inspired by the crusade references from the Middle Ages. Aside from being a Unesco World Heritage Site, Petra is one of the New Seven Wonders of the World, and a geoarcheological protected area.

We were picked up at 8:00 and driven to the visitor centre. We had been warned beforehand to say no to anyone trying to rent / sell us anything as long as we were with the guide, who insisted on “taking care” of us for a couple of hours until he gave us free time until 18:00.

As you leave the visitor centre behind, there is about a kilometre and a half of barren desert. To the right of the trails stand the Djinn Blocks [أنصاب الجن], so named because the wind makes a sound around them (a djinn is an invisible spirit, sometimes called a genie, from the pre-Arabian mythology that was later incorporated into Islamic theology). On the other side of the path stands the Obelisk Tomb [مدفن المسلات].

Petra: Djinn Blocks and Obelisk Tombs (by JBinnacle)

The following area is the canyon Al-Siq [السيق], another kilometre and a half’s worth of walking between two fantastic rock walls. The Siq is an opened fault that was subsequently eroded by wind and running water. It was used as the caravan entry to Petra, and the lower area shows rests of Roman roadway, and the water canalisation built by the Nabataean. There are also some sculptures, both religious (baetyli) and non religious, such as a merchant with their dromedary. Some of the side fractures have brick dams to protect the main route.

Petra: Different views of the Al-Siq, including the waterways  (by JBinnacle)

At the end of the Siq stands The Treasury | Al-Khazneh [الخزنة], the most famous building in town, built in the 1st century BCE, probably as the Mausoleum of Nabataean King Aretas IV. Older tribes of Bedouins thought there was a Pharaoh’s treasure in the upper urn, so they tried to shoot it down throughout the 19th century. I had wanted to go up to the view point, but the locals made sure that you could not do it on your own so you were forced to tip them and support their submerged economy – thus, I decided against it in the end.

Petra: first view of the Treasury through the Siq, and main façade (by JBinnacle)

The canyon opens to the right and you move onto The Street of Façades, flanked by Nabataean tombs. As the canyon opens, to the left stands the Nabataean amphitheatre [المدرج النبطي ] and to the right, the Tomb of ‘Unayshu carved into the rock.

Petra: Different façades, Nabataean amphitheatre, and Palace Tomb (by JBinnacle)

Once in the open, turning back you can see the Royal Tombs, from left to right Palace Tomb, Corinthian Tomb, Silk Tomb and Urn Tomb. To the right there are the remains of a Byzantine church that we did not climb to.

Petra: overview of the Royal Tombs carved into the mountainside (by JBinnacle)

The Colonnaded Street holds the Temenos Gate, the Great Temple [المعبد الكبير] on the left and the Temple of the Winged Lions [معبد الأسود المجنحة]. It ends on the Qasr al-Bint [قصر البنت], the only building in the traditional sense that it is still standing after thousands of years of erosion and earthquakes.

Petra: Colonnade street, Great Temple, and ruins of the gates and the only standing building (by JBinnacle)

Here we made a stop at the restaurant / bar to have a drink and gather a little strength before we took on the 850 upwards steps on the Ad-Deir Trail. The hike was a bit difficult due to the uneven steps and the donkeys constantly going up and down, carrying tourists. The views of the canyon were spectacular, and at the end of the hike stands the largest stone-carved building in Petra, The Monastery | Ad Deir [الدير]. It is 47 m high and 48 m wide, built in classical Nabataean style – an interesting detail is that the columns are purely decorative, and not at all functional. I enjoyed the hike, but apparently my family did not.

Petra: Different views of the Monastery Trail, up and down. The lower pictures shows and overview of the whole valley, 800 steps down (by JBinnacle)

Petra: Façade of the Monastery, a building carved ito the mountain side in reddish sandstone (by JBinnacle)

After the Monastery, we made our way down, leisurely, and stopped at the places the guide had told us about. We decided not to hike up any more sites and just strolled back to the visitor centre. From there, we stepped into The Petra Museum [متحف البتراء], where we could see some of the found artefacts and decorations up close and protected from erosion.

Petra: Overview of the Museum, pieces of the Nabataean piping, chapitels, teselae and a reconstruction of a Nabataean man's head (by JBinnacle)

We finished around 17:30, so we just set to wait for the bus at whatever shadow we could. Having read a lot of bad reviews about Petra by Night, I decided that 9.5 hours / 15 km (24326 steps) in the site had been enough and I did not need to walk the Siq again illuminated by candles. Yay me getting over my FOMO. We had some dinner in the hotel – and what I really regretted was not packing my bathing suit, because I would have loved a soak in the swimming pool.

13th August 2022: Smoothness in Chaos {England, August 2022}

As rail strikes rolled out both in London and the rest of England, I was thankful I had found out in advance. The hotel internet was patchy and I would have had trouble booking a coach ticket for the airport. I decided not to try and cram more than I had already on my plate for the day, and stick to my booked tickets and original timing.

I took an underground line to Victoria railway station, from which I went to find out where my airport coach would leave from. After that, I walked from Victoria coach station towards Westminster, stopping at Westminster Cathedral, a rather out-of-place Neo-Byzantine building, which serves as the Catholic cathedral. Designed by John Francis Bentley, it was completed in 1903. It was closed for service, unfortunately.

Westminster Cathedral, a Chrsistian neo-byzantine building: a view of the exterior, in white and red brick, and the open doors showing the inner altar from afar

Due to the strikes and potential issues, Westminster Abbey had rearranged its opening hours, and waived all the “entry times”. So basically it was a bit on the chaotic side, though I arrived for my own timeslot, as I had calculated that would be all right for the tour I had signed up for. The abbey is officially called Collegiate Church of Saint Peter at Westminster. It was a originally a Benedictine abbey, and William the Conqueror, in 1066 made it the “official coronation ceremony” place, and many Royal Weddings have occurred there. It is built in the Gothic style, with Neo-Gothic towers. Furthermore, most British monarchs were buried there, along with a number of personalities that were either earthed there, or had memorials erected – Darwin, Newton, Hawkins, Shakespeare… The Abbey features a 19th-century wooden choir in the middle, and an outer cloister in early Gothic style. It was bustling with people fighting the audio guide and extremely hot though. However, this completed my tour of the Unesco World Heritage Site of “The Palace of Westminster, Westminster Abbey and St Margaret’s Church”

Westminster Abby, a Gothic Protestant Cathedral. Collage showing the towers and main entrance, the inner Norman altar in golden wood, the ceiling in the nave, and the cloister

Before the train strikes and the chaos in English airports, I had booked a 12:15 “Westminster Abbey hidden highlights” tour as my last activity in London before taking the Stansted Express to the airport. The change of plans meant I had to take the 14:00 h coach instead of the 15:00 h train to be at the airport by 16:00, to make sure that I would have plenty of time to go through security. That meant that I unfortunately had to cut the tour short. Event then, I got to see St Margaret’s Church, the old Medieval sacristy, the inner chambers of Samaria and Jerusalem, and got close to coronation chair. Not bad at all, even if I unfortunately had to miss the library to walk back to the station.

A collage showing an archaeological excavation (very professional holes on the ground, some showing a hint of brick foundations); the Coronation Chair and the hanging flag over it; ornate wooden ceilings; and a mythological-themed tapestry hanging from a wall

I have to say that the return was exhausting. Even with one hour difference, I got on the coach for the airport at 14:00 and did not land until 22:00. However, flying out of Stansted always has a good thing – goodbye sushi!

Tray of sushi and sashimi

All in all, this non-weekend weekend was an amazing mental break! Even if the last day did not work as originally organised, I had a heads up in order to prepare my contingency plans. I got to see something that I always wanted to see – and even if Stonehenge was smaller than I thought, it was not disappointing. Also, I checked that entering the UK after Brexit is pretty much the same as before, so I can organise more escapades in the future, because I still need to go to Jurassic Coast…

Walking distance: 11.27 km / 16672 km

12th August 2022: Stones, the reason for the trip. Lots of Stones {England, August 2022}

I was convinced I’d sleep like the dead and set a couple of alarms. Unfortunately, laundry and house service got going at 6:30, and woke me up. At least, the room had a kettle and some instant coffee which, along with one of the sandwiches I had procured the previous day, got me going. I made sure that the camera was charged, put everything I needed into the backpack and strolled off. My hotel was close to Earl’s Court, and I was walking to South Kensington to check out sandwich and coffee shop. And – to my eternal surprise – to queue for a museum! I don’t think I’ve ever seen so many people waiting for a museum to open in my life.

I’m referring to the Natural History Museum, one of my favourite ones. This time, it was a must, so I booked free entry with the special exhibition – “Dippy is Back”. Dippy is the diplodocus cast replica that used to stand in the middle of the museum, the Hintze Hall (where now the whale skeleton hangs). Dippy was the first of its kind to go on display in the world. The original skeleton was discovered in 1898 by railroad workers in an area called Sheep Creek, in Wyoming, USA. At the time, Andrew Carnegie had made a fortune in the American steel industry, and become one of the most important philanthropists in the US and the British Empire. He paid for casts of the bones to be made (some sources also say that he bought the actual skeleton, some that he had sponsored the dig) and sent to museums in Europe and South American. For the first time the public got to see a whole dinosaur skeleton, which was actually named Diplodocus carnegii after Carnegie. Dippy was gifted to the National History Museum in 1905, and was exhibited there until it went “on tour” around the United Kingdom in 2017.

Here is a little trip down memory lane: back in the mid-nineties I was a teenager in London with my English class. We had free time and they wanted to go to Harrods, so… instead I got myself into the Tube to go to the Natural History Museum just to see this dinosaur (I also ditched the group in the British Museum, but that’s another tale). The point was that I was around 14 or 15, bouncing through London by myself, on my way to see this very cool dinosaur! And I did not have to listen to people being rowdy, nor try to keep the peace in group – I was alone (scared out of my skin, true), but I was free by myself. And for me, that was very important, even if I would not come to realise that until recently.

The fossilised skeleton of a diplodocus, seen from the front. Lots of people are trying to take pictures with it

I saw Dippy again in 2011 when I went to London, but I was surprised when he was not there in 2018, shipped around the country in a travelling exhibition. For some reason, knowing that it was there made me really, really want to see it again. Since the pandemic, you need to reserve at ticket at the Natural History Museum, even if it’s free, so I booked mine for 10:00, to be there first thing as they opened – thus the queuing-before-opening.

Originally a gallery of the British Museum, the Natural History Museum was first designed by civil engineer Captain Francis Fowke, and then it was revised by Alfred Waterhouse, who redesigned the façades in a Romanesque-like style, with architectural terracotta tiles to withstand the British weather. These tiles have flora and fauna decoration and reliefs. The building was finished in 1880, and all the material had been moved by 1883. In the 20th century, the museum rebranded itself as a separate entity from the British Museum, and in recent years different areas and expansions have been opened.

Anyhow. The gates opened a little before 10:00 (If I lived in London I would totally be a member and stroll the museum before opening hours), and the queue started moving. There were lines for ticket holders and non-ticket holders, but my ticket was not even checked. Thus, I just moved towards the area where Dippy was and spent a while there. I felt a little emotional, thinking that, in a way, I owe that dinosaur one.

After seeing Dippy, I wandered around the dinosaur gallery for some time, then I went to buy a sandwich and have a coffee and a painkiller, because I had a long day ahead of me and my head was buzzing a little – I needed to get that under control beforehand. At 11:40 I took a coach with a company called Anderson Tours for an organised day trip: Stonehenge Special Access – Evening. Even though I am not too keen on guided tours, I will admit that they can be handy at some particular circumstances. They will never become my preferred choice of travel, in this case, choosing a tour was the best option.

Regarding Stonehenge, if you want to get up close and personal with the stones, you need a VIP ticket, which means you have to be there before they open to the general public, or after they close, and for that you need transportation – either a taxi, or renting a car, and a hotel as close as possible. The Stonehenge VIP ticket is around £50, and I booked my tour for £135, a full-day tour, including coach, Stonehenge at sunset, and two other destinations, with pick up and drop-off near my London hotel. In the end, that was cheaper than a taxi or a rental plus a hotel near the site (I did a lot of maths before deciding to book this). Anderson Tours offers different combinations of “Stonehenge and…”, with places like Bath or Bristol. However, those are easily reachable by train, and I can explore them on my own. Nevertheless, there was a particular trip that interested me – it went along two or three spots that are a bit off the beaten track, and related to the theme – a Neolithic tomb and another stone circle. This particular tour happens only on certain specific Fridays, thus why my “weekend” away was not such a weekend, as I had to make sure I was in London on the 12th.

The first stop of the day was West Kennet Long Barrow. A long barrow is an elongated prehistoric (3800 – 3500 BCE) stone monument that has been linked to the worship of the dead and the ancestors. Sometimes, human remains have been found in them. If one imagines what Great Britain was at that time, the south-east area would be the one with less tree coverage, and therefore the best option for primitive people who had started to settle and use agriculture. The counties of Gloucestershire, Wiltshire, Somerset and Dorset have a lot of chalk-rich soil (the Salisbury Plain), which makes it difficult for tress to root and grow. Thus, it would have been easy for the primitive humans to settle and build their villages and monuments. Today, the whole area is known as Stonehenge and Avebury World Heritage Site, listed by Unesco in 1986, and it includes over 700 prehistoric monuments from the Neolithic and Bronze Age.

Collage: elongated mound of dirt on top. On the borrom, the gate. On the left the protective slabs, standing upright, and on the right, the entrance. It is a construction of vertical walls made from grey slabs and another slab on top. The interior is dark.

West Kennet Long Barrow is situated in the middle of a farm. There is a tiny parking lot to the side of the road, and a fifteen-minute walk to the barrow itself. It is one of the largest built in Britain, and around 50 sets of remains have been identified, along with pottery, beads and other personal items. Around 2000 BCE, it was closed down and barricaded, then discovered in the 19th century and scientifically excavated and restored in 1956. It is private property under the care of British Heritage. Apparently, all these sites have become a point of pilgrimage for neo-pagans, and on this day, there was a bunch of them chanting inside the barrow…

On the opposite side of the road from the barrow stands Silbury Hill, a mound or artificial mountain. It stands 30 metres high, with 160 metres in diameter wide, and it is estimated that half a million tonnes of material (mostly local chalk) were used to build it throughout several generations of humans. It cannot be climbed, due to a collapse a while back, that would have been neat!

View of a small hill and dry grass.

After that, we headed off to the village of Avebury, which hosts the largest Neolithic stone circle, with smaller circles inside. It originally had over 100 stones, and it might have built between 2850 and 2200 BCE. Today there is a village in the area, with a few shops and museums in the centre, and a lot of sheep grazing the area. Around three quarters of the circle is still standing, along the henge (long ditch that used to be built with the stones in Neolithic circles).

We had two and a half hours in Avebury – a bit too much, I would say – to explore the Avebury Stone Circle and Henge and its sheep. The guide told us about ley lines and trees that were supposed to have inspired Tolkien’s Ents from “The Lord of the Rings”, and I needed to ask about the geology of the stones – here I learnt that they are made out of sarsen, like the Stonehenge ones. Sarsen refers to silicified sandstone blocks, common in the area, and it has been proven that the ones used in the megaliths come from Marlborough Downs, some 25 km away (35 km from Stonehenge). Once we were dismissed for our “free time”, I walked along the three fourths of stone circle remaining.

A collage showing different megaliths from the Avebury stone circle. Small pillars mark the spots where the stones have been lost. There are some sheep grazing on dry grass.

There are other places to visit in town, such as a Medieval manor with a dovecote. The stables of the manor are the site of the archaeological museum is hosted, and here I made a mistake. I should have got in, but I wanted to visit the church, and by the time I was done, the museum was closing down. Live and learn. There is also a tiny chapel, and a lot of souvenir and “crystal” shops.

The Church of Saint James dates back to the 1000s, though later centuries saw the addition of many items, such as the aisles and the 15th-century wooden roof. The nave and the chancel are separated by a one-of-a-kind wooden rood / screen with an original 13th century base. There are Saxon windows and a Norman font. It is a fantastic little church.

Gothic church, from the outside. The inside shows a wooden Normand altar, the standard altar, and a carved stone baptismal font

Finally, the time came. At 17:30 we met up on the way to the coach, and then we started off towards the highlight of the day – Stonehenge. Stonehenge was erected between 3000 and 2000 BCE – the primitive human somehow got the sarsen stones into Salisbury plain and planted them so they stood in a circle. They measure up to four metres long, and some of them are arranged in the shape of trilithons – two large vertical stones (posts) support a third one (lintel) which is set horizontally on top of them, with carved studs so the structure fits like a snap. There is a tear-shaped monolith standing a few metres away called “Heel stone”, which marks the entrance.

Some of them are indeed collapsed now and some are covered in lichen – there is a special type of lichen that only grows in three places in the world, and that is one of them. For thousand of years, these stones have remained standing, and the first historical study of them dates from 1666, carried out by an English antiquary, natural philosopher and writer John Aubrey, and has been restored a several times, especially during the 20th century, when they were roped off and a fee charged for entry.

Currently, the stone circle belongs to the Queen of England, and according to the British Ancient Monuments Bill, it cannot be touched or altered in any way that is not to preserve its current status. In 2020, a core taken from the stones during the 1958 restoration was returned. This allowed researchers to analyse the composition and prove that the megaliths are indeed sarsen from the Malborough area.

The rules when you are allowed into the stone are “simple”: do not touch the stones, do not step on the stones, do not hug the stones, do not lick the stones, do not get naked among the stones. Judging by the tone in the guide’s voice, all that has happened before. Apparently, there are a lot of ley-line believers, neopagans and neodruids wanting to “connect” with the earth energy there (there is even a “yoga at sunset group”). In a kind of compromise, they allow you to take off your shoes and socks – which I did not do.

According to archaeologists, Stonehenge was designed in alignment the Winter Solstice sunset. The site was probably a celebration of the end of the worst of the winter before days started getting longer again. Other theories propose that it was originally a burial site that became a place to worship the ancestors.

The great thing about the after-hours tour is that you get to see the sunset around the site. Our timing was 18:45 – 19:45. The guide was nice too, and gave us “permission” to wander around and did not expect to listen to him all the time – don’t tell me twice. I explored and wandered to my heart’s content. We stayed there for about an hour, and it was really cool. I mean, not magical or “I feel the magic of the earth” or anything, but the circle is a fantastic piece of engineering, especially considering it was built five thousand years ago, before writing was even invented. Sometimes, humans are neat.

Stonehenge collage. Two shots of the megaliths standing on dry grass, from the outside; the sun shines between the darkened stones. One shot from the inside of the circle, showing the megaliths circling inwards.

It was over sooner than I would have liked, but about an hour later we were back on the bus after hitting the souvenir shop – where I got a guidebook – and we arrived in London around 22:00. When I got off the bus I just walked to the hotel, had my sandwich. Good thing I had left the window open, too, as it made the temperature slightly more tolerable – I own up though, I slept with the fan on, but… like a rock. Or a stone.

Walking distance: 11.96 km / 18742 steps
Coach distance: 317 km

11th August 2022: 21 hours straight of ups and downs in London {England, August 2022}

The first thing I had to do was waking up for a 6:30 flight – though considering I did not sleep very much that night due to the heat, I’m not sure if that it counts as waking up. The previous day, the airline had sent warning emails about arriving at the airport early – three hours before the flight would have meant being there at 3:30, so… not really. I arrived at the airport around 5:10, and I was at the gate by… 5:20, I’m not even kidding. While I normally do not queue to enter planes – the advantages of backpacks, I just kick them under the seat – I had been assigned seat 1A, which meant I had to put my luggage into the overhead compartment. I had decided to take a small backpack too, because I would be carrying it around for a while, and it would get searched in a couple of places.

Surprisingly, despite Brexit, the Ryanair strikes, airport chaos, and the fact that apparently the automatic passport reader cannot cope with my new look, I made it into the United Kingdom first and straight to London without a glitch. Not only that, I managed to get my Oyster recharged without any problems, and as soon as I had bought some food, I was on my way to the first stop of the day: Crystal Palace Park, for which I got to ride the shiny new underground line, the Elizabeth Line, then the Overground. Even though there are another couple of landmarks (that might warrant a visit when / if the restoration project finally goes through), what interested me in Crystal Palace was a collection of Victorian sculptures – the Crystal Palace Dinosaurs.

Though Ancient Greek already knew about fossils before the current era, it was in the 19th century when it hatched as a “science”, according to some spurred by Darwin’s “On the Origin of Species”. Fossil hunters ran amok, excavating and spoiling the North American badlands. In England itself, Mary Anning kept discovering cool things. There was a sort of a “Dinosaur fever” – the Victorians became fascinated with all things prehistoric. In 1852, a number of extinct animal reconstructions were commissioned to be erected in the gardens of the Crystal Palace, after the World Exhibition. Using the knowledge available at the time, Benjamin Waterhouse Hawkings, a natural history illustrator and sculptor, who did his best according to scientific knowledge at the time.

Not all the animals represented are real dinosaurs, but the nickname stuck. From today’s standards, most of the reproductions are extremely inaccurate, with some exceptions, such as the ichthyosaur (discovered by Mary Anning around 1811), and the plesiosaur (of which Mary Anning also found a skeleton in 1823, and then another in 1830 – I love that woman). Today, the park is organised in several “islands” where you can see the sculptures, though the water was a bit down due to the heatwaves:

  • Amphibians and therapsids: Dicynodon and Labyrinthodon
  • Marine reptiles: Ichthyosaur, Mosasaurus, Plesiosaur and Teleosaurus
  • Dinosaurs and pterosaurs: Hylaeosaurus, Iguanodon, Megalosaurus and Pterosaur
  • Mammals: Palaeotherium, Anoplotherium, Megaloceros and Megatherium

I have been aware of these sculptures for a long time – since I was a child and started liking dinosaurs. However, only recently did I find out that they really existed, and where they were. I arrived at Crystal Palace station a little after ten (making whole travel from the airport about two hours). I walked by a small farm with typical fauna such as… an alpaca, then I ate my sandwich overseeing the first island.

A collage showing differet statues of prehistoric creatures. Some try to be dinosaurs, and they look almost comically wrong, like giant iguanas or chameleons. There is one plesiosaurus looking rather acurate - it has a long neck and flipers. Finally, some mammals: a deer with huge antlers and a tiny horse-looking creature

I walked around for about an hour and then I set on my way back. Though I had planned to have a relaxed day at first, I had to adjust due to cancellations and train strikes. It was around that time that I calculated that I could actually cram my original Thursday and Saturday plans onto Thursday, plus the alternative plans I had made if I tweaked the time a little. So I back-rode for another hour towards the city.

Near Tower Hill stands the Sky Garden, on the 35th floor of the 20 Fenchurch Street building, designed by Rafael Viñoly. Sky Garden is considered the highest garden in London, and a fantastic viewpoint of the city. I almost accidentally came across the option to book a free access ticket for this – while I had not wanted to pay for any morning / early afternoon activities in case my plane was delayed, I figured out that I could book this for free, especially as they go stupidly fast! I made my 12:30 timeslot with a few minutes to spare, but I was let in after a queue, ID check, X rays and metal detection.

The Sky Garden features two terraces full of plants (landscaped by Gillespies), a couple of restaurants and bars, and an “open” gallery which has glass above your head so the feeling of opening dissipates – the glass is stained and scratched. It was one of the “must-do’s” in London I had never visited before, so I thought it would be a good opportunity. Fortunately, they have relaxed the rules on no bottles because of the unusual high temperatures.

After wandering around for a bit, I continued onto Saint Dunstan in the East Church Garden, the ruins of an old Wren church destroyed by The Great Fire of London and destroyed again during the Blitz (World War II bombings). Dating back to the 1100s, it was opened as a public park in 1970. Aside from being a very cute building park I wanted to see for a while, a music video by the band VAMPS was filmed there.

Ruins of a gothic church turned garden, with hanging ivy and bushes overgrowing the walls and windows

As it was lunchtime, the park was bustling with people, so I just had to move on rather quickly, and went back to the underground to get to the area of Westminster. I had originally booked tickets for Saturday (back in May) but then they were cancelled due to “repair work” going on that day (I do wonder if it was a security measure related to the strikes though).

But of course, first I feasted my eyes on the very new Elizabeth Tower clock tower aka Big Ben – though Big Ben is one of the bells in the tower, but nobody really cares about that any more.

Elizabeth Tower, shining gold with the restoration. It almost looks fake. The clock marks Quarter to two.

The Palace of Westminster or Houses of Parliament is the centre of the United Kingdom’s turbulent political life. The current palace was built after the previous one was destroyed by a fire in 1834. The new palace was erected in the Neo-Gothic style, and it was mostly finished by 1860, although it did open to be used in 1835. There was a competition regarding the design, which was won by sir Charles Barry. The Palace of Westminster holds the two chambers where the British government meets – the House of Lords and the House of Commons – alongside the Norman Porch, St. Stephen’s chapel, and the different corridors where the MPs vote or discuss state matters. I’ll forever be amused that “for security reasons, photography is not permitted in these chambers with dozens of cameras for TV broadcasting and Internet streaming”, but alas. The woodwork on the Norman Porch ceiling is fantastic, and some of the decoration choices, such as Churchill’s sculpture are… interesting. It is noteworthy that it is part of the Unesco Heritage Site “Palace of Westminster, Westminster Abbey and St Margaret’s Church”.

Collage: a view of the houses of parliament (London), with the Elizabeth Tower on the left. Two shots of the Norman Hall, a huge ward with an intrincate design of wooden ceiling. A gothic corridor with a wooden door and some coloured glass panels

Afterwards, I just found my way to the hotel – though I had to wander a little to find the nearby supermarket, bugger those never-ending attached-house neighbourhoods, rested for a little and then went to the station to go to the theatre – I wanted some extra time to check out where my airport coach would leave, so I gave myself 45 minutes for a 22-minute trip. It turns out there was train trouble and I was barely on time, taking an alternative route instead of the direct one.

When I realised my flight timing would give a free evening in London, I booked tickets for the Apollo Victoria Theatre to watch the “Wicked”. This musical tells the story of “The Wonderful Wizard of Oz” from the point of view of the witches, and somehow gives the “Wicked Witch from the West”, Elphaba, an amazing personality and backstory that resonates a lot with me. For the same price as the ticket I was eyeing back in the day, I found a VIP upgrade just one seat over, so I was entitled to a drink and “snacks”, an early entry, along with access to the “Ambassador Lounge”, a tiny reception hall with access to a private restroom.

“Wicked” was great. The actress who plays the main character, Elphaba (Lucie Jones) came out a little yelly though in her solos. The duets with the other female singer (Glinda, Helen Woolf) were fantastic, and the male love interest’s (Fiyero, Ryan Reid) song was absolutely great, even though he is a character I have never cared for.

Apollo Victoria Theatre: the inner theatre, showing a dragon and a closed curtain showing a map of Oz. The outer theatre: there is a sign reading Apollo Victoria Wicked, and everything is lit green. The VIP lounge, with a glass of soda, and some chairs. The cast at the end of the show, taking their goodbye bows.

By the time I was out, the trains were running again, and one-to-three-minute delay on a line that runs every five minutes or so, and I was at the hotel by 23:00, absolutely beat. The room was extremely hot, because London is absolutely not ready for heat, so I had a snack in front of the fan, took a shower and then got some sleep – 21 hours on the go were over. Funnily enough, by the time I went to bed, I had that wobbly-world jet-lag feeling I have after my first day in Japan. It must have been the barely sleeping the night before. I fell asleep very fast.

Walking distance: 30.52 km / 46192 steps

25th July 2022: Half a day {Salamanca, July 2022}

Mondays are always tricky because a lot of things close then. We reprised our latte/croissant and visited the Tourist information office that claimed that everything was open – which… was incorrect. My companion wanted to see Iglesia de San Marcos, a Romanesque church which has an interesting circular shape, probably built in the 11th century (that we had found in the book we got from the cathedral).

A Romanesque church. It has a round nave and a short bell tower with two bells.

We saw the local market Mercado Central de Salamanca, designed by the same architect as the Casa Lis. As this is a public building, it was in working order – though funnily enough, all the fishmongers were closed – no fish in Salamanca on Mondays! The building is modernist, with iron structures and colourful windows.

A Modernist building with colourful glass windows

To finish off the morning we went to visit the palace Palacio de la Salina, also a public building so also open. The architect in the project was Rodrigo Gil de Hontañón (who also designed the University building in Alcalá de Henares). It was built in 1538, mainly in Plateresque style, with some Italian elements.

The patio of a Plateresque palace, in gold tones with a lot of decoration on the stonework

Right across the park from the palace there is a lonely Renaissance tower Torre del Clavero. It was a 15th-century defence tower, with a square base that turns octagonal in height.

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We walked around for a while longer, had lunch, and our train back left around 3:30. It was a rather uneventful trip full of gothic, modernism and iron, which I really enjoyed. I keep trying to get to like guided visits, and I have somehow got fond of climbing up towers.

Walking distance: 11737 steps / 7.31 km

24th July 2022: Up, up and down {Salamanca, July 2022}

After a latte and the best croissant I’ve had in a long time, we went over to see the gothic palace Casa de las Conchas, which was built between 1493 and 1517. The façade is decorated with sandstone-carved shells (concha, in Spanish). The exterior sports ironwork-protected windows, and the interior a patio with artistic arches.

The gothic palace called House of Shells. There are hundreds of them carved on the façade. The inner patio is carved in golden stone, with very thin columns and lots of decoration

It was still early for our visit to Palacio de Monterrey, a 16th-century Renaissance palace inspired in the Italian style of the time, combined with Plateresque decoration, which was heavily imitated later on in the 19th century. The building currently belongs to the House of Alba, probably the most prominent Spanish noble family. The House opened the palace to the public, and the inner area cannot be photograph – it was weird anyway, with some antiques and art pieces, but all of it was… prepared and staged, though the carpets were rolled out of the way. In this case the only option to sneak out a picture was from the tower, as a member of the staff followed us all the time.

Monterrey palace, built in golden-like masonery. The roofs and towers are decorated, and there is a row of windows alongside the upper floor.

Next, just in front the palace, we visited the 17th-century church Iglesia de la Purísima, in Italian Baroque style. Its altarpiece is considered to have one of the best images of the Virgin Mary in her Immaculate Conception advocacy.

A Catholic altar showing the Inmaculate conception in the centre, she is dressed in blue, and standing in front of golden clouds, with angels around her. The back of the altar is built in white stone, and ornate.

Our next spot was the second university of Salamanca, the see of the Universidad Pontificia de Salamanca, a building called La Clerecía. As the original university went secular, the Jesuits built a clerical university. The building, built in Baroque style between the 17th and 18th centuries is composed of a church, a cloister, a patio and a magnificent staircase, forming the complex (read: guided tour) called Vita Ignatii.

Collage: On the left, a very baroque church from the outside, also showing the gold inner altar. On the right, some shots of the upper and lower cloister, the patio is ornate and reddish, the staircase is made completely out of stone.

Then there are two towers that give out really awesome views of the town, named Scala Coeli, the stairs to the Sky.

Views of Salamanca from the above: the dome of the church from the outside, the cathedral, the House of Shells, and the bells.

It was rather hot, so we had some unremarkable lunch and went to the hotel to wait out the blunt of it. It did not really work, and we eventually tried our luck with some more sightseeing. The first stop was the garden known as Huerto de Calixto y Melibea, based on a literature work Tragicomedia de Calisto y Melibea or La Celestina. It is considered the first Renaissance writing in Spanish, and it echoes with Romeo (Calisto or Calixto) and Juliet (Melibea), with an extra character, the old matchmaker Celestina, who is a horrible person trying to break the lovers up to marry Melibea to someone else. Though the writing does not have a firm setting, some say that it is probably Salamanca, where the author attended university. It was nicely shaded and had nice views.

Gate to the gardens, a bust of Celestina (the fictional character), from the cathedral, and some flowers: star-shaped and orange, bell-shaped and red.

Then, we wandered off to see the bridges over the river Río Tormes again: both Puente de Enrique Estevan and Puente Romano. Next to the Roman bridge there is a statue of a verraco (ancient Celtic sculpture) Verraco del Puente Romano, which is supposed to have been there since the 16th century. A bit to the side, there is yet another literary monument, which represents the book El Lazarillo de Tormes, Lazarillo being the word for “guide dog (for the blind)” in Spanish (such an eye-seeing dog). Also written in the 16th century, it is considered another of the peak writings in Spanish, telling the story of a young lad who learns to survive by gathering street-smarts and shedding off any morals he ever had, finally settling in Salamanca with his unfaithful wife: Monumento al Lazarillo de Tormes.

Collage. The historical bridges in Salamanca: the Roman one, made from stone with wide archs, and the iron-architecture one, in greyish-green. Sculptures: Lazarillo with his master, and a prehistoric bull or pig, with a flat head

Then we found a very air-conditioned and interesting place – the automobile museum Museo de la Historia de la Automoción (which reminded me a little of the Megaweb Toyota City Showcase and History Garage in Tokyo). It has a lot of classic cars, and some historical pieces such as vehicles that belonged to dictator Francisco Franco or the writer Camilo José Cela (and air-con).

A collage of some cars: A Rolls-Royce, a Ferrari, a Wolkswagen 600; and a Harley-Davidso

I had then booked myself an evening visit around sunset time, to go up the towers of the cathedral, an experience called Ieronimus, with the hope to see some cool sunset and night views. It makes sense, right? Wrong. I should have realised when it turned out to be a guided visit that most of it would be inside, listening to the guy fanboy his own city – then he started speaking about the Lisbon earthquake and its effects in Salamanca and gave out wrong information. I stopped listening to him at that point. There was a light/music show in the cathedral, and I did get some neat pictures, but honestly? The choir concert in the old cathedral would have been a much better choice, had we known about it.

Views of Salamanca at night, with the gothic architecture highlighted by the illumination. The city looks Romantic and mysterious.

Walking distance: 13017 steps / 8.00 km

23rd July 2022: Plateresque Salamanca {Salamanca, July 2022}

Officially in western Spain, Salamanca stands next to the Tormes river and sports a Unesco World Heritage title for its old town. I was five or six the first time I was there, so it’s not like I remembered anything from it, except memorising excerpts from the book El Estudiante de Salamanca (José de Espronceda), my favourite Spanish Romantic poet.

Salamanca is known due to its university, which is considered one of the best in the teaching of Spanish as a second language, the oldest Spanish university and one of the oldest in Europe, founded in 1218. There are actually two universities, but we shall get to that later.

There is a period in Spanish history referred to as the Gold Century, Siglo de Oro (Not an actual century, the given dates are between 1492 – the year when the Catholic monarchs finished conquering the country, Europeans realised America existed, and the first book on Spanish grammar was published – and 1659 – when the Pyrenees treaty was signed after the war with France). It was throughout this period when Salamanca thrived, especially late-time Gothic styles and early Renaissance ones. Then of course Baroque later on, but you know my stance on Baroque by now I guess… The mixture of late-gothic and Renaissance gave way to a unique style, Plateresque – with a strong Gothic base and a blend of Mudéjar, Flamboyant Gothic, Lombard and Tuscan Renaissance elements and decorations. Plateresque is characterised by heavy decorations sculpted onto the main architecture, especially in the typical fusion of doors and altarpieces. The motifs are plants, animals, shields and medallions… All and all, an impressive style considering we are talking about carving stuff on stone – in the case of Salamanca, a lot of it is sandstone, which gives the old city a golden tone.

We had to take a couple of trains, but and made it to Salamanca around 10:30, and were in the city centre a few minutes later. After dropping the luggage at the hotel – I had been requested the hotel to be near the cathedral and I found one which was literally across the street from one of the flanks. Then again, here’s the thing – Salamanca has not one but two cathedrals: the Old Cathedral Catedral Vieja de Santa María and the New Cathedral Catedral Nueva de la Asunción de la Virgen. Apparently, instead of building over the old one, they decided to keep both, making the historical complex unique in the country.

The New Cathedral was built mainly in Gothic style with later Baroque add-ons, with an ornate Plateresque façade. It was commissioned by king Ferdinand V of Castile, and built between the 16th and 18th century, in the Gothic style, even though this was at time when Gothic was already in decline. However, the town authorities wanted it to “match” the old Romanesque cathedral. A cupola and a choir were added in the Baroque period, and the façades were decorated in the Plateresque way (in a 20th-century restoration, someone thought it would be funny to add an astronaut to the decoration, causing some hoaxes to pop up afterwards). The most important architect who worked in the new cathedral was José de Churriguera, one of the leading Baroque architects / sculptors / urbanists.

A very ornate Gothic cathedral. The entrance has so many carvings that it actually looks organic, if not for the fact that it is made out of golden / reddish stone

The New Cathedral connects to the old Cathedral, which is late Romanesque / early Gothic in style (I know, it’s confusing. Historically, the old cathedral is between Romanesque and Gothic, and the new one between Gothic and Renaissance – and this is the reason why the Gothic makes the two cathedral “match”). It was built between the 12th and 14th centuries. The most impressive thing in the Old Cathedral is the altarpiece, in which the highest-quality paintings were made by the Italian Dello Delli. On the way out, I let myself be tempted by a paper guidebook of the city – which was helpful because we had to remake all of our plans a couple of times.

Interior of a Romanesque church - the nave has very high and severe-seeming columns

Afterwards, we headed off to the main university building Universidad de Salamanca, the first university building. The university was founded by King Alfonso XI in 1218, which makes it the oldest university in the whole Spanish-speaking world. The most important building today is the Escuelas Mayores, the upper school, built between 1411 and 1533. The façade, which looks towards the newly-discovered New World is sculpted in the Plateresque style, with a ton of decoration – and the most famous motif is the frog that stands on top of a skull. The university was built around a cloister for the students of old, and it has the most amazing library I have seen in a long while – selfishly (I’m joking of course) closed to the public. There is also a chapel and the classroom where the Spanish academic Fray Luis de León, who was famously jailed for four years, and picked up his lectures with “as we were saying yesterday”. The cloister has two floors since the 19th century, and in the centre there is a small giant sequoia (which I thought was a simple fir). There are chapels, and halls, and areas where university holds events.

Very ornate entrance to a building. there are two doors (four or five times as tall as a person) and the decoration, all carved in stone, is on top. Three floors of decoration, with columns and shields. A close-up shows a frog on top of a skull.

The problem with Salamanca is that the entries and exits of the building make you have to backtrack a lot (and the horrible street lights), but I love Gothic so I did not mind wandering around anyway. After the Escuelas Mayores, we went to another university building the lesser school or Escuelas Menores. Today, there is a cloister which dates from 1428 with a Baroque upper veranda. In one of the side halls there is a fresco panting that used to be in the library and that was moved over in 1950. The fresco represents a night sky was used in teaching.

Gothic patio and a suck picture of a fresco painting, showing stars and the representation of constellations

We had lunch, then we went to the Dominican monastery Convento de San Esteban and its church. The current monastery dates from 1524-1610, and it was built over the previous one. The façade of the church is considered the best example of Plateresque, and José de Churriguera also worked in the main altarpiece. The monastic building has a portico with Italian loggias, typical of the Renaissance. The cloister is mainly Renaissance with Gothic features, and a small temple in the middle. The ambulatory in the cloister has beautiful Gothic columns and nerves on the ceiling.

A convent, built in ornate gotic style. The covered corridor around the cloister shows pointed arches and rich decorations

Right in front of the monastery stands the Dominican convent Convento de las Dueñas. The building is Baroque, and before being a convent it used to be a palace – which has caused the convent to have some eclectic elements of architecture, such as the Mudéjar arch mosaic or doors. The inner cloister is Plateresque and full of roses and flowers.

A Baroque building. The inner patio is decorated with plants and Moorish-seeming blinded arches

Next, we found the tiny Romanesque church Iglesia de Santo Tomás Cantuariense, where I happily sicced the oh-so-bored guide onto my companion.

Small Romanesque church in reddish-gold stone. It has a tiny bell tower.

After a stop for a cold drink we went to the Art Nouveau and Art Déco Museum Museo de Art Nouveau y Art Déco Casa Lis, which is one of those places that takes itself very seriously and does not allow photographs. I got scolded for having my camera to my side even closed – but I have to admit that I did sneak up a few things with the phone, mostly because I wanted a record of the central hall with the glass ceiling, and the green windows from the inside, more than the decorative details, though some of them were pretty nice. The Lis house was built by Andalusian architect Joaquín de Vargas towards the end of the 19th century for the first owner, Miguel de Lis.

A Modernist building with brightly-coloured glass in the ceiling and walls.

We headed to the main square Plaza Mayor for dinner, and then to see the pretty lights. On the way we found the other university Universidad Pontificia and the palace Casa de las Conchas, which we would visit the following day.

The main square was another of the city landmarks first designed by Alberto Churriguera, and later one of his nephews – it seems that the Churriguera family claimed dibs on doing stuff in Salamanca. The square is fantastic by day but when night fell and the lights were turned on, it was unbelievable. We had some local sausages and cheese for dinner at one of the street tables in the square.

A plate of sausages and cheese, and two views of the Main Square in Salamanca, one in daylight, one at night, and lit up. The square buildings have a lot of windows and arches on the ground floor

Afterwards, I wandered alone for a while, to revisit some of the sights at night, and a couple of new ones.

Salamanca at night. The cathedral is lit and the ornamets almost shine. The Modernist house is lit in green and blue lights.

I headed off to the riverside of Río Tormes, which as any river has bridges. The first one I found is the Puente de Enrique Estevan, commissioned in 1891 in order for the town to be ready for the new cars. It has six iron arches and at night it is lit in bluish light. A few minutes downstream stands the older stone bridge Puente Romano, which according to the legend was built by Hercules – it dates back to the first century, but it has been heavily rebuilt and reconstructed through the years, especially after it was damaged by a flood in the 17th century.

A collage showing an iron bridge, and a stone bridge, both lit in the dark

Finally, around midnight, I went back to the hotel for a shower and sleep.

Walking distance: 17269 steps / 10.76 km

30th May 2022: The Slopes of Mount Teide {Tenerife, birthday 2022}

Due to the amount of near-misses, I had started thinking about this as the luckiest unlucky trip in a long time. Unfortunately, this was the day the luck ran out. As I woke up and turned on the phone I received the notification that the cable-car to go up Mount Teide was closed due to bad weather, which was a bit of a blow. I mean, I was in the middle of the natural park, without anything to do within a couple of hours by car as the hiking trails are closed on Monday mornings as it is then when the mouflon population is controlled – using rifles. I did not want to end up shot.

If you consider that the island Tenerife is one big volcano, Mount Teide is the most famous eruptive fissure. Considering it an independent item, it is a stratovolcano. The cone stands around 7500 metres from the sea floor, with an emerged 3715 m above sea level. Its base is located on a previous crater called Las Cañadas. Mount Teide last erupted in 1909, so it is still considered an active volcano, and it hosts a bunch of towns on its slopes, that might get obliterated in an eruption. Aside from being a National Park, the area is a Unesco World Heritage Site.

Historically, an eruption was reported by Christopher Columbus in 1492. Most recent eruptions happened in 2805, 1798 and 1909. Looking back, Mount Teide formed around 160,000 years ago, after the collapse of Las Cañadas. The last summit eruption happened in the 9th century, which caused the black lava blocks that seem to run down the slopes.

The whole point of my being there was going up the mountain, so I resolved to try and do that. I knew there was little chance I could make it to the top even with the access permission, but I would try. I decided to gamble the track Sendero de Montaña Blanca, which is the most typical one. For this, I had a good breakfast and started walking around 9:45 am. The track runs 8 km and starts at an altitude from 2348 m. If you have the permission, you can access the track Sendero de Telesforo Bravo that peaks the volcano at 3718 metres.

A stone and tile marker, with a map of the trail.

The first part of the morning, I spent on Montaña Blanca. I hiked around 3 km upwards in an hour or so. A park ranger told me that the bad weather was actually strong winds and to be careful. I’d never hiked with wind, so I decided that I would not do anything stupid. As I walked, I went by the accretion balls affectionately called “Teide Eggs” Huevos del Teide.

Collage: The Montaña Blanca trail. The landscape is desertic, reddish and brown, and there is barely any vegetation. When turning back, the sea peeks in the distance, and when looking up there are black rocks from an eruption.

Eventually, I reached the actual foot of Mount Teide, and this is when things got hard – and spectacular. The slope became much steeper and the wind made it hard to move forward. I walked between the two dark petrified lava flows, and could see Montaña Blanca and the Atlantic Ocean beneath.

View from the slope of Teide. Montaña Blanca is underneath, in red-gold. To the sides, the black and dark grey rocks trailing the old lava flows

I reached Refugio de Altavista at 3260 m around 14:00. At this point I was two kilometres away from the next station and 650 m away from the crater. Unfortunately, the elevation was still around 500 m. At this point the wind was very strong and shortly after the refuge I saw an area of the slope I knew I could climb up… but I knew I wouldn’t climb down with such strong wind, not safely. So I realised I had to turn back, even if that meant I wouldn’t see the peak, much less reach it. However, it was the sane thing to do.

Standing in the middle of the two solidified coladas - looking down there are black and grey rocks, and the sea in the horizon. Looking up, only more rocks.

It took me two and a half hours to hike down, and I made it back at the Parador around 17:30. I had a shower and I felt tired, though not as sore as I imagined. For dinner, I tried some local speciality “wrinkled potatoes” papas arrugadas, which are boiled in saltwater, and they are so high-class that can be eaten without being peeled. They come with some dips, a bit too spicy for my taste, but they were delicious.

Small voiled potatoes and three small bowls of sauces. The potatoes are unpeeled and they look wrinkled.

I was a bit bummed that I did not manage to reach the crater, but I think I did a good job, almost 1000 metres up and down. I guess it just meant I had to go back at some point…

29th May 2022: La Orotava, Icod de los Vinos & Parque Nacional del Teide {Tenerife, birthday 2022}

I got up rather early in the morning (especially considering that the Canary Islands are an hour behind my usual time zone) and I was surprised at how many people there were already on the streets of Santa Cruz de Tenerife before 8:30 on a Sunday morning. I drove out of the town and headed north-west, where I came across my first stop – a viewpoint of Mount Teide called Mirador de Humboldt honouring the German explorer from the late 18th century (though I kept thinking that there was a missing penguin opportunity there). The viewpoint overlooks the ocean and Mount Teide, which Humboldt climbed in 1799.

Mount Teide, a volcano, looms in the background. The top is bare and barren, but the slopes look green and fertile, with plantations and some villages. In the foreground, there is a bronze sculpture of Alexander Humbolt, sitting on the low wall of the lookout, and looking to the side.

I continued driving towards La Orotava, the municipality which Mount Teide actually belongs to. After parking the car, I walked towards the historical centre and ended up at the square Plaza de la Constitución, which stands next to the church Iglesia de San Agustín. Mount Teide loomed over the streets, ready to celebrate Pentecost Sunday. And guess what? The main church is called… Parroquia Matriz de Nuestra Señora de la Concepción. The initial hermit church was built in the 15th century, and it was completely rebuilt in the Baroque style throughout the 18th century, though the interior was remade in the 19th century and there was yet another renovation in the 20th century. It is considered the most important building of the Canarian Baroque.

A collage of La Orotava. The buildings are built with white plaster and black volcanic rock. Mount Teide peeks from the background.

The most representative construction in La Orotava is the “house of balconies” Casa de los Balcones. The house was built in the 17th century. The façade shows a front-long balcony on the third floor, and five smaller balconies on the second, all of them made from dark teak wood. The interior holds a museum, but I decided to give that a miss because I reached there at the same time as a very disorganised group of forty or fifty people who were going in at the time.

A colonial house. It is built in white brink. It has three floors. On the ground, there are brown windows. On the first floor, five balconies, with decorated ironwork. On the second floor, a long balcony or gallery in dark wood.

Instead, I went back to the car and drove towards Icod de los Vinos. There, my first stop was the butterfly house Mariposario del Drago, since the ethnographical museum Museo del Guanche is closed.

A collage showing colourful butterflies - red, orange, blue, black, black and white. One of them is chilling on the shell of a turtle, and another one is caught mid-flight. Most are on flowers and plants.

The butterfly house stands next to a botanical park Parque del Drago built around the symbol of the town – and maybe the whole island – the Drago Milenario. This is the largest and oldest specimen of Canary Islands dragon tree or drago (Dracaena draco). Folklore says that it is a thousand years old, hence the name “the thousand-year-old dragon tree”, though in reality, it is probably around 600 years.

The dragon-blood tree. It has a knotted grey trunk and bony branches. Around it there are bright-green palm and laurel trees

The park, built around the drago, holds local species trying to reproduce the local biotopes with height, there is also a small volcanic cave. It was here where where I managed to catch my first glance at the local fauna – two of the endemic lizards (though not as big as the one I had seen in the museum): lagarto tizón (Gallotia galloti) or tizon lizard, a blue-spotted male and a brown-striped female.

Two lizards. One camouflages on the grey and brown ground. The other on has a brown tail, but the body is black and bright blue

Then I went back to the car to climb up a crazy slope until I reached the visitors’ centre of the lava tube Cueva del viento. A lava tube is a “cave” formed the flowing lava of a volcano. As the outer part solidifies, the inner core continues flowing until it empties the tube. The guided visit is the only way you can enter the tube, so I had reserved that a few weeks earlier.

The visit started with a small introduction in the visitor’s centre, with a lot of “gotcha” questions on the guide’s part. I tried really, really hard not to be a smartarse, but I did sit down on the floor at a point because I did not feel like standing around for twenty minutes. The important information we received was that there were two types of lava that had formed the island of Tenerife: pahoehoe and block lava.

Then we took the centre’s vehicles to the outer area of the cave, where we could see the solidified lava, now turned into stone. Pahoehoe lava is basaltic, it flows slowly, and it is the responsible for creating the tubes. As it flows and solidifies, it creates undulations and wrinkles. On top of it, only small trees and bushes can grow.

Old Pahoehoe lava trails. The rock looks wrinkled or similar to pillows.

Block lava is more acidic, with a higher silica contents, it flows less and creates “blocks” as it solidifies. Pines can be found growing on top.

Pines around an old colada, which seems rocky and broken.

The cave itself was very cool. Unfortunately, there were a couple of families with kids and grandparents, all trying to be braver than the next – and thus acted loud and boisterous. More interesting information – mummified guanche aboriginals had been found in the cave, along with remains of a giant rat and lizard that were the ones reproduced in the Museo de Ciencia y Antropología de Tenerife. It is one of the biggest lava tubes in the world, with up to three levels and maybe 18 km of tunnels, though only a short walk can be had.

Inside the lava tube. It looks alien, like the rock is going to start dripping any second

Back in the parking lot, I had a snack and headed off towards the Parador de las Cañadas del Teide, where I had booked my next couple of nights. On the way, I went through several amazing volcanic landscapes that I could not photograph as I was driving. However, I did stop at several lookouts throughout the Parque Nacional del Teide.

Mirador de Samara.

Pines growing up on the dusty remains of a lava flow. In the background, there are three mountains - three craters of the same volcano

Mirador de las Narices del Teide, which shows the collapse on the mountain during the last known eruption.

A view of the black collapse of lava from the last eruption. Everything is barren, brown and grey, except for a black spillage coming down ominously. The sky is blue in the background, which makes the whole thing look even more bizarre.

Mirador Zapato de la Reina.

The top of Teide. This is the point where vegetation has become scarce, with low bushes, that creep up the slope. The summit looks naked.

Finally, I arrived in the area of Las Cañadas del Teide or Las Siete Cañadas where the Parador de las Cañadas del Teide stands. I was lucky that the season was good to see the flowering bugloss Echium wildpretii (tajinaste in Spanish), an endemic flora species mostly found on the Teide slopes. After checking in I wandered around the different tracks and paths – Cañada Blanca, Roques de García and Mirador de la Ruleta, which show the different stages of various volcanic eruptions.

Mount Teide rises in the background. It looks wrinkled due to the different eruptions. At its foot, a low building, looking completely out of place. In the foreground, small bushes in grey and green.

Collage: Different rocks and structures created by lava and erosion, the rocks are reddish or grey, and they have weird shapes. The tajinaste is a tall bush, with tiny red flowers, it stands about 1m above the rest of the plants.

I turned in early, and I had booked my dinner in the Parador both nights I’d be sleeping there, so that was an easy one. The staff made it a little awkward though, even if I was not the only solo traveller around. After dinner, I tried to get some pictures of the night sky, but I was unsuccessful.

28th May 2022: San Cristóbal de la Laguna, Bajamar & Santa Cruz de Tenerife {Tenerife, birthday 2022}

I had a four-day weekend that happened to overlap with my birthday, so I decided to get myself a present and I booked the four days out – I wanted to visit the Spanish island of Tenerife. I seemed to have a streak of luck finding a decent flight, a couple of good hotels and a free permission to visit the peak of Mount Teide, a non-extinct volcano that happens to be the highest peak in Spain. I also decided to rent a car for the first time so I could travel around the island and do different activities in different places.

The plane left on time at 8:15 on Saturday – and I have to say that I love my IKEA travel bag, because it has a huge capacity but the perfect size to place under the seat, therefore I do not need to queue up for boarding to make sure I can stow the carry on. We taxied at the correct time, but when we got to the runway, we stopped. It turned out that one of the sensors was giving a warning of a 400 ºC temperature on one of the wheels. It turned out to be a false alarm, but we ended up with an hour-long delay that ended up cascading.

I reached the airport and got my rental – Volkswagen Polo I had to learn how to reverse. Once I was done with that, it was surprisingly easy to get by. I drove off to San Cristobal de la Laguna and went off to visit the historic quarter, which is a Unesco World Heritage site as an example of colonial architecture – Centro Histórico de San Cristobal de la Laguna. Most of the buildings date back to the 15th century, and the design was then copied in different colonial cities in South America. The houses are painted in different colours and most of them sport amazing woodwork in their doors or balconies.

It gave me a pretty distinct “Disneyland” feeling as the pedestrian streets are plagued with cafés, brand shops and bars. It was packed with tourists like myself flocking in guided tours from the tourist office, which seemed to only open to gather groups in order to hold those tours. As the week before my trip had been work-crazy, I had not been able to plan in detail, so my plan was to hit the tourist office, gather information and move on. This did not work out, and on top of that, the cathedral Catedral de Nuestra Señora de los Remedios was already closing down when I arrived – due to the delay. Other interesting but closed buildings included the church Iglesia Matriz de la Concepción, and several palaces including Casa de los Capitanes and the reconstructed Palacio de Salazar.

Typical buildings from Canary Islands. They are colonial in style, with big doors and windows. The façades are painted with different colours.

Typical buildings from Canary Islands. They are colonial in style, with big doors and windows. The façades are painted with different colours. The streets are wide and full of people.

I’m not going to say that I was disappointed, but I was really not digging the atmosphere, so I decided to move on. Instead of following the initial rough plan, I decided to head off to the tiny village of Bajamar to see the “sea pools”. Built in the petrified lava coast, the Piscinas de Bajamar are swimming pools fed by ocean water that keep swimmers safe from the rocks and the waves. I was lucky enough to find a very good and easy parking spot.

I wandered around the promenade Paseo Marítimo de Bajamar, saw the pools, the beach, and the mini lighthouse Faro de Bajamar.

Waves coming into the volcanic beach, which does not have sand but big black blocks of rock.

I moved onto Santa Cruz de Tenerife afterwards, ditched the car and checked into the hotel, then went off to explore. I walked by the market complex La Recova, also called Mercado de Nuestra Señora de África.

A bright orange building. It has a low, wide wall, and in the centre a clock tower

The tower of the church Iglesia Matriz de la Concepción (yes, again, but another one). The church has been repeatedly rebuilt and renamed between the 15th and 18th centuries. The current building is Canarian Baroque / Tuscan style.

A church with a bell tower. The building is white clay with black rock; this style is typical in the area

My first real destination was Plaza de España where the defensive castle Castillo de San Cristóbal used to stand. Now there is a fountain / pond and you can see the foundations of the castle.

Collage. The former site of the castle, now converted into a fountain or lake. On the other side, the castle foundations, and a cannon.

Next, I found another important square, Plaza de la Candelaria, but it was unfortunately under construction.

A grey building with construction work being done on it

So I moved on to the science and anthropology museum Museo de Ciencia y Antropología de Tenerife. It was rather underwhelming at first, as most of the “exhibit” were photographs. Eventually I reached the “good” stuff, with reconstructions of ancient and extinct animals such as the Tenerife giant rat (Canariomys bravoi) and the Goliath Giant (Gallotia goliath) lizard – we’ll come back to those eventually. There were butterfly collections, reproductions of marine animals, rocks and meteorites. In the archaeology ward there were mummies – that was a little unnerving to be honest, I thought we had learnt a little more respect about the ancient cultures.

Before the Europeans arrived in the Canary Islands in the 15th century, there was a previous civilization in Tenerife, called the guanche. The guanche settled in the island around the 6th century. While it is not clear where they came from it is thought that they came from the north of Africa, as their language was similar to those in the Berber language group. They lived off the cattle and the land, and their economy was clearly based on the goat, which they used for everything – food (meat and dairy), clothing, bone tools, and mummification material.

Collage of the museum: a prehistoric carved rock; preserved giant rat and lizard; models of fish; a meteorite; rests of mummies (a foot and an arm)

After the museum, I walked along the harbour and saw the modern concert hall Auditorio de Tenerife, designed by the famous architect Santiago Calatrava, whose style is easily recognised – even though in recent years he has drawn criticism for going way beyond budget and his building having problems due to “over innovation”.

The auditorium. It looks like the sail of a yacht, all white.

A few steps further stands the tiny fortress Castillo de San Juan Bautista, built between 1641 and 1643, and rebuilt the following century. I would have loved to see the botanical garden, but it closed early – as most things seemed to do.

Small castle surrounded by a moat that fills up in high tide.

I took a small detour to see the former arsenal Casa de la Pólvora, built in masonry in the 18th century. Eventually, I went to the supermarket to buy some dinner and snacks for the upcoming adventures, and called it a day after 14 hours on the go.

Armourine building. It looks like a treasure chest, built in grey rock

18th – 20th February 2022: Extremadura, the not-at-all-wild west of Spain

With everything that keeps going on in the world, my little travel gig seems insignificant. Here it is, anyway, for the sake of completion.

18th February 2022: Jam and Ham

After a crazy crazy period, and within a just-slightly-less-crazy period, we made space for a mini escapade – just under 48 hours, but it was an interesting mental reset. We took the car and drove off to Cáceres after I finished work in the afternoon. The trip should have taken a little over 3 hours and 15 minutes, but we spent about 70 minutes caught in several traffic jams – or just a very long jam with different instalments.

Sunset from the road. The orange light zigzags through the grey and blue clouds

Cáceres is located in the autonomous community of Extremadura, which is famous because of its particular grassland with dwarf trees called a dehesa. The typical animal farmed in the area is the native Black Iberian pig – a traditional breed of the domestic pig (Sus scrofa domesticus). Through breeding with wild boars and millennia of adaptation, the Iberian pig has grown accustomed to eating oak acorns, and thus it has become a key part of the ecosystem. Furthermore, the breed has great tendency to accumulate intra-muscular fat. This means that its meat is delicious, especially as sausage. The most famous treat is the “Black label” (Etiqueta Negra or Dehesa de Extremadura) ham: a pig raised in the dehesa, fed acorns and natural grass, and whose meat has been cured for at least 20 months.

The area of Cáceres is also known for its sheep-milk cheese, Torta del Casar. It is a strong-flavoured creamy cheese that comes from controlled sheep, also raised in the dehesa. The cheese is especially curded with rennet made from cardoon (Cynara cardunculus). Another typical food from the area is the local paprika Pimentón de la Vera, which is made from smoked local red peppers. All three – ham, cheese and paprika – hold European Protected Designation of Origin certificates.

Of course, not everything is food in Cáceres. After we checked into our hotel near the historical centre, we headed off to the Main Square Plaza Mayor de Cáceres, which features the town hall, the former wall gate called Arco de la Estrella (Star Arch), and one of the watch towers Torre de Bujaco.

The medieval square of Caceres by night. It looks like a castle, with arches, battlements. The sky is completely black.

We found a place inside to grab a bite, and we tried the sausages for dinner before turning in – acorn-fed pork ham, loin, chorizo, morcón (similar to chorizo), salchichón, and patatera (pork mixed with potato and paprika in sausage form).

A plate of sausage slices and ham

Walked distance: 1.79 km (2838 steps)

19th February 2022: The Old Town of Cáceres

The Old or Walled Town of Cáceres, Ciudad Vieja de Cáceres was declared a Unesco World Heritage Site in 1986, and it is easy to see why. It is a small knot of streets between the ancient city walls and the gorge where cars can barely drive, sprinkled with Medieval and Renaissance palaces and manors. After finding an open café, we had breakfast, then headed off to explore that. Since it was a bit before 9 am, most everything was closed – but it was also empty, which was good. We crossed the Arco de la Estrella next to the Torre de Bujaco and walked into the walled area.

The medieval square of Caceres by daylight. It looks like a castle, with arches, battlements, and irregular bricks making up the walls.

We walked past the co-cathedral – to which we would come back later and several palaces, and we ended up at a two-level square called Plaza de San Jorge (St. George Square), towered over by the peculiar-looking church Iglesia de San Francisco Javier – note the white-painted towers.

A church with two twin bell towers, both in white. Between them, the body of the church, in grey rock. In order to access it, you have to climb a staircase, which has a small sculpture of St George attacking the dragon

There was a small palace to the left, and while the building was closed off, the gardens Jardines de Doña Cristina de Ulloa were open, albeit as it was early February, still in winter mode but for some berries and roses.

Wintery garden with bare tree. There are also evergreen bushes and trees, stairs, and benches.

We wandered around for a while, the headed off to a visit we had booked in advance – the manor / palace of the Lower Golfines Palacio de los Golfines de Abajo, which has nothing to do with their position in the social scale, but literally the position within the city hill – in the lower part. The family is known to have owned the palace from the time of the Catholic Monarchs, in the 15th century, till the death of the last descendant in 2012. This woman willed all the heirloom to a foundation that today manages the palace. The foundation got the palace renovated and brought some of the furniture from other properties belonging to the family – among them a glass lamp way too big for the room it was set in, and a sofa which was identical to the one that used to be in my great-aunt’s living room… The lower floor holds the recreated rooms – with more or less success and taste – and a smaller area decorated with Medieval paintings which were discovered by accident. The upper floor holds a small ethnography museum and some documents from the family’s library. Unfortunately, the foundation takes itself a little too seriously and won’t allow you to roam freely in the palace or take pictures, except for the inner Castilian patio.

Gothic palace, with an ornate roof and a small cloister or patio.

After the palace, we walked a whole minute and a half for the co-cathedral Santa Iglesia Concatedral de Santa María. It is the oldest church in town, built around the 15th century, in a Romanesque-going-Gothic style. Outside the church, at the base of the tower, there is a sculpture of Saint Peter of Alcántara. Inside, the altarpiece was carved between 1547 and 1551, in unpainted pine and cedar. The tower can be climbed, and I decided that I wanted to do that, despite not being what I usually do. It was empty enough that I felt comfortable doing so, and I was treated to some nice views.

Collage: a gothic church with a bell tower; the inside showing a bare-wood altarpiece; the sea of columns from above, and a view from the belltower, showing another church and the roofs of some low houses.

By the time we went out, the city had already been taken over by walking tours and guided visits. There were so many companies that the guides put stickers on their tourists so they could herd them round. We backtracked to the Baroque church with the white towers Iglesia de San Francisco Javier (also known as Iglesia de la Preciosa Sangre), where there is no worship today. Instead, there is a huge collection of nativities (hundreds of them, literally). In order to visit the nativities you have to go up a perilous metal staircase. Once on the second floor – after having survived the peril – I decided to continue on the relatively safer stone staircase to one of the towers – only one, I did not climb up both of them. The lower floor holds two last nativities, a classical one and a hilarious set up made out of Playmobil, a German company that makes plastic figure toys.

Collage: The interior of a church with a baroque golden altarpiece, and a collection of Nativities.

We moved onto the following manor, to the side of the square, Casa Palacio Becerra, which shows some antique elements, and the house structure.

Inside a Renaissance palace, with a low arch, a glass lamp and a red carpet that try to look eclectic and end up looking bizarre

Later, we walked to Stork Square Plaza de las Cigüeñas. European white storks (Ciconia ciconia ciconia) are typical birds in Extremadura, and one wonders how they have not decided to make food out of them. In the tower stands one of the few towers that has kept its merlons, as the Catholic Monarchs were very into tearing tower tops down when they conquered a site. The adjacent manor, Casa de las Cigüeñas, hosts the military museum Museo de Armas Aula Militar.

A building with a tower. The inside is a museum, and there are some swords, firearms and Moorish decoration

At the end of the square, in yet another palace – two of them, actually – lies the Museo de Cáceres, the local museum. The part in the Casa de Las Veletasis a regular archaeological museum, with the kind of things you would expect – prehistoric, Roman and Celtic remains, more modern artefacts. The other area, Casa de Los Caballos, hosts the modern art gallery.

Gothic building turned into a museum. The pieces shown are funerary stelae, prehistoric animal representations - bulls or pigs - and jewells, a boat, and Roman emblems

However, the palace was erected on top of the local Arab cistern or aljibe. It is the best preserved in Spain and it has been gathering the rainfall water since the 10th century. Pretty impressive piece of engineering if you ask me.

The aljibe: a moorish basement filled with water. The columns sustain horseshoe shaped arches

Afterwards we still had some time to kill until it was time for lunch, so we wandered around the area of the Jewish quarters or Judería, under the watchful gaze of the local Cerberus.

Narrow streets, and a guarding dog looking suspicious

We had lunch in the local Parador de Cáceres, so I of course got my stamp. As a started we ordered the famous local cheese Torta del Casar cheese.

A tray with bread slices and breadsticks, and a cream cheese with spoons to be spread on the bread

In the afternoon we had a look at another church Iglesia de Santiago de los Caballeros. The church of St. James of the Knights was built in the 14th century over an older temple dating back from the 12th century. The altarpiece was carved and coloured by one of the most important sculptors of the Spanish Mannerism, Alonso Berruguete (1490 – 1561). This time I did not climb the tower – which had been happily colonised by a couple of storks.

Gothic church with a golden altarpiece. A stork snoozes on one of the towers.

After a little while, after sunset, I decided to skid around and have a walk through the old city at night. The artificial light made it look eery and romantic in the most… historical sense of the word. I came across some cats begging for food from a bunch of schoolgirls, and one of them very indignant because the girls would not beg it to take the food!

Different buildings of Cáceres at night. The are lit wit strategic lamps to give a mysterious feeling. There is also a white fluffy cat sitting and expecting food

Walked distance: 9.04 km (14766 steps)

20th February 2022: Trujillo & Oropesa (Toledo)

On this day I managed two more Paradores stamps. Trujillo is a town a meagre 30 minutes away from Cáceres. It also has a traditional / Medieval city centre, set around the main Square Plaza Mayor de Trujillo. It was the birthplace of one of the so-called conquerors during the colonisation of South America, Francisco Pizarro, whose equestrian statue, Estatua ecuestre de Francisco Pizarro (by American sculptor Charles Cary Rumsey). Other highlights in main square include the corner balcony in the “Conquest Manor” Palacio de la Conquista.

The large Reinassance square of Trujillo with decorated palaces and a sculpture of Hernan Cortez on his horse

One of the most interesting churches in the area is Iglesia de Santa María la Mayor. Its tower dates back from the 13th century, but was almost completely rebuilt in the 16th century. Inside the richly painted altarpiece was erected around 1490. Apparently, my newly-discovered activity of climbing towers yielded to a new adventure, as for a few minutes I ended up locked down in the bell tower – I guess I’m a Disney Princess now (≧▽≦).

Gothic church with gothic golden altarpiece.

I got an hour and a little to wander round the town, so I climbed up to see the Muslim fortress Alcazaba de Trujillo (also called castle). Built between the 9th and the 12th century, it is a huge building with a defensive wall, an aljibe or cistern, several towers and a Christian chapel.

Moorish castle, from the outside and the inside. The walls and the battlements are amazingly well-preserved. It seems that the castle is built around the natural rocks defending the area

Then I hurried towards the other edge of the city to get my Parador de Trujillo stamp (only cheating slightly. I was there, after all). On my way I happened upon the Torre del Alfiler, with a family of storks happily clattering away the late morning.

Storks on top of a bell tower

I backtracked to the Plaza Mayor and I had twenty minutes before our rendezvous time, so I decked into the church Iglesia de San Martín. Its origins date from the 14th century, but it was not finished till the 16th century – which makes it so that the thick Romanesque walls are mixed with Gothic and Renaissance elements. No tower this time, but the second floor holds a religious museum.

Romanesque turning Gothic church. The inside is plastered in white and the celing above the altar and the nave retains the original decorated stone ceilings

After getting a general idea of the Medieval town of Trujillo, but it being a “working Sunday”, we moved on rather quickly, and drove off until we made it for lunch in Oropesa (Toledo) which also holds a Parador – Parador Museo de Oropesa, the first monumental Parador opened in 1930. That makes three stamps in two days, I’m almost impressed with myself!

Plain building with ornate balconies, and cars parked on a row in front of it.

The Parador is adjoined to the castle Castillo de Oropesa, which was unfortunately closed, but I shall put in on my list of “to re-explore”. It was built by the Arabs during the 12th – 13th century, probably on a former Roman fortress. Today, the Old Castle is joined to the New Palace and both belong to Paradores.

Classical Romanesque castle with towers and turrets. It looks heavily restored.

After that, we drove back home, and as we got a couple of wrong turns, we ended up avoiding the traffic jam we had found on our way to Extremadura, which was convenient!

Walked distance: 5.57 km (8836 steps)

11th & 12th December 2021: Final Fantasy Remake Orchestra World Tour, Barcelona (Spain)

11th December 2021: El Triángulo Friki

When the tickets for the FINAL FANTASY VII REMAKE Orchestra World Tour first came out, 2020 promised to be an amazing year. True, we all know how that turned out, but the point was that I did not have enough fun funds at that moment. So I just looked at the Barcelona dates, sighed, and never bought tickets because I decided that it was a low-priority event for me. Then, what happened happened and the tour was pushed forward to 2021. By chance, back in summer this year, I saw that it would take place on a Saturday, the 11th of December 2021. My sibling overheard me mulling whether I wanted to try to go or not this time over, since I had not done much on the nerdsphere for a while, and the low priotity was conflagrating with higher priortity and the still lacking fun budget. They didn’t know about this, though, and they proposed we went together. I thought it was a good opportunity for a weekend out, so I did some checking. We found some tickets that had been turned back, in an amazing place, actually – row #5 on the stalls. We booked a hotel and trains, and just went on with our lives.

The train left around 8:00 and arrived in Barcelona short from 11:00 – both of us had been in town before and were looking for an “alternative” plan. I had been checking out different options, and by pure chance, on Thursday, I found out that there is an area in Barcelona called Triángulo Friki, something akin to “the nerd triangle”. It is an area near Arc de Triomph that holds a bunch stores which specialise in comics, manga, figures, merchandising and so on. I thought it could be a fun thing to see, as Japanese stuff a hobby I share to some extent with my sibling.

We took the commuter train to the area (commuter train tickets are complementary with long-distance ones, which helps, as the Barcelona public transport is very expensive) and wandered around a bunch of shops, under the agreement not to spend too much money nor to buy anything that did not fit in our backpacks. We… failed the mission successfully. On the sixth or so shop I got myself a Christmas present that sure as hell did not fit in the backpack.

A collage showing the entrance to a bunch of comic and gaming stores. Most of them have a window showing Funko pops

One of the shops we visited was Tsume Store, in association with Global Freaks. Tsume is a business that 3D-prints statuettes from anime designs, and Global Freaks is a merchandise shop. They have a partnership and Tsume is selling some of its statuettes through Global Freaks – we saw one of them, priced at 1400€. Most of the figures were just for show. On the other hand, Global Freaks had several things we bought (remember the “mission failed successfully” comment? We spent way too much money on stuff that did not fit in the backpacks). Furthermore, they had a reproduction of a motorbike from Akira (アキラ), a famous manga / anime – a cyberpunk action story whose main character, Shōtarō Kaneda, rides it through Neo-Tokyo.

Tsume / Global freaks store in Barcelona. There are different pictures of resine statues of different sizes (and prices), and a reproduction of an anime motorbike.

We walked towards the area where the basilica designed by Gaudí, and consecrated to the Holy Family, Basílica de la Sagrada Família, which had been decorated with a new twelve-point 7.5-metre 5.5-tonne star. As there was a Christmas market around the basilica, I thought that the start was just for Christmas, but it turns out that it is there for good.

A modernist cathedral. It looks a bit like it's melting. It has four towers, plus one with a star, and a triangular façade

We took an underground train to the area where the venue was, and we were there around half an hour before hotel was open to check ins so we decided to have lunch first in the adjoining shopping centre. We ended up at an Udon, a wannabe fancy noodle bar chain. This was our first time getting our Covid passport checked as it’s not necessary where we’re from. The whole process was fast – open the PDF, zoom in, get it read with a device, and a green light with our names on it lit up (eventually I just screenshot the zoomed-in QR). I still felt a little uncomfortable due to the amount of people in the restaurant, so we ate as quick as possible before heading off to the hotel.

A bowl of ramen and a peek of a tempura plate in the background

It was the worst check-in experience ever. First of all, I think it’s stupid to demand a payment deposit on an already-paid booking. Second, they tried to charge me for the room again, we were given one card key for two people which didn’t even work, and we were “upgraded” to a room with a city view (16 € more expensive than our booking), but that only had amenities for one guest. We needed to get off the lift to request another card in order to get to the 21st floor, and we finally got two working cards. Oh, and the hotel was hosting a bunch of teams for some kind of handball championship who thought masks were for lesser beings and got away with it, despite the super-strict Covid-policy the hotel claimed to have, and with the obvious blessings of the clerks, despite other guests’ complaints.

Two views of Barcelona from above, one with daylight, the other one at night. The buildings are apartment blocks, rather regular, and you can guess the long streets that separate the different areas

We stayed in the room, just chatting and taking in the astonishing views (nah, I’m not being sarcastic (≧▽≦).) The FINAL FANTASY VII REMAKE Orchestra World Tour concert was to start at 20:00, but doors were at 18:30. It took place in the convention centre CCIB – Centre de Convencions Internacional de Barcelona, which… actually turned up to be the auditorium of the local Natural Science Museum. That was confusing for a minute.

We were quite literally across the square so we just had to go down. It took just a few minutes to enter, and then we went into the goods queue, because my sibling absolutely needed a chokobo plush. We were in line for about half an hour, as we debated how expensive everything was! They decided that I needed a chokobo too, so I’m the proud owner of a Chokobo Black Mage now.

An adorable chokobo plush with a mage cape sitting on the leaflets we got from the concert.

After we had all our goods, we headed off to our seats – which had been occupied by two different people who had bought row five on the dress floor – but had tried the main floor stands, never mind that a lady told you which door you had to use when you went in, in order to avoid these “mistakes” . I decided that I did not care about causing a scene, so I just grabbed an usher and had her clear our seats. The guy on mine took my flyer too, but I found some more when the concert was over. I’m amused though that someone would buy a ticket on the first floor and then happily stroll down to the fifth row on the stalls – more than double the price.

Let me start by saying that I’m not a video-game player, that’s why this event was originally a low-priority one. When my wrist problems started, I was recommended not to play them any more. But I love video-game graphs and Final Fantasy VII designs more than any. I mean, I own the Advent Children DVD just because it’s pretty. I have to admit though that the concert blew my mind. The stage was full with a complete orchestra indeed, and a choir – the Ensemble Symphony Orchestra & Chorus. At the back of stage there was a screen that projected scenes from the game, both animations and gameplay. In the little emcees by conductor – and producer – Arnie Roth we also got messages from composers and producers from Japan. Furthermore, the composer Hamauzu Masashi was in attendance. We did not get Yosh Morita, from The Prophets, as it was originally announced, but singer Ricardo Afonso did a very decent job out of the power ballad Hollow.

Empty stage with chairs for the orchestra. There is a screen in the background reading Final Fantasy VII Remake Orchestra World Tour in front of a futuristic cityscape

    Part 1

  1. Prelude – Reunion –
  2. Opening medley
  3. Mako Reactor 1
  4. Flowers Blooming in the Church
  5. The Turks’ Theme
  6. Tight rope
  7. Stand up
  8. Words left unheard
  9. Tifa’s Theme – Seventh Heaven –
  10. Those who fight – Battle Medley –

    Part 2

  11. Anxious Heart
  12. Hurry!
  13. Jessie’s Theme
  14. Shinra’s Theme
  15. The Arsenal
  16. Those chosen by the Planet – Fate’s Calling –
  17. Arbiters of Fate – Singularity –
  18. Hollow
  19. Final Fantasy VII Main Theme

    Encore

  20. Aerith’s Theme
  21. One Winged Angel

I loved the Those who fight – Battle Medley –, and I’d say that one of the highlights was the song Hurry Up. Apparently, during a specific part of the game you have to put the rather-uptight main character in a dress and teach him to dance in a night club. I also really liked the choir interventions. The concert ended on a hype – for a second I thought it would end in the slow song, but no, we got the fantastic theme for the bad guy Sephiroth, One-winged angel.

The stage again, this time it is full with the orchestra and the director. The screen shows the main character of the game, Cloud, with blond spiky hair and a ridiculously big sword, holding a bright ball in his hand.

The concert lasted for two hours and a half, including the intermission – in which I got to see (and hug!) friends. After the ending, we tried to go and grab some sushi at the shopping centre, but they were already closing down – so in the end we just got a salad and some chips at McDonald’s and took it to the hotel – then we showered, rearranged luggage and purchases, and went to bed.

12th December 2021: Walk by the ocean

Our original plan after breakfast was to take a walk by the beach, then check out and ride the underground, but we realised that we had a train station about 20 minutes away, and we could get a detour by the seaside and make it a bit longer – and if we took the train, we had a free ride.

When we checked out we got the same person who had checked us in. They still had to charge us for the tourist tax, and I had that ready in cash. They insisted that they had to deduct that from the deposit and give us the change, they could not give us a fifty-buck note. They had to give us the change. With lots of coins. They did not even check the room for damage, so what was even the point of the deposit?

We left the hotel, and walked towards the station. We spent a little time at the beach Platja del Fòrum and the mouth of the river Río Besòs before we reached the station – lots of people walking their dogs, and lots of happy dogs playing on the beach and with the waves. In the background, the former thermal station with three chimneys looming over the sand – Central Tèrmica de Sant Adrià de Besòs. Had we had more time, we would have taken the time to try and get to it, but due to external reasons we had tickets for the noon train and it was already 10:45 – and I am paranoid about schedules.

A sandy beach with a factory building in the background, it has three chimneys made of brick. The waves are coming in gently.

We took the commuter train, then the long distance train. When we arrived, before going home, we made a short stop to have some make-up sushi for the one we could not get the previous night. And some side Chinese dumplings.

Sushi and bao plate

Walking distance Saturday: 9.05 km
Walking distance Sunday: 5.54 km

12th November 2021: Beech Unplugged – Hayedo de la Tejera Negra (Spain)

One of the Unesco World Heritage Sites is “Ancient and Primeval Beech Forests of the Carpathians and Other Regions of Europe”. The “other regions of Europe” actually makes the site expand into 94 forests in 18 European countries – three of these forest are in Spain. A primeval forest, in layman’s terms “old-growth forest” is one that has been allowed to thrive without significant alteration from humans. Most of Europe’s temperate forests have been altered by human activities, so the protected areas are patched throughout the continent.

One of the protected areas is the beech forest Hayedo de la Tejera Negra. The European beech (Fagus sylvatica) is a deciduous tree from the same family as oaks. The trees usually measure up to around 30 m, tend to have a slim trunk and grow branches high on the tree. The leaves are simple, though they are toothed, the shape is soft. They change colour in autumn from green to gold and tend not to be shed but stay in the tree unless the weather brings them down. They grow in humid areas, but they require a well-drained soil. Forests tend to be thick and dark, with few other species as the beech canopy takes up all the light.

The forest is located in the centre of Spain, and it is part of the natural park Parque Natural de la Sierra Norte de Guadalajara, some 30 km away from the Aljibe Waterfalls. Beech forests tend to grow in colder climates, so this one is a relict forest from times when Spain was cooler and wetter (maybe what is called the Little Ice Age between 1300 and 1850). The fact that it remains is due to a very precise location – low valleys with a lot of shades and shadow where fog and mist are common and it rains rather often. Furthermore, the calcite-rich area makes the soil ideal for beeches. The reality of it being a Primeval forest is thrown has doubts cast as the forest was actually cut down twice – 1860 and 1960.

The beech forest technically belongs to Cantalojas, in the north of the province of Guadalajara, Spain. There is an inner parking lot that has to be reserved in advance for just under 5€ (access between 10:00 and 13:00), and a free-access parking lot at the edge of it. In order to get there, the first step is to arrive in Cantalojas. There, a bumpy rail gets to the beginning of the park, where the checkpoint stands, you can either leave your car here and walk the longer trail (Senda del Robledal), or if you have an inner parking reservation, you will get waved through the longer driving path, 8 km long. Once in the parking lot, you may walk the inner trail.

After my first try to visit the park was fouled by the driving path being closed on weekdays and the parking lot full, and my second by the bad weather, I was finally on my way on Friday the 12th of November – took long enough! The roughly 100 km took a bit more than expected due to a good part of the road having a lower speed-limit than normal, as it is considered a “dangerous mountain road”. There is also loose cattle around the roads, and I came across a few cows having a field day. In the end, I drove for an hour and forty-five minutes, and started walking around 11:30. I took the shorter, inner trail, called Senda de Carretas, which is around 6 km long. Depending on which resource you look at, between two and three hours are expected to hike it.

The trail starts in the lower valley, between the creek Río Lillas and the lower pine forest, whose trees won’t lose their leaves anyway. Thus, even if the weather is turning cold this area is still very green. The name of the trail translates into “Trail of Carts” as it was used in the past to transport coal that was produced in the beech forest. As the trail turns to the left, it starts ascending, leaving behind the valley and the pines. First, there is an area of low bushes and trees, where pieces of calcite rock are abundant, then it delves first into the oak forest, which has already turned brown.

A sign reading Senda de Carretas. Behind it, a small valley. A creek runs at the bottom, and the sides are covered in pines and other evergreen trees.

A rock formation, with vertical cracks, and bushes in the background

Beech trees, looking brown / orange / golden in the autumn weather.

There were way more people than I had been expecting for a weekday – a lot of them were hiking in groups and unfortunately loud, which made catching a glimpse of any animal impossible. The forest was beautiful though. Around one-third in I came across the sculpture that recreates the old coal-ovens, La Carbonera.

A hut made out of thin trunks. The autumn leaves have accumulted against

I continued hiking up, and after a pretty wooden bridge, the steep slope started. This was a bit harder than I had anticipated, and made the mistake of taking a break in-between, so I lost my pace. At the end of the slope I found the open prairie Pradera de la Mata Redonda, which looks down on the valley and up onto the multi-coloured mountain.

The valley from above. There are no trees, but a high plane with bushes and scattered grey rocks covered in lynchen

After a short look-around, I continued on the hiking path. Here I could actually see something unexpected… snow! Do you remember that my second attempt had been thwarted by the weather? Well, there were the remainders of so… This was in my opinion the most beautiful part of the forest, as the descend starts. The beech forest was completely golden at this point, and the ground was also covered on leaves. This is the part that gives the forest its fame, and it is well-deserved, at least in autumn.

Grey path into the forest. On the sides there are brown / gold trees, green bushes, and even a bit of snow.

A whole forest of beeches in gold, brown and golden colours; the ground is covered in leaves.

When I reached a fork on the road, I continued for a little on the Senda del Robledal (Oak forest trail), then took the path down towards the parking lot. The forest opened up and I eventually got to the parking lot, where I got on the car and drove away at around 14:45. I took a little over three hours in total and walked 7.46 km.

A whole forest of beeches in gold, brown and golden colours; the ground is covered in leaves

On my way back I drove past more cows chilling out – the complete drive was a bit under 200 km. And I did not have signal for the whole day, which was a nice change for a while.

A black cow chilling at the side of the road - they actually have the right of way in this area

22nd & 23rd October 2021: Zaragoza Getaway (Spain)

We had a silly day-and-a-half and it turned out that for some reason a commuting train to Madrid took about as long as a high-speed train to Zaragoza, a town in the area of Aragón that we scratched off our summer route because there are lots of curves in the Pyrenees and time was limited.

22nd October 2021: Churches, Museums and a Palace

The train to Zaragoza arrives at the Delicias station, which is a bit away from the centre of the town, so we took a taxi to the hotel. This was around 9 am so we were of course not expecting any room, what with check-in being 2 pm – we just wanted to drop off the overnight bag. Not being able to give us a room seemed to upset the receptionist quite worried, and he promised to call as soon as a room was available. Honestly, I just set my phone to flight mode because we were starting to visit monuments right away, as the hotel was just by the most important square in town Plaza del Pilar.

Zaragoza is home to one of the most important Christian icons in Spain, the Virgin Mary of the Pillar, Virgen del Pilar. The image is hosted in Catedral-Basílica de Nuestra Señora del Pilar. The bulk of the current cathedral-basilica was built between 1681 and 1686 in the Baroque style, but was later modified quite a few times and it was finalised in 1872. Interesting items in the church include, aside from the virgin image, some frescoes painted by Goya, the main altarpiece, and two bombs that fell within the church during the Spanish Civil War (1936-1939). Zaragoza is very anti pictures inside so I had to sneak them in. Sorry, not sorry.

A collage showing the Baroque Basilica, including unexploded bombs, and two of the altars

Virgin of the Pillar, wearing a mantle

After a small detour to say good morning to the river, Río Ebro, and the Puente de Piedra (stone river), the second building we visited was the Old Market Exchange building – Lonja de Zaragoza. This was the first Renaissance building erected in Zaragoza, dedicated to commerce, with an amazing Gothic-imitation ceiling. Today it is used for exhibits, such as paintings or sculptures.

Coming out, we almost walked into one of the fountains in the square, Monumento a Francisco de Goya, featuring the artist – a brilliant Spanish painter from the Romantic times. He was as brilliant as bad-tempered though. Behind the fountain stands the cathedral, for which we had tickets for 11 am, and it was still early for that.

Thus, we started the route of the Caesaraugusta Museums. Zaragoza was founded in Roman times under this name (where an Iberian dwelling used to be) and in the latest decades, this Roman past has started being dug up. We first visit the museum focused on the original forum, Museo del Foro de Caesaraugusta where we could see the foundations of the old city and walk into the sewers (yeah, it’s cooler than it sounds). The Roman ruins date back from emperors Augustus and his successor Tiberius’ reigns.

After that it was almost time for our reservation to visit the Catedral del Salvador also known as La Seo de Zaragoza, the other cathedral of the town, literally at the end of the same square as the other one. The cathedral mixes several architectonic styles: Romanesque, Gothic and Mudéjar, these last tow being among my favourite styles, so a total win – Renaissance and Baroque elements were added, including the towers. The cathedral has a tapestry museum with a lot of works, not exactly “pretty” but rather impressive.

Following the cathedral we walked towards the rest of the Roman museums, but we made a small detour to look at the Mudéjar tower of the church of Mary Magdalene, Iglesia de Santa Magdalena.

Then we reached the museum of the Bathhouse, which was open but closed – let me explain. They run an “Audiovisual” and close the museum door for as long as it runs. It runs every half hour so finding the thing open seems to be hard. Thus, we moved onto the next archaeological site, related to the old Roman Theatre Museo del Teatro de Caesaraugusta. The theatre was apparently discovered by accident in the early 1970s, and it is apparently one of the biggest Roman theatres in Spain.

We tried our luck with the Bathhouse Museum again Museo de las Termas Públicas de Caesaraugusta. Unfortunately, just like before, we walked up to it while the audiovisual was running, and the concierge made a very studious effort not to see us – so we just peered over the glass roof to see what is left of the main bath.

More impressive was the river port museum Museo del Puerto Fluvial de Caesaraugusta, which keeps the foundations and some of the clay amphorae that were used for import / export.

And believe it or not, we did all that before lunch!! Therefore, we decided it was the right time for a break. We headed back to the hotel to see if we could wash our hands (and take off our facemasks for a while). To our surprise, the hotel had given us an upgrade to a junior suite, so we had a sitting room, a full bathroom and a bedroom – and a balcony that went all along the three. When I opened the window I could hear people playing the piano on the street, as there was some kind of festival going round. Believe it or not… I got to listen to Queen’s Bohemian Rhapsody and Rufus Wainwright’s Hallelujah.

We had lunch outside in a place that my companion enjoyed called La Lobera de Martín – not a cheap place, honestly! However, we splurged a little. We shared a smoked fish salad and I had a side of fresh Foie. As a main, ordered steak tartare, which to my surprise, was prepared for me next to the table! For dessert I tried the home-made berry yoghurt. I have to admit that I was totally planning on having a tiny dinner (or completely skip it!) at that time.

After lunch we walked along one of the main arteries of the town, Paseo de la Independencia, to find the Basílica Menor Parroquia de Santa Engracia, to at least see the outside, since we could not fit visiting the interior and the crypt with our tight schedule. One of the most interesting things about this church is how its façade is built like an altarpiece.

Next to the church stands the neo-Mudéjar post office, built in typical bricks from the area – Oficina de Correos de Zaragoza.

And finally, we looked at the current Science Museum, Museo de Ciencias Naturales, the former Medicine University. Why? Because that’s where my parents met *cue romantic music*!

We did not go in though, because we needed a break and had booked a ticket for 5pm somewhere else, so we decided to raise our feet a little for a while in the hotel room – the sitting area was nice though unfortunately there was no more sun on the balcony, else I would have totally impersonated a lizard there (I did scare a pigeon away though, even if the startle was mutual). Our next target was the Medieval palace called Palacio de la Aljafería – a fortress that combines Islamic architecture and ulterior Christian elements. The Moorish palace was built around 1065 – 1081, and it holds a magnificent garden called the Golden Hall with a portico made out of interlocking mixtilinear arches (I totally looked the word up, and will forget it promptly). The palace was taken over by the Christians 1118 and became a palace for the monarchs of Aragón. It was not modified until the 14th century, and in the 15th Century the Catholic Monarchs extended it further into the Mudéjar Palace. Today it is the meeting site for the local government. I adored it, to be honest, I loved the Golden Hall most of all, but the original ceilings in the Christian palace were also really cool.

We walked back towards the Plaza del Pilar (probably through some streets we probably shouldn’t have, hindsight is 20/20 they say), and we reached the church of St. Paul Iglesia Parroquial de San Pablo. The restored interior leaves a bit to be desired, but the exterior, built between the 13th and 14th centuries in the Mudéjar style – it has an octagonal tower in dark tones, with the upper roof added in the 17th century with richly decorated with tiles and windows. It is worth mentioning here that several Mudéjar buildings in Zaragoza, along with others of singular architecture, are declared Unesco World Heritage Site.

Between the church and the square we walked by the central marketplace Mercado Central de Zaragoza in the late 19th and early 20th century, in a combination of stone and iron-and-glass architecture.

Close to it we could see some of the ruins of the original Roman walls Antiguas Murallas de Romanas de Zaragoza, which are actually sprinkled all through the town and mixed with the Medieval ones at points. There, a lady was happily chatting on the phone while her child climbed the walls – so in case it is not evident, here’s a social clue: if there is any kind of barrier / signage around something, it should not be climbed on.

To finish off the day we visited the Museum dedicated to Goya Museo Goya. Goya, whose complete name was Francisco José de Goya y Lucientes (1746 – 1828) was a painter and printmaker from the Romantic age. He is probably one of the most important artists in Spanish history. He was a royal portraitist, fresco decorator, and also painted and printed many critical and fantasy works. To be honest, the museum was a bit underwhelming – with few of the minor works, and one of the least impressive major works, the Christ portrait. There was however a whole room full of prints.

After one more visit to the square, where I managed my only complete picture of the whole (night-lit) Basílica del Pilar from that angle, we just headed to the hotel. There was a sandwich shop at the entrance, so we took one each and had a late light dinner as we watched Night at the Museum in the hotel bathrobes – because it was cozier than turning up the heating. I did not sleep too well as the fire alarm was right on top of the bed and it kept flashing – at one point I thought that an electric storm had hit, but it was just the alarm…

23rd October 2021: Papercraft and walks

The next morning we had breakfast and headed off to the origami museum and workshop EMOZ: Escuela Museo Origami Zaragoza, located in the “Stories Museum” Centro de Historias. I remembered the exhibition from a few years back in Museo Cerralbo in Madrid, with an actual-size hippo, so I have to admit this time I was a little… underwhelmed, probably because the temporary exhibit ended up being “abstract” paper folding…

However, in the very same building there was a very fun exhibition about the evolution of household appliances throughout the 20th century. That was cute!

As we got ready to draw a close to our day-and-a-half getaway we went to say goodbye to the river Río Ebro. We walked by the modern Puente de Zaragoza bridge, and crossed over the Puente de Piedra, the traditional stone river of the town. The current one dates back (although reconstructed) from 1440, but there are records that a previous Roman one stood in its place and was destroyed in the 9th Century. Between the two bridges a flock of cormorant seemed to be sunbathing.

From Puente de Piedra I took my last picture of the Basílica del Pilar before we had a nice milkshake, then headed back to the station to take our train back. By the way – I find it ridiculous that the stations have blocked 60% of the seats while they’re filling up the platforms and the trains as normal…

Total walked distance: 8.69 km

8th September 2021: Impromptu Madrid Run! (Spain)

This was oh my god so unplanned that I kept improvising throughout the whole day! It all started because a Spanish publisher decided to translate a non-fiction book I’ve loved for ages – Tokyo Vice by Jake Adelstein. The publisher flew the author in for interviews, and I guess I was disappointed that no signing event was organised. I asked the author once and the publisher another time, then shrugged it off when I got no answer. There were some interviews scheduled for him, and a book fair coming up. I guessed it was just not meant to be, but I did feel disappointed.

And then, on the 7th, Mr Adelstein shot me a message that he would sign my book if I could go to Madrid and meet him at one of his breaks. As you can imagine I just… said yes (I could not meet him that very same evening because of travel times, but I could make it on the 8th. And there I went).

It was the first time taking the train since the whole pandemic thing (hell, I had not even been on a train since Paris 2020), and a weekday so I chose the times carefully to hopefully get close to as few people as possible – it worked, as both rides nobody sat next to me.

I arrived in Madrid and transferred easily, then got out at a new station in the area of Gran Vía. The Tokyo Vice book came out that day, so I wanted to go to a big book store that would hopefully have it already. My first stop, FNAC, failed miserably, so I went to La Casa del Libro, where they told me I would find the book in a completely different section where I actually did. But at least I had it in my hands, even if I had apparently not used my credit card for so long, I got the right PIN for the wrong card (≧▽≦).

After I had the book in Spanish – I’ve owned a first edition copy in English since 2010 – I had thought that I should get a small detail for the author as he was making time for me. As he had to continue on his travelling, I decided to do something small and “consumable”, so I came up with buying some typical Madrid candy – violet sweets from La Violeta. I’d never been inside the shop, but it’s an adorable little place dating back to 1915.

It was still early for my appointment at 14:00, so I decided to head towards a square that hosts an Egyptian temple of all things. On the way I made a stop at a Starbucks for a Vanilla Frappucino, I figured out that the amount of calories would get me going and I would not have to eat until I was back – looking back it was a weird thing, but it made sense in my head at the time. I strolled around the park next to the palace Palacio Real.

The way to the temple was completely blocked off due to construction, so I decided to backtrack. I walked up the great avenue in the middle of the city Gran Vía. As I walked around, minding my business and listening to music, I kept remembering a comic by Sarah Sanders, in which she makes fun of how people won’t leave you alone when you’re wearing headphones and, well, minding your own business.

I reached the square with the fountain to the goddess Cybele Fuente de la Cibeles and the related Palace Palacio de Comunicaciones (by Antonio Palacios). The fountain dates back to the 18th century, when king Carlos III revamped a lot of Madrid trying to make it more beautiful and similar to other European capitals.

Carlos III is also responsible for the design of the modern version of one of the former wall gates, called the gate to Alcalá, the nearby town, Puerta de Alcalá. This area was declared Unesco World Heritage Site in summer 2021 as Paisaje de la Luz, so Madrid was in a celebratory mood.

I headed into the park Parque del Retiro, which is also included in the Heritage declaration. The park was initially built in the first half of the 17th century, as part of the royal recreational areas. Carlos III opened it up as public park a hundred years later. Aside from the obvious green areas, the park features fountains, palaces and sculptures. I walked past some of them. First I came across the fountain “of the turtles” Fuente de los Galápagos.

There is also a large pond, aptly called the big pond Estanque Grande del Retiro populated by carps, to whose side stands the monument to Alfonso XII – Monumento a Alfonso XII.

Nearby the pond stands the fountain called the artichoke fountain, Fuente de la alcachofa.

I walked to the fountain that depicts the fall of Lucifer from Heaven, Fuente del Ángel Caído. The fountain itself was built in order to exhibit the sculpture by Ricardo Bellve, who originally created it in plaster. The figure would then be cast in iron for the World Exhibit of 1878 in Paris, and eventually placed in the Retiro.

I strolled back towards one of my favourite points in the park, but that’s because I like iron-and-glass architecture – a little building called Palacio de Cristal, which has a small pond around.

Finally I headed over the little café where I had arranged to meet with Mr Adelstein. He arrived shortly after. He signed my book, but truth be told, I had also brought my first-edition copy, which happens to be full of post-its from the first time I read it. He was happy to sign that one too, and to my eternal mortification… he went over all the notes. I almost died right then and there. We chatted for a little, I gave him the violet candy and he had some umeboshi sweets for me too. I babbled that I was very happy that he had made some time for me, and he told me “but you were so polite on twitter and the publisher said no signatures!” and I kind of died again.

In the end, our meeting was only 15 minutes, but I have not felt so happy in a very long time – that he specifically took time felt amazing. We took pictures and even had a safe mask-hug. Afterwards I headed towards the nearest train station so I could be on my way before the afternoon rush came through, so that was it for the day.

Walking distance: 12.39 km

18th August 2021: Hiking the Pyrenees: Ruta de la Cola de Caballo (Ordesa y Monte Perdido) {Spain, summer 2021}

The Parque Nacional de Ordesa y Monte Perdido was the second national park to be formalised in Spain, in 1918, and expanded in 1982. The area has been considered a Unesco World Heritage Site and Biosphere Reserve since 1997. The park is located in the southern area of the mid-Pyrenees range. The mountain called Monte Perdido, the “Lost Mountain” is the highest calcareous mountain in the world, which also has one of the few glaciers of Spain, and the different mountains around it create the U-shaped Ordesa Valley Valle de Ordesa. It is home to a wide variety of flora – pines, firs and beeches – and fauna – vultures, chamois and stoats among others.

Well, the plan was clear – wake up early, drive to the entrance of the national park Parque Nacional de Ordesa y Monte Perdido and hike the easy route to the final waterfall, Ruta de la Cola de Caballo. For that reason, we chose the hotel which was closest to the entrance of the park.

Then, upon arrival, we learnt that we could not drive, and had to ride the bus. In normal times, urgh, but in Covid-times, even urgh-er. Furthermore, the bus stop at the visitor centre was dead right on the other side of the village, which was not far… But in-between there was a little one-way tunnel that buses had preference for, and zero visibility when you approached from the hotel side.

Anyway, we had been fortunate enough that at least we could buy bus tickets at the hotel (because what is more Spanish than making something compulsory, then charging for it?), we had set the alarm and went to sleep… And the alarm clock did not go off. We got up a little after seven, got ready in a hurry, then drove off to the bus stop, which fortunately had a parking lot to ditch the car. By the time we arrived a few buses had already left, and there was a queue worth almost four buses worth of people before us – well, we got on the fourth bus a bit before eight. That was at least lucky, because there’s supposedly only a bus every half-hour at that time, and we were on our way just before 8 o’clock.

After a short journey we arrived at the start of the route, the valley called Pradera de Ordesa, where we had coffee and a toast to get going. Then we started walking. The problem was that my group did not really realise the difference between a walk and a hike – which ended up being exhausting.

The route Ruta de la Cola de Caballo runs through a Unesco Heritage area. It is an easy, return trail that starts at the Pradera and trails up parallel to the river Río Arazas to the high valley at the feet of Monte Perdido, called Circo del Soaso. You basically walk up and down the same route, around 18 km in six hours. If you remember, I took a bit under two and a half hours to hike the whole Cascada del Aljibe three-hour trail. This… was not like that time. By the time we had been walking for 4.5 hours, we had only reached the two-hour mark. That was the time when my group got cold feet and I continued alone, covered the remaining hour and back, and caught up with them as they walked down, in an hour and a half.

We started off at the Pradera de Ordesa, the area where the bus left us and we had our breakfast. The trail is easy to follow, marked with abundant signs, and, going straight you leave the river Río Arazas to the right. As you walk up the trail, the forest opens around you, and the trail is continuously upwards.

From the trail you can sometimes climb down to the riverbed and even stand on the boulders in the river.

As the sun came up, in the clearings of the way you could look up above the tree line at the peaks, with two distinctive colours: greys – calcites, quartz and slates – and reddish-brown – sandstone and red clays. Both these types of rocks tell that over 250 million years ago, the area was covered by the ocean.

The first milestone we reached was the waterfall Cascada de Arripas from the viewpoint Mirador de los Bucardos.

Around us, the forest stood tall and straight, seemingly holding the ground at points – mostly pines and breeches at this height.

The next spot was a second waterfall, I think Cascada del Estrecho.

As time passed and we walked, the day became brighter and the trees more scarce, giving the area a brighter look.

Eventually we ended up at the tree line for our valley – while there were still trees on other slopes, we were under the sun until we reached the next group of waterfall Gradas del Soaso – the river finds a fracture area and falls in a number of waterfalls that look like stands (gradas).

From here, the route became steeper and more arduous and my group decided to call it a day, at a quarter to one. Given the option to continue and able to do so faster, I went on and we agreed to meet back at the parking lot. I popped my headphones in, then hiked up for about thirty minutes through some stairs half carved, half built into the rocks and I eventually reached the upper valley at the feet of Monte Perdido, the cirque Circo del Soaso. A cirque is a bowl-shaped valley created by ancient glaciers.

The trail there becomes… paved for a while, which was a bit bizarre. The valley opens in front of you with Monte Perdido in front of you towards the left, and the Pyrenees stand all around you.

As I walked into the valley I spotted a small hill and behind it finally stood the end of the trail and the beginning of the valley – the biggest waterfall of the area Cascada de la Cola de Caballo (Horsetail Waterfall), which was packed!

I did not walk to the foot of the waterfall, so after hanging around for a little, I turned back, had something to drink and hiked downwards. I put the camera away as I came down in order to protect it, and picked up the pace. Around half past two I caught up with the group. I am not made for sprints but I am like an ox – once I find my rhythm I can go on forever.

On our return way, we deviated to another route to walk back, and stopped by another waterfall, Cascada de la Cueva.

Once again the pace was slow, and we eventually reached the lower valley to catch a bus around half past four, but I swear the last half hour felt eternal. By the time we reached the hotel we were too tired to explore the village, though I would have liked that. But there was ice-cream, which was nice. In the end the total walked distance clocked at 20.11 km – though the official legth of the trail is around 18 km.