29th – 31st March 2025: Final Fantasy VII Rebirth Orchestra World Tour in Barcelona (Spain) {FFVII Barcelona 2025}

My sibling is an avid Final Fantasy fan, or at least of the concerts, and they usually ask me to prepare a trip when there is one in Spain. They tend to be in Barcelona, which has a love-to-hate relationships with tourism. Short-term letting apartments to tourists is more profitable than renting to residents, which is (allegedly) one of the causes of the current housing crisis. Finally, it has one of the highest criminality rates in Spain, and the epicentre of the secessionist movement. Thus, I’ve not planned much the last couple of times we were there, just enough to fill the days. It does not help that my sibling is a cosplayer and we have to haul a suitcase with the outfit.

This time, however, the Final Fantasy Rebirth Orchestra World Tour concert was on a Sunday. I have no faith in the public transport system any more, and Monday had to be requested off anyway, so we ended up looking at Saturday-morning to Monday-evening trip. Thus, I decided to fit in a bunch of Modernisme and other stuff that had been on my list for a while. Also, friends! Because friends are extremely important, especially when big changes are on the way!

I bought tickets for the concert in June 2024, when they went on sale. I booked the hotel in November, but I refused to pay for breakfast, because it was 20 € per person and day, and I was not going to pay 40 bucks for weak coffee and stuff I don’t even eat… And then I did not do much planning until February. However, I knew that at some point I needed to get things organised, else we would spend the weekend queueing to enter places. I’ve seen it happen before…

The train tickets only came out 90 days in advance, and I got them in early February. They were expensive – I had hoped to catch one of the new low-cost trains, but paying for the cosplay suitcase would push it to normal ticket prices. I found an outbound direct train, bit the return one that I wanted was not running, so we had to take a connection – which meant going to Madrid, then backwards on our way back. Oh, well. And on top of that, construction on the tracks triggered delay warnings – which did not come true in the end, good thing I insisted on being at the stations for the earlier time, whether it was the old or new one.

I put together a tentative itinerary waiting for the weather forecast, and the week of the trip itself, I booked tickets, including the transportation card – which was a nightmare. I really don’t understand how or why cities have decided to get rid of regular transport tickets. The ten-trip ticket has disappeared, and buying a one-way was prohibitive. Considering how many trips we would get, it made sense to get a 72-hour tourist ticket, since it was impossible to register to get a normal card… I also organised where to leave the luggage, since the hotel is next to the venue, and that is more than a bit out…

Spoiler alert though: we did not get pick-pocketed nor robbed, unless you count the insane tourist tax at the hotel, and we did not take forever to do the check-in.

27th March 2025: The Raven Age at ReviLive (Madrid, Spain)

Sometimes one has to wonder what guides music promoters to make certain decisions. It would be interesting to be aware of factors like costs of renting a venue, fuel, ticketing and so on. Because on occasion, it feels like tour schedules are suboptimal from all angles – acknowledging the lack of information. In the case of The Forsaken Tour by The Raven Age featuring Disconnected, I think that the most important factor that was considered was minimising bus-tour kilometres. Unfortunately, that placed their Madrid show on a Thursday, in a venue which… I’m pretty sure was inconvenient for everyone but myself.

The Raven Age is an English heavy metal band formed in 2009 by guitarists George Harris and Dan Wright – though Wright has since left the band. Current members are Harris and Tommy Gentry on guitars, Matt Cox on bass and backing vocals, Jai Patel on drums, and Matt James (MJ) on lead vocals. They have released three studio albums, and supported Iron Maiden, Anthrax and Apocalyptica during the Apocalyptica Plays Metallica Vol 2 Tour 2024. Though I saw Artics supporting that tour, my friend A****d saw The Raven Age and highly recommended them – actually she was the one who informed me of the upcoming tour and the Madrid date and place.

The Raven Age Tour Schedule

The concert was held in ReviLive, a concert and party venue associated with the musical studio ReviRock, which provides recording equipment, sets, rehearsal spaces… It is located near the Vicálvaro train station and Puerta de Arganda underground stop in Madrid. Unfortunately, it’s pretty far out from most commuting hubs. I had first thought about driving there, but my Sat-Nav has been failing lately. Furthermore, I did not feel comfortable parking and walking around the area – not the best – without knowing my way.

Since Vicálvaro was close and the way was rather straightforward, I decided to drive to a nearby station, then take a high-frequency train. But in the end, that day I had a headache, so I wanted to drive as little as possible. That meant risking it with the trains. I had previously checked finishing times and with doors at 19:00, I should be out at 22:30 latest. I had no intention to queue, so I took a train that arrived at the station around 18:50. That got me to the venue at 19:05. I was all right with staying back, but the crowd was so small that I found a spot at the barrier… And I was not wearing barrier shoes, at all. The good thing of a small side-lined venue is that security is nicer – and you are allowed to do outrageous things like bringing in your water bottle.

Supporting act throughout the tour was the French artists Disconnected, an independent French progressive metal band. Formed in 2016, it features Ivan Pavlakovic on vocals, Adrian Martinot and Florian Merindol on guitars, Romain Laure on Bass and Amaury Pastorelli on drums.

Doors ended up being at 19:30, not at 19:00, which was mean to the poor fans that had been there since early, particularly the meet & greet ones. I have to admit I did check for M&G tickets, but found no way to get them, else I would have. Maybe they were fanclub-only, I don’t know. I was hoping the venue would fill up more – similarly to La Riviera, where the crowd (that I’ve seen) skips the supporting act and drips in without queuing.

At 19:50, Disconnected started their act, and it was quite all right. What was unfortunately not so good was the sound. For such an empty venue, it was a pity, because it was not as if there was a roar from the attendees. The vocalist had great energy, and he was fun – though painfully aware of how few people there were. They sang in English and French, but the ratty sound made it a bit difficult to follow.

Disconnected’s setlist:
  1. Living incomplete
  2. I Fall Again
  3. The Wish
  4. La Puissance
  5. Unstoppable
  6. A World of Futile Pains
  7. Life Will Always Find Its Way
  8. We Carry On

The Raven Age Madrid Concert: Disconnected

The Raven Age Madrid Concert: Disconnected

Unfortunately, the venue had not filled up when it was time for the main act, and that was a bit sad. Despite the ongoing sound problems and the small crowd, The Raven Age had a great presence. The music did not sound as powerful as what I had been listening online though, and I am sure that they did not have any tea in their thermos bottles…

The Raven Age’s setlist:
  1. The Guillotine
  2. Promised Land
  3. Forgive & Forget
  4. Nostradamus
  5. Surrogate
  6. The Face That Launched A Thousand Ships
  7. Scimitar
  8. The Day The Earth Stood Still
  9. Essence of Time
  10. The Journey
  11. Seventh Heaven
  12. Angel in Disgrace
  13. Serpent’s Tongue
  14. Grave of the Fireflies
  15. Fleur de Lis

The Raven Age Madrid Concert: The Raven Age

It was extremely amusing to hear a heavy metal singer with such a strong British accent, talking in a natural way and dropping swearwords without sweating them. The members seemed to be quite happy taking over all the stage, and there was a lot of interaction, which is always good and fun. Unfortunately, considering that promoter was giving tickets away, I don’t think I’ll ever have the chance to see them close to home again.

The act was not long. They started at 20:50 and finished at 22:10, so it was a relatively short show, but it went by really fast. There was no real encore, because MJ said “this is the time when we go backstage, you guys yell for more, we come back and sing some more, so we’re going to skip all that and go on.” I approve of that.

The Raven Age Madrid Concert: The Raven Age

The Raven Age Madrid Concert: The Raven Age

The Raven Age Madrid Concert: The Raven Age

The Raven Age Madrid Concert: The Raven Age

The whole event had a weird atmosphere from start to end – the lack of a queue, the… chairs outside so we could wait… The… “hey, hold my spot, I’m going to change into this merch shirt I just got” and “Sure, but then hold mine while I go to the toilet” conversations… And especially, the lack of people. I really hoped that there would be more concertgoers after 20:00, and at least some more enthusiasm. When I saw Kamijo in Barcelona there was a small crowd, but it was loud. Here, it was lukewarm. I felt a bit heartbroken for the bands, because they both did a great job.

The train I was supposed to take back did not pass, so I had to wait almost 45 minutes at the Vicálvaro station. That was not fun because the only seats were in the open platform and my lower back hurt – bad choice of shoes. It was extremely cold, too, so I just huddled on a bench, and it felt good when the train finally came. I got to my car just before midnight, and home soon after. I was so tired I almost hit the kerb on my last curve, so it is good that I did not drive back and forth on the speedway, actually.

All in all, I enjoyed the day, the supporting act, and the concert. Would I travel abroad for The Raven Age? Probably not. Will I buy their CDs when I have money to spare? Probably yes. Although I keep getting sidetracked by activities and places to see and burning through my fun budget… Just you wait until there is a concert somewhere I want to visit, and I’ll be taking this whole “not travelling for The Raven Age” back.

22nd March 2025: The Historical Flow of River Henares (Guadalajara, Spain)

The presence of the anticyclone over Great Britain created an unusual rainy March in the centre of Spain, with four storms hitting almost back to back. An average March in Guadalajara sees 4.9 days of rain. Between the 1st and 25th of March 2025, it rained for 21 days. Storms Jana, Konrad, Laurence and Martinho delivered rainfall not seen in the area for 30 years or so.

Rain is measured using gauges and in a unit of “millimetres” – one millimetre of rain is equivalent to one litre of water per square metre. The average rainfall in the Guadalajara area is around 46 litres per square metre for the whole month of March. This four-storm period left over 150 litres per square metre. That’s a lot of rain on rain – dark clouds, soaked soil, wind blowing off the cherry plum blossoms (Prunus cerasifera).

Prune flowers in the storm

Guadalajara was built on the river Río Henares a tributary of a tributary of river Tagus. The Henares sprouts out of the mountain range Sierra Minsitra and runs about 160 km with a variable average flow between 10 and 40 cubic metres per second. The flow of the river and its tributaries is heavily regulated by the presence of a network of reservoirs in the area, designed to fight the cyclical droughts in central Spain, an arid plateau known as La Meseta (The Plateau). There are sixteen reservoirs in the province of Guadalajara, ten of them actively monitored. In March 2025, it rained so much that six of them (Alcorlo, Atance, Beleña, El Vado, La Tajera and Pálmaces) reached critical capacity and their floodgates had to be open, which dumped more water into the already “fattened” river. Furthermore, it was already thawing season, and the little snow that was on the peaks had started melting…

The result? The flow was up to over 300 cubic metres per second. That… is a lot. Official sources say that the water level increased by 40 cm, which of course caused the river to jump its usual banks. Along Guadalajara, this was mostly seen around the 10th century bridge Puente Califal (though other rivers were scary to cross). The structure was originally an Arab bridge, probably dating to the times of Abd al-Rahman III (Abd al-Rahmán ibn Muhámmad [عبد الرحمن بن محمد‎], 891 – 961 CE), though it was repeatedly damaged and repaired later on, particularly during the reign of Carlos III in the 18th century.

The bridge was built in ashlar masonry using a common technique from Al-Andalus architecture, stretcher and header soga y tizón, which means laying a layer of ashlar so the long side is outwards, then a layer so the short side is outwards, with the widest area always horizontal. The structure is almost 120 metres long, with five arches and four pillars, so thick that one of them allows for a spillway. Normally, only three of these arches are above water, allowing for most of the arch to be seen. This is a 2021 photograph which shows the usual situation underneath the bridge.

The normal state of the bridge - the low areas are dry, and only three arches have water running underneath

The humble bridge became the city’s most important tourist attraction during the storms period, as the river swelled and the water rose. Since I was in the area for work, I decided that I had to take a look. It was impressive. The water roared, and it had jumped the banks around the “park” area that has been built, along the footpaths.

Stone structure alongside the bridge, with water covering everything

Puente Califal Guadalajara during the March 2025 floods

River Henares underneath the Arab bridge

River Henares underneath the Arab bridge

Wideview of the Bridge, banks burst

15th & 16th March 2025: Canterbury (England, UK) for “The Shark Is Broken”

I’ve travelled for – or with the excuse of – concerts (take your pick) and documentaries (at least thrice, even twice for the same one), but this was my first time travelling for a theatre play. Don’t get me wrong, I like theatre – I’ve even squeezed Wicked into a London trip a couple of times – but it had never been a main driving force. Until I stumbled upon the information that The Shark is Broken was heading towards the UK and Ireland. There were no shows in London, and my connection to everywhere else – including Dublin – was not good, especially due to work schedules. However, there was one date which was, if not convenient, at least doableCanterbury, in the county of Kent. Unfortunately, neither the Gods of Trains nor the Gods of Buses were as willing to smile upon me as the Gods of Air Travel.

Once I secured a ticket for the play (£55.00, dead centre of the stalls), a hotel in Canterbury, and the plane ride, I checked out what to see in town. This was back in December 2024. I also booked my parking spot at the airport, and since it was so long out, I could reserve Terminal Parking for just a couple of quids more than long-distance parking. That’s an extra 20 minute snooze! However, as I’d been hearing about train disruptions in England, I decided to wait a little before buying the Stansted-London and London-Canterbury trains. And sure enough, when a couple of weeks before the trip I went to check on the trains, the Stansted Express was indeed not running. There were ticket sales, at normal prices, but the trip would be by bus – taking as long as a bus usually takes. Thus, I decided to buy a coach trip at coach prices instead. That added a couple of hours of travel / waiting to the whole journey. Then, I went on to the South Western Rail website, which claimed that purchasing tickets would be easy. My definition of easy is… different, but, I was able to secure tickets. I was supposed to download the app to use them – but the app cannot be downloaded outside the UK. Fortunately, I was able to download a copy of the tickets from the confirmation email and use those.

When the day came, I left home a bit after 3:00 for my 5:45 flight. It was extremely cold, but at least it was not raining. I had some time at the airport before take-off, but of course everything was closed. It felt a bit weird, knowing it was the last time I could fly to the UK “for free”, considering that all countries are implementing the stupid Visa fees everywhere. We landed in London’s Stansted Airport on time, so I made it to the 08:10 coach I had booked – despite the utter chaos that Stansted coach station has become. The nice 40 minutes by train to London Liverpool turned into an over-two-hour coach obstacle course through London’s construction work.

Since I had been forced to buy a bus ticket, I got a direct one to King’s Cross – St Pancras International, where my train to Canterbury was due to depart. I had calculated for a safe train at 10:40, and I reached the stop around 10:05, which gave me enough time to find the nearest Costa Coffee before I went to Platform 13 to board my train. I chose the carriage poorly, as I ended up in the midst of a boisterous hiking group, but the trip was less than an hour, and I reached Canterbury West at 11:34. This was a bit over an hour later than what I had originally hoped for, due to the train-bus adjustment. Looking back, maybe it had not been necessary to buy that ticket in advance.

The city of Canterbury is a Unesco World Heritage Site in the county of Kent, in the south-east of England. The area has been inhabited since the Lower Palaeolithic, through the Iron Age, and Roman times on. The town saw the first Christian conversions in the British Isles, and the foundations of the cathedral were set in 596. Canterbury survived the Viking raids around the year 1000, but it fell into William the Conqueror’s hands in 1066.

In 1170, Archbishop Thomas Becket was murdered in the cathedral, an event which triggered massive pilgrimages from all the Christian countries. Between 1387 and 1400, author Geoffrey Chaucer wrote The Canterbury Tales, one of the key works in English literature, a fictional compendium of stories told by pilgrims towards the cathedral. During the early Middle Ages, Canterbury became one of the most populated towns in England, until the Black Death decimated its people. In the 16th century, there was an influx of French protestants (Huguenots) who fled mainland Europe to resettle, revitalising the economy and introducing the silk-weaving industry that flourished for over a century.

After the 17th century, things changed. Canterbury became an agricultural hub spot, so the Industrial Revolution only affected it with the construction of railways. The historical centre was damaged during WWII bombings, after which the historical area was pedestrianised and a ring road built around it. Today, Canterbury lives off tourism, retail, and higher education, with a large floating population of university students.

And it was cold that weekend. A climate topsy-turvy seemed to have exchanged the Spanish winter anticyclone and the British rains, so it was storming in Spain and crispy in Britain those days. But at least, it was not raining, which allowed for freedom and seeing a lot of things. Upon leaving the station, my first contact with Medieval Canterbury were the Westgate Towers Museum & Viewpoint, the largest Medieval gateway surviving in the UK. It was erected around 1380 to substitute the Roman ones. Even before that, there were other hits like “the oldest brewer in Britain.”

Westgate tower, former gate to the Medieval city

I reached the pedestrian St. Peter Street, which merges into High Street, the town’s spine. My first real stop was the Cathedral and Metropolitical Church of Christ, Canterbury (Canterbury Cathedral for short). The cathedral is the seat of the Archbishop of Canterbury, the symbolic leader of the Anglican church, and the spiritual leader of the Church of England – whose official residence is actually in London though, for some reason. I wanted to get to the cathedral first just in case it closed at any time for a service, and so I did not pay much attention to the main street for the time being.

The cathedral precinct is accessed by the Christchurch Gate, completed around 1520 in the Tudor Gothic style. It features restored colours on the decoration, restored between 2018 and 2022. In the square in front of it stands the Canterbury War Memorial, to honour the victims of WWI, which was damaged during WWII, along with most the historic area, due to bombings.

The cathedral was established in the year 597 after the arrival of St Augustine to Kent. During its first period of existence, it was a Roman Catholic place of worship. The building burnt down and was completely re-erected towards the end of the 11th century, and a lot of construction and reconstruction went on until the end of the 16th century – around the time of the English Reformation, when the Catholic monasteries were disbanded and the cathedral turned Anglican. Most of it has remained in the 12th-century Gothic style, except the crypt, which is Romanesque. The west front – under conservation work – hosts statues of people who are considered influential in the life of the cathedral and the church of England, from Augustine of Canterbury to Kings and Queens including Elisabeth II. During the Roman Catholic period there was a Benedictine Abby attached to the cathedral. Today, only the cloister and the ruins of the infirmary remain from that time.

I bought my ticket and headed to the entrance of the cathedral. There was a trail, and I decided to follow it. That led me to see the West façade, with the statue of the Saints, Kings and Queens, and then down a corridor towards the cloister, which might have been the most beautiful one I’ve ever seen, with gothic arches and family crests painted on them. After the cloister, I found the herb garden and the water tower, and I got to see the ruins of the infirmary.

I went down to the crypt, and then up to the cathedral. The building already looks big from the outside, but the inside feels huge, with columns and pointed arches soaring up to the ceiling, and paned glass windows letting the light in. I first toured the quire (choir), where the Shrine to Thomas Becket used to be. Thomas Becket (Saint Thomas of Canterbury) was King Henry II’s friend and chancellor when he was appointed Archbishop of Canterbury in 1162. He clashed with the King regarding the rights of the crown and the church, and even if the Pope tried to mediate, in the end Becket was murdered in the atrium of the cathedral in December 1170, which propelled him to martyrdom first and sainthood a couple of years later. His body was hidden for decades until he was buried in a shrine under the quire in 1220. The shrine became a pilgrimage destination in the Middle Ages known as The Pilgrims’ Way, from either Winchester or Southwark Cathedral in London. During the Reformation, in 1538, King Henry VIII ordered the destruction of the shrine and Becket’s remains. Today, there is a candle burning where that shrine stood, and the Pilgrimage is still encouraged by the cathedral.

Canterbury cathedral - exterior

Canterbury cathedral - interior

I saw the place of the murder, called the martyrdom, on the way to the main nave, where a concert was being rehearsed. It sounded beautiful, but I could not stay forever, because there were many more things to see in town. Outside the cathedral itself there is a memorial garden and the six-metre sculpture War Horse (named Joey), in honour of all the animals that have died in war.

I had to move on, as it was windy and cold out in the open, and I still had more places to visit. I went on towards the Canterbury Roman Museum. The British are always extremely proud of their Roman ruins, though sometimes these are just a few objects. This time, however, the museum lives up to its hype. Even if the artefacts are not that impressive, it hosts the only in-situ Roman pavement mosaic in the UK. Unfortunately, nobody thought about building an overpass viewing platform…

Roman mosaic on the ground

I then headed back towards the main artery of the historical area, High Street and the local museum, The Beaney House of Art & Knowledge, which also doubles as Tourist Information Centre. I broke the worker’s brain when I asked for advice considering that I’d already seen the cathedral and the Roman Museum. What I actually wanted was an estimate of how long the trail around town would take, and confirmation of opening times. I was not too successful as they gave me some schedules which were not accurate. Anyway, I snooped around the place.

The Beaney House of Art & Knowledge was designed by A.H. Campbell in 1897 in the Tudor Revival style. It is named after James George Beaney, a Canterbury-born medical doctor who left money to the city to create a cultural hub. Today, the house hosts the Tourist Information Centre, an art gallery, an auction gallery, the local library, and a museum with collections about different aspects of the town’s history, including a lot of worldwide items that seemed brought by aristocrat’s Grand Tour.

The Beaney House of Art & Knowledge

I decided to do the walking trail around the town then. Now that I was not bee-lining any more, I could take in the statues, houses and buildings in High Street. The statues include Aphra Behn and Geoffrey Chaucer. Behn was a 17th century writer, one of the first English women to earn her living from her art, and possibly even a spy in the colonies and Antwerp. Along the street, I located my hotel, the Great Stour Canal, the theatre and the restaurant where I wanted to have lunch. I exited the centre through the Westgate Towers again, and ended up in the Westgate Gardens. I had started exploring, but then I got dizzy, and my legs shook a little. I had been on the go for almost 12 hours, on four hours of sleep, so it was time for a break. Thus, I backtracked to the Old Weavers Restaurant. I have to admit that I almost got sidetracked to have an authentic afternoon tea, but I had come across this place during my planning, and I was glad I went.

It is true that British food has a horrible reputation around the world. But honestly, it is not that bad – it’s just not such an important social event as it could be for example in Italy or Greece. Furthermore, there is a theory that most “traditional” recipes diluted away with industrialisation, when people worked too much to bother with cooking – the Industrial Revolution was something so new, nobody really knew how to deal with so many changes. Then, WWII food rationing and post war pre-made foods prevented a whole generation from learning how to cook. And thus, Chicken Tika Masala became the staple of English cuisine. In reality, however, this is not accurate. The British gave us scones, bangers n’ mash, roasts and pies, all of which are delicious.

Pies were what grabbed my attention from the Old Weavers Restaurant menu. The eatery is located next to the canal, in a house which dates from the 1500s, with foundations from the 1200s, and the original interior structure. The building was originally a weaving centre in the 16th century by the Huguenot refugees, which then became a weaving school – hence the name. When the school closed, the restaurant was established. moreover, almost all the “nice” restaurants in the area were offering a 15% discount with theatre tickets too.

The place was warm and a hot meal was a nice break to have. I was seated at a small table on the ground floor and ordered a Chicken, ham & leek pie in a hot skilled with a puff pastry lid, and a side of chips. I like British pies. Conversely, the first recipe of British pie on record was also written by Chaucer in 1381.

Pie and chips

Since I was quite literally outside my hotel, I decided to check in so I could drop my backpack and relieve the weight on my shoulders. I was not carrying much at all, but the hours were getting heavier, I guess. The hotel turned out to be an old refurbished house, with narrow stairs, and my room was on the upper floor. It turned out to be tiny, and weirdly distributed – I had to open the bathroom door in order to take off my coat. But it had a working bathroom, a radiator, and it was warm, so I was all right with it. The price was cheaper than anything I would have found in London and it would save me a lot of stress when I left the theatre. While taking the train back to London was doable, it’s not like I felt like one hour on the train, and then a commute in the Tube in the middle of the night.

I left again, and tried to pick up where I had stopped before lunch – this was my mistake. I should have done my walk clockwise, but I thought I had a bit of time. I had not counted on admission ending up an hour beforehand – but it was all right, and my plan ended at a local supermarket to buy snacks, dinner, and something I wanted to bring back with me. Thus, I went to the Westgate Gardens again, and I took a bit of time with the buildings and the ruins there.

Canterbury - Marlow theatre and Medieval buildings

Canterbury is located on the River Stour, usually known as Great Stour to distinguish it from its tributaries. There are at least three main waterways through town, and even businesses that give boat rides to tourists. The Westgate Gardens are built along the Stour. They host The Guildhall (town hall) and Tower House, a narrow Victorian house built around a bastion of the city walls. I strolled along the riverside, mindful of the mallards and the seagulls who owned the place, until I crossed the Rheims Way Underpass – Canterbury really likes its underpasses, and they’re all right when you get used to them – full of graffiti and contemporary art (graffiti). I eventually veered back towards town, towards an area called Tannery Field and I came across the Canterbury Bull Sculpture, by local artist Steven Portchmouth, an artwork which honours the agricultural and industrial history of the area.

Canterbury Great Stout & Westgate park

I found St. Mildred’s church, an 11th-century stone church with a small graveyard, and totally missed Canterbury Castle for a minute there. I knew it was closed, but it turned out it was completely covered in scaffolding. The castle dates back to 1066, when Canterbury surrendered go William the Conqueror, who proceeded to commission a motte-and-bailey structure, with the motte being what remains today, though underneath the protective scaffolding.

A few minutes away, I got distracted by something which had not been in my plans – Dane John Gardens. Dane John was not a person as I originally thought – the name comes from the corruption of the Norman word for “fortified mound”, donjon, and there is actually a theory that the mound that still stands in the middle of the park is a former defensive motte, though during the Roman times it might have also been a burial mound, on top of which stands the Simmons Memorial – Simmons was the local alderman who built the gardens between 1970 and 1803. The park ends at the reconstructed Roman wall, with rebuilt defensive towers, and it hosts small attractions like fountains, a giant sundial, a Band Stand…

I went along the Canterbury City Walls until I reached ground level again – and then I went underground to cross the wide roads. When I emerged, I finally made my way to St. Augustine’s Abbey. The abbey was originally dedicated to other saints, but it was repurposed after St. Augustine, who had established the cathedral, died. It was a Benedictine monastery from the year 598 on, until the English Reformation forced its dissolution in 1538. Afterwards, it became a royal residence, which was then rented out to noble families. Most of it was eventually dismantled to build new houses, until it was bought in 1844 by a religious Member of Parliament who established a missionary college. During the 20th century, the abbey ruins and the college were separated for classrooms and boarding houses. The British Government took charge of the ruins in 1940, and the abbey is part of the Unesco Heritage Site.

Dane John Gardens and Medieval walls of Canterbury

It was a little past 16:00, and I assume the ticket booth had just closed, though opening times were listed until 17:00 and there were people – a dogs – inside. I first saw the Fyndon Gate, the original gate to the abbey, built in the early 1300s, with two octagonal towers on the side, and a chamber above the entrance arch, which has an overlooking arcade. Though I could not enter the abbey, I was able see to the main ruins through a convenient lookout to the side of the locked-down area.

St Augustine Abbey Canterbury

I saw a signpost regarding the pilgrims’ route that lead me to both Rome and St. Martin’s church. Rome was a little far away to be back on time for the theatre, so I decided to settle for the church, which had been the plan all along anyway, as it was the third key point in the Unesco Heritage Site. The church recognised as the “oldest parish church in use” in the English-speaking world. It was used by Queen Bertha of Kent as her private chapel even before St. Augustine arrived from Rome in 597. Though her husband, Æthelberht of Kent, was originally a Pagan, he allowed her to continue practising her Christian Faith and he himself eventually converted. The building was erected reusing a lot of Roman bricks and tiles, along later stone. It has a small graveyard where many notable families have been laid to rest. The sun was setting, and the wind had calmed down, so it was nice. I did have a moment of slight worry when I glimpsed someone and I heard a bang – I thought maybe they had closed the gate and I would have to jump over the wall. Luckily, it was not.

Canterbury St Martin chuch

I headed back towards the centre. In front of the abbey’s Fyndon Gate I found the statues of King Æthelberht and Queen Bertha of Kent. King Æthelberht was eventually considered a saint for his role spreading Christianity among Anglo-Saxons, but his main contributions were more earthly. He created the earliest written Law code in any Germanic Language, and minted the first coins which circulated in Kent.

Still heading downtown, I walked by St. Paul’s church without the Walls, which could’ve been built in Roman times as a cemetery chapel. A bit further along, there was the St. Thomas of Canterbury Roman Catholic Church, the only Catholic church in town, built in the late 1800s in the Gothic Revival Style. Adjacent to the church stands the tower Tower of St. Mary Magdalene, which belonged to Medieval parish that was demolished to build St. Thomas. There is a memorial inside the tower, protected by glass.

Back in the High Street, most shops were closed or closing down, and I did not come across any bookshops, where I would have purchased a copy of Chaucer’s The Canterbury Tales just to have a copy from the town. What I did find was a Sainsbury’s Local supermarket. There, I bought a sandwich for a late supper after the theatre, some Cadbury Eggs, and a can of Bisto Gravy granules. Cadbury Eggs are a confection made of chocolate with a yellow-and-white sugary filling. Gravy is a cooking sauce I can’t recreate to save my life so I enjoy having the ready-to-make at hand, it’s just small granules that you dissolve in boiling water to create the sauce. Neither – I reasoned – should be a problem at the airport.

I went back to the hotel to have an hour or so of rest before I headed out to the theatre. Marlowe Theatre was obviously named after one of the most famous Canterbury locals: Christopher Marlowe, the 16th century playwright, poet, translator, alleged spy and reportedly atheist, whose work is reported to have influenced Shakespeare himself. His plays were extremely successful, and they include The Tragedy of Dido, Queen of Carthage, The Tragedy of Jew of Malta, and the first dramatised version of the Faust legend, The Tragical History of the Life and Death of Doctor Faustus. The Marlowe Memorial, depicting The Muse of Poetry (either Calliope or Erato, one guesses).

There have been at least three “Marlowe Theatres” in Canterbury. The current one was rebuilt from a previous one between 2009 and 2011, as a stainless steel and aluminium building with a colonnade, and at night it glows electric blue, pink and purple. It is not a pretty building on the outside, but the inside is all right. It seats 1,200 spectators, it has a bar and a tiny merchandise stall.

Canterbury cathedral and Marlowe Theatre at night

Before I went into the theatre, where I bought the programme, I headed towards the cathedral to take a few pictures the building at night. On the way back, I must have taken a wrong turn somewhere, because I was disoriented for a minute before I found the bluish glow of the theatre. Back in December, when I booked the tickets, I also got “ticket protection” (insurance, basically), but I was ecstatic that I did not need a refund. I had managed to get there, and I could finally enter the theatre. I did not feel even a bit tired, even if I had been on the go for over 16 hours.

The Shark is Broken is a ninety-five-minute play written by Ian Shaw and Joseph Nixon, based on actor’s Robert Shaw’s diary of filming the 1975 film Jaws, directed by a young Steven Spielberg in 1975. It follows three very different men who try to hunt down (fish down?) a great white shark which has found the perfect feeding ground off Amity Island, a small beach community in Long Island. Jaws is often credited as the first summertime blockbuster, and it went on to win three Academy Awards – Best Original Score for John William’s music, Best Film Editing and Best Sound.

Canterbury Marlowe Theatre - The Shark is Broken

It is a commonplace piece of trivia that working on Jaws was a nightmare for everyone involved, as the mechanical sharks used for filming kept breaking down, which caused delays and going over budget again and again and again. Main actors Roy Scheider (Chief Brody), Robert Shaw (Quint) and Richard Dreyfuss (Hooper) were stuck on the little ship set for days on end while the film crew worked on “Bruce”, the shark. On top of authoring the script, Shaw plays his father. Dan Fredenburgh plays Roy Scheider, and Ashley Margolis plays Richard Dreyfuss. The stage play was originally directed by Guy Masterson in its Broadway run, and Martha Geelan is acting touring director.

The play is a number of connected, sequential scenes depicting different conversations over several days, showing the rising tensions amongst the actors. There are plenty of rather uncensored references to Robert Shaw’s rampant alcoholism, which his son, Ian Shaw, has not tried to hide or dilute. The set is just the ship, and only the three actors are on stage, you only ‘hear’ about the shark off-scene.

Was it a comedy? No. Was it funny at points? Extremely. Did I enjoy it? Immensely. I’ve read reviews saying that it is not worth it unless you are a huge Jaws, which I am. It includes known trivia, obscure facts and several hilarious meta references, including “It’s a thriller, do you think people will be talking about it in 50 years?”, which delivered on the 50th anniversary of the film is hilarious. Another one, referring to how Spielberg bailed on the last day of filming fearing the crowd would dunk him in revenge for all the inconveniences, and his upcoming career, is “Sharks? Aliens? What’s next, dinosaurs?” The scenes were chronological towards the end of filming, until the last one. Another known piece of trivia is that Robert Shaw was extremely drunk trying to do one of his scenes, the so-called “Indianapolis Speech” – and he screwed it up every time until he sobered up and delivered it in one go. The speech is referred to a few times throughout the play, and the very last scene is its re-enactment. It was glorious.

The Marlow Theatre was just a minute away from my hotel, and I could use the back door to get back in. I climbed up to the room and took a shower to warm up. Unfortunately, the bathroom had one of those fixed nozzles and the shower screen was… way too short for it. I might have caused a teeny-tiny flooding – good thing that I had extra towels to contain it. Afterwards, I had my sandwich, and a Cadbury Egg, even if it should have been too late for chocolate. Predator was running on TV, so I watched that while I charged the phone. Finally, I set my alarm and went to sleep, thinking that maybe being able to be on the go for twenty-something hours straight is my superpower.

My train back to London was at 7:24 – I had to miss my breakfast at the hotel, which started at 7:30, but that’s life. Fortunately, there was a kettle with some instant coffee and creamers in the room, along with biscuits. I woke up around 6:15, got ready, and hurried to Canterbury West station not because I was late, but because it was extremely cold. The train was on time and I was back in London St Pancras International just before 8:20. The train ride was uneventful, and once there I crossed over to Kings’ Cross Station to get breakfast from Costa Coffee. Since I was there, I peered over at Harry Potter’s Platform 9⅓, and I discovered that they actually take out the cart when the “attraction” is closed. I knew they charged for pictures, but I did not know that the cart was detachable. Which… I guess makes sense… considering that people would take free pictures with it if it was there. I just thought there would be a screen or something…

Anyway, not my thing. I headed out to explore St Pancras International Station. The original station was constructed in the Gothic Revival style (or Victorian gothic) in the 19th century, opening in 1868. The exterior was made out of dark red bricks, while the interior displays a complex roof in wrought iron and glass. The overall station layout was commissioned to engineers William Henry Barlow and Rowland Mason Ordish, and the adjacent hotel was designed by architect George Gilbert Scott. It is a magnificent building only slightly defiled by the contemporary expansion tracks. St Pancras was all but abandoned around 1960 until the 1990s, with extensive reconstruction, renovation and restoration in the 2000s. In 2007, it became the “international” station as it became terminus for the Eurostar train which covers the route between London and Paris in 2h 16 mins.

St Pancras international train station

I had to sit down for a few minutes because I made a wrong movement and my back cramped, but it passed soon. I was able to do a little bit of shopping in the station. A lifetime ago, I bought an umbrella in a franchise called Boots, and they had the same style and brand in the shop at the station. Considering that said umbrella served me well between 2012 and 2024, I had decided to buy another one if I ever saw it. I also got a book, because books in the UK are comparatively very cheap.

I found the coach stop, where I had to be at 15 minutes in advance. It was cold and windy, and it felt long. Apparently, the bus before had not come either, so there were a lot of people waiting. However, my ticket and seat were guaranteed. The only problem was, again, that the traffic was horrible due to construction. We took 43 minutes to cover something that should have been done in 10. Despite it all, the coach arrived at London Stansted Airport on time and without issues.

I went straight to security. Stansted is implementing new security protocols, which is great if you don’t get stopped. I got through two times ago, but last time my keyring created a problem – I have since changed that. This time around, the security lady was opening playing-card boxes to check for chemicals (not even kidding) and had to swipe my gravy granules for drugs, or explosives or who-knows-what. When I said “I didn’t even realise that could be a problem” her – rather sheepish – answer was “it isn’t.” Then… why did it get flagged? I’ll never understand airport security.

After 20 minutes waiting at security, I had some sushi at the airport, and bought a Playmobil Royal Guard, because they have always drawn my attention, and I thought that today was the day. Then, it was just waiting. My plane back was at 14:10, landing before 18:00, because I needed to get to a hard week of work on Monday. Part of me wishes I could have stayed until a later flight, but I needed to be reasonable. I did not get emergency exit seats either flight, so there was no issue with the cabin crew. However, when I tried to get my car out of the parking lot, the plate-recognition system would not work, so I had go down all the way back to find a person to talk to – good thing, then, that my plane had not arrived at 23:00.

The truth is, everything would have been more efficient had the Stansted Express been running, but at least I waited to book tickets so I could make the most out of the commuting issues. I did not pay train prices for coach transit, and I did not have to wait much between transportation choices. Furthermore, I could fill the time I had with things to do – and stuff to buy. And the most important thing, I saw The Shark is Broken, along with getting to know a new city.

9th March 2025: Expominerales 2025, the other half of the weekend’s plans (Madrid, Spain)

Since I had to be in Madrid to watch the fantastic concert by the Wiener Sängerknaben, the plan had been to attend the yearly Expominerales mineral fair in the Mine and Energy Engineering School Escuela Técnica Superior de Ingenieros de Minas y Energía (ETSIME) that same day. However, the fair closes on Saturdays between 14:00 and 16:00 for a lunch break, so since the weather was so horrid, I decided not to wait. On Sunday, the weather forecast was slightly less miserable, and in the end I was lucky with only some gentle rain as I walked between the train station and the Engineering School, nothing like the sleet deluge the previous day.

Expominerales fills the ETSIME with stalls selling minerals, fossils and crystals offered by reputable sellers. Here I’ve seen the biggest megalodon teeth in my life, held a plesiosaur vertebra – which I regret not buying when I had the chance – and discovered that moldavite exists – and which I regret not buying when I had the chance… do you spot a pattern here? I did not break it anyway, because in the end I cannot afford most of what is sold, and I already own most of what I can…

Overlook of ETSIME during Expominerales

I arrived at the School shortly after the exhibit opened around 10:00, and the area was still pretty empty. There were fewer stands than the previous years I’ve been there, and the moldavite stand was not there. Actually, there were very few meteorite-related stands this time around. I did see amazing modern-times frog fossils from Owens Lake. Owens Lake is called Patsiata in the Mono Native American language. In 1913, the lake dried out when the water from the Owens River was redirected and with years it has become a deadly salt flat, a source of alkali sand storms with a side of carcinogen materials. One of the minerals found in Owens Lake is trona, a crystal formed by the precipitation of sodium carbonate, making it a type of evaporite. In 2023, an atmospheric river caused floods in California, filling the lake up for the first time in over a century. The floods damaged infrastructure and created a surge of floodwater to the lake, which eroded surfaces and dragged a lot of small hibernating animals towards the lake, where they were killed instantly. Their soft tissues were quickly replaced by trona salt before the bodies even decomposed, creating a perfect cast of the poor critters. There were two on display at Expominerales and they were creepy!

Something else that caught my eye (and was actually within my doable price range) was a polished abalone shell. The Korean abalone (Haliotis discus) has been used for centuries in the art of najeonchilgi [나전칠기], which refers to decorating items with mother of pearl. The abalone can be polished in full, creating a whole iridescent body of nacre. These mollusks used to be collected by haenyeo [해녀], traditional female divers from the Jeju province, but most of them are farmed for food today. A small polished abalone came home with me.

Items from Expominerales

The School opens its classic museum during the exhibit, and I always enjoy visiting it. However, after wandering around for a bit (and spending some money), I moved onto what basically is the next building over to the ETSIME, the Spanish Mining and Geology Institute IGME – Instituto Geológico y Minero de España, which hosts the Geomineral Museum Museo Geominero. The original design of the building was conceived by Francisco Javier de Luque, and work started in 1921. Though a congress was held there in 1925, construction went on until 1941. The building has not been extensively restored, but it presents deviations from the original plans, and even from subsequent ones.

The museum is hosted in the former hall, and to get there, first you have to go through a very bored security guard – who first asked if I was sure I wanted to be there. Once inside the building, one goes up the main staircase towards the gallery underneath a glass-and-iron skylight with the logo of the Mining Institute. It was designed by Luque himself and created by the Madrid workshop La Veneciana, a glassware shop dating from 1876 and which, under a different name, still exists today.

Entrance staircase to the Geomineralogical museum

The museum is an open area, located underneath another incredible skylight. The displays are hosted in wooden cabinets in the main floor. The upper balconies can be accessed through spiral staircases and are protected by metalwork railings. One of the details I absolutely adore are the glassworks displaying geological sample cores of different surveys. I’ve never seen the library, but I was once part of a group which was allowed to play with some of the “lesser value” items they have as part of a training session, and that was super fun. The museum is probably one of my favourite spots in town.

The Geomineralogical Museum

From the architecture point of view, I like the building and the skylights. However, there are way more things to love in the museum, such as the wooden cabinets, full with samples of minerals, fossils and meteorites. The museum’s collection are divided into “Mineralogy and Petrology”, “Flora and Invertebrate fossils from Spain”, “Vertebrate fossils from Spain”, “Foreign fossils”, “Systematic invertebrate palaeontology”, “Micro-palaeontology”, “Fossil resin”, “Fossil tracks”, “Stromatolites”, and the “special exhibits”. One of these is a complete cavern bear (Ursus spelaeus), another one is an Ibex (Capra ibex). The last two have honour spots, with their own display.

When you come into the museum, one of the first things that you see, in front of the door, up on the first-floor balcony, is the cast of the most complete Tyrannosaurus rex skull ever found – Stan. Specimen BHI 3033, Stan, was found in 1987 and excavated in 1992, in South Dakota’s Hell Creek Formation. Stan lived around 65 million years ago, in the Cretaceous period. We know he fought for his life more than once – his ribs were broken and healed, two vertebrae were fused together, and he suffered a bite to his snout. Stan remains one of the most complete skeletons ever found, and probably the most-often cast. The skeleton made mainstream news when it was auctioned at Christie’s in New York due to money disputes among partners of the original owner-firm, Black Hills Institute. An anonymous buyer paid $31.8 million for it in October 2020. In 2022 it was disclosed that the Department of Culture and Tourism of Abu Dhabi had bought Stan for their projected new Natural History Museum.

On the ground floor there is a mastodon fossil Anancus arvernensis found in the 1990s. These animals related to modern elephants lived throughout the Miocene and went extinct in the Early Pliocene (two million years ago). The could have been around the size of a modern African bush elephants, but their tusks were mostly straight. They would have lived in steppe with dry and warm climate, but close to water. The fossilised bones were recovered are dated around 3.2 million years ago, and were dug from the Las Higueruelas site between 1948 and 1991.

Exhibits at the Museo Geominero

After I wandered the museum for a while, I left towards my train which was delayed… 43 minutes. Fortunately, so were the ones that had to pass before, so I ended catching one in the right direction after only a twenty-minute wait. And then I got junk food, because some days have to end in junk food…

8th March 2025: Wiener Sängerknaben Spain Tour, half of a weekend’s plan (Madrid, Spain)

Where should I get to see the Vienna Boy’s choir Wiener Sängerknaben? Vienna? Of course not! Madrid, of course. We did try to see them in their home town, but it did not work out, because they sang before we arrived, and while we were on our way to the airport on the day we left. However, chance wanted that their Schubert Choir Schubertchor would be touring Spain in March, and Madrid would be their first stop. We got good tickets by a hair’s breadth, because my parents do not believe in booking in advance – nor in me booking for everyone – but we got them, literally last row of stalls.

Nobody knows exactly when the historical Wiener Sängerknaben was established, but there are records of boys singing at the Imperial Chapel back in 1296, even before the chapel was in Vienna. The Boys Choir just performed for the Court until 1918, when the Austria-Hungary Empire collapsed. In 1924, the institution was re-established as a private non-profit. It remained boys-only until 2004, when the Girls Choir Wiener Chormädchen was founded.

The boys attend their own campus from primary to senior high school. There are 100 choristers divided in four choirs (Bruckner, Haydn, Mozart and Schubert), each of which tours for around 10 weeks per school year. They perform High Mass in the chapel of the Imperial Palace every Sunday as part of an ensemble called Hofmusikkapelle (Court Music Orchestra), formed by the boys and members of the choir and orchestra of the Vienna State Opera (Wiener Staatsope).

As part of those ten-week tours, it was announced that in 2025 the Schubert Choir would tour South Korea, Spain, Switzerland and Italy. In Spain, they were to perform four special concerts in Madrid, Seville, Alicante and Valencia. The Madrid show took place at 11:00 in the national auditorium Auditorio Nacional de Música. The auditorium was designed by architect José María García de Paredes and it opened in 1988. The largest music hall can host over 2400 spectators.

Auditorio Nacional, inside and out

The Schubertchor has 22 members from all over the world – though most are Austrian, others come from China, Croatia, the Czech Republic, England, Germany, Hungary, Japan, South Korea and Ukraine. The boys’ names are not released, but they were touring with Peruvian conductor Andy Icochea Icochea, who had previously worked in the Wiener Sängerknaben between 2005 and 2011. Icochea seems to have specialised in training young choristers, and has had a long career with different choirs and orchestras, even with a music charity. He has collaborated with other directors such as Riccardo Muti, who conducted the 2024 Silvesterkontzert / 2025 New Year’s concert in Vienna.

The day of the concert started raining buckets, but we had decided to try public transport instead of driving to the area where the Auditorio Nacional de Música stands. Afterwards, we wanted to have lunch and head to Expominerales, which was held that same weekend. We arrived with plenty of time, and we had to find a café to pass the time until doors opened. Once that happened, it was a bit of a chaos of umbrellas and everybody trying to push in at the same time. If you think young people get excited before a concert, they’ve got nothing on senior citizens.

At 11:00 sharp, even before the hall had completely filled up – doors had opened kind of late in my opinion, less than half hour in advance – the children and the director came out. People were still being admitted during for the first couple of songs, and the auditorium staff were harassing patrons about where they had placed their jackets, or whether they were in their correct seats, well into the show. It was weird, and a bit disrespectful, those details should have been sorted beforehand. However, the concert itself were amazing. Most of it was sung a capella, and only a piano was used for accompanying the choristers in several songs, played by Icochea himself.

Vienna Boys' Choir Madrid

Setlist:
  First part:
    1. Kaiser-Walzer, Op. 437 (Emperor Waltz), composed by Johan Strauß II, with lyrics by Victor Gombocz and arranged by Gerald Wirth.
    2. Der Wassermann (The Water Genie), composed by Robert Schumann, with lyrics by Justinus Kerner.
    3. Hebe deine Augen auf zu den Bergen (Lift thine eyes), trio from Elias, Op. 70 (The Prophet Elijah), composed by Felix Mendelssohn from the lyrics of Psalm 121:1-4.
    4. Die Meere, Op. 20 No. 3 (The Seas), composed by Johannes Brahms
    5. Psalm 23, D.706, composed by Franz Schubert with Germany lyrics by Moses Mendelssohn.
    6a. Nun stehen die Rosen in Blüte (Now the roses have bloomed) from Der Jungbrunnen, Op. 44 (The Fountain of Youth) composed by Johannes Brahms with lyrics by Paul Heyse.
    6b. Die Berge sind spitz (The mountains are pointed) from Der Jungbrunnen, Op. 44 (The Fountain of Youth) composed by Johannes Brahms with lyrics by Paul Heyse.
    6c. Am Wildbach die Weiden (The willows beside the stream) from Der Jungbrunnen, Op. 44 (The Fountain of Youth) composed by Johannes Brahms with lyrics by Paul Heyse.
    6d. Und gehst du über den Kirchhof (And if you walk across the churchyard) from Der Jungbrunnen, Op. 44 (The Fountain of Youth) composed by Johannes Brahms with lyrics by Paul Heyse.
    7. Inclina Domine aurem tuam ad me, Op. 118 (Incline your ear, Lord, to me), Josef Gabriel Rheinberger (Psalm 86).
    8. Erlkonig (The Elven King) composed by Franz Schubert, with lyrics by Johann Wolfgang von Goethe, arranged by Oliver Gies.
    9. Sängerslust, Polka française, Op. 328 (Singer’s Joy, French Polka), composed by Johann Strauß II with lyrics by Joseph Weil.
    10. Wiener Blut, Walzer Op. 354 (Viennese Spirit), composed by Johann Strauß II, arranged by Helmuth Froschauer.
  Second part:
    11. 아리랑 [Arirang] (impossible to translate, but it might have meant “My beloved one” in Ancient Korean), arranged by Gerald Wirth, a traditional Korean love song from the Kyonggi Do province, with over 60 variations.
    12. Vreneli abem Guggisberg (Vreneli from Guggisberg), Swiss folk song arranged by Gerald Wirth.
    13. Müsle gang ga schlofa (Go to sleep, little mouse). Cradle song from Vorarlberg, Austria with lyrics by Walter Weinzierl, arranged by Gerald Wirth.
    14. Unz Wättr isch winti (Until the weather is windy), written by Luis Stefan Stecher like an Italian folk song, with music by by Ernst Thoma.
    15. O more duboko (Oh, deep sea), Croatian folk song, arranged by Gerald Wirth.
    16. La Paloma (The Dove), Spanish habanera by Sebastián Yradier, arranged by Gerald Wirth.
    17. Chim Chim Cher-ee from Mary Poppins (1964 film), by Richard M. Sherman and Robert B. Sherman, arranged by Christi Cary Miller.
    18. What Was I Made For? from Barbie (2023 film), by Billie Eilish O’Connell and Finneas O’Connell, arranged by Jennifer Lucy Cook.
    19. Under the Sea from The Little Mermaid (1989 film), by Alan Menken and Howard Ashman, arranged by Kirby Shaw.
    20. For ever, Polka schnell, Op. 193 (Forever, Fast Polka) by Josef Strauß, arranged by Gerald Wirth with English lyrics by Tina Breckwoldt.
    21. An der schönen blauen Donau, Op. 314 (The Blue Danube), composed by Johann Strauß II, with lyrics by Franz von Gernerth (1821-1900) and arranged Gerald Wirth.
  Encore
    22. Radetzky-Marsch, Op. 228 (Radetzky March), by Johann Strauß I, arranged by Gerald Wirth.
    23. Un Elefante Se Balanceaba (An elephant swung), Spanish children counting song, probably arranged by Icochea.

Charming does not even come close to describing the show. I’d never understood the concept of “angelic voices” until now, and I found it really unfair that you can’t actually find out the names of the boys. I don’t know whether it is to protect their privacy as they are minors, but it would have been great to at least know the names of the soloists, because the powerful voices from those little bodies was amazing.

The children were organised by tone of voice, which was similar to size, with the highest voices (smallest boys) on the front left and the lowest voices (biggest kids) on the back right. They sang most of their numbers towards the stalls, but for one song they turned to the people behind them, to both sides of the organ. Highlights included any time a child sang a solo – particularly the first one during the Emperor Waltz, as people were still coming in. During another song, Icochea left the stage for another boy to direct.

Vienna Boys' Choir Madrid

The oldest boy was in charge of having the audience clap during the Radetzky March, just like in the New Year’s Concert – and he looked right at that age when teens are all knees and elbows and awkwardness, but he seemed to be extremely proud of himself (well deserved!).

The last song of the encore was a total surprise. Before it started, the director invited us to “sing along if we were familiar with it”. This unexpected performance was a Spanish counting song, Un Elefante Se Balanceaba (An elephant swung), which goes “one elephant swung on a spiderweb – as it saw it did not fall down, it went to call another elephant. Two elephants swung on a spiderweb – as they saw they did not fall down, they went to call another elephant. Three elephants…” you get the idea – not precisely a philosophical song, but way less traumatic than say Hush little baby. One of the boys walked to the front and made a sort of trunk with one of his arms as he “swung” to the music. One by one, the others joined him until the proverbial spiderweb snapped and down to the floor all the children went. It was absolutely hilarious, and adorable.

Vienna Boys' Choir Madrid

Vienna Boys' Choir Madrid singing the elephant song

It was still raining heavily when we left the auditorium. It was 13:15, so no real time to get to Expominerales before it closed between 14:00 and 16:00. Had the weather been nicer (decent, at the very least), I would have found something else to do before it re-opened. But it was still raining cats and dogs – and maybe some ice – so we just decided to call it a (half) day.

23rd February 2025: The Annual Medieval Fair (Tendilla, Spain)

For the last few years, the Medieval fair Feria de Mercaderíass de San Matías in Tendilla has started on the 25th (2022), 24th (2023) and the 23rd (2024) of February. So it makes perfect sense that my mind placed 2025’s edition start on the… 14th, right? Since the fair celebrates St. Matthew, and the onomastic is the 13th, I unilaterally decided that the fair must be that weekend. Obviously, I was wrong, and the fair was held from the 21st to the 23rd. Due to the date mishap, I had a visit booked on the 22nd, and I amended my plans to head to the fair on Sunday the 23rd instead of on Saturday as I usually do – that way I could see the Palace, the Botarga Parade and the Fair on the same weekend.

It was a good thing that I decided to go to the Parade instead of trying to make it to the fair on Saturday, because apparently they were blocking cars from entering the village, but not letting them park anywhere close-by which… is a problem. To avoid a similar issue on Sunday, I drove to Tendilla before the fair even opened, so I was there around 8:40. I used the time to climb up the frozen nearby hills to see if there were nice views from above. I also headed into the pine forest, which was covered by a thin layer of frost everywhere. It was pretty.

Tendilla: Landscapes before the fair started

There was a parade scheduled to take place at 11:00, which did not happen until around 13:00 – there was just a trio of musicians going up and down the main street. In the mean time, I wandered up the fair, and stayed around the ox paddock hearing things like “such noble eyes the animal has” from the mouths of city-dwellers. The poor oxen seemed pretty much used to to be stared at, so they just munched on hay with an air of resignation. There were two of them separated from the herd, which would later be yoked to a traditional cart. Looking back, I’m slightly surprised that I did not get any allergy symptom from their straw.

Three musicians in Medieval Clothes

Oxen in the Medieval Fair

I also found the newly-inaugurated statue to honour the fair – a tiny farmer with two donkeys standing atop a column which… was a bit underwhelming, to be honest.

La borriquilla - the little donkey

Around noon, a queue started forming for migas. In the mornings during the fair, some of the villagers prepare this typical dish from the area for all passers-by (queuers-by?) to enjoy. The traditional migas are made from fried breadcrumbs, paprika and meat from pig slaughtering. However, Tendilla is famous for its torreznos (processed pork lard snacks), so these communal migas are served with the local dry treats, and accompanied with a glass of wine to be washed down. I had never queued for them, but some family members saw me when they were almost at the front of the line and I was snuck forward in exchange for some photos. I also got to talk to one of the stand owners, and I discovered about a place called Emociones al Vuelo, a bird-of-prey rescue and training centre which organises activities. I may or may not have decided to pay them a visit.

Communal migas being prepared

We snacked, and then moved around the village. I was in the middle of Main Street Calle Mayor when the parade came through. The troupe had changed this year, and it was not Christian knights and moors, but gypsies and magicians. They brought horses and “wolfdogs” – not actual wolfdogs but wolf-looking domestic dogs. Enough to fool a lot of people. There was supposed to be a tournament, but apparently the gypsies were not up to it. There was no tournament, and after an hour of waiting, the troupe went back to the Main Square Plaza Mayor, did a couple of horse tricks, and started cutting ham to share with the onlookers. It was a bit disappointing, but I least I got to pet the dogs.

Troupe of horse riders dressed as Medieval gypsies

Dogs from the gypsy troupe

I headed to my relatives’ place and we prepared lunch, though I had some leftover migas that had been saved for me from the previous day, and a fried egg on top. Much better than the communal ones, for real.

The last activities for the day were related to the long-suffering oxen. First, two of them were yoked to a traditional hay cart and children were given rides through the fair. The two oxen were led to the cart and then tied to the structure. Something that I had never known was that part of this tie went around their horns and forehead, so the owners placed a small pillow on the animals’ foreheads for them to pull more comfortably. However, to do the tie the knots as strong as it was necessary for them to be, he had to use his foot as leverage on the ox’s head… Once the animals were yoked, the cart started moving. One small child who had apparently been asking about the ride all day long was the first to be helped on the cart – even though some others tried to cut the line! At first, they went up and down the village, but apparently some idiot spooked the poor animals and the owners decided to just move around the main square afterwards.

Oxen being yoked

After six or seven rides, the oxen were untied and let into the paddock. A lorry was brought and the owners created a mini stampede for all the oxen to go into the vehicle. That was wickedly cool.

That was the last activity, so I decided to say goodbye to my relatives soon and drive back through the sunset. Most of the stalls were already closing anyway and there was no way I was going to stay for dinner – because that would mean I’d have to actually eat more that day, which was not the plan.

On the way back I drove into a very weird traffic jam. It did not happen around the bottleneck, but much much earlier, and the bottleneck was clear. I’ve never understood traffic jams anyway…

So all in all, I had a very complete weekend, combining Madrid, Guadalajara and Tendilla, I had relatively good weather, and got to check out most of what I wanted. The only downside? Having to go to my day job on Monday without having caught any rest!

22nd February 2025: Architecture in Madrid, and folklore in Guadalajara (Spain)

By now, reaching Madrid by train without anything remarkable to comment on is actually remarkable all by itself – there were actually no problems for once. I had booked a spot for a visit at noon, but since I don’t trust the rail service, I hopped on a train to be at Atocha Station around 10:00, and for once I was there right on time, maybe even a minute early!

As I walked up the street Paseo del Prado, I passed by the exhibition centre CaixaForum, where the Patagotitan still stands. Since it was still winter, the trees on both sides had little to no leaves, and I could see it from the opposite side. I of course said hi.

Patagotitan skeleton

My first stop was the church Iglesia de San Jerónimo el Real, dedicated to St. Jerome, a late Gothic – early Renaissance building erected between 1502 and 1505. It belonged to a monkhood whose original monastery stood near the river. The stagnant waters caused illnesses among the brethren, who asked the Catholic Monarchs for a new location. The church for the new community was created from brick and masonry, and towers were added in the 17th century. The interior is decorated with two gothic altars to the sides, but no main altarpiece, as the original one has been lost to time. Instead, there is a painting by Rafael Tegeo La última comunión de San Jerónimo – Saint Jerome’s last communion – created in 1829.

Monastery Monasterio de Jerónimos

Afterwards, I headed towards the National Museum of Anthropology Museo Nacional de Antropología, a small museum dedicated to the diversity of cultures in the world, particularly the Americas, Philippines, Africa and the “Far East”, focusing on traditions, culture and religion. It is covered by my national museum card.

At the moment, the museum is running a temporal exhibit on art based on myths, legends, and sacred texts from India, Caminos místicos. Tradiciones vivas del arte de la India – Mystic Paths. Living Traditions of art from India. I was curious about it, but not expecting how much I liked it in the end. The pieces of the exhibit were mostly based on Hinduism (Sanātana Dharma, सनातन धर्म), the oldest religion in the world. According to Hindu tradition, the Supreme Being Brahma exists as themself, but also as the manifestation of the deities Brahma the Creator, Vishnu the Sustainer and Shiva the Destroyer, all of who at the same time have different avatars (avatāra, अवतार) or incarnations. One of the core principles of Hinduism is the concept of cosmic cause-and-effect justice, karma [कर्म]. Another is reincarnation (saṃsāra, संसार), an eternal cycle of life and death until the individual is liberated from it through self realisation or illumination. The religion is based on values like righteousness, truth, love, peace, and ethical conduct, and it is quite open to other beliefs and ethics.

Religious Indian Art pieces

The Museum of Anthropology’s permanent exhibition has a lot of items from the Philippines on the ground floor, probably due to how long(1565–1898) the islands were a Spanish colony. There are clothes, tobacco items, ritual objects, and a small sample of how the local culture was throughout the 1800s. To the back, there is a room dedicated to the religions of Asia and the Middle East – Hinduism, Buddhism and Islam. The first floor is dedicated to Africa, combining a number of traditional exhibits with modern photographs of the traditional people’s way of life – baskets, pottery, leather and wooden objects, ritual masks… The second floor holds items from the Americas, especially from South America. Some of them include a Mexican Día de los Muertos (Day of the Dead) altar, Andean Carnival masks, Sioux-Lakota clothes, Inuit coats…

Religious icons and traditional masks

I remember visiting the museum when I was a child, and then feeling disappointed in it when I returned as an adult. This time around, I found the permanent and temporal exhibitions quite interesting, so it’s a good thing I headed there. It also helped make time until noon, when my next visit was due, to the only Ministry that can be visited – albeit not freely, by appointment and paying a fee – as it is a historical building.

The current Agriculture Ministry is housed in the historical building known as Palacio de Fomento – Palace of Development. Its plans were originally drawn by architect Mariano  Belmás y Estrada, aiming for an Arts and Craftwork School. Later, Eduardo Saavedra y Moragas took over to turn the design into a university. Finally, the project ended in the hands of architect Ricardo Velázquez Bosco, who erected the building between 1893 and 1897 to house the then Ministry of Development.

The Palace is an impressive construction. The original design had three floors, which have now been turned into five. From the outside, the building looks white and orange-brown, but a more focused look reveals decorative tiles by Daniel Zuloaga, who also collaborated with Velázquez Bosco in the ETSIME. The entrance is flanked by two caryatids and roof above there is a sculpture group – Glory and Pegasi La Gloria y los Pegasos, a bronze copy of an original marble by Agustín Querol.

Palacio de Fomento, outside

Once you enter, you find yourself in a huge majestic hall, where we had to check in, since the building is a working Ministry. The email said to be there at 11:45 to go through security. I got there at 11:40 and went in at 11:44. They took my name (they did not care about the ticket) and they put my stuff in the X-ray machine. I had to go through the metal detector and when I asked whether I had to remove my belt, I was just told to put my hand over the buckle… So much for security, I thought, because I did not beep. Then I realised that I must look quite non-threatening as quite a few people were thoroughly searched as they set off the machine.

Beyond the hall where we were checked in, there is an imperial staircase in marble, and a vaulted frescoed ceiling. From there, we visited some offices and meeting rooms, and the portrait gallery – from which the ministers who held office during the Franco dictatorship had been removed. Finally, we visited one of the side inner courtyards, covered in a skylight with some ironwork.

Palacio de Fomento, inside

After the visit was over, the security guards saw us out and locked the doors. I walked around the building, because I had honestly never realised it was square. As the place was next to the Retiro Park, I had been considering looking for some archaeological spot they had opened. However, there were more ideas – Guadalajara was having the Botarga parade, and it was the fair weekend in Tendilla, though, a phone call informed me that traffic was horrid and that it was not a good idea to head there so late in the afternoon.

Eventually, I decided on the Parade. I bought some sandwiches and headed for the train. Though I got rained upon, it cleared up, and at 18:00 I was in Guadalajara to have a look at the traditional Parade of Carnival characters Desfile de Botargas – “creatures” from the whole area which meet up in the capital the Saturday before carnival, despite each character having its own schedule wherever it is rooted. The parade was a bit late, so I could talk the local botarga group – El Manda (the Order-giver), Los Mandaneros (the Order-receivers), and the Botarguilla (Little Botarga) – into posing for me. I watched and took pictures from two spots, but the parade moved really fast because they only had thirty minutes to do the route – last year they took well over an hour for that. I decided I did not want to run for it that much… I have to remember to find myself a vantage point next year, instead of trying to get the beginning of the parade…

Guadalajara Botargas

Heifferette from Riba de Saelices

Botarga Parade 2025

I got “attacked” a few times, and ended up with soot all over my face, but at least I avoided the guy painting people with mustard… The botargas seemed to zoom in on children and cameras, and so did the devils Diablos (from Luzón) and the heiferettes Vaquillas and Vaquillones (Villares de Jadraque, Robledillo de Mohernando, Luzaga, Riba de Saelices). It was fun. One of these days I might have to try to follow the botargas in their own villages…

4th January 2025: Bye Bye, Murderbird. MARPA, Alcalá de Henares (Spain)

While it was great to have the Concavenator fossil (a.k.a. Murderbird in my headspace) in the Dragon Hunters exhibit in Alcalá de Henares close enough to visit at will, the time had come to see it move on. Just in case there was any information I was missing, I decided to book a guided visit to the exhibit. As it was scheduled for 12:00, I decided to look for something to do beforehand, and I found guided visits to the monastery Monasterio de San Bernardo at 10:00. I had seen the building before, as it stands next to the MARPA, I just had never given it much of a thought.

The monastery was established under the patronage of Cardinal Bernardo Sandoval y Rojas around 1620. He bought land cheap because it was near the Moorish quarter. The church was erected in brick with decoration in stone on the outside. The inside has an elliptical dome, and it was heavily damaged in a fire during the Civil War, so it had to be restored – the work on it was a Rehabilitation prize in 2019. Most of the decoration of the church was lost and today walls and roof are just white and gold. The building is attributed to architect Juan Gómez de Mora.

There is a free-standing ciborium in gold, with a number of sculptures of Saints instead of an altarpiece. Behind the altar and ciborium, there are a number of paintings – they were created by Italian artist Angelo Nardi. Nardi was born in the late 16th century, and studied in Venice before moving to Madrid, where he became a Court Painter. His style evolved from late-Renaissance (mannerism) to Baroque, and he is known for his expressive faces. He was friends with Velázquez, and famous for being quite kind, though his style eventually fell out of grace. He painted most of the pictures in the church, although some of them are now out of order as they were moved during the Civil War.

The visit was interesting albeit a little underwhelming. It felt a bit weird to be the only visitor and having the whole thing explained to me – that has only happened once before, in Recópolis. However, that was epic, because I ended up getting the whole archaeological place for myself. The monastery was more of a serious experience – and it did not rain on me. But still it felt… colder. And like being in an exam, the guide kept asking me questions about history, architecture and hagiography.

Monastery of San Bernardo in Alcalá de Henares

I had a bit of time before my following visit, so I decided to run to the Sala Museográfica de la BRIPAC, a tiny museum about the history of the Army’s Parachuting Brigade. The Brigade was created in 1953, and the parachuters participated in combat for the first time in 1957. In its origin, it was established in Alcalá, so there is a historical connection there. The hall hosts uniforms, flags, medals, and reports about the peace missions in the 1990s. I am not much of a fan of Armed Forces museums, but today the BRIPAC is considered a peace corps. The museum opened in February 2023, on the 70th anniversary of the foundation.

BRIPAC exhibit

I still had a bit of time, so I dropped by Plaza Cervantes, which was full with Christmas lights and shoppers at the small market. There were food stalls, a small bookshop, some rock shops… Nothing really caught my eye though.

Plaza de Cervantes Christmas

I finally headed back towards the Archaeology and Palaeontology museum MARPA Museo Arqueológico y Paleontológico de la Comunidad de Madrid. It was one of the last chances to see the exhibition on the history of palaeontology “Dragon Hunters” Cazadores de Dragones with a guided visit, and I figured out that maybe I could learn anything new – despite the fact that I’ve been there a few times and bought the book. We had a nice fun guide who relied a lot on asking questions to her audience. Apparently I was the only one with… some knowledge of… anything she asked – what’s with guides in Alcalá de Henares trying to have you do their job? I felt a bit sorry for her so I answered her questions – with a higher success rate than the ones from the Monastery, to be honest. She did not impress me with the depth of her knowledge, to be honest. She actually looked at me a bit panicky when I asked her t confirm that the T-Rex replica was a cast of the famous Stan.

Cazadores de Dragones entry in the cloister of the MARPA

I stayed back for a bit longer after the visit ended. I’ve ranted on and on about the Concavenator before, both the fossil slab and the actual-size reconstruction. I just loved having both so at hand. When I was young, the scientific community came to the conclusion that “birds descend from dinosaurs” but today it is actually believed that birds are actual dinosaurs. And since the poor beast has such a ridiculous name, I’ve just been calling it “Murderbird” or “Murderchicken”, for kicks and giggles.

There were these two little kids who kept grilling their dad about the skeletons, and the poor man was a bit overwhelmed. I decided to give him a hand with the questions and explained a little. I thought that was it, but the smallest child pointed at the Concavenator and blurted out “can you tell us more things about that one??” He was so eager that I just took the family to see it and told them a few things further. The family was on their merry way in five minutes – four-year-olds only have so much attention span. The kids were happy, the parents were relieved and I got to geek out about dinosaurs with appreciative public. I think the interaction was an all-around win.

Murderbirds: T-rex and Concavenator

At first I had thought that I would be staying in Alcalá for an exotic lunch, but I was not really feeling up to it. With great sadness, I said goodbye to the Concavenator and moved on to drive home.

1st January 2025: The Return {Vienna, Silvesterkonzert 2024}

We got up for breakfast at around 7:30, but the cafeteria wasn’t open yet, so I had to (gasp) pack before I had coffee. That was not fun. The breakfast room opened around 8:05, and I could finally have my caffeine fix. We had been discussing all three days about the automatic pancake machine in there, so I decided to try it. Basically, you waved at it, and it made the pancakes. They were not the most delicious thing ever, but there was Nutella to go with them…

Pancake making machine

As we were already packed, there was not much left to do after breakfast. We went up to the room to collect the luggage and back down to reception. We had a transfer arranged at 9:00 and we were ready with a few minutes to spare. Check-out was fast, and off we went towards the airport, after saying goodbye to the nice Spanish lady with the card issue. I’m not sure if it had snowed outside Vienna or what we saw on the trees was hoarfrost, but everything was white once we got onto the motorway. I totally missed whatever our driver was saying because I was trying to take pictures of the landscape – but he talked a lot.

Trees covered in white ice and snow

When we reached the airport, the check-in counters were not open yet. We were flying with Iberia, which does not have a permanent crew there, the counters did not even have the lights on. It took them longer to open the counter than to actually check us in, and the worker was confused because we were only checking in three suitcases even if we were four people. The poor lady looked absolutely exhausted – maybe she had stayed up late.

Security was “collapsed with a crowd” and they told us to go through the kids gates – I don’t think I have seen any “collapsed” security so empty… But we made it through okay. We found our gate at literally one end of the airport, and left our things with one of my parents while we scattered off to look for lunch. The flight was at noon, so we had to buy something either at the airport, or on the plane. I found myself a chicken sandwich that looked rather nice. I would later learn the word for “spicy mayo” in German… Good thing I got a Coke to go with it. I also bought a “no kangaroos in Austria” magnet because I did buy a tote bag last time I was around, but I can’t seem to find it.

Airport in winter weather

The flight back took off on time at 12:20. It was uneventful, we just landed at 4S instead of 4. We knew this was going to happen this time, so we had counted on it – in the end, that was the reason I managed to convince my family to have lunch on the plane. We did not get out of the airport up until 16:00, what with picking up the luggage and all. I think I made it home around 19:00, and boy was I beat. I love my family, but travelling with them can be a bit too much…