5th July 2025: Cheese, archaeology, pancakes (Madrid, Spain)

I am not completely sure how the conversation came up. My sibling said something about cheese tastings. I mentioned something about knowing about a shop in Madrid which organised them. Next thing I knew, I had been tasked with planning an escapade to try. However, closing on dates is not something my family is fast at doing, so by the time my sibling confirmed, the June date we wanted was sold out and I had to book for July.

The final date was Saturday the 5th of July at 13:00. The evening before, there was an explosion and fire in a factory in an area alongside both the speedway and the railway lines, and that forced me to reevaluate transportation – the warehouse worked with lithium batteries, which burn for a very long time. In the end, I decided to try for an early train, with a plan B to drive to a station halfway and meet my sibling there. While you could see the smoke from the wagon, there was no weird smell or anything and the train ran smoothly for once. Maybe we were five minutes late to Madrid? Funny, when I was warned at the station that there were delays. I had planned an extra activity in case we were early.

There was also Pride to take into account, as it was the main Parade, and that causes a cascade of station closures, including Recoletos, the station we had to go to. That would only be an issue to consider when we had to go back though, since they started at 18:00. We could always get the underground and find our way to Atocha.

We started off at the Museum of the National Library Museo de la Biblioteca Nacional. I had seen the museum already, but I had read that there was a temporal exhibit. However, we were unable to find it – it’s been apparently “temporarily closed”. It worked to pass the time out of the heat though. We were done at 12:30 – a bit too early to directly go to the store, but too late to try to see anything else. We decided to walk towards the shop, and we missed it at first, but we soon backtracked and walked into… a literal fridge.

Formaje (an old-fashioned Spanish word for cheese) is a specialised / delicatessen cheese shop. Created in 2020, it aims to “create community around artisan cheese”. They work with farmers, craftspeople, and traditional cheesemakers to distribute environmentally-conscious cheeses from producers who respect the natural processes, the landscape and of course the product. The store is designed to be a warehouse too, so it is… cold. Good thing I was carrying a jacket.

Formaje Castelló: Shop. A cheese shop full of pieces and whole cheeses

We waited in the shop, trying not to obstruct the customers, and gawked at all the types of cheese in display, all of which could be bought, and tasted beforehand! We saw some regulars who had their thermal bags ready for their shopping and debated getting a cheese subscription, and people wandering in out of curiosity. Around 12:55 a lady came to check us in. I was the closest to her, so I was able to take a picture of the whole set up and find a seat closest to the speaker. I have way too many attention issues not to want to be close to someone who is going to do some explaining I care about.

The tasting Cata de Quesos Edición Primavera involved fresh sourdough bread, butter, seven types of cheese, sweet quince paste, red and white wine, and “ice cider”. I am not a fan of alcohol in general, but the ice cider was magnificent. I am not going to gush about how all the cheeses were delicious. Assume I loved them.

Formaje Castelló: Cheese tasting. Long table and a tray full of sourdough bread

To begin with, there was real butter from the farm Airas Moniz in Chantada (Lugo, Spain). Made from the raw milk of Jersey cows grass-fed in the north of Spain, it was fresh, yellow, creamy and salted, and the bread was delicious. The first cheese was Olavidia (from Jaén, Spain), made from goat milk. It had a small layer of smoked wood halfway through. Even if I don’t care much about “the proper order you should eat things in”, I discovered that goat-milk cheese is supposed to be a “soft-tasting” cheese, I have always found it pretty strong. The cheeses were organised from softer to stronger, which apparently is how you should consume them.

The second cheese was a Camembert (protected designation of origin, AOP from its French acronym) from the region of Normandie, France; it was creamy, made from raw cow milk, with a slight moulded rind (with Penicillium camemberti) which protects the inner creaminess.

Then came a Manchego (protected designation of origin, DOP from the Spanish acronym), made with raw sheep milk. It originated in a farm called Finca Valdivieso (Alcázar de San Juan, Ciudad Real). In my opinion this one was the weakest cheese, as I am a fan of older Manchego and this was less than a year old, though still nice.

Number four was a cheese I had not heard about before, Tronchón (from cheesemaker Los Corrales, Almedíjar, Castellón). Tronchón is generally made from raw sheep milk, though sometimes it might be made with goat milk or a mix of both. The one we tried was made from goat milk. The rind is dark and unappealing on sight, but it was nice enough. Despite my ignorance, this cheese is old enough that it was mentioned in Cervantes’ Don Quijote.

Another discovery was the German Blossom Hornkäse. Hornkäse comes from the Bavarian region of Allgäu. The cows that provide the milk are fed with local grass and they don’t have their horns cut (Did you know that a cow’s horns are connected to her throat and they are part of the digestion process?). The cheese is made in wood recipients using only wooden tools. This version comes with a crust of dry flowers which makes it… just amazing.

Sierra Sur was… the icky one. It smelled like literal stable – and not a clean one. It is made with raw goat milk and you have to fight yourself a little bit to take a bite of the rind. It is a seasonal cheese, which I wouldn’t be able to say whether it has gone bad… It did look like it had gone bad… But it was nice enough, if you could ignore the smell. Not something I would buy on my own though.

The last cheese, Savel, came from Chantada – like the butter at the beginning. It is made from raw cow milk, from Jersey cows, injected with Penicillium roqueforti. This was extremely strong, but really good, especially with the bread, and the ice cider called Bizi-Goxo. Though this one brand comes from the north of Spain and is made from Errezile apples, ice cider originally comes from Canada. To produce this particular spirit, the apple is kept through the winter on straw mats, and it does not rot. The resulting drink is stronger and sweeter than a regular cider.

Formaje Castelló: Cheese tasting. Seven small pieces of cheese perfectly aligned on a tray

We spent some time chatting with the lady who had given the explanations, then went on our way. We walked to the archaeological museum Museo Arqueológico Nacional, where they were running two temporal exhibitions. One was a personal-turned-public collection of Egyptian Artifacts called El Egipto de Eduard Toda. Un viaje al coleccionismo del siglo XIX (Eduard Toda’s Egypt: A trip to collecting in the 19th century). Eduard Toda i Güell (1855 – 1941) was the Spanish Vice-Consul in Egypt for a couple of years, during which he amassed a rather impressive collection of artefacts, which he eventually donated to public institutions. The bulk of what he owned is now held in the archaeological museum as part of both the permanent collection and the archives. He had antiques, carbon copies of reliefs, photographies and a hefty number of fakes – apparently, knowing they were so.

Treasures from an Egyptian tomb

The second temporal exhibition we wanted to see was Alas para la guerra. Aratis y la Celtiberia: Wings for war, Aratis (a town, now an archaeological site) and Celtiberia. This one focuses on the Celtiberian culture and how it warred, using soldier helmets as a storyline. These particular helmets have a convoluted history – it turns out that between the early 1980s and 2013, someone used metal detectors to find artefacts from the ancient town and sell them out. This “gang” found and illegally auctioned up to 6,000 artefacts, including twenty helmets which had been forged between the 5th and 2nd century BCE. The archaeological site of Aratis, now called Aranda del Moncayo, would have been probably the most important Celtiberian site after Numancia if these guys had not systematically destroyed it.

The Aratis helmets are the most complete items of their kind that have ever been found. They were not really used for war, but were part of funerary treasures. Truth be told, Germany sounded the alert at some point around 2008 about the legality of the auctions, but the Spanish government did not stop them. Seven of the helmets were returned to Spain in 2018 thanks to the European buyers who learnt that they had been illegally exported, and 11 more have been located. The seven helmets are deposited now in the Museum of Saragossa, but that one is currently closed due to construction work (scattering some of its collections to be shown elsewhere), so they have been lent to the Archaeological Museum.

Celtiberian helmets with decorations on the sides

The exhibition also holds other weapons, parts of armours, and Celtiberian artefacts such as coins and brooches. I had seen some of the messed up spears in the museum in Tiermes, which makes sense, considering it also held Celtiberian items.

Afterwards, I finally (finally!) managed to find the reproduction of the Altamira Caves Neocueva de Altamira open! It just had not worked any other time I had been in the museum for the last ten years, and I had seen it once when I was really young, and something similar in the museum on site a lifetime ago. It was smaller than the one I remember from both times… And it makes me sad that I will never be able to see the real thing, because there’s a waiting list you can’t even get into any more, and only 50 people per year see the actual cave…

Reproduction of the Altamira Cave, with bisons, horses and bulls painted on the ceiling.

My sibling was not ready to go home just yet, so I thought they might like a stop at Kawaii Café before we turned in. We could take the underground and in under a change and 30 minutes – since I had been there just a couple of days before, I remembered the underground station. I was not sure whether there would be a queue to enter or not, but we were lucky. We alighted at Tirso de Molina and went into the café without problem – it was half empty at the time, around 16:30. They really wanted to order something cute – which is not hard. In the end, they chose teddy-bear-shaped pancakes with chocolate spread Ositos rellenos de Nutella, with chocolate syrup, whipped cream and banana slices. This time I went for a matcha frappé.

Two drinks with cute rabbits drawn on top, and pancakes decorated to look like teddy bears

Afterwards, we walked down to Atocha Station down one of the shopping streets. We made a few stops, and reached the station just before the Pride Parade blocked the streets. There, we settled to wait for a train. On the way back, the factory that had had the accident was still smoking, but the dark cloud seemed weaker. However, I never thought I would have to consider “lithium explosion” in my adventure planning, to be honest…

2nd July 2025: Sabina’s Hello & Goodbye (Madrid, Spain)

Lots of things came together on the 2nd of July. First of all, due to weird work schedules that I had no control over, I had a day off in the middle of the week. Second, I had a doctor appointment in the morning – lucky how I could fit it there. Third, Jurassic World: Rebirth, the new film in the Jurassic Park franchise came out. Finally, back in January, I had bought tickets to watch a concert in the goodbye tour by the singer who composed the soundtrack of my teenage-angst years.

So it was just a stroke a luck that work just happened to give me the day off because of unrelated reasons. It would have been luckier to have the following day off too but what can one do? Actually, I propose an unpaid leave called “I had a concert yesterday and it’s not that I’m tired or sore or anything, but I don’t want to go back to reality just yet, I deserve to bask in post concert ‘the world is okay’ bliss.” Think about it, it’s a great idea.

Since I had the doctor’s appointment, I could not plan a whole day out. Once I was done there, I changed clothes and then drove off to the train. Of course, there were delays, what else is new? Halfway, one of the doors got stuck open and we could not start until that got closed manually. But instead of blocking it, they allowed it to keep opening at subsequent stations – so it got stuck again and again.

I reached Atocha just in time to change trains and get to Sol using the same system without a wait, so in a few minutes later I was out in the heat. The original idea had been a light lunch at Yatai Market, but the air conditioning in Kawaii Café was stronger. I had been to another of their shops before, and the food was all right, so I thought why not? I ordered a strawberry frappé and a “sleepyhead bunny” Conejito Dormilón – a Red Velvet crêpe filled with strawberry compote and decorated with cheese cream and blueberries, along with a vanilla-jello bunny mascot. Adorable and delicious. Quite pink, too, due to all the strawberry…

A collage of pink café and a meal - a strawberry frappe with a cute koala face drawn on it. and a crepe which looks like a bedding with a sleeping rabbit on top

When I finished, I headed towards the nearby Yelmo Cines Ideal to watch Jurassic World: Rebirth, a monster movie with a homage to the Jurassic Park book. I guess the film is better if Scarlett Johansson is your type. The film retcons the whole “Jurassic World” premise: now the dinosaurs are dying (and nobody cares about them any more!) and only surviving on an island near the Equator. It turns out that they somehow hold the key to cure heart disease. And then the palaeontologist says that they need to collect samples from the three biggest dinosaurs: Patagotitan (okay, it’s famous now), Mosasaur and Quetzalcoatlus, both of which have already been featured in previous films and are not dinosaurs. Then there are mutated freaks and a Tyrannosaurus with the head of a xenomorph and some extra arms, because the dinosaurs can’t survive, but the “mutated experiments gone wrong” are alive and well? The best from the film was a scene taken from the book, with a Tyrannosaurus and a raft. Unfortunately, this new Tyrannosaurus was not Rexy. Furthermore, the special effects are… not good. Too much bad CGI makes the creatures less believable than those in the 90s instalments, which is… a huge faux pas.

I am glad I saw it on opening day, though – I was able to avoid most spoilers and went in with an open mind. It was not a good film but I didn’t hate it. I will just probably ignore it exists (until the next film comes out, we all know that). Points for the pro-planet message, but it falls a bit flat when you know that Michael Crichton, the original author, was pretty much anti-science…

The film was around 133 minutes long, but oh god, the previews were long. Thus, I left the cinema around 19:30. I had to take the underground, and I knew that some stops would be closed due to Pride. However, last year I had learnt that you’re still allowed to transfer even if you cannot enter or exit the station. I used that knowledge to get myself to Movistar Arena Madrid for Joaquín Sabina’s final tour Hola y Adiós (Hello and Goodbye). I am happy I bought the tickets when I first saw them, because most concerts have sold out, and I got quite a good seat considering the event and the venue.

Joaquín Sabina is a Spanish singer and songwriter born in 1949 in Jaén, in the south of Spain. When he finished his studies, his father offered him a present, and he asked for a guitar. Due to his leftist ideas he had to exile himself in London for a few years during Franco’s dictatorship. When he came back, he lived a life of debauchery, mostly in Madrid, and he probably was not the best role model. But between 1994 and 2000, when I was an angtsy teen, his music was important to me, though I eventually moved away from it. When I heard he was retiring (again) early in the year, I thought I wanted to see him at least once, despite the fact I have not consistently listened to his music much in a couple of decades – there are a few hits in my car playlist. And then there is ¿Quién me ha robado el mes de abril?, Who stole the month of April from me?, which hit me very hard during Covid lockdown and I’ve skipped since then, but never had the heart to delete from the playlists.

Security let me in with my tiny water bottle, thankfully, and I found my seat about 45 minutes before the show was due to start, and 15 minutes after doors – it was weird, I had expected a larger crowd, and I had been a bit stressed leaving the cinema 20 minutes later than what I had calculated. I was on the side stalls, on a ninety-nine-euro spot. There is a whole etiquette about concerts with seats, and while I am quite happy to stand up when it is appropriate, and in this case, I decided I would stand up when people in front of me stood up. Pretty easy.

Sabina Hola y Adiós Madrid: empty stage

Setlist:
 Un último vals (One last waltz; recording and MV)
  1. Yo me bajo en Atocha (I’ll alight in Atocha)
  2. Lágrimas de mármol (Marble tears)
  3. Lo niego todo (I deny everything)
  4. Mentiras piadosas (White lies)
  5. Ahora que… (Now that…)
  6. Calle Melancolía (Melancholy Street)
  7. 19 días y 500 noches (19 days and 500 nights)
  8. ¿Quién me ha robado el mes de abril? (Who stole the month of April from me?)
  9. Más de cien mentiras (Over a hundred lies; band intros)
  10. Camas vacías (Empty Beds; vocals: Mara Barros)
  11. Pacto entre caballeros (Pact amongst gentlemen; vocals: Jaime Asúa)
  12. Donde habita el olvido (Where oblivion dwells)
  13. Peces de ciudad (City fish)
  14. Una canción para la Magdalena (A song for Magdalene)
  15. Por el bulevar de los sueños rotos (Through the Broken Dreams Boulevard)
  16. Y sin embargo te quiero (And yet I love you; folk copla song; vocals: Mara Barros) + Y sin embargo (And yet)
  17. Noches de boda (Wedding nights) + Y nos dieron las diez (And the clock struck ten on us)
 Encore:
  18. La canción más hermosa del mundo (The most beautiful song in the world; vocals: Antonio García de Diego)
  19. Tan joven y tan viejo (So young and so old)
  20. Contigo (With you)
  21. Princesa (Princess)
 La canción de los buenos borrachos (The good drunkards’ song; recording)

Well, what can I say? Sabina has got old since I was a teenager. His voice has cracked – after all, he is a smoker – and he has swollen up. But his concert made me feel 30 years younger, and I enjoyed it immensely. I’ll freely admit that I bought the ticket back in January purely out of FOMO. However, I am happy I did. I did not get any of my personal favourites, and I am okay with that. Most of what he sang was part of those times.

Sabina Hola y Adiós Madrid: musican ensemble

The concert started with Yo me bajo en Atocha (I’ll alight in Atocha), a description and homage to the city of Madrid, which the singer holds particularly dear – despite the fact that he has a bad record with concerts in the city – he once had a panic attack and another time he literally fell of the stage and ended up in hospital. He started sobbing right at the end of the song. Figures.

The venue, of course, cheered and applauded, and stood up to bounce to Lágrimas de mármol (Marble tears), which has too dark lyrics for how… perky the music is, but I guess the message of “survivor, yes, damn it” is what matters. It was during Calle Melancolía (Melancholy Street) when the old guard took over, so Sabina turned the microphone towards the attendees, which did not only sing chorus but brought down the dome with their voices. He was visibly moved.

Good thing that next came 19 días y 500 noches (19 days and 500 nights) a getting-over-a-break-up song during which people can yell, and broke the spell. That made me strong enough for ¿Quién me ha robado el mes de abril? (Who stole the month of April from me?), the first time I’ve actually listened to the song since 2020 – “who stole the month of April from me? I kept it in the drawer where I keep my heart” did not sound so threatening surrounded by hundreds of other people.

Sabina Hola y Adiós Madrid: playing guitar

During Más de cien mentiras (Over a hundred lies), which is a list of all the good things in life and “over a hundred lies that are worth it”, we got the band introductions. Sabina sang himself, and played the guitar for some songs – he stayed sitting down on a tall stool. Safer for him. Antonio García de Diego played guitar, bass, and harmonica; Jaime Asúa Abasolo and Borja Montenegro also played guitar; Josemi Sagaste played sax and non-drums percussions; Pedro Barceló played drums; Laura Gómez Palma played the bass; and Mara Barros did the choruses and had some solo vocals.

Sabina retired to rest for two songs, alleging that it had always been a dream of his to have a song of his sung by a beautiful woman – Camas vacías (Empty Beds), performed by Mara Barros – and by an actual “rocker man” – Pacto entre caballeros (Pact amongst gentlemen) with Jaime Asúa on vocals. Soon after Sabina’s return came a song which holds one of the song lines that has impacted me the most in my whole life: Noches de boda (Wedding nights) hopes that “the end of the world finds you dancing”. I really hope it does.

I guess part of the fun of a concert is that you feel special. Of course that the singer has a speech for every city, and holds each one close to their hearts, or are the best or whatever. But this one did hit differently. I guess my inner child enjoyed it immensely, and even if neither of the songs of the encore did much for me in terms of nostalgia, I was incredibly grateful and happy that I had been able to attend. If it is the last tour indeed, I will have said my hello and goodbye, even if it has been 30 years after the time Joaquín Sabina’s was the only music that played in my room.

Sabina Hola y Adiós Madrid: waving goodbye to the public

Also, another extremely convenient thing: though I went by train, I had a ride home, as my parents were in town and driving back around the same time. Which was great, considering that a storm was brewing, and that there were many underground and train stations still closed due to Pride…

13th May 2025: Three free niche exhibitions (Madrid, Spain)

I planned a little escapade to Madrid. There was nothing really special going on, it was just going to be a sunny day with no rain forecast and I could go to a museum and have lunch. When I say nothing special was going on, I mean there were a couple of exhibits I wanted to see, but it would have been just as easy to visit them the previous or following day. I just timed it for the best weather forecast of the week.

I had a small work-related thing early in the morning so I ended up leaving the house half an hour later than I would have liked. The trains were around 10 minutes late and the underground was packed, but none of that is news. I reached my first stop, the Museum for the Blind Museo Tiflológico de la ONCE, around 11:30. This museum hosts models or miniatures of famous monuments in Spain and around the world, designed to be seen with one’s hands. That way, people with low or no vision can get an idea of how they are. It is part of the ONCE inclusion program for the blind, and I think it is a brilliant idea.

ONCE stands for Spanish National Organisation of the Blind in the local language, Organización Nacional de Ciegos Españoles. Its history and works are a bit convoluted, but keeping it short, the Organisation was established in 1938 with the goal of providing equal opportunities for the blind and people with visual impairments. One of its main income sources is the lottery known as El Cupón de la ONCE.

While the museum itself is free to enter and very relaxed, when you arrive at the building you have to fill out a questionnaire, for statistical purposes, I guess. I did find it a bit off putting that I was outright asked why I wanted to see the exhibition. Because I’m curious, all right?

The museum has three distinct sections – one with the reproductions of the monuments, one with works by low vision, blind, or artists with other disabilities, and a historical area. In turn, the monuments are divided in national (Spanish) and international landmarks. The models are faithful to their smallest detail, and just like the Eiffel Tower is made out of metal, the Taj Mahal is made out of marble! Some of the monuments were reproduced in different scales, such as the Alhambra in Granada or the Aqueduct in Segovia. This should give an idea of both scale and detail. However, I don’t think I would ever be able to imagine something like that without being able to see it.

There were lots of sculptures by artists with disabilities, with a disturbing amount of naked ladies, but whatever. I also saw paintings and a homage to Braille that was sort of abstract but was really cool. The historical section hosted a number of items to learn and write Braille through the years, general studying tools such a 3D map of Spain, and a few historical runs of the lottery ran by ONCE. In general, it was a fascinating visit.

Museum for the Blind - national monuments

Museum for the Blind - international monuments

I did some shopping afterwards, and while the sales lady was really nice, she worked rather leisurely- That, and all the pedestrian lights being red on the fifteen-minute walk, put me seven minutes behind for my lunch reservation – and I swear, they phoned me. I was reaching the door of Comic Planet at 13:07 and they were already calling to check I was coming. People wonder why I’m paranoid about reservation times with them… They decided to change my table to “a more private one” to keep me away from a family with toddlers, and I had no problem.

I got to try the last item that I wanted to try from their menu – the Aquaman Burger, which had caused me some morbid fascination when I first read about it– Beef and king prawns? Garlic and pickles mayonnaise? It could be… either really good or really bad, I thought, and I really wanted to check it out. It was all right, I guess. There was much less of a flavour contrast than I expected, so it was most of a normal burger with a bit of an edge. And the edge was that the buns were blue. I also ordered a Vanilla Coke just because I could, and the waiter was nice enough to offer me tap water when I asked for some too. Cool.

Comic Planet Aquaman Burger

After lunch, I took the underground towards Fundación Telefónica which is running an exhibition called “Echoes of the ocean”, Ecos del Océano. I liked the idea better when I did not know that half of it was done using AI. It was – or tried to be – an exhibit centred around cetacean vocalisations. The first room was a mindfulness thingy in which a lady told you to become one with the ocean and then called you fat – “your body enlarges. You’re huge. You’re a humpback whale”. It made me laugh as it broke all the concentration thing. I also cackled when the voice told me that I went “deeeeep” as a sperm whale and met leopard seals there.

Then there were several huge screens with computer-generated graphs that imitated a sea prairie, dolphins and whales. That was the part that was made using AI, and it could have been a CGI or an actual video just as easily. The important part was that the images on the screen moved along the sounds of actual cetacean vocalisations. A room at the end hosted two actual underwater microphones, and headphones to listen to recordings of different creatures – sperm whales, seals, humpback whales – and ice sliding (this is important because for a long time, the sound of ice on the ocean was unidentified and it yielded to a lot of wild explanations / conspirancy theories).

Echoes of the Ocean screens

On the way out, there was a sculpture with glass reproductions of different microorganisms that love in the ocean: diatoms, anabaena, coccolithophores, dinoflagellates… Yes, this was totally me geeking out and identifying all the tiny little critters. The final room had to do with some photograph and schematics of a particular blue whale that had been tracked by the organisers.

Echoes of the Ocean plankton

I left the building and headed towards Palacio de Cibeles, which this time, was running an exhibit on its own architect Antonio Palacios. The exhibition is aptly named “An architect’s dream: Madrid as a metropolis” Madrid metrópoli. El sueño de Antonio Palacios. It uses photographs, designs, and models to present the works Palacios projected for Madrid – the ones that were built, the ones that were not, and the ones that have disappeared. It was an interesting collection, and the visit was free! Of course, I wandered the building a little before heading to the train station.

Antonio Palacios exhibit - models of buildings

Antonio Palacios exhibit - framed façade designs

Antonio Palacios exhibit - façade design and photograph of the actual Palacio de Comunicaciones building

On the way, there was a classic book fair Feria del Libro Antiguo y de Ocasión, but everything was way too expensive for me. I guess that in general it was a very budget-friendly day – three free exhibitions – if you do not count tiny shopping spree in-between, and it was around 20 €.

11th December 2024: CBA, hotpot and lights (Madrid, Spain)

Since I was meeting my sibling for the yearly event of Naturaleza Encendida in Madrid in the evening, I decided get there early and make the most out of the day. As I arrived, I headed to the Círculo de Bellas Artes (literally “Fine Arts Circle”). The CBA is a sort of NGO dedicated to culture and the arts. Its headquarters host many activities such as exhibitions, theatre plays, concerts, lectures… The building was designed by Antonio Palacios, one of my favourite architects. It has seven floors, some of them used for events, others for offices. There is even a small theatre.

The CBA was running an exhibition called “Messenger Species” Especies Mensajeras, by artist Álvaro Soler-Arpa. It is a collection of pieces created from animal bones and items found in dumps. Born in Gerona in 1974, Soler-Arpa is a multifaceted artist who does publicity illustration and creates distressing sculptures using animal bones as its medium to make the viewer to think about waste and pollution. This exhibition of modern art is described as “ecological art for reflection”. I thought that it could be either really good or a holier-than-thou approach, but my curiosity was piqued.

The exhibit collects selected pieces from four series of sculptures: “Toxic Evolution” (Evolución tóxica), “Devastated Nature” (Naturaleza devastada), “Design-methastasis” (Diseño-metástasis) and “Sculptures from the End of the World” (Esculturas del fin del mundo). It was… disturbing, but in a good way. It did not feel preachy. The idea is that nature is affected by the consumerism in current society, but not dying – adapting to it. The imagined futuristic animals are a warning sent through time – nature is resilient and it will survive. Us humans? Maybe not if we do not get any better.

Álvaro Soler-Arpa's Especies Mensajeras

There was another exhibition in the building about the consequences of war, but I decided I could not stomach that one. However, I had the access ticket, so I could take the glass lift to the famous terrace of the building – the one that kicked off a trend of opening terraces in Madrid to watch the skyline while having a drink. It was too cold and too closed to have anything, but I did get a nice view, especially of the Palacio de Telecomunicaciones and the Spanish language Institute Instituto Cervantes, both designed by Antonio Palacios too. The terrace is mostly flat, with a bar and an impressive sculpture of Minerva made in bronze by Juan Luis Vassallo. Minerva – Roman goddess of wisdom and art – is the symbol of the CBA. There is also a smaller and higher structure that looks like it could hold an even better view, but that was closed off.

Skyline from Azotea Círculo Bellas Artes

The CBA building has many cool spaces, such as the ball room (Salón de Baile) or the colonnade room (Sala de Columnas). However, my favourite part of the building are.. the stairs. They are designed as a double staircase with mirrors at the landings, and coloured windows alongside the steps. One of the sides is less bright now, because a building was erected and blocks the sun. I still find the staircase superb, so I hung around there for a while until the security guard gave me a weird look.

Stairs Círculo Bellas Artes

I left the CBA and walked down the street Calle Alcalá and stopped at Galerías Canalejas just to see what kind of decorations they had. It turned out to nutcrackers and elves inside and a huge Christmas tree outside. I still cannot afford anything they sell there.

Chrismas at Galerías Canalejas

I continued down towards the square Plaza de Oriente, where there was a classic merry-go-round – empty and ready to be ridden. Thus, since I have no shame, I went on it. The salesperson was incredibly kind, since I was the only rider – and an adult at that – and yet they directed me to a horse which moved up and down and showed me how to climb on it.

Then, I backtracked to the shop Turrones Casa 1880 in the street Calle Arenal, which hosts a small Museo del Turrón. Turrón is a typical Spanish confectionery eaten mostly at Christmas. It is mainly made out of processed almonds, and 1880 is probably the most famous brand – and it prides itself on the most expensive one. I am not a fan of turrón, to be honest, but it was almost Christmas, and if I was ever going to do it, that was the right time frame. The museum is mostly an audiovisual in a decorated cellar, with a photo-op, but the staff was really nice.

At 14:30 sharp, I met up with my sibling for a restaurant that I’ve been wanting to try for a while 壹锅火锅 Hotpot de Sichuan. Hotpot [火锅, huǒguō] is a Chinese type of stew based on a stock or soup that is kept simmering in the table itself, and you just grab the raw ingredients and dip them in the broth to cook them – imagine a fondue with broth instead of cheese. We ordered a menu for two, a pot with two broths, one mushroom-based and one meat-based. The dips were spring onion, coriander (which was not used, because I hid it), shrimp mince, thin beef slices, tofu stripes, Chinese black mushrooms, cabbage, and rice noodles, along with two sauces – one slightly spicy, and my beloved sesame and peanut sauce. The food was great, but at 15:40, the waiters popped up to tell us that they wanted to close the restaurant, and then stood up next to us until we finished and left. It was more than a bit awkward, so we hurried up to do so. While the food was great, the situation spoilt our experience a little, I think. We were still eating, not slouching around. I am not sure I would want to go back…

Afterwards, my sibling had to do some shopping, so we spent a while going up and down some shops and a department store, before we headed out to Naturaleza Encendida in the park Parque Enrique Tierno Galván. This is a yearly light show organised in Madrid parks – it used to take place in the Botanical Gardens, before it was moved to a larger area. The 2024 edition is titled Naturaleza Encendida: Life.

Naturaleza Encendida Life

To be fair, I was a little bit disappointed, as “Life” turned out to have mostly figures reused from the last few events. Though the organisers tried to build a narrative of water, land and air topics, the novelty had worn off. It was not bad, but the show keeps getting more and more expensive every year, with fewer and fewer perks for the VIP tiers. Furthermore, the new larger location does not imply more light sculptures – they’re just spread farther apart so they can fit more people without it feeling crowded, so it simply takes longer to walk it through. This has its advantages and disadvantages – it was good last year when we had to go on a weekend but this time around it just felt… colder. They also tried to give the whole thing an ecologist spin, and this time it did come out preachy… I mean, it is a show of lights, which technically could count as light pollution, without any actual… purpose… but charging you to watch pretty lights.

Naturaleza Encendida Life

Naturaleza Encendida Life

That was the end of the day, and we just headed home afterwards, but aside having to wait for the train for over half an hour, nothing to report on that end.

22nd November 2024: “Wicked” (film) on opening day (Madrid, Spain)

There was a time when you could mute words on social media to avoid spoilers. Since the algorithms have taken over and you can’t curate what you see any more, I decided that the best way to avoid Wicked spoilers was trying to see it as early as possible, preferably on opening day. Ideally, on the first screening on opening day, an English version.

For a change, “ideally” worked. At least, I found a screening at 15:45 on the day the film came out. It was a cinema with Spanish subtitles but I can live with that. I have seen the musical twice in the Apollo Victoria Theatre in London and I’ve loved it both times. Not only I’m a firm believer in the message of Defying Gravity, I also give regular thought to Dancing Through Life. Sometimes I also listen to No One Mourns the Wicked and get all philosophical…

Anyway, I headed off to Madrid with next-to-no information and no expectations, hoping to enjoy the film. I had been slightly surprised that so many tickets were already booked when I bought my own, but I gave it no more than a couple of seconds’ worth of attention, I just thought I was running late since I made the decision the previous weekend before heading out to see Ha·Ya·To . Since the film was rather early in the afternoon, I had to get to Madrid with time for a bite. One of my options was Yatai Market but in the end I decided to grab brunch at Toby’s Brunch Club, where they run an all-day brunch (here I went, cheating the system again, just like I did at the James Joyce – twice in one week, too). I tried to book online but the system only took reservations for two or more. Since the Internet said that it was usually quite busy, just thought I still had Yatai as a backup plan…

I arrived at Atocha Station and walked towards the brunch place. As I did, I had to walk past Caixa Forum, which is still running the exhibit on Patagonian dinosaurs, and the Patagotitan smiled at me. I, of course, smiled back.

Patagotitan mayorum

The very-busy brunch place was empty – weekday “crowds” I guess. I was the only customer there for the duration. Usually, not being able to book for myself on my own discourages me from a place, but I’ve been wanting a “typical” brunch for a while now. The brunch consisted of a cold drink, coffee or tea and two courses (22€). For my cold drink, I ordered orange juice, and for the hot one a coffee latte. The first course was a basket of breads with butter, jams and tomato paste, and a yoghurt with fresh fruit. As my second course, I ordered eggs Benedict with smoked salmon. Because I really wanted eggs Benedict and I can’t cook them to save my life. Everything was delicious, especially the yoghurt. The eggs were perfect. I think this would kill me before noon though, so glad I used it as lunch.

Toby's breakfast club brunch

After my brunch / lunch I still had some time so I dropped by the art gallery Museo del Prado. I used my museum card Tarjeta de Museos Estatales and the lady at the ticket booth told me she had never seen a card like that before. She took it to the back shop, and when she came back, it turned out that the card had stuck to another card, which explained why she was confused. I finally managed to get in, and spent about an hour there. There was a small exhibit called El Taller de Rubens (Rubens’ workshop) which analysed the master’s works and that of his apprentices which was very interesting.

Afterwards, I walked towards Yelmo Cines Ideal (passing by and waving at the Patagotitan again) to watch Wicked. When I got there, the cinema was still closed, but as soon as I turned away to snoop into a shop across the street, the doors opened. I found my seat and I found myself seated between two groups of high school and university students, who were complaining that their life was very hard, and that they had barely had the time to eat lunch before getting to the cinema. And a few of them were threatening to cry. And they were telling each other not to sing along. I had not realised there was such a big following of Wicked from the younger crowd…

After a few minutes of hearing them babble excitedly, I realised that all of them had listened to the songs on the Internet, or something, but they had never had the chance to seen the musical themselves – it’s debuting in Spain in autumn 2025. It made me realise how lucky I am to be able to jump onto a red-eye flight at a random weekend and go to London, and be there for the 14:30 performance at the Apollo Victoria Theatre.

Wicked film poster

In general, I enjoyed the film. More than I believed I would, because I went with zero expectations and I had managed to avoid any kind of spoiler and previous knowledge, except that Jeff Goldblum was the Wizard. The main cast includes Cynthia Erivo as Elphaba, Ariana Grande as Glinda, Jonathan Bailey as Fiyero, Michelle Yeoh as Madame Morrible, Marissa Bode as Nessa (kudos for an actual disabled actor playing a disabled character!), Ethan Slater as Boq, Jeff Goldblum as The Wonderful Wizard of Oz; and Peter Dinklage as Dr. Dillamond (voice).

I do not believe what I am going to say – but I thought Goldblum was the weakest character. I mean, he keeps playing himself, and Jeff Goldblum is not the Wizard (I had the same feeling when I watched Jurassic World: Dominion; he played himself, not Ian Malcolm). On the contrary, Michelle Yeoh was fantastic, her sole presence in a take stole the whole screen. I enjoyed seeing the animal characters a lot, as it is the bit of the musical that always feels a bit off. The logistics of landscaping Oz was a bit awkward at points, but I guess that’s theatrics and not… geography.

I found the music decent. As for me the most important thing was for the story to be faithful to the musical – which is more up my alley than the novel – I was rather satisfied. The best song, in my opinion was What is this feeling?, the camerawork was stunning. It was also great to see the cameo of the actors who portrayed Glinda and Elphaba on Broadway for the first time, Kristin Chenoweth and Idina Menzel – known worldwide today for Frozen’s anthem Let it go. The library scene and choreography for Dancing through life was also impressive.

What I saw of the subtitles was not a good sign though, because the message of No One Mourns the Wicked loses most of its meaning if you translate it as “she’s finally dead”. However, I am rather good at ignoring subtitles anyway. I am not sold on Glinda being all pink either. Too many Legally Blonde vibes there, I prefer ice-blue.

The film ended at the end of the first act of the musical, with the “main event” of sorts – Defying Gravity. Very showy, okay music-wise. It was more visually impacting than musically, and my mind was dubbing it with Kristin Chenoweth’s version anyway. At this point, half the theatre was sobbing, which I found slightly amusing.

All in all, I enjoyed the day and the film. I am looking forward to the second part, and having affordable Wicked merchandise I don’t have to save for special occasions. After leaving the cinema, I walked back, and since it was cold, I got there in record time – and then I had to wait 40 minutes for the train because of course I did.

18 & 19th November 2024: Apocalyptica Played Metallica in Madrid (Spain), so there I went

Planning for this short getaway started on the 23rd of February, when I bought my ticket for the Apocalyptica Plays Metallica Vol. 2 Tour 2024 stop in La Riviera in Madrid (50.50 €). Almost immediately, I headed off to Apocalyptica’s website to buy the VIP Tour 2024 Upgrade (58,90 €). The upgrade consisted on early access, photograph / meet & greet / autograph session (the important part), VIP lanyard, fabric patch, pin and tote bag. Honestly, all that for barely 100 € was a sweet deal. Back in Antwerp for Starset, someone I was queueing with complained that VIP tickets were too expensive for “a broke uni student”, but for me, meeting with the artist, albeit briefly is usually worth it – early entry is a plus, too, because for some concerts I either find a barrier spot or I just have to go to the back. The bundle was dispatched on the 9th of June (according to the email. Do Finnish post offices open on Sunday?) and it arrived on the 18th.

I originally booked a cheap hotel about half an hour’s walk from the venue. Later, I decided that I preferred the more expensive one less than 10 minutes away, so I changed my booking a week before the concert. I did not book there originally because it required prepayment, and my card was playing up..

On Friday the 4th of November I received an email with instructions for the Meet & Greet, which was to start at 18:30, and I should be there at 18:15. All right, I could do that. It was only a matter of waiting.

On Monday, 17th of November, I took a morning train to head out to Madrid with some leeway for time because I needed to do some small item shopping. I had to dodge some guys trying to get people to sign up for an NGO, but at 11:40 I made it to my first stop of the day – the light museum Museo de la Luz. I had been putting this visit off to go with someone who had expressed interest. However, I also waited for another exhibit and I missed my chance as it turned out to be only temporal. Thus, I decided to head to the Light Museum on my own – it was also one of the few exhibitions open on a Monday morning.

The Light Museum is a modest exhibition with interactive artworks that are mainly made out of lamps, lasers and lights. When you come in, you are given covers for your shoes and a key for a locker – all for free. Then you wait until an attendant takes you in and shows you how to interact with the first artwork “The birdcage” (La Pajarera), a box made out of light and metal that you make change colours with the movement of your arms. Once you know how to “play” with the art, you are left on your own to wander for an hour. At first I thought it would be tight, but the place was small – a bit too small for the price, I thought. I was there for around 40 minutes in total.

There were few people and I was able to check out most of the artwork uninterrupted. The next exhibit is made out of a number of old music festival lights – those that gave a lot of heat from the 90s, which are supposed to be a reference to climate change. Then there is a giant kaleidoscope you can walk in – this one became my favourite. Other rooms or works include a wall of lights that follow you as you move or dance, something with lasers (that I think was broken), some light illusions, a room full of hanging lights, a cube of mirrors and light… At the end there is a wall reading “light museum” in differently coloured lights. When I left, the lady at reception gave me a badge for booking with the official website.

Light Museum Madrid

Light Museum Madrid

I walked out and headed towards the restaurant where I wanted to cheat the system. I crossed the square Puerta del Sol, where they were setting up the Christmas tree – it was about 45% Christmas. On my way, I walked by the underground stop Metro Banco de España which has a tiny door for Little Mouse Pérez – Ratoncito Pérez, the Spanish equivalent to the tooth fairy. I never remember to check it out when I am around, but I made the connection this time.

I finally made it to the James Joyce Pub – which is technically a sports bar. I was not there for the TVs though. I had a while back found the place looking up places which served English breakfasts in Madrid. The James Joyce prides itself in being an Irish pub and offers Irish All-Day Breakfast (12.00 €) – two pork sausages, two rashers of bacon, baked beans, fried egg, sautéed mushrooms, grilled tomato, blood pudding, chips, two half-toasts and butter. No, I would not survive that for breakfast, so I ordered it for lunch (and dinner), thus tricking the system indeed. Unfortunately, it was really good and authentic, so now I’ve got to come back for the sausages and the shepherd’s pie, so at least twice.

James Joyce Irish breakfast

After lunch, I headed out towards the park known as Madrid Río. The park runs along the banks of the river Manzanares. It covers 121 hectares, and it was designed after to cover the space emptied when the belt road M-30 was rebuilt as an underground tunnel. The original project was created by a team of architectural studios and landscapers, with strong ecological consideration – aiming to help the area recover from the degradation and pollution caused by years of road traffic. The project was carried out between 2006 and 2012. In 2015, a second project was carried out to “renaturalise” the river, opening the dams to allow the water to flow freely, which in turn caused the recovery of many plant and animal species (to the detriment of… the local rowing team).

There are also bridges that connect both banks of the river. One of them is the one I crossed – just because I could. It is the pedestrian bridge Puente Monumental de Arganzuela, designed by Dominique Perrault. It is a bridge in two parts – one crosses the river, the other overlooks the park and connects to the urban area, and a total length of 278 metres. It is a tube made out of steel and wood that I’ve been wanting to check out for a while.

Arganzuela bridge

Another important bridge is the completely different Puente de Toledo, a baroque bridge built by Pedro de Ribera. It was erected in granite between 1717 and 1732 as the previous ones had been taken down by torrential floods. This one was made to stay, with nine solid arches opened to allow for the river floods. It was… ready for Christmas.

Madrid Río and bridges

It was weirdly warm for a November afternoon, so when I went to my hotel I opened the window while I had a shower. Around 17:00 I headed out to the venue, where there was a small group of people waiting already. La Riviera is a 1,500 people venue, with really good acoustics – and very dedicated staff. The place was originally a cinema, which was turned into a disco, and then into a music venue and nightclub. It is the same place I saw Epica and Apocalyptica in 2023, and I was surprised how many people came for the M&G considering that last year we were… six. We were around 30 this time around.

At first we were chatting in front of the main door, but soon a queue started forming. A little later, the nice security guy (who last year told me “I looked the part of an Apocalyptica fan”) took us to a secondary door, and the queue was properly organised. Surprisingly, bags were not checked – while last year they even took markers from people.

Apocalyptica is a Finnish symphonic metal band. It was formed in 1993 as a tribute to Metallica with a classical touch – playing with cellos. Their debut album Apocalyptica plays Metallica by Four Cellos was released in 1993. They slowly moved from covering other bands in a neoclassical style to their very own repertoire. Today, the members are Eicca Toppinen, Paavo Lötjönen and Perttu Kivilaakso, three classically-trained musicians with a deep love for metal. In 2024, they have gone full circle with the album and tour Apocalyptica Plays Metallica Vol. 2, performing with drummer Mikko Kaakkuriniemi.

Apocalyptica Tour 24/25

We were ushered into a queue for signatures, and afterwards we would go at the end of the line to wait for photographs. I had brought a print-out of the picture from the previous year, and I told them that whenever they came to Madrid, I would come see them. I got a smile for that. It was an awesome photograph, after all. After everyone had their stuff signed we had the photographs. I asked for “a big metal hug” and got trolled instead. Fun times though!

After the photograph, I found a spot at the barrier. Last time I got on the right, this time I went left. Just a little. I did not want to go dead centre in case anyone decided to moshpit, but I might next time as there was no issue – everyone was too entranced for anything like that, I’d say.

The opening act was the Finnish band Arctis, a baby band who has just debuted with their first CD. They were pretty fun, maybe… a bit… too happy bouncy for metal? I’ve read their act described as metal-pop. It might be. I liked them okay, and they were nice.

Setlist:
 1. I’ll Give You Hell
 2. Remedy
 3. Tell Me Why
 4. WWM
 5. Bimbo (Lambretta Cover)
 6. Fire
 7. Frozen Swan
 8. When The Lights Go Out
 9. Theater of Tragedy

Arctis at La Riviera 2024

Arctis at La Riviera 2024

Apocalyptica came on stage at 21:00 sharp, and the live was glorious. All the songs were Metallica covers, from the new album, the first one, or the remastered version of Plays Metallica released in 2016. Despite that, one would not even have to be a Metallica fan to enjoy the concert, because the three men that compose Apocalyptica have an amazing magnetism. Perttu reminds me of the Duracell Bunny, he just did not stop for a second throughout the whole concert, which lasted a good two hours. Paavo seemed to be in his own little world, as he usually does. Eicca is the one doing most of the talking, and he is hilarious when he delivers his puns with a total deadpan voice and face.

Setlist:
 1. Ride the Lightning
 2. Enter Sandman
 3. Creeping Death
 4. For Whom the Bell Tolls
 5. Battery
 6. The Call of Ktulu
 7. St. Anger
 8. The Four Horsemen
 9. Blackened
 10. Master of Puppets
 11. Nothing Else Matters
 12. Seek & Destroy
 13. One

The audience was mostly moved by Nothing Else Matters, I’d say, judging by how they chorused it. Perttu was all in for that. Personally, I found Seek & Destroy and One, particularly, to be extremely powerful. Also, knowing that they dug up the original bass track from deceased Metallica member Cliff Burton for The Call of Ktulu was half-amazing and half-chilling. All in all, it was a fantastic concert, no matter how one looked at it.

Apocalyptica La Riviera 2024

Eicca Toppinen . Apocalyptica La Riviera 2024

Paavo Lötjönen. Apocalyptica La Riviera 2024

Perttu Kivilaakso. Apocalyptica La Riviera 2024

Apocalyptica La Riviera 2024

Afterwards, Arctis was hanging out by the merch. I got their CD, they signed it, we took a photo. It was fun!

I left the venue and I brought an ice-cream and a sports drink for “dinner” of sorts, because I was thirsty. I had both in the hotel room before my shower – the second of the day – and collapsing onto the king-sized bed. I had to wait for the phone to finish charging before I slept though, so I watched a movie before I zonked out.

I woke up on Tuesday, 18th of November and drank my coffee before I set out. It was freezing out there, with frost on the grass, in spite of the warm afternoon the day before. On my way, I found the ancient walls of the city, remains from the old Moorish fortress alcázar, which stand to the side of the Royal Palace and the Almudena cathedral. I walked towards the centre of Madrid – The Sol Christmas tree was about 60% ready – to meet up with my relative for breakfast at a new place called Kawaii Cafe. Inspired by the Japanese kawaii [可愛い]. Kawaii means pretty, childlike, cute, and the Kawaii Cafe has taken the idea to heart, maybe not not in a complete accurate manner though. Everything is pink, full of fluffy and glitter. The food is not only tasty, also pretty. However, the wait staff is dressed as “maids” [マイド], which I tend to associate more to the… hm… more risqué side of hospitality. When food is brought out, you are offered to chant a spell for it to be even tastier.

I found the place existed by chance, and I was instantly smitten by the rainbow waffles, because they were adorable, and very, very rainbow-like. Thus, I ordered them, along a matcha latte. My relative tried the pancakes with a cocoa. She was ecstatic at the quirkiness of the place.

Kawaii Cafe Madrid order

We stayed for well over an hour, and then headed out to one of the local museums Museo de San Isidro – Museum of Saint Isidore the Labourer. Isidore is the patron saint of Madrid. He is credited with several miracles – multiplying wheat and food, having his oxen plough on their own, and rescuing a child from a well making the waters inside rise. According to tradition, the museum is housed where he used to work, and legend has it that the old well is the one he pulled the child from.

Today the museum hosts some palaeontological and archaeological exhibits, from a mastodon and ancient rhinos to Medieval artefacts, running through the Roman occupation and the Muslim period. The place is a complement to the Museo de Historia de Madrid, or maybe its competition, though I think both belong to the same institution – and both are free. As the building is a historical place, it offers the chance to enjoy its small but beautiful Renaissance courtyard, with sculptures of mythological heroes, and of course St. Isidore and his wife. There is also a tiny Baroque chapel.

San Isidro Museum

San Isidro Museum: chapel, well, and courtyard

Right next to the museum stands the Baroque church of Saint Andrew the Apostle Iglesia de San Andrés Apóstol , which was getting ready for Christmas. The church is one of the oldest in town, though it was rebuilt after its destruction during the Civil War, and it has been recently restored. It hosts a number of religious sculptures and a painted vault above the altar.

Saint Andrew church Madrid

We took the underground at the station Tirso de Molina, which can still be accessed through the historical entrance hall, which is similar to the one that was closed off in Pacífico. It was beautiful, though of course busier than the museum one. Over the entrance to the platform there is a tile mosaic with the old shield of Madrid, dating back from the original station. It was installed in 1921, and it is the oldest artistic item in the underground network.

Access Hall at undeground station Tirso de Molina

From there we commuted to Nuevos Ministerios, where they had just kick-started the Christmas market. It seemed to be the “brands” market, with Lego, Disney, and so on. There was also a food truck by a famous chef selling basically chicken sandwiches at outrageous prices. I had been vaguely curious but not going to break the bank for a chicken sandwich, especially after such a breakfast!

I took a train from there back home, with no incidents whatsoever (because by now I’m desensitised to trains being late…)

16th October 2024: San Francisco Ballet’s Swan Lake at Teatro Real (Madrid, Spain)

While heavy metal and hard rock concerts are my form of meditation, there is something magical about ballet in general and Swan Lake in particular. Also, in my defence, I’ve loved Swan Lake since before I first saw Yoshiki play part of it on piano. Swan Lake is a three-act ballet written by Pyotr Ilyich Tchaikovsky in 1876. The story is widely known – Evil sorcerer Von Rothbart curses princess Odette to live as a swan during the day and only return to her human self at night. Nearby, prince Siegfried is trying to avoid all his obligations, and goes hunting. The two meet and fall in love, and Siegfried invites Odette to a ball where he will propose and both will live happily ever after since obviously love is stronger than black magic. Except, at the ball Von Rothbart shows up with another lady, Odile, the black swan, who seduces Siegfried, and he proposes to her, thinking she is Odette. Drama ensues. Siegfried realises that he has the wrong girl, and runs to the lake where he first met Odette.

Now, depending on the version, after Siegfried and Rothbart fight, the ending can go several ways, and I’ve seen a few. There is a standard happy ending – true love conquers all, Von Rothbart is defeated, and Siegfried and Odette get their happily ever after. In another version, Odette commits suicide as Siegfried’s mistake has made the curse unbreakable. Another option is that she dies of heartbreak. Her death yields to a very epic ending image of Siegfried lifting Odette’s body into the air, and Von Rothbart is defeated by Siegfried’s grief and true love. Finally, there is the option of both Odette and Siegfried dying, and the power of their loving sacrifice defeats Von Rothbart. Note how the evil sorcerer “loses” every time. However, in the original script – which I’ve actually never seen on stage – both Siegfried and Odette drown in the lake and Von Rothbart sort of wins. I’ve always found that interesting. 

Anyway, I really enjoy watching Swan Lake and trying to anticipate which ending the choreographer has chosen. I have to admit that I’m personally partial to the ending where Odette dies of heartbreak, because while I love the ballet – and the black swan – Siegfried is an idiot and with this ending he gets to live with the knowledge that he proposed to the wrong girl.

Back in March I read that the San Francisco Ballet was taking their version of Swan Lake to Madrid. I asked my parents if they wanted to tag along and since I had not received an answer by August, I checked for tickets. Whilst Teatro Real tends to be a bit on the expensive side, it is rather easy to find an unoccupied single seat in a good location just searching a bit. I could not really afford floor seats but there was a very nice single seat on the first row of the third floor that I soon got my clutches on.

I had planned to take the train to Madrid to be there around 16:00. I wanted to go see an exhibition in the manor Palacio de Longoria, since that is the only way to enter it and last time I could not climb any of the stairs to get a good look at the skylight. Unfortunately, there were issues with the previous train, which got stuck in Atocha. My own train could not enter the station, and we were just a few metres away. It is illegal to walk on the tracks, so the train driver, of course, would not open the doors. We were stopped there for over an hour. I was sitting in the first carriage, and some people lost their nerves – they started banging on the driver’s door, and one of them even grabbed the emergency hammer and tried to break the glass on the doors. Thus, I decided to just get off the train when we finally reached Atocha and walk towards the theatre.

Swan Lake promo

I had arranged to meet with a friend for a quick coffee around 18:00 near the theatre. There is a Starbucks within the same building, and it is easy to find a sitting space. At 19:15, we said goodbyes and I entered the theatre Teatro Real and found my seat. What I was not able to find was a brochure.

San Francisco Ballet artists:
  Orchestra director: Martin West
  Odette / Odile: Wona Park
  Prince Siegfried: Wei Wang
  Von Rothbart: Jakub Groot
  Choreography: Helgi Tomasson
  Artistic Director: Tamara Rojo

The show was fantastic. Wei Wang as Siegfried had a lot of weight in the first act – sometimes a lot of his work is given to another character. In this ballet, the ballerina dances two different roles, which sometimes feel like three – First-act Odette, who is nice and falling in love with Siegfried, Odile in the second act, the Black Swan seductress, and the Last-act Odette, who is dying… Wona Park did a fantastic job with her body language in order to show both Odette and Odile.

The corps de ballet was so numerous that I actually don’t think I’ve ever seen so many swans on stage. The set-up was beautiful and the coordination was incredible. At some point there were 32 swan-dancers there. It was fantastic, and I enjoyed every second of it. The ballet lasted 2 hours 40 minutes with a twenty-five minute intermission.

During the break, I went off to find a brochure – not because I did not know the plot, but because I wanted the names of the artists. I thought that one day I needed to try the intermission dinner at Teatro Real, but since they have the “to share” dishes, I don’t think they’ll take bookings for one.

Main dancers accepting the ovation

Swan dancers accepting the ovation

Dancers accepting the ovation and musical director accepting the ovation

The show was over before 22:00, and the waters had calmed down on the train front. They were still running late, but there were no aggressively frustrated passengers on the platform nor the train. I made it home just before midnight.

27th July 2024: Staying inside in Madrid’s heat (Spain)

I was so excited when I found tickets for the historical hall at Pacífico station that I did not stop to think I had booked for late July, at 16:00, in Madrid. The heat wave was an extra, but even without it, the Spanish central plateau is not precisely known for its mild summers. However, the hall only opens once a month, and not every month, and I had never been able to find a ticket on a weekend I could go, so honestly – when I saw these tickets, I did not think about the weather, just… that I could come.

The day came, and Madrid had a heat alert. It was around 37 ºC, and I thought I would stay inside, and just head out for the visit. Unfortunately, since trains are being horrible, I needed to take one with at least an hour’s berth to make sure I reached the underground station Estación de Pacífico. When I arrived, I looked around to finally realise that the hall was at the actual platform, warded off by a very modern nondescript door. I had brought a book to pass the time, because I knew I would either have a lot of time, or I would be stressed because the train was late. I found a bench and settled down to wait somewhere I could keep an eye on the door. Visitors are not directly admitted into the hall, but they are cleared at ticket control on the other side of the platform, then go back all the way to the entrance. In our case, we waited for a bit, and the guide decided to head through the platform right as a train arrived, so everything was full. Spanish logic.

The former hall Vestíbulo de Pacífico is part of the network of Underground museums Museos de Metro de Madrid. Until it was walled off in 1966, it was the entrance to the station Estación de Pacífico, built in 1923 when the underground Line 1 was extended towards the south-west. The passengers climbed down a now-disappeared staircase and crossed the hall, which still had natural light. On the other side, there was some sort of metallic bridge with another set of stairs to access the platforms.

The station used to be part of a huge complex owned by Metro, which also comprised offices, control rooms, and the warehouse that housed the engines that created energy for the trains to run on. At the time, it was an unpopulated area, so land was cheaper. Today, most everything has been replaced by apartment buildings and only the station and the nearby Nave de Motores remain.

The whole complex was designed by architect Antonio Palacios, and the hall was built in white tiles with blue decoration – a homage to the Pacific Ocean, which gives the station its name. The hall is tiny by today’s standards, barely 119 square metres. It has three vaults that used to have skylights for the sun to light up the hall – now those are closed off as the street above them is busy. The station was renovated in the 60s so it could accommodate the longer trains, new accesses were built, and the hall closed down. That renovation was the same that made the station Estación de Chamberí close, and apparently another hall that has been uncovered in Ventas.

The hall was bricked away for almost half a century, until restoration work started in 2007. It took ten years, as budget was low and the process was labour intense – 60% of the hall had to be rebuilt. However, the final product is really good, you can see the newer tiles if you look for them, but the whole thing feels extremely well preserved. Even the staircase, which was built to access the hall after the iron bridge was destroyed, feels time-appropriate. A replica of the original doors was put up.

Pacífico Booking Hall

And right when I have seen all the five Underground museums that require appointment… I find out there is a passport of them – Pasaporte de Pasaporte de los Museos de Metro. Just my luck! Then again, maybe Metro will take these articles as proof of visit and backstamp me for them?

The visit took about one hour, then I rode the underground back towards Atocha, and bypassed it to the next station. I had decided to try my luck with the queue at modern art museum Museo Nacional Centro de Arte Reina Sofía, part of the national network of museums covered by my card. To be honest, I do not enjoy modern art that much, so I have been putting off this one visit. However, the museum holds a piece by Pablo Picasso that has become quite socially loaded – Picasso’s Guernica, which I have always thought I ought to see at least once.

Pablo Picasso (1881 – 1973) is considered one of the most important artists of the 20th century. He was co-inventor of collage, co-founder of Cubism, and inventor of the assemblage (basically, collage in 3D). He painted, sculpted, and made prints, ceramics and theatre sets. I have never connected much, if at all, with the kind of art he was making. I do not really understand the limits he broke, nor whatever he wanted to express. That is why I wanted to see this artwork in particular – to try to understand.

Arguably Picasso’s most famous painting is Guernica (1937). During the Spanish Civil War, German planes bombed the Basque town of Guernica, in the north of Spain, to aid the Nationalist army. The town was destroyed, and up to 300 people lost their lives – the raid opened the northern front for Franco to reach Bilbao. British reporter George Steer wrote a scoop on the event after he witnessed the destruction, and his reports made waves internationally. Picasso, who lived in France at the time, had been commissioned a piece of artwork for the Paris World’s Fair by the Republicans (at the time the rightful government of Spain). Upon reading the news, he scrapped his original idea and painted the Guernica instead.

The painting is one of the most important artworks that the museum has. It is a huge piece, in black and white, showing the carnage. As most men were out in the battleground, the majority of victims were women and children – along with a dead soldier, a horse and a bull, most of the figures in the pairing represent women and horror. I honestly find the description of the painting more chilly that the artwork itself.

One kind of feels that the museum itself as built as a huge sarcophagus for the Guernica, and other pieces are there just to fill up the space. A sculpture by Eduardo Chillida is exhibited in the gardens. There is also a space about architecture, with blueprints and photographs, including artwork by Le Corbusier. Other artists whose work is shown include Salvador Dalí, Joan Miró, Alexander Calder… Actually, I enjoyed the museum more than I thought, as I expected only abstract art that I would not understand. I enjoyed the blueprints and photographs of buildings, and the actual building too.

Exhibits at Museum Reina Sofía

I then headed up Paseo del Prado to find one of the local cultural centres. I was ridiculously amused when I reached the corner where CaixaForum stands. I was on my phone, and when I looked up, I saw the Patagotitan “looking” at me. It gave me a laugh.

Patagotiatan at Caixaforum

The cultural centre Serrería Belga is running a Japan-themed exhibit, divided in parts:

  • Kinpaku. Naturaleza, poder e imaginación en el arte japonés (Kinpaku: Nature, power and imagination in Japanese art): Kinpaku [金箔] refers to gold leaf artwork, often used in decoration in classical Japanese culture. A private collector has lent their items to exhibit – windscreens and fans, all painted in gold, so they can be enjoyed by everyone.
  • Kimono, identidad cambiante: un siglo a pie de calle (Kimono, changing identities: a century on the streets): Kimono [着物] is the traditional Japanese clothing – one that unlike many others is still common wear. There were twenty of these, including accessories.
  • Expokon: A series of panels discussing different hits in sports manga and derivatives.
  • Japan International Manga Award: Panels drawn by the Spanish artists who have won the awards in different years.
  • Kamishibai: Kamishibai [紙芝居] is (was) a form of Japanese street theatre using a small paper theatre with pictures to tell the stories. There were several sets of stories, some classical, some more modern.
  • Manga Kids Academy: A few panels showing Japanese school life through manga and anime.
  • Itadakimanga!: A series of panels showing different foods popular in manga and anime.
  • Gêmu: cultura visual y videojuego japonés (Gēmu: visual culture and Japanese video games): Some items regarding video games, and even a few arcade machines for playing.

Japanese exhibits at Serrería Belga

The exhibits were part of Madrid’s summer cultural program, which has named Japan “Guest Country”. They were a few cute little exhibits, and they were free too, so a good way to complete half a day trip. I headed back to the station afterwards, to wait for whichever train came, and I was lucky enough that one was there in a couple of minutes – I even found a good seat on my way back.

And I have finally seen the hall at Pacífico, which has been a goal since April 2023. Now I just have to figure out a way to obtain the passport and have it stamped…

21st July 2024: From the Sea to the Butterfly (Madrid, Spain)

When planning for the day, the one thing I did not count on was the heat wave. I did take into account problems with trains, but apparently a half-hour delay is a non-issue by now and not worth mentioning. I reached Madrid around 12:30, and I had a reservation at 13:00 for a themed restaurant which had caught my eye when I saw it online. It was honestly a big disappointment, though I refused to let it ruin my day.

The restaurant is called Bestial, and it is ocean-themed. The pictures were awesome, it looked super cool, and I was pretty excited to go there. However, the experience was mediocre at best – I guess solo travellers are not their target audience, and it showed. As I was mainly ignored, I could watch how the restaurant worked. The waiters got the tables mixed up a few times, and they allowed others to take pictures with cocktails that were not theirs – that was weird, and I am pretty sure that against health code. I ordered a lemonade – the best thing – a tuna tartar and a crab bao without coriander, after checking that the coriander could be taken out. The tuna was tasteless, and the bao did have taste… coriander. All in all, I was not impressed by the food, even less by the service. Between the two dishes there were about 35 minutes waiting, and after an hour I just gave up and asked for the check, which was brought in a little book… and dropped halfway, then picked up from the floor… I just paid – the meal was not cheap – and left without dessert. A pity, really, but I really did not care any more.

Restaurante Bestial by Rosi La Loca

It was ridiculously early for my 16:00 visit, but I wanted to try my luck. I had chosen that day because CaixaForum Madrid was running two exhibitions that I wanted to see – Patagonian dinosaurs (which had just opened) and The Science of Pixar (which would end soon). The exhibition centre was booked out, so I could not sneak in before my time slot, but I managed to get my most burning question answered – how on earth were they going to fit a Patagotitan inside CaixaForum? Answer: they did not. They placed it outside, which was a fun surprise!

Patagotitan skeleton in front of CaixaForum Madrid

Since I had about an hour and a half, I decided to trot over to the painting museum Museo del Prado, part of the national network of museums, which I can access with my one-year card. I thought I might be luckier and the queue to enter without a reservation would work better. Indeed, I did not have to wait indeed, and I could have a look at a few of the masterpieces the collection holds (though not take photographs) – Francisco de Goya, Joaquín Sorolla, Diego Velázquez, Esteban Murillo, Fra Angelico, Hieronymus Bosch… Of course, not all the masters, because El Prado is enormous. It is also air-conditioned, and surprisingly, not as full as I half-expected. There was a queue when I came out, so I guess it worked out well!

I walked back to CaixaForum Madrid to see the two exhibitions I had booked. It was a bit before 16:00, but this time I did not ask, and just walked into the first exhibition – “Patagonian Dinosaurs”: Dinosaurios de la Patagonia, which had very little new information, and even fewer actual fossils, but a lot of dinosaur reconstructions. Those were cool. Aside from the Patagotitan mayorum placed outside, there were full skeleton replicas of Herrerasaurus ischigualastensis, Eoabelisaurus mefi, Leonerasaurus taquetrensis, Eoraptor lunensis, Condorraptor currumili, Brachytrachelopan mesai, Amargasaurus cazaui, Tyrannotitan chubutensis, Neuquensaurus australis, Carnotaurus sastrei, Gasparinisaura cincosaltensis and Manidens condorensis. There was also a Giganotosaurus carolinii skull. As for the real thing, a femur, a shoulder plate and a forelimb of Patagotitan, some teeth and vertebrae and a few invertebrates and leaves. It was really cool, and not extremely crowded for a dinosaur exhibit in summer. It was only the third day of the exhibit, so maybe it was not that well publicised yet? Out of the new species I discovered, Amargasaurus was my favourite – with the neck spikes it looked exactly like I would have imagined a dragon.

Patagonian Dinosaurs

Patagotitan front and back legs, along with a huge shoulderblade

The other exhibition that ran at the time was “The Science of Pixar”: La Ciencia de Pixar. It felt like a nerdy companion to Mundo Pixar, focusing on the maths and the process to create a Pixar film. Unfortunately, it was bustling with kids who – understandably – just wanted to smash buttons and make things light up. The exhibition had a lot of cool machines which simulate the different steps of creating a computer-animated film – rigging, modelling, lighting, rendering… The most interesting was an analysis called “What colour is this pixel?” taking into account movement, lights, shadows… It must be amazing to be able to visit the exhibit alone and be able to play with all the computers. I did find one where you get to simulate crowds using shoals of fish (from Finding Nemo) and I played with that for a while. There were also a few life-sized models from several films, miniatures and 3D mini-sculptures.

La Ciencia de Pixar

I left the venue after browsing the shop, and I walked down towards the theatre. It was still early, and I wanted to hit a couple of shops. Actually, I wanted to go to what is commonly known as the Primark flagship shop. The building Edificio Gran Vía 32 was originally erected in the 1920s to host the first department store in Madrid, Almacenes Madrid-París. It was designed by architect Teodoro de Anasagasti and used the most modern technology and materials at the time – reinforced concrete in the avant-garde style. The whole interior is built around an octagonal lightwell with a central staircase, and today the lowest four floors have been turned into the Primark shop, which has fitted screens and lightings while keeping the previous structures and railings. The modernisation project was undertaken by architectural studio RCCyP and it took three years until the shop opened in 2015.

Interior of Edificio Gran Vía 32

I continued off towards the theatre Teatro Real. I had a bit of time and some unspent calorie budget, so I decided to splurge at Starbucks with a whipped-cream Frappe for my pre-show snack. For the same price I had awesome third floor for Carmina Burana, I had a fifth-floor-in-the-back paradise ticket now. However, it was a lone seat with a great view, so I am not going to complain. I was going to watch the opera Madama Butterfly by Italian composer Giacomo Puccini – and sometimes I think that the better the singers are, the worse time I have with this show.

Madama Butterfly Promo

The main character is Cio-cio, a name that when pronounced in Italian sounds similar to 蝶々, [Choucho], butterfly in Japanese. When she is 15 years old, in 1904, Cio-cio marries an American navy man, Pinkerton, who intends to leave her and find a ‘decent’ American wife. Cio-cio is repudiated by her whole family when she converts to Christianity for her marriage. Three years later, she is alone, almost bankrupt, the mother of Pinkerton’s child, and a marriage broker is trying to sell her off to another prospective husband. Pinkerton returns to Japan with his American wife, who agrees to raise the child, but he cannot face Cio-cio because he is a coward. She (spoiler alert) prepares their son to go with him, then commits seppuku.

And even a bigger spoiler alert, I hate Pinkerton. Viscerally. My parents tried to start me into opera way too young to understand plots, I feel, and I did not want to do anything to do with it for a long time. However, at one point I wanted to see Madama Butterfly due to it taking place in Japan – being older helps, and I slowly learnt to appreciate the musical genre. Basically, by hating on Pinkerton.

Apparently, Teatro Real is known for its alternative settings and takes on classical operas. In this case, they let go of the old Japanese cottage in order to use… a modern-ish undisclosed Asian country. There was an overpass with Chinese signage, a billboard with McDonald’s and Bailey’s spoofs in Japanese (that did not make any sense), and the traditional cottage was exchanged for a greenhouse of sorts. There is a scene in the traditional opera in which the characters fill the house with flowers. In this case, they coloured the glass panes with hand paint. It was a great show.

Cast:

  • Cio-Cio-san: Ailyn Pérez
  • Suzuki: Nino Surguladze
  • F.B. Pinkerton: Charles Castronovo
  • Sharpless: Lucas Meachem
  • Goro: Moisés Marín

Artistic team:

  • Musical conductor: Nicola Luisotti
  • Stage direction: Damiano Michieletto
  • Set design: Paolo Fantin

Madama Butterfly Teatro Real

The show finished around 22:20. I walked up Arenal Street towards Sol. While I missed my first train because some people love to take up space while walking slowly, I made it for a good connection at Atocha, and I was actually home before midnight.

6th July 2024: O fortuna! (Madrid, Spain)

A couple of days before going to London to see Kamijo, I found out that a local music non-profit was staging Carmina Burana by Carl Orff in Madrid. Buying tickets (for that, and the upcoming opera Madama Butterfly) broke havoc with my credit cards, but everything was eventually fixed – I think. It had me stressed at the beginning of that trip, but it seems to be finally fixed. Again. I did have to miss Swan Lake in London because the credit cards would not go through.

Anyway, I had my ticket and though I would have loved to spend the day out, I was too ridiculously tired to take a whole day of sightseeing. Furthermore, the place I wanted to have lunch out was not taking reservations since they broadcast sports, and there was some big match or another. Yes, I want to go somewhere that defines itself as a sports bar, but that’s a story for another day (like the time I thought I could go to a sports bar during the Olympics because “Oh, well, there’s nothing sporty going on, right?”).

I thus decided to head off with a small pre-show plan, which turned out to be a great idea. When I alighted from the train station, the streets were clear for the Pride parade – I do not think I have ever seen the area surrounding Estación de Atocha so empty. I walked towards the theatre Teatro Real, but my first stop was the underground station of Opera, home to one of the Underground museums Museos de Metro de Madrid. Unlike the others, this is only tangentially related to the underground system itself – it is an archaeological museum, hosting an ancient fountain, part of an aqueduct, and the remains of a sewer.

King Felipe II made Madrid the capital of Spain in 1561, and aside of some brief periods of strife, it remains so to the present day. That has implied a lot of changes through history – among them, the destruction of the city walls, and the construction of an aqueduct to provide the city with water. When the court moved there, the villa of Madrid was little more than a village whose population skyrocketed in a couple of years. The new city needed services as it grew.

One of these was the fountain called Caños del Peral (literally something like “Peartree faucets”). The fountain was 34 metres long and it channelled water from the stream that ran down what is now Arenal Street. It was built in local limestone, had six faucets, and it probably was the largest fountain in the area where it was built in the late 1500s – the outskirts. Ironically, today it is quite close to the centre of the city, even the middle of Spain, the so-called “Zero Kilometre” in the square Puerta del Sol.

Fountain Caños del Peral

The fountain was destroyed during the reign of José I (Joseph Bonaparte, Napoleon’s brother, who was installed as king of Spain between 1808 and 1813). Caños del Peral, along with the buildings around the square, were demolished and used to fill the gorge that until then had separated Madrid in two. And in that filled gorge it was discovered in the early 2000s during works to refurbish the underground station of Ópera. Further works uncovered the sewer from the same period, a structure that channelled black waters away from the drinking streams for sanitation.

Sewer at el Arenal

The aqueduct Viaje de Amaniel was built around 1615 century to bring clean water to the Royal Palace, and with time it also supplied other properties. The infrastructure was heavily remodelled in the 18th century, after the Royal Palace was rebuilt into its current form after the fire that destroyed the original alcázar.

Section: Viaje de Amaniel

As I was coming out from the little museum and the underground system, I noticed a display reading that the underground / train station that I needed after the show was closed “until end of service”. Which was good to know beforehand, since I had time to replan my route – the trains were a mess in the evening due to Pride, and a few stations being closed off for crowd control. I grabbed a snack at the local Starbucks and headed into the theatre.

The Royal Opera of Madrid Teatro Real opened in 1850. It was originally designed by José Manuel González-Valcárcel, though it has been widely renovated, with the latest iteration dating from 1997. It is considered the most important venue for performing and musical arts in Spain – despite having been closed for decades at a time. Curiously, the theatre has the shape of a coffin – at first, I really thought that was my imagination, but apparently it is not only real but intentional.

Teatro Real: stairs and interior

I had found really good tickets, first floor next to the Royal Booth – for the same price, I would later get a fifth / sixth floor ticket for Madama Butterfly. The repertory had been put together by Fundación Excelentia, a non-profit foundation dedicated to promote and divulge lyrical heritage and musical values.

Carmina Burana Promo

Programme:
  First part:
  1. Beethoven: Egmont. Overture: Sostenuto, ma non troppo – Allegro
  2. Beethoven: Symphony No. 8 in F major, Op. 93
  Second Part:
  3. Carl Orff: Carmina Burana

The show was conducted by Juan Pablo Valencia and interpreted by the orchestra Orquesta Clásica Santa Cecilia, the choir Sociedad Coral Excelentia de Madrid, soprano Rocío Martínez, baritone Manuel Mas and countertenor David Miranda.

Ludwig van Beethoven (1770? – 1827) is considered one of the most important figures in Western music. Born in Germany, his works bridged the classical and romantic periods in classical music. His works are amongst the most performed in the world, even though he began losing his hearing halfway through his career. He composed Egmont around 1810 for a full symphonic orchestra, and Symphony No. 8 in F major, Op. 93 in 1812. The Symphony has four movements: Allegro vivace e con brio (F major), Allegretto scherzando (B flat major), Tempo di menuetto (F major), and Allegro vivace (F major). I am not the biggest Beethoven fan, to be honest, but it was good. The conductor had a great time.

My main reason to be there was the second part of the show: Carmina Burana (Officially Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis which translates from Latin as “Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images”, quite a mouthful). German author Carl Orff (1895 – 1982) composed the cantata between 1935 and 1936. Most of the lyrics are in Latin, though there is a bit of old German and even old French. The cantata has 25 movements based on 24 Medieval poems, with the first and last movements being the same: O fortuna, which happens to be one of my favourite choir pieces ever. There is one instrumental-only piece, and all the others have vocals – for choir, soprano, baritone and countertenor.

The twenty-five movements are organised in sections, which are officially five, but divided as:

  • Fortuna Imperatrix Mundi (Fortune, empress of the world): 1. O fortuna (Oh, fortune), as I mentioned, I love this choir; 2. Fortune plango vulnera (Regret for the wounds of fortune).
  • I. Primo vere (In spring): 3. Veris leta facies (The joyous face of Spring); 4. Omnia Sol temperat (All the things are warmed by the sun); 5. Ecce gratum (Behold the welcome)
  • Uf dem anger (In the meadow): 6. Tanz (Dance), the only instrumental movement in the cantata; 7. Floret silva nobilis (The noble woods bloom); 8. Chramer, gip die varwe mir (Monger, give me a coloured paint); 9a Reie (Round dance); 9b Swaz hie gat umbe (Those who dance around); 9c Chume, chum, geselle min (Come my dear companion); 9d: Swaz hie gat umbe reprise; 10. Were diu werlt alle min (If the whole world were mine)
  • II. In taberna (In the tavern): 11. Estuans interius (Seething internally); 12. Olim lacus colueram (I once swam in lakes) – this is the piece the countertenor sang, and I am not completely sure the guy was drunk, or playing drunk. 13. Ego sum abbas (I am the abbot); 14. In taberna quando sumus (When we are in the tavern)
  • III. Cour d’amour: 15. Amor volat undique (Love flies everywhere) I have to admit that I did not love the soprano, who sang for the first time at this piece – she sang well, but too low, it was difficult to hear her at times; 16. Dies, nox et omnia (Day, night and everything); 17. Stetit puella (There stood a girl); 18. Circa mea pectora (Inside my chest). 19. Si puer cum puellula (If a boy with a girl). 20. Veni, veni, venias (Come, come, please come) – these are the same lyrics that Final Fantasy VII’s theme for Sephiroth, One-Winged Angel has, and looking at the translation, now I understand why it was never intended to be the psychotic mass-murderer theme… 21. In trutina (On the scales); 22. Tempus est iocundum (Time to jest); 23. Dulcissime (Sweetest lad)
  • Blanziflor et Helena (Blancheflour and Helen); this refers to the romance story of Blancheflour and to Helen of Troy. 24. Ave formosissima (Hail to the loveliest)
  • Fortuna Imperatrix Mundi: 25. O fortuna (Oh, fortune)

All in all, it was a great experience, and I had a privileged seat. I really enjoyed the show, as it was expected from something at the Teatro Real. The gentleman next to me slept through the first part and hummed along the second, which was weird. The soprano’s voice was too faint and she tended to sing towards the other side of the theatre, making it hard to hear her, but the baritone was good. The choir was fantastic, and the percussion musicians had a perfectly choreographed exchange of positions to play all the small parts which was really amusing to watch. Especially one who hugged the gong to quiet down the reverberations.

Artists after the Carmina Burana Show

When I came out the theatre, I headed off towards the underground system and reached the train station, which took over 20 minutes – normally, I would have just walked to Sol and take the first train there to connect faster, and stay within the same system. As Sol was closed, this was not an option. When I arrived at Atocha, the platform was almost overflowing as the trains were running with long delays. I think I took a train that should have passed through around 22:30… at 23:00. I was not sure everyone would fit in the train, to be honest. Good thing that they announced a second one for a few minutes later. I made it home past midnight, took a shower and crashed because it was hot – Spain in July. What else is new?

30th June 2024: Engines, illusions, history and tea (Madrid, Spain)

Since finding about my tea time outings, my sibling had been wanting to tag along to one. I was asked to organise something for the weekend that involved either Chinese hotpot or afternoon tea in Madrid. The hotpot place was booked out both days, but I found an afternoon tea opening on Sunday the 30th. I am too lazy to move out just for tea, so I organised a bit of a day out.

After an uneventful train ride, our first stop was at noon: Nave de Motores de Pacífico, the former energy centre that fed electricity to the original underground lines. Today, it is not in use and it has become part of the network of museums Museos Metro de Madrid. The warehouse was built by Antonio Palacios between 1922 and 1923 to home the diesel engines, transformers and fuel that single-handedly powered the underground system before the Spanish Civil War. The system was actually in place until 1972.

Warehouse containing the old underground engines

The building was erected in red brick, with white tiles inside, decorated with Palacio’s typical metallic green. The floors are ceramic tiles, and the engines are three monstrous vessel-powering pieces of engineering. These diesel engines created electricity, which then entered the transformers, and was sent to the power lines to feed the trains. At night, the excess was sold to the local street-light network.

Since we were going for afternoon tea to El Jardín de Orfila, where I have been before, I knew lunch was out of the question. However, we needed a snack. I planned that at Yatai Market, an… Asian food court of sorts. A number of stands come together to offer different cuisines and snacks, even full-sized meals. We tried a Chinese bao each and a couple of dim sums. I ordered a hoisin duck bao which was extremely yummy. I will definitely come back to try other stuff.

HotBao Yatai Market Cortezo

Afterwards, we headed off to the so-called Museum of Illusions. This museum is a compendium of optical illusion and installations designed to fool the brain into believing things that are either wrong or just not there: a distorted room so you look big in one corner but small in the other (Ames room), a vortex where you seem unable to walk straight, a rotated room, a room full of mirrors – there were a lot of illusions with mirrors actually – stereograms with hidden images, turntables, holograms…

We had a reservation for 14:00, and I was surprised at how chaotic entry was. I mean, they’ve been running the thing for a while now, someone should have figured out how to do crowd management, but no. Then, there were kids running and screeching all around, but it calmed down after a while. I had really hoped that the museum would be calm and half-empty at lunch time, but it was not so, not by a long shot. It was interesting though, and pretty fun.

Museum of Illusions Madrid

However, the experience was shorter than I had calculated, so I had to improvise an extra stop. Thus, we entered the local history museum Museo de Historia de Madrid, which tells the city’s history since Madrid became the capital of Spain. There are paintings, models, typical costumes, plans, maps, and Playmobil sets depicting of the uprising against the French in 1808. The museum is hosted in a former palace-like building which was actually built as a hospice. To the side stands the original Baroque chapel. It also has a lovely garden with a monumental fountain, which was relocated from its original place for conservation.

Museo de Madrid exhibits

Museo de Madrid - chapel and fountain

We spent some time there and then headed off to the building that now holds the office of the Copyright Owners’ association, a manor known as Palacio de Longoria. It was designed by José Grases Riera and built between 1902 and 1904. It is one of the few actual Art Nouveau buildings in Madrid, possibly the most important one. The façades were made in artificial stone, with sculptures and shapes resembling vegetation. I’ve wanted to visit it for a long time, but it is only open when there is an exhibition, and the stars had never aligned – until this time. There was an exhibition about urban music, and I was not going to let go of the chance to see the monumental staircase and the skylight.

Longoria Palace

We finally set off for afternoon tea at El Jardín de Orfila. Out of the several places I’ve tried afternoon tea in Madrid, this has been my favourite to date. The outside garden is lovely, but mostly, their scones are the best around.

We ordered green tea, and the snacks were finger sandwiches – smoked salmon and cheese cream, classic cucumber and cheese, pastrami – pastries – carrot cake, macarons, lemon curd – and the scones. This time round, I decided to eat the scones after the sandwiches in order not to be full when it was their time. The afternoon was pleasant, but we shared the terrace with another table, and later a loud lady who wanted a smoke. That broke the magic a little, but the tea was fantastic and the scones were great.

El Jardínde Orfila: tea serving for two

Afterwards, we just headed for the train station to get back to our places. Of course we missed the correct one since they run whenever they like. What else is new? But the fun part was being able to pull a fun day out from my sleeve, and it was not stupidly expensive either, so good fun, all in all!

28th May 2024: Architecture and a niche restaurant (Madrid, Spain)

I was talking to an acquaintance whose child likes superheroes – so does the acquaintance, actually – about Comic Planet. After exchanging experiences, they mentioned that their spouse also enjoyed another thematic restaurant, and I decided that it could be a fun thing to do – and since they don’t take reservations for one, I roped my sibling into tagging along. And of course, since we were braving the horribly-working trains, I felt we should fill the day out. We could not leave early in the morning as I would have liked because I had this stupid bureaucracy appointment I had to get out of the way first.

We arrived in Madrid around 12:30, and our first stop was the Casa de Correos, an iconic building in the middle of the square Puerta del Sol. I did not even know you could just visit that building, nor that they ran exhibitions. It was a cool opportunity to check it out. Furthermore, the exhibition was actually something that I was quite keen on – the architect Antonio Palacios, commemorating the 150th anniversary of his birth. The exhibition, called “the Metro architect” Antonio Palacios, el arquitecto de Metro, is part of the network of museums managed by the underground company Metro. It consists mostly of photographs, a few of them by photographer Luis Lladó, an original model of Palacio’s project to renovate Puerta del Sol, and a modern model of a now-lost station, including lifts. It was a bit underwhelming, but still worth it – and free, so it was good either way.

Exhibition Antonio Palacios El Arquitecto de Metro

Afterwards, we headed out to the restaurant for our 13:30 reservation. The place is called Los Secretos de Lola (Lola’s Secrets ). It used to be just another bistro-grill in a street full of them, but some time after the pandemic, it reinvented itself. The restaurant has slowly turned into a Mecca of childhood mementos – Disney princesses, teddy bears, Harry Potter, Funko Pops… and crazy fun references like a Möet&Chandon spray to clean the tables. A lot of the food comes in a special piece of dishware – most of it Disney, but I can’t tell whether it’s actually licenced or a bunch of knock-offs. It was hilarious anyway. Though I am not much of a Disney person (my sibling is), my favourite film of theirs would be Mulan, and I just about lost it laughing when I checked the menu beforehand – I saw that they served gyoza in a Mushu-like dish, and decided we needed to order that. I was open to negotiation about anything else, really, but not the gyoza. The pasta in the Lady and the Tramp dish was also hysterical, but I could do without.

We reached the restaurant on point, and the owner directed us inside. We got a really cute Stitch table, but my sibling was not comfortable on high chairs, so we were accommodated at a Harry Potter one. We shared the non-negotiable teriyaki prawn-and-vegetable gyoza with wakame and bean sprouts, served on a Mushu-plate: Gyozas de gambas y vegetables al teriyaki, a plate of cheese Tabla de quesos variados (Blue cheese, Havarti, Mimolette, Emmental, Basilio, butter and breadsticks, on a Ratatouille’s Remy plate, which I had also found adorable) and a bluefin tuna tartar Tartar De Atún Rojo (on a little boat – I asked for no mango, and it was honoured; this was probably the weakest dish though). Finally, I tricked my sibling into a dessert called “Snowhite magic apple” Manzana Encantada Blanca Nieves: red chocolate capsule with white Kinder and a heart of caramel sauce, which came in an adorable “present box”.

Decoration: Los Secretos de Lola

Food Los Secretos de Lola

The food was good, and I really like themed restaurants, I guess, even if they are not “my” theme. We did not stay for the two hours, I think we were on our way after an hour and a half – and when we asked for the check, it came in a Frozen music box. Then, we left towards Palacio de Cibeles, the old “communication palace” of Madrid, designed by Antonio Palacios and Joaquín Otamendi, and erected between 1907 and 1919. It is considered one of the first and most important Modernist buildings in Spain, constructed in biocalcarenite, with three stained-glass skylights, catwalks on the third floor, and a magnificent lookout on the rooftop. Part of the building is being used by the town hall, the other by the public entity CentroCentro, which runs cultural activities in the open spaces – mostly conferences and exhibitions.

Palacio de Cibeles

We arrived a bit before 16:00. Since we had a ticket for one of the exhibitions at 17:30, we checked whether we could find a ticket for the rooftop. We found available slots at 16:30, which was great. Before the viewpoint access, we had time to wander around. Most of the free exhibitions were of modern art, and not that interesting, and I was more focused on the building itself. There is one dedicated to the World Heritage site Paisaje de la Luz, explaining why the area deserves its UNESCO place.

We found the staircase to one of the towers and we used it to move it through the different floors. It is a spiral staircase around the lift, with Palacios’ typical green tiles similar to the ones he used at Maudes hospital and Chamberí station. The catwalks were paved with glass tiles, and it was quite impressive above all. I loved the building, but after all, Palacios is one of my favourite architects, so it was to be expected.

Inside Palacio de Cibeles

Then, we went up to the rooftop, where we could have a view of all of Madrid around us, most interestingly one of the main arteries of the city – Gran Vía. The weather was great, maybe a bit too bright. The turns were 30 minutes, but we were done in about half the time, after taking two walks around the middle tower.

Lookout on the rooftop of Palacio Cibeles

We went down and sat for a little before we headed down to the basement to see “Notre-Dame of Paris: The Augmented Exhibition” Notre-Dame de Paris: l’Exposition Augmentée. It was only 3€, so I was not expecting much, but it actually blew my mind.

The experience was created by the company Histovery, which specialises in “virtual exhibitions” through an interactive tablet called “HistoPad”. The Public Entity in Charge of the Conservation and Restoration of Notre-Dame de Paris cooperates with the event, and the beauty company l’Oreal is a sponsor. The exhibition (which is simultaneously running in several parts of the world) follows the history of the Parisian cathedral Notre-Dame de Paris – it starts with the 2019 fire, which is a bit heart-wrenching, and then it covers a few key moments in the history of the cathedral, using a mixture of written information, videographs and a “treasure hunt” where you have to find pieces of a puzzle hidden within the virtual information. This is done using the tablet to scan 21 “time portals” that take you to a particular point in history.

Around 1160. The Dream of a Builder. At that time, Bishop Maurice de Sully came up with the idea to build a new, better, cathedral in Paris. The previous one was a smaller, Romanesque building, but the goal was a larger, architecturally impressive building. In this room (the second, actually, but the first chronologically), you find out about the “treasure hunt” – you need to find a number of hidden “light spots” to build a “stained glass window”.

Around 1180. The Gothic choir. This makes a small overview of the kinds of workers that helped in the construction, the kinds of stones, building materials – quarries, forests. I was extremely disappointed at this point when I came across a dog in the virtual quarry, but the program did not let you pet it.

1241. The Holy Relics: Louis IX, the future Saint Louis, bought the Crown of Thrones in Jerusalem and brought it to Paris. There was a great procession into Notre-Dame, where the relics were to be kept. Here there’s a spectacular recreation of the gates with the original polychrome sculptures and decoration.

1645. The Royal Promise: Widowed Queen of France explained to her son, future Louis XIV, that he was to renovate the choir of the cathedral and build a new altar, dedicated to the virgin Mary. This was the original splendour of Notre-Dame, before the French revolution broke out – the church was one of the targets of the revolutionaries, and a lot of the art was damaged and / or destroyed.

1804. The Imperial Coronation. After the French Revolution, Napoleon crowned himself “Emperor”, but a very “equal and revolutionary” Emperor. He held a ceremony for himself in Notre-Dame, with the presence of the Pope and everyone who was anyone in the totally equal new society.

1857. The Spire. Enter Viollet-Le-Duc, a major architect and restorer in France’s 19th century, whose theories influenced countless others. He revalorised gothic style in the country, managing to turn it into a “national style”. The man had the goal to restore and create buildings in “the gothic style that would have been if the Medieval workers had had the technology he had access to”. Historians have not been kind to him, accusing him of “inventing” stuff instead of “restoring” but kudos to him, he managed to make a lot of buildings survive to our time. In Notre-Dame, he is responsible for putting back a lot of the sculptures that were destroyed during the French Revolution. He also built the spire that famously collapsed in the 2019 fire.

2019-2021 (first and last rooms). A description of the restoration works that have been happening in and outside the cathedral since the fire, with special attention to the Paris firefighters who worked the incident. There is a very interesting part about safely removing debris and the original scaffolding, and the fact that there was a lot of lead in the cathedral that the workers had to be safe around. They also homage the “vertical workers” who had to remove collapsed pieces from the ground… hanging from ropes.

Notre-Dame the Augmented Exhibition

We completed the stained-glass window and signed up to get a diploma. The fun part is that most of the exhibition was not really… even physical. There were a few posters, a reproduction of one of the chimaeras, some small models… Nevertheless, it was extremely interesting – possibly the best “virtual exhibition” I’ve seen to date. The length of the experience is said to be 60-90 minutes… we stayed from 17:30 to 19:45, much longer than I had anticipated! Thus, we had to forfeit the last plan of the day to go back to the train system – which of course was experimenting delays. It took forever to get home. Because what else is new?

Time-traveller diploma after completing the treasure hunt in Notre-Dame the Augmented Exhibition

14th May 2024: Three Museums and Tea, Madrid (Spain)

On a whim, I put together a plan for Tuesday, as it is currently my free day. I was too lazy to drive, so I decided to catch a train to Madrid. There was a temporary exhibition I wanted to check out, and it was close to several museums and eateries.

My first idea – breakfast at a French crêperie – went bust, because the place was still closed when I arrived in town – I swear, this is like the fourth time I try to have something there, and it just won’t work. Instead, I ended up at a Starbucks for breakfast, before heading out to my first destination – the exhibition The Art of Manga, held in the Architecture Bar Association building Colegio Oficial de Arquitectos de Madrid, COAM. The Art of Manga is a small exhibit that runs through the history of manga – Japanese comics – with a few snippets of what it was and what it has become, especially in Spain.

The entrance was a sort of tunnel with manga sheets hanging from the ceiling. It ended at a traditional scroll with animals acting like people – Chōjū-jinbutsu-giga 鳥獣人物戯画, which translates to “Animal-person Caricatures”. Some people consider that this is the origin of manga (note the “ga” at the end), though if there is one thing that the exhibition makes clear, it’s that nobody knows when manga actually started. Thus, it just runs through all the possible theories and important names. From the Edo Period, there were a few wood prints (ukiyo-e) – which are claimed to be original – among them two by Katsushika Hokusai [葛飾 北斎], The Great Wave off Kanagawa [神奈川沖浪裏, Kanagawa oki nami-ura] and Fine Wind, Clear Morning [凱風快晴, Gaifū kaisei]. Hokusai is another of the supposed starts (“the father”) of manga. There were also a few toba-e [鳥羽絵], similar to the first scrolls – for the first time in the evolution of drawings, there was text alongside the art. Then came the books, where texts dominated – though there were still drawings – and they became extremely popular during the period.

With the end of the isolation of Japan, Western influences – mainly comics – influenced local artists, and “speech bubbles” appeared. In the late 19th and early 20th centuries, Kitazawa Rakuten [北澤 楽天]’s works were published in newspapers. He is (also) considered the father of modern manga, and several of his works are displayed. There are also early 20th-century scrolls, painted in a style similar to toba-e depicting the Tokaido Road, which separated Edo (old Tokyo) and Kyoto, and its checkpoints. There were also kamishibai [紙芝居] cards – kamishibai is a traditional form of theatre involving telling a story using a narrator and different “postcards” with images drawn on it.

In the middle, the exhibit had a rock garden, and a torii gate with a lot of lanterns gave way to the second part – modern manga. Here there were pieces and mementos from famous artists and works – Osamu Tezuka [手塚 治虫], known as “The god of manga”, and one of the driving forces of anime. According to the exhibition, they were showing all of his works. There was a bit about Shigeru Mizuki [水木 しげる], and big international hits like Sailor Moon, Naruto, Dragon Ball and One Piece. After a screen showing a video about a cosplayer – which I did not care much about – there was a section on manga magazines, some of the early manga published in Spain, and a stand where you could get some stamps.

Snaps from The Art of Manga Madrid

Finally, there was a bit on merchandising and figurines. The shop did not even have a catalogue, which I would have bought. All in all, it was all right, smaller than I had expected.

Then, I went to the nearby museum of the Romantic period, where I got a national museums card – I’ve been wanting one for a while, but unfortunately you still have to queue to use it. I had hoped you could just walk into museums with it, but I guess crowd control is a thing since Covid. Anyway. The Romanticism museum, Museo del Romanticismo is a small palatial residence which tries to recreate the ambience and atmosphere of the dwellings of the bourgeois families at the time. It had a lot of nice furniture, similar to the one in Riofrío, but I found it lacked on the landscape paintings I like. The museum is currently exhibiting an early painting by painter Francisco de Goya, a Pietà.

Museo del Romanticismo Madrid

Afterwards, I headed out to line for the Sorolla Museum Museo Sorolla. I had to queue for nearly 40 minutes, but I was finally admitted in. Joaquín Sorolla (1863 – 1923) was a generally-impresionist painter (impressionist, post-impressionist and luminist) from Valencia. The museum was built in the artist’s own house, completed with some of his iconic artworks, including Paseo a orillas del mar, Walk on the Beach, and El baño del caballo, The Horse’s Bath. Sorolla excelled in portraits and landscapes, especially the sea side, and social criticism. He was a master depicting light, water, and the combination of both. He became one of the most important Spanish artists of his time – and probably the most famous. He participated in the Paris Universal Exposition of 1900, and was invited to exhibit his art in New York City.

Furthermore, there was a current exhibition called Sorolla in 100 objetos – Sorolla in one hundred objects – which had just opened to the public. It included personal items the artist collected, – some a bit bizarre–, photographies, his passport, the last painting he worked on, the medal he received from the US president, a photograph of his studio in Italy…

Snaps from Museo Sorolla

I then went off towards the archaeological museum Museo Arqueológico Nacional. I used to love this museum – when they remodelled it and they made it all modern and aseptic, it lost most of its allure. Of course, I still enjoy it, as the important items are the exhibits, and the museum has a lot of important items from the Celtiberian cultures – Celts and Iberians inhabited Spain before the Roman conquest, which started in the 2nd century BCE. Iberians were prevalent in the east and south of Spain before their arrival. The north and west were populated by the Celts, and there was a vague area in-between whose people have been called Celtiberian. the Talaiotic culture flourished in the Balearic Islands, and it has recently been declared World Heritage. These cultures were eventually assimilate by Romans, but Celts lived on elsewhere. Iberian and Talaiotic cultures, however, diffused with time. Today, there is little known about it, and most is just interpretation from archaeologists, even less about the more ancient tribes that lived in the areas during the Bronze Age.

Among the objects from pre-Roman Spain, there are mysterious steles from the late Prehistory. However, it is the Iberian funerary art which stands out the most – such as the bust called the Lady of Elche, La Dama de Elche, found in the town of the same name, and the full sculpture named the Lady of Baza La Dama de Baza. Both are fantastic, to the point that it was thought they were Hellenic for some time. Other items include bulls – both metal cattle heads with wide eyes, and vaguely-shaped stone sculptures, verracos. I remember going to the museum when I was little, and the importance of these bulls, called “Bulls from Guisando” Toros de Guisando was drilled into my head, to the point that I thought that the ones exhibited there were the only ones – it also made me sad that they were in the museum and not in the field where they had been found. I was petrified when I learnt, years later, that there are a bunch more…

The museum also hosts a nice collection of Moorish art, and what apparently is a special Egyptian exhibit, as Spain worked with Egypt during the 20th century, and got a lot of objects from that excavation from the Egyptians “in the split of the new discoveries”. I am not sure whether that’s accurate, or the story has a lot of make-up on. I had to leave around 16:15, but as this museum is also covered by the national museums card, I can come back any time within the year for free. I skipped most of the Medieval period.

Museo Arqueologico Nacional Madrid

I had a reservation for afternoon tea a few minutes away from the museum, at 16:30 – I might be doing a bit of a rally around all the places in Madrid which have it. This time around, I went to El Jardín de Orfila – and good thing I had decided to only have breakfast and skip lunch and go straight from breakfast to tea. I was seated in a lovely outward area and I chose a delicious green tea with cherry. The food was plenty – finger sandwiches: pastrami, salmon and cucumber and cheese cream; macarons, carrot cake, meringue, and scones, along with clotted cream and berries jam. It has probably been the best afternoon tea I’ve had in Madrid up to date. The scones were a bit under-baked though.

Afternoon tea at El Jardín de Orfila

I was alone in the outer area for most of the experience, the waiter checked on me once after bringing my tea. It was actually so calm and quiet that I had a visitor – a little house sparrow (Passer domesticus) was very interested on the remains of my scone, so I shared with her. She was happy after two crumbs, and left – or maybe it was because another couple walked into the area.

Sparrow hopping towards a scone crumb

I left a bit before the two-hour timeslot was up so I could catch a timely train home – and because the couple came in, talking loudly, and kind of broke the spell.

22nd March 2024: Trail of the 1808 Uprising, Comic Planet and Genesis (Madrid, Spain)

Among the activities organised by the Pasea Madrid program (Walk Madrid), there was one about painter Francisco de Goya. Goya was probably the most important painter towards the end of the 18th century. He was born in 1746 and died in 1828, having lived through four Bourbon Kings, the Peninsular War, the postwar and the Bourbon restoration.

Goya started his career in Madrid drawing bucolic cartons to be woven into tapestries. He eventually became popular painting portraits for the aristocracy first, the royal family later, until he was appointed court painter. Sometime along his career he contracted an illness that left him deaf, and his character soured. He started experimenting with other media besides canvas and mural paintings, and started creating prints, which are darker and fantastical. During the Peninsular War against Napoleon’s forces, he created paintings about the uprising, and prints showing the most awful part of human condition during armed conflict – the horrors of war. He did not become any more cheerful after the conflict, depicting famine and illness. His last set of art pieces are called the black paintings, black-and-ocre coloured nightmarish pieces which contrast with the life of his initial bucolic scenes and one of his most famous painted – the naked lady La maja desnuda.

In 1807, Napoleon tricked the Spanish king into abdicating and allowing his troops to march towards Portugal. Instead, the French just… stayed in Spain. Madrid was occupied on the 23rd of March 1808. On the 2nd of May, there was an uprising in town, carried out by plain citizens and a very small percentage of the Spanish soldiers. The rebellion was squashed and the rebels shot to death – where “rebel” meant “everyone caught with a weapon”, and weapons had been stones, knives and even plant pots. While the uprising was unsuccessful, it sparkled the Peninsular War, known in Spanish as the War of Independence. Goya, originally open to the French ideas of Illustration, painted two canvasses about the events. The first was “The charge of the Mamelukes” El dos de mayo de 1808 o La carga de los Mamelucos depicting one of the French units charging Madrid’s people; the second was “The third of May Shootings” El tres de mayo de 1808 o Los fusilamientos del tres de mayo, showing the executions in central Madrid.

After I arrived in Madrid, I started off the day with a Starbucks’ Iced Strawberry Matcha Tea Latte, a new flavour introduced this month. I had plans for a nicer breakfast, but my train was delayed so I had to get something to go, so it was this and a cookie. I really liked the drink, I hope it stays. I grabbed both and went towards the meeting point.

Starbucks' Iced Strawberry Matcha Tea Latte

The visit I attended was called “Goya and La Florida” (La Florida being a small hermit church the painter did murals for), but it was more of an exaltation of the May 1808 uprising. We met the guide next to the Royal Palace, where she summarised Goya’s life. Then, we moved on to a placard next to the palace that memorialises the uprising, and she described the event. We continued on towards the area of Príncipe Pío, saw yet another memorial to the uprising Monumento al Pueblo del dos de Mayo de 1808 and the archaeological remains of one of the forts.

Monument to the second of May

We went up the park Príncipe Pío – next to the Temple of Debod – and the guide explained the military shootings, and read a document. We continued towards the graveyard where the rebels were buried Cementerio de La Florida, next to which stands a monument to Goya Monumento a Goya: four stones, each one with a letter to form the word “Goya.”

Monument to Goya

We finally reached the hermit church Ermita de San Antonio de la Florida, where Goya painted the ceiling frescoes. Over time, they became so degraded that an identical second hermit was built to be used religiously, and the original one kept as a museum and the painter’s pantheon. The ceiling has a dome in which the artist painted St. Anthony’s miracle – as his father had been accused of murder, he resurrected the victim, who could identify the real criminal. The murals are done in al fresco technique, painted on fresh plaster, directly on the walls.

Hermit church of St Anthony

After I left the hermit church, I headed off towards Príncipe Pío station, where I met my relative. There’s this restaurant that I’d been wanting to try for a while, but I needed two other people to tag along in order to get the table I wanted – yes, I wanted a specific table in the restaurant, more on that later. We had a reservation for a late lunch at 15:00, since my guided visit finished at 13:00. We took the underground and alighted at the area of Cuzco, with still some time left.

While checking out how to get to the restaurant, I had came across an Asian supermarket nearby – and that led me to discover Calle General Margallo, a little cluster of Asian supermarkets and stores. We went into Ibero China Madrid and I was happy to buy a bunch of things at a very decent price, mostly Japanese (curry and miso), but I also bought some Filipino Sky Flakes Crackers that I used to get from an acquaintance and had not found for years. Afterwards, we headed to the restaurant.

Comic Planet is an American-food eatery set around the superhero theme – murals on the walls, actual-size figures from DC and Marvel films, and even some prop reproductions. The dishes are “inspired by” superheroes and villains, with a lot of colourful additions.

When making the reservation, I was luckily able to book the table I wanted – and lacking any John Constantine decoration, who is my favourite “almost mainstream” comic character, the table I aimed for was the Aquaman one; I liked Aquaman before Jason Momoa made him officially cool. To be honest, even if I really wanted to check the restaurant out, I was a bit limited on what I could order – way too much coriander. I wanted a burger and a dessert – and a coke chilled with vanilla ice-cream (Coke & Vainilla Ice 1923). Unfortunately, our third party member was almost forty minutes late, so in order to keep the table we needed to exchange desserts for a starter. When the three of us were there, we ordered our mains.

Our starter (for two) was the “Infinity Gauntlet”: cheese sticks wrapped in dough (tequeños) with five sauces – tartar, spicy, mango, BBQ and comic special “cocktail”. The name of the dish refers a weapon created by Thanos, villain in the Marvel comics Avengers, made famous by the films.

My main was a Cat Burger (a reference to Batman’s Catwoman) – a “snobbish” beef patty with caramelised onion, duck foie gras and melted Brie cheese, with regular chips. My relatives ordered a Super Comic Burger (Grilled beef with egg, Oldenburger cheese, fried plantain, guanciale and “kryptonite” – whatever that is. The bread was… blue, and the chips red) and a Hellboy brioche (smoked and spiced pork, natural tomato, Edam cheese, egg, red onion pickled in lime, coriander, mustard and sugar), a reference to Dark Horse Comics’ Hellboy, one of the few creator-owned characters out there.

Comic Planet Madrid Food

One of the greatest things of the restaurant is that you get to hang around and take pictures with and of everything. The restaurant has two floors, and you are free to explore them. Aside from the murals and real-life figures, there are busts of bad guys, and even a homage to one of the most prolific comic-creators in history, Stan Lee. They also have a store with a bunch of merch (surprisingly… no actual… comics).

Comic Planet Madrid decoration

Afterwards, because the weather was nice and the forecast was rain all the following week, we walked down to the Comunidad Evangélica de Habla Alemana – Friedenskirche (German-Speaking Evangelical Community – Church of Peace), who were running a video mapping show in their church, Genesis.

The show follows the first three days described in the Christian Bible’s Book of Genesis, as God creates the earth. On the first day, God separated light from darkness; on the second day, God created Heaven (the sky in some versions), and on the third, he created the lands, seas and vegetation (nature in some translations). The church is a Neoromanesque building with mosaics which helps the otherworldly aura of the experience.

The show, designed by the company Enoarium has five parts: First Day: Light; Second Day: Sky; Third Day, first part: Water and Land; Third Day, second part: Nature; Meditation. When we went in, there were already lights on, a pretty universe-like lighting. There were pouffes to sit / lean on the floors and chairs. I chose a pouffe, thinking that it would be hard to stand up later, but oh well. I had about an hour to get round to it. It was a really good idea, because watching the ceiling was much more comfortable than having to look up.

It was a bit difficult to notice when the one day became the next, because the lights flowed really nicely and one theme faded into another. First, the whole church went dark, and there was a bit of light in the centre of the ceiling that became wider and wider. The white light started mixing with blue, which first was the sky and eventually turned into the sea. Gold / brown bits after a while represented the land, then more blue / purple as more sea, and when it turned green we had reached the creation of vegetation, which exploded in tons of colourful flowers. Eventually, everything dissolved into candles and lamps. The music was nice, too, mostly coral in Latin, I think.

Genesis Madrid stills

Genesis Madrid stills

Afterwards, we separated and I headed off to the train which – what else is new – was stupidly delayed, so I was stuck at the station for almost 40 minutes until my train came. The only good thing was that another in the same general direction came three minutes before, so most people got onto that, and mine was pretty empty.

17th March 2024: Council Houses & Royal Collections (Madrid, Spain)

Madrid’s town hall opened a new season of their “walking Madrid” Pasea Madrid to show off some of the usually closed-off monuments in the greater area of the city. I’ve signed up for a few before (also under the name of open for restoration); while I am not a fan of guided visits, the program grants access to otherwise closed off places. This time I was lucky enough to get a spot for the old town hall Casas Consistoriales.

The original council house was built around 1645, following the plans by Juan Gómez de Mora, in the Herrerian style – the exterior is sober and barely decorated, erected in bare brick, with towers in the corners. The interior used to host a square courtyard, around which the whole dependences were designed. Subsequent remodellings closed off that patio, gave the construction a balcony overlooking Main Street, and exchanged the wooden roof for black slate. Even later, the structure was connected to the nearby palace Casa de Cisneros, a Plateresque palace built round 1537, by a passageway on the second floor. The two buildings were the main site of the town hall until 2011. Nowadays, the complex hosts some offices and is used for special events.

After going through the metal detector / X ray machine, we gathered at the entrance. The visit took one hour, and we were shown some of the most important points in both buildings, permanently followed by an armed security guard. In the actual Casa Consistorial, we saw the monumental staircase, the “royal room” with a fantastic glass lamp and frescoed ceilings, the so-called “crystal courtyard”, whose ceilings is a stained glass window, and the room where the council meetings used to take place, now used for formal events.

Old council Houses, Madrid

We crossed over to the palace Casa de Cisneros, where we saw the library, several meeting rooms and the “Andalusian staircase” with ceramic tiles, until we finally reached the actual yard, built in brick, but with some original decorations similar to those found in the palaces of Guadalajara (Infantado and Condesa de la Vega del Pozo).

Old council houses, Madrid

The whole thing took about 50 minutes, including checking in, security and introductory explanation. It was extremely rushed, and I still find being followed by a guard a bit unnerving. However, I got to see the two buildings, which is what I wanted.

Afterwards, I went to a new museum recently opened by the Spanish Heritage service Patrimonio Nacional, called the “Royal Galleries” – Galería de las Colecciones Reales. The massive space was built into the ground of the terraces that separate the upper area of the Royal palace from its gardens (Jardines del Campo del Moro), and consists of three floors. The building is completely accessible by wheelchair, having ramps instead of stairs. The collection comprises part of the art pieces owned by the State that were originally purchased by the Royal Families before the 1975 Constitution and the 1982 Law. The uppermost floor contains the pieces collected by the early monarchs, especially the Catholic Monarchs and the Habsburg Dynasty. There are a lot of tapestries, armours and so on, as we are talking the Middle Ages. I also found some Last Wills and Testaments, and the first ever Spanish Grammar, by Antonio de Nebrija (1492). During construction of the building, the archaeological remains of the foundations of the first Royal Palace in Madrid were found, so those have been incorporated into the exhibit.

Royal Collection Galleries - Hausburg collection

The second underground floor, deeper below, holds the Bourbon collection, from Felipe V (king 1700 – 1746, he abdicated on his son, who died, and he had to go back to the throne) to Alfonso XIII (king 1886 – 1931, when went into exile upon the start of the Second Republic). This is more… French-style, of course, with paintings, decorative items, chariots, and actual objects of everyday use. Here are exhibited works by Goya and Velázquez, musical instruments, and the first photographs.

Royal Collection Galleries - Bourbon collection

The third floor is a temporary exhibition of royal chariots and cars, including a Rolls Royce, a couple of sleighs, and a sedan chair. It kind of looks that it’s going to be a forever temporary exhibitions though…

Royal Collection Galleries - chariots and cars

The Galleries were rather… underwhelming. After all, there are quite a few royal palaces and sites in Spain, all lavishly decorated, and most of the paintings are in the museum Museo del Prado, one of the largest painting galleries in the world. This felt a bit of a haphazard collection of “stuff we did not know where to host”. I really struggled to find any link or logic beyond “this king bought this”. And even if it was chaotic of sorts, it felt quite short of other places like the Victoria & Albert museum in London. I am not sure they will “fill it up” eventually, or if the main items will remain in their dedicated locations.

Oh, and in case you are wondering why I did not check out St. Patrick’s parade… It was the day before…

12th March 2024: A free afternoon – the bullring & Pompeii Exhibition (Madrid, Spain)

Due to life being weird sometimes, I was summoned to a work-related event in Madrid on the morning of the 12th. The event took place in one of the buildings erected by Antonio Palacios, the cultural centre Círculo de Bellas Artes (CBA). The centre hires out its facilities for conventions, gatherings and theatre plays. In our case, we were there for the presentation of a new product in the Column Hall Sala de Columnas on the fourth floor.

Interior of the Círculo de Bellas Artes

After all the necessary chatting, networking, and a disappointing (and rather questionable) choice of canapés, the event was over at 14:30. I ditched my companion then and headed out to Plaza de Toros de Las Ventas, the local bullring. I am not a bullfighting fan – my personal view is that it is not an art, nor a “fair fight” as it is presented, and I hope we humans evolve to phase it out. And while I would not attend an event, I was curious to get to know the building and its architecture.

Las Ventas bullring, outside

The ring is the largest of its kind in Spain. It was designed by José Espelius in the neo-mudéjar style and erected between 1919 and 1931. The central ring is just over 60 m in diameter, with a metallic structure holding the stands around it, and a façade of reddish brick and porcelain tiles. Aside from bullfighting, it is also used for concerts and other events.

I took a self-guided tour with an audio-guide Las Ventas Tour Experience, because I actually know nothing about bullfighting – I learnt that it actually has “rules”, I thought it was just taunting and hurting the bull. The passes have names, and there is a whole colour code of handkerchiefs – I had no idea. The tour takes you past the “Great Gate” through which bullfighters come out through when they are deemed to have done a great job. Then you climb up to the first floor balconies, and you can even go up to the highest point to have a panoramic view. You see the outside of the Royal Box, the gate through which the dead bull is brought out through, and then you walk down to the ring itself. There you can stand in the areas where the bullfighters and their helpers wait, and peer towards the stables, the closed door to the infirmity and finally the chapel. There are two VR experiences too that I did not care for, so instead of the expected 75 minutes, I took a bit less than an hour to do the whole tour.

Inside the bullring of LasVentas

Afterwards, I was curious to check out an immersive exhibition regarding Pompeii called “the last days of Pompeii” Los Últimos Días de Pompeya in the cultural hub Matadero Madrid. It was designed by Madrid Artes Digitales, the same company which organised the Tutankhamun one. At first I was not overly interested in it, but when I went to Recópolis the guide mentioned an actual VR tour, and I became curious (read: it was totally FOMO in the end).

The exhibit has a couple of replicas of archaeological artefacts, but it’s mostly a digital display. The first time I went to the Madrid Artes Digitales building I thought they had rented the place, but now I saw that they might actually own the warehouse and design the exhibits into it. There is a huge room where they project a sort-of film on the walls, a small circuit that you walk doing different activities, and a sitting VR ward, where you get to see a fictional world in 3D.

Of course, there were replicas of the Pompeii casts, and a copy of the novel The Last Days of Pompeii, written by Edward Bulwer-Lytton, which has inspired the exhibit. The novel, in turn, was sparkled by the painting The Last Day of Pompeii. The projection recreated a few passages from the book, then Mount Vesuvius erupted and you were taken “into” the crater, seeing lava bubbling and lightning bolts. Then one was back in the city as the pyroclastic cloud rolled into the city, along with volcanic bombs falling into buildings.

Last Days of Pompeii exhibition

The circuit was a VR walk-through that took you though a house, both in ruins and reconstructed, as a woman led you through it. Walking with the VR glasses was a new experience, I have to admit, but going through doors was strange. Unfortunately, my set had a finger print in one of the lenses which spoiled the view a little. In the final ward, there was a representation of a circus fight with gladiators and tigers that turned into a naumachia (ship games in the amphitheatre) while Mount Vesuvius erupted in the background. All in all, it was a bit weird, and maybe… a tad on the morbid side, if you ask me.

Afterwards I just headed off, and I was lucky to make it into the train, it was so full! The car emptied out enough to sit down after a few stops, but just wow.

11th February 2024: The Parade of the Wood Dragon (Madrid, Spain)

Chinese New Year started on the 10th of February of the Gregorian (solar) calendar. Many East Asian countries follow a lunisolar calendar, in which the New Year falls on the second new moon after the winter solstice. In China, it is usually referred to as the Spring Festival, and outside it as Lunar New Year. For a while now, the Chinese diaspora in Madrid has been celebrating with a parade in the District of Usera, the so-called “Madrid Chinatown”, which will eventually have traditional gates and panda decorations in order to try to be developed as a tourist area. Since the parade was on a Sunday, I decided that I would attend.

The equivalent to 2024 is the Year of the Wood Dragon. The Chinese calendar uses a combination of twelve animals that conform the Zodiac (rat, ox, tiger, rabbit, dragon, snake, horse, goat, monkey, rooster, dog and pig) and the five elements of Feng Shui (wood, fire, earth, metal and water) to name the years. The dragon represents prosperity, authority and good fortune. The Wood Dragon brings abundance and improvident, so it seems to be a promising year!

Announcement of the Chinese New Year festival in Madrid

After keeping an eye on the ever-changing weather and rain predictions, I decided to bite the bullet and go, whatever happened. The parade was due to start at noon, and rain was to come a couple of hours later. I packed an umbrella, a waterproof bag inside my backpack, and my all-you-can-travel train pass. I picked up my sibling on the way.

We reached the district of Usera a bit after 11:00, with plenty of time until the start of the parade at noon. We found a street barrier and set positions, ready to wait out the cold until the parade started. I had read that it would last about three hours, but I thought that meant in total – since the first person went out at the beginning of the parade until the last person reached the end. I had never been to Usera before so I had no idea how long the streets were. In the end, the parade took about an hour and forty-five minutes to pass in front of the point where we were. There are a lot of Chinese associations! I do not really know if they were all based in Madrid, or if the Chinese diaspora of all of Spain had congregated for the occasion. And not only Chinese people marched – a lot of Spanish and Latin Americans did to.

The event was called Great Parade of the Chinese New Year of the Dragon Gran Pasacalle “Año Nuevo Chino Del Dragón”. It opened with a locomotive which “pulled” everyone behind it. There were people dressed as lions, others moving huge dragon puppets, dancers, musicians, martial artists, people in traditional clothing, acrobats, walkers on stilts… women, children, men, everyone seemed to be invited to the party. Each group got their introduction with a red banner, and lots of people carried either Chinese or Spanish flags. Some people handed out “dragon masks” for kids, and quite literally ignoring all the adults wanting one (I might have rescued one from the floor at the end of the parade). People in the parade waved and cheered Xīn nián kuài lè and Feliz Año Nuevo, “happy new year” in Chinese and Spanish. There were some drummers too, but most of the music came from portable little devices. An older lady kept telling everyone to hurry up.

Chinese New Year Parade Usera 2024

About half an hour in, my memory card ran out of space. I had been aware of that being a risk for a while, so I was carrying an extra one, which unfortunately was not compatible – I have no idea why. Luckily, I could use the phone for more pictures. The worst thing about the event was the presence of the “media” – I can understand the ones who were working / recording / interviewing. However, there were also a bunch of accredited people who were just in the way, chatting on their phones or doing nothing in the way of the parade – and of pictures.

Parade of the Chinese New Year 2024

All in all, it was spectacular. I loved the lions and the dragons, and I had to wonder how many dragons come out on a non-dragon year parade. Furthermore, everyone seemed to have such a good time!

Chinese New Year Parade Usera 2024

At the end of the parade there were a few South American organisations who also participated, probably because even if Usera seems to have many Chinese businesses, there are a few Peruvian and Bolivian restaurants. They seemed more Carnival-like anyway.

Chinese New Year Parade Usera 2024

After the parade had finished walking in front of us, we went to try to check the food trucks and the market at the end point of the parade. Unfortunately, everyone seemed to have had the same idea, and it was packed.

Instead, we found our way back to the underground and went off towards the centre. There we had a snack at one of the big malls, where I also bought a new SD card. I asked the assistant if the card would be compatible with my camera, he had to get another assistant, who had a bit of a waiting list. This second assistant said that my camera would not take a 128 GB card. I showed her the 128 GB card I had been using. She then asked to see the card which was not compatible. I showed her that one too. She said that it was not compatible because of the adaptors, but I pointed out that the cards had the same shape. Then she said that it was not compatible because “TDKs are too slow”. The card is a Philips. Anyway, she offered to let me try the new card to check it was compatible before buying it, which guarantees it works. I bought two, just in case.

Afterwards, we headed off to the shopping gallery Galería Canalejas. This is the new luxury shopping hub in town. The complex occupies almost a whole block, having joined as many as seven historical buildings into the same project – a Four Seasons hotel (the first in Spain), a parking lot, some private residences and the shopping gallery.

The original central building was commissioned by an American insurance company and built in 1887 by the architect José Grases Riera, who designed it in. The construction homed the Insurer’s headquarters, private residences, the former casino, and small shops on the street front. It was called Palacio de la Equitativa, uniting the word “Palace” with an approximate translation of the name of the insurer. In the 20th century, the building was bought by a bank company – and Spanish banks merged, re-merged, disappeared, until finally the building was sold to a private investor in 2012. The Neo-Renaissance and Neo-Baroque façade was carefully restored, along with the Art Decó stained-glass window on the ceiling. Also, under the direction of the architectural firm Estudio Lamela, some of the bank safes were recovered for decoration. The first shop in the gallery opened in 2020, and it seems that the Madrid tourism board started promoting the complex in 2023, following a strategy to drag “luxury vacation-makers” into town.

The gallery has three floors. The basement has been used for the food court. The ground and second floor hold a lot of security guards, since there are shops like Cartier, Louis Vuitton or Valentino… There is a café on the ground floor, amongst all the luxury shops. Behind it there is a staircase that connects all three floors (aside from the escalators on the sides).

The café Galería Canalejas Café offered afternoon tea, and I was even willing to try it despite the lack of scones. But it was cold and drizzling, and I had just discovered that they had afternoon tea the day before. We sat down and ordered.

Afternoon Tea at Galería Canalejas Café Madrid

The set included:

  • Café o té Coffee or tea. I chose a Japanese sencha, which was brought quite earlier than the snacks. It was really good, albeit a bit weak. I own up I had finished it almost completely by the time the food came out. I really think they should add some water to the mix.
  • Savoury snacks:
    • Mini sándwich chicken coronation. Coronation Chicken mini-sandwich in a salty waffer, made with a salty waffer.
    • Mini sándwich de mortadela trufada y queso Coloummier. Coloummier cheese and truffled sausage mini-sandwich, also in a salty waffer. I think they forgot the cheese in mine…
    • Quiché de espinacas y salmón. Salmon and spinach quiche with wasabi mayonnaise. This was the best, in my opinion.
    • Crep de hummus con vegetales. Hummus and vegetables crêpe. They actually forgot to bring this one out and did so later on.
  • Sweet snacks:
    • Bizcocho Valentía. A quite-heavy brioche with honey and lemon. It was nice, but I could have used a smaller size.
    • Mini churros con vainilla y chocolate. Tiny churros with vanilla and chocolate. The vanilla was actually whipped cream, but the powdered-sugar on the churros and the bitter chocolate made it a good combination.
  • Petit fours: We got three of these, but I have no idea which ones. According to the publicity, you chose them yourself, but they brought them on their own. They were tiny biscuits that felt really nice to finish off the tea.
    • Bombón Canalejas
    • Diamant Madagascar
    • Florentin aux amandes
    • Noisettine
    • Trufa de turrón

All in all, it felt a little wannabe pretentious, but the staff was extra nice, and allowed us to stay there for as long as we wanted. We left when I noticed that the turn over was slow and a queue had started forming. We snooped up and down the gallery for a while before we headed off. And of course, I totally missed my train connection – what else is new?

16th December 2023: A day out of ExpoGema (Madrid, Spain)

Since the mineral expo ExpoMinerales back in February was all cool and fun, I decided to attend its shinier (and unbeknownst to me, way more unaffordable) sibling, the gem expo ExpoGema, and make a day out of it. Thus, I headed out for Madrid on the 9:00 train with temperatures below zero – I was not made for winter. It was not much better when I arrived, but for once the train ride was uneventful, I actually made my connection, and it seems that after a chaotic year, the underground train tunnels are finally open. Everything going smoothly gave me some unexpected 45 minutes to wander around as the square Puerta del Sol slowly became fuller and fuller with people.

I had booked a guided visit through the company Madrid en Ruta, who has the exclusive concession to show the business centre Casa Comercial Palazuelo. Located in downtown Madrid, it was designed by architect Antonio Palacios. The promoter, Demetrio Palazuelo, bought the lot left behind by a fire, and commissioned the building with the goal of renting it out to shops and professionals – it was thus the first office building in Spain conceived as such, and not repurposed from a manor or an apartment building. Palacios drew inspiration from the Chicago School commercial architecture and used iron to stabilise the building, which allowed him for bright interiors using lots of glass. The office building was erected between 1919 and 1921, and the offices are still rented out today, with the only caveat that the beautiful interior translucent-glass doors have been painted white – to either protect privacy or hide the fact that today the house seems to be almost empty – at least according to the building’s own directory.

The exterior façade could be considered eclectic – the main frame tends to neoclassicism with huge glass windows framed in black iron. The interior tends towards Art Deco and modernism. The offices are distributed around a central indoor patio, with curved balconies that overlook it and lots of lights mainly due to the skylight. There are two classical lifts which are the original ones, in peartree wood. When we went up, I took the stairs, which have white treads, and the riser is made out dark green ceramics. I have seen these in other works by Antonio Palacios.. The interior, with the iron balustrades and its curvy design, was really cool, but I think it is really a pity they painted over the glass.

Interior of Casa Palazuelo

The visit started at 11:00. We spent the first fifteen minutes outside getting context, roughly half an hour inside, and the last twenty minutes on the roof of the building, waiting for the clock of the Puerta del Sol to strike 12:00, then we were ushered out. I really wish we could have wandered the house a little bit, even if we could not go into the offices. The ten euro we paid surely did not feel like we were paying customers, but more like we were sneaking around like unwanted guests – which we probably were anyway.

Puerta del Sol from the roof of Casa Palazuelo

I grabbed a quick snack then and headed off towards the engineering school Escuela Técnica Superior de Ingenieros de Minas y Energía (ETSIME) for the sixth edition of the gem fair ExpoGema. The fair itself was neat, but most everything was way above my budget range. I was there at the typical Spanish lunchtime, there were few people, and most were at the stands. Thus, I had the museum Museo Histórico-Minero Don Felipe de Borbón y Grecia almost completely to myself. I really like old-style museums, and this one has a huge amount of specimens, most of them are minerals, but there are also fossils and a collection of cave bear skulls and bones. I had decided not to book any guided visit or activity as none happened within the couple of hours of lunch downtime.

Geology Museum at Etsime

I bought an ammonite pendant, a small pyrite with almost perfect right angles, and another pendant made with a small meteorite from Campo del Cielo, along with a tiny extra piece. Campo del Cielo is an area in Argentina where four or five thousand years ago an iron meteorite fell. The meteorite shattered upon entering the atmosphere and, when it impacted the surface, the different created up to 26 craters. About 100 short tonnes of a fragmented iron meteorite have been recovered to date, and I now own around four grammes of it – yay me. I did not buy any precious stone though since the pretty shiny rocks were way out of my budget.

Expogema 2023

I left the ETSIME and I walked towards the square Plaza Pablo Ruiz Picasso, where there is a temporary art installation called El Regalo (The present) by Amigo&Amigo, a studio specialising in art installations. The artwork comprises a few arches that end in pads that can be stepped on – when they are, music sounds. The day was still bright, so the artwork was not shining, but a bunch of kids jumped on the pads to keep the music playing.

El Regalo artwork

Afterwards, I took a train and headed off towards central Madrid again. I had a reservation for an afternoon tea at NuBel, an “avant-garde gastronomy space” in the modern art museum Museo Reina Sofía. I had been drawn to the place due to the “freshly-baked scones” they advertised.

The experience was beyond disappointing. First, I had to wait to get seated, but then the person who checked me in forgot to notify that I was there – this is what I assume happened, I was literally told that “the kitchen had forgotten about me”. The set menu took 40 minutes to come out, and the scone was cold anyway, so not even freshly-made. I had got a decaf latte that was also cold when the food came.

The menu, 16€ as I don’t drink alcohol, consisted of: two mini-sandwiches – the two of them had been made from the same bread slice, so you can imagine the size, with some kind of mayonnaise filling which was not bad but rather unidentifiable; one shot-sized glass of (pre-made) gazpacho; one scone; a piece of red velvet cake; a piece of carrot cake; one chocolate brownie; a side of cheese cream, butter and jam; and in my case the already-stone cold decaf latte.

Nubel afternoon Tea

The scone was cold – so much for freshly-made, the only thing that had kept me waiting. Furthermore, the cheese cream, albeit nice, did not fit it like at all, so I had to use butter on it. I laughed to myself thinking about “the horror!” while I clutched my metaphorical pearls. The red velvet was probably the best, but in general the cakes were too sweet – good thing the menu included free tap water. Afterwards, I was comped another free decaf as an “apology for the delay”. However, when I tried to pay, more drama ensued. First the card-reading machine was not working, then they could not take cash because they were balancing the register, then they could bring the machine to the table. All in all, I spent almost hour and a half there – about five minutes waiting to be seated, forty minutes waiting for the tea set, and twenty minutes trying to pay. I’m sorry to say I did not tip, nor do I plan to ever come back.

I missed my train due to the paying delay, and I had to wait almost half an hour for another one. I hung out the Christmas market for a bit, and looked at the lights around Puerta de Atocha station. As it was cold, I walked in and went to check out the original train station, now turned botanical garden. I had never stopped to look at the iron ceiling, just at the plants – and the tortoises people used to dump there – but there had been an old photograph during the Casa Palazuelo visit that made me want to look at the building itself, and I recognised that old station in today’s building, with its wrung iron columns. Funny, how you can look at the same old things and recognise them.

3rd December 2023: Sushi, I“k”ons, Goddesses and Light Bugs (Madrid, Spain)

I had evening plans in Madrid with my sibling, and they wanted to have lunch in town and make a day trip out of it. Since I had previously ascertained that the Running Sushi franchise was all right and fun, I proposed to check out another of the locations. They agreed and I had booked a 13:00 slot at Running Sushi in Akihabara, near Plaza de España. It was even more fun than the one I had checked out before, with Godzilla, Taito Station signs, Pacman, neon, anime graffiti in the toilets, and Japanese music playing. From the outside, the restaurant is shaped like a train carriage, and the sliding doors relay the same message they do when Tokyo JR stops at the station at Akihabara. In general, Running Sushi Akihabara offered the same food as the In Market restaurant, but this time there was tuna. I don’t know if it is because of the location, or because it was a weekend – and thus more expensive. Reservation was a great idea, because though I had no problem booking for 13:00, there were plenty other people with and without bookings, and when 14:00 – standard Spain lunch time – approached, the place became almost crowded. We stayed for the whole hour since we had a late start due to missing chopsticks and napkins, and I own up that the last takoyaki might have been excessive. This time, I remembered to ask for the membership card – you get a reward if you visit all the restaurants in the holding, something I’m considering to aim for.

Running Sushi Akihabara

After lunch, we had a 14:50 ticket for a place called IKONO. I have to say I’m warming up more and more to these Instagrammable places – I’ve recently read one of them described as a “fun house” and I think it’s a more than accurate idea. I like them because they’re silly places for, quite literally, kicks and giggles. According to themselves, IKONO was born as a leisure option alternative to “restaurants, shopping and clubbing” for young people – I disagree with the “young people” take though. Out of the permanent establishments of its kind in Madrid, it is probably my favourite.

The IKONO mood kicks off even before you go in, with a peacock-like armchair just outside the main entrance. Spread over three floors, the venue has 15 different experiences / things to do. Once your tickets have been checked, the first “door” you go through is a thick wall of foil fringe curtains in a gradient of shiny colours,which felt like going through the Stargate! (I know, I know, niche comment). All through the place, there is bouncy music playing.

Once you have crossed the curtain – I somehow ended up in a weird inner space instead of where I was supposed to reach, but that’s just me – the first room is a ball pit, and a deep one at that. It was quite hard to move there. There are quite fewer rules than in other ball pits too – you can jump in, and throw balls up. Once you manage to drag yourself out of the ball pit, you get to go upstairs, what I’ve mentally named the “paper floor”. It has three rooms – the landing one has a pretty origami tree and some wings for you to take pictures with. There is a “psychedelic” ward with black-and-white décor and a blue-and-pink confetti cannon. The third one is a dark “jungle scenery” with glow-in-the dark colourings and paintings that I really loved – the frogs were adorable, and the serpent god quite impressive.

Back on the ground floor, the following room is a Japanese-style bamboo forest with wooden lanterns and a torii [鳥居], the traditional entryway to a Shinto shrine. As you may imagine, this was my favourite area. The room walls are covered in mirror, so it looks like a long path, that ends in the following room, a “bamboo forest” which a felt a little underwhelming in comparison. According to the website, the idea of IKONO cemented while visiting the Japanese Arashiyama bamboo grove, and these two rooms are a homage to that place.

Then we walked downstairs, to the “lights area”, with a few more rooms, including some hanging bellflower-shaped lamps, and another with lights made with marbles that went on and off to the music, some modern art inspired by The Last Supper, and a cube of infinite light dots. Back upstairs, there were a couple more panels for photo-ops, and a small souvenir shop. The staff offered a small present if we left a Google review, so we did. Oh, and they had a cloak option for coats, which was amazing.

IKONO Madrid highlights

We walked outside towards our following spot Caixa Forum Madrid, where there are two exhibitions at the moment. The one I really wanted to see was Veneradas y Temidas: el poder femenino en el arte y las creencias, “Worshipped and Feared: Feminine power in art and beliefs”, an exhibit on the female presence in the religion and spirituality of different cultures. The other one was Horizonte y Límite: Visiones del Paisaje. Colección de Arte contemporáneo, “Horizon and Limits: Views / visions of Landscape. Collection of Contemporary Art”, which I had not read about beforehand – because I am biased.

Veneradas y Temidas: el poder femenino en el arte y las creencias is a British Museum’s touring exhibition, Feminine power: the divine to the demonic (which I feel is a more appropriate name, but that’s just me and my problem with translations). It is a collection of artefacts (most of them not exhibited anywhere else) originating from different cultures, trying to convey the “female spiritual power”, though it also has snippets of erotism and homosexuality. One of the most important and impressive pieces include a copy of the Campo Iemini Venus, a “modest Venus”, halfway though covering herself – a copy of the Capitoline Venus, it was found in an Italian Roman villa in 1792. Aphrodite / Venus was the Greek / Roman goddess of Goddess of beauty, love, lust, passion, pleasure, and sexuality. Other Ancient Greece and Rome pieces include Hecate / Trivia (goddess of boundaries, crossroads, ghosts, magic, necromancy, transitions, and the New Moon), Athena / Minerva (Goddess of handicraft, warfare, and wisdom) or Eros / Cupid (God of desire, love, lust, and sex). There are several pieces of pottery, both red and black, depicting different scenes of various… degrees of erotism.

Halfway between Athena and Aphrodite, the goddess Ishtar, Queen of Heaven, and goddess of love and sexuality was worshipped in Mesopotamia (modern Iraq). Though according to the mythology, she had many lovers and was responsible for creation, she was not considered a “mother goddess”, and one of her advocations is the goddess of war.

The Divine to the Demonic: Greece and Mesopotamia

The first thing we saw from Asia were three masks. There was Taraka [Tāṭakā], a Hindu spirit, whose rage upon the murder of her husband turned her turned into a man-eating ogre (ogress?). From Bali, there was Rangda, the demon queen, antagonist of the forces of good, leader of an army of evil witches, and child-eater. From Japan there was a hannya [般若], the jealous vengeful spirit of a scorned woman.

Also from Hinduism, there is a creepily fantastic (or fantastically creepy?) devotional icon (murti [मूर्ति]) of Kali [काली], goddess of death, doomsday and time. The sculpture is the advocation Dakshina Kali – depicted with four arms, a scimitar, a collar made of heads of her slain enemies, and Shiva at her feet. The murti represents a passage in which Kali goes on a rampage after fighting demons, having lost control, and her consort Shiva throws himself at her feet hoping to calm her down.

Theatre masks and Indian Goddess Kali

Among the Egyptian representations, there was Sekhmet, the warrior goddess, represented as a lioness, who was also the goddess of medicine and one of the sun deities. There were also Bastet, who started off similar to Sekhmet but became more of a protector figure, represented as a cat. There were also references to the cosmic goddess Nut, who symbolises the sky, stars, astronomy, the universe, and mothers.

From China, there was a gorgeous Guanyin [觀音] as the Goddess of Compassion, a very different style from the one I had seen in either the British Museum and the Victoria and Albert Museum. There was also a Shiva porcelain which was astonishing.

Egyptian Sekhmet and Chinese Guaiying

From Meso- and South America, there was a beautiful sandstone of Toci, the “mother of the gods” who is depicted with bare breasts and her hands on her belly. There was also a statue of a Mexican cihuateotl. The cihuateteo were spirits of women who died in childbirth, and received the same honours as the warriors who died in combat. There were other references, such as the Hawai’ian goddess of the sea Na-maka-o-Kaha’i, talismans of sex and love (because the Victorians were a bunch of perverts), references to the Mesopotamian demon Lamashtu, Egyptian protection sculptures, funerary steles… and some modern art kind of thing, like a lady sitting down with a ball python slithering on her because… yeah? I really enjoyed the exhibition, though I have to admit I ignored the interactive art a little, to focus on the mythological aspect.

Afterwards, we visited the contemporary art exhibition Horizonte y Límite, which focuses on different… I’m not sure because I know squat about contemporary art (see above comment about the lady and the snake). There were paintings, imaginary photographs, a piece made from different geological cores representing a fault, a panel with postcards, a glass box filled with smoke to represent climate change… Pleasant, but not really my thing. Except the geology cores, they were cool.

Art piece fromthe exhibition Horizonte y Límite: Visiones del Paisaje

After seeing both exhibitions, we headed off towards our next stop. We took a break and sat down for a while to have a great banana-and-strawberry smoothie of all things. Then we walked towards the park Parque Enrique Tierno Galván, where we had tickets for the light show Naturaleza Encendida: Insectos “Lit-up nature: Insects”. The Naturaleza Encendida show used to take place in the Botanical Garden, which is smaller. This year, it has been relocated this year for “reasons unknown” and it feels a bit too long and almost unconnected. All that without taking into account that the idea of a larger-than-me butterfly and giant spiders is a bit creepy to be honest. We had premium tickets which gave us access to the enclosure at any time between 18:00 and 19:00 without queueing, and decided to arrive there around 18:30 as it would already be dark. We had also ordered a cute “magic lantern” – a bunch of sparkling LED filaments – for the giggles.

After an entrance of archways and carpets of light, there is a swarm of dragonflies as a centrepiece. You walk around it, and enter the zig-zagging path. Along the route, you encounter butterflies of different kinds, a line of hard-working ants, bees, grasshoppers, more bees, mosquitoes and flies, more bees, eggs, more grasshoppers, disco balls, larvae (I think? If I had to hazard a guess I’d call them anemones), beetles, ladybugs, spiders and a row of differently-coloured Christmas trees. There were “light corridors” in-between, hive-like hexagons projected onto the trees, and lots of artificial smoke. There are supposed to be some praying mantises somewhere but… I did not see those?

Naturaleza Encendida Insectos figures

All in all, Naturaleza Encendida: Insectos felt too spread out, as if trying to justify the bigger space. Though we had a premium ticket, there was no special premium-only area, and the only benefit was having an hour to go in, without having to queue – which is already enough in my books. I think you really have to be into the topic – we came across a lady who was very freaked out and mostly running so she could get away from the bugs. I have been to three editions of Naturaleza Encendida, and the only one I really enjoyed was the sea-creatures one, Explorium. I thought that the bad weather last year had damped the experience – literally – but I’m going to stop holding my hopes high.

Finally, we headed back to the train station. My morning train had had a five-minute delay, which by the early evening had progressed to the upper 40s. Joy. I’m hoping that when free ticketing is over, service will improve, but I’m not holding my hopes too high…

23rd October 2023: Happiness Museum and a former hospital, Madrid (Spain)

At the beginning of the year, I found out about an old hospital building turned office building that looked pretty interesting to visit in Madrid had opened up. It is a governmental office, so the visits are guided and supervised. Unfortunately, I was working an afternoon shift and they only run the visits on Mondays at 16:00. I signed up for the waiting list hoping for a summer visit, but they don’t run them in July and August. The September and early October visits did not work out either because I was in London. I finally managed a spot for the visit on the 16th of October, which was rescheduled for the 23rd. It’s not hardcore work season yet, so I was easy to rearrange meetings to have the day off.

Of course, it was a Monday, and Mondays are not Madrid’s best day, especially when the weather is not nice – most things are closed, and even though there are many neat parks, they usually close in the event of storms or winds. However, I almost accidentally discovered something potentially-fun and open, and I made plans with my sibling and nibling, who had a free morning.

I took a train with an hour’s berth of time, but then, because what else is new, there were train issues, and we were all delayed. I was stuck on my line for almost 40 minutes, and decided to walk instead of taking the connection, and they were waiting at their station for almost 30. If you are wondering why I keep taking the train, it is because during 2023 I can get a four-month unlimited pass for 10€, which beats any other transportation mode.

In the end, we luckily made it on time to a new photo-op place, which calls itself the Museum of Happiness Museo de la Felicidad MüF, with a little happy face on the u. It is a two-storey… silly-fun kind of place. Out of all the “instagrammable” places I’ve visited, I think this has been the weakest, as there were actually few things to actually do (too many touchscreens), and it kind of looked a bit… plain. Probably because it was Monday morning and there was no animation. I mean, it was fun, don’t get me wrong.

The first thing you see when you come in are two individual trampolines and a slide that ends in a ball pit. As I can’t jump, I skipped the trampoline. There is a small exhibition on lucky symbols, and another on things that make people happy. There is a small soundproof capsule where you are coached on how to laugh – weird – and a “team good people” that you can stand behind for a picture (the message being “kindness brings happiness”). As I was taking a photograph of my nibling, someone – who had just seen me show my ticket – decided I was the official museum photographer. I turned her down as nicely as I could. It was a day with a lot of comments about my camera.

The MüF has some screens and a VR experience, a “magic” trick on a screen, a big heart made of blocks and a hugging machine – apparently made to comfort autistic kids who benefit from deep pressure, but can’t deal with actual people hugging them. To go down from the second floor back to the first one, you can use the slide into the ball pit or the plain old stairs. That slide is steeper than it looks…

The basement has a few more things that you can touch, a ward with headphones and uppy songs, and the abrazadores (huggers), big plushies that are apparently designed to simulate hugs and grow people’s confidence. They were fuzzy and warm, but I am not sure how they can improve your mental health… There are a few confidence boosters, and a “five-senses happiness booth” where you get to eat chocolate, which is always good. In the end there were lots of silly giggling, because in the end that is why you go to places like that. There is also a “closet of truth” which you should not spoil for other people and helps you discover who is the most important person in your life.

Happiness Museum Madrid

After the museum we headed off for an early lunch. Despite being 300 km from the nearest port in the Mediterranean Sea, one of Madrid’s most famous meals is the calamari sandwich – bocadillo de calamares. A lot has been speculated about how this came to happen, though no one is really sure how the sandwich made its way into the local gastronomy throughout the 20th century. The squid is cut in rings, battered, and served within a small loaf of rustic bread similar to a baguette (pan de barra), an interesting combination at the very least.

The most famous joint to eat a calamari sandwich is Bar El Brillante. It might not be the best, and it quite surely is not the friendliest, but it is the iconic place for it, which actually makes it a tourist spot. The bar was established in the 1950s and it is a family company, the current owner being the third generation. They do not care much about customer loyalty as their business is based on the “novelty” and the “being a must do in Madrid” since the 90s – or maybe they’re just nice to regulars? I for one I’m open to try thebocadillo de calamares again, but not the place. The staff was unhelpful and took forever to clear the tables, which led to a lot of… hm… “birdwatching” as pigeons and sparrows helped themselves to leftovers.

Calamari Sandwich at El Brillante

We separated after lunch and ice-cream, and I continued alone towards the Chamberí district, which at the beginning of the 20th century was the outskirts of Madrid. There, philanthropist Dolores Romero Arano commissioned architect Antonio Palacios to build a hospital for labourers: Hospital de Jornaleros, known today as Hospital de Maudes. During that time, it was typical that a hospital had a “target patient”. In this case, it was male workers from the newly industrialised city who were not infectious or incurable – sort of a trauma unit, early-20th-century style. They took in labourers that could be cured, nursed them back to health, and released in “perfect working conditions”. Considering, of course, that the hospital opened in 1916.

For the building, Antonio Palacios chose a cross layout with a hall on one side and a church on the opposite one and two smaller buildings to complete the symmetry. He used Francisco Zuloaga’s ceramics for decoration until money ran out, and aimed for lots of light and open spaces. There are two types of decorative ceramics on the outside: water drops which imitate waves, and broken tile mosaics (Trencadís, a technique favoured by Antoni Gaudí). Palacios even built lifts of sorts to take patients to the roofs of the wards. The hospital worked for its intended purpose until the Civil War broke out and it became a military one. It was eventually abandoned and derelict during the following years until it was bought and restored by the local government in the late 20th century.

All this was explained to us during a 45 minute talk for an hour-and-a-half visit, as we stood in the hallway – which is actually in the basement floor. I arrived about 15:50 for the 16:00 visit, gave my name and ID and sat to wait. We had to go through metal detector and X-ray before the visit started – there is a volunteer guide from a retiree association and an actual worker to chaperone (governmental workers do not work afternoons in summer, which explained then why there had not been visits during that period as I had hoped for). Once the “introduction” was over, we finally got to see what I wanted to see – the building itself. Unfortunately, as the guide prattled on and on inside, it had started raining, so we could not go out to the patio, nor barely see the outside. That was disappointing – I mean, I’m all in for introductions and historical contexts but this is my problem with guided visits, it is just too much talking and too little visiting.

As we walked into the inside of the building, we were pointed out to the ceramics on the walls. Then, the tunnel that connected the hospital with the morgue – which was one of the outer minor buildings. We went up using one of the decorative stairs and we finally arrived at the ground floor of the crossing point of the wards. The centre of the structure is the octagonal patio with the fountain in the middle. As people saw me taking photographs with the camera – I had asked for permission beforehand – they decided I was either a journalist or the official photographer. It got annoying at the fourth or fifth time I was asked or someone made a comment / joke about me photographing them. Which I was very careful not to, even if they keep walking into my field of view.

Maudes Laborers Hospital exterior

The main material of the building is white limestone, which both contributes to the building’s luminosity and it’s common in Palacio’s design. His likings are also shown in the green colour of the interior tiles, which are very similar to the ones in the ghost station of Chamberí. The tiles all along the corridors are decorated and some of them feature heraldic symbols. We got to snoop around the cafeteria, one of the few areas that still features the original floor, since most of the flooring was too damaged to be restored.

The central area surrounding the patio is also octagonal, full of ground-to-ceiling windows. From one side of the corridor to the other and through the patio you can even seethe main staircase that we used to access the second floor behind the windows. Once on the second floor, we crossed the metal bridge that separates the main building from one of the accessory constructions, where the external consultation rooms used to be. Finally, we went downstairs again, walked around the patio and crossed over to the former operating theatres (the above-ground area of the morgue), which are now being transformed into an exhibition room.

Maudes Laborers Hospital interior

By the time the visit was over, it was raining heavily, but I still had the time to visit the in-hospital church Santa María del Silencio, Our Lady of Silence, which is the parish of the Madrid deaf and hard-of-hearing community. Lots of the architecture details are Modernist in style, including the iron fence and coloured glass ceiling.

Altarpiece in Our Lady of Silence

It was still raining cats and dogs when I left, so I forsook the idea of walking around the building to take pictures of the main hospital entrance, I just crossed the street to head to the train station. After aquaplaning on the square to get in, I had to wait about 50 minutes for a train, as the morning breakdown was still causing delays. And of course, when the train came it had already stopped raining.

Maudes Laborers Hospital and Our Lady of Silence from the outside

It was a nice day out, with great company and lots of laughs. Food was okay, the hospital building was amazing, the guide not so much. And the weather… very… autumn-ly.