29th July 2025: Birds with great PR (Madrid, Spain)

The National Museum of Natural Science Museo Nacional de Ciencias Naturales in Madrid announced that they were having an exhibit called Dinosaurios entre Nosotros / Dinosaurs among us, a collaboration with the American Museum of Natural History (though the original exhibition was apparently called Dinosaurs among us: The ancestry of birds, which feels slightly more accurate).

When I was young, it was believed that dinosaurs came from birds. With the new definition of what a dinosaur is, it turns out that birds are dinosaurs. The key features used to define a dinosaur is that the animal belongs to the clade (natural group) archosauria, and it has hind limbs which are erect underneath the body – as opposed to growing sideways and bent. Currently, two groups of archosauria exist: crocodilians (with bent legs) and birds (with straight legs). I think if you ever look into an emu or a cassowary’s eyes, you’ll understand what a deinonychus’ (the real species of the Jurassic Park velociraptor) prey might have seen.

Dinosaurs among us sign, showing a feathered T-rex

The characteristic that originally defined archosauria was the hinge-like ankle structure. As time went on, protofeathers developed and some animals adopted a straight-legged stance, which is the start of the real dinosaurs – first the ornithischians (triceratops), then the sauropods (patagotitan or diplodocus), and the theropods (tyrannosaurus), the first with a wish bone. Then the forelimb became wing-like (deinonychus), yielding to the Avialae clade, which developed flapping flight. Some scientists declare that all Avialae are already birds. Others claim that birds are the subgroup Aves.

I took the train to Madrid and walked to the museum Museo Nacional de Ciencias Naturales. It took a second to be admitted because their computer system was down, but I was carrying cash, so I could was able to purchase my ticket (I had not bought it in advance because entry is timed, and I did not trust public transport delays). It was around 10:30, still early enough so that the museum was not crowded even during the school holidays. I headed directly to the exhibition, which, mostly through panels, taxidermy, and mounted birds, summarised how dinosaurs behaved similarly to today’s birds – laying eggs, brooding those eggs, protecting the nests… The biology and anatomy of birds and dinosaurs, especially theropods, are very similar.

Fossil of Caudipteryx zoui (replica) and skeletons of a cassowary and an ostrich. They all share uncanny similarities, except the fossil is about one metre long and the current birds are larger

There was a very special exhibit – and no, it was not the Tyrannosaurus rex skull they’ve got. It was the original (and only) fossil of Iberomesornis romerali, a holotype from the MUPA, which you cannot photograph at its home, but you can here (just like my photography spree with the Concavenator at MARPA). Iberomesornis was the sparrow of the Early Cretaceous. There was a reconstruction of how it would look in real life (though I’ve read some texts that say it’s an outdated view?).

Iberomesornis romerali fossil and recreation. It was a crossing between a sparrow and a crocodile.

Similarly, there was a model of Archaeopteryx, the first ever-discovered feathered bird-like dinosaur. With only 13 specimens ever found, it was key in palaeontological studies before more avialans were discovered. This one was a replica, I’ve only seen one real slab ever in the London Museum of Natural History (I hope I can see the Berlin one at some point). The model was so ugly, the poor thing, but somewhat endearing.

Archaeopteryx fossil (replica) and life-sized recreation. It looks like a bald nightmare with a beak and teeth.

There was also a model of Anchiornis Huxleyi, discovered in China and named after Thomas Henry Huxley, the biologist who in 1869 suggested that maybe birds were related to dinosaurs. He did this comparing the hip of a Megalosaurus and an ostrich (for a while, dinosaurs were classified using “bird hip” and “reptile hip” criteria) amongst other similarities, and of course he used Archaeopteryx as evidence. Unfortunately, the poor guy is more often remembered for being a Darwin fanboy – he was even nicknamed “Darwin’s bulldog”. Palaeontologist Xu Xing described the species in 2009, and chose to call it “Huxley’s almost bird”. It has allowed to rebuild almost completely the colours of dinosaur feathers.

Anchiornis Huxleyi, proof that dinosaurs evolved into birds. Something between a rooster and a lizard

The rest of the exhibition was most… modern birds, sprinkled with children’s disappointed “Where are the dinosaurs?” wonderings. Truth be told, at the end of the exhibit there was a life-sized reconstruction of Velociraptor mongoliensis, the “real” one, not the presented in Jurassic Park, along with the explanation that Michael Crichton found the name cooler than Deinonychus, which is the animal he described in his book.

Taxidermy bird collection

Reconstruction of a Velociraptor mongoliensis, with a crocodilian face, long arms with proto-feathers and powerful claws.

So in the end, the exhibit was a lot of information about birds, hyped up with the buzzword “dinosaur”. Interesting enough but… not really what it was pumped to be. That’s what good PR does, I guess. And erasing half of the exhibition’s original title…

Back to Darwin though, the museum has a bit on him in its gallery of biodiversity – which is just a way to… continue exhibiting the old taxidermy specimens that they already had, some of them… made with more success than others – while some of the works they’ve got are extremely realistic, some others are… horror shows – such as the famous giant panda that the Zoo Aquarium first hosted.

One of the most interesting parts of this museum is the science cabinet Gabinete Científico, which recreates Carlos III’s scientific collection. It shows a glimpse of how science was understood at the time (though the human skeletons it used to host have been quietly removed).

Natural Science Museum Madrid - Diversity collection: elephant, giant squid, manatee skeleton, 19th century cabinet

Recently, the museum became the custodian of Santiago Ramón y Cajal’s legacy, including his Nobel Prize certificate and medals. Ramón y Cajal was a Spanish doctor considered the father of modern neuroscience. In 1888, he discovered how nervous cells work, even before they were called neurons, and that they were separate entities that created the nerves and the brain, explaining how impulses are transmitted through the nervous system. He described characteristics that could only be observed in real life almost a century after he wrote abut them. In 1906, amongst many other awards, he received the Medicine Nobel Prize alongside Camillo Golgi, who designed the methodology to colour cells, a process that allowed many of Ramón y Cajal’s discoveries. The museum exhibits microscopes, drawings, and his original office and library. For some reason, next to the ocean display and the giant squid.

Santiago Ramón y Cajal legacy: reconstruction of his office and Nobel Prize

This was all in the first ward of the museum. The second one is on the other side of the building that it shares with the Industrial Engineering School. To get there, you have to follow the dinosaur footprints, but I took a couple of detours. First, I got a bit distracted trying to figure out the “Mediterranean Forest” garden, but honestly it was too hot to stay there for long. Maybe some other time with better weather.

My other stop was at the Engineering School, Escuela Técnica Superior de Ingenieros Industriales (UPM). I had recently discovered that its main hall hosts an 1832 steam engine, built by the company David Napier & Son Limited. The machine was designed to power coin minting, and it was one of the first machines to arrive in Spain, purchased by the Royal Mint. It is not clear in the description if it was designed by James Watt, or just similar to his models, but it seemed a piece of history worth seeing – and the janitor was distracted while I snooped around. The engine was donated to the Engineering School in 1914, when the Mint replaced it.

Watts Machine

I reached the second building of the science museum Museo Nacional de Ciencias Naturales, which is the palaeontology, geology and anthropology ward. Nothing had changed there that much since my last visit. Here’s a funny story though – they have a replica of a Diplodocus carnegii, of Dippy, exactly the same one that the London Museum of Natural history has – albeit on tour. Why am I so obsessed with the London one, having another replica so close? I think it’s because the “care” the NHM gave it, while in Spain it has just been set against a wall, mixed with all the other dinosaurs from whichever age. It actually took me a while to realise they were the same cast…

The original Dippy fossil was unearthed in 1898, and soon Andrew Carnegie bought it for his new museum in Pittsburgh, hence the name of the species. In 1902, King Edward VII convinced Carnegie to donate the original cast to the NHM while the skeleton was still unmounted (there was no museum to house it yet). In later year, Carnegie would donate a few more casts to other museums in the world, including Madrid, Paris and Vienna.

This time around (call it selective perception, or plain looking out for them) I spotted the trilobites from the Murero palaeontological site, one of whose characteristics are how deformed they are, due to the earth’s internal forces and movement. The museum has a large mineral collection too, but I think it lacks something. Maybe it’s me mentally comparing to other natural history museums in Europe, or even other incredible museums in Madrid itself, such as the Geomineralogical museum nearby. It is missing… loving, in a way. I think the Natural History Museum is a bit of an ugly duckling in the cultural system, because even if it’s considered a “national museum”, it is not part of the national network, so there is something weird going on there.

Natural Science museum Madrid - diplodocus, deformed trilobite from Murero, allosaurus, geode

As I left the museum, it was incredibly hot. It was early for Spanish lunch, but some places had already started opening. I had been looking at an “Asian Market” called Oiko, but then I read that you have to order through a machine (okay) and input your phone number so they call you on WhatsApp when your order is ready, and I get too many spam calls already. I was not planning on giving out my phone number to anyone who does not need it. Even if they had taiyaki desserts.

Instead, I found a burger joint called Steakburger, which self-describes as a gourmet burger restaurant, trying to become a franchise. I later realised that they are not 100% upfront with their prices, as the online menu lists one price, but the details shows another – and the desserts don’t even come with prices. It might also be a coding issue, since once you’ve checked the details, the correct price shows everywhere. Also, the machine translation is awful. Anyway, I had seen that they carried a burger with matured Angus and a topping of raclette – red cheddar, Gouda and mozzarella which were poured onto the burger, alongside Batavia lettuce and tomato, La melting cheese madurada. Honestly? It was good but not worth the price. The desserts looked decadent, but the burger was enough for me.

Hamburger being bathed over with melted cheese.

Afterwards, I just headed off to the station to take a train back, and for once I was there when a train was about to arrive. It was just too hot to look for something else to do, and during August a lot of things close at 15:00.

30th May 2025: Retiro Park, Alice’s sushi & Jurassic World (Madrid, Spain)

I had been on the waiting list to buy tickets for Jurassic World: The Exhibition in Madrid since it accepted sign-ups, so I was able to be amongst the first to buy tickets – albeit a few days later than originally scheduled due to the blackout. Thus, I got tickets for the first session on opening day, at 17:00 on the 30th of May. Exciting! And – almost as important – it guaranteed a spoiler-free experience…

I decided to fill the morning beforehand, and I arranged to meet some relatives at Retiro Park Parque del Retiro north-east corner. There stands one of the Romantic constructions of the park – the artificial mountain known as Montaña de los Gatos. It is a space that can be used as an exhibition venue erected during the 19th century, when follies where all the rage. A folly is a decorative building placed in a garden, usually extravagant or out of context, without a real use save from looking cute for the owner’s amusement.

The artificial mountain is literally a hollow mound covered in flowers, with a waterfall that was turned off, a sad-looking pond with a duck family, and a glass ceiling to illuminate the inside. It was closed so I could not snoop the “archaeological remains” that were found during the recent restoration.

Montaña de Los Gatos in Retiro Park, artificial mound covered in flower

Next to the mountain there is another folly, La Casita del Pescador (Fisherman’s little house). Besides that stand the remains of an old church Ruinas de San Pelayo y San Isidoro. This tiny hermit church was originally erected in Ávila during the mid 1200s. Built in the Romanesque style, it was first dedicated to Pelagius of Córdoba, and then this was changed to Isidore of Seville. During the Spanish confiscation of the Catholic church properties, it was dismantled and eventually rebuilt in Madrid as Romantic decoration in a project directed by Ricardo Velázquez Bosco. It looks weirdly out of place, but rather pretty.

Ruins of the Romanesque church Ruinas de San Pelayo y San Isidoro, in brick

The yearly book fair Feria del Libro de Madrid had started, but as my relatives were late, we could only have a quick walk before we headed off to Wonderland – The Kaiten Lab – , a running sushi restaurant with hot-dish orders on the side, with decoration inspired by Alice in Wonderland, with a twist. According to the restaurant “you step into Alice’s mind, though Alice was a psychiatric patient”. I am not sure how I feel about the mental hospital thing – I think they were just trying to cash on the entrance that was already there when they bought the venue. However, I can state that it’s a pretty mediocre sushi restaurant. With a menu price about 10 € over a Runni sushi, I was expecting something at least as good, not worse. It sells the decoration, and that is the only thing that makes it special.

Wonderland – The Kaiten Lab –. A funky restaurant themed around Alcie in Wonderland which serves sushi

We went somewhere else for dessert, and I had a smoothie. Afterwards we said goodbye and I headed off towards Espacio Ibercaja Delicias for the opening session of Jurassic World: The Exhibition, which was full of parents with children and a bunch of actual fans, some of them being parents too. I was actually the first in line to enter, but they pulled me to the side to wait for a card called “credit photopass”, which was a free perk from having been on the list. Unfortunately, the fact that they did not have that ready put a bunch of families with kids in front of me. I got my photo taken against a green screen and they added digital dinosaurs later.

As we were waiting, the whole “dinosaurs are for kids” thing popped up again. I knew things were not going to be as awesome as expected when one of the “park guides” said that her favourite dinosaur was Mosasaur. Despite what Jurassic World: Rebirth claims, Mosasaurs are not dinosaurs, but marine reptiles, which lived in the Cretaceous period (94 – 66 million years ago).

Like the previous show, the experience starts on the ferry to the island, which then opens to the main gates with a Brachiosaurus peering from overhead. The whole exhibition runs on the story that you’re a VIP visitor to the Jurassic World complex, getting a special tour. A couple of guys and myself stayed a bit behind to take pictures without kids and families, and the “ranger” scolded us because “we were going to miss the explanations” in front of a pachycephalosaurus. At that point I felt that they were herding us like cattle…

The second room is the laboratory, with Mr DNA included. There are reproductions of eggs, amber, and baby parasaurolophus, one of them a puppet brought out for kids to take pictures with. The staff did not seem to keen on catering to anyone older than eight, again…

The following two rooms were the Jurassic World movie velociraptors (Deinonychus, in real fossils): Charlie, Delta and Echo were in their confinements and there was a bit of a “training show” with Blue and Owen Grady.

Then there was a bit of a “reprieve” room with fossil replicas and a make-believe excavation, where they brought out a puppet of Bumpy, the baby ankylosaur from Camp Cretaceous. Afterwards came the hybrid Indominus rex jungle, which had a hilarious moment when a kiddo shouted “Hello Indominus, I love you” while the thing was supposedly mangling its food. This was probably the best-made animatronic, it looked a lot like the beast they invented for the movie.

The next room held the Gyrospheres from the Jurassic World film, and a baby velociraptor puppet. This one I could take a picture with after all the kids had had their turn.

Jurassic World The Exhibition. Gate with a Brachiosaurus peering above: Collage showing the velociraptors, a carnivorous dinosaurs skull, the Indominus rex and a Gyrosphere

Jurassic World The Exhibition Baby Bumpy the ankylosaurus

Finally, the last room was Rexy the Tyrannosaur – scars from the first movie and all. In universe, she almost broke containment and almost escaped. There were noises and sparks and roaring, honouring the exhibition’s motto: the closest you’ll ever be to real dinosaurs.

Jurassic World The Exhibition Rexy the T-rex. We know she's the one from the first movie because she has scars down her cheek and neck.

All in all, the dinosaur animatronics were amazing, but the staff had instructions to get everyone in-and-out in one hour, so it felt rushed and, as I said before, herded. And honestly, I am not going to listen to “park rangers” who don’t know their dinosaurs from their reptiles… Which would later be one of my beefs with the upcoming Jurassic World: Rebirth movie anyway…

However, there were dinosaurs, and they felt pretty real, especially the Indominus and Rexy. I missed the mosasaur, though (even if there was a super-cute plush toy in the souvenir shop). All in all, the exhibition was really fun. The animatronics were very lifelike and Bumpy looked exactly like she does in the animation. All in all, it was a good day with ruins, sushi, dinosaurs and geeking out. There’s not much more anyone can ask for…

4th January 2025: Bye Bye, Murderbird. MARPA, Alcalá de Henares (Spain)

While it was great to have the Concavenator fossil (a.k.a. Murderbird in my headspace) in the Dragon Hunters exhibit in Alcalá de Henares close enough to visit at will, the time had come to see it move on. Just in case there was any information I was missing, I decided to book a guided visit to the exhibit. As it was scheduled for 12:00, I decided to look for something to do beforehand, and I found guided visits to the monastery Monasterio de San Bernardo at 10:00. I had seen the building before, as it stands next to the MARPA, I just had never given it much of a thought.

The monastery was established under the patronage of Cardinal Bernardo Sandoval y Rojas around 1620. He bought land cheap because it was near the Moorish quarter. The church was erected in brick with decoration in stone on the outside. The inside has an elliptical dome, and it was heavily damaged in a fire during the Civil War, so it had to be restored – the work on it was a Rehabilitation prize in 2019. Most of the decoration of the church was lost and today walls and roof are just white and gold. The building is attributed to architect Juan Gómez de Mora.

There is a free-standing ciborium in gold, with a number of sculptures of Saints instead of an altarpiece. Behind the altar and ciborium, there are a number of paintings – they were created by Italian artist Angelo Nardi. Nardi was born in the late 16th century, and studied in Venice before moving to Madrid, where he became a Court Painter. His style evolved from late-Renaissance (mannerism) to Baroque, and he is known for his expressive faces. He was friends with Velázquez, and famous for being quite kind, though his style eventually fell out of grace. He painted most of the pictures in the church, although some of them are now out of order as they were moved during the Civil War.

The visit was interesting albeit a little underwhelming. It felt a bit weird to be the only visitor and having the whole thing explained to me – that has only happened once before, in Recópolis. However, that was epic, because I ended up getting the whole archaeological place for myself. The monastery was more of a serious experience – and it did not rain on me. But still it felt… colder. And like being in an exam, the guide kept asking me questions about history, architecture and hagiography.

Monastery of San Bernardo in Alcalá de Henares

I had a bit of time before my following visit, so I decided to run to the Sala Museográfica de la BRIPAC, a tiny museum about the history of the Army’s Parachuting Brigade. The Brigade was created in 1953, and the parachuters participated in combat for the first time in 1957. In its origin, it was established in Alcalá, so there is a historical connection there. The hall hosts uniforms, flags, medals, and reports about the peace missions in the 1990s. I am not much of a fan of Armed Forces museums, but today the BRIPAC is considered a peace corps. The museum opened in February 2023, on the 70th anniversary of the foundation.

BRIPAC exhibit

I still had a bit of time, so I dropped by Plaza Cervantes, which was full with Christmas lights and shoppers at the small market. There were food stalls, a small bookshop, some rock shops… Nothing really caught my eye though.

Plaza de Cervantes Christmas

I finally headed back towards the Archaeology and Palaeontology museum MARPA Museo Arqueológico y Paleontológico de la Comunidad de Madrid. It was one of the last chances to see the exhibition on the history of palaeontology “Dragon Hunters” Cazadores de Dragones with a guided visit, and I figured out that maybe I could learn anything new – despite the fact that I’ve been there a few times and bought the book. We had a nice fun guide who relied a lot on asking questions to her audience. Apparently I was the only one with… some knowledge of… anything she asked – what’s with guides in Alcalá de Henares trying to have you do their job? I felt a bit sorry for her so I answered her questions – with a higher success rate than the ones from the Monastery, to be honest. She did not impress me with the depth of her knowledge, to be honest. She actually looked at me a bit panicky when I asked her t confirm that the T-Rex replica was a cast of the famous Stan.

Cazadores de Dragones entry in the cloister of the MARPA

I stayed back for a bit longer after the visit ended. I’ve ranted on and on about the Concavenator before, both the fossil slab and the actual-size reconstruction. I just loved having both so at hand. When I was young, the scientific community came to the conclusion that “birds descend from dinosaurs” but today it is actually believed that birds are actual dinosaurs. And since the poor beast has such a ridiculous name, I’ve just been calling it “Murderbird” or “Murderchicken”, for kicks and giggles.

There were these two little kids who kept grilling their dad about the skeletons, and the poor man was a bit overwhelmed. I decided to give him a hand with the questions and explained a little. I thought that was it, but the smallest child pointed at the Concavenator and blurted out “can you tell us more things about that one??” He was so eager that I just took the family to see it and told them a few things further. The family was on their merry way in five minutes – four-year-olds only have so much attention span. The kids were happy, the parents were relieved and I got to geek out about dinosaurs with appreciative public. I think the interaction was an all-around win.

Murderbirds: T-rex and Concavenator

At first I had thought that I would be staying in Alcalá for an exotic lunch, but I was not really feeling up to it. With great sadness, I said goodbye to the Concavenator and moved on to drive home.

26th November 2024: Another Concavenator visit (Alcalá de Henares, Spain)

I had to run some errands in Alcalá de Henares in the afternoon, so I decided I would get there in the morning, and walk to the Archaeology and Palaeontology museum Museo Arqueológico y Paleontológico de la Comunidad de Madrid, MARPA. The exhibition “Dragon HuntersCazadores de Dragones was still running and since it was a random weekday morning, I thought it would be empty.

I was right, it was deserted enough that the security guard looked at me weirdly. Yes, I’ve been there before. Twice. I hope to be back at least once more before the exhibit closes in January 2025. The security guard should not be remembering me, I did nothing weird. Taking a few hundred photographs of a fossil is completely normal.

Why am I so obsessed about the Concavenator? Well, one does not always have such a unique fossil so handy, and for free. Furthermore, the usual home of the Concavenator does not allow pictures. And lastly, I’m a nerd. The species Concavenator corcovatus was described in 2010 by Francisco Ortega, Fernando Escaso, and José Luis Sanz from a single skeleton found at Las Hoyas site in 2003. The specimen was officially catalogued as MCCM-LH 6666. The animal was a medium-sized carcharodontosaurid. Carcharodontosauria, which included the likes of Giganotosaurus, Mapusaurus or Carcharodontosaurus, were a group of large theropods from the Cretaceous period. The skeleton was almost complete, with the tail and neck contorted in rigor mortis. The fossil shows two things that make it special – a hump or sail created by the spines of the back vertebrae, and the fact that some pigments were found on the fossil. Not unique but rare enough findings include impressions of skin and scales, and smaller bones in the belly area, rests of undigested dinner. On the arm bones there are insertions for ligaments similar to those that modern birds have at the insertion of feathers.

Concavenator corcovatus

The Concavenator lived around 125 million years ago, in an area of wetlands. Its teeth, general shape (it walked on its two hindlegs and had small-ish arms), along with the remains of animals that it had eaten, tell us it was a carnivore, and its placement in the carcharodontosaurid family, that it was a predator. However, no large predator is known for rejecting a good scavenging feed. The spikes or hump on its back, above the hips, can be clearly seen on the fossil, but nobody has any idea of what it was for – speculations have been made for communication means, fat deposits and thermoregulation. When alive, the animal would have been around 5 metres long, two metres tall, and 450 kilograms heavy.

Concavenator corcovatus details

All that to end up being dug up and named… Pepito, which is the diminutive of the diminutive of the Spanish version of Joseph. The equivalent of Joseph would be José, nicknamed Pepe, and changing the last “e” into “ito” – the suffix for small – would yield to something like Joey. So this magnificent predator was either named after a mini-mini-Joseph, or a small meat sandwich, which is also referred to as a pepito. Seriously, what happened to the illustrious tradition of Boaty McBoatface? This would have been a glorious Toothy McToothface (“Spanishised” as Dientito Caradientez or something).

Anyway, after the visit I dropped by the museum shop to buy myself some Concavenator-related merchandise. When was there the first time, I bought the exhibition catalogue, but since then they had received some silly cute items – I bought a pin, a badge, and a magnet, just because I could. Maybe as the exhibit draws closer to the end there will be discounts on other things…

I left the museum and decided that since it was way past 14:00, I should grab a bite to eat. As I had parked my car next to a shopping centre, I headed there with the idea of some Asian food. However, there is a burger joint that usually has a long queue and that some friends had told me was really good – as good as fast food can be, I guess. It is called TGB – The Good Burger. It is supposed to serve “NYC style gourmet hamburgers”. The place was empty, so I decided to give it a try.

I ordered a “Cheese Lovers” burger, which consisted of a beef patty, American cheese, goat cheese, Gorgonzola, sautéed onions, arugula and honey mustard sauce. It was… very cheesy. It was nice, but nothing I feel I must try again, especially when there are cheaper options in the shopping centre. And sushi. But at least, I satisfied my curiosity before I went off towards all my dull, grown-up errands which I shall not bore you with…

The Cheese Lovers burger

13th October 2024: Mercado Cervantino de Alcalá de Henares (Spain)

Alcalá de Henares was the birthplace of writer Miguel de Cervantes, author of Don Quixote, one if not the most important novel in the Spanish speaking world – often considered the first modern novel in Western literature. Thus, a lot of the town activities are presented in relation to Cervantes, one way or another.

Renaissance Fairs are getting popular in the centre of Spain, and Alcalá has dubbed its own “Cervantine Market” Mercado Cervantino as part of a week-long celebration of Cervantes’ christening Semana Cervantina. I missed most of it since I was in Türkiye, but on the last day I was able to drop for a couple of hours with my sibling.

Mercado Cervantino

We reached the market around 11:30, too late to hear the cannons. It being a Sunday, everything was packed. We got to see Don Quixote and his sidekick Sancho, a horde of orcs, and a falconry exhibition by Francisco Miranda and his Harris’ hawk.

Don Quixote

An orc

Falconer

Harry's eagle mid-flight

Afterwards, I talked my sibling into dropping by the nearby Archaeology and Palaeontology museum Museo Arqueológico y Paleontológico de la Comunidad de Madrid, MARPA. The exhibition Cazadores de DragonesDragon Hunters – is still on, and I was not going to waste the chance to see the Concavenator (Concavenator corcovatus). I realised they had brought some extra merch for the exhibition, and I decided to drop by in the near future.

Concavenator Skull

We went off for a late lunch afterwards, and later I just drove off.

17th June 2024: Horniman Museum and Gardens {London, England, June 2024}

I woke up early-ish and got ready to leave. I stopped by the local supermarket to grab a coffee and got on my way towards the closest Overground station – this being London, it was not far. This was an easy commute since there were no changes, and I could just relax on the train. I got off on Forest Hill and walked up the… well, the aforementioned hill, until I reached the Horniman Museum and Gardens, in the Borough of Lewisham around 9:00 – passing a Costa Coffee on the way. I filed this information for later reference.

Normally, I would not have gone to a museum which had a Natural History Gallery closed for renovations, but they were running a dinosaur exhibit that created the perfect excuse to go there, even if it was a bit out of the way. Frederick Horniman was the heir to his family’s tea emporium in the 19th century. He started travelling the world around 1860, collecting artefacts from his travels, and developed the museum to exhibit them. The original museum opened in 1890, and the gardens in 1895.

The gardens are almost 6.5 hectares (16 acres), divided in different areas, including a bee garden, a sound garden where you can make music with metal tubes, a grassland garden, a prehistoric garden, a grassland garden… I wandered around a little and was surprised to catch a glimpse of City of London by the 1903 bandstand. I knew the gardens were a bit far out, but I had not realised how much.

Horniman Gardens with the City in the background

I explored for about an hour, then I headed towards the Victorian Conservatory, built in 1894 in Horniman’s private residence. A century later, it was transported to the gardens and restored by British Heritage. It is a quaint little greenhouse in white iron and glass, with pressed tiles on the floor. Next to it stands a little café that I would have stayed at if I had not wanted to see some of the themed flowerbeds.

The Horniman Conservatory

At 10:00, when the museum opened, I entered to see the exhibition Dinosaur rEvolution, which looked at the evolution of Dinosauria into birds. The travelling exhibition has five animatronics, a couple dozen cast fossils, several plushies and beautiful palaeoart. The T-Rex animatronic had some feathers, and the information notice asked the reader if they would find the Jurassic Park tyrannosaur less scary with them. I honestly would find a feathered Rexy even more terrifying. The exhibition was all right, with plenty of information, but there was nothing real, which was a bit of a bummer. But since it is a travelling exhibition, it makes sense they would not be moving around the real thing. However, given the ticket price, I expected something a bit larger.

Dinosaur revolution

After I was done, I decided to check out the rest of the museum. First, I saw the anthropological galleries, which had the most bizarre array of artefacts – from an Egyptian mummy to a Spanish inquisition chair, along Inuit costumes, European masks, African religious items, Indian masks, Easter eggs, prehistoric items from all around the UK… There was a wish tree, where you can write something on a colourful paper and hang it from the branches.

Horniman athropology museum

In the basement of the museum there is a small aquarium, which was full of schoolchildren on a day trip. I could have got the tickets online for that. However, I did not know how big the dinosaur exhibition would be, and I did not want to rush over. When I seemed to have the time, I decided to go down to the aquarium. It had a handful of tanks – jellyfish, coral reefs, Amazon rainforests, a lot of clownfish and a handful of poisonous frogs, mostly colourful stuff to grab attention. I managed not to get run over by the kids, which was a good thing.

Horniman Aquarium

After I had seen the aquarium, I considered checking out the Butterfly House, because those are always beautiful. However, since I knew I’d want to go back to the museum and gardens in a couple of years, when the natural history gallery reopens, I decided to head towards the train station. I would see the butterflies another time. That way I could be on my way to the airport with some buffer time without rushing my way through and stressed over connection. Instead, I checked the museum’s tea gallery, which summarised the history of tea and how it ties with colonialism, not pulling any punches towards the Horniman tea emporium itself. Funnily enough, the tea brand still exists in some Mediterranean and South American countries, but not in the UK.

On my way back to the station, I stopped at the Costa Coffee I had seen before for a drink and a snack. Unfortunately, the nice barista forgot to put the vanilla syrup into my vanilla latte – oh, the drama. Since the coffee was hot, I did not really notice until I was already on the Overground, and turning around was not worth it.

I had to change at Whitechapel into Hammersmith & City, but since I had the extra time, I decided to walk a little and go down into the Elizabeth Line, which, believe it or not, I had never used before. The commute time was the same anyway. The platforms felt so new and clean, lacking the grit that other stations have – not that they are dirty, really. They’re just… not that new or aseptic.

Even with the little detour, I reached Liverpool Street with time to take an earlier train than I had originally given myself as ideal – which is a couple of trains earlier than the one I would need to be right on time, but since that time the train just did not reach the airport, I’ve lost some faith in the Stansted Express. I went to the end of the platform, and sat down in the first carriage of the train. I was the only person there, even after the conductor announced that “the first carriage was almost empty, please move forward for comfort so the rear of the train is less crowded.” Happy to be an “almost”, I guess – and good that the carriage did not become anything close to full during the trip.

There were no issues reaching the airport, but security was crazy. I don’t think I’ve ever seen as many queues, and so long ever. When my backpack was flagged for secondary inspection I understood why – the person in front of me was told he was carrying “too many contact lenses”, and my tiny handcuffs key chain was apparently extremely threatening. Then they needed to check aaaall the electronics, and my boots. However, the security guard said that he was sorry and that I should not have been pulled over because of the key chain. I’ve never had a security officer apologise to me for pulling me over for secondary inspection – and honestly, that was the key chain I bought for my first apartment… in 2001? I’ve flown with it before countless of times… Hilarious…

I put on my boots, and headed off to buy some sushi at the Stansted Itsu. Sadly, the quiet area has stopped being so – they have closed the upstairs toilets and now they send everyone downstairs, so it was packed with holidaymakers and people hyping up toddlers, which I find a horrid mistake to make just before jumping on a plane. Thus, I drank my miso soup, ate my sushi, and buggered off to wander the airport – better than the cacophony of kiddos running, squealing and acting up. The airport was full, and while I am usually better at dealing with other travellers, I had been looking forward to the “quiet area”. Either that or I was a bit tired and everyone was rubbing me off the wrong way, I guess.

When it was time to board, queue went extremely slowly. The airline line personnel were being extremely picky with the luggage, measuring every backpack and trolley. Eventually, the slow process made departure late, so the end of the queue was rushed. They barely eyed my backpack, though I was asked to turn around to show it to the check-in agent.

The plane was full and way too many people were not aware of “boarding from the rear door” when their seat number was high, causing a bit of a jam. I found my seat, huddled in, and shut off for a while. I woke up with 40 minutes to land. When we did, we took a bus which conveniently left us right in front of passport control. The only problem on arrival? It was 31 ºC and sunny, and I was wearing clothes chosen for the 13 ºC and rain in London. I guess the order of digits is… important when you’re wearing longs sleeves, layers, and knee-high boots – which by the way I think have seen their last concert trip. RIP. You will be missed, cool concert boots.

7th May 2024: “Dragon Hunters” in Alcalá de Henares (Spain)

The Archaeology and Palaeontology museum in Alcalá de Henares is running a temporary exhibition on the history of digging dinosaur bones, called “Dragon Hunters”. I was drawn to it because well… dinosaurs. Driving in the city centre is a nightmare, so I left the car in an easy-to-park area a bit away, and walked downtown.

I had been trying to see the cathedral of the Magistral Cathedral of Saint Justus and Saint Pastor Santa e Insigne Catedral-Magistral de los Santos Justo y Pastor, but it was always either locked, booked for events, or “closed to visitors”. This time around, I was able to finally see it – and it was honestly a bit underwhelming. Though I generally enjoy Gothic buildings, I guess I was so hyped after trying so many times, that reality did not live up to expectations. Furthermore, I dislike when places do not advertise that part of the visit is closed / unavailable, so I guess I’m still pretty out of luck with this one cathedral. I missed the chance to climb up the tower and see the views of the town due to construction, but oh well.

Legend has it that catholic Saints Justus and Pastor were martyrized in the year 304, near the Roman city of Complutum. In the year 414, a chapel was built to keep their remains in the place where the martyrdom happened. The current building was erected by architects Antón Egas and Enrique Egas in late Gothic and Renaissance styles around 1446. The tower, by Rodrigo Gil de Hontañón and Rodrigo Argüello, is Herrerian. The interior has three naves with pointed arches, and to one side stands the cloister, with access to the museum, and – when it is open – the tower. It was a bit of a bummer not to even be able to step into the open part of the cloister. Underneath the altar there is a crypt with a gold-and-silver urn with the remains of the Saints, and the stone where they were killed.

Afterwards, I continued on towards my real destination, the local Archaeology and Palaeontology museum Museo Arqueológico y Paleontológico de la Comunidad de Madrid, MARPA. They are currently running the exhibition Cazadores de Dragones (Dragon Hunters). The exhibit summarises the historical hits of palaeontology, starting with prehistoric and classical references and theories about them, such as a the phoenix having been inspired by Protoceratops skeletons, or the bones of giants being actually dinosaur fossils. This area has a few replicas and small statuettes – running from the originally-made ones to the newest reconstructions.

Exhibit entrance, protoceratops, corridor

The exhibit name-drops a few of the big figures in dinosaur-digging history such as William Buckland, the man who described Megalosaurus as an antediluvian creature; Gideon Mantell, who tried to reconstruct an Iguanodon from a tooth (now in the Natural History Museum in London); Georges Cuvier, who proposed the idea of extinction, and named animals such as Megatherium, Pterodactyl or Mosasaurus; and Richard Owen, who “invented” the word “dinosaur”, meaning “terrible lizard” – though today we know that a lot of dinosaurs had more in common with birds than with reptiles, down to protofeathers and even feathers.

Archaeopteryx, titanosaur

The following section follows the “Bone Wars” – Charles Marsh and Edward Cope were two palaeontologists who raced through the Morrison Formation (Montana, USA) to discover up to 30 species of dinosaurs – they were not always honest in their competition, and it did not help that Cope messed up a reconstruction of an Elasmosaurus, placing the skull at the end of the tail. The Morrison formation was (is) in the middle of nowhere, and digging during the 19th century had its risks. This concept ties with the idea of “the adventurer” à la Indiana Jones, mentioning Roy Chapman Andrews and Barnum Brown, the man who excavated the first Tyrannosaurus. And then you turn a corner and are greeted by a replica of a T-Rex. Of course, I stayed a while here – trying to take pictures without the security guard in them.

Tyrannosaurus rex replica

After World War II, palaeontology hits moved from the USA to Mongolia and the Gobi desert, with new species being discovered every so often. Later, in the last years of the 20th century, the idea of “the avian dinosaur” arrived, and there is a replica of a Deinonychus, with screens showing recreations of the creature looking “like a lizard” and looking “like a bird”, feathered and all.

Titanosaur, therizinosaurus, eggs, deinonychus

Finally, there are the local dinosaurs: a tail and part of a foot from Qunkasaura pintiquiniestra, a nest from the Poyos Site (Guadalajara), and the star of the show – the original fossil holotype of Concavenator (Concavenator corcovatus), a theropod found in Cuenca. The fun part? The museum which holds the holotype, Museo de Paleontología de Castilla-La Mancha, bans pictures – so I took my sweet time with this. There is also a life-size reproduction, with colours tuned down to more realistic than the originally proposed blue and red.

Concavenator fossil and reproduction

Afterwards, I wandered around MARPA, mostly to go to the palaeontology room, as I have explored the museum extensively before. The palaeontology ward is relatively new, and it has quite a few nice reproductions and… even if I have explored that one too. I also dropped by the shop to get the exhibition book. Finally, I went back to run through the Dinosaur exhibit again, just because I could, before I headed home. I had thought I’d look for a nice restaurant for lunch, but nothing drew my attention.

11th & 12th September 2023: 23h 45min in London (England) for Yoshiki’s “Under the Sky”

Considering that Japanese musician Yoshiki recently got his hand- and footprints enshrined at the TCL Chinese Theatre in Hollywood, I guess he’s not one of my obscure artists any more. Yoshiki is a Japanese drummer and classically-trained pianist who, alongside vocalist ToshI, founded the band X Japan in 1982. They started as a heavy metal band, and eventually shifted over towards progressive rock. Their flashy looks probably gave way to what is now called Visual Kei (V-kei) [V系], though they had dropped them in the mid 1990s, before they disbanded when vocalist ToshI left the band basically to join a cult. In 2007, X Japan reunited.

Yoshiki, born Hayashi Yoshiki [林 佳樹], is considered one of the most influential Japanese artists of all times. Aside from a musician, he is also a songwriter, composer, producer, and fashion designer. He collaborated with Stan Lee for a special four-issue comic collection called Blood Red Dragon, and with international musicians and bands such as Bono (U2), Roger Taylor and Brian May (Queen), KISS, and Sarah Brightman. He composed the theme of the 2013 Golden Globe Awards, worked on the soundtrack of Saw IV, and has composed music for anime such as Saint Seiya and Attack on Titan. Within Japan, aside from tons of collaborations and solo works, he became “mainstream” when he played a concert to honour former Emperor Akihito upon the tenth anniversary of his enthronement in 1999. He also has a Hello Kitty line named and modelled after him, Yoshikitty. And I’ve been using one of his songs as my alarm clock since roughly 2010 (since 2015 it is Born to be free).

Back in 2017, Yoshiki hosted a Q&A in several cities throughout the world, including Vienna (Austria) for special showings of his documentary film on X Japan. The documentary should have premiered in the scheduled March 2016 concert, but when that was postponed, the film went on to be shown at different events festival. When I went to Vienna, I had already travelled to see it in X Japan concert in London and the Beefeater In-Edit festival in Barcelona (and owned the blu-ray).

In 2020, as the Covid-pandemic lockdowns eased up, Yoshiki organised an online concert on a bunch of rooftops, connecting with different artists and having others over, to celebrate his birthday on the 20th of November . Now, he has made a documentary out of the event, called Yoshiki: Under the Sky, which has “premiered” four times, the third of them in London on 11th September 2023. As the London announcement only came mid-August, it was a challenge to get everything running, but I managed to find doable flights and a hotel near the venue. I was able to buy a second-row seat for the cinema, which was pretty good too.

On the 11th of September, trying not to reflect too much on the date, I left the house around 5:00, and right as I merged into the motorway, it started pouring. There was more traffic than usual because the plane was an hour later, but I managed to make it to the airport a bit before the time I had booked to enter the parking lot – yay accuracy. I went through security and passport control without issues, and had to walk to the end of the terminal for my flight, which was also uneventful. Upon landing at London Stansted Airport, we had to wait for a bus because the escalators were broken or something, but I was outside around 9:30. I bought breakfast at Costa Coffee, and settled to wait for a friend I had met in Vienna, A****d. Her flight was due half an hour after mine, so we had decided to hang out for the day. She agreed to tag along to the Natural History Museum – I wanted to go back to the the Jurassic Park 30th Anniversary #NHMxJURASSIC store before it closes down at the end of the month. I really really wanted the rubber ducky cosplaying as a velociraptor, but I feared that if I got that one, I would end wanting to collect rubber duckies… I bought get a limited-edition “opening weekend ticket”, which had been out of my budget on my previous visit, and a titanosaur coin that I had not seen when I visited the exhibit.

A****d had never been to the museum, so we took a tour of the highlights – dinosaurs (of course) and other fossils, the “journey inside the earth” (escalator that goes into the inner core of the planet), the historical building, and Cadogan gallery… Unfortunately, the hall of mammals had recently closed for renovations, so we could not visit that one.

Natural History Museum London

Afterwards, we took the underground and got off at Leicester Square to have a late lunch in Chinatown. We found a little place for lunch. I ordered some rice and duck, which was nice but the duck had a lot of shattered bones. We looked for a place she had known that sold ice cream taiyaki, but sadly we did not find it.

London Chinatown

We located the cinema where the film was showing, Odeon London Covent Garden, but there was nothing going on yet, there was not even a poster announcing the film. After taking pictures, we continued down the block to snoop around the Forbidden Planet London Megastore, one of the biggest comic, manga and related merchandise shops in the world. Luckily, they had few things I wanted badly, and the ones they did were stupidly expensive, so I was able to get away with all my money, yay me!

A****d had decided that she would go back to the airport after the film, but I had taken a hotel a few minutes away from the cinema, right in front of the university and a few minutes away from the British Museum. I dropped by to check in, then we backtracked to Leicester Square as the museum was already closing for the day at 17:00. As we walked by the cinema, they were setting a poster for Under the Sky outside.

We decided to do something a bit silly and headed off to the The LEGO Store Leicester Square, two stories dedicated to selling LEGOs, either in sets, or just blocks. There are also different decorations – for photo-ops – made with oversized blocks, which include Shakespeare in the park, a Bobby, a Buckingham palace guard, a whole Aston-Martin with a Bond sculpture – you can actually go into the car – and lots and lots of Harry Potter. It was a bit disconcerting that they were already displaying Christmas sets!

Lego Shop London

Then, we crossed the street for the M&M’S Store London, which has four floors. The ground one has a recreation of the Beatles crossing Abbey Road, with M&M’S. There was a logo asking “which M&M’S colour are you?” which I thought was a little silly, until I found the orange M&M’S section, whose motto seems to be “I’m scared of what might happen if I relax”. I connected immediately. Next time over I should totally buy a mug or something. Also, there was no Christmas decoration yet, as they were preparing for Halloween. Oh, and they were looking for staff, offering “London liveable wages”.

M&Ms Shop London

We came out and it was 18:00, the Swiss glockenspiel at Leicester Square was chiming. The glockenspiel is a Swiss-themed clock which was built in the 1960s as part of the Swiss Centre, a ploy to drag rich British tourists to the country. The centre failed, and the clock was taken away, but it was eventually restored to the area in 2011. I could have sworn it was playing Poncelli’s Dance of the Hours?

Swiss Clock Leicester Square

Leicester Square is built around a sculpture of Willian Shakespeare, and the gardens around him hold a number of statues dedicated to cinema, Scenes in the Square. We spotted Mary Poppins, Don Lockwood (Gene Kelly’s character in Singin’ in the Rain), Charles Chaplin, Paddington Bear, Harry Potter, and an Indiana Jones which is supposed to be temporary. Apparently, there are a few more I should be checking out for, but that’s okay because I’ll be coming back to Chinatown eventually, and it’s just a few blocks away.

Statues of cinema figures in Leicester Square + Willian Shakespeare

We headed back towards the Odeon London Covent Garden cinema, and we reached there around 18:20. Another poster had been put up, and some fans were already waiting. We met another friend of hers, M**, who told us she had found a sitting area inside, so we sat and chatted away for about an hour. The staff was extremely friendly and did not peep a word of complain, even if we did not buy anything.

Yoshiki Under The Sky at Odeon Covent Garden London

Finally, we were allowed into Screen 2 and found our seats. I lost count of how many people tried to get away with ignoring the seating numbers. Nobody did. I had a second-row seat, pretty centred. The film was introduced by some film producer who explained what we were going to see as if we had just accidentally wandered into the cinema.

There was supposed to be a trailer for Yoshiki’s upcoming concert in October, which was not shown. We had a few in-house adverts before the documentary started. Through the film, Yoshiki talked a little about the power of music, and how he had come together with all these great musicians to create a world-class event, very Covid-compliant. All the songs featured were either composed by Yoshiki himself, or had been arranged by him in some way. Perched on an LA rooftop, he mostly played piano, but occasionally he donned the drums.

The narrating thread of the whole film is life. Yoshiki was a sickly child, and his father committed suicide when he was ten years old, so he grew up with the idea of death deeply ingrained in his brain. As the film goes on, he speaks about how music can bring people together, and how it is important to find the strength to go on. Halfway through the film, he talks about recently losing his mother and how he cried for days. At some point a voice is introduced. It is a regular John Doe who once reached out to Yoshiki on Twitter as his dying wife had just entered palliative care. The man asked for some encouragement for her, and he got it, from Yoshiki and a lot of the fans, until she passed away. There was a heart-wrenching Zoom call with the man, who spoke about how overwhelmed he was by all the support he received. Unfortunately, she passed away.

The documentary runs for an hour and a half, and it’s a mixture of the Yoshiki’s thoughts, the performances alongside different artists, each in their corner (or rooftop) of the world, and a bit of conversation with them, or a making-of. I was familiar with most of the featured musicians, but not all.

Sarah Brightman: Miracle. Sarah Brightman has had an extremely long career and is an excellent soprano – my first memory of her dates back to the 1992 Olympics. She collaborated with Yoshiki on Miracle in 2018. I was really sorry I was not able to go to any of her performances back then.

Jane Zhang: Hero. The original version of Hero was sung by Katie Fitzgerald for the soundtrack of Saint Seiya: Legend of Sanctuary. Though Saint Seiya was my favourite anime as a kid, I had wandered away from it. The song featured in the film actually made me want to go to see it, and eventually dragged me back into the world. Zhang did a good job, but I personally prefer Fitzgerald’s version.

SixTONES: Imitation Rain. As a music producer, Yoshiki must have realised a bit ago that the Japanese boy-band panorama was dire. For long years, the boy-idol company Johnny’s Entertaining (JE) had dominated the business, with bands as SMAP or Arashi. However, an extremely protectionist policy and the open secret that the director had sexually abused some of the boys, lead to the company losing power. I have no doubt that this is why Yoshiki decided to create and produce a boy-band, and thus looked for the six young men that comprise SixTONES. Having followed some of JE’s bands back in the day, I can see how they would tap into the niche (serious flashbacks to KAT-TUN circa 2005, to be honest).

Scorpions: Wind Of Change. Formed in 1965, Scorpions paved the way for a great deal of the big names in 1980s hard rock such as Guns N’Roses, Mötley Crüe, Helloween, Megadeth… And Yoshiki is a little fanboy of theirs, of course.

Sugizo: La Venus. Sugizo is one of X Japan’s members, who took over guitar duties after they reunited. While the band was separated, original guitarist Hide died in “mysterious circumstances” – either accidentally or by suicide. For a long time, Yoshiki claimed that Hide’s death was an accident, and on this film he for the first time acknowledges otherwise. Thus, Hide was the second person in Yoshiki’s circle to take his own life. Sugizo, who also plays violin and is a member of an insane number of bands, including LunaSea, is credited by Yoshiki as the reason X Japan could come back together, which made him very embarrassed. They played a rendition of La Venus without lyrics, with Sugizo on violin.

Hyde: Red Swan. Hyde is without a doubt one of the best rock vocalists in Japan. He was originally the voice of L’Arc~en~Ciel, when they were still a thing. He worked alone for a few years, then he and KAZ founded VAMPS, and finally he went solo again. Red Swan was a collaboration between Yoshiki and Hyde for the anime Attack on Titan!, released as “Yoshiki feat. Hyde”. Yoshiki explained how the red swan represents rising even covered in blood. After this collaboration, there was a second single, released as “Hyde feat. Yoshiki” with the song Zipang, in English and Japanese, which I personally find even more powerful. The significance of Red Swan in Under the Sky comes from how many versions there are on YouTube, especially as anime songs tend to be translated. Thus, it ties in with the concept of coming together through music.

St. Vincent: New York. St. Vincent is known for her clear voice and her complex arrangements, with lots of instruments playing a part. She is considered one of the best guitarist in the 21st century. Yoshiki arranged her song New York for piano and vocals, which made it extremely powerful. All LA artists were invited to sing on Yoshiki’s rooftop, as it would have reduced the logistics involved.

Nicole Scherzinger: I’ll be your love. Scherzinger was the lead singer of the Pussycat Dolls between 2003 and 2009, but before that she had already performed with Yoshiki with this very same song.

The Chainsmokers: Closer. They are an American electronic DJ pair: Alex Pall and Drew Taggart, whom I honestly know nothing about other than they do electronic remixes. They have some supporting musicians.

Lindsey Stirling: Forever Love. She is a violinist who performs and dances at the same time. I had never heard of her either, but she did feel the music. Regarding her, Yoshiki said that she made him realise that not all songs need lyrics and vocals. She did a great job.

Yoshiki and fans: Endless Rain. In a way, Endless Rain is the emotional ballad that keeps showing up in anything X Japan related – and breaking people’s hearts. A while back, there was a request on social media for fans to send recordings of themselves singing the song, which were used for the film. Hearing a Ukrainian girl singing “endless rain lets me forget all of the pain, all of the sadness” was soul-wrenching. Once more Yoshiki circled back to the idea of music bringing music together, along with living, just keep living.

Yoshiki Q&A in London, 11th September 2023

The Q&A afterwards was awkward. The guy who carried it out – Toby Amies – had done his homework but it was not a Q&A, it was an interview by someone who had just learnt about Yoshiki, and was curious, so he had a ton of questions, most of them absolutely unoriginal, such as hey, I’ve just discovered V-kei, explain that to me! Or “do you prefer piano or drums?” which we hear every time – I could swear that Yoshiki was a bit annoyed at that one. The only input that the audience had, before Yoshiki was even in, was “are the Last Rockstars coming to Europe?” (we know the answer to that: never) and “When is the next X Japan album coming out?” (we know the answer to that, too: also never), but when the interviewer got around to ask those, he messed them up! At some point Yoshiki explained the meaning of the title “Under the Sky” – basically, we’re not in Heaven yet, we are underneath. As he was leaving, he was kind enough to sign autographs and take pictures with fans.

After the film, we took a bunch of selfies with other fans in front of the poster(s), then moved on. I went back to my hotel for a shower and a few hours’ rest. The bathroom was tiny but hot water did its job, and I could not find the cereal bar I had packed for dinner. The bed was extremely soft, and the carpet smelt strongly as England is in the middle of yet another heatwave, and my nose clogged – I need to remember to start packing my allergy pills. I did not sleep much if at all, and I ended up leaving the hotel before 5:00. I had to decide between breakfast at London Liverpool station or catching the Stansted Express at 5:25. I decided to go for the train and have breakfast at the Stansted Costa, so I boarded, found a seat, and settled down for a travel nap.

Ten minutes away from the airport, as we left Harlow Town, the second-to-last stop, there was an announcement. We were informed that the train would terminate at Bishop’s Stortford, the last stop before Stansted Airport. There were technical issues at the terminus platform, and the train could not reach it. Passengers should vacate the train at at Bishop’s Stortford and ask the platform staff for instructions. The instructions were that we had to fend for ourselves to reach the airport as there was no alternative transportation provided. It was chaos for a second, with everybody scrambling for buses, taxies and so. I was near a young woman who was going to Uber and had some extra seats. She asked if anyone wanted to tag along and I said yes. She said it would be free because her company would reimburse her, so I was lucky on that account, and I arrived at the airport a bit after 6:30. I waved my Uber-companions good-bye and headed to Costa Coffee for breakfast, feeling relieved that I had decided against waiting for the 5:40 train in London Liverpool.

After a sandwich and a vanilla latte, I passed security, where I had to go through secondary screening because… no idea. There was like no metal on me whatsoever. Then the scanner complained about me having something in my pocket – my damn handkerchief! Seriously, now. This has happened a few times. Where do people keep their hankies / tissues if not a pocket??

A****d had not yet departed when I was through, so we could hang out for a little longer – it’s fun that we had only met in person for a few hours in 2017 and we hit off so well. We even had gates in the same area of the airport, so it was cool. This is the first time that I have done the “going to the airport early in the morning” in London, but to be honest there was a 100 € difference between that flight and the next up, since the whole thing was announced and happened so fast. I asked for a refund from the Stansted Express, and now I’m wondering whether to cancel the train for my next trip to London as they’re threatening with strikes on those days… (ETA: I received a full refund, and there was no major incident during the following trip).

The trip back was uneventful except the road was stupidly full when I drove off the parking lot. I napped most of the plane ride, and I had a Coke before 9:00. Talk about living wildly, especially considering how all this happened in 32 hours, and I was in London for less than 24! My only regret was not taking the camera, but I was trying to pack extra-light this time around.

22nd and 23rd April 2023: A date with a dinosaur (London, England, Great Britain)

Since I cannot keep my mouth shut, I offered to organise a trip to London with some people from work. Despite prices skyrocketing everywhere and my ridiculously hectic schedule, I managed to secure a weekend when flying would not be stupidly expensive, and an activity I would really be looking forward to – the Natural History Museum was running couple of things I was very interested in. One was an exhibition on a gigantic dinosaur: Titanosaur: Life as the biggest dinosaur. Well, twist my arm – NHM is much closer than the actual Titanosaur home in Argentina. Furthermore, there was a collaboration with Jurassic Park (‘an adventure 63,000,030 years in the making’ is the motto), and coming back to the museum would give me the chance to purchase the rock I wanted the last time I was over and did not get because I was heading out to Stonehenge on the same day.

In the end, only one person took up the offer, and I figured out that well, London is pretty much always a good idea for a weekend – so I figured I’d arrange myself a date with a dinosaur. Unfortunately, it turned that London Marathon was held that weekend. Hotel prices were bloated for the night and we ended up at Earl’s Court because I wanted to stay close to South Kensington and the other person wanted the cheapest place possible. We left on a red-eye flight to London Stansted which took a long time to land – we spent about an hour circling the airport, and eventually the head cabin attendant said that there was bad visibility at the airport, and that the pilot required all electronic devices to be turned off so he could use the autolanding system. I did not like that one bit – after I visited Santiago de Compostela in 2022, I felt that I had got over the bad-visitiblity near-miss when I was a teen. Apparently not, the feeling of uneasiness is still there. We landed over an hour late, but we were on our way on the first Stansted Express a few minutes after getting on it. After reaching Liverpool Street Station at around 9:30, I asked my companion to take us to Guildhall as part of the incentive of the trip was introducing them to international travel. It was not a good idea. Their phone trolled us and tried to take us to Guildhall… in Stratford upon Avon. The Costa at the station was closed, but at least I had got myself a sandwich and a latte before we started walking.

After backtracking, we were in known territory around 10:15. As it turns out, my companion was only interested in “walking the city” and shot down any activities I had proposed – thus, some things I just imposed in order not to feel that I had wasted the whole day away. By 11:00, I had confirmed that our travelling styles were not compatible. After some time at the docks next to the Tower of London, I wanted to enter the Anglican church All Hallows by the Tower. All Hallows is the oldest church in the City of London – founded in 675 CE, it predates the nearby Tower of London. The parish used to take care of a lot of the prisoners executed there. The building withstood the Great Fire of London (1666), but it was severely damaged through The Blitz – the German WWII bombing campaign against the UK throughout 1940 and 1941. The church was rebuilt and reconsecrated in 1975. Its windows are decorated with symbols from the different London guilds and some families.

Collage of a church. The outer building is brick and it has a tower crowned with a greenish metal spire. The inside has huge windows decorated with guild symbols. The small crypt inside is covered in white stone.

Underneath, there are a few chapels and a small Crypt. Most of the crypt is a museum which chiefly holds artefacts from the Roman period – including remains of an old road. There are other historical items from the Saxon and Medieval times, and the 20th century Crow’s Nest of the vessel Quest, in which Sir Ernest Shackleton sailed for Antarctica for the third time, and where he died.

When we were done, we went to Saint Dunstan in the East Church Garden. I was hoping to use this as a relaxing point for a few minutes, but there was work being done on the parterres. We continued towards the River Thames for some views of Tower Bridge, the museum HMS Belfast and The Shard skyscraper.

We walked by the Monument to the Fire of London on our way to the Sky Garden. The Great Fire burnt inside the Roman city wall for four days after breaking out a bakery after midnight on the 2nd of September, 1666. Though the number of victims is (theoretically) small, the fire destroyed over 13,000 houses (15% of the city’s housing), almost a hundred parish churches, governmental buildings, St Paul’s cathedral, and even some of the city gates.

Afterwards, we walked over to Leadenhall Market, a covered shopping street which can be traced back to a 1321 food market, and marks the centre of Roman Londinium (ruins from the Forum and Basilica are buried underneath). It was given to the city in the 15th century, and in the 19th century, the City Architect Sir Horace Jones designed an iron-and-glass arcade. Today, it holds restaurants, wine bars, varied shops and even beauty parlours.

A covered shopping gallery or street, in dark red and beige tones.

Around the market stands a mixture of modern buildings and traditional buildings, mostly small churches. Among the former:

  • The Lloyd’s Building (25 Gresham Street), sometimes called the “Inside-Out building”. It was finished in 1986 and it is consider a great example of Bowellism – an architectural style that maximises inside space by building ducts, lifts, and other structural necessities on the outside. It was designed by Richard Rogers & Partners, and it still maintains the original entrance of the building that stood in its place in 1928 – the East India House.
  • The Leadenhall Building (122 Leadenhall Street), designed by the Rogers Stirk Harbour + Partners. It opened in 2014.
  • The Willis Towers Watson (WTW), designed by Norman Foster, it was finished in 2008.
  • The Scalpel (52-54 Lime Street), which yields to cool reflections along with the WTW, and has a strange sculpture at the entrance – it made me think of several ship wheels fused together. The building was designed by Kohn Pedersen Fox and only completed in 2018.
  • And of course The Gherkin (30 St Mary Axe). It was designed by Foster + Partners and it is the first ecological building ever built in London. It opened in 2004.

The historical buildings we encountered (having survived both the Great Fire of London and the Blitz) include:

  • Saint Andrew Undershaft Church. It dates back from 1147, although it has been rebuilt several times. The current building was erected in 1532.
  • Saint Helen’s Bishopsgate Church, where Shakespeare himself used to worship in the 1590s. The building can be traced back to the mid 12th century, and it was restored during the Victorian period and later during the 20th century.

Skyscrapers reflected on the glass that covers yet another huge skyscraper

A small church built in Stone in the background with a huge modern high-rise building behind it

Afterwards, we headed towards Embankment on the Tube. There, I was happy to find a Costa Coffee and get my vanilla latte fix. In the area, we saw the Victoria Embankment Gardens and I wanted to visit Cleopatra’s Needle – half of a pair of obelisks (the other one is in New York), originally made and carved in Heliopolis, what is Cairo today. It has inscriptions from the 18th and 19th Egyptian dynasties (around 1450 BCE). It was presented to the United Kingdom by Sultan Muhammad Ali in 1819, and later transported to London in 1877. Two sphinxes and other decorations were added when the Needle was erected, and the plinth under one of the sphinxes was damaged during London Bombings – it was never restored as a tribute to memory.

An Egyptian obelisk standing against a cloudy background

We walked over to the Westminster area to see the Palace of Westminster and Elizabeth Tower. There was an environmental protest there, which made it packed, but at the same time diverted traffic, allowing for new views from the middle of the street. On the way, I encountered an adorable pit bull mix I got permission to pet – coffee and dog pets made everything better.

A view of the palace of Westminster, with the Elizabeth tower on the left

We continued off to Saint James’s Park, home to squirrels, geese, swans, pigeons, mallard ducks, robins… all of them extremely used to people and tourists, and rather unconcerned by dogs being walked. We ditched the marathon fencing and reached Buckingham Palace, but by then my companion was beat. Thus, we had to go to the hotel so they could get some rest. The hotel was better than expected for a London 2*. It was nice and warm, although the bathroom was tiny – it was difficult to stand inside and close the door.

Buckingham Palace and some of the animals at Saint James' parks

A couple of hours later, we were off into the evening to see Piccadilly Circus, the entrance to Chinatown, and Leicester Square. Companion was beaten, so they were not sure they would be up for anything the following day – we arranged to touch base at 9:00 for them to evaluate. Once in my room, I had a shower and booked a free time slot for the British Museum the following day, just to avoid the queues. I thought, even if we did not make it, at least we had assured entry if we did, and I could always cancel and release the ticket.

Central London at night - Picadilly Circus' Eros and entrance to Chinatown

The next morning, I left on my own around 8:00 to look for a nearby Costa Coffee for a large vanilla latte breakfast, and I came across Brompton Cemetery. This had not been on my radar, but since I had time, I decided to explore it a little. Brompton Cemetery, formerly West of London and Westminster Cemetery, opened in 1840, and it has belonged to the British Crown since 1852. It is on of the oldest garden cemeteries in Britain and comprises around 35,000 monuments. I wandered for about half an hour before I had to head back.

Brompton cemetery, a 19th century graveyard and garden

We managed to get to to the Natural History Museum on time for my date with a dinosaur just after opening. I had my Titanosaur ticket at 10:15, and left off my companion to wander on their own after agreeing to check with each other around noon. The exhibition Titanosaur: Life as the Biggest Dinosaur brings a cast of Patagotitan mayorum to Europe for the first time, along with a few real fossil bones, of a front leg, some teeth, and an egg.

Patagotitan mayorum is one of the largest known animals to have ever lived. It was a sauropod dinosaur – a tetrapod with extremely long neck and tail. It lived in forest regions during the Late Cretaceous (102 to 95 million years ago) grazing on ferns and tree leaves. The species was discovered in Argentina in 2010, and it’s calculated that it could have been up to 31 metres long and weigh over 50 tonnes. It is widely considered the most complete of the South American dinosaurs. The cast that the Natural History museum brought is considered the holotype, and it was reconstructed from the partial skeletons of six specimens.

Titanosaur skeleton. People walking around don't even reach its knees.

The best thing about the exhibit was being able to actually touch the cast, so I kinda hugged my date, I guess. As far as I know, there are only three casts of titanosaur – the one in Argentina (Museo Paleontológico Egidio Feruglio in Trelew), one in the US (Field Museum, Chicago), named Máximo, and this one.

After I had pranced around the exhibition to my heart’s content, and as it filled up with kids, I moved on to reason number two of this visit having to happen asap in 2023. To celebrate 30 (thirty!) years of the 1993 release of Jurassic Park, the Natural History Museum was running a limited-time-only collaboration pop-up shop – the Jurassic Park 30th Anniversary #NHMxJURASSIC store in which I did not even spend that much! I bought a replica badge and a commemorative coin, both limited, numbered editions. The shop had both Jurassic Park and Jurassic World merchandise, especially toys and T-shirts, and a few props, including a life-size sculpture of Blue the velociraptor.

Jurassic Park pop-up shop, with Blue the velociraptor just hanging out

I then headed to the official museum shop to get myself the rock I had wanted – a piece of aura silicon carbide, a shiny mostly-artificial mineral. I also bought a souvenir guide, just because. They did not have anything from the Titanosaur exhibit there, so I backtracked to the exhibition shop to buy a pin.

Whenever I got to the Natural History Museum, I end up in the dinosaur gallery (well, there was that one time I walked through the whole thing throughout a winter day). This time, however, I decided to wander the upper area of the historical building. I was drawn to the Treasures in the Cadogan gallery. I had not been there since it opened in 2013, and my mind was blown. The collection includes a first edition of Darwin’s On the Origin of Species, and some of the pigeon specimens that he used to develop the theory of evolution. I also got to see the first-ever-found iguanodon teeth (not the replicas), the first fossil ever found of the Archaeopteryx (the link between dinosaurs and birds), and a skeleton and egg of the great auk, the first confirmed victim of anthropogenic extinction (due to human activity). I was very impressed, these were all treasures indeed – no overselling.

Treasures at the Natural History Museum - ancient bird fossil, extinct penguin-like bird, a book, dinosaur teeth. Whale skeleton.

After wandering the second floor for a bit, I ran into my companion and at noon we left towards the British Museum, where I had booked entry for 12:40. I left them to their own devices again and headed off to the Japanese galleries, which had been closed the last couple of times I was in the museum. I was… a bit on the disappointed side, I remembered them being way more impressive from my early 2000s visits.

Japanese Galleries at the British Museum: Samurai Armour, lion dogs pair, articulated metal animals, a standing Buddha.

I visited the Moai, the Elgin Marbles, the Babylonian bulls and the Rosetta Stone, and I headed off to the shop to get myself a treat – retail therapy is a thing. Eventually, we left the museum and managed to get to Liverpool Street to take the Stansted Express to the airport. Security was smooth, not as crammed as other times, and then, as tradition calls, I got myself some sushi at Itsu.

When we boarded the plane, I had been assigned an emergency exit seat. In order to sit there, you need to be able to take responsibility about opening the exit if something happens. I flagged a flight attendant to inform them that I would be physically unable to do so. I had a new seat in 4.5 seconds, and it turned out to be a window seat. We took off a few minutes late, and landed with a delay of almost a quarter of an hour. Nevertheless, after passport control and all, I managed to reached the parking lot payment machines with a few seconds to spare the overstaying fee – all good!

Balance – The marathon barely interfered with the weekend. I had a date with a dinosaur and hugged them. That was awesome. I got limited edition Jurassic Park and Jurassic World merchandise. I found some Kettle Sea Salt and Balsamic Vinegar of Modena crisps at one of the supermarkets. I got two new books, commemorative coins and a shiny rock. I also discovered new places to explore in the future, and had Costa – twice. Unfortunately, we ran out of time for extra visits on Sunday – so I could not fit in either the HMS Belfast or the Jack the Ripper Museum. Furthermore, the Grant Museum of Zoology is closed for renovation, and the Petrie Museum of Egyptian Archaeology does not open on Sundays, so in the end I was not really able to scratch much off my list. Whoops!

Souvenirs from London: books, crisps, commemorative coins and Jurassic Park merch

24th March 2023: Brussels {Belgium, March 2023}

I woke up stupidly early to catch a short red-eye flight that was in the end delayed by the French air controller’s strike. Crossing security at the airport was a bit of an issue – I got stuck behind a class of teens going somewhere, and kudos to the teacher for not losing it when about 50% of the kids were sent back because they had not taken out their tablets / liquids / bottles of water and so on. Once inside, I had to head towards the Schengen area transit lounges, which were considerably fuller than beyond passport control in the early morning.

I landed in Brussels [Bruxelles (French) | Brussel (Dutch)], Belgium [Belgique | België] around 9:00. At the airport arrival lounge, I was welcomed by a rocket taken out from The Adventures of Tintin, and some fake flowering trees. I found the station – I had booked all my tickets online beforehand – and after a short train ride I reached the centre of Brussels. From the train I caught a glimpse of the famous atom-like building, the Atomium. I found my way to the hotel throughout a chaos of construction, and dropped off my luggage. Then, I set off to explore the city, which is called the comic capital of Europe: up to 50 comic character murals are painted on walls around the city, to the point that there is even a route dedicated to seeing them all – the Brussels’ Comic Book Route. I had not walked 200 m from the hotel when I saw my first mural, Le Scorpion.

I headed towards the Cathedral of St. Michael and St. Gudula Cathédrale des Saints Michel et Gudule | Kathedraal van Sint-Michiel en Sint-Goedele. The current building was erected in the 13th century in Brabantine Gothic, which is a deviation from the French Gothic style that developed in the Low Countries (Belgium, the Netherlands, and Luxembourg). It features the use of sandstone or limestone in light colours (unfortunately, these materials are very susceptible to erosion), pointed arches, round columns with decorated “cabbage” capitals, and a very clear cruciform floor plan on churches. Unlike the Spanish cathedrals, there is no choir built in-between, so the perspective of the churches built in this style is fantastic.

The cathedral has two symmetrical front towers with tolling bells. It is accessed from the monumental staircase (built in the 18th century) on the western façade, by one of the gates under the bell towers. It does not feature a round or wheel window, but an ogival one. The nave is wide and lit from all the colourful side windows representing biblical scenes. The pulpit on the side is Baroque, carved in dark wood by the sculptor Hendrik Frans Verbrugge. A lot of the sculptures inside the cathedral are also Baroque, as the originals were destroyed by iconoclast movements (Beeldenstorm) in 1566 – this is a feature along most of the monuments I visited. Along with the Chapel Church and Our Lady of the Sablon, the cathedral is considered one of the three traditionally listed gothic churches in the city of Brussels. The organist was rehearsing, along with a cellist and a female singer, which was cool to hear as I explored. Underneath the cathedral, the archaeological site can be accessed to explore the Romanesque origins of the chapel of St. Michael.

The cathedral of Brussels

After the cathedral, my path took me through the park Parc de Bruxelles | Warandepark, featuring a pretty kiosk in metalwork and a bunch of trees striving to blossom. Along one of the axes of the park, 22 sculptures have been erected for a temporary exhibition “Le Chat déambule” Expo (9th March – 30th June 2023). They feature Le Chat, an anthropomorphic obese cat from a comic strip created by Belgian artist Philippe Geluck. Le Chat ran from 1983 to 2013, comically tackling everyday situations or presenting absurd conclusions.

An obese, anthropomorfic cat on a tutu raising a leg while a mouse uses a jack to keep the cat's leg up.

I continued walking for a bit of a long walk that led me past the Royal Palace of Brussels Palais royal de Bruxelles | Koninklijk Paleis van Brussel and the Monument to Leopold II. I went on until I reached something I felt that I could not have missed – the Museum of Natural Sciences of Belgium Muséum des sciences naturelles de Belgique | Museum voor Natuurwetenschappen van België, part of the Royal Belgian Institute of Natural Sciences. This was on my to-visit map long before this little trip came into plan. The museum’s Dinosaur Gallery is the largest room dedicated to dinosaurs in Europe. It holds a replica of Stan the T-rex (the original one was auctioned a while back and bought into private hands for 32 million USD), a piece of the Mont-Dieu meteorite, similar to the one which might have caused the extinction of dinosaurs, along with a bit of the boundary K-T (Cretaceous-Tertiary) or K-Pg (Cretaceous-Palaeogene) – this is a sedimentary layer of black rock with a lot of iridium that separates the “age of reptiles” and the “age of mammals” in the fossil registry.

There is also a room completely dedicated to mosasaur findings, and a lone Allosaurus fossil called Arkhane, which is considered the only discovered specimen of its species. Allosaurus was a Jurassic carnivore and this skeleton, clocking at almost 9 metres long, comes from Wyoming (US) and is 70% complete. However, this was tucked away in a completely different area of the museum. I also saw a Dunkleosteus head. This one was behind glass and I did not find the information to read if it was a cast, so maybe I found an original one?

Fossils at the Belgian Museum of Natural History: dinosaurs, mosasaurs, the Allosaurus Arkhane, and a massive fish head

The most important feature of the Dinosaur Gallery though is the collection of iguanodon fossils – the Bernissart iguanodons. Iguanodon (meaning “iguana tooth”) was the second dinosaur to receive a name. This herbivore lived from the late Jurassic to the early Cretaceous, and it is thought to have been able to on either two or four legs. In 1878, as many as 38 iguanodon fossils were found in the Bernissart coal mine. Nine are displayed in “wrong” standing positions – what was believed at the time to be correct, called the “kangaroo standing” – and nineteen can be seen partly covered in plaster just as they were found in the mine. The standing skeletons are too fragile to be dismantled now – though early palaeopathologists did the best they could, the skeletons contain a lot of pyrite, which disintegrates in contact with air, so they are extremely brittle. Thus, they are exhibited in a protective chamber as historical testimony. These fossils were the most abundant and complete ever found of the species. They unseated the previous English hegemony on iguanodon knowledge at the time, and one of them became the Iguanodon bernissartensis holotype. Today, one of the skeletons stands outside the case, posed in the modern interpretation of how iguanodon would have moved.

Collage: The iguanodons. The upper picture shows a modern interpretation of the iguanodon on four legs standing in front of the older "kangroo posed" reconstructions. On the bottom, the iguanodons as they were found in the mine.

Other exhibits in the museum include a gallery of evolution (which I saw backwards as it was full of high school kids), a mineral collection, a gallery on humans and human evolution, and a biodiversity collection. They have the preserved body of the last captive Tasmanian tiger that lived, and a small ward about the history of the museum and urban flora and fauna.

Collage. The centre is the mascot of the museum. Around it, a tasmanian tiger, a mammoth skeleton, some rocks and taxidermed animals.

I had lunch halfway through the museum visit, and then set off to the centre of the town, undoing my previous way. By now I had got a hold of the construction detours, and I reached the city centre more easily. I walked past Mont des Arts | Kunstberg next to Central Station, with a very fun clock, and eventually reached the central square Grand-Place | Grote Markt. This central square, declared Unesco Heritage site in 1998, is surrounded by monumental buildings dating from the 15th to the 19th century, forming a particularly recognisable unit: the Town Hall Hôtel de Ville | Stadhuis, a Brabantine gothic building with a spire or tower; the Maison du Roi | Broodhuis in Neogothic style; and the so-called guildhalls and private houses, traditionally built buildings, either crammed together and cutely thin, or almost palatial – including the house where Victor Hugo, the writer, used to live in the city.

Grand Place. The buildings are light coloured or grey with a lot of gold decoration

I went down one of the side streets, debating a typical Belgian waffle, but I was not brave enough to try and eat one on my own. I saw the Adventures of Tintin mural (by Belgian cartoonist Hergé) painted on a wall (art by Oreopoulos and Vandegeerde). About five minutes away from the square, one of the corners hosts the fountain known as Manneken Pis, which depicts a naked little boy urinating into the basin. The current fountain features a replica of the boy, the original (sculpted by Jérôme Duquesnoy the Elder) is in the Brussels City Museum. The one on the fountain is often dressed up, and this time round, it was characterised as a construction worker – I can understand why. One of the many legends about the design tells of a young boy who put out an explosive charge fuse by peeing on it.

Collage. Tintin and Captain Haddock climb down some stairs. Manekken Pis fountain boy dressed in yellow reflective clothing.

I walked on to find another comic mural I was extremely interested in – actually two, but the Astérix mural (by Goscinny and Uderzo) was covered by construction. After a quarter of an hour I found the Lucky Luke mural (by Belgian cartoonist Morris, painted by Oreopoulos and Vandegeerde). When I was a child, I absolutely loved the Lucky Luke animated series, and especially his white horse Jolly Jumper and dog Rantanplan, so this was a bit of a tribute visit, rather than tackling the whole comic route.

Lucky Luke mural. The Daltons have robbed a bank and Luke prepares to arrest them (again)

On my way back towards the city centre, I stopped by a number of points of interest – the Baroque church and convent Église Notre Dame aux Riches-Claires; a mural by artist Mr.Doodle called Mr. Doodle Artwork; the late 19th century market Halles Saint-Géry; the 12th century church Église Saint-Nicolas; a “parody” of the Manneken Pis depicting a dog doing the same Zinneke Pis; and the Brussels Stock Exchange Bourse de Bruxelles (under renovation).

Collage showing different buildings in Brussels, and a bronze medium-sized dog peeing on a bollard

As I was making my way back towards the Grand-Place, the weather, which had been behaving most of the day – there had been some rain while I was inside the museum – took a turn for the worse, and there was a bit of a shower. The problem was not the rain itself, but the wind that made it come sideways. I had packed my umbrella, though it was not too helpful. When rain subsided down, I continued walking, and I got to see a rainbow over the Grand-Place. Great timing!

Rainbow peering through buildings at the end of the street in Brussels

It was only round 18:00 but I decided to go back to the hotel, check in, and get some food and rest. En route, I crossed through the classy shopping gallery Galeries Royales Saint Hubert. At first I had considered grabbing a bite here, but prices made me decide on a supermarket dinner, which was all right. I ate a sandwich and lots of berries.

After checking in, and warning the hotel staff that my companion would arrive late during the night, I got some rest, warmed the room, and when it was dark, I went out to see the illumination on the cathedral Cathédrale des Saints Michel et Gudule | Kathedraal van Sint-Michiel en Sint-Goedele, the square Grand-Place | Grote Markt, the fountain Manneken Pis and the shopping centre Galeries Royales Saint Hubert.

Cathedral and Grand Place at night, illuminated in warm light

I finally returned to the hotel and fumbled a bit with the shower until I found the nice massage mode.

12th August 2022: Stones, the reason for the trip. Lots of Stones {England, August 2022}

I was convinced I’d sleep like the dead and set a couple of alarms. Unfortunately, laundry and house service got going at 6:30, and woke me up. At least, the room had a kettle and some instant coffee which, along with one of the sandwiches I had procured the previous day, got me going. I made sure that the camera was charged, put everything I needed into the backpack and strolled off. My hotel was close to Earl’s Court, and I was walking to South Kensington to check out sandwich and coffee shop. And – to my eternal surprise – to queue for a museum! I don’t think I’ve ever seen so many people waiting for a museum to open in my life.

I’m referring to the Natural History Museum, one of my favourite ones. This time, it was a must, so I booked free entry with the special exhibition – “Dippy is Back”. Dippy is the diplodocus cast replica that used to stand in the middle of the museum, the Hintze Hall (where now the whale skeleton hangs). Dippy was the first of its kind to go on display in the world. The original skeleton was discovered in 1898 by railroad workers in an area called Sheep Creek, in Wyoming, USA. At the time, Andrew Carnegie had made a fortune in the American steel industry, and become one of the most important philanthropists in the US and the British Empire. He paid for casts of the bones to be made (some sources also say that he bought the actual skeleton, some that he had sponsored the dig) and sent to museums in Europe and South American. For the first time the public got to see a whole dinosaur skeleton, which was actually named Diplodocus carnegii after Carnegie. Dippy was gifted to the National History Museum in 1905, and was exhibited there until it went “on tour” around the United Kingdom in 2017.

Here is a little trip down memory lane: back in the mid-nineties I was a teenager in London with my English class. We had free time and they wanted to go to Harrods, so… instead I got myself into the Tube to go to the Natural History Museum just to see this dinosaur (I also ditched the group in the British Museum, but that’s another tale). The point was that I was around 14 or 15, bouncing through London by myself, on my way to see this very cool dinosaur! And I did not have to listen to people being rowdy, nor try to keep the peace in group – I was alone (scared out of my skin, true), but I was free by myself. And for me, that was very important, even if I would not come to realise that until recently.

The fossilised skeleton of a diplodocus, seen from the front. Lots of people are trying to take pictures with it

I saw Dippy again in 2011 when I went to London, but I was surprised when he was not there in 2018, shipped around the country in a travelling exhibition. For some reason, knowing that it was there made me really, really want to see it again. Since the pandemic, you need to reserve at ticket at the Natural History Museum, even if it’s free, so I booked mine for 10:00, to be there first thing as they opened – thus the queuing-before-opening.

Originally a gallery of the British Museum, the Natural History Museum was first designed by civil engineer Captain Francis Fowke, and then it was revised by Alfred Waterhouse, who redesigned the façades in a Romanesque-like style, with architectural terracotta tiles to withstand the British weather. These tiles have flora and fauna decoration and reliefs. The building was finished in 1880, and all the material had been moved by 1883. In the 20th century, the museum rebranded itself as a separate entity from the British Museum, and in recent years different areas and expansions have been opened.

Anyhow. The gates opened a little before 10:00 (If I lived in London I would totally be a member and stroll the museum before opening hours), and the queue started moving. There were lines for ticket holders and non-ticket holders, but my ticket was not even checked. Thus, I just moved towards the area where Dippy was and spent a while there. I felt a little emotional, thinking that, in a way, I owe that dinosaur one.

After seeing Dippy, I wandered around the dinosaur gallery for some time, then I went to buy a sandwich and have a coffee and a painkiller, because I had a long day ahead of me and my head was buzzing a little – I needed to get that under control beforehand. At 11:40 I took a coach with a company called Anderson Tours for an organised day trip: Stonehenge Special Access – Evening. Even though I am not too keen on guided tours, I will admit that they can be handy at some particular circumstances. They will never become my preferred choice of travel, in this case, choosing a tour was the best option.

Regarding Stonehenge, if you want to get up close and personal with the stones, you need a VIP ticket, which means you have to be there before they open to the general public, or after they close, and for that you need transportation – either a taxi, or renting a car, and a hotel as close as possible. The Stonehenge VIP ticket is around £50, and I booked my tour for £135, a full-day tour, including coach, Stonehenge at sunset, and two other destinations, with pick up and drop-off near my London hotel. In the end, that was cheaper than a taxi or a rental plus a hotel near the site (I did a lot of maths before deciding to book this). Anderson Tours offers different combinations of “Stonehenge and…”, with places like Bath or Bristol. However, those are easily reachable by train, and I can explore them on my own. Nevertheless, there was a particular trip that interested me – it went along two or three spots that are a bit off the beaten track, and related to the theme – a Neolithic tomb and another stone circle. This particular tour happens only on certain specific Fridays, thus why my “weekend” away was not such a weekend, as I had to make sure I was in London on the 12th.

The first stop of the day was West Kennet Long Barrow. A long barrow is an elongated prehistoric (3800 – 3500 BCE) stone monument that has been linked to the worship of the dead and the ancestors. Sometimes, human remains have been found in them. If one imagines what Great Britain was at that time, the south-east area would be the one with less tree coverage, and therefore the best option for primitive people who had started to settle and use agriculture. The counties of Gloucestershire, Wiltshire, Somerset and Dorset have a lot of chalk-rich soil (the Salisbury Plain), which makes it difficult for tress to root and grow. Thus, it would have been easy for the primitive humans to settle and build their villages and monuments. Today, the whole area is known as Stonehenge and Avebury World Heritage Site, listed by Unesco in 1986, and it includes over 700 prehistoric monuments from the Neolithic and Bronze Age.

Collage: elongated mound of dirt on top. On the borrom, the gate. On the left the protective slabs, standing upright, and on the right, the entrance. It is a construction of vertical walls made from grey slabs and another slab on top. The interior is dark.

West Kennet Long Barrow is situated in the middle of a farm. There is a tiny parking lot to the side of the road, and a fifteen-minute walk to the barrow itself. It is one of the largest built in Britain, and around 50 sets of remains have been identified, along with pottery, beads and other personal items. Around 2000 BCE, it was closed down and barricaded, then discovered in the 19th century and scientifically excavated and restored in 1956. It is private property under the care of British Heritage. Apparently, all these sites have become a point of pilgrimage for neo-pagans, and on this day, there was a bunch of them chanting inside the barrow…

On the opposite side of the road from the barrow stands Silbury Hill, a mound or artificial mountain. It stands 30 metres high, with 160 metres in diameter wide, and it is estimated that half a million tonnes of material (mostly local chalk) were used to build it throughout several generations of humans. It cannot be climbed, due to a collapse a while back, that would have been neat!

View of a small hill and dry grass.

After that, we headed off to the village of Avebury, which hosts the largest Neolithic stone circle, with smaller circles inside. It originally had over 100 stones, and it might have built between 2850 and 2200 BCE. Today there is a village in the area, with a few shops and museums in the centre, and a lot of sheep grazing the area. Around three quarters of the circle is still standing, along the henge (long ditch that used to be built with the stones in Neolithic circles).

We had two and a half hours in Avebury – a bit too much, I would say – to explore the Avebury Stone Circle and Henge and its sheep. The guide told us about ley lines and trees that were supposed to have inspired Tolkien’s Ents from “The Lord of the Rings”, and I needed to ask about the geology of the stones – here I learnt that they are made out of sarsen, like the Stonehenge ones. Sarsen refers to silicified sandstone blocks, common in the area, and it has been proven that the ones used in the megaliths come from Marlborough Downs, some 25 km away (35 km from Stonehenge). Once we were dismissed for our “free time”, I walked along the three fourths of stone circle remaining.

A collage showing different megaliths from the Avebury stone circle. Small pillars mark the spots where the stones have been lost. There are some sheep grazing on dry grass.

There are other places to visit in town, such as a Medieval manor with a dovecote. The stables of the manor are the site of the archaeological museum is hosted, and here I made a mistake. I should have got in, but I wanted to visit the church, and by the time I was done, the museum was closing down. Live and learn. There is also a tiny chapel, and a lot of souvenir and “crystal” shops.

The Church of Saint James dates back to the 1000s, though later centuries saw the addition of many items, such as the aisles and the 15th-century wooden roof. The nave and the chancel are separated by a one-of-a-kind wooden rood / screen with an original 13th century base. There are Saxon windows and a Norman font. It is a fantastic little church.

Gothic church, from the outside. The inside shows a wooden Normand altar, the standard altar, and a carved stone baptismal font

Finally, the time came. At 17:30 we met up on the way to the coach, and then we started off towards the highlight of the day – Stonehenge. Stonehenge was erected between 3000 and 2000 BCE – the primitive human somehow got the sarsen stones into Salisbury plain and planted them so they stood in a circle. They measure up to four metres long, and some of them are arranged in the shape of trilithons – two large vertical stones (posts) support a third one (lintel) which is set horizontally on top of them, with carved studs so the structure fits like a snap. There is a tear-shaped monolith standing a few metres away called “Heel stone”, which marks the entrance.

Some of them are indeed collapsed now and some are covered in lichen – there is a special type of lichen that only grows in three places in the world, and that is one of them. For thousand of years, these stones have remained standing, and the first historical study of them dates from 1666, carried out by an English antiquary, natural philosopher and writer John Aubrey, and has been restored a several times, especially during the 20th century, when they were roped off and a fee charged for entry.

Currently, the stone circle belongs to the Queen of England, and according to the British Ancient Monuments Bill, it cannot be touched or altered in any way that is not to preserve its current status. In 2020, a core taken from the stones during the 1958 restoration was returned. This allowed researchers to analyse the composition and prove that the megaliths are indeed sarsen from the Malborough area.

The rules when you are allowed into the stone are “simple”: do not touch the stones, do not step on the stones, do not hug the stones, do not lick the stones, do not get naked among the stones. Judging by the tone in the guide’s voice, all that has happened before. Apparently, there are a lot of ley-line believers, neopagans and neodruids wanting to “connect” with the earth energy there (there is even a “yoga at sunset group”). In a kind of compromise, they allow you to take off your shoes and socks – which I did not do.

According to archaeologists, Stonehenge was designed in alignment the Winter Solstice sunset. The site was probably a celebration of the end of the worst of the winter before days started getting longer again. Other theories propose that it was originally a burial site that became a place to worship the ancestors.

The great thing about the after-hours tour is that you get to see the sunset around the site. Our timing was 18:45 – 19:45. The guide was nice too, and gave us “permission” to wander around and did not expect to listen to him all the time – don’t tell me twice. I explored and wandered to my heart’s content. We stayed there for about an hour, and it was really cool. I mean, not magical or “I feel the magic of the earth” or anything, but the circle is a fantastic piece of engineering, especially considering it was built five thousand years ago, before writing was even invented. Sometimes, humans are neat.

Stonehenge collage. Two shots of the megaliths standing on dry grass, from the outside; the sun shines between the darkened stones. One shot from the inside of the circle, showing the megaliths circling inwards.

It was over sooner than I would have liked, but about an hour later we were back on the bus after hitting the souvenir shop – where I got a guidebook – and we arrived in London around 22:00. When I got off the bus I just walked to the hotel, had my sandwich. Good thing I had left the window open, too, as it made the temperature slightly more tolerable – I own up though, I slept with the fan on, but… like a rock. Or a stone.

Walking distance: 11.96 km / 18742 steps
Coach distance: 317 km

7th August 2019: Dragons & kappa {Japan, summer 2019}

It is by now a tradition to go Ueno [上野] and the National Museum of Nature and Science, Kokuritsu Kagaku Hakubutsukan [国立科学博物館] to see the summer exhibition this time it was about kyouryuu [恐竜博], “fear dragons” aka dinosaurs – this year the exhibition was called 恐竜博 2019 THE DINOSAUR EXPO 2019. So it was a must-go for me (^o^)/

And then of course I wandered a little around the evolutionary wards of the museum, because of course I did.

I came out and I turned right instead of left, so I walked right into Kaisan-do (Ryo-daishi) [開山堂 (両大師)] (which on google maps appears as Rinnoji. Note to self: explore the area beyond next time over.

Then I crossed above all the railways leading in and out Ueno station.

I continued on until I got to Sogenji [曹源寺] also known as the temple of the kappa, Kappa-dera [かっぱ寺]. There is a legend related to a raincoat maker who was helped by a kappa when he wanted to build a drainage system in the area. There are a lot of kappa in the temple.

They also populate the nearby area, Kappabashihon [かっぱ橋本].

After that, I backtracked back to Ueno and from there I took a train to Ikebukuro [池袋] to do some window shopping. Then I looked at Tokyo Tower [東京タワー] from Roppongi [六本木] before D****e and I had dinner and called it a day.

Walked distance: 13384 steps / 9.57 km

23rd & 24th June 2018: London Express (England, Great Britain)

I took some family members over to London for the weekend, and they asked me to organise something so they could see a lot of things. We took the red-eye flight so we were downtown London something around 8:30. Our first visit had tickets for 10:00, so first spot was a Costa Coffee for breakfast! (≧▽≦)

Afterwards we saw the Tower Bridge over the Thames.

Then, at the right time, we walked into the Tower of London, where we wandered around visiting all the areas, including the White Tower, the dungeons, the Crown Jewels vault and the raven nests.

Once we were done, we took the underground to the British Museum for a quick visit through the most important collections, along with a few of the less known but interesting things – in the end we saw the Babylonian, Grecian, Egyptian collections, and had a glimpse at a few of the Chinese artefacts and the Hoa Hakananai’a from Easter Island.

We had lunch in-between and then went to the hotel to drop our things off. After that, we took off again and, via underground, we reached Trafalgar Square. We walked towards Piccadilly and on the way we stopped at Legoland and M&Ms shop. Then had dinner in an Angus steakhouse in Leicester square, and to end the day, we had a look at the lit Piccadilly Circus.

We got back to the hotel, and honestly, I had not realised how close to the centre we actually were until I looked out of the window.

The next morning we woke up early and headed off to have breakfast on the go – actually the weather was super nice so we got ourselves some Nero coffee and sandwiches and ate them in front of Westminster’s Abby. As it was Sunday we could not visit the Abby, but we saw the scaffolded Big-Ben, and walked around the Houses of Parliament.

We went to visit the Monument to Emmeline Pankhurst because the youngest person in the group needed to be told about a period in history in which she would not have been as free as she is today.

After that, we crossed over the Thames, then moved on to the London Eye. Half of the group wanting to go up, the other half being not fans of heights, we divided and conquered – two of us went to the London Aquarium while the other three enjoyed their VIP ride in the London Eye. I know you are not surprised I picked the side with the sharks instead of going up.

This guy judged us, very hard:

After our riverbank separation, we regrouped and headed off towards the Natural History Museum where we first saw the Butterfly carp that was installed outside it – they were extremely pretty and beyond friendly, because we were landed on quite often.

When we had finished the walk, we stepped into the Natural History Museum itself to wander through the dinosaur area for a bit, and then around the animal collection.

We decided to head out to the restaurant to have a bite to eat, and as we were walking through the marine invertebrate area (the room with all the crabs and so on), there was a nice lady showing items. And that’s how I ended up holding a megalodon tooth and fanbying like there was no tomorrow. Don’t judge me. Or do so, I don’t care ☆⌒(ゝ。∂)

As they walked into the insect / general creepy-crawler gallery, I walked around the gallery that held “less impressive” fossils, including the ones discovered by Anne Manning. We had lunch in the NHM, then moved on.

A short underground ride later, we were at St James’s Park, where we took a bit of a walk towards Buckingham Palace. As the weather was nice, we got to see a lot of the local fauna, even the local swans.

We hung around for a while as we saw Buckingham Palace, then headed off back towards the airport. Although we had a couple-of-hours delay, we made it home without further complication.

9th & 10th June 2018: Wicked London (England, Great Britain)

This will be the last work-trip, at least for a while. I might change my mind later, but for now I’m done with them (although there’s an upcoming family trip rather soon…). Again, we flew in early Saturday morning, and we went to walk around the Tower of London and the Tower Bridge.

Then we went to the British Museum. I left them for a couple of hours there and I went to visit some of the lesser-seen galleries.

We had booked tickets for the musical “Wicked” in the Apollo Victoria Theatre at 14:30, so we headed over there. Wicked is a parallel story to “The Wizard of Oz”, focusing on the story of the Wicked Witch of the West, who becomes a social outcast due to her tendency to speak her mind and the strength of her magic. I had really wanted to watch this for a long time, so I used this chance and convinced the group to get there. I absolutely loved it ♥.

After the show, we dropped our things at the hotel. The group wanted to get some rest, so we stayed there for a while, then got out again. We took the underground towards London central and we were in Trafalgar Square for a while.

Then, we went to Chinatown for dinner.

Later, we walked around Piccadilly Circus, checking out some shops and so. We even stopped for cake.

On Sunday morning we went to Saint James’s Park, where we got to meet the local fauna, especially a very adventurous squirrel.

Then we dropped by Buckingham Palace. Although we did not watch the Guard Change, we did see one of the relief marches.

We walked from there to Westminster, saw the Houses of Parliament and the Big Ben, along the outside of Westminster Abby.

We visited the Monument to Emmeline Pankhurst and stayed for a while in the Victoria Tower Gardens.

As a final visit, we went to the Natural History Museum.

Finally, we headed off to the airport, and the icing of the cake was that we got caught in a controllers’ strike, so we had like a three-hour delay on our flight and it took forever to get home (;¬_¬). All in all, this was a very… strange trip, and without a doubt the highlight was going to see Wicked, which is something I had wanted to do for a long time, and gave me a couple of hours of enjoyment to myself.

20th August 2015: Still life, moving life {Japan, summer 2015}

As predicted, the 20th dawned rainy and not too inviting, so I headed off to Ueno Park to visit one of the many museums there. I heard that the collection of the Kokuritsu Kagaku Hakubutsukan [国立科学博物館], Tokyo’s National Museum of Nature and Science had been renewed and I wanted to have a look. In the end, not much had changed, but I still had a fairly good time, because I am a geek like that. There were about three million primary school classes there, though, and a few high school ones, which was a bit annoying – and loud – but nothing too bad.

Some of the wards mix science with mythology and culture, for example the earthquake science area has an ukiyo-e of the god Suzano keeping Namazu, the giant catfish which causes earthquakes, still. As much as the bio area is cool, I think my favourite part of this museum is the fossils collection – which is scattered in different wards in what I assume has some logic but I am yet to find it. I am particularly taken by the Dunkleosteous glass panel, and of course (insert everyone who knows me going ‘duh’ here) the Megalodon teeth.

But kinda a lot of things are cool. Like dinosaur fossils. Which make you giggle when you’ve recently watched Jurassic World. There is a plesiosaur (which, by the way, is not a dinosaur). What is a dinosaur is, of course, the T-rex (#TeamTRex) – completely irrelevant information: it is a cast of Scotty, the largest T-Rex ever found.

After finishing in Ueno and getting into the wrong station – of course, that must happen at least once when I am in Japan, I headed off to Tokyo Skytree [東京スカイツリー] in Sumida [墨田] just because I could.

I did not want to climb it up, but there was something there that had been on my to-see list, Sumida Suizokukan [すみだ水族館], Sumida Aquarium. Apparently there is a tacit agreement among Japanese aquariums so each one has a super cool thing that only they’ve got. So they are like pokemon, you gotta see them all if you wanna catch all the cool things. In this case I was aiming for the giant isopods. But of course, I never say no to sharks, even with annoying kids screwing up the pictures.

And then there was sushi, and that was goooood.

… Maybe I should have titled this post “fish in every form”?

21st June 2013: Ueno and Ebisu {Japan, summer 2013}

As last year, 2013 visiting started on Ueno Kōen [上野公園], as it is an easy-enough place to reach and has a few museums that offer indoors entertainment. It was raining cats and dogs, which should have made me cranky. Nevertheless I was paroling around with this stupid grin on my face as the general tourists bitched about weather XD

You might remember Hanazono Inari Jinja [花園稲荷神社] from last year:

Unfortunately the Sakurazukamori was nowhere to be found again – although I have to admit that the atmosphere changes quite a bit in the rain. Thus, I headed into the Kokuritsu Kagaku Hakubutsukan [国立科学博物館], Tokyo’s National Museum of Nature and Science, after being thoroughly confused by the Japanese arrow system once again.

The museum has two buildings, and an impressive collection of preserved animals, along with a very cool evolutionary tree, a collection of dinosaur fossils, an exhibition on human evolution and some repeated casts that they hope really hard nobody notices.

The animal life exhibition gave me a glimpse of how biased I can actually be, as I rather felt like “monkey, cat, human… FISHY =D”. Most of my pictures are sea-life related XD

Like ever other Science Museum there was Foucault pendulum hidden in a corner:

And the last exhibition was about methods of science, units, and had an amazing periodic table with samples. Whomever designed the exhibition deserves a lot of kudos.

Later I headed to Ebisu [恵比寿] where D****e and I were meeting with some of her Japanese friends for drink and food. All in good fun. It was raining when I checked out Ebisu Garden Place [恵比寿ガーデンプレイスタワー], so I could sympathise with MatsuJun’s mysery XD”

Flashback to 28th December 2010 – 2nd January 2011: New Year’s in London

  • Hyde Park
  • Piccadilly Circus
  • Sherlock Holmes Museum
  • London Eye
  • Houses of Parliament
  • Big Ben
  • River Thames
  • Tower Bridge
  • Tower of London
  • St Paul’s Cathedral
  • Globe Theatre
  • London Aquarium
  • British Museum
  • London Natural History Museum
  • Buckingham Palace

Note: This is a flashback post, which means it is just a collage regarding a trip I took before I started the blog in 2012. Tags may be incomplete or slightly off.