17th July 2025: Hands on in the lab! {Dinosaur Eggs Loarre & Zaragoza, July 2025}

I got up around 7:30 and got dressed. I finished packing and before breakfast I took my luggage to the car, as I was leaving Loarre in the evening and I had to clear the room. Since I was outside, and the sky was clear, I went to explore the village a little more. There were some fountains and older farmhouses – one of them had been transformed into the rural hotel which never replied to my query. Some buildings had decorated their windows with cute homemade mascots.

Old Loarre Townhall, turned hotel (this is where I stayed)

Walk around Loarre: rhino mural, fountain, old house, wash house

At 8:30 I went back to the Hospedería de Loarre for breakfast. Since there was nobody at reception, I asked the lady at the restaurant what to do with the key when I left the room. I had my coffee(s) and toast, grabbed what I needed for the day, dropped off the key, and headed to the museum-lab for the third day of the course Técnicas de restauración en paleontología a través de la preparación de los huevos de dinosaurio de Loarre: Palaeontological Restoration Techniques through the preparation of Loarre dinosaur eggs. Today was the day when we would work hard at the laboratory.

The Restoration Lab in Loarre

Once again we got divided in three groups. One group opened a cast jacket using a radial saw – no way I was going to try and operate heavy machinery. Opening the jacket is the first step to study what it has been protecting, now that it is safe in the lab. The cast is removed in layers, and the rock is processed so the matrix (everything which is not actual fossil) is removed from around the eggs. Afterwards, there are two jobs. One is going through the discarded matrix / sediment for any and every interesting thing that can be found. The second is cleaning up the fossilised egg or eggs from any extra sediment to reveal their actual shape and colour.

I started with the cleaning crew (again). Under Ester Díaz Berenguer’s guidance, we worked on chemically removing sediment from a fossilised egg using alcohol diluted in water and brushes. It was a slow but very Zen work – wax-on-wax-off kind of thing. The others in my group sounded a bit frustrated with the task, but I guess it’s because they were younger people and more impatient? I know that I did not finish cleaning one shell fragment after an hour, but I was just… aware that fossil prep was a slow process?

Chemical clean up of fossil egg using a brush

My second activity was also cleaning, but this time mechanically, using an air pen to remove as much of the remaining matrix as possible without damaging the general structure. This step would actually happen before chemical clean-up. The air pencil is a pneumatic tool so you really don’t have to press against the rock, to see the sediment peel away. It’s even more Zen than the chemical clean up – unless you’re working on a fragile bit. The important thing is to always clean away from the shells. I worked on that for another hour or so, and I even got to use some gluing materials to make sure a crack did not cause a problem – that was the bit that was more stressful, worrying I might damage the fossil.

Mechanical cleaning of fossils using an air pen

We had a short break which I used to go to the car to organise the car boot – I had thrown all my things there, but a classmate had asked me to drive him to Saragossa, and I had to adjust for his luggage to fit too. Then my group moved onto studying the removed matrix from a jacket, under the direction of Manuel Pérez Pueyo. This consists on checking bags upon bags of broken rock bits to find anything that could be an eggshell. Though the main find of the Santa Marina site are the sauropod eggs, there are eggs belonging to other species – crocodilians and theropods. You weigh some sediment, spread it on a tray and move it around until you’ve taken out anything that can be useful to science. You have a microscope handy in case you need it. I am proud to report that during my three rounds, I did not miss anything key (before you discard your sediments, you call an expert to recheck). I did not find anything out of the ordinary, but I pulled out a couple dozen egg shell fragments.

Sediment being checked for loose egg shells

At the end of the morning, I snooped around what they were doing on the opened cast jacket, and someone was using the air pen on it, trying to locate the eggs. The jackets are opened upside down, so there’s a bit of detective work to find the fossils again. In order to protect the eggs, the casts are made big enough to protect them from any saw, so casts may be huge (and of course heavy). Thus, a lot of cleaning work is required at the lab, which translates in an insane amount of time. The palaeontologists must find an equilibrium amongst protection, weight, and lab-work when deciding on the size of the cast.

Upside down cast jacket that has just been opened. The job is cleaning out all the sediment around the eggs.

For lunch, all of us went to Casa Lobarre, the village restaurant, I think a concession from the town hall, as it is in the same building. The inside is decorated with reproductions of Romanesque frescoes and painted to look like a castle, as it was used as the set in a film some time ago (Kingdom of Heaven, 2005 I think. Don’t quote me on it). They offered a set menu with the choice of a (hearty) starter, a main course, and a dessert, drinks included. It was a big lunch! I ordered stuffed courgette and assorted grilled meats. The food was quite all right, especially for the price, and the desserts were handmade.

Afterwards, we had two lectures. One was given by Manuel Pérez Pueyo, who explained to us the hard science data of the Garum facies, which could be the key to understanding the last dinosaurs surviving in Europe. He also talked about the K-Pg limit and dinosaur extinction. He also made a comparison between the little Santa Marina site with the American Hell Creek formation – as the presentation said… size matters. That’s why there have been so many dinosaurs found there, compared to the more humble sites in Spain.

The final lecturer was José Ignacio Canudo Sanagustín, the director of the University of Saragossa’s Natural Science Museum Museo de Ciencias Naturales de la Universidad de Zaragoza. He explained how a museum works (I was reminded me of the visit to the inner works of the geomineralogical museum in Madrid), and the museum-lab status. The Saragossa Museum, as an institution, is the custodian of the Loarre fossilised eggs, even if they stay in the Laboratorio Paleontológico de Loarre. This is not unique to this village, as there are several similar schemes in place all throughout Aragón, known as “satellite sites” or “remote halls”.

Canudo also talked about counterfeit fossils – a reason why I only buy my fossils during Expominerales or Expogema, I don’t trust random vendors. Then, he moved onto the topic of the Museum itself – how it works, what kind of items they hold, how they came into the museum, and a little pride-flex, that they are home to a whooping 319 holotypes (the specimen that is used to describe a species), mostly from the Aragón region. The museum only exhibits a tiny proportion of the treasures that are deposited there for their protection and research.

Towards the end of the evening, we hopped onto the vans yet again to head to the middle of nowhere for some amazing views of the castle. No, really. We were headed to another “palaeontological site”. It turns out that a few years ago, a farmer was ploughing his land and found a few slabs of rock which he discarded to the side. These slabs held footprints from hornless rhinoceros from maybe 15 – 10 million years ago. The slabs are haphazardly stacked with the footsteps on the underside, which is great for conservation. Also, the way is so unkempt that nobody would get there to damage them for kicks and giggles, which is good too. We had to waddle through thistles and dry plants about hip-height to get there, then climb up the rocks so all of us could get a look. Afterwards, we found a shaded spot to talk – and the professors brought cold drinks (and chocolate) again for the hike. They were crazy prepared.

Loarre castle

Here’s the thing with the rhino footsteps – scientifically, they’re out of place, so they have lost a good part of their intrinsic / purely scientific value. But legally, they must be protected and conserved. So, what to do with them? It would be expensive to move them, and once they were transported, where would they end up? Neither the lab nor the museum were willing to take them on… Each of the coordinators told us about pros and cons of different actions. In the end, what we were brought to realise was the big discrepancy between what must be done (considering the law), what should be done (considering the science) and what can be done (considering the money). The museum-lab has an idea or two about what to do with them, and I wish they succeed. I really hope the rhino footsteps become well-known some day. That way I can boast I knew them before they became famous…

Slabs of rock in the middle of a hill.

Ancient rhinoceros footsteps

Technically, the day was over then, but the coordinators asked for our help with some stuff – getting the jacket we had extracted from Santa Marina into the lab, and moving one of the display cases to change the exhibit inside. We happily complied with both, being the first to see the new display in the museum. Are we special or what?

New exhibit in Loarre, which has exchanged a jacket for two prepared eggs

Afterwards, my classmate and I set off towards Saragossa Zaragoza. We arranged that I would drive him to my hotel and he would get a taxi from there. The drive from Loarre to outer Zaragoza takes about an hour, but once you get into the city itself, all bets are off. Furthermore, Google Maps had given me some strange instructions to enter Saragossa, but fortunately, traffic was light, as I had predicted / hoped. The hardest part getting to the hotel parking lot – I had to go to the hotel first (and find a parking spot for that) to check in, and get the key to the parking lot, then drive there. Of course, the only place I could drop off the car near the hotel was a one-way street in the opposite direction from what I needed, with no convenient turns allowed. In the end, it took 20 minutes to be able to leave the car, but it was really the most convenient option. Zaragoza is really not made for visitors to park in the streets, even if the hotel was far from the centre. It was the closest to the university as I had been able to find so the next day was nice and easy.

It was insanely hot, sticky hot, and I needed some dinner. I found a nearby fast food place and headed back to the hotel room with take-out. I finally had a long shower – this was a bit of a theme during this trip, wasn’t it? The room was small and a bit claustrophobic (honestly, it reminded me a little of a prison cell), and the air-conditioning machine was right above the bed, so it was a bit tricky to find the correct temperature / fan combination. I was tired, but stupidly alert, so it took a while to fall asleep.

Palaeontological Restoration Techniques through the preparation of Loarre dinosaur eggs

5th July 2025: Cheese, archaeology, pancakes (Madrid, Spain)

I am not completely sure how the conversation came up. My sibling said something about cheese tastings. I mentioned something about knowing about a shop in Madrid which organised them. Next thing I knew, I had been tasked with planning an escapade to try. However, closing on dates is not something my family is fast at doing, so by the time my sibling confirmed, the June date we wanted was sold out and I had to book for July.

The final date was Saturday the 5th of July at 13:00. The evening before, there was an explosion and fire in a factory in an area alongside both the speedway and the railway lines, and that forced me to reevaluate transportation – the warehouse worked with lithium batteries, which burn for a very long time. In the end, I decided to try for an early train, with a plan B to drive to a station halfway and meet my sibling there. While you could see the smoke from the wagon, there was no weird smell or anything and the train ran smoothly for once. Maybe we were five minutes late to Madrid? Funny, when I was warned at the station that there were delays. I had planned an extra activity in case we were early.

There was also Pride to take into account, as it was the main Parade, and that causes a cascade of station closures, including Recoletos, the station we had to go to. That would only be an issue to consider when we had to go back though, since they started at 18:00. We could always get the underground and find our way to Atocha.

We started off at the Museum of the National Library Museo de la Biblioteca Nacional. I had seen the museum already, but I had read that there was a temporal exhibit. However, we were unable to find it – it’s been apparently “temporarily closed”. It worked to pass the time out of the heat though. We were done at 12:30 – a bit too early to directly go to the store, but too late to try to see anything else. We decided to walk towards the shop, and we missed it at first, but we soon backtracked and walked into… a literal fridge.

Formaje (an old-fashioned Spanish word for cheese) is a specialised / delicatessen cheese shop. Created in 2020, it aims to “create community around artisan cheese”. They work with farmers, craftspeople, and traditional cheesemakers to distribute environmentally-conscious cheeses from producers who respect the natural processes, the landscape and of course the product. The store is designed to be a warehouse too, so it is… cold. Good thing I was carrying a jacket.

Formaje Castelló: Shop. A cheese shop full of pieces and whole cheeses

We waited in the shop, trying not to obstruct the customers, and gawked at all the types of cheese in display, all of which could be bought, and tasted beforehand! We saw some regulars who had their thermal bags ready for their shopping and debated getting a cheese subscription, and people wandering in out of curiosity. Around 12:55 a lady came to check us in. I was the closest to her, so I was able to take a picture of the whole set up and find a seat closest to the speaker. I have way too many attention issues not to want to be close to someone who is going to do some explaining I care about.

The tasting Cata de Quesos Edición Primavera involved fresh sourdough bread, butter, seven types of cheese, sweet quince paste, red and white wine, and “ice cider”. I am not a fan of alcohol in general, but the ice cider was magnificent. I am not going to gush about how all the cheeses were delicious. Assume I loved them.

Formaje Castelló: Cheese tasting. Long table and a tray full of sourdough bread

To begin with, there was real butter from the farm Airas Moniz in Chantada (Lugo, Spain). Made from the raw milk of Jersey cows grass-fed in the north of Spain, it was fresh, yellow, creamy and salted, and the bread was delicious. The first cheese was Olavidia (from Jaén, Spain), made from goat milk. It had a small layer of smoked wood halfway through. Even if I don’t care much about “the proper order you should eat things in”, I discovered that goat-milk cheese is supposed to be a “soft-tasting” cheese, I have always found it pretty strong. The cheeses were organised from softer to stronger, which apparently is how you should consume them.

The second cheese was a Camembert (protected designation of origin, AOP from its French acronym) from the region of Normandie, France; it was creamy, made from raw cow milk, with a slight moulded rind (with Penicillium camemberti) which protects the inner creaminess.

Then came a Manchego (protected designation of origin, DOP from the Spanish acronym), made with raw sheep milk. It originated in a farm called Finca Valdivieso (Alcázar de San Juan, Ciudad Real). In my opinion this one was the weakest cheese, as I am a fan of older Manchego and this was less than a year old, though still nice.

Number four was a cheese I had not heard about before, Tronchón (from cheesemaker Los Corrales, Almedíjar, Castellón). Tronchón is generally made from raw sheep milk, though sometimes it might be made with goat milk or a mix of both. The one we tried was made from goat milk. The rind is dark and unappealing on sight, but it was nice enough. Despite my ignorance, this cheese is old enough that it was mentioned in Cervantes’ Don Quijote.

Another discovery was the German Blossom Hornkäse. Hornkäse comes from the Bavarian region of Allgäu. The cows that provide the milk are fed with local grass and they don’t have their horns cut (Did you know that a cow’s horns are connected to her throat and they are part of the digestion process?). The cheese is made in wood recipients using only wooden tools. This version comes with a crust of dry flowers which makes it… just amazing.

Sierra Sur was… the icky one. It smelled like literal stable – and not a clean one. It is made with raw goat milk and you have to fight yourself a little bit to take a bite of the rind. It is a seasonal cheese, which I wouldn’t be able to say whether it has gone bad… It did look like it had gone bad… But it was nice enough, if you could ignore the smell. Not something I would buy on my own though.

The last cheese, Savel, came from Chantada – like the butter at the beginning. It is made from raw cow milk, from Jersey cows, injected with Penicillium roqueforti. This was extremely strong, but really good, especially with the bread, and the ice cider called Bizi-Goxo. Though this one brand comes from the north of Spain and is made from Errezile apples, ice cider originally comes from Canada. To produce this particular spirit, the apple is kept through the winter on straw mats, and it does not rot. The resulting drink is stronger and sweeter than a regular cider.

Formaje Castelló: Cheese tasting. Seven small pieces of cheese perfectly aligned on a tray

We spent some time chatting with the lady who had given the explanations, then went on our way. We walked to the archaeological museum Museo Arqueológico Nacional, where they were running two temporal exhibitions. One was a personal-turned-public collection of Egyptian Artifacts called El Egipto de Eduard Toda. Un viaje al coleccionismo del siglo XIX (Eduard Toda’s Egypt: A trip to collecting in the 19th century). Eduard Toda i Güell (1855 – 1941) was the Spanish Vice-Consul in Egypt for a couple of years, during which he amassed a rather impressive collection of artefacts, which he eventually donated to public institutions. The bulk of what he owned is now held in the archaeological museum as part of both the permanent collection and the archives. He had antiques, carbon copies of reliefs, photographies and a hefty number of fakes – apparently, knowing they were so.

Treasures from an Egyptian tomb

The second temporal exhibition we wanted to see was Alas para la guerra. Aratis y la Celtiberia: Wings for war, Aratis (a town, now an archaeological site) and Celtiberia. This one focuses on the Celtiberian culture and how it warred, using soldier helmets as a storyline. These particular helmets have a convoluted history – it turns out that between the early 1980s and 2013, someone used metal detectors to find artefacts from the ancient town and sell them out. This “gang” found and illegally auctioned up to 6,000 artefacts, including twenty helmets which had been forged between the 5th and 2nd century BCE. The archaeological site of Aratis, now called Aranda del Moncayo, would have been probably the most important Celtiberian site after Numancia if these guys had not systematically destroyed it.

The Aratis helmets are the most complete items of their kind that have ever been found. They were not really used for war, but were part of funerary treasures. Truth be told, Germany sounded the alert at some point around 2008 about the legality of the auctions, but the Spanish government did not stop them. Seven of the helmets were returned to Spain in 2018 thanks to the European buyers who learnt that they had been illegally exported, and 11 more have been located. The seven helmets are deposited now in the Museum of Saragossa, but that one is currently closed due to construction work (scattering some of its collections to be shown elsewhere), so they have been lent to the Archaeological Museum.

Celtiberian helmets with decorations on the sides

The exhibition also holds other weapons, parts of armours, and Celtiberian artefacts such as coins and brooches. I had seen some of the messed up spears in the museum in Tiermes, which makes sense, considering it also held Celtiberian items.

Afterwards, I finally (finally!) managed to find the reproduction of the Altamira Caves Neocueva de Altamira open! It just had not worked any other time I had been in the museum for the last ten years, and I had seen it once when I was really young, and something similar in the museum on site a lifetime ago. It was smaller than the one I remember from both times… And it makes me sad that I will never be able to see the real thing, because there’s a waiting list you can’t even get into any more, and only 50 people per year see the actual cave…

Reproduction of the Altamira Cave, with bisons, horses and bulls painted on the ceiling.

My sibling was not ready to go home just yet, so I thought they might like a stop at Kawaii Café before we turned in. We could take the underground and in under a change and 30 minutes – since I had been there just a couple of days before, I remembered the underground station. I was not sure whether there would be a queue to enter or not, but we were lucky. We alighted at Tirso de Molina and went into the café without problem – it was half empty at the time, around 16:30. They really wanted to order something cute – which is not hard. In the end, they chose teddy-bear-shaped pancakes with chocolate spread Ositos rellenos de Nutella, with chocolate syrup, whipped cream and banana slices. This time I went for a matcha frappé.

Two drinks with cute rabbits drawn on top, and pancakes decorated to look like teddy bears

Afterwards, we walked down to Atocha Station down one of the shopping streets. We made a few stops, and reached the station just before the Pride Parade blocked the streets. There, we settled to wait for a train. On the way back, the factory that had had the accident was still smoking, but the dark cloud seemed weaker. However, I never thought I would have to consider “lithium explosion” in my adventure planning, to be honest…

2nd July 2025: Sabina’s Hello & Goodbye (Madrid, Spain)

Lots of things came together on the 2nd of July. First of all, due to weird work schedules that I had no control over, I had a day off in the middle of the week. Second, I had a doctor appointment in the morning – lucky how I could fit it there. Third, Jurassic World: Rebirth, the new film in the Jurassic Park franchise came out. Finally, back in January, I had bought tickets to watch a concert in the goodbye tour by the singer who composed the soundtrack of my teenage-angst years.

So it was just a stroke a luck that work just happened to give me the day off because of unrelated reasons. It would have been luckier to have the following day off too but what can one do? Actually, I propose an unpaid leave called “I had a concert yesterday and it’s not that I’m tired or sore or anything, but I don’t want to go back to reality just yet, I deserve to bask in post concert ‘the world is okay’ bliss.” Think about it, it’s a great idea.

Since I had the doctor’s appointment, I could not plan a whole day out. Once I was done there, I changed clothes and then drove off to the train. Of course, there were delays, what else is new? Halfway, one of the doors got stuck open and we could not start until that got closed manually. But instead of blocking it, they allowed it to keep opening at subsequent stations – so it got stuck again and again.

I reached Atocha just in time to change trains and get to Sol using the same system without a wait, so in a few minutes later I was out in the heat. The original idea had been a light lunch at Yatai Market, but the air conditioning in Kawaii Café was stronger. I had been to another of their shops before, and the food was all right, so I thought why not? I ordered a strawberry frappé and a “sleepyhead bunny” Conejito Dormilón – a Red Velvet crêpe filled with strawberry compote and decorated with cheese cream and blueberries, along with a vanilla-jello bunny mascot. Adorable and delicious. Quite pink, too, due to all the strawberry…

A collage of pink café and a meal - a strawberry frappe with a cute koala face drawn on it. and a crepe which looks like a bedding with a sleeping rabbit on top

When I finished, I headed towards the nearby Yelmo Cines Ideal to watch Jurassic World: Rebirth, a monster movie with a homage to the Jurassic Park book. I guess the film is better if Scarlett Johansson is your type. The film retcons the whole “Jurassic World” premise: now the dinosaurs are dying (and nobody cares about them any more!) and only surviving on an island near the Equator. It turns out that they somehow hold the key to cure heart disease. And then the palaeontologist says that they need to collect samples from the three biggest dinosaurs: Patagotitan (okay, it’s famous now), Mosasaur and Quetzalcoatlus, both of which have already been featured in previous films and are not dinosaurs. Then there are mutated freaks and a Tyrannosaurus with the head of a xenomorph and some extra arms, because the dinosaurs can’t survive, but the “mutated experiments gone wrong” are alive and well? The best from the film was a scene taken from the book, with a Tyrannosaurus and a raft. Unfortunately, this new Tyrannosaurus was not Rexy. Furthermore, the special effects are… not good. Too much bad CGI makes the creatures less believable than those in the 90s instalments, which is… a huge faux pas.

I am glad I saw it on opening day, though – I was able to avoid most spoilers and went in with an open mind. It was not a good film but I didn’t hate it. I will just probably ignore it exists (until the next film comes out, we all know that). Points for the pro-planet message, but it falls a bit flat when you know that Michael Crichton, the original author, was pretty much anti-science…

The film was around 133 minutes long, but oh god, the previews were long. Thus, I left the cinema around 19:30. I had to take the underground, and I knew that some stops would be closed due to Pride. However, last year I had learnt that you’re still allowed to transfer even if you cannot enter or exit the station. I used that knowledge to get myself to Movistar Arena Madrid for Joaquín Sabina’s final tour Hola y Adiós (Hello and Goodbye). I am happy I bought the tickets when I first saw them, because most concerts have sold out, and I got quite a good seat considering the event and the venue.

Joaquín Sabina is a Spanish singer and songwriter born in 1949 in Jaén, in the south of Spain. When he finished his studies, his father offered him a present, and he asked for a guitar. Due to his leftist ideas he had to exile himself in London for a few years during Franco’s dictatorship. When he came back, he lived a life of debauchery, mostly in Madrid, and he probably was not the best role model. But between 1994 and 2000, when I was an angtsy teen, his music was important to me, though I eventually moved away from it. When I heard he was retiring (again) early in the year, I thought I wanted to see him at least once, despite the fact I have not consistently listened to his music much in a couple of decades – there are a few hits in my car playlist. And then there is ¿Quién me ha robado el mes de abril?, Who stole the month of April from me?, which hit me very hard during Covid lockdown and I’ve skipped since then, but never had the heart to delete from the playlists.

Security let me in with my tiny water bottle, thankfully, and I found my seat about 45 minutes before the show was due to start, and 15 minutes after doors – it was weird, I had expected a larger crowd, and I had been a bit stressed leaving the cinema 20 minutes later than what I had calculated. I was on the side stalls, on a ninety-nine-euro spot. There is a whole etiquette about concerts with seats, and while I am quite happy to stand up when it is appropriate, and in this case, I decided I would stand up when people in front of me stood up. Pretty easy.

Sabina Hola y Adiós Madrid: empty stage

Setlist:
 Un último vals (One last waltz; recording and MV)
  1. Yo me bajo en Atocha (I’ll alight in Atocha)
  2. Lágrimas de mármol (Marble tears)
  3. Lo niego todo (I deny everything)
  4. Mentiras piadosas (White lies)
  5. Ahora que… (Now that…)
  6. Calle Melancolía (Melancholy Street)
  7. 19 días y 500 noches (19 days and 500 nights)
  8. ¿Quién me ha robado el mes de abril? (Who stole the month of April from me?)
  9. Más de cien mentiras (Over a hundred lies; band intros)
  10. Camas vacías (Empty Beds; vocals: Mara Barros)
  11. Pacto entre caballeros (Pact amongst gentlemen; vocals: Jaime Asúa)
  12. Donde habita el olvido (Where oblivion dwells)
  13. Peces de ciudad (City fish)
  14. Una canción para la Magdalena (A song for Magdalene)
  15. Por el bulevar de los sueños rotos (Through the Broken Dreams Boulevard)
  16. Y sin embargo te quiero (And yet I love you; folk copla song; vocals: Mara Barros) + Y sin embargo (And yet)
  17. Noches de boda (Wedding nights) + Y nos dieron las diez (And the clock struck ten on us)
 Encore:
  18. La canción más hermosa del mundo (The most beautiful song in the world; vocals: Antonio García de Diego)
  19. Tan joven y tan viejo (So young and so old)
  20. Contigo (With you)
  21. Princesa (Princess)
 La canción de los buenos borrachos (The good drunkards’ song; recording)

Well, what can I say? Sabina has got old since I was a teenager. His voice has cracked – after all, he is a smoker – and he has swollen up. But his concert made me feel 30 years younger, and I enjoyed it immensely. I’ll freely admit that I bought the ticket back in January purely out of FOMO. However, I am happy I did. I did not get any of my personal favourites, and I am okay with that. Most of what he sang was part of those times.

Sabina Hola y Adiós Madrid: musican ensemble

The concert started with Yo me bajo en Atocha (I’ll alight in Atocha), a description and homage to the city of Madrid, which the singer holds particularly dear – despite the fact that he has a bad record with concerts in the city – he once had a panic attack and another time he literally fell of the stage and ended up in hospital. He started sobbing right at the end of the song. Figures.

The venue, of course, cheered and applauded, and stood up to bounce to Lágrimas de mármol (Marble tears), which has too dark lyrics for how… perky the music is, but I guess the message of “survivor, yes, damn it” is what matters. It was during Calle Melancolía (Melancholy Street) when the old guard took over, so Sabina turned the microphone towards the attendees, which did not only sing chorus but brought down the dome with their voices. He was visibly moved.

Good thing that next came 19 días y 500 noches (19 days and 500 nights) a getting-over-a-break-up song during which people can yell, and broke the spell. That made me strong enough for ¿Quién me ha robado el mes de abril? (Who stole the month of April from me?), the first time I’ve actually listened to the song since 2020 – “who stole the month of April from me? I kept it in the drawer where I keep my heart” did not sound so threatening surrounded by hundreds of other people.

Sabina Hola y Adiós Madrid: playing guitar

During Más de cien mentiras (Over a hundred lies), which is a list of all the good things in life and “over a hundred lies that are worth it”, we got the band introductions. Sabina sang himself, and played the guitar for some songs – he stayed sitting down on a tall stool. Safer for him. Antonio García de Diego played guitar, bass, and harmonica; Jaime Asúa Abasolo and Borja Montenegro also played guitar; Josemi Sagaste played sax and non-drums percussions; Pedro Barceló played drums; Laura Gómez Palma played the bass; and Mara Barros did the choruses and had some solo vocals.

Sabina retired to rest for two songs, alleging that it had always been a dream of his to have a song of his sung by a beautiful woman – Camas vacías (Empty Beds), performed by Mara Barros – and by an actual “rocker man” – Pacto entre caballeros (Pact amongst gentlemen) with Jaime Asúa on vocals. Soon after Sabina’s return came a song which holds one of the song lines that has impacted me the most in my whole life: Noches de boda (Wedding nights) hopes that “the end of the world finds you dancing”. I really hope it does.

I guess part of the fun of a concert is that you feel special. Of course that the singer has a speech for every city, and holds each one close to their hearts, or are the best or whatever. But this one did hit differently. I guess my inner child enjoyed it immensely, and even if neither of the songs of the encore did much for me in terms of nostalgia, I was incredibly grateful and happy that I had been able to attend. If it is the last tour indeed, I will have said my hello and goodbye, even if it has been 30 years after the time Joaquín Sabina’s was the only music that played in my room.

Sabina Hola y Adiós Madrid: waving goodbye to the public

Also, another extremely convenient thing: though I went by train, I had a ride home, as my parents were in town and driving back around the same time. Which was great, considering that a storm was brewing, and that there were many underground and train stations still closed due to Pride…

24th May 2025: Megalithic (self-guided) Tour {Malta, May 2025}

The group of drunk people was back again, at 5:00 once more. Joy. However, this time I could not get an early start because I had booked a Megalithic Tour with a company called Visit Malta, as at first it had felt more convenient than navigating the buses. They confirmed and sent me a ticket saying that pick up was at my hotel, and a Google Maps link that did not work. Thus, I assumed that they would pick me up at the hotel. I tried to contact them via email previously, but I had no reply, so I told myself not to be paranoid, and trust them.

Twenty minutes after the pick up time, I called them. They yelled at me that I was in the wrong place. I informed them that my ticket read “pick up at the hotel”. They told me there was nothing they could do for me. So I was upset for about 3 minutes – that was 50 € down the drain. However, it was only 9:30 in the morning, so I had time to take matters in my own hands and go see the temples on my own. And I could even squeeze an extra one! I felt… I don’t know… gleefully spiteful. I was going to see the temples out of revenge! I know it sounds strange, but it took me back to what happened in Cappadoccia, when there was nothing I could do to fix the issue. This time around, I had lost some money, but I would not miss on the experience.

Of course, this would have been much more efficient if I had organised the visits originally on my own, since the Ħaġar Qim and Mnajdra Archaeological Park | Il-Park Arkeoloġiku Ta’ Ħaġar Qim u L-Imnajdra is in Qrendi | Il-Qrendi, quite close to the Blue Grotto. Conversely, that also made it easy for me to get there, since I knew the bus route already. But I decided not to dwell on the inconvenience and just “save back” the lost 50 € back not buying whims or mementos.

The Megalithic Temples of Malta are a World Heritage site, and it still blows my mind that they are older than either Stonehenge or the Giza Pyramids. The Ħaġar Qim and Mnajdra Archaeological Park | Il-Park Arkeoloġiku Ta’ Ħaġar Qim u L-Imnajdra might be the most well-known complex, or at least it was the one with most tourists.

The temples Ħaġar Qim and Mnajdra are located very close to one another, and they share an entrance with a small museum, thus forming one archaeological park. Both were first officially described by officer J.G. Vance of the Royal Engineers (British Army) in the 1840s. Unlike Ħal Tarxien on Thursday evening, these two were packed with visitors – more than a few of them happily touching the stones out of curiosity or for support as they walked. I got there in bus 201 and reached the entrance just before a big tour bus entered. The guide lady tried to go past me, but my face must have told her that I was not in the mood to be messed up with, and my turn was respected. The museum mostly had information about the environment, and pieces of pottery that had been recovered from the sites – similar to what the Archaeological Museum in Valletta.

Ħaġar Qim was erected using the ever-present globigerina limestone, a soft sedimentary rock, golden in colour, formed around 23 – 14 million years ago. As this and other temples have weathered out, they have taken a more reddish or brown colour. To protect the remains from deterioration, many have been covered with protective tents.

The temple has several inner chambers within a retaining wall that can be crossed through a trilithon. The whole site has a keyhole shape, and it has been associated with fertility rituals. The main temple was built between 3600 and 3200 BCE, with remains of older ruins. As construction went on, the shape became distorted. It holds the largest stone in any of the Maltese temples, and an altar probably for animal sacrifices. It was hard to get into the magnificence of the temples with so many people swarming them after the Ħal Tarxien experience. However, the structure is quite impressive in itself.

Hagar Quim Neolithic temple: a roundish construction surrounded by a wall made out of limestone. Inside there are chambers and open holes working as doors, along a thriliton as main gate.

Mnajdra | L-Imnajdra is made from coralline limestone, a harder kind of stone, so as a construction material, it can be used in smaller blocks. Mnajdra might be the most representative temple in the archipelago, as its altar is depicted in Malta’s 1, 2 and 5-cent coins – though it is not the one which kickstarted the Unesco protection. Mnajdra consists on three temples arranged in a clover-leaf disposition. The structures are joined but not connected. They were erected between 3600 and 2500 BCE – so they could be over 5,600 years old. Even with the sheer amount of people around, there was something special about the complex. The temple plays light tricks on the equinoxes and solstices, and the decoration of one of the stones could be interpreted as a lunar calendar (with a lot of imagination, if you ask me). Probably, out of all the temples I visited, this one was the one I found more impressive – even if the first one I saw will forever remain my emotional-favourite.

Mnajdra Neolithic temple: a reddish limestonestructure with trilitons and low walls made out of brick-like structures

I was done before schedule, so I went back towards the bus stop. I returned to the airport and then took another bus (119) to Birżebbuġa. There I could see the Għar Dalam Cave and its museum. The Cave is home to some of the oldest evidence of human presence in Malta, around 7,400 years ago (the oldest comes from Mellieħa Cave, dated as 8,500 years old). Għar Dalam Cave is about 144 metres in length, and it also contains remains of animals that have been long extinct in the island, found in distinct layers of sediment at the bottom of the cave.

There is a base layer of clay, older than 167,000 years. Over that lies the “Hippopotamus layer”, showing remains of two extinct species of hippopotamus, deer, dwarf elephants… One of the hippos, Hippopotamus melitensis, was a “dwarf” hippo (only 900 kg) endemic to the island. The remains are very mineralised (almost fossils) and worn down. This is also called the “Breccia layer”. Breccia is a rock composed large angular fragments of minerals cemented by a fine-grained matrix, only in this case the fragments are ancient hippo bone.

Covering the “Hippopotamus Layer”, there is a band of pebbles, without any remains. Over that one lies the “Carnivora Layer”, with remains of several of the previous animals along with foxes, wolves, bears, and smaller creatures such as voles, shrews, bats, turtles… These range from around 167,3000 to 151,200 years ago, and are less mineralised and worn down, just like the following band: the “Deer Layer”. Here there are remains of three different species of deer, some bovines, equines, and small animals. The two upper layers, starting 7,200 years ago, hold remains of small wild animals, domestic animals – sheep, goats, pigs, cows and cats – pottery and other human artefacts, and human remains.

Għar Dalam was first investigated in 1865 by palaeontologist Arturo Issel. Subsequent researchers expanded the excavation and knowledge, identified an all-new species of dwarf hippopotamus, and systematised the museum adjacent to the Cave. Said museum, called the George Zammit Maempel Hall presents hundreds (thousands, maybe) of the remains dug up from the cave. However, the most important ones, amongst them the skull of a Neolithic child, were stolen in 1980. The Cave itself is creepy and damp, and the excavation shows the different layers for the spectator to see. One wonders what lies beneath the end of the visitable area… I would believe the cave be haunted much easily than the Grand Master’s Palace.

Ghar Dalam museum: samples of rock with bones, and cleaned bones and hundreds of small bones in display cabinets.

Ghar Dalam cave - deep cave with excavated ground where you can guess the layers of bones and remains.

Across the valley from the Cave, you can see the remains of a ruined Roman villa Ta’ Kaċċatura, but it cannot be reached, and it’s hard to distinguish rocks from the actual ruins.

By now, I had seen all the temples included in the original tour, so I had a bit of a victory moment. And yet, I had more to do. I loaded up on sun lotion, then headed towards the nearby Borġ In-Nadur, barely ten minutes away on foot – plus some extra to cross the street so you are on something similar to a pavement to walk on. Borġ In-Nadur is another small megalithic structure, with a cemetery, and the remains of a Bronze Age village, with remains ranging from the years 3000 to 700 BCE. Entrance to the Megalithic site was included with the visit of Għar Dalam. The temple was first excavated in the 1920s by archaeologist Margaret Murray. It is the most dilapidated site I visited, but I was again alone – except for a couple of chickens from an adjacent farm. You are allowed to go into the niche or stone circle, and unlike the other temples, it is not covered (yet?).

Borg in Nadur, a roundish collection of megaliths vaguely disposed in a circle

 
Near the temple, at the limestone beach of St George’s Bay | Il-Bajja ta’ San Ġorġ, I found silos and cart ruts, also thought to date from the Bronze Age, and Roman Baths directly carved into the limestone. They are not really Roman baths, as in dating from Ancient Rome, these are artificial pools were excavated into the rock during Victorian times. And yet modern people think they’ve invented something

Different constructions near the sea shore: cart ruts, round silos and square artificial pools

Not far from there, I found the bathing beaches, the commercial harbour and the salt pans, a traditional way to produce salt letting sea water evaporate from shallow pools in order to harvest the salt crystals. They did not seem in use though as they were either full of litter or used as sunbathing spots.

Rows of rectangular salt pans - shallow tidal pools - near the ocean

I still had some time and energy, and decided to invest them on getting to Birgu. This Medieval city is located across the Grand Harbour from Valletta, and it was the first place where the Knights Hospitaller settled. It has a bunch of historical palaces and museums. I would not get there before closing times, but at least I could see the town layout and some buildings from the outside. These included the Gate of Provence, the Inquisitor Palace, the Birgu Waterfront and Maritime Museum, and finally Fort Saint Angelo, a key fortress during the Siege of Malta. Today, use of the fort has been granted to the modern version of the Knights. There was a sign reading “Jurassic World: Dominion” was filmed here, but I did not recognise the backdrop.

Walled entrance to Birgu

Ruins of the Birgu Waterfront overlooking the ocean and Valletta

I found a convenient bus to head back to Saint Julian’s | San Ġiljan. I freshened up and headed for dinner. At first, I tried to get a table at a restaurant right at the entrance of the hotel. Since they decided to ignore me and give the table to someone else, I moved along. I found Salt & Pepper, a nice grill with an ocean view and an outdoor sitting area. There, I was able to try Stuffat tal-Fenek (fried rabbit in garlic), a typical Maltese recipe (considered the national dish, actually) – pan fried rabbit, simmered in wine, tomato paste, garlic, peas and olive oil, served with roasted potatoes. I wanted to try it, but at the same time I was a bit reluctant, as I am not a big fan of neither garlic nor wine. In the end, I have to say I enjoyed it more than I thought (as long as I kept my mind away from it being actually… rabbit).

Rabbit cooked in tomato sauce with peas and herbs, and wedged potatoes on the side.

Afterwards, I walked around Spinola Bay for some nice views before I turned in for a shower and some sleep… only to be woken up at 5:00. Again. But hey, this time it was a group of girls.

22nd May 2025: Blue Grotto, Tarxien & Saint Julian’s / Sliema {Malta, May 2025}

My flight departed at 9:55 from Madrid-Barajas, which is actually a very bad time for a flight, as you have to drive to the airport through the daily rush-hour traffic jam. However, for a change, I was given a lift there instead of driving myself – my car failed a few days before and I was not feeling too trusting. The inbound plane was delayed, and we ended up landing at Malta International Airport around an hour late.

It turns out that Malta has done a smart thing – the airport is also a coach hub, and there was a bus which went directly where I wanted to go first 20 minutes afterwards – that was lucky because the bus only comes every hour. It did not take long to reach the Blue Grotto | Taħt il-Ħnejja in the village of Qrendi | Il-Qrendi.

I got off in an aptly-named bus stopped called Grotto, next to which stands Xutu Tower | Torri Xutu. The history of Malta cannot really be understood without mentioning the Order of Knights of the Hospital of Saint John of Jerusalem, the Knights Hospitaller, today also known as the Sovereign Order of Malta. This Catholic military order was founded during the Crusades in the 12th century and the knights were established in Malta between 1530 and 1798, acquiring the name. They fortified the island and created the city and defences of Valletta, so-named after Grand Master La Valette. The knights built hospitals – along with medicine schools – and turned Valletta into a centre of art and culture with a university, a school of navigation, and a school of mathematics. Through the centuries, the order transitioned from a warring and defensive army to an organisation centred in humanitarian, medial and social assistance.

Xutu Tower | Torri Xutu was one of the towers built during the operation to fortify the coastline of Malta, probably around 1650. It is a two-story tower with a square ground plan and vaulted ceilings inside, setting the example of the towers that would be built afterwards. As many buildings in the island, the tower was erected using limestone, and restored in 2014 using the same type of material. It also yields to impressive sights – even without climbing it – of the ocean and the islet of Filfla, uninhabited and turned a bird sanctuary.

Qrendi cliffs, made if whiteish - grey rock, over a calm dark-blue ocean

I bought a ten-euro ticket to sail to the Blue Grotto | Taħt il-Ħnejja from the Blue Grotto Boat Service. This is just a way to amalgamate all the captains and boats who do trips to the caves, I think, and not a bad one. It is a quick trip that does not even take half an hour and charters you to snoop the different caves, created by the erosion of sea water and waves against the cliffs. Each has its name: Blue Window Cave, Circle Cave, Calscave, Honeymoon Cave, Cat’s Cave, Reflection Cave and the main archway which gives the name to the whole area, the Blue Grotto. The water is very clear and since the sun was out, there were extremely beautiful reflections. I stuck my hand in the ocean a few times when I was not taking pictures.

Blue Grotto: Sea level caves with bright blue water

Afterwards, I decided to stop for food. I was not really hungry, but I wanted to tackle the walk to the viewpoint, which was 15 minutes. I thought it would be more efficient to have a late lunch first. There were a couple of restaurants and I chose Step in Malta. It had a terrace, was less than half full, and most importantly: offered calamari fritti. When I researched Maltese food, I read about this dish – fried squid with garlic and parsley mayonnaise , and I really wanted to try them.. I think I broke the poor waiter’s brain when I told him I did not need the menu and ordered directly. They were delicious.

Calamari fritti: a plate of breaded and fried squid

I then did the short walk to the Blue Grotto Viewpoint – and though I won’t be mentioning it much, just assume I just used a lot of sun lotion all the time. It did not take as long as I expected, even if the shortcut was closed down. It yield to pretty views, but not as impressive as expected.

Blue Grotto viewpoint, showing the cliffs from above

I was about to go back towards the original spot to wait for the 201 bus again, when a Valletta-bound bus stopped by. I hopped onto that one to use the Wi-Fi and replan the rest of my evening. An idea had been to head towards Valletta indeed, but instead I decided to try my luck to reach my first Megalithic temple in Tarxien | Ħal Tarxien. The Blue Grotto is actually quite near another archaeological complex, but that one was covered by the tour I had booked on Saturday.

The trip to Tarxien turned out to be a great idea. When I arrived, I was surprised by the sheer amount of Christian images that were in the streets. That weekend the Catholics celebrated the Feast of the Annunciation. Malta is officially a Catholic country with over 80% of the population adhering to the religion, so while it was slightly surprising to see so much decoration, it is not shocking. I wanted to get to the Ħal Tarxien Prehistoric Complex | Il-kumpless Preistoriku ta’ Ħal Tarxien because it had a closing time.

A street crossing in Tarxien, with a movable Catholic altar brought out. The houses on the corners have flags with religious motives, and the altar is guarded by angels carved in wood

The Megalithic Temples of Malta are considered amongst the oldest free-standing structures in the world. They were erected between 4100 and 2500 BCE (making them older than Stonehenge, whose rocks were placed between 2600 and 2400 BCE), though the remaining structures probably date from the 3600 – 2200 BCE. In 1980, the UNESCO created the Heritage protection for one of the temples, and in 1992, the Site expanded to six temples / structures in total.

The Ħal Tarxien Prehistoric Complex | Il-kumpless Preistoriku ta’ Ħal Tarxien has been dated between 3000 – 2500 BCE, and it is considered the greatest example of the Temple Period (4100 – 2500 BCE). It was first excavated by Maltese archaeologist Themistocles Zammit around 1913 following complaints of a local farmer that he kept hitting stone while ploughing. The main excavation and restoration took place between 1915 and 1920, and some of the most delicate structures were moved to the Malta Museum of Archaeology to protect them from weathering. The site is covered by a protective tent that makes it look a bit alien, and being alone made it even more magical.

The temple is built in limestone, showcasing three constructions which are independent but attached to one another. The rooms are round, and there is evidence that they had a roofing. There are several chambers, and in some of them there are spiral decorations and domestic animals carved into the rock. There is even a small hearth where fire could be lit. I spent about an hour there, nearing closing time, which meant I was almost alone. I was extremely happy to be there.

Hal Tarxien temples - ruins of Neolithic temples with round rooms and trilithon entrances, from outside

Hal Tarxien temples - ruins of Neolithic temples with round rooms and trilithon entrances, from inside, showing spiral decorations and areas that have been restored, such as a hearth

Relief of a bull on a limestone wall

I could not visit the related Hypogeum of Ħal-Saflieni because tickets are released – and sold – months in advance, and this whole trip was planned in a couple of weeks. But I could explore around.

Due to the festivities, some of the bus stops were out of order, so I followed the bust route until I found one that was in use. At some point there I crossed my first “invisible frontier” between the village of Tarxien and Paola. Still in Tarxien, I stopped to look at the Catholic sculptures, and in Paola, I came across the Minor Basilica of Christ the King | Il-Bażilika ta’ Kristu Re. The church was erected at the beginning of the 20th century and, compared to the buildings around it, it feels huge – over 80 metres long, 40 metres wide and 60 metres high. It was full, which I found strange for a weekday at 18:00, but then I thought it might be part of the Feast of the Annunciation programme.

Minor Basilica of Christ the King: a Neoclassical basilica with two towers on the outside, and a sober interior design

I took a bus again and after a few changes I reached my hotel in the town of Saint Julian’s | San Ġiljan. Though I was driven through a few towns, it felt like a huge stride of buildings one after the other, with no real break. It was weird, that the whole area is just one big urban sprawl. I found changing buses easier than I expected, even not knowing the layout of the area. I got to my stop, Ballutta and checked into my hotel.

Aaand at that point I realised that there was a consequence of “British colonisation” that had not even crossed my mind – Malta has Type G plugs. So on my supermarket run I had to add an adaptor (despite having a few at home) to my bottled water and sandwich shopping list. I dropped the groceries at the room and then I went off to explore the coastline. That way, I inadvertently crossed to Sliema. I walked along Ballutta Bay and Exiles Bay, two of the three lobes that make up the larger St Julian’s Bay. I was a bit surprised when all the beaches were made of rock and limestone, which made them great to walk on. I had a lovely walk – except at one point, when I slipped and realised that my totally-sensible-for-airport shoes were not the best choice for limestone beaches. Eventually, I went back to the hotel to eat my supermarket-bought dinner.

Balluta Bay at dusk. The ocean is calm, and the buildings at the other side of the water have started turning on their lights

13th May 2025: Three free niche exhibitions (Madrid, Spain)

I planned a little escapade to Madrid. There was nothing really special going on, it was just going to be a sunny day with no rain forecast and I could go to a museum and have lunch. When I say nothing special was going on, I mean there were a couple of exhibits I wanted to see, but it would have been just as easy to visit them the previous or following day. I just timed it for the best weather forecast of the week.

I had a small work-related thing early in the morning so I ended up leaving the house half an hour later than I would have liked. The trains were around 10 minutes late and the underground was packed, but none of that is news. I reached my first stop, the Museum for the Blind Museo Tiflológico de la ONCE, around 11:30. This museum hosts models or miniatures of famous monuments in Spain and around the world, designed to be seen with one’s hands. That way, people with low or no vision can get an idea of how they are. It is part of the ONCE inclusion program for the blind, and I think it is a brilliant idea.

ONCE stands for Spanish National Organisation of the Blind in the local language, Organización Nacional de Ciegos Españoles. Its history and works are a bit convoluted, but keeping it short, the Organisation was established in 1938 with the goal of providing equal opportunities for the blind and people with visual impairments. One of its main income sources is the lottery known as El Cupón de la ONCE.

While the museum itself is free to enter and very relaxed, when you arrive at the building you have to fill out a questionnaire, for statistical purposes, I guess. I did find it a bit off putting that I was outright asked why I wanted to see the exhibition. Because I’m curious, all right?

The museum has three distinct sections – one with the reproductions of the monuments, one with works by low vision, blind, or artists with other disabilities, and a historical area. In turn, the monuments are divided in national (Spanish) and international landmarks. The models are faithful to their smallest detail, and just like the Eiffel Tower is made out of metal, the Taj Mahal is made out of marble! Some of the monuments were reproduced in different scales, such as the Alhambra in Granada or the Aqueduct in Segovia. This should give an idea of both scale and detail. However, I don’t think I would ever be able to imagine something like that without being able to see it.

There were lots of sculptures by artists with disabilities, with a disturbing amount of naked ladies, but whatever. I also saw paintings and a homage to Braille that was sort of abstract but was really cool. The historical section hosted a number of items to learn and write Braille through the years, general studying tools such a 3D map of Spain, and a few historical runs of the lottery ran by ONCE. In general, it was a fascinating visit.

Museum for the Blind - national monuments

Museum for the Blind - international monuments

I did some shopping afterwards, and while the sales lady was really nice, she worked rather leisurely- That, and all the pedestrian lights being red on the fifteen-minute walk, put me seven minutes behind for my lunch reservation – and I swear, they phoned me. I was reaching the door of Comic Planet at 13:07 and they were already calling to check I was coming. People wonder why I’m paranoid about reservation times with them… They decided to change my table to “a more private one” to keep me away from a family with toddlers, and I had no problem.

I got to try the last item that I wanted to try from their menu – the Aquaman Burger, which had caused me some morbid fascination when I first read about it– Beef and king prawns? Garlic and pickles mayonnaise? It could be… either really good or really bad, I thought, and I really wanted to check it out. It was all right, I guess. There was much less of a flavour contrast than I expected, so it was most of a normal burger with a bit of an edge. And the edge was that the buns were blue. I also ordered a Vanilla Coke just because I could, and the waiter was nice enough to offer me tap water when I asked for some too. Cool.

Comic Planet Aquaman Burger

After lunch, I took the underground towards Fundación Telefónica which is running an exhibition called “Echoes of the ocean”, Ecos del Océano. I liked the idea better when I did not know that half of it was done using AI. It was – or tried to be – an exhibit centred around cetacean vocalisations. The first room was a mindfulness thingy in which a lady told you to become one with the ocean and then called you fat – “your body enlarges. You’re huge. You’re a humpback whale”. It made me laugh as it broke all the concentration thing. I also cackled when the voice told me that I went “deeeeep” as a sperm whale and met leopard seals there.

Then there were several huge screens with computer-generated graphs that imitated a sea prairie, dolphins and whales. That was the part that was made using AI, and it could have been a CGI or an actual video just as easily. The important part was that the images on the screen moved along the sounds of actual cetacean vocalisations. A room at the end hosted two actual underwater microphones, and headphones to listen to recordings of different creatures – sperm whales, seals, humpback whales – and ice sliding (this is important because for a long time, the sound of ice on the ocean was unidentified and it yielded to a lot of wild explanations / conspirancy theories).

Echoes of the Ocean screens

On the way out, there was a sculpture with glass reproductions of different microorganisms that love in the ocean: diatoms, anabaena, coccolithophores, dinoflagellates… Yes, this was totally me geeking out and identifying all the tiny little critters. The final room had to do with some photograph and schematics of a particular blue whale that had been tracked by the organisers.

Echoes of the Ocean plankton

I left the building and headed towards Palacio de Cibeles, which this time, was running an exhibit on its own architect Antonio Palacios. The exhibition is aptly named “An architect’s dream: Madrid as a metropolis” Madrid metrópoli. El sueño de Antonio Palacios. It uses photographs, designs, and models to present the works Palacios projected for Madrid – the ones that were built, the ones that were not, and the ones that have disappeared. It was an interesting collection, and the visit was free! Of course, I wandered the building a little before heading to the train station.

Antonio Palacios exhibit - models of buildings

Antonio Palacios exhibit - framed façade designs

Antonio Palacios exhibit - façade design and photograph of the actual Palacio de Comunicaciones building

On the way, there was a classic book fair Feria del Libro Antiguo y de Ocasión, but everything was way too expensive for me. I guess that in general it was a very budget-friendly day – three free exhibitions – if you do not count tiny shopping spree in-between, and it was around 20 €.

30th March 2025: Sant Pau, Verne & a chocobo {FFVII Barcelona 2025}

The Barcelona hotel charged 20 € per day and person or breakfast, and I was not willing to pay for that, and so I told my sibling. They had no option but to accept since they had decided to delegate all planning and credit-card’ing on me. Instead of booking with breakfast, I brought cold latte bottles and snacks – good for taking headache medicine, which I did. After a quick breakfast, we set off. As we left, I asked at reception if they could do something about the air conditioning.

We headed towards the underground. It should have been an easy twenty-five-minute commute, but one of the stations was half-closed. We had to go outside and walk towards the other entrance to change lines, which was strange and consumed a ridiculous amount of time. We had to be at the ticket booth of our booked visit ten minutes before the allotted time, and we barely made it – though they did not seem to care. When I was looking at tickets, I found a combined ticket that saved us 10 € for two iconic buildings in town that I had not visited before. That however implied exchanging vouchers for tickets, thus the extra time.

We reached the former hospital of Saint Paul Sant Pau Recinte Modernista ten minutes after I had anticipated, right at the time we had to be there. Sant Pau is a huge hospital complex erected between 1901 and 1930 by architect Lluís Domènech i Montaner (1849 – 1923). Domènech favoured Modernisme, and is considered one of the most influential architects in shaping it. He designed buildings which balanced functionality and decoration, with lots of mosaics and polychrome. Though the precinct had been a hospital since the Middle Ages, it was completely redeveloped for the early 20th century project. Today, it is half of the Unesco Heritage Site Palau de la Música Catalana and Hospital de Sant Pau, Barcelona.

Hospital San Pau from the street

The hospital is considered one of the most important, and largest, complexes in the local Modernisme style. The complex was designed with 26 buildings, 12 of them pavilions for patients, separated by sexes and kind of disease. The pavilions were connected by underground tunnels, leaving space for gardens and open spaces between structures. It was originally conceived to be self-sufficient, closed off to protect the rest of the city.

Hospital San Pau, outside

The buildings are erected in brick, and decorated with ceramics both inside and outside, some of them forming complex mosaics on the roofs and ceilings. After a new hospital was built next to the original one in 2009, the complex was recovered as a museum in 2014. We could visit the pavilions, the tunnels, and the administrative building. The whole enclosure is magnificent, and incredibly large. It took over two hours to see everything we were allowed to visit and I loved every second of it. Well, except the pavilion with political propaganda.

Hospital San Pau, interior

Afterwards, we headed out towards a fun restaurant I had found online – Verne Barcelona, decorated simulating Captain Nemo’s Nautilus from the novel Twenty Thousand Leagues Under the Sea by French writer Jules Verne. We shared a cone of tempura vegetables and I ordered a “Submarine” – a sandwich made from toasted brioche bread – called Turtle, with battered squid, sauce and salsa (I just don’t understand how they are supposed to resemble a submarine…).

Verne Barcelona

We headed back towards the hotel, stopping at a Starbucks for a coffee – a matcha in my case – because I helped my sibling dress up for the concert. We had been carrying the cosplay after all, of course they were going to wear it!

We were in Barcelona to attend the Final Fantasy VII Rebirth Orchestra World Tour, to be held in the CCIB – Centre de Convencions Internacional de Barcelona. Final Fantasy is an expanded video game anthology which set off in 1987. Since then, it has spawned 16 main games and countless spin-offs, media, plushies, and remakes. One of the most famous games is the seventh instalment, Final Fantasy VII, released in 1997. The game is set in a cyberpunk dystopia where energy is obtained by draining the Planet’s life-force. Gameplay follows the adventures of a party which opposes the system, embodied by the electric company Shinra, while at the same time trying to stop the main antagonist – mad soldier Sephiroth – from destroying the Planet itself.

Since 2015, Final Fantasy VII has been under redevelopment into a trilogy using modern graphics. The first game was Final Fantasy VII Remake, released in 2020, whose music had its very own World Tour in 2021. The second instalment, Final Fantasy VII Rebirth came out in 2024, and its music event – Final Fantasy VII Rebirth Orchestra World Tour – began almost immediately, ending precisely with our concert.

We were at the queue already when doors opened, but not early enough, so we needed to line again for the merchandise booth, almost an hour. It was in that queue where something amazing happened. When we attended the previous concert Final Fantasy Distant Worlds 35th Anniversary – Coral –, we were stuck at the merchandise queue for about an hour too and by the time we reached the front, they had ran out of most of the items. That included what I wanted the most – the chocobo plushies. Chocobo are a recurring species in the Final Fantasy franchise, large birds that can be ridden in-game, and in real life be sewn into cutesy toys.

It turned out that in 2023 the last chocobo plush had been bought by the guy who was sitting behind me. I might have made some jokes about stealing it and running away, and he promised to get me one for the next concert. I of course filed that under “one encounter silliness” and forgot all about it.

Well, he did not.

In that queue, two years later, he found me, and he gave me a chocobo plush. He actually found my sibling, who was easier to identify due to the cosplay. I was absolutely flabbergasted. Gobsmacked. Never in a million years would I have expected something like that to happen. Just… figure that everything that went on afterwards was coloured by a feeling of puzzlement and amazement at this stranger’s kindness over a silly plush I wasn’t able to buy two years before.

Chocobo!

We got to the front of the line over an hour later, almost at the time of start. I only wanted a programme, and we were seated around 20:50. I am good at choosing seats, by the way. We were dead centre at a great distance from the stage.

Setlist:
  First part:
  1. The Unknown Journey Continues
  2. FFVII Rebirth Opening
  3. Main Theme of FFVII – Battle Edit
  4. A New Journey Begins: Grasslands / Junon / Mt. Corel
  5. Crossing the Planet: Corel Desert / Gongaga / Nibel
  6. Queen’s Blood
  7. Stamp – Rebirth Medley
  8. Rufus’s Welcoming Ceremony – A New Leader
  9. Costa del Sol – Fun in the Sun
  10. Custom Valkyrie
  11. End of the World Medley
  12. Cosmo Canyon – Sanctum of Planetology
  13. Bare Your Soul
  14. Welcome to the Gold Saucer
  Second part:
  15. Loveless Symphonic Suite – Gift of the Goddess
  16. No Promises to Keep – Loveless Ver.
  17. Galian Beast
  18. J-E-N-O-V-A Lifeclinger
  19. Sephiroth Reborn Symphony
  Encore:
  20. One-Winged Angel – Rebirth Medley
  21. Aerith’s Theme – Return to the Planet Medley

Final Fantasy VII Rebirth orchestra playing

The orchestra was directed by Eric Roth. It was all right, I enjoyed it. However, I don’t think it was as powerful as the first one I saw, but that one was the first post-Covid event so it was emotional in other ways. Then again, I am not a gamer. I just watch gameplays on the Internet… I was a bit disappointed by the arrangement of One-Winged Angel, it felt… too elegant. What I love about the song is the pure chaos it represents, after all.

In attendance was composer Masashi Hamauzu [浜渦 正志 | Hamauzu Masashi]. He started working for Square Enix in 1996 under Nobuo Umematsu, the main composer of Final Fantasy VII music. Hamauzu’s first direct work related to the saga was the Chocobo’s Mysterious Dungeon soundtrack in 1997. He was in charge music for the Final Fantasy VII spin-off Dirge of Cerberus and alongside Mitsuto Suzuki, he has worked in both Final Fantasy VII Remake and Final Fantasy VII Rebirth.

After the concert, we joined the VIP queue for pictures and autographs. Though I had brought the CD from the time before – when I did not get the pamphlet – I was equipped this time. And I even managed the Spanish – English – Japanese cacophony without messing up either of them. That’s a first for me, I think. I got my programme autographed on the setlist page, and then my sibling and myself headed back to the hotel. For 179 €, I keep thinking the VIPs should at least get their own merch queue, or an item to get signed. I guess there are lots of people to get paid…

Eric Roth and Masashi Hamauzu signing autographs

Something that surprises me a lot about this area of Barcelona is that not even the McDonald’s at the shopping centre is open after 23:00, so I always make sure we buy something to snack after the concerts. The room was at least not freezing, though not particularly welcoming either. I had a hot shower, and that finally got rid of my headache, just in time for bed…

15th & 16th March 2025: Canterbury (England, UK) for “The Shark Is Broken”

I’ve travelled for – or with the excuse of – concerts (take your pick) and documentaries (at least thrice, even twice for the same one), but this was my first time travelling for a theatre play. Don’t get me wrong, I like theatre – I’ve even squeezed Wicked into a London trip a couple of times – but it had never been a main driving force. Until I stumbled upon the information that The Shark is Broken was heading towards the UK and Ireland. There were no shows in London, and my connection to everywhere else – including Dublin – was not good, especially due to work schedules. However, there was one date which was, if not convenient, at least doableCanterbury, in the county of Kent. Unfortunately, neither the Gods of Trains nor the Gods of Buses were as willing to smile upon me as the Gods of Air Travel.

Once I secured a ticket for the play (£55.00, dead centre of the stalls), a hotel in Canterbury, and the plane ride, I checked out what to see in town. This was back in December 2024. I also booked my parking spot at the airport, and since it was so long out, I could reserve Terminal Parking for just a couple of quids more than long-distance parking. That’s an extra 20 minute snooze! However, as I’d been hearing about train disruptions in England, I decided to wait a little before buying the Stansted-London and London-Canterbury trains. And sure enough, when a couple of weeks before the trip I went to check on the trains, the Stansted Express was indeed not running. There were ticket sales, at normal prices, but the trip would be by bus – taking as long as a bus usually takes. Thus, I decided to buy a coach trip at coach prices instead. That added a couple of hours of travel / waiting to the whole journey. Then, I went on to the South Western Rail website, which claimed that purchasing tickets would be easy. My definition of easy is… different, but, I was able to secure tickets. I was supposed to download the app to use them – but the app cannot be downloaded outside the UK. Fortunately, I was able to download a copy of the tickets from the confirmation email and use those.

When the day came, I left home a bit after 3:00 for my 5:45 flight. It was extremely cold, but at least it was not raining. I had some time at the airport before take-off, but of course everything was closed. It felt a bit weird, knowing it was the last time I could fly to the UK “for free”, considering that all countries are implementing the stupid Visa fees everywhere. We landed in London’s Stansted Airport on time, so I made it to the 08:10 coach I had booked – despite the utter chaos that Stansted coach station has become. The nice 40 minutes by train to London Liverpool turned into an over-two-hour coach obstacle course through London’s construction work.

Since I had been forced to buy a bus ticket, I got a direct one to King’s Cross – St Pancras International, where my train to Canterbury was due to depart. I had calculated for a safe train at 10:40, and I reached the stop around 10:05, which gave me enough time to find the nearest Costa Coffee before I went to Platform 13 to board my train. I chose the carriage poorly, as I ended up in the midst of a boisterous hiking group, but the trip was less than an hour, and I reached Canterbury West at 11:34. This was a bit over an hour later than what I had originally hoped for, due to the train-bus adjustment. Looking back, maybe it had not been necessary to buy that ticket in advance.

The city of Canterbury is a Unesco World Heritage Site in the county of Kent, in the south-east of England. The area has been inhabited since the Lower Palaeolithic, through the Iron Age, and Roman times on. The town saw the first Christian conversions in the British Isles, and the foundations of the cathedral were set in 596. Canterbury survived the Viking raids around the year 1000, but it fell into William the Conqueror’s hands in 1066.

In 1170, Archbishop Thomas Becket was murdered in the cathedral, an event which triggered massive pilgrimages from all the Christian countries. Between 1387 and 1400, author Geoffrey Chaucer wrote The Canterbury Tales, one of the key works in English literature, a fictional compendium of stories told by pilgrims towards the cathedral. During the early Middle Ages, Canterbury became one of the most populated towns in England, until the Black Death decimated its people. In the 16th century, there was an influx of French protestants (Huguenots) who fled mainland Europe to resettle, revitalising the economy and introducing the silk-weaving industry that flourished for over a century.

After the 17th century, things changed. Canterbury became an agricultural hub spot, so the Industrial Revolution only affected it with the construction of railways. The historical centre was damaged during WWII bombings, after which the historical area was pedestrianised and a ring road built around it. Today, Canterbury lives off tourism, retail, and higher education, with a large floating population of university students.

And it was cold that weekend. A climate topsy-turvy seemed to have exchanged the Spanish winter anticyclone and the British rains, so it was storming in Spain and crispy in Britain those days. But at least, it was not raining, which allowed for freedom and seeing a lot of things. Upon leaving the station, my first contact with Medieval Canterbury were the Westgate Towers Museum & Viewpoint, the largest Medieval gateway surviving in the UK. It was erected around 1380 to substitute the Roman ones. Even before that, there were other hits like “the oldest brewer in Britain.”

Westgate tower, former gate to the Medieval city

I reached the pedestrian St. Peter Street, which merges into High Street, the town’s spine. My first real stop was the Cathedral and Metropolitical Church of Christ, Canterbury (Canterbury Cathedral for short). The cathedral is the seat of the Archbishop of Canterbury, the symbolic leader of the Anglican church, and the spiritual leader of the Church of England – whose official residence is actually in London though, for some reason. I wanted to get to the cathedral first just in case it closed at any time for a service, and so I did not pay much attention to the main street for the time being.

The cathedral precinct is accessed by the Christchurch Gate, completed around 1520 in the Tudor Gothic style. It features restored colours on the decoration, restored between 2018 and 2022. In the square in front of it stands the Canterbury War Memorial, to honour the victims of WWI, which was damaged during WWII, along with most the historic area, due to bombings.

The cathedral was established in the year 597 after the arrival of St Augustine to Kent. During its first period of existence, it was a Roman Catholic place of worship. The building burnt down and was completely re-erected towards the end of the 11th century, and a lot of construction and reconstruction went on until the end of the 16th century – around the time of the English Reformation, when the Catholic monasteries were disbanded and the cathedral turned Anglican. Most of it has remained in the 12th-century Gothic style, except the crypt, which is Romanesque. The west front – under conservation work – hosts statues of people who are considered influential in the life of the cathedral and the church of England, from Augustine of Canterbury to Kings and Queens including Elisabeth II. During the Roman Catholic period there was a Benedictine Abby attached to the cathedral. Today, only the cloister and the ruins of the infirmary remain from that time.

I bought my ticket and headed to the entrance of the cathedral. There was a trail, and I decided to follow it. That led me to see the West façade, with the statue of the Saints, Kings and Queens, and then down a corridor towards the cloister, which might have been the most beautiful one I’ve ever seen, with gothic arches and family crests painted on them. After the cloister, I found the herb garden and the water tower, and I got to see the ruins of the infirmary.

I went down to the crypt, and then up to the cathedral. The building already looks big from the outside, but the inside feels huge, with columns and pointed arches soaring up to the ceiling, and paned glass windows letting the light in. I first toured the quire (choir), where the Shrine to Thomas Becket used to be. Thomas Becket (Saint Thomas of Canterbury) was King Henry II’s friend and chancellor when he was appointed Archbishop of Canterbury in 1162. He clashed with the King regarding the rights of the crown and the church, and even if the Pope tried to mediate, in the end Becket was murdered in the atrium of the cathedral in December 1170, which propelled him to martyrdom first and sainthood a couple of years later. His body was hidden for decades until he was buried in a shrine under the quire in 1220. The shrine became a pilgrimage destination in the Middle Ages known as The Pilgrims’ Way, from either Winchester or Southwark Cathedral in London. During the Reformation, in 1538, King Henry VIII ordered the destruction of the shrine and Becket’s remains. Today, there is a candle burning where that shrine stood, and the Pilgrimage is still encouraged by the cathedral.

Canterbury cathedral - exterior

Canterbury cathedral - interior

I saw the place of the murder, called the martyrdom, on the way to the main nave, where a concert was being rehearsed. It sounded beautiful, but I could not stay forever, because there were many more things to see in town. Outside the cathedral itself there is a memorial garden and the six-metre sculpture War Horse (named Joey), in honour of all the animals that have died in war.

I had to move on, as it was windy and cold out in the open, and I still had more places to visit. I went on towards the Canterbury Roman Museum. The British are always extremely proud of their Roman ruins, though sometimes these are just a few objects. This time, however, the museum lives up to its hype. Even if the artefacts are not that impressive, it hosts the only in-situ Roman pavement mosaic in the UK. Unfortunately, nobody thought about building an overpass viewing platform…

Roman mosaic on the ground

I then headed back towards the main artery of the historical area, High Street and the local museum, The Beaney House of Art & Knowledge, which also doubles as Tourist Information Centre. I broke the worker’s brain when I asked for advice considering that I’d already seen the cathedral and the Roman Museum. What I actually wanted was an estimate of how long the trail around town would take, and confirmation of opening times. I was not too successful as they gave me some schedules which were not accurate. Anyway, I snooped around the place.

The Beaney House of Art & Knowledge was designed by A.H. Campbell in 1897 in the Tudor Revival style. It is named after James George Beaney, a Canterbury-born medical doctor who left money to the city to create a cultural hub. Today, the house hosts the Tourist Information Centre, an art gallery, an auction gallery, the local library, and a museum with collections about different aspects of the town’s history, including a lot of worldwide items that seemed brought by aristocrat’s Grand Tour.

The Beaney House of Art & Knowledge

I decided to do the walking trail around the town then. Now that I was not bee-lining any more, I could take in the statues, houses and buildings in High Street. The statues include Aphra Behn and Geoffrey Chaucer. Behn was a 17th century writer, one of the first English women to earn her living from her art, and possibly even a spy in the colonies and Antwerp. Along the street, I located my hotel, the Great Stour Canal, the theatre and the restaurant where I wanted to have lunch. I exited the centre through the Westgate Towers again, and ended up in the Westgate Gardens. I had started exploring, but then I got dizzy, and my legs shook a little. I had been on the go for almost 12 hours, on four hours of sleep, so it was time for a break. Thus, I backtracked to the Old Weavers Restaurant. I have to admit that I almost got sidetracked to have an authentic afternoon tea, but I had come across this place during my planning, and I was glad I went.

It is true that British food has a horrible reputation around the world. But honestly, it is not that bad – it’s just not such an important social event as it could be for example in Italy or Greece. Furthermore, there is a theory that most “traditional” recipes diluted away with industrialisation, when people worked too much to bother with cooking – the Industrial Revolution was something so new, nobody really knew how to deal with so many changes. Then, WWII food rationing and post war pre-made foods prevented a whole generation from learning how to cook. And thus, Chicken Tika Masala became the staple of English cuisine. In reality, however, this is not accurate. The British gave us scones, bangers n’ mash, roasts and pies, all of which are delicious.

Pies were what grabbed my attention from the Old Weavers Restaurant menu. The eatery is located next to the canal, in a house which dates from the 1500s, with foundations from the 1200s, and the original interior structure. The building was originally a weaving centre in the 16th century by the Huguenot refugees, which then became a weaving school – hence the name. When the school closed, the restaurant was established. moreover, almost all the “nice” restaurants in the area were offering a 15% discount with theatre tickets too.

The place was warm and a hot meal was a nice break to have. I was seated at a small table on the ground floor and ordered a Chicken, ham & leek pie in a hot skilled with a puff pastry lid, and a side of chips. I like British pies. Conversely, the first recipe of British pie on record was also written by Chaucer in 1381.

Pie and chips

Since I was quite literally outside my hotel, I decided to check in so I could drop my backpack and relieve the weight on my shoulders. I was not carrying much at all, but the hours were getting heavier, I guess. The hotel turned out to be an old refurbished house, with narrow stairs, and my room was on the upper floor. It turned out to be tiny, and weirdly distributed – I had to open the bathroom door in order to take off my coat. But it had a working bathroom, a radiator, and it was warm, so I was all right with it. The price was cheaper than anything I would have found in London and it would save me a lot of stress when I left the theatre. While taking the train back to London was doable, it’s not like I felt like one hour on the train, and then a commute in the Tube in the middle of the night.

I left again, and tried to pick up where I had stopped before lunch – this was my mistake. I should have done my walk clockwise, but I thought I had a bit of time. I had not counted on admission ending up an hour beforehand – but it was all right, and my plan ended at a local supermarket to buy snacks, dinner, and something I wanted to bring back with me. Thus, I went to the Westgate Gardens again, and I took a bit of time with the buildings and the ruins there.

Canterbury - Marlow theatre and Medieval buildings

Canterbury is located on the River Stour, usually known as Great Stour to distinguish it from its tributaries. There are at least three main waterways through town, and even businesses that give boat rides to tourists. The Westgate Gardens are built along the Stour. They host The Guildhall (town hall) and Tower House, a narrow Victorian house built around a bastion of the city walls. I strolled along the riverside, mindful of the mallards and the seagulls who owned the place, until I crossed the Rheims Way Underpass – Canterbury really likes its underpasses, and they’re all right when you get used to them – full of graffiti and contemporary art (graffiti). I eventually veered back towards town, towards an area called Tannery Field and I came across the Canterbury Bull Sculpture, by local artist Steven Portchmouth, an artwork which honours the agricultural and industrial history of the area.

Canterbury Great Stout & Westgate park

I found St. Mildred’s church, an 11th-century stone church with a small graveyard, and totally missed Canterbury Castle for a minute there. I knew it was closed, but it turned out it was completely covered in scaffolding. The castle dates back to 1066, when Canterbury surrendered go William the Conqueror, who proceeded to commission a motte-and-bailey structure, with the motte being what remains today, though underneath the protective scaffolding.

A few minutes away, I got distracted by something which had not been in my plans – Dane John Gardens. Dane John was not a person as I originally thought – the name comes from the corruption of the Norman word for “fortified mound”, donjon, and there is actually a theory that the mound that still stands in the middle of the park is a former defensive motte, though during the Roman times it might have also been a burial mound, on top of which stands the Simmons Memorial – Simmons was the local alderman who built the gardens between 1970 and 1803. The park ends at the reconstructed Roman wall, with rebuilt defensive towers, and it hosts small attractions like fountains, a giant sundial, a Band Stand…

I went along the Canterbury City Walls until I reached ground level again – and then I went underground to cross the wide roads. When I emerged, I finally made my way to St. Augustine’s Abbey. The abbey was originally dedicated to other saints, but it was repurposed after St. Augustine, who had established the cathedral, died. It was a Benedictine monastery from the year 598 on, until the English Reformation forced its dissolution in 1538. Afterwards, it became a royal residence, which was then rented out to noble families. Most of it was eventually dismantled to build new houses, until it was bought in 1844 by a religious Member of Parliament who established a missionary college. During the 20th century, the abbey ruins and the college were separated for classrooms and boarding houses. The British Government took charge of the ruins in 1940, and the abbey is part of the Unesco Heritage Site.

Dane John Gardens and Medieval walls of Canterbury

It was a little past 16:00, and I assume the ticket booth had just closed, though opening times were listed until 17:00 and there were people – a dogs – inside. I first saw the Fyndon Gate, the original gate to the abbey, built in the early 1300s, with two octagonal towers on the side, and a chamber above the entrance arch, which has an overlooking arcade. Though I could not enter the abbey, I was able see to the main ruins through a convenient lookout to the side of the locked-down area.

St Augustine Abbey Canterbury

I saw a signpost regarding the pilgrims’ route that lead me to both Rome and St. Martin’s church. Rome was a little far away to be back on time for the theatre, so I decided to settle for the church, which had been the plan all along anyway, as it was the third key point in the Unesco Heritage Site. The church recognised as the “oldest parish church in use” in the English-speaking world. It was used by Queen Bertha of Kent as her private chapel even before St. Augustine arrived from Rome in 597. Though her husband, Æthelberht of Kent, was originally a Pagan, he allowed her to continue practising her Christian Faith and he himself eventually converted. The building was erected reusing a lot of Roman bricks and tiles, along later stone. It has a small graveyard where many notable families have been laid to rest. The sun was setting, and the wind had calmed down, so it was nice. I did have a moment of slight worry when I glimpsed someone and I heard a bang – I thought maybe they had closed the gate and I would have to jump over the wall. Luckily, it was not.

Canterbury St Martin chuch

I headed back towards the centre. In front of the abbey’s Fyndon Gate I found the statues of King Æthelberht and Queen Bertha of Kent. King Æthelberht was eventually considered a saint for his role spreading Christianity among Anglo-Saxons, but his main contributions were more earthly. He created the earliest written Law code in any Germanic Language, and minted the first coins which circulated in Kent.

Still heading downtown, I walked by St. Paul’s church without the Walls, which could’ve been built in Roman times as a cemetery chapel. A bit further along, there was the St. Thomas of Canterbury Roman Catholic Church, the only Catholic church in town, built in the late 1800s in the Gothic Revival Style. Adjacent to the church stands the tower Tower of St. Mary Magdalene, which belonged to Medieval parish that was demolished to build St. Thomas. There is a memorial inside the tower, protected by glass.

Back in the High Street, most shops were closed or closing down, and I did not come across any bookshops, where I would have purchased a copy of Chaucer’s The Canterbury Tales just to have a copy from the town. What I did find was a Sainsbury’s Local supermarket. There, I bought a sandwich for a late supper after the theatre, some Cadbury Eggs, and a can of Bisto Gravy granules. Cadbury Eggs are a confection made of chocolate with a yellow-and-white sugary filling. Gravy is a cooking sauce I can’t recreate to save my life so I enjoy having the ready-to-make at hand, it’s just small granules that you dissolve in boiling water to create the sauce. Neither – I reasoned – should be a problem at the airport.

I went back to the hotel to have an hour or so of rest before I headed out to the theatre. Marlowe Theatre was obviously named after one of the most famous Canterbury locals: Christopher Marlowe, the 16th century playwright, poet, translator, alleged spy and reportedly atheist, whose work is reported to have influenced Shakespeare himself. His plays were extremely successful, and they include The Tragedy of Dido, Queen of Carthage, The Tragedy of Jew of Malta, and the first dramatised version of the Faust legend, The Tragical History of the Life and Death of Doctor Faustus. The Marlowe Memorial, depicting The Muse of Poetry (either Calliope or Erato, one guesses).

There have been at least three “Marlowe Theatres” in Canterbury. The current one was rebuilt from a previous one between 2009 and 2011, as a stainless steel and aluminium building with a colonnade, and at night it glows electric blue, pink and purple. It is not a pretty building on the outside, but the inside is all right. It seats 1,200 spectators, it has a bar and a tiny merchandise stall.

Canterbury cathedral and Marlowe Theatre at night

Before I went into the theatre, where I bought the programme, I headed towards the cathedral to take a few pictures the building at night. On the way back, I must have taken a wrong turn somewhere, because I was disoriented for a minute before I found the bluish glow of the theatre. Back in December, when I booked the tickets, I also got “ticket protection” (insurance, basically), but I was ecstatic that I did not need a refund. I had managed to get there, and I could finally enter the theatre. I did not feel even a bit tired, even if I had been on the go for over 16 hours.

The Shark is Broken is a ninety-five-minute play written by Ian Shaw and Joseph Nixon, based on actor’s Robert Shaw’s diary of filming the 1975 film Jaws, directed by a young Steven Spielberg in 1975. It follows three very different men who try to hunt down (fish down?) a great white shark which has found the perfect feeding ground off Amity Island, a small beach community in Long Island. Jaws is often credited as the first summertime blockbuster, and it went on to win three Academy Awards – Best Original Score for John William’s music, Best Film Editing and Best Sound.

Canterbury Marlowe Theatre - The Shark is Broken

It is a commonplace piece of trivia that working on Jaws was a nightmare for everyone involved, as the mechanical sharks used for filming kept breaking down, which caused delays and going over budget again and again and again. Main actors Roy Scheider (Chief Brody), Robert Shaw (Quint) and Richard Dreyfuss (Hooper) were stuck on the little ship set for days on end while the film crew worked on “Bruce”, the shark. On top of authoring the script, Shaw plays his father. Dan Fredenburgh plays Roy Scheider, and Ashley Margolis plays Richard Dreyfuss. The stage play was originally directed by Guy Masterson in its Broadway run, and Martha Geelan is acting touring director.

The play is a number of connected, sequential scenes depicting different conversations over several days, showing the rising tensions amongst the actors. There are plenty of rather uncensored references to Robert Shaw’s rampant alcoholism, which his son, Ian Shaw, has not tried to hide or dilute. The set is just the ship, and only the three actors are on stage, you only ‘hear’ about the shark off-scene.

Was it a comedy? No. Was it funny at points? Extremely. Did I enjoy it? Immensely. I’ve read reviews saying that it is not worth it unless you are a huge Jaws, which I am. It includes known trivia, obscure facts and several hilarious meta references, including “It’s a thriller, do you think people will be talking about it in 50 years?”, which delivered on the 50th anniversary of the film is hilarious. Another one, referring to how Spielberg bailed on the last day of filming fearing the crowd would dunk him in revenge for all the inconveniences, and his upcoming career, is “Sharks? Aliens? What’s next, dinosaurs?” The scenes were chronological towards the end of filming, until the last one. Another known piece of trivia is that Robert Shaw was extremely drunk trying to do one of his scenes, the so-called “Indianapolis Speech” – and he screwed it up every time until he sobered up and delivered it in one go. The speech is referred to a few times throughout the play, and the very last scene is its re-enactment. It was glorious.

The Marlow Theatre was just a minute away from my hotel, and I could use the back door to get back in. I climbed up to the room and took a shower to warm up. Unfortunately, the bathroom had one of those fixed nozzles and the shower screen was… way too short for it. I might have caused a teeny-tiny flooding – good thing that I had extra towels to contain it. Afterwards, I had my sandwich, and a Cadbury Egg, even if it should have been too late for chocolate. Predator was running on TV, so I watched that while I charged the phone. Finally, I set my alarm and went to sleep, thinking that maybe being able to be on the go for twenty-something hours straight is my superpower.

My train back to London was at 7:24 – I had to miss my breakfast at the hotel, which started at 7:30, but that’s life. Fortunately, there was a kettle with some instant coffee and creamers in the room, along with biscuits. I woke up around 6:15, got ready, and hurried to Canterbury West station not because I was late, but because it was extremely cold. The train was on time and I was back in London St Pancras International just before 8:20. The train ride was uneventful, and once there I crossed over to Kings’ Cross Station to get breakfast from Costa Coffee. Since I was there, I peered over at Harry Potter’s Platform 9⅓, and I discovered that they actually take out the cart when the “attraction” is closed. I knew they charged for pictures, but I did not know that the cart was detachable. Which… I guess makes sense… considering that people would take free pictures with it if it was there. I just thought there would be a screen or something…

Anyway, not my thing. I headed out to explore St Pancras International Station. The original station was constructed in the Gothic Revival style (or Victorian gothic) in the 19th century, opening in 1868. The exterior was made out of dark red bricks, while the interior displays a complex roof in wrought iron and glass. The overall station layout was commissioned to engineers William Henry Barlow and Rowland Mason Ordish, and the adjacent hotel was designed by architect George Gilbert Scott. It is a magnificent building only slightly defiled by the contemporary expansion tracks. St Pancras was all but abandoned around 1960 until the 1990s, with extensive reconstruction, renovation and restoration in the 2000s. In 2007, it became the “international” station as it became terminus for the Eurostar train which covers the route between London and Paris in 2h 16 mins.

St Pancras international train station

I had to sit down for a few minutes because I made a wrong movement and my back cramped, but it passed soon. I was able to do a little bit of shopping in the station. A lifetime ago, I bought an umbrella in a franchise called Boots, and they had the same style and brand in the shop at the station. Considering that said umbrella served me well between 2012 and 2024, I had decided to buy another one if I ever saw it. I also got a book, because books in the UK are comparatively very cheap.

I found the coach stop, where I had to be at 15 minutes in advance. It was cold and windy, and it felt long. Apparently, the bus before had not come either, so there were a lot of people waiting. However, my ticket and seat were guaranteed. The only problem was, again, that the traffic was horrible due to construction. We took 43 minutes to cover something that should have been done in 10. Despite it all, the coach arrived at London Stansted Airport on time and without issues.

I went straight to security. Stansted is implementing new security protocols, which is great if you don’t get stopped. I got through two times ago, but last time my keyring created a problem – I have since changed that. This time around, the security lady was opening playing-card boxes to check for chemicals (not even kidding) and had to swipe my gravy granules for drugs, or explosives or who-knows-what. When I said “I didn’t even realise that could be a problem” her – rather sheepish – answer was “it isn’t.” Then… why did it get flagged? I’ll never understand airport security.

After 20 minutes waiting at security, I had some sushi at the airport, and bought a Playmobil Royal Guard, because they have always drawn my attention, and I thought that today was the day. Then, it was just waiting. My plane back was at 14:10, landing before 18:00, because I needed to get to a hard week of work on Monday. Part of me wishes I could have stayed until a later flight, but I needed to be reasonable. I did not get emergency exit seats either flight, so there was no issue with the cabin crew. However, when I tried to get my car out of the parking lot, the plate-recognition system would not work, so I had go down all the way back to find a person to talk to – good thing, then, that my plane had not arrived at 23:00.

The truth is, everything would have been more efficient had the Stansted Express been running, but at least I waited to book tickets so I could make the most out of the commuting issues. I did not pay train prices for coach transit, and I did not have to wait much between transportation choices. Furthermore, I could fill the time I had with things to do – and stuff to buy. And the most important thing, I saw The Shark is Broken, along with getting to know a new city.

23rd February 2025: The Annual Medieval Fair (Tendilla, Spain)

For the last few years, the Medieval fair Feria de Mercaderíass de San Matías in Tendilla has started on the 25th (2022), 24th (2023) and the 23rd (2024) of February. So it makes perfect sense that my mind placed 2025’s edition start on the… 14th, right? Since the fair celebrates St. Matthew, and the onomastic is the 13th, I unilaterally decided that the fair must be that weekend. Obviously, I was wrong, and the fair was held from the 21st to the 23rd. Due to the date mishap, I had a visit booked on the 22nd, and I amended my plans to head to the fair on Sunday the 23rd instead of on Saturday as I usually do – that way I could see the Palace, the Botarga Parade and the Fair on the same weekend.

It was a good thing that I decided to go to the Parade instead of trying to make it to the fair on Saturday, because apparently they were blocking cars from entering the village, but not letting them park anywhere close-by which… is a problem. To avoid a similar issue on Sunday, I drove to Tendilla before the fair even opened, so I was there around 8:40. I used the time to climb up the frozen nearby hills to see if there were nice views from above. I also headed into the pine forest, which was covered by a thin layer of frost everywhere. It was pretty.

Tendilla: Landscapes before the fair started

There was a parade scheduled to take place at 11:00, which did not happen until around 13:00 – there was just a trio of musicians going up and down the main street. In the mean time, I wandered up the fair, and stayed around the ox paddock hearing things like “such noble eyes the animal has” from the mouths of city-dwellers. The poor oxen seemed pretty much used to to be stared at, so they just munched on hay with an air of resignation. There were two of them separated from the herd, which would later be yoked to a traditional cart. Looking back, I’m slightly surprised that I did not get any allergy symptom from their straw.

Three musicians in Medieval Clothes

Oxen in the Medieval Fair

I also found the newly-inaugurated statue to honour the fair – a tiny farmer with two donkeys standing atop a column which… was a bit underwhelming, to be honest.

La borriquilla - the little donkey

Around noon, a queue started forming for migas. In the mornings during the fair, some of the villagers prepare this typical dish from the area for all passers-by (queuers-by?) to enjoy. The traditional migas are made from fried breadcrumbs, paprika and meat from pig slaughtering. However, Tendilla is famous for its torreznos (processed pork lard snacks), so these communal migas are served with the local dry treats, and accompanied with a glass of wine to be washed down. I had never queued for them, but some family members saw me when they were almost at the front of the line and I was snuck forward in exchange for some photos. I also got to talk to one of the stand owners, and I discovered about a place called Emociones al Vuelo, a bird-of-prey rescue and training centre which organises activities. I may or may not have decided to pay them a visit.

Communal migas being prepared

We snacked, and then moved around the village. I was in the middle of Main Street Calle Mayor when the parade came through. The troupe had changed this year, and it was not Christian knights and moors, but gypsies and magicians. They brought horses and “wolfdogs” – not actual wolfdogs but wolf-looking domestic dogs. Enough to fool a lot of people. There was supposed to be a tournament, but apparently the gypsies were not up to it. There was no tournament, and after an hour of waiting, the troupe went back to the Main Square Plaza Mayor, did a couple of horse tricks, and started cutting ham to share with the onlookers. It was a bit disappointing, but I least I got to pet the dogs.

Troupe of horse riders dressed as Medieval gypsies

Dogs from the gypsy troupe

I headed to my relatives’ place and we prepared lunch, though I had some leftover migas that had been saved for me from the previous day, and a fried egg on top. Much better than the communal ones, for real.

The last activities for the day were related to the long-suffering oxen. First, two of them were yoked to a traditional hay cart and children were given rides through the fair. The two oxen were led to the cart and then tied to the structure. Something that I had never known was that part of this tie went around their horns and forehead, so the owners placed a small pillow on the animals’ foreheads for them to pull more comfortably. However, to do the tie the knots as strong as it was necessary for them to be, he had to use his foot as leverage on the ox’s head… Once the animals were yoked, the cart started moving. One small child who had apparently been asking about the ride all day long was the first to be helped on the cart – even though some others tried to cut the line! At first, they went up and down the village, but apparently some idiot spooked the poor animals and the owners decided to just move around the main square afterwards.

Oxen being yoked

After six or seven rides, the oxen were untied and let into the paddock. A lorry was brought and the owners created a mini stampede for all the oxen to go into the vehicle. That was wickedly cool.

That was the last activity, so I decided to say goodbye to my relatives soon and drive back through the sunset. Most of the stalls were already closing anyway and there was no way I was going to stay for dinner – because that would mean I’d have to actually eat more that day, which was not the plan.

On the way back I drove into a very weird traffic jam. It did not happen around the bottleneck, but much much earlier, and the bottleneck was clear. I’ve never understood traffic jams anyway…

So all in all, I had a very complete weekend, combining Madrid, Guadalajara and Tendilla, I had relatively good weather, and got to check out most of what I wanted. The only downside? Having to go to my day job on Monday without having caught any rest!

1st January 2025: The Return {Vienna, Silvesterkonzert 2024}

We got up for breakfast at around 7:30, but the cafeteria wasn’t open yet, so I had to (gasp) pack before I had coffee. That was not fun. The breakfast room opened around 8:05, and I could finally have my caffeine fix. We had been discussing all three days about the automatic pancake machine in there, so I decided to try it. Basically, you waved at it, and it made the pancakes. They were not the most delicious thing ever, but there was Nutella to go with them…

Pancake making machine

As we were already packed, there was not much left to do after breakfast. We went up to the room to collect the luggage and back down to reception. We had a transfer arranged at 9:00 and we were ready with a few minutes to spare. Check-out was fast, and off we went towards the airport, after saying goodbye to the nice Spanish lady with the card issue. I’m not sure if it had snowed outside Vienna or what we saw on the trees was hoarfrost, but everything was white once we got onto the motorway. I totally missed whatever our driver was saying because I was trying to take pictures of the landscape – but he talked a lot.

Trees covered in white ice and snow

When we reached the airport, the check-in counters were not open yet. We were flying with Iberia, which does not have a permanent crew there, the counters did not even have the lights on. It took them longer to open the counter than to actually check us in, and the worker was confused because we were only checking in three suitcases even if we were four people. The poor lady looked absolutely exhausted – maybe she had stayed up late.

Security was “collapsed with a crowd” and they told us to go through the kids gates – I don’t think I have seen any “collapsed” security so empty… But we made it through okay. We found our gate at literally one end of the airport, and left our things with one of my parents while we scattered off to look for lunch. The flight was at noon, so we had to buy something either at the airport, or on the plane. I found myself a chicken sandwich that looked rather nice. I would later learn the word for “spicy mayo” in German… Good thing I got a Coke to go with it. I also bought a “no kangaroos in Austria” magnet because I did buy a tote bag last time I was around, but I can’t seem to find it.

Airport in winter weather

The flight back took off on time at 12:20. It was uneventful, we just landed at 4S instead of 4. We knew this was going to happen this time, so we had counted on it – in the end, that was the reason I managed to convince my family to have lunch on the plane. We did not get out of the airport up until 16:00, what with picking up the luggage and all. I think I made it home around 19:00, and boy was I beat. I love my family, but travelling with them can be a bit too much…

31st December 2024: A clumsy morning yielded to an unbelievable evening {Vienna, Silvesterkonzert 2024}

When we walked out of the rooms to go down and have breakfast, my parent’s alarmed face made me worried. They informed my sibling and myself that “it had snowed”. That was spooky for a second – until I ran to the window and saw that the “snow” was just a very thin layer of scattered white powder. It was safe to go out, even with my senior parents. We had breakfast and we got ready to go out.

Snow in Vienna

At some point, my family “caught” that I like Natural History museums, so they really, really thought I wanted to go to Vienna’s Natural History Museum – Naturhistorisches Museum Wien, and just wouldn’t listen to “No need, I’ve been there already, Their reasoning is that I had mentioned it before, which I actually had, to inform them that the Venus von Willendorf was there. That is where we ended up, and I was happy to oblige – the museum has rocks, meteorites, fossils and dinosaur animatronics. All right up my alley.

The museum’s oldest collection 250 years. In 1750, the Holy Roman Emperor Francis I bought what at the time was the largest collection of natural history objects at the time – around 30,000 objects. That same decade, the Emperor founded the Schönbrunn Zoo and the botanical garden, and he ordered the first scientific exhibition to be held. Upon his death, the collections were donated to the state, and the first museum according to the Enlightenment principles was founded – and soon expanded.

The museum building was also commissioned by the Emperor. It was designed by architects Gottfried Semper and Carl Hasenauer, with an identical exterior to the nearby Museum of Fine Arts. Works began in 1871, and the institution officially opened in 1889. Though it was indeed originally designed as a museum, it feels more like a repurposed palace, with decorated ceilings and monumental staircases. It has 39 halls with almost 9,000 square metres of exhibits, still keeping the 19th century outline. We just did halls 1 to 13: mineralogy, petrography, meteorites, palaeontology and prehistory galleries, including the Venus von Willendorf. The 11-centimetre figurine was made in limestone around back to 30,000 years ago. It is a nude woman of large proportions, and even if she does not have a face, she is mostly anatomically correct and has plaited hair.

My family was fascinated by the collections, and I guess I felt a teeny bit smug about that – considering how much fun they poke at me because natural history museums are very high on my priorities when I visit a new place (see: my first time in Brussels).

Natural History Museum Vienna

Natural History Museum Vienna

We left the museum after a couple of hours, around noon. We did not stay at the Silvestermarket at the square, but headed out towards the Imperial Butterfly House Schmetterlinghaus. It comprises half of an Art Nouveau greenhouse turned tropical botanical garden and butterfly zoo of sorts. I really love the iron-and-glass architecture of the building – and I would have loved to have had lunch in the brasserie that fills the other half of the greenhouse. The building was designed by architect Friedrich Ohmann and erected in 1901 as part of the Hofburg Palace and is, next to the Burggarten palace.

Most of the butterflies we saw, if not all, were forest giant owls Caligo eurilochus, very large butterflies originating from the Americas – they can live from Mexico to the Amazon basin. They have marks like big eyes in its back wings (hence the commmon name), and the inner wings are blue. They are pretty, and they seem to like fruit, as they gathered around the feeders to snack on it. The sad part is that they only live around 24 days.

Schmetterlinghaus

We then headed to the restaurant Centimeter, near the Rathouse (town hall) to have lunch. It is a place that has a lot of things measured – you can order sausages by the metre. I was somehow was not feeling hungry, so I decided to get Gebackener Emmentaler mit Sauce Tartare und Preiselbeeren, breaded and baked Emmental cheese with tartare sauce and cranberries. After lunch, we expected the Silvestermarket next to the Rathaus to be open, as it was one of the places to be for New Year’s Eve. We were wrong! That was a bummer, because in hindsight we could have cancelled the reservation and just stayed at the market in front of the Natural History Museum. That was a bummer, but at least we were warm.

Gebackener Emmentaler

We headed back towards the hotel, and we stopped by the supermarket next door to buy something for dinner. I grabbed myself some pre-emptive sushi, because I was pretty sure that my family was not going to find what they wanted – basically stuff like they would get at home. After half an hour of going back and forth, they decided to settle down with sandwiches and more sushi. We also picked up some chocolate thingies that would end up being more coconut than anything else. Not that I have anything against coconut, but I do not appreciate it replacing chocolate unannounced.

We took the groceries to the hotel, and had a bit of downtime before got ready for the main event. During that time, I went on the online airline webpage to make sure that the travel agent at El Corte Inglés had checked us in. The check-in was done, but someone had made a typo on my parent’s email address so we had not received the boarding passes. I retrieved them and downloaded onto my phone to distribute later.

A bit past 18:00, we left for the Wiener Musikverein, the Viennese Music Association, home to the Vienna Philharmonic Wiener Philharmoniker, where we would attend the 2024 Silvesterkonzert. It was a bit strange to head to such an event using the underground, but that was the most efficient means of transport, to be honest. We ran into the Spanish lady and her husband again – and that was great because that way we could take pictures of each other without having to get a stranger to do so.

Vienna Musikverein

The Musikverein was designed to resemble an Ancient Greek Temple in a Neoclassical style, following plans by architect Theophil Hansen. The building was inaugurated in 1870, and it has a small decorated entrance, very underwhelming staircases, a small chamber music hall, and the main music hall, the Großer Musikvereinssaal or Golden Hall. Walking in there was… surreal. It’s a hall I’d seen so often on TV, and it actually felt… I don’t know, a bit… pale. Less bright than on the screen. Maybe it was that the flowers were white and pink, so they did not pop. And it’s not like I know anything about flowers, anyway. I was just happy they were artificial enough not to trigger my allergies, it would have been awkward to sneeze all throughout the concert…

Vienna Musikverein Golden Hall

Though the “New Year Concert” is the one that everyone knows, there are actually three concerts with the same set list – the Preview Voraufführung on the 30th, the Silvesterconcert Silvesterkonzert on the 31st, and the New Year’s Concert Neujahrskonzert on the 1st. I honestly would have thought that it would be full of wealthy people and they would be all cool as cucumbers, but it turns out, a whole bunch of us were just excited noobs taking pictures of every and anything. My family’s seats were on the second floor balcony. I just couldn’t believe everything that was going around around me, nor where I was. I bought the programme, because I really wanted something physical from the soirée, aside from the ticket.

The Vienna Philharmonic was founded in 1842. It is formed by the best musicians from the Vienna State Opera. It is actually run by the musicians themselves. Every year, a conductor is chosen to direct the concerts, and for the 2025, it was Italian Riccardo Muti. Maestro Muti was born in Naples in 1941, and studied in the Classical Lyceum. He proceeded to move onto studying Piano, then Composition and Conducting. He began his career in 1968 as the music director of the opera festival Maggio Musical Fiorentino. He conducted the New Year’s Concert in Vienna in 1993, 1997, 2000, 2004 and 2018 before this year. In 2011, the Philharmonic awarded him Honorary Membership. He is also a bit of a troll.

The concert had two parts, including the encore:

First part:
  1. Johann Strauß I. Freiheits-Marsch, op. 226 – Freedom March
  2. Josef Strauß Dorfschwalben aus Österreich. Walzer, op. 164 – Village Swallows from Austria, waltz
  3. Johann Strauß II. Demolirer-Polka. Polka française, op. 269 – Demolition Men’s Polka, French Polka
  4. Johann Strauß II. Lagunen-Walzer, op. 411 – Of friends, Waltz
  5. Eduard Strauß Luftig und duftig. Polka schnell, op. 206 – Airy and fragrant, fast Polka

Second part:
  6. Johann Strauß II. Ouvertüre zur Operette “Der Zigeunerbaron” – Overture to the operetta “The Gypsy Baron”
  7. Johann Strauß II. Accelerationen. Walzer, op. 234 – The Acceleration, Waltz
  8. Josef Hellmesberger (Sohn) Fidele Brüder. Marsch aus der Operette “Das Veilchenmädl” – Fidel brothers. March from the operetta “The violet girl”
  9. Constanze Geiger Ferdinandus-Walzer, op. 10 [Arr. W. Dörner] Ferdinandus, Waltz
  10. Johann Strauß II. Entweder – oder! Polka schnell, op. 403 – Either … or! Fast Polka
  11. Josef Strauß Transactionen. Walzer, op. 184 – Transaction, Waltz
  12. Johann Strauß II. Annen-Polka, op. 117 – Polka Ana
  13. Johann Strauß II. Tritsch-Tratsch. Polka schnell, op. 214 – Chit-chat, fast Polka
  14. Johann Strauß II. Wein, Weib und Gesang. Walzer, op. 333 – Wine, Woman, and Song

Encore:
  15. Johann Strauß II. Die Bajadere, Polka schnell, Op. 351 – The Bajadere, fast Polka
  16. Neujahrsgruß (New Year’s Address)
  17. Johann Strauß II. An der schönen blauen Donau, Walzer, Op. 314 – The Blue Danube
  18. Johann Strauß I. Radetzky-Marsch, Op. 228 – Radetzky March

Vienna Silvesterkonzert 2024

Honestly, what can I say? It’s nothing and everything like what you watch on TV. The music was fantastic, but somehow it felt like the conductor did not do much, the orchestra did whatever they wanted, not in a bad way. They knew exactly what to do and just did it. I know next to nothing regarding classical music, but they made it feel absolutely effortless. I am not sure how much work they do on their own and how much they do with the conductor, but I can tell had Riccardo Muti a blast. At some point, when he was coming in and out, he knocked over some of the viola or bassoon’s music sheets all over – he was very apologetic about it. Also, although neither photographs or videos are not permitted (mine are totally… sneaky, you see), one of the ladies in the first row was shamelessly filming, and he winked and waved at her. Furthermore, he would just… jump during some of the polkas, which is a feat considering the man is 83 years old.

The concert always ends with Strauß’s Radetzky-Marsch, and the public is invited to clap along. Muti completely had the concertgoers in his pocket, controlling them (us) with a finger and a look. It was amazing to watch. All in all, he was absolutely… not careless but carefree. It was great to see, somewhat magical in a way.

Vienna Silvesterkonzert 2024

The concert felt much much shorter than the two and a half hours it lasted. We went down to the first floor for pictures during the intermission, and we were not the only ones. However, I think we kind of… snuck past the intern or something, not sure we were supposed to be allowed on that floor. People were having champagne but I only cared about seeing everything. I might be a bit… weird. I make no apologies. I really loved the experience. They say it is a once-in-a-lifetime experience, but to be honest, I would just try the lottery every year from now on. I mean, I now have the right clothing for it…

After the concert, we went back to the hotel where we had our dinner. To be completely fair, there was a part of me that would have totally wanted to go out to watch fireworks and Vienna’s way to celebrate the New Year – and then be an absolute wuss, freeze my butt off and need to come back to the hotel. But the grass is always greener on the other side of the fence, and since I did not get to see it… It must have been the most interesting thing ever! It’s okay though, because I got to see the concert, and it was already my once in a lifetime most interesting thing ever… But it took me hours to get to sleep, so maybe I could have explored some, because in the end I’m greedy and I want it all.

30th December 2024: A planned and packed day {Vienna, Silvesterkonzert 2024}

It was a crisp morning in Vienna when we got up. We went down for breakfast and it was not particularly well stocked. The coffee was… weak, so I decided to mix a cappuccino and a black coffee to get me the energy I needed for the day. I tried some local cake, but I did not enjoy it, so I decided to stick to bread and croissants. Thankfully, I did run into the lady from the day before, and her husband, during breakfast, and told her about our plans – that way at least someone in the group would know not to wait for us and we would not delay anyone. Apparently, we were not the only ones who had made their own plans either, as the excursion had been marketed as “optional” and yet it seemed to be “a given”. Even better, we came across the driver from the day before (despite him saying he had nothing to do with the trip), and we could tell him that we were not coming, either. As we stepped out, it was freezing – literally below zero – but sunny during the whole day.

We took the underground at Zieglergasse and headed towards the city centre. I asked my parent to use their phone for GPS and maps in order to keep my battery for as long as I could so I could be taking pictures throughout the day, so they would be guiding. Our first stop was the Hofburg – the former imperial palace – and the Sisi Museum. Empress Elisabeth of Austria (1837 – 1898) was the wife of Emperor Franz Josef I of Austria. She married the Emperor when she was just 16 years old, and was stifled by court life. She spent most of her time travelling and avoiding royal duties. Her perceived eccentricity – today we would call it depression – and assassination in 1898 helped create an image of a romantic heroine in the media that has reached today, especially through actor Romy Shenider’s portrayal in the 1950s.

Hofburg

The museum tells about her life by showing objects, portraits and reproductions of her clothes. Then, you step into the former imperial apartments, which have been refurbished with furniture from the 19th century to make them look real. The audioguide was… corny to say the least, and I kind of skipped most of it because I got bored.

Sisi Museum and Royal Apartments Vienna

I proposed the church of Saint Michael first, and then the National Library. However, my parent had been intrigued by the church that stood at the exit of the underground. Thus, we headed there. The Wiener Minoritenkirche, Friars Minor Conventual Church, is officially the Italian National Church of Mary of the Snows Italienische Nationalkirche Maria Schnee. The church was erected between 1276 and 1350, and it was one of the first gothic churches in Vienna, following a French pattern. There were many subsequent reforms, including rebuilding the bell tower and the spire again and again – today the bell tower is flat and the spire is gone. The interior altar is Neogothic, by Ferdinand Hohenberg. Since it was still around Christmas time there were Nativities and Christmas trees.

Wiener Minoritenkirche

Afterwards, we headed towards St. Michael’s Church Pfarre St. Michael. It started as a late Romanesque or early Gothic building, maybe in 1221. The following two centuries saw Gothic annexes added. The crypt was built in the 16th century. The organ was built in 1714. The Rococo high altar was sculpted by Karl Georg Merville, and it represents the Fall of the Angels after the War in Heaven, when Lucifer was banished; underneath, there is a Byzantine Virgin Mary from the Cretan school. The outer façade was rebuilt in a classicist style in 1791. Construction officially finished in 1792. The crypt is accessible in a guided tour, but considering it has about 4,000 bodies, some of them mummified and on display, I think I’m happy we did not take it.

Michaelkirche Vienna

I proposed going to the Library again, because it was cold and there would be toilets there. My parent took over guiding with their phone, and my sibling and I got distracted as we passed by the Stallburg, where we caught a glimpse of the Lipizzan horses chilling out.

Instead of reaching the Library, my parent decided that we wanted to see the Augustinian church Augustinerkirche, a mix of 14th century Gothic and 18th century Neogothic. The original church was engulfed by the Hofburg as it expanded, and in 1634 it became the official imperial church. May Habsburg weddings were officiated there, and a chapel to the side, called the Herzgruft (Heart Crypt), contains the hearts of the members of the dynasty, from Ferdinand IV in 1654 to Archduke Franz Karl in 1878.

Augustinerkirche

I did not get to go to the Library, but we walked past the Hotel Astoria, which opened in 1912. it was built in the a late Art nouveau style known as fin de siècle (end-of-century). At the time it opened, the hotel was the latest, with electricity, bathrooms and all!

We reached the pedestrian / shopping street Kärntner Straße, the neuralgic centre for Vienna shopping. There we… met the card-not-working lady and her husband again, in what would become a funny number of encounters. We also saw the Swarovski shop. We entered it because we thought it would be warm – and hey, it had a toilet, which was handy, considering we had left the hotel over four hours before. Swarovski is an Austrian glass producer, known for its crystal glass, used in jewellery, decoration, watches, accessories. The company was founded in the late 19th century with the idea of “making a diamond for everyone”. Since then, it has produced thousands of items – from Christmas decorations to sculptures to collectible tiny figurines to whole dresses for the Vienna Opera. The place was halfway between a shop and a museum – and we might have spent a bit more than we had planned there, especially considering we were not planning to spend anything.

Swarovski flagshop Vienna

We reached DO & CO Restaurant Stephansplatz, located on the top floor of the post modernist structure Haas House, constructed in 1990. Most of the building is a hotel now. The restaurant has a fun view of the cathedral Domkirche St. Stephan. My parent and I discovered the restaurant because the opening scene of Austrian TV series Kommissar Rex, which ran between 1994 and 2004. It follows the story of German Shepherd Rex, a police dog which is “transferred” to the homicide department after his original handler dies… at the DO & CO terrace. It is such a naïve series, I just love it. Think The A-Team ingenuity with an adorable GSD saving the day every time and stealing sausage rolls as a self-reward. In a later series, Rex would move to Italy, and there is currently a Canadian reboot too…

There were no doggies in DO & CO, but both service and food were superb. They had butter and bread, and small receptacles with different types of salt, and a note on how they should be used. For lunch, I ordered kalbsbutterschnitzel – delicious minced veal butter patties with cream, accompanied with mashed potatoes, fried onion rings and a small leaf salad. For dessert, I had an ice latte that I should not have had, but I saw it pass by and I was smitten. We snuck a number of pictures from the restaurant, too.

DO & CO Vienna

After lunch, we went into St Stephan’s cathedral Domkirche St. Stephan. The building is a mixture of Romanesque and Gothic, and it was initiated around 1137 and completed 1578, and as many as four construction stages can be seen – the first Romanesque towers, the later Romanesque church, the Gothic Choir, and the outer, newest additions. The roof is tiled with as many as 230,000 pieces, one side shows the mosaic of a double-headed eagle, and the other the coat of arms of the city and the country. The bell tower has twelve bells, and the interior hosts as many as 18 altars (plus the ones in chapels). The cathedral was built in limestone, so it looks darker than other churches its size (107 metres long, 70 metres wide and 137 metres high).

The high altar was built in marble by Tobias Pock in the 1640s in the Baroque style. It depicts the stoning of Saint Stephen, church patron and the first Christian martyr. He was stoned to death by the Israelites after a rather inflammatory speech in front of the Sanhedrin, defending Christ’s teaching versus the traditional Jewish ones. According to the Bible, this would have happened a couple of years after Jesus’ death, and before the Roman persecution.

St Stephan’s cathedral

My parents were tired and they decided to head off towards the hotel, while my sibling and myself stayed behind. We wandered around Stephansplatz, Rotenturmstraße, and Kärntner Straße, checking out the Christmas lights and decoration until we reached the Popp & Kretschmer fashion store. They are a luxury women’s clothes firm, which draw tourist crowds during Christmastime to see their huge bow decoration, which makes the whole building look like a present. They call it the Vienna Bow.

Christmas decoration - Vienna Bow

We also looked at the Vienna State Opera Wiener Staatsoper, which was prepared to celebrate the new year, with a neon display saying (in English) “Hello 2025”. It was stupidly cold though, so we might have stayed in an underpass for a few minutes longer than necessary.

Afterwards, we headed towards the Sacher Hotel. The five-star hotel was founded in 1876 by the son of a famous confectioner. When the founder died, his wife, Anna Sacher, became manager. She turned the hotel into one of the most refined in the world, catering exclusively to the aristocracy. This management lead the hotel to bankruptcy, and she had to sell the business to new owners, who restored it to its former glory. The hotel serves “the original Sacher-torte”, a chocolate cake coated with dark chocolate icing, and a thin layer of apricot jam in the middle, served with unsweetened whipped cream. It was reportedly invented by the father of the founder, and the recipe is kept a secret. There are other versions of Sacher-torte, but the hotel is the only one with legal standing to call theirs original.

We had a 17:30 reservation at Café Sacher, in the hotel. Sacher Hotel actually has two cafés. The more modern one faces Kärntner Straße and is called Café Bel Étage. It had a long queue – Christmas is peak season in Vienna, as we were quickly learning – but I had been informed that reservations accessed through a particular door. However, that was not where our reservation was – I swear, I did not see the different name anywhere. The historic Café Sacher had an even longer line, and no special door. I dared ask the doorman at the hotel how to get there, and he gave me a huge grin and said “skip the line, go through the exit”. Boy, that was… awkward. Very, very awkward. I though the people just outside would lynch us!

Staff came to check on us, and since our reservation at the Café Sacher was valid – I made the reservation in July, literally as soon as the spots open – we were shown into one of the small salons. The café has a perfect offer – Sacher Sweet Treat: a perfect slice of original Sacher-torte with whipped cream, a non-alcoholic hot beverage and a bottle of Römerquelle mineral water for 22.5 € (31.5 € with a glass of the in-house champagne, Original Sacher Cuvée). I ordered mine with sencha senpai, Japanese green tea. I enjoyed the cake more than I had thought I would, and the tea was great. The staff was incredibly nice, too. They must have been used to silly tourists.

Sacher & Sachertorte

We left the Café Sacher and headed towards the Spanish Riding School Spanische Hofreitschule. For my sibling, this was a core-memory event, so they insisted we got really, really good seats for the Gala Performance Galavorführung at 19:00, on the parterreloge – the box at ground level. The Gala performance is the longest exhibition the Riding School has, and it lasts 90 minutes, with a break. The horses were gorgeous, and the riders looked very cold, but everything felt strangely… cold. I think I liked the exhibit in Jerez Riding School better.

The Spanish Riding School, considered the oldest horsemanship school in the world, was established during the Habsburg Monarchy in 1565. It is dedicated to the breed and training of Lipizzan horses. Lipizzaners are a breed of riding horses developed during the Habsburg empire. It derives from Arab, Bavarian, Spanish and Neapolitan breeds. They were selectively bred so most of them are grey with white coats – albeit there is always a bay stallion in the Spanish Riding School. The breed itself might be traced to eight stallions in the late 1700s, and it was developed in Slovenia. The horses are considered so precious that they were evacuated during WWI, and “rescued” by the US army during WWII. “Lipizzan horse breeding traditions” has been considered Unesco Intangible Cultural Heritage since 2022.

Once bred, foaled and fledged, the Lippizaners are trained. This is done at the Spanish Riding school. The traditional horse training methods used by the school can be traced back to Ancient Greece, and like many other things, they re-flourished during the Renaissance period in the 16th century. The goal of Classical training was to prepare horses for warfare as part of the calvary. Horses train for six year after they turn four.

In Vienna, the Lippizaners are housed at the Stallburg, which is technically part of the Hofburg Palace. It is a Renaissance building from around 1560, originally conceived as a residence but that was later converted into the Imperial Stables. The Winter Arena was built in 1735, and has remained unchanged since then – including the chandeliers. The arena is presided by a painted portrait of Emperor Charles VI.

Vienna Riding School - winter Arena

There was something weird in the atmosphere that made it not feel all that… fun. Before every performance, a lady walked to the centre of the arena to introduce the exercises movements in German and English. The performance was pretty though. I tried to sneak a picture or two, but I was unsuccessful – and a bit worried they would kick me out if the venue. There were a total of six different numbers, and the show, including the introductions, was organised as follows:

  1. Alle Gänge und Touren der Hohen Schule – “All Steps and Movements of the High School”: four riders and stallions in individual choreographers, including the one dark stallion in the stable, with classical movements.
  2. Am Langen Zügel “Schools on the Ground: On the Long Rein” – the riders guide the horse from the ground, they are not on top of the horse, with movements such as piaffe and pirouette.
  3. Pas de Deux “Step by Two” – two riders-horses pairs work in tandem, mirroring each other.
  4. Arbeit an der Hand und Schule über der Erde “Working Hand and Airs Above the Ground” – with three main movements: levade, capriole and courbette. Four horses work with their riders on the ground, and two of them with the riders on the saddle, but without stirrups. When horses perform well, they get a sugar treat from the rider.
  5. Am Zügel “Schools on the Ground: Curb Reins” – only one horse and his rider, who only holds two out the four reins in their left hand, and they hold the riding crop upright in their right hand, a commemoration of the military heritage of the horse riding tradition.
  6. Schulquadrille “School Quadrille” (or Das Ballett der weißen Hengste “Ballet of the Eight White Stallions”) – eight horse-rider pairs have to coordinate with each other for a choreography, ending in the Radetzky-Marsch.

When the exhibition came to an end, we tried to go to the toilets. You had to scan your tickets and pay 50 cents. Really. Two hundred quid for the tickets and they charged fifty cents for the toilets, which were filthy on top? A total rip-off.

I got my sibling to the hotel, and then I left again to meet up with my friend D****e and her father Fr***, who were also in Vienna for a few days. They were even staying in a hotel close to ours, so it seemed that we had planned it in advance. We spent a couple of hours in a small eatery – Gschamster Diener – where they introduced me to kaiserschmarrn, fluffy shredded pancakes with raisins, powdered sugar and cinnamon.

Kaiserschmarrn

I eventually had to go back to the hotel and my room. There, I spent an hour trying to find a place to book lunch for the following day. After deciding not to plan anything on the 31st, my parents had a change of mind and suddenly I found myself tasked with planning and finding a place for lunch. Most restaurants were either closed or booked off. I was not a happy camper, but in the end I managed to find something… somewhat decent. My sibling suggested the Natural History Museum, the Butterfly House and the Library before lunch. I was absolutely sure that was impossible to cram three things in the morning. We would not even do the entire Natural History Museum, but at least we would be somewhere warm. I resigned myself not to see the Library, had a shower and went to bed.

29th December 2024: Arrival, Karlskirche & Prater {Vienna, Silvesterkonzert 2024}

With our plane boarding at 8:10, we aimed to be at the airport around 6:30, which was a successful endeavour. We had our boarding passes but we needed to drop off some luggage. As we needed formal wear, neither of us could just make do with a simple backpack or trolley. We had decided to bring a carry on each, and two large suitcases – one per room – for coats, jackets, dresses and so on. The travel agency had checked us in the day before, and we had separate seats, but that was not important since it is just a short trip early in the morning.

Once in the terminal, it turned out that Iberia did not have a drop-off counter as my parent was expecting, so we had to queue with the people who needed to check in, including non-Schengen and intercontinental travellers. We decided that two of us would line while the other two could sit down and wait for us. We stepped into the cordoned area, and suddenly… one of the attendants directed half of the queue out and into another area of check-in counters. All in all, it took us around 35 minutes to drop the luggage off. Not efficient, Iberia. Not efficient.

Luggage successfully checked in, we went past security, found our gate, and sat down for breakfast. We went to the gate early, and queued to be the first in our group because… I’m not even sure why, but it was too early in the morning to fight. I napped about half of the journey, and also took pictures of the landscape from above. Once we left Spain behind, the mountaintops were covered in snow, and the valleys in fog. This was a clue of how cold it would be when we landed in Vienna. We had a maximum temperature of around +3ºC throughout the trip.

From the plane window Flight Madrid - Vienna

We disembarked and made our way to baggage claim, where our suitcases were among the first few to come up, which is always a great feeling. Afterwards, we went out and found the people responsible for picking us up – the representatives from Blaguss DMC, the local agency which manages Viajes El Corte Inglés and Tourmundial in Austria and Hungary. First, they handed us our our hotel voucher, schedule, and tickets!! Upon opening the envelope to check that everything was correct, we found out schedule with a Vienna tour the following day that my parents swear they had never heard about – the truth is that it appears in the documentation as optional. The driver in charge of taking us to the hotel was… a character. My biggest regret though is that I did not run for a Costa Coffee while we were waiting for the other travellers to come out, but I only saw the sign when he had started moving.

We arrived at the hotel Elaya Hotel Vienna City West around 13:00. It was a four-star hotel that felt like it had dropped at least one and a half, and it was not any of the ones listed in the original documentation. There was neither a bar nor a restaurant, and the staff was not exactly friendly. I know it’s not nice to work during the holidays, but come on. I don’t think requesting two keys for a two-people room was that outrageous. At first, neither card worked to open my door, but after trying three times each card, both sides, I managed to get it open. And more importantly, though the warm option of the air-conditioning did not work, I figured out how to turn on the radiators.

The hotel room was… sad. It had a little terrace overlooking the interior yard, and two windows – the blinds were unmoveable on one and broken on the other. We unpacked, got freshened up, and went back down to find a place to grab a bite to eat. I approached reception to ask for a recommendation, and there was a Spanish lady trying to get the check-in attendant to help her with her card – she seemed to have the same problem I had had. She had no English at all, so I tried to help her out. The attendant just huffed and left to check the room herself, and I guess she managed to get the card working. When she came back, I asked for any restaurants around, and she pointed us up the street. We found a Greek place seemed okay, and that is where we ended up – at restaurant Mythos, which had very friendly staff, and decent food.

Afterwards, I would have gone towards the city centre. However, my parents needed a break and wanted to move as a group. Thus, I stayed in the room – we did not leave the hotel until 16:30, and by that time it was already getting dark. We walked to the underground stop Pilgramgasse. It was supposed to be just ten minutes away, but was a bit longer, I think we took a wrong turn.

The Pilgramgasse station dates back to the original 1899 Valley line, before electricity and all. The entrance was cast in iron, and it looked very cool. There, we bought seventy-two-hour tickets, which are awesome because you only have to validate them once, and then you can use all the transportation options in the city for 72 hours. The price of the pass was 17.10 €, so not that expensive – one trip is 2.20 €, so aside from the convenience, it is value for money if you plan more than seven trips. Though we did take more than that, the best thing is just being able to waltz down to the platforms without having to validate each time. It was also great that the frequency of the underground service was 8 minutes at the longest, and that was on Sunday evening!

We used the underground to find our stop next to Musikverein Wien (Vienna Music Society), where the concert would take place on the 31st. This was to gauge the time to get to the station and the underground system. Once we familiarised ourselves with the transport though, we realised that there was a better route. It included a change, but the station was much closer to the hotel, and the total time was around the same if you accounted for walking times. The Musikverein stands next to Karlsplatz, so once there we just had to cross the street to find ourselves in front of the church Rektoratskirche St. Karl Borromäus or Karlskirche, dedicated to Saint Charles Borromeo.

The cathedral was originally designed in 1713 by Johann Bernhard Fischer von Erlach. When he died, his son took over directing construction and altered some of the plans. Though the building is Baroque, it displays a mixture of elements – the dome, a Greek temple portico façade, monumental columns based on Rome’s Trajan Columns… The altarpiece was erected by Ferdinand Maximilian Brokoff after the elder Fischer’s design. It portrays the Assumption of Saint Charles Borromeo, the nominal saint, into Heaven. There were Christmas trees on both sides of the altar, which I found strange – I had always thought that the Christian church was not a fan of them.

Karlskirche Vienna

The dome is frescoed with a scene featuring Charles Borromeo, the Virgin Mary, and the Cardinal Virtues, by Johann Michael Rottmayr. Hanging from it, there was a modern art installation by artist Cerith Wyn Evans called Forms through folds (ascending)…. This sculpture is part of the Karlskirche Contemporary Arts Program, started in 2018. That was… weird, and really out of place amongst the Baroque frescoes.

We climbed to the upper levels. The first floor hosts a choir model and the organ, built between 1739 and 1847. Technically you can also access the treasury, but it was locked away. We continued up and stepped into the terrace, which yields to a bit… underwhelming… panoramic view of Karlsplatz and the city. Vienna is a great city, but the Karlskirche is not really looking at the scenery from above.

We should have tried the Vienna Museum next to the church then, but instead took the underground to the classical amusement park Prater, where we had dinner reservations a couple of hours later. Originally a hunting ground, Prater was the area where the 1873 World Exhibition was held. Some of the current buildings were erected at that time. In 1897, the first rides, attractions and puppet theatres were established – including the Ferris wheel Wiener Riesenrad, which is the current symbol of the park. Prater was severely damaged throughout World War II, due to bombings, trenches and fire, but it was eventually reconstructed using records from local artists who had drawn or photographed the area in all its glory. Nowadays, it is considered an actual park, which just happens to have rides on it, and part of it is protected as “green land”. The actual amusement park is called Wurstelprater. There are tons of attractions, rides, snack stalls, and there were even some musical activities going on.

Viena: Prater

But of course, it was Vienna, in a late December evening. It was late and cold. And dinner reservation was hours away. We almost decided to give it up and go back to the hotel, but we found somewhere to have a drink and warm up instead. Finally, we made our way to the Rollercoaster Restaurant, the place where we had – thankfully – reserved in November. It was packed. There were around 50 people waiting to come in, and most of them did not have a booking, and were turned away – there was even a group of people checking every 15 minutes if there was an opening. We took ten minutes to get to the front of the mob to finally get our table, but we were sat around 20:15. I was so happy I had pushed for the reservation! It made me further convinced that anything in the city centre or near a tourist spot might need a reservation, which in turn made me worried about the 31st “winging it” decision.

The Rollercoaster Restaurant works with a system of rails that hang from the ceiling and connect the kitchen to the different tables. The food is prepared by human chefs and distributed by two huge robotic arms. Once placed on the rails, it rolls and slides and gets to the right table – much like suitcases inside an airport distribution system. We were also on time for one of the robot shows, where they turn off all the lights and play music while the robot arms “dance”, and it was surreally fun. One of my parents was horrified, because they are more on the traditional side of things, but the rest of us had a lot of fun! The food was all right, too. I ordered baked schnitzel fingers served with potato salad, Gebackene Schnitzel mit Erdäpfelsalat, and we shared some baked Emmental with cranberry sauce Gebackener Emmentaler mit Preiselbeeren. I kind of wanted some apple strudel, but my portion was good enough, so I decided not to get any.

Vienna Rollercoaster Restaurant

We left around 21:30, and headed back to the hotel using the underground system. This time, we came out at a stop much closer to the hotel, Zieglergasse, which was neither pretty nor classical, but nearby and functional. Afterwards, there was just a shower and bed. I could not sleep right away though, because my mind was latching onto the group trip the following day. My parent had decided that we would just not show up – we had tried to warn the representative, but the driver said it was not his responsibility. I kept thinking that if we were not there, everyone else would wait for us and that was not a nice thing to do. It did not feel right. Maybe I’d meet the lady with the key problem, I thought, and warn her that we would not be tagging along. Hopefully.

Yes, I know. I worry too much.

19th December 2024: Themed visits at Madrid’s Museo Arqueológico Nacional (Spain)

There have been a lot of witches dripping into mainstream pop culture these last couple of months, what with Disney + / Marvel’s Agatha all Along and (half of) the musical Wicked released as a film. So when I read that the National Museum of Archaeology was running a special guided visit to the exhibition “Between Chaos and Cosmos: Nature in Ancient Greece” Entre Caos y Cosmos. Naturaleza en la Antigua Grecia and part of the permanent exhibition called “Nature, Magic and Witchcraft” Naturaleza, magia y brujería I thought “hey, the Heritage people are catching up with the times!” That day there actually were two guided visits, and the second one was centred around the sculpture Il Pugilatore. One was at 12:00, and the other one at 17:00, so they could be combined – hey, they were free, I just had to find something to do in-between.

Thus, I booked both visits and headed out to Madrid. I got to the archaeological museum Museo Arqueológico Nacional with ample time due to my distrust of trains. As I have the museum card, I decided to just walk in and wait for the time safe from the cold and the rain – and since it had just opened, from the crowds too. Though the ticket said to wait at the meeting point, the museum staff directed me somewhere else, and that is where I sat to wait ten minutes before the starting time. Apparently, a bunch of people did not get the information so when the time came we were few… and promptly joined by about half of the group once we had started.

The first visit was “Nature, Magic and Witchcraft” Naturaleza, magia y brujería. It started at the exhibition Entre Caos y Cosmos. Naturaleza en la Antigua Grecia – “Between Chaos and Cosmos. Nature in Ancient Greece”. As we walked in, the staff scanned a ticket and gave it to us.

The guide made a small introduction to Greek mythology with an emphasis on pre-Olympian “Chaos”. He mostly spoke about hybrids, such as satyrs or harpies, psychopomps (creatures that take souls to the afterlife after death), like Echidna, Cerberus, and the sirens. He also seemed to like the deity Achelous a lot. Achelous [Ἀχελώϊος] was the personification of one of the Greek rivers, a son to the Titans Tethys and Oceanus, and father of the sirens. He was able to shape-shift and would often be represented with small horns as he could turn in to a bull.

Regarding witchcraft, there is a small room in the exhibit about it, and the guide pointed out the concept of sisterhood, and some of the small artefacts and glass carafes. He mentioned the figure of Medea as the greatest witch in Greek mythology. That surprised me, because I had never associated her primarily with magic – I knew her from the Jason and the Argonauts myth, in which she originally helped Jason find the Golden Fleece, but she eventually killed the children they had together when Jason dumped her. Glad to know there was more from her than just being a “crazy lady”.

Afterwards, we moved onto the permanent exhibition. Unfortunately, the tickets we had been issued would not work any more because… reasons. Apparently, they could only be scanned once, and they had already been scanned at the exhibition. However, the person guarding the gates would not let us through without having a ticket beep – despite being with a member of the museum. It was solved quite quickly, but it gave off the feeling of everything being very disorganised.

In the permanent exhibition we mostly saw Talayotic and Iberian talismans and jewellery, then we moved onto the Roman area, where he mentioned the laws regulating the Augurs (people predicting the future), and some small curse tablets that the Romans slipped into each other houses when they were vexed – curses. All in all, the visit did not feel very on topic, just a number of objects vaguely connected together by a weak narrative. And witchcraft was the weakest topic, so it seems that the heritage people have not really caught up with the times. Oh, well.

Artefacts from Naturaleza Magia y Brujería MAN

Before I left the archaeological museum, I dropped by the new “archaeological news” room (Sala de Novedades Arqueológicas). Currently, it holds the exhibit Rostros del Turuñuelo. Los relieves de Casas del Turuñuelo. Guareña, Badajoz – a name larger than the exhibit itself: “The Turuñuelo faces. The reliefs from Casas del Turuñuelo, Guareña, Badajoz”. The Turuñuelo, or Casas del Turuñuelo, archaeological site corresponds to the Tartessian culture – a mix of Palaeohispanic and Phoenician traits which flourished in the south and east of modern Spain (and a bit of Portugal) between the 11th and 5th centuries BCE.

The exhibit is a collection of five faces dating from the late period, found within the ruins of a two-storied building. It seems that the building and everything within were destroyed, set on fire, and buried intentionally. It is possible that the faces found belong to sculptures that can be recovered amongst all that material. The faces, discovered in April 2023, are the first and only human representations associated to the Tartessian culture.

The faces from Turuñuelo

After the visit, I went to have lunch. There is this place I have wanted to visit for a while and it has never panned out. I would have actually wanted to have breakfast there, but whatever – this was doable and convenient. Located near the French Institute, it is a crêperie called Prep’ La Crêpe – it would make sense to think they’re French, but in reality they belong to an English franchise. I ordered a basil crêpe classique (melted cheese, mozzarella, tomato, basil and Mediterranean sauce), a Kick-start smoothie (orange, carrot and ginger), and a Belgian (black) chocolate crêpe sucrée for dessert. All in all, it scratched an itch that I had had for a long time, and it was not bad. A bit on the pricey side, I’d say, but what is not expensive these days?

Prep' la Crêpe lunch

Afterwards, I still had a bit of time so I decided to go into the National Library Biblioteca Nacional de España, where they had transformed the book museum into something called “Hell and Marvels” El Infierno y las Maravillas, which runs through the history of printing and knowledge (marvels), then the history of book banning (hell). The exhibition continues with thoughts on how information is preserved, in books and other formats. Finally, the museum is hosting two special exhibits, one around the writer Gonzalo Torrente Ballester Gonzalo Torrente Ballester, la travesía de un creador, and a collection of historical documents belonging a noble family El archivo del Conde de Orgaz. Una ventana a la historia. The archive was really interesting, with a lot of privileges given to the family by successive kings of Spain. The former count was a member of the Friends of the Library, and the exhibition is a homage to him, aside from showing documents dating back from as far as 1220.

Hell and Marvels, National Library

I then went back to the archaeological museum Museo Arqueológico Nacional for the second visit, with another long title Il Pugilatore y la escultura monumental en el Mediterráneo Occidental Antiguo: Cerdeña, Baleares y la Península Ibérica “The Boxer and monumental sculptures in the ancient Western Mediterranean Sea”. The sculpture Il Pugilatore, one of of the Nuragic giants found in the Mont’e Prama archaeological site in Sardinia, Italy. This ambassador giant, who travels the world to introduce people to his culture, is called Manneddu, and he is the statue in best conditions. He would have had a glove in his hand, and a dagger pointing forward, and his chest would have been painted red.

Il Pugilatore

The guide explained that these sculptures – archers, warriors, wrestlers and boxers – were supposed to be armed, but no weapons from either the period or the culture have ever been found. The giants were found, purposely moved and destroyed, in a necropolis for young men. The sculpture also had “little brothers” with the same poses, made in bronze, which have been preserved. That is how the archaeologists know the different weapons and stances they had. The giants are considered the first monumental anthropomorphic sculptures in the coasts of the western Mediterranean Sea, and the only ones in Sardinia.

We also heard about the similarities between the Nuragic towers, which were used for water management and as meeting points, and Talayotic ones in the Balearic Islands. Then, the guide ended up talking about the bronze bull heads that represent Talayotic cultures, and insinuating that they might have been brought from somewhere else…

Talayotic bull heads

The visit ended there. I then wandered around the museum for a little longer, then checked the Christmas market – and a classical merry-go-round similar to what I rode the previous week. Since it was dark already, the lights were on, but it was raining on and off, so the weather was not nice enough to wander around for long. Thus, I headed to the train to get home.

Classic Merry-go-round in a winter night

11th December 2024: CBA, hotpot and lights (Madrid, Spain)

Since I was meeting my sibling for the yearly event of Naturaleza Encendida in Madrid in the evening, I decided get there early and make the most out of the day. As I arrived, I headed to the Círculo de Bellas Artes (literally “Fine Arts Circle”). The CBA is a sort of NGO dedicated to culture and the arts. Its headquarters host many activities such as exhibitions, theatre plays, concerts, lectures… The building was designed by Antonio Palacios, one of my favourite architects. It has seven floors, some of them used for events, others for offices. There is even a small theatre.

The CBA was running an exhibition called “Messenger Species” Especies Mensajeras, by artist Álvaro Soler-Arpa. It is a collection of pieces created from animal bones and items found in dumps. Born in Gerona in 1974, Soler-Arpa is a multifaceted artist who does publicity illustration and creates distressing sculptures using animal bones as its medium to make the viewer to think about waste and pollution. This exhibition of modern art is described as “ecological art for reflection”. I thought that it could be either really good or a holier-than-thou approach, but my curiosity was piqued.

The exhibit collects selected pieces from four series of sculptures: “Toxic Evolution” (Evolución tóxica), “Devastated Nature” (Naturaleza devastada), “Design-methastasis” (Diseño-metástasis) and “Sculptures from the End of the World” (Esculturas del fin del mundo). It was… disturbing, but in a good way. It did not feel preachy. The idea is that nature is affected by the consumerism in current society, but not dying – adapting to it. The imagined futuristic animals are a warning sent through time – nature is resilient and it will survive. Us humans? Maybe not if we do not get any better.

Álvaro Soler-Arpa's Especies Mensajeras

There was another exhibition in the building about the consequences of war, but I decided I could not stomach that one. However, I had the access ticket, so I could take the glass lift to the famous terrace of the building – the one that kicked off a trend of opening terraces in Madrid to watch the skyline while having a drink. It was too cold and too closed to have anything, but I did get a nice view, especially of the Palacio de Telecomunicaciones and the Spanish language Institute Instituto Cervantes, both designed by Antonio Palacios too. The terrace is mostly flat, with a bar and an impressive sculpture of Minerva made in bronze by Juan Luis Vassallo. Minerva – Roman goddess of wisdom and art – is the symbol of the CBA. There is also a smaller and higher structure that looks like it could hold an even better view, but that was closed off.

Skyline from Azotea Círculo Bellas Artes

The CBA building has many cool spaces, such as the ball room (Salón de Baile) or the colonnade room (Sala de Columnas). However, my favourite part of the building are.. the stairs. They are designed as a double staircase with mirrors at the landings, and coloured windows alongside the steps. One of the sides is less bright now, because a building was erected and blocks the sun. I still find the staircase superb, so I hung around there for a while until the security guard gave me a weird look.

Stairs Círculo Bellas Artes

I left the CBA and walked down the street Calle Alcalá and stopped at Galerías Canalejas just to see what kind of decorations they had. It turned out to nutcrackers and elves inside and a huge Christmas tree outside. I still cannot afford anything they sell there.

Chrismas at Galerías Canalejas

I continued down towards the square Plaza de Oriente, where there was a classic merry-go-round – empty and ready to be ridden. Thus, since I have no shame, I went on it. The salesperson was incredibly kind, since I was the only rider – and an adult at that – and yet they directed me to a horse which moved up and down and showed me how to climb on it.

Then, I backtracked to the shop Turrones Casa 1880 in the street Calle Arenal, which hosts a small Museo del Turrón. Turrón is a typical Spanish confectionery eaten mostly at Christmas. It is mainly made out of processed almonds, and 1880 is probably the most famous brand – and it prides itself on the most expensive one. I am not a fan of turrón, to be honest, but it was almost Christmas, and if I was ever going to do it, that was the right time frame. The museum is mostly an audiovisual in a decorated cellar, with a photo-op, but the staff was really nice.

At 14:30 sharp, I met up with my sibling for a restaurant that I’ve been wanting to try for a while 壹锅火锅 Hotpot de Sichuan. Hotpot [火锅, huǒguō] is a Chinese type of stew based on a stock or soup that is kept simmering in the table itself, and you just grab the raw ingredients and dip them in the broth to cook them – imagine a fondue with broth instead of cheese. We ordered a menu for two, a pot with two broths, one mushroom-based and one meat-based. The dips were spring onion, coriander (which was not used, because I hid it), shrimp mince, thin beef slices, tofu stripes, Chinese black mushrooms, cabbage, and rice noodles, along with two sauces – one slightly spicy, and my beloved sesame and peanut sauce. The food was great, but at 15:40, the waiters popped up to tell us that they wanted to close the restaurant, and then stood up next to us until we finished and left. It was more than a bit awkward, so we hurried up to do so. While the food was great, the situation spoilt our experience a little, I think. We were still eating, not slouching around. I am not sure I would want to go back…

Afterwards, my sibling had to do some shopping, so we spent a while going up and down some shops and a department store, before we headed out to Naturaleza Encendida in the park Parque Enrique Tierno Galván. This is a yearly light show organised in Madrid parks – it used to take place in the Botanical Gardens, before it was moved to a larger area. The 2024 edition is titled Naturaleza Encendida: Life.

Naturaleza Encendida Life

To be fair, I was a little bit disappointed, as “Life” turned out to have mostly figures reused from the last few events. Though the organisers tried to build a narrative of water, land and air topics, the novelty had worn off. It was not bad, but the show keeps getting more and more expensive every year, with fewer and fewer perks for the VIP tiers. Furthermore, the new larger location does not imply more light sculptures – they’re just spread farther apart so they can fit more people without it feeling crowded, so it simply takes longer to walk it through. This has its advantages and disadvantages – it was good last year when we had to go on a weekend but this time around it just felt… colder. They also tried to give the whole thing an ecologist spin, and this time it did come out preachy… I mean, it is a show of lights, which technically could count as light pollution, without any actual… purpose… but charging you to watch pretty lights.

Naturaleza Encendida Life

Naturaleza Encendida Life

That was the end of the day, and we just headed home afterwards, but aside having to wait for the train for over half an hour, nothing to report on that end.

26th November 2024: Another Concavenator visit (Alcalá de Henares, Spain)

I had to run some errands in Alcalá de Henares in the afternoon, so I decided I would get there in the morning, and walk to the Archaeology and Palaeontology museum Museo Arqueológico y Paleontológico de la Comunidad de Madrid, MARPA. The exhibition “Dragon HuntersCazadores de Dragones was still running and since it was a random weekday morning, I thought it would be empty.

I was right, it was deserted enough that the security guard looked at me weirdly. Yes, I’ve been there before. Twice. I hope to be back at least once more before the exhibit closes in January 2025. The security guard should not be remembering me, I did nothing weird. Taking a few hundred photographs of a fossil is completely normal.

Why am I so obsessed about the Concavenator? Well, one does not always have such a unique fossil so handy, and for free. Furthermore, the usual home of the Concavenator does not allow pictures. And lastly, I’m a nerd. The species Concavenator corcovatus was described in 2010 by Francisco Ortega, Fernando Escaso, and José Luis Sanz from a single skeleton found at Las Hoyas site in 2003. The specimen was officially catalogued as MCCM-LH 6666. The animal was a medium-sized carcharodontosaurid. Carcharodontosauria, which included the likes of Giganotosaurus, Mapusaurus or Carcharodontosaurus, were a group of large theropods from the Cretaceous period. The skeleton was almost complete, with the tail and neck contorted in rigor mortis. The fossil shows two things that make it special – a hump or sail created by the spines of the back vertebrae, and the fact that some pigments were found on the fossil. Not unique but rare enough findings include impressions of skin and scales, and smaller bones in the belly area, rests of undigested dinner. On the arm bones there are insertions for ligaments similar to those that modern birds have at the insertion of feathers.

Concavenator corcovatus

The Concavenator lived around 125 million years ago, in an area of wetlands. Its teeth, general shape (it walked on its two hindlegs and had small-ish arms), along with the remains of animals that it had eaten, tell us it was a carnivore, and its placement in the carcharodontosaurid family, that it was a predator. However, no large predator is known for rejecting a good scavenging feed. The spikes or hump on its back, above the hips, can be clearly seen on the fossil, but nobody has any idea of what it was for – speculations have been made for communication means, fat deposits and thermoregulation. When alive, the animal would have been around 5 metres long, two metres tall, and 450 kilograms heavy.

Concavenator corcovatus details

All that to end up being dug up and named… Pepito, which is the diminutive of the diminutive of the Spanish version of Joseph. The equivalent of Joseph would be José, nicknamed Pepe, and changing the last “e” into “ito” – the suffix for small – would yield to something like Joey. So this magnificent predator was either named after a mini-mini-Joseph, or a small meat sandwich, which is also referred to as a pepito. Seriously, what happened to the illustrious tradition of Boaty McBoatface? This would have been a glorious Toothy McToothface (“Spanishised” as Dientito Caradientez or something).

Anyway, after the visit I dropped by the museum shop to buy myself some Concavenator-related merchandise. When was there the first time, I bought the exhibition catalogue, but since then they had received some silly cute items – I bought a pin, a badge, and a magnet, just because I could. Maybe as the exhibit draws closer to the end there will be discounts on other things…

I left the museum and decided that since it was way past 14:00, I should grab a bite to eat. As I had parked my car next to a shopping centre, I headed there with the idea of some Asian food. However, there is a burger joint that usually has a long queue and that some friends had told me was really good – as good as fast food can be, I guess. It is called TGB – The Good Burger. It is supposed to serve “NYC style gourmet hamburgers”. The place was empty, so I decided to give it a try.

I ordered a “Cheese Lovers” burger, which consisted of a beef patty, American cheese, goat cheese, Gorgonzola, sautéed onions, arugula and honey mustard sauce. It was… very cheesy. It was nice, but nothing I feel I must try again, especially when there are cheaper options in the shopping centre. And sushi. But at least, I satisfied my curiosity before I went off towards all my dull, grown-up errands which I shall not bore you with…

The Cheese Lovers burger

22nd November 2024: “Wicked” (film) on opening day (Madrid, Spain)

There was a time when you could mute words on social media to avoid spoilers. Since the algorithms have taken over and you can’t curate what you see any more, I decided that the best way to avoid Wicked spoilers was trying to see it as early as possible, preferably on opening day. Ideally, on the first screening on opening day, an English version.

For a change, “ideally” worked. At least, I found a screening at 15:45 on the day the film came out. It was a cinema with Spanish subtitles but I can live with that. I have seen the musical twice in the Apollo Victoria Theatre in London and I’ve loved it both times. Not only I’m a firm believer in the message of Defying Gravity, I also give regular thought to Dancing Through Life. Sometimes I also listen to No One Mourns the Wicked and get all philosophical…

Anyway, I headed off to Madrid with next-to-no information and no expectations, hoping to enjoy the film. I had been slightly surprised that so many tickets were already booked when I bought my own, but I gave it no more than a couple of seconds’ worth of attention, I just thought I was running late since I made the decision the previous weekend before heading out to see Ha·Ya·To . Since the film was rather early in the afternoon, I had to get to Madrid with time for a bite. One of my options was Yatai Market but in the end I decided to grab brunch at Toby’s Brunch Club, where they run an all-day brunch (here I went, cheating the system again, just like I did at the James Joyce – twice in one week, too). I tried to book online but the system only took reservations for two or more. Since the Internet said that it was usually quite busy, just thought I still had Yatai as a backup plan…

I arrived at Atocha Station and walked towards the brunch place. As I did, I had to walk past Caixa Forum, which is still running the exhibit on Patagonian dinosaurs, and the Patagotitan smiled at me. I, of course, smiled back.

Patagotitan mayorum

The very-busy brunch place was empty – weekday “crowds” I guess. I was the only customer there for the duration. Usually, not being able to book for myself on my own discourages me from a place, but I’ve been wanting a “typical” brunch for a while now. The brunch consisted of a cold drink, coffee or tea and two courses (22€). For my cold drink, I ordered orange juice, and for the hot one a coffee latte. The first course was a basket of breads with butter, jams and tomato paste, and a yoghurt with fresh fruit. As my second course, I ordered eggs Benedict with smoked salmon. Because I really wanted eggs Benedict and I can’t cook them to save my life. Everything was delicious, especially the yoghurt. The eggs were perfect. I think this would kill me before noon though, so glad I used it as lunch.

Toby's breakfast club brunch

After my brunch / lunch I still had some time so I dropped by the art gallery Museo del Prado. I used my museum card Tarjeta de Museos Estatales and the lady at the ticket booth told me she had never seen a card like that before. She took it to the back shop, and when she came back, it turned out that the card had stuck to another card, which explained why she was confused. I finally managed to get in, and spent about an hour there. There was a small exhibit called El Taller de Rubens (Rubens’ workshop) which analysed the master’s works and that of his apprentices which was very interesting.

Afterwards, I walked towards Yelmo Cines Ideal (passing by and waving at the Patagotitan again) to watch Wicked. When I got there, the cinema was still closed, but as soon as I turned away to snoop into a shop across the street, the doors opened. I found my seat and I found myself seated between two groups of high school and university students, who were complaining that their life was very hard, and that they had barely had the time to eat lunch before getting to the cinema. And a few of them were threatening to cry. And they were telling each other not to sing along. I had not realised there was such a big following of Wicked from the younger crowd…

After a few minutes of hearing them babble excitedly, I realised that all of them had listened to the songs on the Internet, or something, but they had never had the chance to seen the musical themselves – it’s debuting in Spain in autumn 2025. It made me realise how lucky I am to be able to jump onto a red-eye flight at a random weekend and go to London, and be there for the 14:30 performance at the Apollo Victoria Theatre.

Wicked film poster

In general, I enjoyed the film. More than I believed I would, because I went with zero expectations and I had managed to avoid any kind of spoiler and previous knowledge, except that Jeff Goldblum was the Wizard. The main cast includes Cynthia Erivo as Elphaba, Ariana Grande as Glinda, Jonathan Bailey as Fiyero, Michelle Yeoh as Madame Morrible, Marissa Bode as Nessa (kudos for an actual disabled actor playing a disabled character!), Ethan Slater as Boq, Jeff Goldblum as The Wonderful Wizard of Oz; and Peter Dinklage as Dr. Dillamond (voice).

I do not believe what I am going to say – but I thought Goldblum was the weakest character. I mean, he keeps playing himself, and Jeff Goldblum is not the Wizard (I had the same feeling when I watched Jurassic World: Dominion; he played himself, not Ian Malcolm). On the contrary, Michelle Yeoh was fantastic, her sole presence in a take stole the whole screen. I enjoyed seeing the animal characters a lot, as it is the bit of the musical that always feels a bit off. The logistics of landscaping Oz was a bit awkward at points, but I guess that’s theatrics and not… geography.

I found the music decent. As for me the most important thing was for the story to be faithful to the musical – which is more up my alley than the novel – I was rather satisfied. The best song, in my opinion was What is this feeling?, the camerawork was stunning. It was also great to see the cameo of the actors who portrayed Glinda and Elphaba on Broadway for the first time, Kristin Chenoweth and Idina Menzel – known worldwide today for Frozen’s anthem Let it go. The library scene and choreography for Dancing through life was also impressive.

What I saw of the subtitles was not a good sign though, because the message of No One Mourns the Wicked loses most of its meaning if you translate it as “she’s finally dead”. However, I am rather good at ignoring subtitles anyway. I am not sold on Glinda being all pink either. Too many Legally Blonde vibes there, I prefer ice-blue.

The film ended at the end of the first act of the musical, with the “main event” of sorts – Defying Gravity. Very showy, okay music-wise. It was more visually impacting than musically, and my mind was dubbing it with Kristin Chenoweth’s version anyway. At this point, half the theatre was sobbing, which I found slightly amusing.

All in all, I enjoyed the day and the film. I am looking forward to the second part, and having affordable Wicked merchandise I don’t have to save for special occasions. After leaving the cinema, I walked back, and since it was cold, I got there in record time – and then I had to wait 40 minutes for the train because of course I did.

18 & 19th November 2024: Apocalyptica Played Metallica in Madrid (Spain), so there I went

Planning for this short getaway started on the 23rd of February, when I bought my ticket for the Apocalyptica Plays Metallica Vol. 2 Tour 2024 stop in La Riviera in Madrid (50.50 €). Almost immediately, I headed off to Apocalyptica’s website to buy the VIP Tour 2024 Upgrade (58,90 €). The upgrade consisted on early access, photograph / meet & greet / autograph session (the important part), VIP lanyard, fabric patch, pin and tote bag. Honestly, all that for barely 100 € was a sweet deal. Back in Antwerp for Starset, someone I was queueing with complained that VIP tickets were too expensive for “a broke uni student”, but for me, meeting with the artist, albeit briefly is usually worth it – early entry is a plus, too, because for some concerts I either find a barrier spot or I just have to go to the back. The bundle was dispatched on the 9th of June (according to the email. Do Finnish post offices open on Sunday?) and it arrived on the 18th.

I originally booked a cheap hotel about half an hour’s walk from the venue. Later, I decided that I preferred the more expensive one less than 10 minutes away, so I changed my booking a week before the concert. I did not book there originally because it required prepayment, and my card was playing up..

On Friday the 4th of November I received an email with instructions for the Meet & Greet, which was to start at 18:30, and I should be there at 18:15. All right, I could do that. It was only a matter of waiting.

On Monday, 17th of November, I took a morning train to head out to Madrid with some leeway for time because I needed to do some small item shopping. I had to dodge some guys trying to get people to sign up for an NGO, but at 11:40 I made it to my first stop of the day – the light museum Museo de la Luz. I had been putting this visit off to go with someone who had expressed interest. However, I also waited for another exhibit and I missed my chance as it turned out to be only temporal. Thus, I decided to head to the Light Museum on my own – it was also one of the few exhibitions open on a Monday morning.

The Light Museum is a modest exhibition with interactive artworks that are mainly made out of lamps, lasers and lights. When you come in, you are given covers for your shoes and a key for a locker – all for free. Then you wait until an attendant takes you in and shows you how to interact with the first artwork “The birdcage” (La Pajarera), a box made out of light and metal that you make change colours with the movement of your arms. Once you know how to “play” with the art, you are left on your own to wander for an hour. At first I thought it would be tight, but the place was small – a bit too small for the price, I thought. I was there for around 40 minutes in total.

There were few people and I was able to check out most of the artwork uninterrupted. The next exhibit is made out of a number of old music festival lights – those that gave a lot of heat from the 90s, which are supposed to be a reference to climate change. Then there is a giant kaleidoscope you can walk in – this one became my favourite. Other rooms or works include a wall of lights that follow you as you move or dance, something with lasers (that I think was broken), some light illusions, a room full of hanging lights, a cube of mirrors and light… At the end there is a wall reading “light museum” in differently coloured lights. When I left, the lady at reception gave me a badge for booking with the official website.

Light Museum Madrid

Light Museum Madrid

I walked out and headed towards the restaurant where I wanted to cheat the system. I crossed the square Puerta del Sol, where they were setting up the Christmas tree – it was about 45% Christmas. On my way, I walked by the underground stop Metro Banco de España which has a tiny door for Little Mouse Pérez – Ratoncito Pérez, the Spanish equivalent to the tooth fairy. I never remember to check it out when I am around, but I made the connection this time.

I finally made it to the James Joyce Pub – which is technically a sports bar. I was not there for the TVs though. I had a while back found the place looking up places which served English breakfasts in Madrid. The James Joyce prides itself in being an Irish pub and offers Irish All-Day Breakfast (12.00 €) – two pork sausages, two rashers of bacon, baked beans, fried egg, sautéed mushrooms, grilled tomato, blood pudding, chips, two half-toasts and butter. No, I would not survive that for breakfast, so I ordered it for lunch (and dinner), thus tricking the system indeed. Unfortunately, it was really good and authentic, so now I’ve got to come back for the sausages and the shepherd’s pie, so at least twice.

James Joyce Irish breakfast

After lunch, I headed out towards the park known as Madrid Río. The park runs along the banks of the river Manzanares. It covers 121 hectares, and it was designed after to cover the space emptied when the belt road M-30 was rebuilt as an underground tunnel. The original project was created by a team of architectural studios and landscapers, with strong ecological consideration – aiming to help the area recover from the degradation and pollution caused by years of road traffic. The project was carried out between 2006 and 2012. In 2015, a second project was carried out to “renaturalise” the river, opening the dams to allow the water to flow freely, which in turn caused the recovery of many plant and animal species (to the detriment of… the local rowing team).

There are also bridges that connect both banks of the river. One of them is the one I crossed – just because I could. It is the pedestrian bridge Puente Monumental de Arganzuela, designed by Dominique Perrault. It is a bridge in two parts – one crosses the river, the other overlooks the park and connects to the urban area, and a total length of 278 metres. It is a tube made out of steel and wood that I’ve been wanting to check out for a while.

Arganzuela bridge

Another important bridge is the completely different Puente de Toledo, a baroque bridge built by Pedro de Ribera. It was erected in granite between 1717 and 1732 as the previous ones had been taken down by torrential floods. This one was made to stay, with nine solid arches opened to allow for the river floods. It was… ready for Christmas.

Madrid Río and bridges

It was weirdly warm for a November afternoon, so when I went to my hotel I opened the window while I had a shower. Around 17:00 I headed out to the venue, where there was a small group of people waiting already. La Riviera is a 1,500 people venue, with really good acoustics – and very dedicated staff. The place was originally a cinema, which was turned into a disco, and then into a music venue and nightclub. It is the same place I saw Epica and Apocalyptica in 2023, and I was surprised how many people came for the M&G considering that last year we were… six. We were around 30 this time around.

At first we were chatting in front of the main door, but soon a queue started forming. A little later, the nice security guy (who last year told me “I looked the part of an Apocalyptica fan”) took us to a secondary door, and the queue was properly organised. Surprisingly, bags were not checked – while last year they even took markers from people.

Apocalyptica is a Finnish symphonic metal band. It was formed in 1993 as a tribute to Metallica with a classical touch – playing with cellos. Their debut album Apocalyptica plays Metallica by Four Cellos was released in 1993. They slowly moved from covering other bands in a neoclassical style to their very own repertoire. Today, the members are Eicca Toppinen, Paavo Lötjönen and Perttu Kivilaakso, three classically-trained musicians with a deep love for metal. In 2024, they have gone full circle with the album and tour Apocalyptica Plays Metallica Vol. 2, performing with drummer Mikko Kaakkuriniemi.

Apocalyptica Tour 24/25

We were ushered into a queue for signatures, and afterwards we would go at the end of the line to wait for photographs. I had brought a print-out of the picture from the previous year, and I told them that whenever they came to Madrid, I would come see them. I got a smile for that. It was an awesome photograph, after all. After everyone had their stuff signed we had the photographs. I asked for “a big metal hug” and got trolled instead. Fun times though!

After the photograph, I found a spot at the barrier. Last time I got on the right, this time I went left. Just a little. I did not want to go dead centre in case anyone decided to moshpit, but I might next time as there was no issue – everyone was too entranced for anything like that, I’d say.

The opening act was the Finnish band Arctis, a baby band who has just debuted with their first CD. They were pretty fun, maybe… a bit… too happy bouncy for metal? I’ve read their act described as metal-pop. It might be. I liked them okay, and they were nice.

Setlist:
 1. I’ll Give You Hell
 2. Remedy
 3. Tell Me Why
 4. WWM
 5. Bimbo (Lambretta Cover)
 6. Fire
 7. Frozen Swan
 8. When The Lights Go Out
 9. Theater of Tragedy

Arctis at La Riviera 2024

Arctis at La Riviera 2024

Apocalyptica came on stage at 21:00 sharp, and the live was glorious. All the songs were Metallica covers, from the new album, the first one, or the remastered version of Plays Metallica released in 2016. Despite that, one would not even have to be a Metallica fan to enjoy the concert, because the three men that compose Apocalyptica have an amazing magnetism. Perttu reminds me of the Duracell Bunny, he just did not stop for a second throughout the whole concert, which lasted a good two hours. Paavo seemed to be in his own little world, as he usually does. Eicca is the one doing most of the talking, and he is hilarious when he delivers his puns with a total deadpan voice and face.

Setlist:
 1. Ride the Lightning
 2. Enter Sandman
 3. Creeping Death
 4. For Whom the Bell Tolls
 5. Battery
 6. The Call of Ktulu
 7. St. Anger
 8. The Four Horsemen
 9. Blackened
 10. Master of Puppets
 11. Nothing Else Matters
 12. Seek & Destroy
 13. One

The audience was mostly moved by Nothing Else Matters, I’d say, judging by how they chorused it. Perttu was all in for that. Personally, I found Seek & Destroy and One, particularly, to be extremely powerful. Also, knowing that they dug up the original bass track from deceased Metallica member Cliff Burton for The Call of Ktulu was half-amazing and half-chilling. All in all, it was a fantastic concert, no matter how one looked at it.

Apocalyptica La Riviera 2024

Eicca Toppinen . Apocalyptica La Riviera 2024

Paavo Lötjönen. Apocalyptica La Riviera 2024

Perttu Kivilaakso. Apocalyptica La Riviera 2024

Apocalyptica La Riviera 2024

Afterwards, Arctis was hanging out by the merch. I got their CD, they signed it, we took a photo. It was fun!

I left the venue and I brought an ice-cream and a sports drink for “dinner” of sorts, because I was thirsty. I had both in the hotel room before my shower – the second of the day – and collapsing onto the king-sized bed. I had to wait for the phone to finish charging before I slept though, so I watched a movie before I zonked out.

I woke up on Tuesday, 18th of November and drank my coffee before I set out. It was freezing out there, with frost on the grass, in spite of the warm afternoon the day before. On my way, I found the ancient walls of the city, remains from the old Moorish fortress alcázar, which stand to the side of the Royal Palace and the Almudena cathedral. I walked towards the centre of Madrid – The Sol Christmas tree was about 60% ready – to meet up with my relative for breakfast at a new place called Kawaii Cafe. Inspired by the Japanese kawaii [可愛い]. Kawaii means pretty, childlike, cute, and the Kawaii Cafe has taken the idea to heart, maybe not not in a complete accurate manner though. Everything is pink, full of fluffy and glitter. The food is not only tasty, also pretty. However, the wait staff is dressed as “maids” [マイド], which I tend to associate more to the… hm… more risqué side of hospitality. When food is brought out, you are offered to chant a spell for it to be even tastier.

I found the place existed by chance, and I was instantly smitten by the rainbow waffles, because they were adorable, and very, very rainbow-like. Thus, I ordered them, along a matcha latte. My relative tried the pancakes with a cocoa. She was ecstatic at the quirkiness of the place.

Kawaii Cafe Madrid order

We stayed for well over an hour, and then headed out to one of the local museums Museo de San Isidro – Museum of Saint Isidore the Labourer. Isidore is the patron saint of Madrid. He is credited with several miracles – multiplying wheat and food, having his oxen plough on their own, and rescuing a child from a well making the waters inside rise. According to tradition, the museum is housed where he used to work, and legend has it that the old well is the one he pulled the child from.

Today the museum hosts some palaeontological and archaeological exhibits, from a mastodon and ancient rhinos to Medieval artefacts, running through the Roman occupation and the Muslim period. The place is a complement to the Museo de Historia de Madrid, or maybe its competition, though I think both belong to the same institution – and both are free. As the building is a historical place, it offers the chance to enjoy its small but beautiful Renaissance courtyard, with sculptures of mythological heroes, and of course St. Isidore and his wife. There is also a tiny Baroque chapel.

San Isidro Museum

San Isidro Museum: chapel, well, and courtyard

Right next to the museum stands the Baroque church of Saint Andrew the Apostle Iglesia de San Andrés Apóstol , which was getting ready for Christmas. The church is one of the oldest in town, though it was rebuilt after its destruction during the Civil War, and it has been recently restored. It hosts a number of religious sculptures and a painted vault above the altar.

Saint Andrew church Madrid

We took the underground at the station Tirso de Molina, which can still be accessed through the historical entrance hall, which is similar to the one that was closed off in Pacífico. It was beautiful, though of course busier than the museum one. Over the entrance to the platform there is a tile mosaic with the old shield of Madrid, dating back from the original station. It was installed in 1921, and it is the oldest artistic item in the underground network.

Access Hall at undeground station Tirso de Molina

From there we commuted to Nuevos Ministerios, where they had just kick-started the Christmas market. It seemed to be the “brands” market, with Lego, Disney, and so on. There was also a food truck by a famous chef selling basically chicken sandwiches at outrageous prices. I had been vaguely curious but not going to break the bank for a chicken sandwich, especially after such a breakfast!

I took a train from there back home, with no incidents whatsoever (because by now I’m desensitised to trains being late…)

7th November 2024: The Spanish Cultural Heritage Institute (Madrid, Spain)

I know you do not believe me when I say I don’t like guided visits, but they are the only way to do some stuff – such as stepping into the Stonehenge circle, or basically anything managed by the Madrid city hall. The Spanish Cultural Heritage Institute Instituto del Patrimonio Cultural de España IPCE is a governmental organisation whose functions are preservation and conservation of cultural items, research, communication, and safekeeping of the documents in its archive. It can only be visited on certain dates, by appointment, and with a guided visit. I managed to secure a free Thursday visit at noon, so I headed out to Madrid. Surprisingly, neither trains nor underground had issues, so I was over an hour early on site. The IPCE is located in its own building in the area known as “University City” (Ciudad Universitaria), close to the Fine Arts faculty – by design – and the President’s official residence – by chance.

The headquarters building was commissioned in 1965 to architects Fernando Higueras and Antonio Miró. The architects’ original project had to be severely modified, but it became a very different structure. Construction was stalled for years, and the building was not usable until 1985 – when new remodelling was tackled. The building is circular, nicknamed the “Crown of Thorns” (La Corona de Espinas) because at the top there are “spikes” of sorts. Top-view, the structure is divided in 30 sectors, with 56 semi-sectors and four empty ones for the main access staircase and gate. It has four floors and at least one basement. It was built in concrete and glass, with some cork floors, but lacking plaster or any kind of concealment for the structural items. The centre of the building is an open space with a glass dome, and serves as reception. Unlike the original project, this space is covered with a glass vault. The interior has a lot of plants, even three small “gardens” mainly with hanging plants. The building is considered an important cultural asset BIC (Bien de Interés Cultural), and these plants are protected along with the structure.

Spanish Cultural Heritage Institute building

The visit consisted of an introduction to the building and the work which is carried out there. We saw the model of the original project – the only similarity is that it was also vaguely circular. We climbed the stairs to the upper floors to snoop at the rooftop and the “thorns”, and then rode the lifts down to the basements to see some X-rays of paintings and sculptures. Back on the main floor, we were shown into painting restoration workshop – they were working on Maerten de Vos’ Abundance, having repaired the work and erased some extra (puritan) clothing to make the goddess Ceres look less… naked. Finally, we were invited into the library, which is round and has three levels. It has natural light due to its own skylight, a decorative glass dome in the middle of the main open area.

Spanish Cultural Heritage Institute inside

The visit started at noon, and it lasted two hours. Heading out to the centre of Madrid would take around half an hour of walking and underground. Thus, it gave me the opportunity to book a late 15:00 lunch. Since I was lucky with my connections, I was in the Cuzco neighbourhood almost half an hour in advance.

It was the perfect opportunity to go get some groceries at the Chinese supermarket Ibero China Madrid in the street Calle General Margallo. While I needed some items, I was distracted as I walked the “geek” fizzy drink aisle. There is a company called Ocean Bomb which makes sodas – sparking water, yoghurt drinks and bubble milk tea with “creative packaging”. I was aware of them because a friend collects the Sailor Moon ones and we checked for them in London in 2023. Well, now I went and found myself some Saint Seiya sodas – Gemini Saga (grape yoghurt flavour) Aries Mu (apple yoghurt flavour) and Virgo Shaka (peach yoghurt flavour). They were out in 2023, but I had not heard about them, it is the first time I saw them. And of course, I bought them (I have no idea if they are official or not, but the publicity I found afterwards has the Toei stamp on it, so I’m hoping they are).

For lunch, I had a reservation at Comic Planet. Last time I was there, a member of the party was late, so in order to keep the table, we ordered appetizers. They were great, but afterwards there was no stomach-space for dessert. And dammit, I wanted some dessert – particularly, I wanted pancakes. I had been looking at coming back to Comic Planet for a while just to have them, but it never worked out. This was finally my moment. I had a lemonade, some nachos – which were delicious – and I finally got to eat my pancakes – which are green and called Hulkcakes, and come with whipped cream, brownie and shortcake crumbles , and around ¾ of a strawberry. I ended up extremely full, but happy.

Comic Planet lunch

Oh, and I was confused because it was early November but… already Christmas in Comic Planet!

Comic Planet Christmas decoration

I left the restaurant and headed towards the archaeological museum Museo Arqueológico Nacional, which is running a temporal exhibit regarding Nature in Ancient Greece “Between Chaos and Cosmos: Nature in Ancient Greece” Entre Caos y Cosmos. Naturaleza en la Antigua Grecia. It hosts over one hundred pieces of classical Grecian art. Most belong to the museum’s own collection, acquired from the 19th century collector Marquis of Salamanca, and some are national and international loans. Since a large percentage of items were original and not replicas, it was really cool. Then again, I have to admit I have a thing for Grecian vases, especially with mythological motifs.

Entre Caos y Cosmos. Naturaleza en la Antigua Grecia

The exhibition was not big, so later I used my National Museums card Tarjeta de Museos Estatales to go and take a walk around the permanent exhibition. There is a loaned exhibit from the Mont’e Prama archaeological site in Sardinia, Italy. Mont’e Prama was discovered in 1974, unearthing remains from the Nuragic culture (1800 – 700 BC). This Bronze Age civilisation created large sculptures called the Giants if Mont’e Parma (Giganti di Mont’e Prama), depicting wrestlers, archers, warriors and boxers. One of these colossi Il Pugilatore (The Boxer) has been brought to the MAN for display for a few months. Boxers were characterised for having a glove with metal reinforcements on their right hands. Il Pugilatore is the largest sculpture, two metres tall and 300 kilograms heavy – which has been travelling across the world to promote the archaeological site. There was… something imposing about the whole thing, and not even its size. Some kind of… presence there. It made me want to visit Sardinia, to be honest (and it is much, much affordable than Easter Island…), so I guess the promotion… worked?

Il Pugilatore

I took a stroll through the permanent collection afterwards, especially the Iberian and Talayotic areas, because I am fascinated with them these days – and I shall make the most out of my pass for as long as I can. It was getting dark though, and the commute to the IPCE had taken long, so I headed back.

Museo Arqueológico Nacional

23rd October 2024: Brussels & Charleroi Terminal 1 {Belgium October 2024}

Whilst part of me wanted to stay in Antwerp [Anvers | Antwerpen] and visit the chocolate museum Chocolate Factory, it opened too late for me to be comfortable with the later flight schedule. Beside, I had my Art Nouveau Pass. Thus, I headed off back to Brussels [Bruxelles | Brussel], to visit the Musical Instruments Museum Musée des instruments de musique | Muziekinstrumentenmuseum. The museum is located in the former Old England department store, built by Paul Saintenoy in 1899 in the Art Nouveau style, mostly out of glass and girded steel. The building itself was pretty interesting and I found the idea of an “audioguide” with the sounds of each instrument endearing. I spent longer than I thought I would there.

Musical Instrument Museum building

Musical Instrument Museum Brussels

I then headed off towards the central square Grand-Place | Grote Markt to find the third of the typical Belgian foods I wanted to try – moules frites. This dish comes in two servings: one of Belgian fries and another one of boiled mussels. I chose a restaurant called Brasserie Le Cerf that I had checked online the previous night. Since it was still early, I was alone in the place. The mussels can be prepared with a number of add-ons and sauces, but ordered mine plain. I thought it was adequate for the first time. The mussels came boiled with a little celery and leek, and I really liked them. I passed on the Belgian beer, because I’m not a drinker of alcohol. As an appetiser, the restaurant provided bread and butter and everything was lovely.

Moules frites

I wandered a little around the area and I found the shopping area Galeries Royales Saint Hubert, where I saw some lovely chocolate in a cute little Art Nouveau shop – but way out of my budget. I also saw a giant smurf, and considered a second comic exhibition in Horta Gallery. However, I was weary of the fact that my bus had to go around Brussels at the after work rush, so I decided to give myself a wide berth of time to get to the airport Brussels Charleroi. After all, I had been there before and there were plenty of shops and things to do. Unfortunately, that was Terminal 2. This time around my flight left from Terminal 1, which lacks even decent seating space. Whoops. At least there was a toilet and a fountain to get some water.

Around the Grand Place

The flight was on time, but once again I had been assigned an emergency exit seat. I approached the flight attendant to explain that I have reduced mobility on my right arm, and she found someone to exchange seats with me – the biggest guy on the plane, it seemed. He probably enjoyed the extra room and empty seat next to him, and I did not have to stress. Not that I actually expected anything to go wrong, but just in case…

Since I had no checked luggage, once we landed I was out of the terminal quite quickly. I had to wait for the bus to the parking lot for a while, but I was on my merry way and home without issues and with having had great experiences, talked to great people, and met fun artists. And I’ve got a new guitar pick for my very modest collection of (now three) picks!